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Archive of the Product Applications Category

New NEXO STM Line Array and Yamaha Consoles Put Finishing Touch on Funshine Festival

TAMPA—More than 30 acts performed over five musical stages during Funshine Fest, held May 3-5 on the fairgrounds of Florida State in Tampa with an attendance of 20,000. Main stage artists included Train, the Smashing Pumpkins, REO Speedwagon, Styx, the Wallflowers, Cheap Trick, New Found Glory, Gary Allen, and Chris Carrabba of Dashboard Confessional.

ESI Audio of Tampa provided audio production, and this year, the new NEXO STM was used as the Live Nation Amphitheatre main stage line array. Company President, Erick Celeiro, functioned as FOH tech and Ozzy Giron acted as monitor tech on the rig. The system consisted of 15 M46 per side flown, 15 B112 per side flown, 32 S118 subs ground stacked, 10 NUAR racks that included 2x 4×4 NXAmps, and four M46s stacked on S118 subs for front fills. The entire system was running from front of house via the Dante network to the amp racks. A Yamaha PM5D was at the front of house mix position.

About the new STM system, Live Nation Amphitheatre production manager Andy Martinez said, ” I have seen many systems come in and out of here, and never had a system that rigs and flies so easy and sounds amazing.” And, REO front of house engineer, Neil Schaefer, added, “I had the pleasure of using the NEXO STM, and having had plenty of time in front of NEXO rigs over the years, my expectations were high. The STM PA is very tidy with clever rigging. Most important, it sounded very good. Smooth, powerful, and responsive; a very nice rig indeed!”

The NEXO STM Series (Scale Through Modularity) loudspeaker cabinets are the first of its kind on the market and combine the best of Alpha functionality with the technical innovation of GEO waveguide designs, delivering a powerful, flexible, and easy to use system. STM enables line array systems to scale up or down depending on event audience size, from 1,000 to 100,000 people. STM is unique in that it is the first vertical array system to offer scalable LF, making it easy to add extra bass cabinets for increased power and headroom, without introducing unwanted phase anomalies.

The outdoor Pavilion Stage used a NEXO GEO T line array along with a Yamaha CL5 at front of house used by mix engineer Jan Javier, with a CL1 at monitors for engineer Rob “DH” Durkee. “I felt very comfortable taking the CL out for the three-day festival with multiple bands, some with their own engineers, some without,” states Javier. The CL screen is like the difference between a regular VHS tape and a Blue-Ray DVD. I was using AES outs all the way to the amps. The system sounded great, the desk was very easy to use from the first day. The next day, I put the Premium Rack’s Portico Compressor in stereo in the left and right, and what a difference, just passing through the unit; smooth and warm become the words to best describe the sound. I used the DCAs, as I am used to mixing that way. Assignments are very easy, and finding my way around the desk is simple and very intuitive.”

“The guest engineers were amazed at the sound of the desk and how friendly it is, notes Javier. All who used it said they would tour with it.” Javier said they ran the stage rack onstage, and ran a cat6 snake out. He also said he noticed the pre-amps are much more responsive and a lot warmer out of the box. The Pavilion Stage hosted Lone Bellow, Tonic, Big Sam’s Funky Nation, and Dead Confederates. “They all loved the sound.”

The Concourse Stage housed a Yamaha CL1 at front of house with mixing by Bryan Rogers and Justin Lenards. An LS9 was used for monitors. Rogers said the CL1 was “like butter… smooth and creamy.” Lenards who mixed FOH and Monitors said “Love it, great little console.”

For more information on ESI Audio, visit www.esiaudio.com.

For more information on the NEXO STM and Yamaha CL Series, visit www.yamahaca.com.

-END-

Photo ID: NEXO STM and Yamaha PM5D during FOH mix for Styx
Photo ID: L to R: Pat Clark, VP ESI, Yamaha’s Brian Coviello, Andy Martinez, Live Nation Amphitheater Technical Director

HARMAN’s Studer Offers Free Online Vista 1 Tutorial Classes

POTTERS BAR, United Kingdom – HARMAN’s Studer has produced a series of tutorial videos for its latest compact Vista 1 broadcast production console, which are freely available to view online on the company’s website and YouTube page.

The 22 short videos cover topics such as laying out the configurable control surface, patching channels, assigning busses, dealing with mix-minus feeds, using Vistonics™, creating and using snapshots and an overview of the console’s special features.

The sections are short and easy to digest and are useful for anyone wanting to know more about the Vista 1, or operators who have recently acquired a desk and wish to learn more.

View the videos on the Studer website at http://www.studer.ch/support/videos.aspx, or on YouTube.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of audio, lighting and infotainment solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson®, and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with Harman audio and infotainment systems. Harman has a workforce of about 14,300 people across the Americas, Europe, and Asia and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

Atlantic City’s New Revel Hotel Is Outfitted With Massive HARMAN Audio System Featuring BSS Processing, Crown Amplifiers and JBL Loudspeakers

ATLANTIC CITY, New Jersey – The new Revel Resort and Casino in Atlantic City has raised the stakes for the area’s luxury hotels—it’s the tallest structure in the city and boasts a 150,000-square-foot casino, 13 restaurants, four nightclubs, 1,900 hotel rooms—and approximately 125 audio/video systems all installed within a 335-day project schedule throughout a sprawling 44-story facility, highlighted by HARMAN’s JBL loudspeakers, along with BSS processing and Crown amplifiers.

“Our firm has successfully accomplished many large-scale projects but this one may be, by far, our largest project to date,” said Tom Knauss, Owner of KMK Technologies, LLC, an Independent Technical Service Provider with offices in south New Jersey and Chappaqua, New York. KMK worked closely with Revel’s prime AV contractor and HARMAN dealer for the project, Total Video Products. TVP is a Top 50 AV Systems Integrator located in Mickleton, New Jersey. Cerami & Associates of New York served as the systems design firm and overall technology consultant to the project architect and Revel ownership. “The project scope included a 25-room technology-rich conference center, approximately 28 meeting rooms, four nightclubs, multiple swimming pools and spas, 13 first-class restaurant venues, high-end hotel suites, an extensive broadcast tie-line system, facility-wide signage systems and background music systems throughout the massive resort property,” Knauss said.

The extensive scope of work was designed and implemented as four major subsystems. Back of House systems include employee dining rooms, conference rooms, meeting rooms, an employee training center and a variety of employee support facilities providing presentation, audio conference, video conference and public address system capabilities. The Front of House systems encompassed the hotel lobbies, indoor pools, outdoor pools, a Sky Garden with magnificent views of the Atlantic Ocean, world-class spa facilities, an upscale shopping mall and other public spaces spread across several floors. Within the hotel tower and high roller suites, designed by Cerami & Associates, KMK and Total Video outfitted two 44th floor Presidential Suites with state-of-the-art entertainment systems.

KMK and Total Video also integrated audio/video systems for the variety of restaurants, nightclubs and entertainment venues throughout the property. Cerami & Associates was given design criteria to ensure commonality in the A/V systems between these different locations, to guarantee easy maintenance from space to space and similar operational subsets within the hotel. “The backbone of each system was the same—including the front of house and back of house, pools areas, roof deck and sky garden,” said Bruce Manning, CTS, Associate Principal of Cerami & Associates. “They are all discrete sub-systems existing within the single main system.”

The signature restaurants include Amada by Chef Jose Garces, the American Cut Steakhouse run by Iron Chef Marc Forgione, a Mediterranean restaurant known as Azure by Allegretti and Mussel Bar & Grille by Chef Robert Wiedmaier. Nighttime revelers can party in four entertainment venues including two that are decidedly out of the ordinary: HQ Nightclub which is spread out over two floors with a large open central dance floor and Ivan Kane’s Royal Jelly Burlesque Nightclub, which features an unusual combination of impressive dance routines and a dynamic live band performing rock and roll cover songs carefully woven with the authentic multi-track recordings by the original artists. High-energy DJ entertainment can be found in and around the Royal Jelly venue and throughout the resort facility on any given evening.

The equipment inventory of HARMAN products is impressive, to say the least. The system features over 650 JBL Control 26CT, 251 Control 24CT and 108 Control 226C/T ceiling speakers, more than 150 other JBL loudspeakers and approximately 640 channels of Crown CTs Series amplifiers. Signal processing is accomplished by a decentralized array of BSS Soundweb digital audio networking components including 10 BLU-800, a dozen BLU-80 processors, six BLU-160 signal processors, two BLU-32 CobraNet I/O expanders and a variety of BLU-BIB and BLU-BOB2 break-out boxes and BLUCARD-IN and BLUCARD-OUT input and output cards. CobraNet signal distribution is accomplished over an extremely robust, owner-provided 10-gigabit network topology.

“The Revel project was conceived as more of a resort destination than a casino, and the goal was for everything, up to and including the AV systems, to be first-rate,” Knauss noted.

“From a product performance standpoint, a project of this size and the demands of such a rigorous schedule leaves little room for product failure,” Knauss added. “Out of box and early use failures or delivery problems can be devastating to the project schedule, client satisfaction and the integrator’s bottom line. In spite of the vast array of products deployed, no Crown, BSS or JBL products exhibited any level of failure during the system installation or since. Crown CTS amplifiers have provided reliable service on our projects for over 15 years and their performance on this impressive deployment further emphasizes their dependable track record. The BSS components worked perfectly and regarding JBL—there are more than 1,100 JBL speakers in this installation and not one has failed to date.”

“We have successfully accomplished a significant share of system projects across a variety of markets including performing arts, commercial AV, corporate facilities, houses of worship and entertainment facilities such as Revel and we have found BSS signal processing to a reliable, fundamentally sound processing solution for projects of the magnitude of Revel as well as our most basic system endeavors. The importance of that flexibility of scale cannot be understated,” Knauss continued. “On this project we had to interface the BSS processing systems within the hotel’s dedicated IT infrastructure. The owners were insistent regarding the need to maintain a single facility-wide IT network that would successfully integrate and deploy our extensive AV system requirements directly adjacent to and in harmony with, critical data systems serving a 2,000-room hotel, an expansive gaming floor and day-to-day administrative operations. The known difficulties of integrating the AV requirements associated with a system of this size on a multi-task network with such critical and demanding needs was a daunting task from the outset of the project, and directly contradictory to the intentions and recommendations of the project professionals. Our staff, TVP’s DSP designers and Revel’s network integration team, however, successfully accomplished this seemingly impossible task. The BSS products and limited but important factory support helped make this a seamless process.”

“Another major benefit of working with HARMAN products was the serviceability of the HARMAN brands,” Manning added. “Those companies stepped up tremendously and were available at a moment’s notice to provide whatever we needed.”

Cerami & Associates specified a variety of other JBL Control models for Revel’s lobbies, hallways, conference rooms and other areas, as the dispersion provided by the Control 47’s conical Radiation Boundary Integrator (RBI) waveguide made the speaker well-suited to high-ceiling areas. In addition, eight pairs of JBL LSR2328P powered studio monitors were installed in DJ booths throughout several of the first-class restaurants. Rather than typical fixed sources for background music, Cerami’s design included music “workstations” similar to a DJ booth where the venue operators could personally adjust the music programming for the venue throughout the day and evening.

In the end, the system designed by Cerami and installed by TVP/KMK has performed flawlessly. “We dealt with a significant volume of product and if there were any failures in the field and we had to replace any products, I’d know about it,” Knauss said. “With respect to the HARMAN products implemented on this project, that just didn’t happen.”

KMK Technologies is a founding member of the Independent Technical Service Provider Council within InfoComm International. For more information on KMK Technologies, please visit www.kmk-technologies.com

For more information on Total Video Products, please visit www.totalvideoproducts.com

For more information on Cerami & Associates, please visit www.ceramiassociates.com

HARMAN (www.HARMAN.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for the twelve months ending June 30, 2012.

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Omega Broadcast Invests in Five FUJINON Cabrio Series PL Mount Telephoto Zoom Lenses

Austin-based rental house lens inventory now includes four FUJINON 19-90mm and one 85-300mm Premier PL Mount lenses for Super 35mm and digital cinematography

Wayne, N.J. – FUJIFILM North America Corporation, Optical Devices Division is announcing that Omega Broadcast Group—a premiere video rental house in Austin, Texas—acquired five new FUJINON Cabrio PL Mount telephoto zoom lenses including four 19-90mm (ZK4.7×19) and one 85-300mm (ZK3.5×85) for 35mm and digital cinematography.

Prior to the arrival of the new lenses, Omega Broadcast Group wanted to show the Cabrio 19-90mm lens at its booth at the Austin tradeshow South by Southwest (SXSW), March 8-17, 2013. This was made possible by a “loaner lens,” arranged by Dave Waddell, South Central regional sales manager for the Optical Devices division, and Omega Broadcast received very positive feedback and social media buzz about its SXSW exhibit.

Since the lenses arrived in April 2013, Omega Broadcast has seen strong demand for rentals by its discriminating video production customers. The lenses, which are available for sale or rent, may be paired with Omega Broadcast’s Sony PMW-F5 CineAlta 2K Capable or PMW-F55 CineAlta 4K digital cinema cameras.

“As a rental house, we enjoy the flexibility these Cabrio lenses offer. Because they cover such wide focal ranges, they allow us to suggest Cabrios for most of our cinema camera rental packages,” said Gabe Proctor, rentals manager for Omega Broadcast Group. “With the versatility and range of these lenses, a director of photography (DP) can really reduce the number of lens changes during the course of a shoot, not to mention that there are fewer cases and shipping costs to weigh them down.”

The 19-90mm Cabrio Premier PL lens offers a T2.9 maximum aperture with 9 iris blades, while the 85-300mm PL Mount telephoto zoom lens offers a focal length of 85-218mm at T2.9 and 300mm at T4.0, both with 200-degree focus rotation. “Zoom lenses are suited to more production situations than primes. But the key thing is that, at each focal length, the performance of these Cabrio zoom lenses is very solid,” said Philip Goetz, director of purchasing and E-commerce for Omega Broadcast. “This one zoom lens can replace prime lenses of varying focal lengths without quality compromises.”

Both lenses feature an exclusive detachable servo drive unit, making them suitable for use as a standard PL cine lens or an ENG-style lens, and both may be controlled using cinema industry standard wireless controllers as well as existing FUJINON wired and wireless units.

“Without the need for an externally powered zoom controller, I can imagine a much better outcome for a DP who chooses a Cabrio versus a non-servo Cooke or Arri lens to pair with a compatible camera like Sony’s F55,” Proctor said. “With the introduction of the new 85-300mm Cabrio, we have now begun to see more interest from photographers who wish to produce archival or large-format images for sporting events. Since these shooters can adjust Cabrio lenses so quickly, they’re able to concentrate on all of the game action unfolding live. Cabrios offer these clients all the comforts of an ENG type lens but delivered in a Super 35mm form factor.”

Proctor added that the /i and LDS lens metadata contacts provided on Cabrio lenses offer a great way to archive important information about exposure and focal lengths with cameras that share these same features. But they also provide power to the built-in servo motors, which can be crucial on reality series and documentaries.

“Cabrio lenses offer a very low-distortion image and minimal breathing during focus effects,” Proctor said. “Considering how fast and lightweight these PL mount zoom lenses are, don’t be surprised to discover that an increasing amount of projects are being produced with 35mm and digital cinema cameras using these lenses.”

To learn more about Fujifilm’s lenses, please go to: https://www.fujifilmusa.com/products/optical_devices/

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of four operating divisions and one subsidiary company. The Imaging Division provides consumer and commercial photographic products and services, including: photographic paper; digital printing equipment, along with service and support; personalized photo products; film; and one-time-use cameras; and also markets motion picture archival film and on-set color management solutions to the motion picture, broadcast and production industries. The Electronic Imaging Division markets consumer digital cameras, and the Graphic Systems Division supplies products and services to the graphic printing industry. The Optical Devices Division provides optical lenses for the broadcast, cinematography, closed circuit television, videography and industrial markets, and also markets binoculars. FUJIFILM Canada Inc. sells and markets a range of Fujifilm products and services in Canada. For more information, please visit www.fujifilmusa.com/northamerica, go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter, or go to www.facebook.com/FujifilmNorthAmerica to Like Fujifilm on Facebook. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

FUJIFILM Holdings Corporation, Tokyo, Japan, brings continuous innovation and leading-edge products to a broad spectrum of industries, including electronic imaging, digital printing equipment, medical systems, life sciences, graphic arts, flat panel display materials, and office products, based on a vast portfolio of digital, optical, fine chemical and thin film coating technologies. The company was among the top 10 companies around the world granted U.S. patents in 2012, and in the year ended March 31, 2013, had global revenues of $26.7 billion*. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit www.fujifilmholdings.com.

* At an exchange rate of 83 yen to the dollar.

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iZotope Presents 10 Tips from an RX Pro with Mike Thornton

Learn how to “RX it” like a pro with audio guru and Sound On Sound columnist Mike Thornton

Mike Thornton is a sound designer, audio producer and a Pro Tools specialist who works in radio, TV sound & digital media. He is also Deputy Editor of Pro Tools Expert and a Sound on Sound columnist. Chances are he’s encountered a noisy situation like the one you’re facing, and he’s ready to show us how to fix the problem with RX 2.

Please check out these comprehensive, free video tutorials and share the following link in your social media, e-newsletters, on your blogs and websites:

http://www.izotope.com/products/audio/rx/protips.asp (videos available in English and German!)

This series features real-world examples of audio rescue, including:

  • Reducing hiss caused by a bad microphone cable
  • Repairing clipping in a poorly recorded interview
  • Reducing hum from a one-time-only recording
  • Removing camera sounds from wedding vows
  • Eliminating feedback from a bad PA system
  • Tackling mobile phone interference and buzz
  • Removing mobile phone text alert sounds
  • Cleaning up recordings from a drama performance
  • Reducing noise from a trade show floor
  • Removing clicks and crackles from old recordings

For more information about RX 2, please visit http://www.izotope.com/products/audio/rx/

Vizrt and Mosart provide joint solution for newsroom automation and production systems

Vizrt Inc. announced today that a world-wide agreement has been entered with Mosart to provide an optimized newsroom automation system for the broadcast industry.

Mosart is the number one newsroom automation system used by broadcasters in Europe. The software-based automation system offers an extremely efficient workflow for controlling complex, content-rich productions with only a single operator. Using off the shelf client/server hardware, Mosart requires little infrastructure for creating a fully automated news environment.

Combined with the Vizrt end-to-end graphics and video workflow, the Mosart automation system now is a complete package for the entire newsroom workflow from the news editorial process to live on-air production. With just a single Viz Engine added to the Mosart production, broadcasters can create a full show with advanced graphics and video playback in a light-weight and cost-effective solution.

“Vizrt is the global market leader in broadcast graphics. We are therefore grateful that Vizrt have chosen a close cooperation with Mosart for the future,” Mosart’s CEO John Kjellevold states in a comment. “Our aim has been that automation systems like Mosart shall be a natural part of gallery upgrades in the future. Soon, we will be able to make solutions taking care of an even greater part of the workflow starting with newsroom system tools. Broadcasters need to enhance quality, reduce costs and simplify news desk work. The Vizrt – Mosart partnership offers such solutions.”

“This agreement represents a major shift in how broadcasters will look at controlling their news broadcasts”, said Petter Ole Jakobsen, Chief Technology Officer, Vizrt. “When adding the Viz Engine real-time compositing capabilities to the Mosart automation system, any operator can drive the most complex transitions and studio effects from a single interface.”

Together Vizrt and Mosart lead the way bringing this powerful automation system to broadcasters as the most advanced news production platform on the market.

Petter Ole Jakobsen will present the Vizrt TV in a box solution at the Mosart Broadcast Summit in London May 23rd and 24th. At Broadcast Asia in Singapore, Mosart and Vizrt will display their automated integration, June 18th – 21st booth 5H3-01.

About Mosart

Mosart Medialab is a subsidiary of TV 2 Norway and one of the cluster of technology spin-offs originating from TV 2, including Vizrt, StormGeo, Vimond, and Wolftech. Mosart Medialab (www.mosart.no) develops and markets the Mosart® automation system for news, sports, weather, and live broadcasting applications. Conceived in 2002 at TV 2 by professional news directors, producers, and editors, Mosart meets the demands of live production by simplifying workflow and control, eliminating operational errors, and providing a highly flexible environment for ad hoc operation. High-level gallery control is combined with a sophisticated user interface, making it easy to override the schedule and improvise when breaking news demands instant response. Open-systems architecture ensures industry-leading compatibility with the widest range of third-party systems. Mosart is used for prime-time shows and 24/7 operations by major broadcasters. Mosart is Europe’s market leader in studio automation. ARD, BBC, SKY, N24, TV2 Denmark, SVT, YLE, Global TV, and NRK are a few of its customers.

About Vizrt:

Vizrt provides real-time 3D graphics and asset management tools for the broadcast industry – from award-winning animations & maps to online publishing tools. Vizrt’s products are used by the world’s leading broadcasters and publishing houses, including: CNN, CBS, Fox, the BBC, BSkyB, ITN, ZDF, Star TV, Network 18, TV Today, CCTV, NHK, The Globe and Mail, Times Online, The Telegraph, and Welt Online. Furthermore, many world-class production houses and corporate institutions such as the Stock Exchanges in New York and London use Vizrt systems.

Vizrt is a public company traded on the Oslo Main List: VIZ, ISIN: IL0010838154. For further information please refer to www.vizrt.com

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Foothills Christian Church Introduces HARMAN Soundcraft Si Expression to its Congregation

BOISE, Idaho – Foothills Christian Church in Boise, Idaho hosts three weekly services with a full worship band for more than 1,500 active members. To reach all of its members, the church creates live streams of its services via its website. Looking to upgrade from its analog console, Foothills Christian Church recently purchased a HARMAN Soundcraft Si Expression 3 to control its audio system.

Sam Boydstun, Foothills Christian Church Technical Director, needed to replace Foothills Christian Church’s outdated console and sought a way for the musicians and performers to control their own mix. “One of the big things we were looking for was the ability for the musicians and the technicians running the live streaming feed to be able to control their own mix,” said Boydstun. “Having the ability to run the mix from the iPad has been absolutely amazing, that was one of our bigger draws. As well as them being able to control the amount of effects return they get on their individual mixes.”

“I’ve been a big fan of Soundcraft. I’ve worked with the Si Compact Series in the past and I was really pleased with its sound quality,” said Boydstun. “It seemed to be an easy transition for myself and my volunteers from mixing an analog system to get into digital mixing.”

When looking for a new digital board, Boydstun required a console that was easy to use, so that church volunteers would be able to mix on their own. “As far as the use of the Si Expression in the church setting it’s really flexible and it’s a really easy system to teach volunteers and people who have never had the opportunity to be on a digital board before. I’d recommend it to anyone,” Boydstun said.

“The staff and volunteers who have had the opportunity use the Si Expression 3 have given us positive feedback. We’ve also received compliments from the congregation about the sound being much cleaner,” Boydstun concluded.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of audio, lighting and infotainment solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson®, and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with Harman audio and infotainment systems. Harman has a workforce of about 14,300 people across the Americas, Europe, and Asia and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

KRAFTWERK – THE CATALOGUE 1 2 3 4 5 6 7 8 uses Dataton WATCHOUT as part of Australian tour

(c) Kraftwerk

The dynamic interactive and 3D features of Dataton WATCHOUT™ multi-image display and presentation software will continue to be used by German electro pop pioneers, Kraftwerk, in their hotly anticipated tours and concerts’ programme throughout 2013.

Kraftwerk will perform THE CATALOGUE 1 2 3 4 5 6 7 8 at the Sydney Opera House starting on 24 May. The band will perform one studio album in full at each concert, combining it with stunning visual backdrops, including interactive 3D projections, sound and animation.

Dataton WATCHOUT is distributed in Australia and New Zealand by WATCHOUT Premium Partner Interactive Controls Pty Ltd.

Fredrik Svahnberg, Marketing Director at Dataton says: “For each of the eight shows, WATCHOUT manages projected 3D content on a large stage backdrop creating a powerful abstract presence in front of audiences wearing polarized 3D glasses. To create the lighting effects on the four illuminated controller desks, a Pixel-gate LED video controller uses an additional DVI output from the main screen with the WATCHOUT “Tier” feature. The main timeline in WATCHOUT is chasing timecode from Kraftwerk synthesizers (MTC converted into SMPTE). The Kraftwerk synthesizers are also used for live visual interaction controlled via MIDI commands.”

ENDS

Images: © Kraftwerk

www.dataton.com
www.interactivecontrols.com.au

Firehouse Productions Rocks the Nokia Theatre LA LIVE at 2013 Rock and Roll Hall of Fame Induction Ceremony with HARMAN’s JBL Loudspeakers and Crown Amplifiers

LOS ANGELES, California – The 28th annual Rock and Roll Hall of Fame Induction Ceremony was held on the west coast for the first time in 20 years at the Nokia Theatre LA LIVE in Los Angeles. This year’s inductees included Public Enemy, Heart, Albert King, Randy Newman, Rush and Donna Summer, with Lou Adler and Quincy Jones each receiving an Ahmet Ertegun non-performer award. Sound for this year’s ceremony featured more than 50 of HARMAN’s JBL VERTEC® line array loudspeakers powered by Crown I-Tech HD Series amplifiers.

Red Hook, New York-based sound contractor Firehouse Productions had the Nokia Theatre’s impressive house JBL VERTEC sound system at its disposal, which includes 14 VERTEC VT4889 fullsize line array loudspeakers per side for the main left and right clusters and six VT4889 loudspeakers per side for left and right outfill. To pump out the low end, 22 VT4880A fullsize flown subwoofers are arranged in cardioid configuration, along with eight VT4880A subs per side stacked at the left and right sides of the stage in a cardioid arrangement. The standard house system at Nokia Theater also includes six VT4887A subcompact line array loudspeakers for front fill and even JBL AC2212/00 plus six PD5212/64 loudspeakers for loge and mezzanine delays, respectively.

For the Induction Ceremony, Firehouse Productions added three more hangs of six VT4886 subcompact line array elements each for left, center and right balcony delay clusters and additional VT4886 enclosures for distributed front fill. Audio networking and signal processing was provided by BSS Audio Soundweb London components.

Firehouse has provided the sound for the Rock and Roll Hall of Fame Induction Ceremony before, but this was the first time the company did the event in a proper theater. According to Mark Dittmar, Firehouse’s lead design and integration engineer, Firehouse immediately benefited from a space with good acoustics and a world-class PA system already in place. However, he noted, “With this being rock and roll’s biggest awards night, we wanted a system that would completely blow peoples’ minds for the bands, but maintain good intelligibility for the speeches.” Knowing the Nokia Theatre LA LIVE was already equipped with VERTEC gave Dittmar a feeling of confidence going in, having used VERTEC line arrays for more than a decade for their superior sound quality.

Dittmar has depended on Crown amplifiers since Firehouse Productions began and finds that the I-Tech HD Series offers power and flexibility he can’t achieve with other products. I-Tech HD amplifiers were deployed for the Rock and Roll Hall of Fame ceremonies to power the additional VERTEC arrays, along with the original Crown I-Tech amplifiers which power the house PA.

“One of our favorite aspects about Crown is the ability to build a custom library of presets that enable us to control any speaker in our inventory with the proper power and optimize their EQ, delay and other parameters,” Dittmar stated. “In particular, the inclusion of the newest VERTEC V5 preset tunings in the Crown I-Tech HD Series amps really took the performance of the loudspeakers beyond anything we were able to achieve before in terms of coverage, coherence, tonal balance and overall clarity.”

For more information on Firehouse Productions, please visit www.firehouseproductions.com

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of audio, lighting and infotainment solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson®, and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with Harman audio and infotainment systems. Harman has a workforce of about 14,300 people across the Americas, Europe, and Asia and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

Thunder Audio Gears Up For Summer Festival Season with HARMAN’s JBL VTX Series Line Arrays

The Thunder Audio team (pictured left to right): Paul Owen, Vice President; Tony Villarreal, President; and Greg Snyder, Business Development Manager.

NORTHRIDGE, California – It’s the start of the summer festival season, and tour sound provider Thunder Audio is thinking big, with an inventory that includes more than 50 HARMAN’s JBL VTX Series V25 line array loudspeakers, dozens of S28 and G28 subwoofers and enough Crown amplifiers to shake a stadium—how about 98 Crown I-Tech HD Series I-Tech 12000 HD amplifiers for one gig alone? Thunder Audio will be providing the audio for the Movement Electronic Music Festival, the Faster Horses Festival and the Electric Forest Music Festival and tours for Lynyrd Skynyrd and Bad Company and Marilyn Manson with Alice Cooper.

“This summer is shaping up to be an extremely busy one for us,” noted Greg Snyder, Business Development Manager for Thunder Audio. “We are using the JBL VTX Series on all of these festivals and tours because we feel that it is the best suited for a multitude of reasons.”

The Movement Electronic Music Festival will take place in Hart Plaza in Detroit on Memorial Day weekend and will feature more than 100 of the genre’s biggest artists including Deadmau5, Carl Craig, Moby and more. Thunder Audio will outfit the main Red Bull Music Academy stage with 18 V25 fullsize line array elements per side and four hangs of nine S28 subwoofers on the left and right of the stage, along with six V25 loudspeakers per side for outfill. Sixteen G28 ground-stacked subs will be deployed in a cardioid configuration for front fill, and side fills will include two S28 subs with two V25 loudspeakers on top. The system will be driven by a total of 98 Crown I-Tech 12000 HD amplifiers and connected through dbx DriveRack 4800 loudspeaker management systems via JBL HiQnet Performance Manager™ software.

Rothbury, Michigan’s Electric Forest outdoor music festival (June 27–30) will feature performers in the jam band and electronic music genres including The String Cheese Incident, Pretty Lights, Passion Pit and nearly 100 other artists. For this diverse musical lineup, Thunder Audio will provide 16 V25 line array elements per side for the main left and right hangs and out-hangs of nine V25’s per side, complemented by 12 S28 and six G28 subs per side, powered by 72 I-Tech 12000 HD amps with dbx DriveRack 4800.

The Faster Horses Festival is a 3-day country music and camping festival to be held in Brooklyn, Michigan on July 19–21. The featured artists include ACM Entertainer of the Year Luke Bryan, Dierks Bentley and Jason Aldean who will be joined by Kix Brooks, Florida Georgia Line and many others. The main stage system will include 18 V25 loudspeakers per side, with 12 V25’s flown per side for outfills and 12 JBL VERTEC® VT4888 midsize line array elements used for center and front fill. Twelve G28 ground-stacked subwoofers, 98 Crown I-Tech 12000 HD amps and dbx 4800 processing complete the system lineup.

Marilyn Manson and Alice Cooper will be livening up the summer tour scene with dates from late May through the end of June with an all-VTX system featuring two hangs of 14 V25’s per side and nine S28’s per side on the ground, all driven by 22 Crown I-Tech 12000 HD amplifiers per side. Lynyrd Skynyrd and Bad Company will also be hitting the road this summer and they’ll be packing a VTX system with two left and right main towers with 14 V25 loudspeakers each, along with two out-hangs of eight V25’s each, eight ground-stacked S28 subs per side and 22 Crown I-Tech 12000 HD powering each side.

“One of reasons we’ve used VTX for the past year is the sheer horsepower of the speakers and subs,” Snyder noted. “The extended low-end response of the S28 and G28 is incredible and the clarity of the V25 both outdoors and indoors rises above any other line array out there.” Snyder finds that the 15-inch woofers in the V25 make “a world of difference” and that the capability to change its crossover points from 80Hz to 60Hz enables Thunder Audio to optimize a VTX-based system for rock, electronic, country, jazz or any other type of music.

“After more than a year in the trenches using JBL VTX at a diverse number of events, I feel that VTX is a system that has established itself as something that’s going to set the standard for a long time,” Snyder concluded.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of audio, lighting and infotainment solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson®, and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with Harman audio and infotainment systems. Harman has a workforce of about 14,300 people across the Americas, Europe, and Asia and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

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