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Archive of the Product Applications Category

Camp Digital Is On the Move With HARMAN Soundcraft Vi4(tm) Console In Its New Thunderbolt HD Production Truck

LAS VEGAS, Nevada – Camp Digital is a partnership of Nashville video production professionals who created the full-service mobile video production company four years ago. In early 2012, Camp Digital’s fleet got bigger and better with the company’s new Thunderbolt HD truck, equipped with a HARMAN Soundcraft Vi4 digital mixing console.

Camp Digital specializes in music and entertainment events for television, home video and non-traditional media including the Internet, tablets and wireless devices. The company’s five partners have more than 100 years of combined experience in TV and video production.

“Our concept with the Thunderbolt HD truck, as has been the company’s philosophy all along, is to be able to get in and out of spaces that a tractor trailer can’t, provide the highest HD production quality and still be budget conscious,” said Tom Gregory, vice president of Camp Digital. “This gives us the ability to do jobs that other production trucks can’t touch. Add to that the fact that we’re extremely sensitive to today’s production budgets, we think we’re a great solution for a broad range of clients and productions ”

It’s a philosophy that’s working. Since turning out the Thunderbolt HD truck in January, Camp Digital has produced several “RAM Country” live music events for Yahoo! Music. Thunderbolt was in Indianapolis during the week of Super Bowl XLVI to produce performances by Pitbull and 50 Cent for “Jimmy Kimmel Live!” and was recently on location for Ron White’s second annual “Comedy Salute to the Troops,” expected to air April 22 on CMT. This is also Camp Digital’s fourth year working with ABC and the CMA Music Festival, capturing performances by Keith Urban and Kix Brooks.

With a schedule like that, there’s no room for equipment that can’t handle the mileage. Because of his positive experience from using the Vi4 in the JOURNEY HD truck, Camp Digital added the console to Thunderbolt HD’s system. “When we first purchased the Vi4, we needed a console that had a conservative physical footprint but still had the ability to handle well over 48 inputs and did not compromise on quality or flexibility,” Gregory noted. “The Vi4 has all the features we need and then some.”

“The Vi4 has been absolutely bulletproof,” Gregory added. “We’ve had zero issues with it on any level. For the Thunderbolt HD truck, we’re connected with fiber optic cable to the stage box, which gives us more distance to work with, and everything run perfectly.”

Camp Digital’s clients also like the Vi4′s ergonomics. “Jimmy Kimmel’s crew flew out from LA to do the Super Bowl tapings and they had to use our Vi4,” he said.” They were not familiar with the Vi4 in particular, but had worked with Studer consoles in the past. In no time at all they were comfortable with the Vi4 because of its similarity to other Soundcraft and Studer models. They’re all quite logical and straightforward to use.”

“I know Soundcraft specifically designed the Vi4 to deliver flexibility and performance in a compact size,” Gregory stated. “They succeeded. The Vi4 is tailor-made for situations like ours.”

Camp Digital captures and produces music and entertainment events all across North America for a variety of television network and music industry clients. Camp Digital is a full-service production company that also owns/operates Thunderbolt HD, a state of the art 12 camera video production truck with 64 tracks of Pro Tools audio recording capability managed through the Soundcraft Vi4 audio console. For more information on Camp Digital visit www.campdigital.net or contact them directly at 615-826-0122.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.2 billion for twelve months ending December 31, 2011.

Santa Monica’s Lotus Post Positions Itself for Success With HARMAN’s JBL LSR Series Studio Monitors And ScreenArray(r) Loudspeakers

LAS VEGAS, Nevada – Located in the heart of Santa Monica, California, Lotus Post offers a broad range of audio services for movies, TV and music recording. In its new 6,000-square-foot facility with six post-production studios and another in the works, Lotus Post relies on HARMAN’s JBL LSR Series studio monitors and ScreenArray(r) cinema loudspeakers for film projects including Outrun, The Fighter, Thor, plus TV projects for Fox, Discovery Channel and Speed TV.

“Our mission is to be the best independent audio post facility in Los Angeles and offer an environment that fosters quality and creativity,” said Michael Perricone, CEO of Lotus Post. “We handle a variety of projects from feature films to promos to surround music mixing, with budgets ranging from $10,000 to $10 million.”

“A friend of mine had a pair of JBL LSR studio monitors and I heard them a few years ago and liked them very much,” Perricone added. “When we started Lotus Post at our original space in 2009, we took over a facility that already had JBL ScreenArray loudspeakers in two of the rooms. After working with these speakers and getting such consistently good results, we decided to equip every room with JBL systems when we moved Lotus Post to our new facility in Santa Monica.”

JBL ScreenArray loudspeakers are created to provide extended frequency response, wide dynamic range and smooth, even coverage to every seat in a theater. JBL’s LSR Series studio monitors provide high-resolution near field monitoring and feature technology that ensures accuracy at the mix position in any room. The use of JBL studio monitors in conjunction with JBL ScreenArray gives Lotus Post room-to-room consistency for mixes that consistently translate perfectly to theaters and homes.

“Every room at Lotus Post is designed to take advantage of today’s audio technology to the maximum,” Perricone noted. “We have to have sound we can believe in. The quality of our mixes can only be as good as the quality of what we’re hearing-that’s why it’s crucial for us to have speakers that don’t cut corners sonically.”

“With our JBLs, I can believe what I’m hearing-there’s no coloration, nothing to make the sound more ‘exciting’ than it really is,” Perricone added. “JBL ScreenArray loudspeakers are used in movie theaters all over the world, and what we hear in Stage One is what we know people are going to hear when they go to the movies.”

“The great thing about the LSR Series monitors,” Perricone concluded, “is that they do the same thing-the same quality of sound we hear in our post-production rooms translates to the big theaters. Also, thanks to their RMC Room Mode Correction, I can go from room to room in our facility and know that I’m going to hear absolutely consistent sound, with no surprises.”

Lotus Post has outfitted six of its rooms-Stages One through Six-with a range of models from the LSR6300 Series studio monitor line, plus JBL ScreenArray and cinema surround speakers in Stage One (Lotus Post’s “Big Room”) and cinema surround speakers in Stage Two.

For more information on Lotus Post, please visit www.lotuspost.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.2 billion for twelve months ending December 31, 2011.

HARMAN To Offer Regional HiQnet System Architect(tm) and JBL HiQnet Performance Manager(tm) Software Training Courses

SALT LAKE CITY, Utah – In association with rep firm Robert Louis Associates, HARMAN’s System Development and Integration Group (SDIG) today announced it is to offer in-person training sessions for its HiQnet System Architect(tm) and JBL HiQnet Performance Manager(tm) software in Pennsylvania and Ohio. The training will be lead by HARMAN Product Application Specialist Emilian Wojtowycz, an expert in the implementation of System Architect and Performance Manger for installed and live sound applications.

The training sessions will take place at the following dates and locations:

April 30th – May 1st: HiQnet System Architect, Pittsburgh, PA
May 2nd: JBL HiQnet Performance Manager, Columbus, OH
May 3rd – May 4th: HiQnet System Architect, Columbus, OH

HiQnet is a communications protocol that enables all the compatible devices in the audio signal path, from mixing consoles to loudspeakers, to seamlessly communicate with each other. System Architect 3 is the software used to set up and configure a HiQnet system, by means of a series of control panels that are displayed on a PC and can be customized by the user.

System Architect enables designers to configure and control an installed sound system, using the HiQnet communications protocol that enables all the compatible devices in the audio signal path, from mixing consoles to loudspeakers, to communicate with each other seamlessly. System Architect 3 features a system design philosophy centered on workflow and the use of a diagrammatic representation of the installed or live sound venue. Devices are arranged by both their physical and logical placement allowing the designer to ‘educate’ System Architect about how they are to be used. In return the software is able to provide automation of many of the laborious system design tasks for free.

Attendees of the System Architect courses will learn:
* Design workflow modes
* Overview of Ethernet AVB technology and AVB routing
* Comprehensive design workflow and system tools
* Custom and master panel creation
* Going online and networking
* Day-to-day operation

Both System Architect courses award attendees with 5.5 InfoComm CTS RU credits.

JBL HiQnet Performance Manager is a software application derived from the System Architect core code but tailored for live sound operation. It is designed to configure networked audio systems within performance venues such as theatre, house of worship, and corporate and other performance sound events. It dramatically reduces design time, simplifies networking and automates control interface configuration.

Attendees of the Performance Manager course will learn the way in which Performance Manager guides the configuration of system design workflow:

* Working with array templates and the JBL Line Array Calculator II tool
* Adding passive or powered speakers automatically
* Adding and associating amplifier racks automatically
* Simplified drag-and-drop networking
* Using the built-in test, tuning and calibration control interfaces
* Running and monitoring the system with the dedicated show mode

“System Architect and Performance Manager are two powerful tools that make the design, setup, and tuning of audio systems faster and more efficient than ever before. These training courses will provide attendees with the knowledge to harness these resources for their everyday use,” stated Adam Holladay, Market Manager, HARMAN System Development and Integration Group.

For more details please visit http://hiqnet.harmanpro.com. To apply for a course, please visit Robert Louis Associates at http://www.4rla.com.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.2 billion for twelve months ending December 31, 2011.

DPA 4006A Reference Standard Mics Bring High Level of Sound Recording to de Doelen Concert Hall

ROTTERDAM, NETHERLANDS, APRIL 13, 2012 – Broadcast Facilities Nederland (BFN) has purchased two sets of factory-matched DPA Microphones 4006A omnidirectional microphones from the company’s Benelux distributor, Amptec. The omni mics have been selected to record sessions of the Rotterdam Philharmonic Orchestra at the 2,200-capacity Grand Hall of de Doelen in Rotterdam, which will be used for broadcast.

Broadcast Facilities Nederlands engineer, Rob Heerschop, with a DPA 4006A

BFN’s recording engineer, Rob Heerschop, first used the new mics for Mahler’s Fifth Symphony and was surprised by the clear and transparent sound they brought to the orchestral works at the complex.

“Broadcast Facilities Nederland and de Doelen own a permanent studio in the main hall, for which we knew we needed a small AB microphone and a wide AB microphone for basic recordings,” explains Heerschop. “The reason we chose DPA Microphones’ 4006A is that they are simply the best for the AB recording technique when it comes to natural sound, transparency and dynamics. With our setup, we are using the shortest possible path to the Millenia preamp above the ceiling to create the best sound without any loss. For complex productions, we can add our choice of a variety of other DPA microphones, such as the DPA 4015, 4011, 4003, 4028 and a pair of 4041s.”

“I am proud to have sold DPA Reference Standard microphones to de Doelen and Broadcast Facilities Nederland, who often have to work under extreme pressure and very complicated circumstances,” adds Martin Goosen, Amptec sales manager for DPA in the Netherlands. “It is very rewarding that they are so satisfied with the results.”

BFN’s music department is involved in many live radio and TV broadcasts and CD productions on location or in its concert halls and studios in Amsterdam, Rotterdam and Hilversum.

ABOUT DPA:
DPA Microphones A/S is a leading manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

Sony and Epson Booth Demonstrations at NAB Show® 2012 to Feature Screen Innovations Black Diamond Zero Edge and Reference Series Projection Screens

Austin, TX – April 16, 2012 – Screen Innovations (SI), a leading US-based manufacturer of projection screens for residential and commercial applications, today announces that two prominent exhibitors at next week’s National Association of Broadcasters Show will feature Screen Innovations projection screens in their exhibits. The NAB Show®, which runs April 16-19, 2012 in Las Vegas, NV, supports the broadcast industry and features products and technologies for the Broadcast and associated industries.

In Epson’s booth (#SL14710,) a custom 36”(h) x 120”(w) 3.33:1 aspect ratio Black Diamond Reference Series screen and a 39″ (h) x 68”(w) 16:10 aspect ratio Black Diamond Zero Edge screen will be used to demonstrate Epson’s PowerLite Pro Z8450WUNL and Pro Z8455WUNL multimedia projectors.

In Sony’s booth (#C11001), a custom 84.375”(h) x 160”(w) 1.89:1 aspect ratio Solar 1.3 gain 4K rated SI screen will be used to demonstrate Sony’s new VPL-VW1000ES 4K SXRD projector. A video of the VPL-VW1000ES paired with an SI Black Diamond screen can be found here: http://vimeo.com/39005610.

For their respective demonstrations, both manufacturers will use Screen Innovations screens to showcase not only the technological prowess of their newest projectors, but also that of the onscreen image. SI’s Black Diamond screens were designed for – and excel in – high ambient light conditions, which a tradeshow floor most certainly provides, thereby providing NAB Show attendees the opportunity to see for themselves how well they perform in such an environment.

About Black Diamond Screens
Designed to solve complex two-piece projection system installation challenges, SI Black Diamond screens essentially change the commercial landscape by enabling projection to work in almost any environment, anytime, day, or night. Featuring micro-seamed construction, Black Diamond delivers a stunning, flat panel-quality image for virtually any application imaginable.

About Screen Innovations
Screen Innovations (SI) is a leading manufacturer of projection screen technologies for residential and commercial applications. Delivering needed solutions, aesthetically pleasing designs and competitive price points, SI screens provide unparalleled ambient light rejection and video image reproduction.

A highly innovative, industry-specific Screen Innovations design and engineering team works tirelessly, constantly evolving the category in order to effectively bring projection to the mainstream. Operating under the principle that “No matter the budget; Screen Innovations has the best available screen solution to suit your needs,” SI aims to resolve the issues that have historically hamstrung the projection screen industry.

Handcrafted in the USA, each Screen Innovations product carries a lifetime replacement policy, and is produced utilizing advanced custom robotics and green manufacturing practices. Dedicated to corporate and consumer responsibility, every SI screen is manufactured in the most efficient manner possible.
For more information about Screen Innovations, visit: www.screeninnovations.com/. To download product images, logos and associated content, visit: http://www.screeninnovations.com/downloads/.

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Screen Innovations Media Contact:
Katye (McGregor) Bennett
KMB Communications
O. (425) 374-8930
C. (425) 328-8640
E. Katye@KMBComm.com

Mid-Sized Church Gets Big Sound with StudioLive

VotP's Glen Hallmark

Baton Rouge, Louisiana, April 2012…  Voice of the Pentecost is a media-savvy church with a modern outlook and a contemporary worship style. It has a lively service and a fun-loving congregation, and music plays a major role in sharing the message.

The church recently upgraded their aging analog console, bringing in a PreSonus StudioLive™ 24.4.2 digital mixer. As Media Tech Glen Hallmark explains, the new desk has made a world of difference.

“Our old console was very constrictive for the things we wanted to accomplish, particularly for the musicians,” he says. “We have anywhere from six to ten musicians up on stage at any given time. The band is on in-ears, and the singers are using wedges. With the old mixer, we were only able to provide them with four monitor mixes. Everyone’s mix was a poor compromise, and no one really got what they wanted. Needless to say, it didn’t contribute to their performance.”

It also affected the sound in the sanctuary. “We were pumping so much volume into the monitors that we’d have to compensate by making the front-of-house mix louder,” says Hallmark. “At a certain point the service becomes less than enjoyable.”

The need for a new console was clear, and the church started researching their options. “We knew we needed a digital console to get the features we wanted, and we started researching our options,” Hallmark explains. “The StudioLive console had all the features we were looking for, and the price point was very economical – so economical, in fact, that we were initially a bit skeptical. But the more we looked into it, and the more we compared features, sound and build quality, the more impressed we were.”

Sound quality in particular was a major factor in selecting the StudioLive. “The preamps on this console are just fantastic,” Hallmark exclaims. “We’re using the same microphones we had before, but the choir sounds so much better.”

Hallmark states that the availability of more monitor mixes has also done wonders for the singers. “With our old console, all the singers got one monitor mix. Now we’re able to create three separate mixes for the singers, so we can give the altos, sopranos and tenors individual mixes. It’s been great for their performance.”

The StudioLive’s remote-mixing feature was an unexpected plus. “I’m using the iPad® to mix pretty much every service,” Hallmark reports. “It enables me to sit with the congregation and hear what they’re hearing and to be a part of the service, rather than being tied to the console. My wife is on the prayer and worship team, and we’ve got a young daughter, so the iPad remote also allows me to go out and sit with my family.”

The band wasted no time in learning how to adjust their own monitor mixes. “QMix™ is great,” Hallmark says. “Each of the musicians has their own little iPod touch® for controlling their mix levels.”

The StudioLive desk does more than just deliver a great in-house mix, though. “We archive every service online,” notes Hallmark. “We record CDs and DVDs as well. We record everything to Capture. I’m able to fine-tune the mix and adjust the vocal levels, and I save a backup file of every service. I dedicate one monitor mix specifically for the Web feed, so I’m able to create a different mix from what’s in the room, and easily monitor what it sounds like going out over the Web.”

Those recorded services are also useful for other purposes. “I can pull up a mix when the room is empty and try out different compression and effects settings, without worrying about affecting the live sound,” says Hallmark. “And because our audio staff is largely volunteer-based, I can pull up a mix to train a volunteer on how to run the console, without the stress of teaching them during a service.”

Hallmark says the congregation has also noticed the improvement. “People have been complimenting us on the sound of the services,” he reports. “It is just incredible what this console has allowed us to do.”

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Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording software, hardware, and related accessories. PreSonus software, microphone preamps, signal processors, digital audio interfaces, mixers, control surfaces and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

Chicago’s College Church Offers a Landmark Iconyx Installation

Wheaton, IL, April 2012... Founded in 1861 with close ties to Wheaton College, College Church has achieved a reputation as one of the most influential churches in America.

The stunning Georgian Revival-style building on Washington Street that the church calls home was built around two decades ago. It’s an architectural gem that boasts high glass ceilings, soaring columns, and a U-shaped wrap-around balcony. The room’s acoustics provide a wonderful complement for the piano, pipe organ, and choir that typically accompany most services. But that same architecture has represented a long-standing challenge for spoken-word intelligibility. As Greg Dieckhaus, President and CEO of Bolingbrook, IL-based Practical AV Solutions explains, the church has been through more than one attempt at addressing the issue.

“It’s a gorgeous building, but problems with intelligibility and consistency of coverage have plagued them since the beginning,” says Dieckhaus. “It’s not just the high ceilings. The room itself is somewhat U-shaped, with gallery seating along the sides and back, covered by a balcony level. The resulting acoustics tend to cause some odd reflection patterns.”

The sanctuary’s original audio system comprised severalhundred small speakers mounted underneath the seating, pointing downward to reflect off the tiled floor. “It was a distributed, under-pew system, the concept being that it would bring the sound very close to the listener,” says Dieckhaus. “It was a great idea in theory, and it did address their aesthetic concerns, combined with some full range loudspeakers built into the organ loft above and behind the chancel platform. But in practice it failed to deliver the desired results.”

“We abandoned the under-pew system within a matter of months,” says Tim Hollinger, the church’s Technology Manager. “We experimented with several alternative options over the next year, eventually settling on a more traditional center cluster design. That served us for about 18 years, and was considerably better than the original system.”

Eventually, though, it became clear that the main issues were with the building’s acoustics, which needed to be addressed before the audio system itself.

“It’s a gorgeous but somewhat cavernous space that, frankly, has the potential for standing waves that can go on for up to two or three seconds, no matter how good the sound system is,” says Tim Hollinger, the church’s Technology Manager.

Recognizing that, Acoustician Gregory Miller of Chicago-based Pin Drop Acoustics was brought in to evaluate the space. As Dieckhaus observes, Miller was chosen for his unique approach toward acoustics.

“Greg is a person with a strong performing arts and music background,” says Dieckhaus. “He has a great love for traditional, unamplified music, and is very conscious of the acoustics of a space and how they affect the music. He approached the project with the clear mission of improving speech intelligibility without destroying the room’s unique musical acoustical characteristics.”
“Greg determined that the best solution would combine acoustic treatment with a redesigned sound system, and brought us in to look at revamping the speaker system as well,” says Dieckhaus. “The first thing that came to mind for me was the Iconyx IC2 digitally steerable array from Renkus-Heinz. I had used Iconyx in many other churches and knew it worked well in very challenging acoustical environments. I had educated myself on the new IC2 model and was confident it was the right system for this application. This particular church has a rather wide chancel stage, without a lot vertical elements to position a column array.” The IC2 system, comprising a two-box array mounted above the chancel platform, was installed by Pentegra Systems of Elmhurst, IL. The IC2 system is augmented by four Renkus-Heinz SGX81 two-way 8-inch cabinets, installed to provide coverage to the over-balcony seating. Another pair of SGX81 boxes are installed as monitors for the chancel choir.To that end, Miller designed a system utilizing diffusers, rather than absorption, to treat the room’s excessive reflectivity. “The musical aspect of our service is very important, and the sound of our organ and choir in particular,” says Hollinger. “Sound absorption was never an option for us, so Greg Miller’s approach of using diffusion was really the right one for us.”

Dieckhaus says the IC2 proved to be the ideal choice for controlling the sound within the space. “It was clearly able to place the sound where we needed it and keep the directivity under control without firing at the walls, ceiling and other reflective surfaces.”

For Hollinger, the challenge of treading the fine line of improving the room’s intelligibility while retaining its signature acoustics has indeed been met. “Spoken word intelligibility is vastly improved, and as our organist put it, we’ve done no damage to the music. Given that he’s one of our most discerning listeners, that’s perhaps the ultimate compliment.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

HARMAN’s Studer Announces Integration of EMBER Protocol with Studer(r) Vista Consoles at NAB 2012

LAS VEGAS, Nevada – At NAB this year, HARMAN’s Studer will show how efficiently it can control newsroom playout or production automation systems with its full range of broadcast consoles, demonstrating the expanded integration of the Ember protocol into Studer Vista consoles at booth C2619 in addition to the existing inclusion in Studer’s OnAir range of consoles.

The Ember protocol provides seamless integration of Studer Vista and OnAir series consoles with 3rd-party broadcast control systems & newsroom production automation systems. Such a workflow enables broadcasters to add and expand newscasting without adding overheads in newsroom operations, and improves workflow and newsgathering ability while retaining the ability to go to manual override for breaking news.

“Supporting the networking and routing needs of broadcasters is nothing new for us at Studer,” said Katy Templeman-Holmes, Marketing Manager for Studer in the USA. “Some of the world’s largest broadcasters have trusted Studer for over a decade to manage the integrity of their network operations with the Route 3000, Route 6000, Pro-Bel and now we will further support broadcasters’ needs with the integration of Ember.”

Ember is a control protocol implementation that allows many audio console settings to be controlled over TCP/IP, in addition to the Pro-Bel SW-P-08 protocol that is supported already. An additional bonus to broadcast is Ember’s ability to support multi-connection setups, making it an excellent choice for installations requiring redundancy.
Ember connectivity allows the external equipment to transfer signal labels, and to control input channel gains, solo, mutes, plus AUX send levels and mutes, along with N-X (mix-minus) bus levels and mutes. Master channel levels and mutes can also be addressed along with Group and Aux master channels.

EMBER control is available across the range of Studer consoles, including the new compact OnAir 1500 console, so it can be used from large-scale public broadcast situations to small local stations according to budget.

EMBER will be shown with the Vista 5 series of consoles on the HARMAN Studer booth C2619 at the NAB show, in addition to the showcase of Studer’s five other new products being launched at the show. The new Vista 1 Compact will also support EMBER, in turn presenting a robust all-in-one solution for broadcasters looking to cost-effectively consolidate their studio operations.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.2 billion for twelve months ending December 31, 2011.

Wowza Demonstrates Enhancements to Wowza Media Server Platform at the 2012 NAB Show

Wowza Media Server 3.1 Features Refinements and Options to Help Enhance Viewing Experience and Control Cost of Transcoding Live Audio Streams

EVERGREEN, Colo. — April 12, 2012 — Wowza Media Systems, LLC, the “Any Screen Done Right(TM)” media server software company, today announced that it will demonstrate a set of enhancements to Wowza Media Server(R) 3 at the 2012 NAB Show. The newest version of the award-winning software platform, Wowza Media Server 3.1 includes refinements to the Network DVR(TM) (nDVR) AddOn, an audio-only option for the Wowza Transcoder(TM) AddOn, and Dynamic Transcoder Overlays. more

ASHLY GEAR CHOSEN FOR SEDONA’S ENCHANTMENT RESORT

enchantment_clubhouse.JPGSEDONA, ARIZONA – APRIL 2012: Words hardly do justice to Enchantment Resort in Sedona, Arizona. The upscale retreat is tastefully nestled within a red rock canyon in a way that makes the views from the pools, rooms, restaurants, lounges, and spa breathtakingly open and serene. It is a rare amalgam of backcountry camping’s beauty and modern hospitality’s comforts in which neither aspect is compromised.

Enchantment Resort began an eight-million dollar renovation to its main building, the Clubhouse, this past November. This building houses the resorts front desk, restaurants, bar, specialty wine bar, pool and pool bar, and an activity center. The Clubhouse renovation was completed and reopened just in time for their peak spring break season, which typically brings 100% occupancy. With an entire makeover of all restaurants, bars, public areas, front desk, retail shopping, and a new pool almost three times the more

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