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Archive of the Product Applications Category

Sound Works Pro Gives HOW Kids Camp ‘Surge’ Protection

BUENA PARK, Calif.—Surge is a weeklong evening summer camp for children entering first through sixth grade held by the Westridge Church of Dallas, Georgia. The camp offers coaching in various sports and instruction in the arts, along with religious teachings.

Sound Works Productions of Frankfort, Ill. provided the audio gear for the camp, which took place at the Star Plaza Radison Hotel in Merrillville, Indiana, and included a NEXO GEO S12 line array consisting of four GEO S12s and two RS18 Ray Subs per side, two PS10s used for front fills, NEXO NX4x4 amplifiers, and Yamaha M7CL digital audio console with Aviom card used for front of house and monitors.

“When our clients are looking for a smooth implementation and excellent sound quality, we turn to our NEXO rig, ” states Daniel Nickleski, Co-owner at Sound Works Productions.

For more information on Surge, visit www.westridge.com.

For more information on Sound Works Productions, visit www.SoundWorksPro.com.

For more information on NEXO and Yamaha products, visit www.yamahaca.com.

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Ohio’s Hamilton County Emergency Management Agency Adds Vista Phoenix for Street Camera System Display

When the Hamilton County (Ohio) Emergency Management Agency (EMA) had a complete technical renovation last year it acquired a Vista Phoenix system for use with its street camera system.

Based in Cincinnati, Ohio, the Hamilton County EMA runs a regional operations center for 12 counties in three states: eight in Ohio, three in Kentucky and one in Indiana. The agency is concerned with all natural and man-made hazards, including international and domestic acts of terrorism and homeland security functions.

Vista Phoenix is a network distributed open content management system for simultaneous encode, decode and display of AV data. “Our main use for Phoenix is to bring in our street camera system for viewing,” says Steven Siereveld, regional operations center manager. “We have approximately 100 street cameras in the Cincinnati area and river cameras in all three states. With Phoenix we can capture all the camera feeds, bring them in and view them in full HD quality on our new main display, a 14×35-foot videowall comprised of Christie Entero high-brightness 67-inch LED cubes.”

Prior to installing Vista Phoenix the Hamilton County EMA brought in the street cameras through a software web viewer and displayed multiple security camera-style views on monitors. “Now we can pull direct feeds from the camera with Phoenix. Our integrator, AVI in Cincinnati, recommended Vista Phoenix as a complement to our Christie videowall and Vista Spyder image processor. It’s a perfect fit,” Siereveld says.

The street and river camera displays are critical for emergency situations. “We need these camera feeds available for emergency viewing and for planned events like the annual River Fest, which draws half-a-million people, and next year’s MLB All Star Game,” Siereveld explains. “So far, we’ve only used Phoenix for testing and drills, but it works well and the quality of the camera feeds is just great.”

About Vista Systems
Vista Systems’ switchers have become the industry standard for live multiple-destination video and data mixed signal switching with real-time windowing and composition. For more information on Vista Systems, visit their website at www.vistasystems.net.

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HARMAN’s Martin Professional Establishes a New Standard for Moscow Nightlife in Space Club

MOSCOW, Russia — The nightlife culture changed dramatically in the Russian capital of Moscow with the grandiose opening of Space Moscow, a huge entertainment venue and nightclub designed to match the style of the original Space Club in Ibiza, Spain. To create a mesmerizing experience, Vitally Perepelin, Lighting Designer for Space Moscow, deployed over 70 of HARMAN’s Martin Professional lighting fixtures, fog machines, and lighting consoles.

The Space Ibiza club is a long-time active user of Martin lighting solutions, so when the franchise was brought to Moscow it was natural to continue using Martin equipment. Perepelin’s design features 22 MAC Aura LED wash lights, 12 MAC Viper Profiles, 12 compact MAC 101 fixtures, 16 RUSH MH3 Beams, 12 Atomic 3000 DMX strobes, M6 controller, ZR-44 Hi-Mass fog machine and the Jem 365 Ready hazer.

“I personally insisted on using Martin equipment,” said Perepelin. “I worked with Martin fixtures at the Euroshow company and I know very well the high quality of the products. The fixtures are very simple to use and they have a user-friendly menu. Moreover, some of them are really unique lights that don’t have any equals on the market. For example, the MAC Viper Profile is very fast for its size, bright, has a great set of gobos and is an excellent beam and animation. In my mind, Martin offers an optimal price-quality ratio which was a deciding factor for our installation.”

“Knowing that they also used Martin fixtures at Space in Spain, it was one more reason for me to pick the fixtures,” said Perepelin. “I think that our greatest achievement is that we can meet the riders of such popular world stars performing at our club such as Tiësto, who was the opening act in 2013, Steve Aoki, Above & Beyond, Cosmic Gate and others. The Lighting Designer for Tiësto was very appreciative of our installation and equipment, which is proof of our success.”

Space is far from just a nightclub and a big entertainment venue as it also functions as an events hall for corporate events. For this reason, it was important that the lighting installation be mobile to meet the different requirements of various events.

“From time to time I change the position of the Martin fixtures in the lighting set to add some diversity,” said Perepelin. “Of course, the changes are not so crucial but it’s still nice to have the flexibility to do so according to the customers’ wishes.”
“I still like to use my favorite compact moving head, the MAC 101,” said Perepelin. “Even though it’s been four years since its launch, it is a vital asset in many of my installations. It’s really fast and has a very bright beam! When the time comes for the most energetic part of the show, the MAC 101s and RUSH MH3 Beams march into battle. The high speed in combination with the brightness is truly amazing.”

Perepelin was very happy with Martin’s decision to provide an entry-level fixture with the launch of the RUSH series. “I think the RUSH MH3 Beam is a very worthy fixture for its functions and features,” he said. “It is perfect from the point of price and quality, which is a crucial factor in the club sphere. It’s not easy to find an affordable fixture with a good light output but the RUSH MH3 Beam has everything you need. It’s dynamic, has rich colors, a great prism and awesome gobos. It’s the perfect fixture!”

Perepelin explained that the basis for all lighting installations is centered around the flagship M6 lighting console and mentioned that he chose for several reasons. “As we use a set of Martin equipment, in my opinion we should use an original console. The M6 has all necessary functions for this club. Also, it is really easy to use and very powerful. It has perfect touchscreens that I like a lot and the programming is very easy too. It’s intuitive and user-friendly, making it easy to jump between pages and arrange everything. I put one kind of parameters on one page and all the others on another which makes it easy to switch back and forth. This function makes this console so handy for me!”

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

D.A.S. AUDIO DEPLOYED AT BRIARCREST CHRISTIAN SCHOOL

**** Photo: Briarcrest Christian School’s Sparks Chapel Fine Arts Center ****

Memphis, TN – August 2014… For over forty years, Briarcrest Christian School has been recognized in the Mid-South for its unique combination of academic excellence and Christian education. Starting at the pre-school level and continuing through the 12th grade, Briarcrest Christian School offers students a wealth of learning opportunities, including a comprehensive Fine Arts program. In an effort to support its music, theatre, and a wide range of other on-campus activities, the school recently opened the Sparks Chapel Fine Arts Center. To ensure the highest levels of speech intelligibility and music reproduction characteristics, the facility is equipped with a world-class sound reinforcement system drawn from the Aero Series 2 catalog of Valencia, Spain-based D.A.S. Audio. more

Three SSL Live Consoles Deployed for Chess in Concert

“I was stunned by the exceptional audio quality and dimensionality of sound from the SSL Live”

TROMSØ, NORWAY – What better music to accompany the 41st World Chess Olympiad tournament than the soundtrack to Chess the musical? Under the direction of Andrew Eljas (who also wrote the original score to the music by Benny Anderson and Bjørn Ulvaeus), the performance included the Norwegian Arctic Philharmonic Orchestra along with a choir and ensemble of leading Norwegian musical performers. This full concert version of Chess demanded a massive audio system. The production tapped the power of three SSL Live consoles, supplied by Bary Sales AS in Oslo, to handle the inputs from the live band, choir and the Arctic Philharmonic. This application is among the largest implementations of SSL Live thus far.

FOH and monitor consoles shared 64 inputs from the band and soloists on stage, while the third Live was used to submix 86 orchestra channels down to six stereo stems. Engineer Espen Andersen was at the helm of the orchestra console, delivering the stem mixes to the main FOH console. The layering, VCA and snapshot automation capabilities of Live were utilised to control both the mix and solo portions.

Additionally, FOH engineer David Solheim and monitor engineer Stig Kamonen each took advantage of Live’s highly flexible automation system to store and recall scenes. This was especially helpful for Kamonen whose monitor console was running a total of 71 mix busses, feeding effects, in-ear monitors, wedges and personal monitoring systems.

“I was stunned by the exceptional audio quality and dimensionality of sound from the SSL Live,” adds Solheim. “The console provides tremendous detail and the response of the controls is very precise. At the Olympiad ceremony, a competitor console was being used at FOH to mix two guest artists who were also playing with the orchestra. The same six stereo orchestra stems were sent to this console; so it was very interesting to have the opportunity to compare the audio quality through my SSL Live as well as the guest console. I think we all were a bit surprised by the difference in quality. Listening to it through the SSL Live was like hearing a stereo mix compared to a mono mix.”

Each of the Live consoles used for this special staging of Chess in concert included onboard Blacklight II I/O. The system was also comprised of six 32 channel ML 32.32 analogue stageboxes, a D 32.32 AES/EBU stagebox and two BL II.D MADI Concentrators. The analogue stageboxes provided the engineers with shared access to a total of 192 remote-controlled SSL Super Analogue™ mic/line inputs and 192 line outputs, while the AES/EBU stagebox facilitated use of 16 pairs of AES/EBU digital I/O at 96 kHz for driving the PA mains. SSL’s BL II.D MADI Concentrator ensured bullet-proof reliability through redundant pairs of SSL’s proprietary Blacklight II connections, each of which are capable of carrying 256 channels of 96 kHz digital within a single armoured fibre cable.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

CASIO’S LAMPFREE® PROJECTORS ILLUMINATE “G” BY GUESS STORES NATIONWIDE

 CASIO’S LAMPFREE® PROJECTORS ILLUMINATE “G” BY GUESS STORES NATIONWIDE

“G” By Guess, a retail store founded in 2007 by the Marciano brothers, wanted to upgrade and showcase its existing visual technology to further enhance the store’s overall design. To do so, “G” By Guess partnered with Pro-Motion Technology Group, the leading single-source provider of integrated technology specializing in commercial digital solutions, to transform its stores’ atmosphere. To date, “G” By Guess has installed more than 100 projectors in various store locations, including Casio’s Pro XJ-H1700, and plans to purchase additional projectors for additional locations across the United States throughout the year.

“Our company spent a lot of time researching the best projection technology for “G” By Guess and found that Casio’s projectors are unmatched in terms of their long lifespan, lightweight design and overall total cost of ownership,” said Chris Thomas, project manager at Pro-Motion Technology Group. “We recommended Casio’s Pro projectors for “G” By Guess and they have been well worth the investment.”

“G” By Guess chose Casio’s projectors specifically because of the LampFree® technology and state-of-the-art LASER & LED Hybrid Light Source. Casio projectors provide users with a 20,000 hour estimated lifespan, eliminating the need for expensive projection lamps that often need replacement and can cost almost as much as the original projector unit over one year. These units are also mercury-free, eliminating concerns for the proper disposal of used lamps and mercury pollution.

“The Casio projectors we installed have met needs beyond our expectations. Originally, “G” By Guess was looking for something to complement its store design and overall, existing visual experience and thought a projector would be a great fit,” said Thomas. “I’ve heard nothing but positive feedback from “G” By Guess’ in-store employees since we began installing the Casio projectors. We can see the difference in terms of brightness and clarity.”

Throughout many “G” By Guess locations, Casio projectors are mounted on the ceilings, and project images and music videos on the wall behind the cash registers. Each store location can run video feed up to 12-14 hours per day and can shut the units down easily without worrying about additional setup time. The next day when the power is turned back on, the projectors retain memory of the predetermined settings and cut down on calibration time. Also, since the projectors use Laser & LEDs it only takes eight seconds from power on to reach full brightness.

“Casio is proud to provide its state-of-the-art projectors to “G” By Guess store locations,” said Matt Mustachio, general manager of Casio’s Business Projector Division. “We know our units will reduce operating costs for the stores and create an inviting digital atmosphere for customers.  We look forward to building upon our relationship with “G” By Guess as they continue to upgrade locations nationwide.”

For additional information on Casio’s portfolio of LampFree®projectors, please visit www.CasioLampFree.com.

For more information about Pro-Motion Technology Group please visit www.pro-motionamerica.com

 

About Casio America, Inc.

Casio America, Inc., Dover, N.J., is the U.S. subsidiary of Casio Computer Co., Ltd., Tokyo, Japan, one of the world’s leading manufacturers of consumer electronics and business equipment solutions. Established in 1957, Casio America, Inc. markets calculators, keyboards, digital cameras, mobile presentation devices, disc title and label printers, watches, cash registers and other consumer electronic products. Casio has strived to fulfill its corporate creed of “creativity and contribution” through the introduction of innovative and imaginative products. For more information, visit www.casiousa.com.

 

About Casio LampFree® Projectors

Casio’s portfolio of LampFree® projectors combines a laser, a fluorescent element and an LED light to deliver a mercury-free hybrid light source that lasts up to 20,000 hours while sustaining a high brightness and keeping maintenance costs to a minimum.  Casio has four series of LampFree® projectors – Slim, Signature, Pro and Short Throw – that are available for home, business, education and commercial applications. For additional information on Casio’s projector series and LampFree® technology, please visit: www.CasioLampFree.com.

Biamp Systems Selected for University of Oregon’s Hatfield-Dowlin Football Complex

AudiaFLEX and Nexia(R) CS provide digital signal processing for technologically advanced collegiate sports facility more

Lady Gaga Launches ArtRave Tour with Clay Paky Fixtures and grandMA2 Consoles Joining Her on the Road

Lady Gaga has launched her tour, ArtRave: The Artpop Ball, and Clay Paky’s A.leda B-EYE K20 innovative, LED-based moving lights, Clay Paky Sharpys and grandMA2 consoles are along for the wild ride. A.C.T Lighting is in the exclusive distributor of Clay Paky and MA Lighting in North America.

ArtRave marks Lady Gaga’s fourth concert tour. It is in support of her third studio album, “Artpop” and kicked off May 4 in Fort Lauderdale. It will play 78 dates in North America, Europe, Oceania and Asia.

PRG has provided 120 B-EYEs for the tour as well as a large complement of Clay Paky Sharpys. Lighting control is performed with three full-size grandMA2s and 10 NPUs.

“Production and lighting designer Roy Bennett’s approach to the show was to make it an immersive rave that reflected Gaga’s non-stop party aesthetic,” says programmer Jason Baeri. “That means active, alive, vibrant and high energy — it requires us to be just as active on stage as in the crowd. The audience is every bit as much a set piece as they are a room of spectators, so we had to include them as part of Gaga’s same party not just watching the spectacle from afar. Cue wise, that’s almost like programming two shows at once: Both had to behave as one cohesive element, which was made light of, as always, by grandMA2.”

Bennett describes the set as three stages connected by Lucite catwalks over the audience so the crowd can dance while watching Gaga perform above them. “It’s very interactive. She plays off the audience with her dancing and a big rave vibe,” he says. Bennett had previously used B-EYEs for Lady Gaga’s gig at the Roseland Ballroom. On this tour they are mounted above the upstage video wall, which measures 3×40 feet. “They mainly act as eye candy,” he explains. “They’re working great; they’ve been very reliable.”

For the ArtRave tour the lighting designer has deployed the Sharpy rig “all over the place: the main stage, front, rear, side, as well as on the pods over the audience. The Sharpys act as our other main effects light. I always have at least 100 if not 200 hundred on shows.”

Baeri cites the data management challenge the tour poses given “the immense amount of pixels we’re controlling. There are about 120 B-EYEs on the show, all in full-tilt mode, which adds up to over 4,500 pixels of just B-EYEs — and we use them in every configuration possible. Gaga’s music is extremely detailed, so we’re using every part of that light for the various tones and inflections in every song.”

Baeri loves that the console will “let me grab one pixel and turn it on, then a second later grab 2,000 pixels in a deferent direction, as fast as the grandMA2 allows me to. We’re bending the MA-Tricks on this job in ways I didn’t know you could, and we still keep finding new ways to use it,” he adds.

He likes the console’s layout view, too. “With this many individual sub-fixtures, I need to be able to graphically see and access everything at once without worrying about the minutiae of keying in cell after cell on the keypad. With the right combination of layouts, I can create an overview of what every fixture in my rig is doing for a visual snapshot of the whole scene all on one screen. For a rig that fills an entire arena floor, that’s a pretty impressive feature for a programmer!”

The grandMA2 has become Baeri’s console of choice primarily for its data management capabilities. “I’ve had my hands on plenty of platforms, but none let me control as many fixtures with so little effort,” he reports. “Every key on every screen is exactly where I want it. If there’s a function I want that isn’t there already, I make a new key in seconds flat without having to employ long-handed workarounds and new versions of software.”

He notes that the crew had little more than two weeks to put ArtRave together. “Speed was of the essence. I use the grandMA2 because it allows me to put together incredibly complex shows extremely fast without compromising the details that would otherwise be too time consuming on any other platform.   And if I get in trouble, there’s someone on the phone, 24/7 anywhere in the world. No dreaded 4 am ‘leave a message’ help line. I pick up the phone and I’m covered. I can’t tell you what a comfort that is.”

Baeri says the grandMA2 is turning in an “exemplary” performance, “as always. We were bending over 60 universes at a time, and I never saw the NPUs workload exceed six percent. Not once. That’s a lot of universes to keep in time and in sync. I’m impressed, as usual!” he declares.

Solotech is the video contractor and 8th Day Sound the audio contractor for the show.

About A.C.T Lighting

A leading importer and distributor of lighting products, A.C.T Lighting, Inc. strives to identify future trends and cutting-edge products, and stock, sell and support their inventory. The company provides superior customer service and value for money to all of its clients.

For more information call 818-707-0884.

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Xytech Launches MediaPulse Cloud at IBC 2014

Company Redefines Facility Management Software with MediaPulse 2014

IBC Stand # 6.C22

(Mission Hills, CA/London, UK) – Xytech, the market leader in facility management software for the broadcast, production, media services and video transmission industries, will introduce MediaPulse Cloud at IBC 2014. MediaPulse Cloud delivers the complete functionality of Xytech’s flagship MediaPulse platform in a secure, managed solution operating 24/7/365. With Xytech’s scalable cloud offering, customers will no longer need to purchase, maintain and upgrade their own IT infrastructure.

The innovations present in MediaPulse Cloud represent a significant advancement for the industry-leading facility management system and offer unparalleled flexibility, whenever and wherever users need it. Compatible with any IT environment, MediaPulse Cloud works seamlessly with Windows PCs and tablets, Macs, iPads and Android tablets.

Xytech MediaPulse Cloud


Xytech invested in a high performance, fault tolerant infrastructure to ensure MediaPulse Cloud’s responsiveness. Users are set up with unique databases to ensure security, and MediaPulse Cloud is supported by industry best practices.

In addition to MediaPulse Cloud, the latest version of Xytech’s MediaPulse platform will also be on display at IBC. MediaPulse 2014 delivers asset management, order management, resource management and financial management in a configurable, platform-independent, browser-based application.

The 2014 release includes hundreds of new features and performance improvements. The new features center on four core areas:

User Interface
SKY 2014, the platform-independent and browser-based interface for MediaPulse, has been upgraded to include a complete graphical scheduling application, real time dashboards for user-defined KPIs and a form editor to modify all screens.

Media Order and Transmission Order modules have also received significant enhancements, enabling users to create complex order profiles with a simple click.

System Interoperability
MediaPulse 2014 features new adapters for Miranda, Telestream, Avid AirSpeed and Avid Capture, expanding integration capabilities and facilitating automated workflows involving a huge range of third party systems via Xytech’s Digital Order technology. Clients can also add any hardware platform to the MediaPulse ecosystem using our unique MediaPulse Adapter technology and new SNMP (Simple Network Management Protocol) tool.

Asset Management
Xytech’s new MetaVault MAM (Media Asset Management system) provides a complete content backbone for the creation and storage of files, proxies and metadata. This new functionality makes integrating multiple MAMs, including those from other vendors, into a comprehensive, federated solution a reality.

Internationalization
MediaPulse 2014 includes a host of fully supported Language Packs to facilitate global usage. German is now offered in addition to French (European dialect), Korean, Norwegian and Portuguese. Additional Language Packs are available upon order.

“Xytech continues to define the marketplace with the most innovative and client-centric products available,” said Greg Dolan, Chief Operating Officer of Xytech. “We are intensely focused on our clients’ need for flexible, scalable solutions to the issues they face, and we feel that MediaPulse Cloud raises the bar for facility management. Over the past year, we’ve tested the system throughout the US, UK, Europe, Asia and the Middle East, and users around the world consistently tell us that MediaPulse Cloud delivers superior performance. We’ve also increased the power of MediaPulse with our 2014 release, giving our customers the competitive edge they need to succeed in today’s market. At Xytech, we are always moving forward.”

Greg Dolan, CEO - Xytech


Visit Xytech at IBC 2014, Stand 6.C22.

About Xytech
Xytech is the leading global provider of facility management software for the media and broadcast industries. For over 25 years, the world’s best media services companies, broadcasters, and transmission facilities have depended on Xytech to run their businesses. Xytech’s collaborative MediaPulse platform is the only end-to-end solution for the complete content lifecycle, providing scheduling, automation, asset management, billing, and cost recovery in a scalable, platform-independent application. Xytech has over 450 software deployments in more than 20 countries around the world, and the company is headquartered in Mission Hills, California, with regional offices in New York and London. For more information, please visit www.XytechSystems.com or call +1.818.698.4900 (US) or +44 (0)20.7903.5170 (UK).

# # #

Media Contact:
Chris Purse, 818.908.3473
ignite strategic communications
chris@ignite.bz or mimi@ignite.bz

Harmonic Helps The Weather Channel Improve Efficiency and Flexibility

Harmonic Ingest, Storage, Playout, and Transcoding Systems Enable Agile Production and Delivery of Timely Multiplatform News and Programming

SAN JOSE, Calif. — Aug. 12, 2014 – Harmonic (NASDAQ: HLIT), the worldwide leader in video delivery infrastructure, today announced that The Weather Channel(C) has deployed a comprehensive ingest, playout, and transcoding solution from Harmonic to support the network’s content acquisition management system. The network also installed a complement of new Harmonic systems in its master control for short- and long-form program playout.

The new broadcast infrastructure at The Weather Channel headquarters in Atlanta enables a much higher degree of automation, as well as better tracking of audio, video, and data — and more effective use of these assets in creating the unique content for which the network is known. These benefits extend beyond production and broadcast operations to providing additional programming and data for other business units, such as WSI, weather.com, and Weather Underground.

“Because we cannot send crews to hundreds of locations each day, we rely on local talent and local users to generate content for us, and this means we get a significant amount of inbound content in just about every format imaginable,” said Philip Grossman, senior director of content acquisition and management at The Weather Channel. “From transcoding and ingest to high-speed shared storage and playback for live TV, Harmonic is at the core of our operations. With this installation we can process as many as 200 videos an hour in up to six different bit rates, and we can scale the system beyond this as needed.”

The Harmonic solution includes the ProMedia(R) Carbon file-based transcoder for transcoding with WFS(TM) file-based workflow engine control; Spectrum MediaDeck(TM) integrated media servers for ingest; a Harmonic MediaGrid shared storage system; and, for playout, a new Spectrum(TM) media server system comprising a MediaStore(TM) 5000 storage array, MediaDirector(TM) media server controllers, and MediaPort(TM) real-time video encoder/decoders. These systems are connected to an enterprise service bus (ESB) that establishes interoperability among systems and provides their functionality through scalable services within a service-oriented architecture.

As a result, The Weather Channel has been able to increase efficiency and flexibility for covering multiple simultaneous weather-based news events, as well as the agility that allows it to adapt quickly to changing market demands without interrupting ongoing programming and services. The greater capacity of the new Harmonic Spectrum systems in master control, along with support for the latest codecs, helps The Weather Channel free up storage space while reducing the need for file conversions, which saves time and streamlines the overall flow of content from production to playout.

“We have a long history with The Weather Channel, and we are proud to play a role in its continued evolution as the preeminent source of timely weather-related news and information,” said John Scaggs, director of sales at Harmonic. “The network’s broadcast infrastructure is designed to be adaptive and interactive so that it can continually provide the functionality essential to the top-tier multiplatform offering of weather-focused content by The Weather Channel.”

A two-minute “Industry Spotlight” video about The Weather Channel content acquisition management system is available on the Harmonic website at http://www.harmonicinc.com/content/weather-channel-content-acquisition-and-management-industry-spotlight.

At stand 1.B20 during IBC2014, Sept. 12-16, in Amsterdam, Harmonic will showcase its comprehensive line of market-leading solutions that optimize the production and delivery of high-value video services. Further information about Harmonic and the company’s products is available at www.harmonicinc.com.

# # #

About Harmonic
Harmonic (NASDAQ: HLIT) is the worldwide leader in video delivery infrastructure for emerging television and video services. The company’s production-ready innovation enables content and service providers to efficiently create, prepare, and deliver differentiated services for television and new media video platforms. More information is available at www.harmonicinc.com.

This press release contains forward-looking statements within the meaning of Section 27A of the Securities Act of 1933 and Section 21E of the Securities Exchange Act of 1934, including statements related to the anticipated capabilities and benefits of Harmonic’s MediaDirector(TM), MediaGrid, MediaPort(TM), MediaStore(TM) 5000, Spectrum(TM), Spectrum MediaDeck(TM), ProMedia(R) Carbon products and WFS(TM) workflow engine control products. Our expectations and beliefs regarding these matters may not materialize and are subject to risks and uncertainties, including the possibility that the products do not meet some or all of their anticipated capabilities or provide some or all of their anticipated benefits, such as higher degree of automation, better tracking of audio, video and data, increased efficiency and flexibility, agility and quick adaptation to changing market without interruption to ongoing programming and services, time saving, and streamlined overall flow of content from production to playout.

The forward-looking statements contained in this press release are also subject to other risks and uncertainties, such as those more fully described in Harmonic’s filings with the Securities and Exchange Commission, including its Annual Report on Form 10-K for the year ended Dec. 31, 2013, its Quarterly Reports on Form 10-Q and its Current Reports on Form 8-K. The forward-looking statements in this press release are based on information available to Harmonic as of the date hereof, and Harmonic disclaims any obligation to update any forward-looking statements.

EDITOR’S NOTE - Product and company names used herein are trademarks or registered trademarks of their respective owners.

Visit Harmonic at IBC2014, Stand 1.B20

Photo Link: www.wallstcom.com/Harmonic/Harmonic-TheWeatherChannel.zip

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