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Prism Sound Launches ‘Bitesize’ Webinars

The enormous success of Prism Sound’s Audio Design Workshop LIVE event at the 51st AES Conference in Helsinki has inspired the company to launch a new, free webinar series – Audio Design Workshop: Bitesize.

The Bitesize series delves deeper into the audio engineering and measurement topics already discussed in Prism Sound’s popular Wednesday Webinars series. These free seminars, which are available to download from the Prism Sound website, have already covered a range of technical issues surrounding audio test and measurement and are now widely regarded as a valuable educational resource for audio engineers working in a diverse range of industries.

The launch of Audio Design Workshop: Bitesize takes the concept a stage further by delivering a detailed insight into modern testing techniques and their underlying theory. Each webinar will last roughly 30 minutes, ensuring it remains concise and relevant.

The first Bitesize webinar will take place on December 18th 2013 at 14.00 and 18:00 (UTC/GMT). This inaugural seminar will cover FFT Fundamentals and will discuss the six essential steps in audio test and measurement:
• Why you need to understand Fourier Theory
• The significance of the Time-Frequency Relationship
• DFT/FFT and why they matter
• How to choose the right window function for your measurement
• Avoiding the ‘Picket-Fence’ effect and the errors it may bring
• Make the most of your FFT – special measurement techniques
Each webinar will include live demonstrations and a Q&A session.

Anyone wanting to attend should register at www.prismsound.com/webinars to receive their session login details. Please check the Prism Sound website for information about future Bitesize webinars.

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About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

Prism Sound’s Audio Design Workshop LIVE Travels To Helsinki

High profile guest speakers from Texas Instruments and Klippel are joining the next Prism Sound/Oxford Digital Audio Design Workshop LIVE, which takes place in Helsinki on August 21st, 2013. In an industry first, this groundbreaking event will be webcast live from the 51st AES Convention to audiences around the world.

The registration page for the live webcast can be found here:

http://audiodesignworkshoplivehelsinki-SS.eventbrite.com

The event, which is held in conjunction with the Audio Engineering Society (AES), is open to all engineers, engineering managers, students and academics involved in audio engineering. It will feature seminar sessions and workshops hosted by some of the most experienced engineers in the audio industry who will share their knowledge and practical expertise in active loudspeaker design, providing the audience with an opportunity to learn from their many decades of collective experience.

“The seminar sessions will cover aspects of analogue and digital audio system design and optimization, with a major emphasis on real-world, practical problem solving,” says Simon Woollard, Test & Measurement Product Specialist at Prism Sound. “Our audience will have plenty of opportunity for hands-on experimentation, and for networking with the presenters and other participants. This is a fantastic chance for everyone involved in audio engineering to learn the tricks of the trade from luminaries within the audio industry.”

Prism Sound and Oxford Digital, who have joined forces to organise the Audio Design Workshop LIVE series, have extensive experience in the field of audio engineering.

Prism Sound has been developing audio measurement solutions for over 25 years and has pioneered many major innovations in this field. The company offers high quality audio analyzers that are suited to a wide range of test and manufacturing environments.

Oxford Digital specialises in digital audio signal processing for mobile and consumer equipment. Its products include an extremely compact audio DSP core with a rapid programming and development environment and Sonic Tuning Tools that allow rapid optimisation of the sound reproduced by compact loudspeaker systems. The complete toolset is targeted at reducing time-to-market and lowering software maintenance costs.

Audio Design Workshop LIVE will feature seminar sessions and Q&A opportunities where delegates will have the chance to ask the panellists for answers and advice.

Places for Audio Design Workshop LIVE are limited and anyone wishing to take part is encouraged to register now. This can be done online via the dedicated registration page: http://audiodesignworkshoplivehelsinki-SS.eventbrite.com or by calling +44 (0)1353 648 888.

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About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

iZotope Presents 10 Tips from an RX Pro with Mike Thornton

Learn how to “RX it” like a pro with audio guru and Sound On Sound columnist Mike Thornton

Mike Thornton is a sound designer, audio producer and a Pro Tools specialist who works in radio, TV sound & digital media. He is also Deputy Editor of Pro Tools Expert and a Sound on Sound columnist. Chances are he’s encountered a noisy situation like the one you’re facing, and he’s ready to show us how to fix the problem with RX 2.

Please check out these comprehensive, free video tutorials and share the following link in your social media, e-newsletters, on your blogs and websites:

http://www.izotope.com/products/audio/rx/protips.asp (videos available in English and German!)

This series features real-world examples of audio rescue, including:

  • Reducing hiss caused by a bad microphone cable
  • Repairing clipping in a poorly recorded interview
  • Reducing hum from a one-time-only recording
  • Removing camera sounds from wedding vows
  • Eliminating feedback from a bad PA system
  • Tackling mobile phone interference and buzz
  • Removing mobile phone text alert sounds
  • Cleaning up recordings from a drama performance
  • Reducing noise from a trade show floor
  • Removing clicks and crackles from old recordings

For more information about RX 2, please visit http://www.izotope.com/products/audio/rx/

New cost–effective KanexPro HDMI Matrix with up to 32×32 I/O’s

May 16, 2013. Getting ready for InfoComm? Don’t forget to check our new, best-in class HDMI™ Matrix Switcher for all your AV integration needs.

The KanexPro HDMI 32×32 (also available in 4×4, 8×8 & 16×16) matrix is an ultra-high performance, digital matrix switcher engineered to route HDMI signals from 32 inputs to 32 outputs. The unit provides full HDCP internal management for today’s integration in commercial A/V market, ensuring HDCP key authentication, and administering the handshake internally. It maintains resolutions up to 1920 x 1200, 1080p or 2K, supporting full cross point switching. The matrix supports smart EDID management for rapid integration of sources and displays.

HDMI, Matrix, EDID, HDCP


Fully controllable through RS-232 commands, IR remote and front-panel buttons, this switcher includes 10-global presets for I/O configurations which allows saving and recalling via the front-panel, IR or through serial control at any time.

Today’s Applications

The KanexPro HDMI 32×32 matrix switcher is ideal for countless commercial applications such as military, medical and government environments where swift, reliable switching and distribution of high-resolution DVI/HDMI signals is critical to meet pixel-by-pixel needs.
To get a quote or for more information please call us at 888-644-4149 or visit KanexPro.com

About KanexPro™

Leveraging our core strength in professional A/V products, KanexPro carries a complete selection of A/V connectivity needs. When planning digital installations you will find that we carry a broad line of A/V connectivity products enabling you to broadcast, extend, split, or multiply HD signal transmissions; simply and cost-effectively. KanexPro is a registered trademark. All other trademarks and registered trademarks mentioned herein are the property of their respective owners.

Vaddio Brings 3-Chip Broadcast Camera Performance with New PowerVIEW HD-22 and HD-30 PTZ Cameras

Vaddio’s new PowerVIEW HD PTZ cameras bring 3-Chip broadcast camera performance to a Single-Chip camera. Based on third-generation Maicovicon MOS imaging sensor technology, the HD-22 and HD-30 improve color and brightness uniformity, ensuring an improved high definition image quality.

The HD-22 comes equipped with an multi-element 22x optical glass auto-focus zoom lens that provides up to a 66-degree field-of-view for a wide range of telephoto or wide-angle shot options. An impressive 128x wide dynamic range covers both light and dark contrasted areas and a Color Capture light system produces vivid color images without color saturation or filtering. The HD-30 adds a 30x optical power zoom, capable of capturing the most detailed video images even in the largest rooms.

The PowerVIEW HD-22 and HD-30 are the industry’s first robotic PTZ cameras to use the new MOS 1/2.8-Progressive Scan imaging sensor. By suppressing uneven brightness, they provide unmatched low-light performance of 0.4 LUX and a Super Sharp Detail technology for auto-sharpening fuzzy images.

Outputs include native 1080p/60/50 analog component and HDMI video resolutions, ideal for use in the highest demanding HD camera applications requiring a 3-Chip PTZ camera.

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About Vaddio:
Vaddio is the leading manufacturer of specialty PTZ cameras and camera control systems used in the audiovisual, videoconference and broadcast industries. Your customers demand cutting-edge technology that’s simple to use. You want equipment that’s easy to install and reliable to operate. Vaddio serves integrators and operators alike – with broadcast-quality PTZ cameras and control systems that deliver the performance you need with the convenience you demand. More information can be found on the Vaddio website, www.vaddio.com or at (800) 572.2011.

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Dataton’s seamless solution helps BP convey a sustainable image

WATCHOUT at the heart of immersive London 2012 cyclorama

The use of cutting-edge multimedia technology to entertain consumers while reinforcing brand values is gaining momentum globally, and a shining example using Dataton WATCHOUT™ multi-image display and presentation software platform was to be found at BP’s ‘Fuelling The Future’ showcase during the London 2012 Olympics.

In a 360-degree environment designed by KBW Design, systems integrator DJ Willrich (DJW) designed and installed the AV system according to guidelines laid down by LOCOG, the London Organising Committee of the Olympic and Paralympic Games. DJW used eight Panasonic projectors to create a cyclorama with seamless edge-blending courtesy of Dataton WATCHOUT. WATCHOUT was supplied by Dataton Premium Partner, Mirage Associates.

With a timeline synchronised to a Medialon show-control system, the audience was surrounded by a shifting audio-visual landscape that brought to life BP’s key brand messaging as an Olympic sponsor – that the company is discovering and recovering energy efficiently, responsibly and safely from some of the world’s most hostile environments.

David Willrich at DJW comments: “We have used WATCHOUT many times and had no hesitation in specifying it for this project. The system’s ability to blend, warp and geometrically correct multiple video images, synchronise them to a multimedia show, and put the whole thing inside a package that can be controlled on-site by non-technical staff, is second to none.”

For Dataton, Marketing Director Fredrik Svahnberg adds: “It is always a thrill to contribute core technologies to an event of global significance such as the Olympic Games, and we were delighted to be part of ‘Fuelling The Future’.

“Our systems performed faultlessly in front of almost 50,000 people during London 2012 and, now that the Games are over, they can be completely re-purposed – complying with the wishes not just of LOCOG but of our end-customer as well.”

ENDS

Note to editors: Images © KWB Design & courtesy of DJ Willrich.

KanexPro Releases HDBaseT Scaler for Presentation Systems

Introducing the next-generation in ultimate presentation scaling and switching, KanexPro announced today the HDSC12D scaler to its pro-line of high-resolution scalers.
This 12-input high resolution scaler boasts a twisted pair output based on HDBaseT® technology that will compensate for long runs up to 230 feet (70m) while switching and scaling up to 12-inputs. It includes an independent receiver, which extends the HDMI output. Fully HDCP and EDID compliant, this professional scaler can be used anywhere from lecture halls, conference rooms to health care facilities and control centers.

Features:
• Switch & Scale 12-inputs to 2-high-resolution displays
• 4 HDMI + 4 VGA Inputs with 3.5mm Audio
• 1 YPbPr + 1 Composite / S-Video Input with L/R Stereo Audio
• 1 Microphone Input
• 1 HDMI +1 VGA Output with L/R Stereo Audio (For non-HDCP encrypted content)
• 1 HDMI HDBaseT CAT6 STP receiver included
• Extender supports distance up to 230ft [70m]
• Supports scaling input up to 1080p
• 2 x 10 Watt Amplifier
• IR remote control included
• RS-232 & TCP/IP control with third party control systems
• Backed by KanexPro 3 -Year Parts & Labor Warranty

For more information, please visit: http://www.kanexpro.com/item/?id=HDSC12D

Ultimate in Presentation Switching Environments

Live from Daryl’s House to Yours with StudioLive

New York State, October 2012…  It’s not easy scoring a hit in today’s busy media landscape. But that’s exactly what singer-songwriter Daryl Hall has done with Live from Daryl’s House, the Webcast-turned-syndicated-TV-show on the Palladia Channel. The show, which Hall started back in 2007, has drawn critical acclaim for its eclectic mix of musical guests and genres; its unscripted, real-life moments; and its powerful, raw musical performances.

Taped at Hall’s house in rural upstate New York, the show has become a favorite among musicians and fans. There’s plenty of shop talk, working out riffs, and even a dinner break as guests hang out in the converted barn that hosts the sessions.

As Hall’s long-time engineer Peter Moshay explains, the show’s authenticity is part of the appeal – there’s nothing contrived about it. “This is really Daryl’shome,” he explains. “We come in and build the set for every show and tear it down afterward.”

Moshay mixes the show live on a PreSonus StudioLive™ 24.4.2 digital console. “Most of what I’m doing during the taping is dealing with monitor mixes,” he says. “Since the StudioLive gives me ten monitor sends, everybody gets their own monitor mix.”

As Moshay observes, the space is pretty cozy. “The room looks a lot bigger on TV than it really is,” he says. “It’s actually pretty cramped. There’s nowhere to really sit down, and once the room is filled with musicians and production people, there’s barely room to walk.”

The StudioLive is set up in an adjacent room but Moshay spends most of his time away from the desk. “I use StudioLive Remote for iPad® to get in position to hear everyone’s wedges.” Each musician also uses QMix™, enabling them to control their own mix. “It took about five minutes for the guys to figure out how to use it, and then everyone was like, ‘don’t ever change this!’ Once we started using the wireless control, there was just no way to ever go back.”

The musicians’ ability to control their monitors is great for the creative flow as well, Moshay explains. “They’re usually working out the arrangements on the fly, and being able to hear each other and communicate is huge. There’s no more shouting across the room.”

Audio is recorded live to multitrack, taking the output of the StudioLive into Alesis HD24XR hard-disk recorders. “It’s old technology but it’s what we started with five years ago,” Moshay explains. “There wasn’t room to set up a computer, and there still isn’t, so I export the tracks to a computer for editing.”

With no acoustic treatment to speak of, and a peaked ceiling that ranges from 15 to 21 feet high, there’s very little in the way of separation. “Everything in the room is wide open, and there’s no way to really duck any of the mics, because it changes the sound,” he explains. “So when I go to mix the recordings, there’s plenty of leakage across the tracks.”

And that, says Moshay, is a big part of the show’s appeal. “It’s kind of a musician’s show. A lot of musicians are familiar with the show’s sound. It sounds real, like you’re live in the room, and that’s what people like. So I do everything I can to tame the levels, but I keep all that leakage in the mix. I want people to feel like they are there in the room with us.”

The StudioLive’s Class A XMAX™ preamps are a solid part of that sound. “Because we have such a wide range of guests, every show is different,” says Moshay. “Some shows they’ll come out rocking pretty hard, other shows we’ll have lower dynamics and more ballads. The StudioLive’s sound is clean and uncolored. It can go from one extreme to the other, and it sounds great no matter what we’re doing with it.”

Watch this video by Peter Moshay about how he uses the StudioLive 24.4.2 for Live from Daryl’s House.

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Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording software, hardware, and related accessories. PreSonus software, microphone preamps, signal processors, digital audio interfaces, mixers, control surfaces and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

Prism Sound Launches Lyra – A New Audio Interface For The Studio Producer, Musician and DJ Market

Internationally renowned manufacturer Prism Sound is bringing its high performance audio technology to an even wider audience with the launch of Lyra, a brand new family of interfaces aimed at musicians, composers, project studio owners, DJs, re-mixers and other audio content producers such as radio and podcasting. It is also anticipated that high-end home audio enthusiasts will find the USB interface and stereo configuration with digital volume control an attractive package.

Lyra, which will make its debut at the 2012 AES Convention in San Francisco, is based on the award-winning and critically acclaimed Orpheus interface. With Lyra, music recording professionals can access the power and sophistication of the Orpheus audio path and clock circuitry, but in a smaller package and at a much improved price point.

“Lyra connects seamlessly with both Macs and PCs via a simple USB interface,” says Graham Boswell, Sales and Marketing Director for Prism Sound. “For recording professionals who don’t need eight channels of analogue I/O, Lyra is the perfect interface because it allows them to access Prism Sound quality in a convenient package and at an affordable price.”

Prism Sound, which plans to launch a number of different variants of Lyra, has started the ball rolling with Lyra 1 and Lyra 2. Both incorporate new ARM Cortex-based ‘Xcore’ processor design offering class-compliant USB interfacing, plus DSP and a low latency ‘console-quality’ digital mixer for foldback monitoring. Both products also have optical SPDIF capability and Lyra 2 also supports ADAT.

Lyra 1, which retails at £1,349 plus VAT, will be of particular interest to the musician and project studio market. This unit offers two analogue input channels – one for instrument/line and one for mic/line – plus two DA output channels and optical-only digital I/O. With Lyra 1, musicians can connect a guitar and a microphone through the input channels, plug into their software mixer via a simple USB connection and start laying down basic tracks in a matter of minutes.

Lyra 2, which retails at £1,849 plus VAT, takes the concept a little further by offering two AD input channels with switchable microphone, instrument or line input modes and four DA output channels. Both optical-only digital I/O and copper S/PDIF are available on this version of Lyra, which also offers wordclock In/Out enabling synchronization with other digital devices.

Both products are ergonomically designed to look as good as they sound. The front panel has a master volume control assignable to selected output channels, while the unit’s small size – just 11 inches wide – makes it very easy to transport for musicians, producers and DJs on the road. For studio use, Prism Sound can supply dedicated rack mounts as an extra.

“We know there is a market for Lyra because our customers have been demanding this product ever since we launched Orpheus,” Graham Boswell adds. “However, we are very protective of our reputation for delivering the highest possible audio quality so we were not going to bring any product to market until we were 100% convinced that it could live up to our exacting specifications. Lyra does just that, and we are very proud to introduce it.”

Lyra will start shipping in November 2012 and will be fully supported by Prism Sound’s acclaimed technical and after-sales service staff.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

KanexPro Introduces Mini Audio Amplifier with Mic Mixer

KanexPro the leading A/V Connectivity solutions provider is proud to introduce the Mini Audio Amplifier is a quarter-rack width digital amplifier (Class D) with equalizer control and Mic mixer. It’s a simple yet powerful device delivering 2×20 Watts@4Ohm default output with built-in volume/ bass feature. It also supports dual mono-output with 2 stereo audio selectable inputs. The Microphone mixer includes independent volume control with balance switching. Supports balanced/ unbalanced signals.

This Mini Audio Amplifier is mainly used during lectures, house of worship centers and various musical events where mic mixing together with equalizing audio is critical.
Mini Class D audio amplifier

Features:

• Fast switching audio amplifier
• 2×20 Watt@4Ohm as the default amplifier output
• Bridge connection supported by switching the amplifier to be 1x40Watt@8Ohm
• Supports Dual-mono output
• Built-in Microphone mixer (separately controllable)
• Line audio output, with volume controllable.
• MIC input supports 48V phantom power
• MIC port with balanced switching suppress
• Supports balanced/ unbalanced signals
• Supports Ducking power technology
• Ultra low inrush current
• Two stereo audio inputs, switchable by button, remote or RS232.
• Volume/Bass/Treble controllable by buttons or RS232
• Optional control by IR remote
• Convection cooled, antistatic case design
• LED indicator, for power and operating status
• IR remote (optional) not included
• Internal Universal power adaptable (100-240 volt AC, 50/60Hz)

About KanexPro™

Leveraging our core strength in professional A/V products, KanexPro carries a complete selection of A/V connectivity needs. When planning digital installations you will find that we carry a broad line of A/V connectivity products enabling you to broadcast, extend, split, or multiply HD signal transmissions; simply and cost-effectively.

KanexPro is a registered trademark. All other trademarks and registered trademarks mentioned herein are the property of their respective owners.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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