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Power Music of Denmark Takes Newly Purchased HARMAN’s JBL VTX Line Arrays and Crown I-Tech HD Amplifiers to ABC Beach Party

GRENAA STRAND, Denmark — Power Music of Denmark recently added HARMAN’s JBL VTX line arrays and Crown I-Tech HD amplifiers to its inventory. A longtime HARMAN customer, Power Music is a leading regional provider of sound and lighting systems for applications of all sizes. The company recently put its new VTX system to the test at ABC Beach Party, a 12-hour event organized by Danish broadcaster ABC Radio, featuring approximately 25 artists. Held at Grenaa Strand, in Denmark, ABC Beach Party drew an audience of 10,200 people.

“As a JBL VERTEC® user for many years, the time had come for us to take the next step with VTX,” said Rune Hjort, Owner of Power Music. “The launch of the VTX V20 loudspeaker was a perfect solution for our company, providing great flexibility and fast setup with the new ASM suspension system.”

Power Music purchased a total of 16 VTX V20 loudspeakers, along with six S25 subwoofers and six G28 subwoofers. In addition, the company added six Crown I-Tech 12000HD and four I-Tech 4x3500HD amplifiers featuring Crown’s DriveCore™ technology (on top of the four I-Tech 4x3500HD amps the company already owns).

The PA system at ABC Beach Party featured a left-right configuration of eight V20 loudspeakers per side, topped with three S25 subwoofers per side. Six G28 subwoofers were ground-stacked as a center cluster in cardioid mode, while two VTX F12 loudspeakers were used for out fill. All monitors were JBL SRX712 and VRX915M loudspeakers, while side fill monitoring was handled with two JBL SRX725 loudspeakers and two SRX718S subwoofers. A Soundcraft Vi4 digital console was used at the FOH position, while a Vi1 console was deployed for monitors and the entire system was powered with Crown I-Tech HD amplifiers that were controlled, configured and monitored with JBL HiQnet Performance Manager™.

“The last couple of years we have used JBL VERTEC® VT4888 loudspeakers, so we were really excited to see how the VTX system would compare,” said Rune Hjort, Owner of Power Music. “Needless to say it blew everyone away.
Considering the size of the crowd and the fact that the music was very sub-heavy we had some concerns about the amount of headroom. But when you have VTX boxes with I-Tech HD amps in front, you never really run out of power—you can just keep turning up the volume. I also love the fact that we barely had to touch the EQ on the vocals to get it just right.”

For more information on Power Music, please visit www.powermusic.dk

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

USO’s 4th of July Pitbull Concert at the White House Celebrates Veterans with Event Tech and HARMAN Professional

WASHINGTON, D.C. – Contracted by the United Service Organizations, Inc. (USO) for the sixth year to integrate the sound at the 4th of July concert on the South Lawn of the White House, live production company Event Tech deployed HARMAN’s JBL VTX line arrays, Crown amplifiers and dbx signal processing to meet the strict demands of the venue and to deliver high-quality sound to the honorable audience.

International pop star Pitbull gave an hour-long performance for the 1,200 US servicemen and servicewomen that were present, as well as their families and the White House staff. Besides the show, there were various activities such as barbecue, lawn-games, photo stands and meet-and-greets. However, the annual event would have not been as successful without Event Tech’s ability to bring high-level production quality to the events.

Because of a gradient on the South Lawn, it was a challenge to balance the sound between the two ends of the stage; stage-left was elevated two feet above the ground, and stage-right was elevated five-and-a-half feet above ground. To provide precise coverage of 280 degrees, Event Tech used four stacks of six ground-stacked JBL VTX V20 loudspeakers and one VTX S25 subwoofer per stack, as well as six VTX G28 subwoofers per side in cardioid arrangement as the main PA. Two VTX F12 and two VTX F15 loudspeakers were deployed for front and out fills.

Four VRack 4x3500HD and two VRack 12000HD amplification systems powered the entire PA system. A dbx DriveRack 4800 unit enhanced the signal processing and routing for the overall system. The system was configured and controlled with JBL HiQnet Performance Manager™.

“We did a lot of pre-work at our office with the VTX rig, because we wanted to make sure that the coverage was precise and make it drop off 300 feet from stage left, so that the sound did not penetrate the White House,” said Jeremy Meyers, Account Executive and Audio Systems Designer for Event Tech. “I was very impressed with the output from these small V20 boxes, given their relative size compared to those from other manufacturers that I have worked with in the past. The detailed coverage from JBL’s patented waveguide and the precise frequency output of the D2 drivers allowed us to accomplish our goal.”

Since the stage was set up between the fountain and the White House, space was tight and the FOH position was at an awkward location. Also, the crew was forced to use smaller sized loudspeakers in order to fit all the equipment onto the stage. However, compromising on power was not an option either, since Pitbull’s music has significant output requirements, especially for low frequencies.

“The VTX V20s were truly perfect because of their power-to-size ratio and the Crown amplifiers were also compact and powerful enough for this event,” said Raul Gonzalez of HARMAN. “The front stacks could throw the music 225 feet to the back of the audience, and the stacks on the side were so powerful that we did not need separate loudspeakers for the FOH position. Overall, the performance was great and we were able to deliver everything in a compact, tightly-integrated package.”

“We were also impressed with the VTX F12 and F15 fills, which had amazing output, even when compared to the V20 boxes,” said Meyers. “Thanks to our experience in live corporate events and the incredible caliber of these JBL loudspeakers, our veterans received a terrific 4th of July gift.”

For more information about Event Tech go to www.eventtech.com.

Event Tech is a nationally recognized leader in providing production services to the trade show, entertainment, industrial, and special events industries. No matter the location or project size, Event Tech meets and exceeds the needs of its clients through the use of the latest in audio, lighting, power distribution, mobile stages, roof systems, staging and structures, and is supported by some of the industry’s leading professionals. Event Tech carries a wide array of Harman brands’ equipment for sale and rental, and proudly uses Harman brands on their own productions around the country.

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Rockdale Town Hall Upgrades to State-of-the-Art Audio System with HARMAN’s JBL Loudspeakers and Soundcraft Digital Console

SYDNEY, Australia – In a project designed to reinvigorate the city’s regional arts and cultural hub, systems integration firm The P.A. People recently upgraded the audio system at Sydney’s Rockdale Town Hall. The new state-of-the-art system features HARMAN’s JBL VRX Constant Curvature loudspeakers and a Soundcraft Si Expression 1 digital console.

The new audio components at Rockdale Town Hall provide fresh life to the historic complex and provided Sydney with a world-class venue that can accommodate a varied array of events from musical concerts and variety shows to business, community and social events. In addition to the new PA and communications system, the auditorium’s beautiful Art Deco detailing has been restored.

To avoid intruding on the classical aesthetics of the venue, an unobtrusive yet powerful PA system was required and Brett Steele, project manager for The P.A. People, immediately thought of the JBL VRX Constant Curvature loudspeakers. Hung in a left/center/right configuration, the VRX932LA loudspeakers deliver extraordinary power handling, clarity, flexibility and, of course, stunning JBL sound in an attractive, easy to handle and affordable package.

“The VRX loudspeakers are configured to ensure maximum coverage and cater to the widest range of applications from musical theater to simple speeches,” Steele said. “The VRX rigging made it easy to install and the system is performing well.”

The PA is controlled through a Soundcraft Si Expression 1 digital mixing console, which is ideal for a venue that has to accommodate a wide variety of uses.

“This easy-to-use console from Soundcraft has the flexibility to accept local inputs in the control area, such as radio microphones and playback sources, as well as accepting microphone and line level inputs via the mini stage box located on the stage,” Steele added. “This is a great general purpose console for this venue.”

The reopening concert received a warm reception from both the crowd and in particular, the council.

“The Rockdale Town Hall reopening concert proved the sound system, specifically designed for this unique 1940s Art Deco auditorium, has the dynamic range to cater for any type of performance from opera to basic public speaking” endorsed a Council spokesman. “It complements and supplements the existing natural excellent acoustics of the Hall. Rockdale City Council is very happy with the end result.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Wohler Provides Custom Monitoring Solution to France Télévisions

Wohler Collaboration With Audiopole and France Télévisions Demonstrates Agility and Speed in Meeting User Requirements

SAN FRANCISCO — July 30, 2014 – Wohler Technologies today announced that it has collaborated with local partner Audiopole and France Télévisions to provide a rapid solution for France Télévisions’ specific monitoring needs. Together, the three companies identified the additional audio monitoring functionality that France Télévisions desired from its existing AMP1-16M monitoring units, and, within a matter of weeks, the Wohler engineering team had created and delivered a software beta version for testing. Shortly thereafter, France Télévisions approved the software and ordered additional AMP1-16M units.

“I was really amazed by the responsiveness of the Wohler team,” said Jean-Philippe Blanchard, director of the broadcast division at Audiopole. “Given how quickly the solution was delivered and approved by France Télévisions, I think this is a very good example of perfect cooperation between a manufacturer and a broadcaster and how they can work together to improve a product.”

During live event broadcasts, France Televisions derives some audio from the microphones of commentators or talkback systems, which are as critical to monitor as the broadcast-to- air content. During a visit by Wohler’s regional representative and colleagues from partner Audiopole, France Télévisions requested a modification to its existing AMP1-16M units to enable a new monitoring workflow at the touch of a button. Wohler quickly stepped up to address this request, and the resulting functionality has become part of the latest firmware (version 4.0) for the AMP1-16M. Now France TV, France 24, and EuroNews all take advantage of this new monitoring approach.

“We are serious about our role as an extension of our clients’ engineering teams, and our collaboration with Audiopole and France Télévisions demonstrates this commitment very well,” said Carl J. Dempsey, Wohler president and CEO. “Wohler monitoring products are designed to be versatile systems that help users work the way they want to work. We use feedback from our customers to refine the design and functionality of all our products so that they yield the performance required, and the modification we made for France Télévisions is just one of many examples of this proactive approach to both product development and customer service.”

Information about Wohler and the company’s products is available at www.wohler.com.

# # #

About Wohler Technologies Inc.
Wohler’s tradition of innovation began more than 30 years ago with the creation of the industry’s first in-rack audio monitoring product, and it continues today through the company’s continued development of unique solutions that span the baseband, stream, and file-based domains and include advanced monitoring solutions for video, audio, and captioning applications; solutions for IP monitoring, encoding, and decoding; and the award-winning RadiantGrid(TM) platform for efficient file-based content transformation and distribution. Together, Wohler’s advanced, cost-effective confidence monitoring and media transformation products ensure high-quality production across any platform and delivery to any device. More information about Wohler is available at www.wohler.com.

All trademarks appearing herein are the property of their respective owners.

Visit Wohler Technologies at IBC2014, Stand 10.B10

Photo Link: www.wallstcom.com/Wohler/Wohler-AMP1-16M-Dual-3G-HD-SD-SDI-AudioMonitor.jpg
Photo Caption: Wohler AMP1-16M Dual 3G-HD-SD-SDI-Audio Monitor

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Paul Hatt Takes HARMAN’s Soundcraft Vi4 Console On The Road With Paolo Nutini

POTTERS BAR, United Kingdom – Heralded as one of the top voices in modern soul”, Scottish singer/songwriter/musician Paolo Nutini has quickly hit the big time since his 2006 debut album These Streets reached 5-times platinum in the UK. His 2010 follow-up Sunny Side Up reached Number One on the UK charts, as did his latest 2014 release Caustic Love. Nutini is currently touring worldwide in support of Caustic Love with monitor engineer Paul Hatt, working behind a HARMAN’s Soundcraft Vi4 digital live sound console. Hatt has been with Nutini for the past six months, relying on the Vi4 to deliver monitor mixes to Nutini and his 11-piece band that includes guitars, bass, drums, a 2-piece brass section, backing vocals and more. In addition, Hatt’s company, CS Audio, has been providing a control and monitor package for the tour.

“Paolo has a wonderful dynamic range and we’re doing a nice mix of rock and some softer tunes,” Hatt pointed out. “The Vi4 sounds equally clear and musical whether Paolo and the band are quiet and subdued or rocking away at full bore—the console never sounds strained or harsh no matter what we ask it to do.”

Hatt notes that Paolo and the band are so tight they don’t need a click track: “This is the first band I’ve done in years where I don’t have to hear that click in my ear all the time and can just concentrate on the mix. The vocal and instrumental balances are always varying and changing with a band of this size and with the Vi4 I can easily store hundreds of cues if I like and easily keep up with anything Paolo and the band want to do, even on a moment’s notice.”

Hatt finds the expanded monitor mixing capabilities provided by the Soundcraft Vi4’s latest Version 4.8 software to be especially useful. Version 4.8 offers a number of significant new features including the ability for all 32 of the console’s mix busses to operate in stereo mode, to allow use as in-ear mixes. A number of new signal routing, panning and processing options are also provided. “I give Soundcraft credit for improving their already-excellent consoles with an update that adds new features to make life easier,” he said.

“The Vi4 is now even more suited to live performance thanks to the expanded bus structure,” Hatt said. “It’s nice to know I can keep adding stereo mixes and not run out of them, which happens with some other consoles.”

Hatt has also been working with the Soundcraft ViSi Remote iPad app, which enables remote control of Soundcraft Vi Series or Si Compact consoles from an iPad. Hatt takes his iPad with ViSi app on the road to EQ the monitor wedges from various locations across the stage, finding it extremely useful in dialing the sound of each monitor without having to constantly run to and from the console to the stage. “To say this speeds up the process of fine tuning and ringing out the monitors would be an understatement,” he noted.

Hatt had been using Soundcraft digital consoles for a few years before signing on with Nutini. “I have to say the Vi4, along with the Vi1, has been my favorites of any live sound consoles.”

In Hatt’s estimation, the Vi4 and Vi1 are the most intuitive to operate and combine all the control, signal routing, instant setup and recall, built-in processing and other benefits of a digital platform with unexcelled sound quality. “With the Vi4 I often forget I’m using a digital board, but when I go back to other brands I can feel the difference in ease of use,” he concluded. “The Vi4 is by far the best and easiest console out there for live concert mixing.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Alcorn McBride Equipment Provides Audio and Control for “Your Brain,” a New Exhibition in The Franklin Institute’s Nicholas and Athena Karabots Pavilion

Philadelphia’s Franklin Institute recently opened the most significant expansion in the museum’s history. Alcorn McBride’s ProTraXX and VCore controller played key roles in “Your Brain,” a high profile, permanent exhibition. Entertainment Lighting Services (ELS), a leading supplier and integrator of lighting and staging equipment, as well as a full range of production services, provided the gear for the signature exhibit housed in The Nicholas and Athena Karabots Pavilion.

“Your Brain” is the largest exhibition in the country dedicated to the most complex and misunderstood vital organ in our bodies. It features more than 70 interactive experiences, including a two-story climbing structure that simulates a neural network with dynamic lighting and sound effects triggered by footsteps. A Street Scene area enables visitors to travel through a scenario filled with multi-sensory information and scenes from everyday life.

ELS was brought in by the design firm Available Light to furnish lighting and audio integration for the Neural Climb and Street Scene areas of “Your Brain.” Selecting Alcorn McBride equipment was a no-brainer for Steve Prado, Senior Project Manager at ELS, who has specified Alcorn products a number of times. “From a show control trigger and front-end perspective Alcorn is always my first choice. They have great equipment and clearly have been through everything, so I know they’ll be familiar with anything I do. That was validated by The Franklin Institute’s tech crew: When they saw our rack they recognized Alcorn McBride and thought it was perfect. That was great from a maintenance service standpoint – I wasn’t bringing in an unknown manufacturer.”

Street Scene takes visitors on a walk down a small-town Main Street where they see and hear typical sights and sounds. “Alcorn McBride’s ProTraXX supplies audio effects playback on a loop that the sound designer Karin Graybash and ELS tech Chuck Schoon worked through and programmed,” says Prado. “It’s a pretty straightforward application” for the compact, solid-state MP3 playback unit.

“The lighting and sound effects incorporated into the Neural Climb immerse the visitor and reinforce the concept that the brain is a very active place. It demonstrates the complexities of what goes on in your brain,” Prado says. “The space is like a voyage inside the brain, walking through and seeing synapses trigger and fire. There are five glass disks mounted on the floor and when you stand on them your footsteps trigger a series of lighting and audio cues. By using a VCore controller we can shuffle the cues randomly. When you stand on a trigger it’s not specific to the location, it’s random. The intent was to create a non-repetitive perception of the fact that nothing ever happens twice – and it’s been very successful in its implementation.”

Prado reports that the system is working well. “Alcorn McBride really is the gold standard. And the company is spot on in terms of customer service. They are always responsive and understand the kind of deadlines and last-minute decisions that get made. Alcorn McBride is one of my go-to manufacturers.”

Located in the heart of Philadelphia, The Franklin Institute is renowned as a leader in the field of science and technology learning and is Pennsylvania’s most visited museum. The new 53,000-square foot, $41 million Nicholas and Athena Karabots Pavilion, named for its lead donors, opened to the public on June 14. The Frank Baldino, Jr. Gallery in the Nicholas and Athena Karabots Pavilion houses the museum’s largest permanent exhibition, “Your Brain,” plus a traveling exhibition gallery, and a conference and education center.

About Alcorn McBride:
Founded in 1986, Alcorn McBride is the leading manufacturer of show control, audio and video equipment for the themed entertainment industry, and a rapidly growing provider of audio and video systems for retail environments and transportation applications. Staffed by some of the industry’s best engineers and backed by outstanding customer support, the company has demonstrated great agility in bringing new designs to market. A hallmark of Alcorn McBride products is their durable, zero maintenance design. The company’s products provide consistent, reliable operation for audio and video playback applications worldwide. For more information, visit www.alcorn.com.

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Clearwing Holds Top Manufacturers, One Event Showcase

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. is one of many manufacturers that will be on hand at Clearwing’s Vendor Showcase on Tuesday, August 26, 2014 between 10:00 am – 4:00 pm. Mike Eiseman, District Manager, will be on hand bringing along the new Yamaha QL5 Digital Audio Console as well as a CL1 digital console, Rio3224-D input/output box, and DXR12 speakers. He will also demonstrate the Yamaha StageMix application and Nuendo Live v1.1.

Manufacturers include Robe, Clay Paky, Shure, Rane and others.

The event is free of charge and will be held at Clearwing, 11101 West Mitchell Street, Milwaukee. For more information, telephone 414-258-6333.

RSVP: http://clearwing.com/html_email/cw_event_vendor_MKE_2014/vendor_MKE_2014_landing.html

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DANLEY LOUDSPEAKERS DELIVER AUDIO HORSEPOWER AT CHURCHILL DOWNS

LOUISVILLE, KENTUCKY: Churchill Downs in Louisville, Kentucky held the very first Kentucky Derby and Kentucky Oaks horse races in 1875, the year it opened. The track acquired its now-iconic twin-spires grandstand in 1895 and subsequently added to it on either side in pieces during the last century, bringing the grandstand’s current capacity to 52,000. In anticipation of the 2014 Kentucky Derby, Churchill Downs commenced installation of a 171-ft. by 90-ft. video screen, the largest 4k video board in the world. Because the facility’s low-fi sound reinforcement system had been designed ages ago for only spoken word reproduction, the new screen would require a serious sound system upgrade to realize its full potential and impact. Dallas-based Marsh/PMK International, LLC designed the new sound reinforcement systems for all of the outdoor areas including nearly sixty clusters in the grandstands comprised of Danley Sound Labs SH50, SM96 and SM60F loudspeakers as well as TH212 subwoofers.

Encompass Develop, Design & Construct oversaw the installation of both the new video board and the new sound systems and they hired Marsh/PMK. Dave Stearns and Tim Lindstrom worked with Marsh/PMK to execute the sound system project from conception to completion. “The timeline for such a large-scale project was incredibly short – only six-and-a-half months from start to finish,” said David Marsh, owner of Marsh/PMK. “We were selected as the consultant in early October and delivered the design to Encompass at the end of December with two addenda following in January. Siemens was awarded the installation contract at the beginning of February. They won the bid in part because they have an ongoing contract to operate and maintain the sound systems at Churchill Downs. As such, they were already familiar with the facility and all the relevant operational aspects. Minor installation work and punch list corrections were still going on after the opening of Churchill Downs’ spring meet on April 26. Final testing and adjustments followed to make the system fully ready for the Kentucky Oaks and Kentucky Derby race days on May 2nd and 3rd.”

“I’ve been listening to Danley systems at trade shows for years now,” said Marsh. “I like the company’s philosophy of building large horn systems instead of adding to the already flooded market of line arrays. We see line arrays used in many permanent installations where properly designed horn arrays would work better. People have the idea that line arrays are a panacea, the cure-all for every situation, because they can throw sound long distances and because the main sound lobe can be electronically shaped and steered. True, but there is another side to that story.” Marsh goes on to explain, “Constructive and destructive interference that makes line arrays work also causes noticeable variations in tonal quality. Interference also produces lobes of sound in unintended directions, including behind the array. Lastly, most line arrays have wide horizontal dispersion, the angle of which is usually fixed by the basic building block of the array. In such cases, it is not possible to vary the horizontal dispersion angle along the length of the array to optimally match the intended coverage area.”

Marsh said, “I’ve been looking for the right project for Danley. Churchill Downs became the one. Danley clusters positioned along the front edge of Level 300 serve the largest covered seating tier and all the trackside sections in front of the grandstand building from one end to the other. A tight vertical pattern with sharp cut-offs was critical in our long-throw situation. We had to throw sound all the way down to the edge of the track without ‘sizzling the hair’ of people seated below the clusters where Level 200 protrudes out from the building. The system performs as intended. I was also pleased by the performance of Danley’s TH-212 subwoofers. This is a tapped horn design that delivers an impressive amount of bass in a relatively small package.”

Our original design was based on a different loudspeaker manufacturer, but they couldn’t guarantee that their products would be delivered on time,” said Marsh. “Danley had slightly greater vertical coverage patterns in similar box sizes [to those of the other manufacturer], which allowed us to modify our design to use one less box per cluster. That would ultimately be a cost savings. Danley emphatically stated that the boxes would be delivered on time and that sealed the deal. They made good on their promise.”

Danley Sound Labs, Inc. President and CEO Mike Hedden commented, “One of the things we are very proud of is our U.S.-based manufacturing. From the time we got the order until it was shipped complete was four weeks; 250 fully weatherproofed loudspeakers in four weeks, that’s unheard of in this day of off shore production! During this time the south got hit by two severe snowstorms that wreaked havoc on the region. Even with raw goods being lost in logistics which delayed shipments, we still delivered the products in organized pallets so that each load represented a finished cluster on the job site in four weeks.”

Unlike a typical baseball or football stadium, the grandstand building at Churchill Downs has seating tiers that are stacked vertically, straight up and down. Moreover, various expansions have occurred over the years adding sections on either side of the historic “twin spires.” All of these sections have slightly different profiles. There are varying ceiling heights, seating depths and column spacing. It was a unique situation that required careful planning. Unfortunately, Churchill Downs did not have CAD drawings of the facility. In fact, PDF drawings provided to Marsh/PMK trickled in over a period of weeks and none of them were to scale. “This put the already tight design schedule in serious jeopardy.” Marsh said. “How were we going to get this project into EASE [for coverage modeling] and how were we going to produce usable CAD backgrounds?”

Tim Lindstrom worked with Melvin Saunders, another consultant working on the Marsh/PMK team, to meet the challenge. Tim used dimensions obtained during the initial site survey to create re-scaled PDFs. Melvin used Google Earth to confirm or correct the dimensions and then created a SketchUp model of the complicated grandstands. The SketchUp model was imported into EASE, which finally allowed Dave Stearns to get into the detailed loudspeaker system design. Tim subsequently set about creating the necessary CAD backgrounds. “I was very proud of our team’s resourcefulness.” Marsh declared.

Two basic cluster types alternate along the length of the grandstand, just under the front edge of the Level 300 ceiling. There are nearly sixty clusters in total. The first type of cluster includes a Danley SH50 long-throw box and a companion TH212 subwoofer. The SH50 covers the seating in front of the grandstand building all the way out to the edge of the track. The second type of cluster replaces those boxes with a Danley SM96 to provide near coverage in between the horizontal cut-off angles of the SH50s in the adjacent clusters. Both cluster types include a rear-firing full-range SM60F aimed toward the top of the Level 300 seating tier and a more-or-less down firing SM96 with its woofer removed.

Marsh/PMK expanded existing Q-Sys DSP and QSC amplification to power the system. Existing Renkus-Heinz and QSC loudspeakers were repurposed and added to as necessary to improve coverage on the “porches” in front of upper level suites and on Level 200 of the grandstand building. Renkus boxes were also used on the front edge of Level 200 to cover walkways in front of the building and the rear of Level 100 seating where the Danley coverage is shadowed by overhangs. Existing Community loudspeakers were repurposed and added as necessary on poles to cover seating that extends beyond the building as well as the track infield, the entry plaza and the paddock area. “Re-use of existing equipment where possible was a goal of our design, but Danley now provides the major audio horsepower for the grandstands at Churchill Downs,” said Marsh, claiming no pun intended.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Masque Sound Blows the Roof Off The Acorn Theatre for Explosive New Musical, Atomic

Custom Audio Equipment Package Brings the Story of the Creation of the First Nuclear Bomb to Off-Broadway Stage

NEW YORK, JULY 30, 2014 — When the highly charged, new rock musical, Atomic ignited the stage at The Acorn Theatre at New York’s Theatre Row, Masque Sound, a leading theatrical sound reinforcement, installation and design company, was on-hand to provide a custom audio equipment package to support Sound Designer Jon Weston and his team.

Atomic is a thrilling new off-Broadway musical that blasts open the doors of The Manhattan Project, a Government-funded program of top scientists who were faced with the task of creating the world’s first Atomic Bomb. The production depicts Hungarian American physicist and inventor Leó Szilárd as the mastermind behind atomic power whose heart has reservations. Ethics, scientific progress and true love are tested as Szilárd discovers exactly what he’s capable of when someone believes in him.

One of Weston’s biggest challenges in designing the sound for Atomic was the theatre’s layout itself. “The space we were dealing with is very wide and shallow, so coverage was a big concern,” says Weston. “In order to address those issues, equipment selection and its placement within the theatre, was critical. To accommodate the large scale of the show, we created an extensive sound system with Masque Sound’s assistance and support. Working in such a vast space, it was important to both the composer and director that the sound accurately depicts the many different emotions that run throughout this production, and I think that this custom audio equipment package allowed us to achieve that.”

In order to attain the soundscape he desired, Weston turned to the Avid VENUE Profile Console, which provides the sound quality, flexibility and reliability he was after. The main speaker system is comprised of a pair of d&b audiotechnik C7-TOP 15-inch two-way speakers. “The C7-TOP is a very musically-inclined, accommodating speaker,” Weston says. “It doesn’t wrap around or spill everywhere; its range goes exactly where it’s intended to and not much comes off the sides. It really is an excellent speaker and ideal for this production. We rounded out the main system with EAW JF200s and Meyer Sound UPA-1Ps, and it really sounds great.”

The surround system features RE Audio MT18s and Meyer Sound UPQ-1Ps that are also used as part of the effects system. The large, low end of the system includes d&b audiotechnik B4s and Q-subs, and Meyer Sound 650Ps. “The goal in the design of this surround system was to have an abundance of speakers working well within their set range, as opposed to having fewer speakers set up in a way that they sound draining,” adds Weston. “The system appears loud because of the contrast, but in reality it isn’t that loud.”

Additionally, Masque Sound supplied a microphone package featuring Sennheiser MKE-2s for the cast, as well as a wireless package featuring Sennheiser 5212 and 3532s. Masque Sound also provided frequency coordination for the 14 channels of wireless used for the show.

“Working with Masque Sound allows me to maximize my available options and budget,” says Weston. “It’s all about the relationship with the shop. I usually deal one-on-one with department personnel at Masque Sound, and they are always willing to go that extra step to help, which is critical to the success of a production’s sound design. I am very specific in my visions, and I know that can sometimes slow things down a bit, but they are always happy to oblige me, which is wonderful. The equipment Masque Sound provides, especially the microphones, are always top-notch. Even legacy equipment, which I like to use, is in stock and always in great shape. In addition to Masque Sound, I could not do what I do without the hard work of my personal team. Mixer/Associate Josh Millican and Assistant Sound Josh Staines do a great job of bringing it all together every performance.”

Atomic, running for a limited eight-week engagement, officially opened on Sunday, July 13 and is slated to run through August 16 at The Acorn Theatre at Theatre Row (410 West 42nd Street, between 9th and 10th Avenues). To learn more about Atomic, visit www.atomicthemusical.com.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

The Garden Relies on Forscene to Accelerate Editing Workflow for ‘On the Yorkshire Buses’

LONDON — July 29, 2014 – Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, announced that award-winning U.K. production company The Garden used Forscene to speed up its logging and editing workflow on the eight-part reality series “On the Yorkshire Buses,” a show it is producing along with GroupM Entertainment for Channel 5. Forscene ensured that all producers, editors, and loggers had immediate access to footage as soon it was ingested from the shoot location and that they could work on it simultaneously, thereby saving time and money.

“We started editing in London whilst we were still filming in Yorkshire. We had to be able to scan and log footage at the same time, without holding up the editing process. Forscene was the quickest, easiest way to handle our footage in preparation for the edit, and it was incredibly easy to set up and use,” said Claire Birch, production manager at The Garden. “With Forscene, everyone could log in and see the footage instantly and when you consider the cost of FTP uploads or sending DVDs from the location, Forscene was not only faster, but far more economical. Another bonus was that our post house already had a Forscene server, and several people on our team were already familiar with the tools.”

During the course of production, the production team used Forscene to view and log more than 2,000 hours of footage, from a variety of sources and in various formats. Whilst in edit, producers then worked in Forscene, alongside the editor, to search for and identify key moments.

Later, after filming was complete and the entire operation was back in London, producers used Forscene to fact check and quality control original rushes.

The Garden also considered Forbidden’s support to be a major advantage of using Forscene.

“The Forscene team were always on hand for advice and technical assistance, and the online support was brilliant too,” Birch said. “Our loggers would use the chat tab to speak to the Forscene support team for assistance and found that the technicians were prepared for anything.”

“The Garden is responsible for creating programmes for major broadcasters in the U.K. and beyond, and by using Forscene on this production, they were able to access the content as quickly as it could be filmed and ingested, which saved precious time on a production where time was of the essence,” said Greg Hirst, business development director, Forbidden Technologies plc. “The Garden’s situation is a good example of how Forscene can accelerate the workflow on any multisite production.”

More information about Forscene can be found at www.forscene.co.uk. More information about Forbidden Technologies can be found at www.forbidden.co.uk.

# # #

About Forbidden Technologies plc
Forbidden develops advanced technologies that enable media makers and broadcasters to create and distribute compelling viewing experiences to demanding worldwide audiences. Forbidden’s flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform. It allows post-production professionals to make and deliver stories with high quality and production value in demanding, fast-paced landscapes. Quoted on the London Stock Exchange Alternative Investment Market, Forbidden partners with high-profile media and technology organisations, including Atos, BIM, deltatre, EVS, and Key Code Media. More information about Forbidden can be found at www.forbidden.co.uk. More information about Forscene can be found at www.forscene.co.uk.

Visit Forbidden at IBC2014, Stand 8.B38e

Photo Link: www.wallstcom.com/Forbidden/Forbidden-YorkshireBuses.jpg
Photo Caption: The Garden used Forscene to speed up its logging and editing workflow on the reality series “On the Yorkshire Buses.”

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