A virtual press conference from Sound & Video Contractor

Archive of the Product Applications Category

Arch Enemy Finds an Ally in HARMAN’s Soundcraft Vi6 Digital Console

Scraft_ArchEnemyHALMSTAD, Sweden – Bringing its unique brand of melodic death metal to its fans across the Atlantic Ocean, Swedish band Arch Enemy is currently touring North America with a HARMAN Soundcraft Vi6 digital console at front of house.

According to Hagen Weigel, Arch Enemy’s FOH engineer, Arch Enemy’s shows are dynamic and full of energy and theatrics. “Arch Enemy is a band that has beautiful melodies arranged around very intricate drumming, which is mixed with heavy shredding guitars and spiced up with brutal growling to form a nice mélange that feels like a kick in the face,” he said.

While “melodic death metal” might seem like an oxymoron, it is in fact a popular sub-genre that is nonetheless quite challenging to mix. “There are heavily distorted guitars that are also wide, open, and melodic which mix with very fast double kick drum playing,” Weigel noted. “Frequency differentiation is key to the mix—getting all of the instruments to sit and work around each other. I need to have clarity and separation and still be able to put [lead singer] Alissa’s voice out in front. I’m always looking for the result to be something that is beautiful and brutal at the same time.”

In his search for a digital console for this tour, Weigel placed a priority on reliability. “You can have the best-sounding, most feature-packed desk, but when it crashes in front of 30,000 people at a festival none of that matters,” he said. “What Soundcraft has done with the Vi6 is create an incredibly stable, ergonomic console that still has all of the features that I am looking for.”

Those features, in turn, are multiple. “In order to fulfill my vision of what the Arch Enemy sound should be I need really good dynamics—fast responding gates, compressors that are smooth and predictable in behavior, EQs that are responsive and accepts boosts well, and effects engines that are able to give me reverbs that range from ‘80s plate sounds to modern large reverbs,” Weigel added.

For all these reasons, Weigel chose the Vi6, which he noted has performed flawlessly to this point. “From metal to orchestral and symphonic music, Vi consoles are able to translate the vision you have for your mix in your head to the PA,” he noted. “It is incredibly reliable and consistent and sounds beautiful.”

Lastly, Weigel notes the Vi6’s intuitive user interface is icing on the cake. “The whole concept of having a dedicated touchscreen for every eight channels is great,” he said. “The fader bank, all angled really steep, gives a very nice feel of having a perfect overview and also puts every single parameter in reach, all the time. I don’t have to step through menus and sub-menus, it’s all right there. In my opinion the Vi interface is probably the fastest interface there is to work on.”

For more information on Arch Enemy, please visit www.archenemy.net

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: New Products, News, Product Applications |

Event Enterprises Supplements NEXO M28 Arsenal, Adds Yamaha QL5 and DSRs

Event Grant Cambridge NEXO

BUENA PARK, Calif.—Event Enterprises is a full-service production company focusing on meeting their customers needs with utmost professionalism and the highest quality of service. With offices in Cincinnati, OH and Bellevue, KY, the company maintains a vast inventory of industry-standard, current event production equipment, coupled with an extensive dealer network and affiliations. The company recently took delivery of 12 NEXO STM M28 speakers to augment their existing NEXO box count, which has grown to 80.

“We were looking to increase our PA inventory to accommodate the demand of multiple festivals/stages/jobs happening simultaneously and were looking to dive into something with a little hotter output and farther throw than the NEXO GEO S12, states Grant Cambridge, Managing Director, Event Enterprises. The M28s could provide us with that need and seemed to make logistical sense for most of our applications. Financially, they also allowed us to make a comfortable initial investment into the STM franchise with the ability to “add on” and grow the rig with the additions of any B112s or M46s in the future. Our maiden voyage with the new boxes was a country show with headliners Dustin Lynch and Frankie Ballard, and out of the box, both front of house guest engineers enjoyed their day with them.”

Event upped their Yamaha DSR speaker inventory to 24, utilizing the DSRs for a variety of applications. “While the DSRs do see a lot of smaller “speaker on stick” gigs as well as corporate applications, we use them just as frequently for wedges as mains, Cambridge says. We do so many 5k, 10k, half/full marathon events where we line up the streets at the start and finish lines that the DSRs work perfectly for. We recently did a half marathon event earlier this month based around Veterans Day, and on a very cold Saturday morning we deployed DSRs down the start/finish line for 400 ft., and in 18 degree temperatures, they worked flawlessly for five hours in the elements.”

Cambridge said the Yamaha QL5 digital audio console was purchased primarily for the company’s rental inventory and in-house engineers to utilize in the field. “We have all taken a liking to Yamaha digital desks at our company and thought this was a nice “next step” for us, having gotten a lot of miles out of LS9s and M7s, notes Cambridge. Because of our familiarity with the Yamaha OS and internal workings within their digital desks and the direct functionality with the Dante network, we thought this would be a wise investment moving forward. The QL was put to use the minute it arrived, both by our own guys’ use well as fulfilling rider requests.”

For more information on Event Enterprises, visit www.evententerprises.com.

For more information on NEXO STM, Yamaha QL and DSR, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Nitin Sawhney Transcends With Martin Audio MLA At Albert Hall

Nitin Sawhney_1

After working with RG Jones’ Martin Audio Multi-cellular Loudspeaker Array (MLA) at Glastonbury Festival, as well as the smaller MLA Compact at other events, David McEwan’s vision was to use it at the holy grail of London venues, the Royal Albert Hall.

As the long term recording and live engineer for Nitin Sawhney, the opportunity came when this British Indian musician, orchestral composer and producer announced his return to the famous London venue for performances from his forthcoming album Dystopian Dream and a selection of material from his first nine albums.

McEwan approached John Carroll, MD of RG Jones Sound Engineering, and to his great delight, the award-winning PA was made available within the production budget.

Rarely will MLA have had so many different sounds and voices pumped through it as Sawhney moved effortlessly through different musical genres. While he performed on guitars and piano, the ensemble featured many vocalists of different tongues as well as guests such as Björk percussionist and hang player, Manu Delago, and Soumik Datta on the 19-stringed sarod. The band also included two cellists, a tabla player and drummer, and the four singers lined up across the stage included the impressive flutist, Ashwin Srinivasan.

Fellow sound engineer Steve Watson, who tragically died last year, had first introduced David McEwan to RG Jones and the MLA. “I built up a good relationship over the years and had been badgering them to let me have MLA for the Royal Albert Hall. I wondered what it would sound like after using it at Glastonbury, and it sounded amazing. It produced great imaging—there was a real presence about the vocals wherever you stood—and that’s an important part of the show. In terms of PA’s, it’s clearly the next step up.”

The design consisted of 16 x MLA elements per side with nine W8LM Mini (and two W8LMD Downfills) per side and further W8LM/W8LMD used judiciously as front and infills. Eight Martin Audio WLX subs were recessed under the stage in a splayed broadside cardioid array to create the required curve.

McEwan’s system tech was the experienced Marty Beath, who a week previously had helped optimize the MLA system deployed for the Invictus Games Closing Concert.

As production/soundcheck time at the Royal Albert Hall was compromised, Beath was able to draw on existing presets, previously used by MLA tech Mark Edwards, enabling them to notch out sound spillage at the stage and up to the top tribune, where there was no audience present.

Nitin Sawhney_2

Supporting the production was RG Jones’ Jack Bowcher, who has worked many times with McEwan, and was in charge of the stage. He, too, knew the rig would be rock solid.

“MLA again produced amazing clarity, particularly at front of house, which was impressive considering the nature of the event. The detail you could hear in the vocals was just unbelievable.”

But the last word came from David McEwan. “This was one of my favourite experiences; everyone seemed delighted with the sound and I will want to use MLA wherever I can.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Noted Surgeon Finds Live 3D Streaming and Recording from Matrox Monarch HD “Irreplaceable” for Live Teaching and Archiving

To expand his teachings to aspiring surgeons and gynecologists all over the world, Dr. Rajesh Modi, Director of the Akola Endoscopy Centre in Maharashtra, India, relies on the Matrox Monarch HD video streaming and recording appliance combined with the Matrox MC-100 SDI-to-HDMI mini converter to distribute 3D video and audio of his daily surgical procedures and to record them for the facility’s record keeping and as future teaching material. Students can view live streams of his gynecologic and endoscopic procedures on www.drmodi.in and by using the mobile app “Dr. Modi.”

www.drmodi.in_475pix

Dr. Modi is a frequent speaker at medical conferences throughout India and often leads training sessions from the Akola Centre for surgeons looking to increase their knowledge of gynecological endoscopy.

Previously, Dr. Modi used three separate products – two to handle the streaming and one as the recorder – to stream and record his daily operations. “Irreplaceable” is the word he uses now to describe Monarch HD’s role for his daily teaching and administrative needs. Dr. Modi reports that data collection for the large amount of surgical work he conducts is of paramount importance in terms of record keeping, as well as providing high-quality video for future lectures.

“There’s no other option out there that comes close to this in terms of its dual use for recording and streaming, while at different settings, that does not compromise the quality of the recording,” he explained. “The Monarch HD/MC-100 combination is the only system that can convert two SDI inputs into a single HDMI output, and the HD recording it provides is simply brilliant.”

The compact design and intuitive interface that lets users easily set up, control and output streams using any computer or mobile device with a browser has simplified this process and made portability much easier for Dr. Modi, which he said he particularly appreciates as someone who’s not a full-time video professional.

Two outputs for the 3D endo camera from the operating room provide left-eye and right-eye video signals which are sent to the Matrox MC-100 and multiplexed into one side-by-side HDMI signal. The HDMI signal is used as the source for the Monarch HD which streams the side-by-side video to a Flash Media Server. Viewers tune into Dr. Modi’s website to access the 3D content which they watch on any 3D display.

Monarch_DrModi_casestudy_diagram_475pix

The above-and-beyond technical support he’s received from Matrox has solidified Dr. Modi’s confidence in this equipment selection. “The company provided a free demo of the equipment on-site in our operating theatre at Akola. Plus, their online and phone technical support has been consistently excellent. I know, without hesitation, if anything should go wrong, someone at Matrox is there for me.”

Matrox Monarch HD is a cost-effective, small, and easy-to-use H.264 encoder designed for professional video producers who need to simultaneously stream a live event and record a mastering-quality version for post-event editing. It provides these two independent modes in an integrated unit. From any HDMI input source, such as a camera or switcher, Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol. While encoding the video at bitrates suitable for live streaming, Monarch HD simultaneously records a high-quality MP4 or MOV file to an SD card, USB drive, or network-mapped drive.

Belmont University Reopens Legendary Columbia Studio A with HARMAN’s JBL M2 Master Reference Monitors

JBL_BelmontNASHVILLE, Tennessee — As befits its Nashville location, Belmont University has close ties to the music industry—its Mike Curb College of Entertainment and Music Business (CEMB) is the world’s only AACSB (Association to Advance Collegiate Schools of Business)-accredited Music Business program as well as the first ABET (Accreditation Board for Engineering and Technology)-accredited Audio Engineering Technology program. Among its numerous activities the school runs four professional-quality recording studios on campus, the historic Quonset Hut Studio, Ocean Way Nashville Studios—and now, the recently renovated Columbia Studio A, equipped with HARMAN Professional’s JBL M2 Master Reference Monitors.

The JBL M2 Master Reference Monitor is a 2-way powered large-format loudspeaker that sets new standards for sonic accuracy and dynamic range in professional monitoring environments. It incorporates JBL’s latest transducer and acoustics technologies including the newly developed D2 dual-diaphragm, dual-voice-coil compression driver, the Image Control Waveguide, the 2216ND Differential Drive™ dual-voice-coil woofer and numerous additional refinements to deliver exceptional studio monitor performance with remarkable detail, full-range frequency response from 20Hz–40kHz, spatial accuracy and wide dynamic range free of power compression.

Opened in the 1960s, the historic Columbia Studio A recorded many of music’s greatest artists, including Bob Dylan, Johnny Cash, Simon and Garfunkel, George Jones, and many more. However, by the early 1980s it had been converted into an office space. Thanks to the efforts of Belmont University and a donation by the Mike Curb Foundation, Columbia Studio A is making music again as a multi-purpose space for classes in recording studio engineering and sound reinforcement. It also hosts workshops and seminars for a variety of university activities and organizations like the Audio Engineering Society (AES) and the US Copyright Office.

“In order to serve our academic requirements, Columbia Studio A features a wide variety of recording equipment dating from the 1960s all the way to the present, as evidenced by our purchase of the JBL M2 monitors,” said Michael Janas, Instructor, Audio Engineering Technology and Director of Recording Studio Operations at Belmont University. Studio A boasts an eye-popping assortment of restored vintage and modern cutting-edge gear, all routed through an API split-monitor console that once resided in the RMU-2 mobile recording truck of recording pioneer, Walley Heider.

“In restoring Columbia Studio A, one of the goals was to let students experience the evolutionary roots and the historical and technical context of multi-track recording studio technology as we know it today,” Janas stated. “In order for the students and faculty to best hear and understand the aural characteristics of this wide range of equipment, it was important to choose a modern monitoring system that would best reproduce the sound of the source audio in our new ‘old’ studio.”

Janas turned to the project’s acoustical consultant, Dave Rochester of Lebanon, Tennessee’s Technical Audio Services, for advice. Rochester recommended Janas consider the JBL M2. Janas and his team did their homework, ultimately consulting with JBL Professional and the staff at Guitar Center Pro (GC Pro) in Nashville. They liked what the saw and heard and in January 2014 finalized the decision to purchase a pair of M2 monitors and a Crown I-Tech HD Series 4x3500HD amplifier to power them. The Crown amp provides four channels of amplification for the pair of bi-amplified M2s and its internal DSP provides the crossover and also room EQ to optimize the M2 system performance in any room.

“The JBL M2 is stunning in its ability to present fine detail,” Janas pointed out. “The outstanding imaging of the speaker is by far one of my favorite attributes of the system. The M2 not only provides a wide stereo sound field but also depth and height. It’s made a significant impact on everyone who’s heard it.” Designed specifically for the M2, JBL’s Image Control waveguide enables a seamless crossover transition between the woofer and high-frequency driver while delivering extraordinary imaging and rich musical detail to a broad area of the room.

“The M2 turned out to be absolutely perfect for our application. It enables students and staff to hear everything that’s going on in the studio with exacting detail. It reveals the sonic characteristics of every piece of gear we add or take out of the recording chain, whether a microphone, reverb unit, EQ or other link in the recording chain. In fact, it showed us that some of that vintage gear is a lot better than anyone realized.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News, Product Applications |

Clay Paky Fixtures and grandMA2 Hit the Road with Fleetwood Mac

SF8A5210The iconic rock band Fleetwood Mac never stops thinking about tomorrow – and planning their next tour to delight fans. For their current “On With the Show” tour a complement of Clay Paky A.leda B-EYE K20 LED-based moving lights, Sharpy Wash lights and a grandMA2 console have been specified by lighting designer/production designer Paul “Arlo” Guthrie. A.C.T Lighting, Inc. is the exclusive distributor of Clay Paky fixtures and MA products in North America.

The band launched the 40-city North American tour September 30 and, after playing to packed houses, added at least 28 more dates in a second leg, which will begin in January 2015. “On With the Show” marks the first full-member tour for Fleetwood Mac since 1997.

“Designing for Fleetwood Mac is always a challenge since you’re dealing with five different personalities,” says Guthrie. He began by giving them “the biggest, cleanest, most open stage set up I could, so every single seat in the house gets a clear view of the stage. I made sure to remove clutter so everyone can see the band members.”

Guthrie added a big upstage videowall, three above-the-head ribbon videowalls and 12 lighting pods.

A dozen B-EYE K20s are on the audience side of the pods to light the fans. “They do pixel effects and perform very quick, easy and huge washes from 12 watts – they can light the entire audience,” Guthrie says. “We don’t use smoke or haze so we don’t really use beam effects. But we do use a lot of pixel animation. For some songs the fixtures replicate what’s happening on the videowall.”

Guthrie was introduced to B-EYE K20s at LDI last year. “This is the first time I’m using them. The colors, dimming and patterns are great. The idea that we have 12 lights we can switch on and then light up the entire arena is great!”

Lighting Director Chris Lose adds, “The things that impressed me the most about the B-EYEs was their ability to act like an LED fixture and then with a simple flip of a channel behave just like an incandescent fixture. Most LED fixtures on the market are missing that warmth and glow. 

Three Sharpy Washes are mounted on each pod for a total of 36 fixtures. “They serve as the workhorse overhead wash light,” Guthrie explains. “Because of their brightness we get a little bit of a beam effect even with no smoke. That’s a real bonus.”

Guthrie first used Sharpy Washes for Fleetwood Mac last year then subsequently deployed them for Nine Inch Nails. “I like the fact that they don’t dim like an LED: Their mechanical dimmer is fantastic.  I like the size, speed and colors – it’s a great little workhorse light. There’s still room in my shows for lights that actually light stuff, and with Fleetwood Mac, we have to see the band and the stage, not just millions of pixels in your eyes.”

Guthrie opted for a grandMA2 console to run all the lights, media servers– even a heater for drummer Mick Fleetwood. “The whole show is cue-to-cue, no timecode,” he reports. “The grandMA2 is a nice stable and familiar work surface. It’s great to have something you can trust. While this is a straightforward show, it’s still important to have a system you can rely on. The grandMA2’s networking capabilities are also awesome; they enabled me and lighting director Chris Lose, who is touring with the band, to program simultaneously.”

Lose adds, “Simultaneously programming with Arlo on the grandMA2 is very easy. His vision was made very clear when he could dial up a look he wanted on his desk and then I could implement his looks into the show in a way that worked with the cue stack.”

PRG supplied the Clay Paky fixtures and grandMA2 for the tour.

George Masek, A.C.T Lighting Vice President – Automated Lighting, commented “We really enjoy working with Arlo on his projects, and I’m very proud that he has chosen Clay Paky and MA products to support his visions.”

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Product Applications |

Professional Wireless Systems Says Adios to Signal Interference at NBA Global Games Mexico City 2014

MEXICO CITY, NOVEMBER 24, 2014 — As the Houston Rockets and Minnesota Timberwolves tipped off at the Mexico City Arena on November 12, as part of NBA Global Games Mexico City 2014, Professional Wireless Systems (PWS) was courtside to manage all wireless frequencies throughout the game.

PWS’s overall goal was to provide frequency coordination for all wireless communications, enabling multiple wireless frequencies to be used in conjunction with one another without interference. PWS’ presence reaffirmed that the NBA would have clear communications throughout the event, without worry of dropped signals or unwanted interference during the live show. In all, the PWS team coordinated approximately 110 frequencies.

Two challenges that the PWS team faced in managing frequencies while on-site centered on combating potential signal interference from several active TVBDs in the area and successfully coordinating frequencies with the influx of international media. “There were many more frequencies in use in the area than initially anticipated, which meant that our team had to be prepared and on-guard for unexpected challenges and potential interference during the game,” says John Garrido, PWS’ main RF coordinator for the event.

PWS utilized a selection of equipment, including multiple Telex BTR-800s with wireless intercom beltpacks for extended coverage and range, the Shure UHF-R wireless system, and an assortment of Shure handheld microphones and Lectrosonics IFB kits. In addition, PWS set up a main intercom master station for the game’s courtside lead director, which enabled her to utilize multiple channels at one time and effectively coordinate the game entertainment with all parties involved. For this event, PWS also supplied all the hardware for the hard-wired communications using a Telex RTS-BP325 for all technical positions, which amounted to 25 drops.

“The intercoms proved essential during the event and kept the production running smoothly, allowing crew members to seamlessly coordinate the timing of all talent acts,” adds Garrido. “At one point, one of the team mascots acted out physically eating the game floor host! It seems a crazy act in and of itself, but it is one that was only possible because she was working with wireless equipment.”

In addition, PWS used several of its own proprietary equipment. This includes two Domed Helical Antenna kits, one PWS GX-4 combiner and one PWS DB-IC Custom Intercom Antenna Distribution System.

“We have enjoyed a long relationship with the NBA and were very excited to be a part of the NBA’s Global Games initiative in Mexico City,” says Jim Van Winkle, general manager, PWS. “It is difficult to know what to expect when working an event outside of the United States, especially a live one, but our extensive experience and expert team once again did a great job and the broadcast went off without any issues.”

Along with the on-court action, NBA Global Games 2014-15 will feature a variety of off-the-court activities, including NBA Cares community programs and interactive fan events in each city. The games will also be supported by a variety of marketing and merchandising partners, and fans will be able to receive real-time updates through the NBA Game Time App, on NBA.com, and NBA social media channels, as well as watch globally on television and digital media, including NBA LEAGUE PASS International.

For more information about Professional Wireless Systems, visit http://www.professionalwireless.com.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

# # #

PRO SOUND EFFECTS DEBUTS SOUND DESIGN SPOTLIGHT VIDEO SERIES

Episode 1: How Ryan Billia (Rumble Audio, Brooklyn) is Making it in Indie Film

NEW YORK, NY – Pro Sound Effects®, the next level sound effects library company, has released the first video in its Sound Design Spotlight Series featuring Ryan Billia of Rumble Audio in Brooklyn, NY. The Spotlight Series is designed to bring awareness to the art and craft of sound design and to provide practical knowledge and inspiration for the growing number of aspiring sound designers.

Sound_Design_Spotlight_Pro_Sound_Effects

In the Series debut, Pro Sound Effects takes us into Billia’s one-stop audio post facility in Williamsburg, Brooklyn, goes behind the scenes to reveal workflow and creative approach, and finally onto the big screen where Billia shows us how he designed Icelandic Geyser explosion sounds for Land Ho! (Sony Picture Classics) using Pro Tools and the Hybrid Library.

“People hear sound design everywhere, but are not exposed in-depth to the art and craft behind it,” said Douglas Price, Founder & President of Pro Sound Effects. “To raise the bar, we decided to create a series of video interviews with forward-thinking sound designers to capture the creative spirit and technology of storytelling’s other side – that which is heard and not seen.”

Watch the full Spotlight Series video (11:17) here.

Or, skip to Geyser explosion design scene here.

ABOUT the SOUND DESIGN SPOTLIGHT Series:
The Sound Design Spotlight video series interviews forward-thinking sound designers to capture the creative spirit of story-telling through sound design and technology.

ABOUT PRO SOUND EFFECTS:
Pro Sound Effects® curates and delivers the Next Level sound effects library for media producers worldwide. The Pro Sound Effects Library is 220,000+ royalty-free sounds effects available both online and on hard drive. The Library spans the entire sonic spectrum and is continually updated. Founded in 2004, Pro Sound Effects is relied upon by top freelancers and big media production companies worldwide.

Beijing Workers’ Service Center Receives Smooth Translation Capabilities With HARMAN’s AKG Microphones And Headphones

AKG_BeijingWorkerCenterBEIJING, China – Breaking down language barriers for international guest speakers and officials, the 300-seat roundtable conference hall at the Beijing Workers’ Service Center in China was recently equipped with HARMAN’s AKG CS5 Conferencing system and K99 Perception headphones. Not only did audio supplier and integrator Beijing Respectful Electronic Technology Company Ltd. enable seamless translation and interpretation capabilities, it also provided improved voice clarity during meetings.

The installed conferencing system features two AKG CS5 VU voting units, 39 CS5 DU delegate units, three CS5IU interpreter units, one CS5 BU base unit, five CS5 CU50 charging and storage units, 10 CS5 IRT1 infrared transmitters, 250 CS5 IRR7 infrared receivers and 41 GN30 and CK31 microphone capsules. In addition, 253 AKG K99 high-performance Perception headphones were provided for accurate sound output.

“When tasked with this project, we were looking for stable system performance, simultaneous translation into seven different languages and clear sound input. With the AKG CS5 conferencing system, I believe we have found what we were looking for,” said Yin Wang, Technician at Beijing Respectful Electronic Technology Company Ltd. “This system really gives us great voice clarity and stability, so conferences can continue smoothly and uninterrupted.”

After distributing the infrared receivers evenly across the room, Wang made sure that the IR signals were uniform and stable. The CS5 system meets the stringent requirements of international conferences, but to ensure that conference participants have no trouble hearing all communications within the room, Wang turned towards the industry leader again for high performance headphones.

“We needed multilingual translation capabilities, because the conference room is often used for international meetings, but we also needed good headphones so that voices remain clear,” said Wang.“The AKG K99 Perception headphones performed reliably throughout all the meetings so far.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News, Product Applications |

Daimler Uses Riedel Gear to Introduce Mercedes-Benz ‘Future Truck 2025,’ the First Autonomously Driven Truck

WUPPERTAL, Germany — Nov. 20, 2014 — Riedel Communications, provider of pioneering real-time video, audio, data, and communications networks, today announced that Daimler deployed Riedel equipment to provide press and other guests with their first demonstration of the Mercedes-Benz “Future Truck 2025,” the world’s first truck capable of driving autonomously. System integrator XL Video GmbH supplied the Riedel MediorNet Modular real-time media network, Artist digital matrix intercom system, and pure fiber cable used for video and audio transport during the event, staged by creative agency [mu:d] GmbH on a new piece of autobahn.

“In introducing a major achievement for Daimler, we wanted to be certain that guests enjoyed the best possible look at the ‘Future Truck 2025,’” said Tobias Nickels, video project manager, at [mu:d] GmbH. “The quality of the signals delivered over the Riedel network, as well as the flexibility of the network itself, gave us a powerful tool for showcasing the innovation and style of this new truck.”

During the Daimler event near Magdeburg, grandstands for guests were positioned along the roadway to provide a look at the unique Mercedes-Benz truck, which uses a “Highway Pilot” system to drive autonomously at speeds of up to 80 kilometers per hour. A large LED screen displayed live images from different areas of the road during the demonstration, as well as video from three on-board cameras. A wireless receiver site for the on-board camera systems was established near the control room. The Grass Valley LDX cameras used Riedel’s MN-GV-2 cards and local power to interface via fiber into the MediorNet Modular fiber ring, which supported audio and video signal transport.

Initially, two cameras were positioned at the main grandstand and another two at autobahn overpasses. The flexibility of Riedel’s fiber-based network made it easy for [mu:d] and XL Video GmbH to go back and install a third camera on one overpass without needing to run another two kilometers of cabling. The four nodes of the fiber ring were situated in the main control room, at the video wall, and at the two overpasses.

“Riedel equipment sets the standard for live event communications and signal transport, and the performance, versatility, and reliability of the company’s solutions were evident in the quality of the Daimler ‘Future Truck 2025′ event,” said Christian Heinzel, broadcast manager at XL Video GmbH. “We felt extremely comfortable recommending this equipment to [mu:d] and Daimler, and it proved worthy for the high-profile launch of what likely represents the long-haul vehicle of the future.”

Further information about Riedel and the company’s products is available at www.riedel.net.

# # #

About Riedel Communications
Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 350 people at 12 locations in Europe, Asia, Australia, and the Americas.

Photo Links:
www.wallstcom.com/Riedel/Riedel-Control.jpg
www.wallstcom.com/Riedel/Riedel-FutureTruck.jpg
www.wallstcom.com/Riedel/Riedel-Kamera.jpg

Video Link: https://www.youtube.com/watch?v=5u5WXd-kaSs

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

November 2014
M T W T F S S
« Oct    
 12
3456789
10111213141516
17181920212223
24252627282930

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication