A virtual press conference from Sound & Video Contractor

Archive of the Product Applications Category

HARMAN’s Studer, Soundcraft, AKG and JBL Offer World-Leading Audio Tools for Broadcasters at IBC 2014

AMSTERDAM, The Netherlands – At IBC 2014, HARMAN Professional is showcasing an impressive array of new products for the broadcast industry, ranging from Soundcraft and Studer routers, cores and digital consoles to AKG’s professional lines of microphones and headphones and JBL’s studio monitors. Studer is introducing no less than eight new products and updates for its industry-leading line of digital audio consoles.

Studer is adding to the immense power of its Vista X digital console with the next step in processing power and intuitive functionality, the Studer Vista V. The new 52-fader Vista V is based on the same Quad Star technology as its predecessor the Vista X launched earlier this year, but in a more compact footprint ideal for smaller studios, OB trucks and large live productions.

In addition, Studer is introducing the Infinity Core 200, version 5.2 software upgrade to its Vista X, Vista V, Vista 1 and Vista 5 digital consoles and AES67 interfacing via a D23m card. New to the 5.2 software are: the ability to assign Strip Setups as CUE events; support of the Soundcraft Realtime Rack (UAD plug-ins); support of Lexicon PCM96 Surround reverbs with Infinity Core; Input Gain unfold for multi-format channels; Spill Zone for contributing channels; GUI enhancements and new patch groups; A-Line embedded Ethernet; and contribution PAN in stereo channels to mono Aux busses.

Studer will be demonstrating its new D23m I/O system, which features enhanced channel count architecture that allows customers of its Vista X and Vista V digital consoles to transfer a huge number of channels. The D23m works seamlessly with Studer’s new Infinity Core and A-Link interface technology.

Offering continued support of its customer base in the radio broadcast market, Studer is also announcing the release of its OnAir v6.1 software. This new software release is a free update for all owners of Studer OnAir digital mixing consoles. The OnAir v6.1 software offers a wealth of new feature enhancements including: loudness metering; delay function; improved AoIP support with Dante; automated gain calibration; and BSS BLU link support.

Addressing a specific need in the sports broadcast market, HARMAN’s Studer is unveiling a prototype unit designed to provide a more rewarding audio experience for television viewers. Known as the Studer Ball Chaser, this unique product allows broadcast engineers to use a joystick to open the shotgun microphone closest to the action on the playing area, while keeping the other microphones closed.

Also at the HARMAN stand, Soundcraft will feature the Realtime Rack, a 1U unit compatible with Soundcraft Vi as well as Studer Vista consoles housing Universal Audio’s portfolio of top quality audio plug-ins, plus three Si Performer 1 19” rack-mounted digital consoles. The Si Performer 1 has an input capacity of 80 audio inputs to mix on all models, while featuring the same mix power as the Performer 2 and 3 consoles but with 16 mic pres and 16 faders. Moreover, the unique integration of a DMX512 port offers core lighting control, ideal for single (audio + lighting) operator application.

AKG will be showing a series of professional microphones and headsets that are ideal for broadcast customers. Among these products include the PR4500 ENG multichannel wireless system, the HC577 L reference head-worn microphone, the CK77 WR miniature lavaliere microphone, the C45,the C414 XLII multi-pattern condenser microphone, the C230 dynamic ENG microphone and the HSD 171 and HSD 271 professional headsets.
Finally, JBL will be showing its award winning range of high performance LSR305 and LSR308 monitors featuring the revolutionary Image Control Waveguide.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Clay Paky B-EYEs Shine at Lollapalooza 2014 Music Festival

Lollapalooza 2014 returned to Grant Park, Chicago this time with Clay Paky’s A.leda B-EYE K20 innovative, LED-based moving lights helping the annual music festival to shine.

Lollapalooza was held July 31- August 2 and headlined by Eminem, Outkast and Lorde with hundreds of other performers and bands on hand for the three-day celebration of alternative rock, heavy metal, punk rock and hip hop.

Lighting designer/lighting coordinator Seth Jackson did plots for Lollapalooza’s four stages working with the lighting designers who accompany the bands. “It’s a three-month process going back and forth with the bands,” he explains. “This year we had 10 B-EYEs on two of the stages, supplied by LD Systems, on the Lake Shore and Grove stages.”

Lollapalooza marked Jackson’s first time using B-EYEs. “I had seen a demo of the fixtures and was really excited about them,” he says. “Most of the bands’ lighting designers hadn’t seen them before either. But it’s been great fun to see how every designer has used them, and they all love them.”

Jackson mounted all the B-EYEs on the upstage truss with a lot of smaller fixtures in between. “The idea of those two stages was to look big but not be big,” he says. “I had the B-EYEs upstage looking down on a pyramid creating this monster wall of color and movement in the back. They powered over all the other fixtures in front of them.”

The B-EYEs also stood out from a distance. “If you were on stage at the other end of the field you could see them even before it got dark,” he reports. “It was really nice to see them cut through at that distance.”

Jackson says the fixtures not only “looked great” but “performed beautifully. There were no issues at all with the mechanics, and LD Systems was pleased by the simplicity of getting the fixtures in and out. Everybody at the festival was very happy with the B-EYEs.”

Francesco Romagnoli, Clay Paky Area Manager for North and Latin America, commented, “We’re glad to see Mr. Jackson working with our B-EYEs and look forward to seeing what else he may do with them.”

A.C.T Lighting is the exclusive North American distributor for Clay Paky.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Product Applications |

THE API BOX BREAKS INTO AUSTRALIAN MUSIC SCENE THROUGH FAMED SONGWRITER/PRODUCER STUART CRICHTON

Crichton_Sloss_1VICTORIA, AUSTRALIA: As the API BOX makes its way to recording studios around the world, it has now found its first home in Australia through world-renowned songwriter/ producer, Stuart Crichton. Crichton has been a contributing factor in numerous top ten hits internationally, primarily in the U.K. He consulted Deb Sloss at Studio Connections Australia, API’s Australian distributor, when looking to make the addition to his home studio.

In just a short period of time, the BOX has already made a difference for Stuart. “The API BOX has totally changed the quality of my mixes, adding the warmth and width of a large room console,” Stuart shares. “The ease of set up and use is amazing – so straight-forward.”

Quality of sound is the most important feature for Stuart, who works with major artists including Kylie Minogue, Guy Sebastian, and Pet Shop Boys. “The mic pres and EQs are that beautiful API sound that many crave. The bus compressor is also now a major part of my mixes. Once I’m done mixing, I put it over the whole mix and BANG! There it is – a real vintage sound for what are usually digital-sounding mixes.”

Stuart relocated from the U.K. to Australia in late 2009, where he continues to make his footprint in the Australian recording scene, as well as work with top artists from around the world. He’s finding that his new console is the perfect tool to achieve a big studio sound in a relatively small space. “The BOX is an affordable way for a home studio to get that big room sound, which usually costs a lot of money per day.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com
(PHOTO CAPTION) Stuart Crichton with Deb Sloss of Studio Connections Australia. (PHOTO CREDIT: © 2014 SCA)

Pro Control Releases Two-Way Drivers Across a Spectrum of Devices

New Drivers Enable Integration With Sonos(R), Lutron(R) Caséta(TM), Wirepath(TM) IP Cameras, and More more

Fairlight Launches Affordable QUANTUM.Live Table-Top Console

IBC 2014 will see the launch of QUANTUM.Live Table-Top (TT), the newest addition to Fairlight’s live console family that includes the award winning EVO.Live digital audio mixing system.

Based on Fairlight’s leading edge audio processing and control surface hardware, their groundbreaking range of live consoles can switch between live and post production at the touch of a button, delivering an exceptional return on investment as customers are effectively getting two consoles in one.

Designed for the most demanding on-air and live productions, Fairlight’s Live family is a highly flexible console range, available from 12 to 60 faders, as standalone chassis, In-Surface modules and Table-Top configurations.

The entry level QUANTUM.Live TT is the smallest console in Fairlight’s Live line-up. It comes with faders accommodating 144 signal paths over 12 layers. It delivers fast tactile access and full command over two monitor systems. A second TT frame can be added, increasing the system to 24 faders.
At the core of all Fairlight’s Live consoles is an incredibly powerful audio processing engine designed with FPGA (Field Programmable Gate Array) technology. The Audio Processor combines: Fairlight’s renowned Crystal Core engine; a redundant power supply; all interfaces for control screens, GPIOs, storage; local control room I/O; MADI connections for remote I/O; and other system hardware.

A QUANTUM.Live Table Top base configuration with 12 faders, a centre section, audio processing engine with 48 channels, 32 buses and a full complement of local audio I/O, starts at €30,000, US$40,000.

For more information about QUANTUM.Live TT and the full Fairlight Live console range, please visit us at IBC 2014 – Hall 7, Stand H17. Or visit the company’s website –www.fairlight.com.au

-ends-

About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications.
www.fairlight.com.au

HARMAN’s Studer ‘Expands Infinity’ With New Vista V Digital Console

AMSTERDAM, The Netherlands – At IBC 2014, HARMAN’s Studer is adding to the immense power of its Vista X digital console with the next step in processing power and intuitive functionality, the Studer Vista V. The new 52-fader Vista V is based on the same Quad Star technology as its predecessor the Vista X, but in a more compact footprint ideal for smaller studios, OB trucks and large live productions.

The Vista V features a built-in meter bridge, high-quality motorized faders, and a sophisticated, built-in Dynamic Automation system with DAW remote control. The console is fully surround-sound capable, with versatile panning and monitoring functionality.

At the heart of the Vista V is the Infinity Core, which uses CPU-based processors to deliver an unprecedented 800+ audio channels with superb sonic quality, and more than 5,000 inputs and outputs. The use of CPU-based processors suggests exciting possibilities for scaling up to even larger channel counts, and for running third-party algorithms. Being able to program in high-level languages like C++ speeds up the time of implementing new features—never possible when using DSPs and FPGA processing technology.

Infinity Core provides 12 high-capacity A-Link ports (1,536 channels per port) for D23m I/O integration or direct connection into routing systems from Artel, Evertz, Riedel and more. The Vista V also offers easy integration into most AoIP networks used in broadcast like Dante and Livewire, and AES67.
The Vista V with Quad Star technology uses four processors to achieve aviation-standard levels of redundancy in the control surface, while CPU-based DSP makes it viable to provide two completely independent DSP cores running in parallel with instant changeover, without a single sample of audio dropout.

The Vista V also comes replete with VistaMix, Studer’s proprietary automated microphone mixing algorithm, based on gain sharing ideal for simplifying the mixing task at multi-contributor events like game shows, debates etc.. VistaMix removes the need for an operator to manually adjust all the faders all the time, leaving the microphones of talking participants open, while closing the microphones of silent participants in order to reduce spill and background noise. As VistaMix runs directly on the core, no external boxes are needed.

Vista V mixing engineers are freed from the burden of complex mental mapping, thanks to Studer’s revolutionary Vistonics™ interface, which builds Vista V’s rotary controls and buttons directly into the flat screen displays, providing visual feedback exactly where you operate. Each audio function is always associated with the same colour, e.g. red for EQ and filters, green for dynamics, and so on.

FaderGlow™ combines with assignable channel naming to further reduce stress by illuminating each fader in the colour relating to the relevant Vistonics function, creating an instant overview of console status. Studer’s new Spill Zone feature enables users to line up a group’s contributing channels with the press of just one button. FaderGlow then identifies their affiliation assigning the appropriate illumination.
The Vista V also features a built-in, high-class Loudness meter. The large-scale bargraph meter monitors every channel from mono to surround, plus a history display of up to the last 50 seconds of audio to capture any annoying clicks and overloads that are so hard to find in a multi-mic live show.

Built into the Vista V is the BSS DPR-901 Dynamic EQ Plug-In, assignable to any channel as desired and running directly on the Infinity Core. In addition, up to six Lexicon PCM96 Surround high-quality reverb processors can be connected with their parameters stored in the mixer’s snap shots and accessible directly from the Vistonics interface.

The Vista V also allows users to connect up to four Soundcraft Realtime Racks, providing access to Universal Audio’s (UAD) huge Plug-In library assignable on up to 64 Insert-Channels where their parameters are stored and managed directly in the Mixer’s CUE-List automation.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Renewed Vision ProVideoPlayer 2 Delivers High-Impact Multiscreen Presentations for Watermark Church

Dallas-based worship organization enhances services, reduces costs with Renewed Vision software

DALLAS, September 10, 2014
Watermark Community Church, a prominent biblical community with a worship presence in three Texas cities, has chosen Renewed Vision’s ProVideoPlayer 2 (PVP2) to create dynamic, high-impact multiscreen video presentations at its 3,500-seat Dallas worship center. The PVP2 installation is a significant element of a larger technology upgrade, which includes a dedicated fiber network to connect its Dallas location with a 500-seat worship center in Fort Worth; and a third worship center opening in Plano in early 2015.

Les Brown, technical director for Watermark Community Church in Dallas, was seeking a reliable and affordable solution to replace a six-year-old Green Hippo media playback server, which reached end of life and could no longer be upgraded. He researched PVP2 following recommendations from media technicians at other houses of worship and drew on his experience using another Renewed Vision product, ProPresenter 5 softwareimage. Brown notes that ProPresenter has performed flawlessly for years, displaying biblical passages, song lyrics and other media content during services.

“We were confident that PVP2 would perform reliably to foster an inspirational worship experience for everyone,” Brown said. ”PVP2 has played a significant role in our overall upgrade plan, and offers us tremendous cost-savings. It is a fraction of the cost of competing solutions.”

Beyond its reasonable price point, Watermark Church benefits from long-term cost-savings based on its simple configuration and interoperability. Watermark Church has configured PVP2 to run on a Mac Pro, which outputs five video signals to a bank of digital video projectors, including two Christie and three Barco units. PVP2 can be programmed to deliver a different display to each of the five screens or a single display that spans all five screens, as well as a combination of displays in a single presentation.

The decision to buy PVP2 followed a successful software trial that Watermark conducted on Easter 2014. The special musical performance, which featured the house band, soloists, and back-up singers, leveraged PVP2 to project a single video across five separate large displays above the stage. The video, which featured song lyrics, graphics and particle smoke, was created in After Effects to allow the visual elements to use all five screens as if they were one display. Since the band was performing to a click-track, the lyrics would appear on the video in perfect synchronization with the vocalists.

Brown currently controls PVP2 using a Barco FSN router during services, but plans to integrate PVP2 with the church’s DMX lighting control system. This will enable the lighting director to control and synchronize the PVP2 video displays with other staging elements, like theatrical lighting and music, according to pre-programmed cues.

“The Mac Pro’s ability to output five streams at once saves us considerably on additional computer hardware, and we can make the most of our PVP2 investment since the system is easy to maintain and upgrade,” Brown said. “Reliability was a chief concern as we’ll use a DMX lighting board will control the PVP2, and won’t have a second system to cut to in the event of a technical problem. It’s been running reliably since deployment, and we’re confident we can transition to DMX integration.”

PVP2 now sits alongside a professional array of gear across Watermark Church’s infrastructure, including a professional production switcher and multi-resolution broadcast cameras. Viewers can access streaming media of the Dallas worship services at www.live.watermark.org from anywhere using their connected devices.

About Renewed Vision
Founded in 2000, Renewed Vision’s mission is to offer reliable, purpose-built production software that enables organizations—spanning from churches to corporations—to create dynamic media experiences that enhance worship services, meetings and other special events. For more information on our product lines, including ProPresenter, ProVideoPlayer and ProVideoServer, please visit our website at www.renewedvision.com.

# # #

Monroe Electronics and Digital Alert Systems Issue Guidance for Broadcast and Cable Operators for FEMA’s Sept. 17 EAS Test in West Virginia

App Notes Available Online Provide Easy Step-by-Step Instructions for Configuring One-Net and DASDEC EAS/CAP Systems Prior to First-Ever Test of NPT Code more

Little Dragon Performs At UK’s Somerset House With HARMAN Soundcraft Vi3000 Digital Console

LONDON, United Kingdom – Having attained international prominence, electronic pop band Little Dragon took to the stage at London’s major arts and cultural center Somerset House, utilizing the mixing capabilities of a HARMAN Soundcraft Vi3000 console. The 3,000-capacity venue is constructed with an open courtyard in the middle of a Victorian-era building, a true acoustic test for the latest Soundcraft digital console.

With almost a decade of audio engineering experience and several years working with the Soundcraft Vi Series, Little Dragon’s monitor engineer Marco Cruneri sees the Vi3000 as the best choice for the band.

“All Vi Series consoles have nice layouts and great sound, but the features on the Vi3000 are what attract me the most as they are excellent for monitor engineers,” said Cruneri. “I love the flexibility and versatility of the desk, it allows me to work as I would like. The fact that all the I/O is at the back of the desk makes it really compact.”

During its tour throughout the UK, Little Dragon faced multiple technical challenges including limits on the weight of the trailer and time restrictions during sound checks. Thanks to the ergonomics of the Vi3000, and the ability to complete sound checks with the iPad ViSi Remote App, Cruneri found it extremely easy to complete sound checks in the short time allocated.

“The iPad App means that I can work faster and more efficiently. I found that unlike some other brands, Soundcraft offers a straightforward console that touring engineers can pick up and immediately mix on, shown by intuitive features like FaderGlowTM.”

Cruneri plans to continue using the Vi3000 console for Little Dragon’s performances within the UK, and use it again during the upcoming winter tour. Greatly appreciating the simplicity and effectiveness of the console, he is able to bring out the “dense and punchy sounds” of the band.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Forscene Cloud Editing for iPad Now Available

LONDON — Sept. 4, 2014 — Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, announced today that it has released a Forscene mobile app for iPad(R). Forscene users can perform simple edits on the iPad app, saving time and money. more

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: New Products, News, Product Applications |

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

October 2014
M T W T F S S
« Sep    
 12345
6789101112
13141516171819
20212223242526
2728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication