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Archive of the Product Applications Category

INTERNATIONAL BAKERY CHAIN MAISON KAYSER GOES HI-FI IN NYC WITH ASHLY AUDIO MULTICHANNEL PROCESSORS AND AMPLIFIERS

Maison_Kayser_Bakery_1NEW YORK, NEW YORK – OCTOBER 2014: In only a few short years, French artisanal bakery Maison Kayser has opened five successful bakery/café locations in New York City that complement its dozens of locations throughout Europe and Japan. Its U.S. licensees have taken care to make every aspect of Maison Kayser NYC resonant with the brand’s international prestige, and, as a result, its French-trained bakers and upscale service and atmosphere have raised the bar in The Big Apple. High-fidelity sound is an important component of that atmosphere, and local A/V integrator Essential Communications specified Ashly Audio integrated signal processors/amplifiers to deliver high fidelity with 24/7/365 reliability.

“This client is understandably particular and demanding,” explained David Schwartz, owner of Essential Communications. “Canned music through a stereo wasn’t going to cut it. Added to the challenge were the cool surfaces and building materials that they preferred, as do many such establishments these days. Those materials are highly reflective. After allowing the client to learn that simpler solutions wouldn’t do the job, we stepped up the Maison Kayser template to include modest acoustical treatments and Ashly Audio processing and amplification, which gives me the ability to fine-tune each zone for maximum intelligibility and musicality.”

Maison_Kayser_Bakery_2Indeed, a hallmark of the Maison Kayser brand is that the seating area is divided into separate sections that naturally suggest separate audio zones. Using Ashly processing gives Schwartz individualized equalization, dynamics, and volume control, which he uses to bring each zone into perfect balance. The input at each location is dead simple: nothing more than an input connection that allows staff and management to play music from their personal devices. “It’s nothing fancy, but it has to sound great,” said Schwartz. Different locations use different loudspeakers from Community, Tannoy, and SoundTube. Some locations use Ashly ne-Series multi-channel network amplifiers with optional onboard Protea™ processing, whereas other locations use Ashly Pema™, which combines an 8×8 Protea Matrix processor with either a 4- or 8-channel network power amplifier. Either way, Maison Kayser gets high-end multichannel processing and amplification in a small, two-rack space footprint.

“Ashly builds a good, solid product, and they’re located nearby,” said Schwartz. “The support Ashly offers is always timely and helpful, which is especially important for us because we’re often creating evolving solutions for customers who require very individualized systems. We can always call Ashly and get a human on the phone who knows the products inside and out. The company and its people are very human, which is rare these days. For me, that factors into my specifications as much as anything else.”

At the time this was written, Essential Communications was designing another Ashly Audio-centered music playback system for Maison Kayser’s sixth New York City location.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

HARMAN’s Martin Professional Introduces P3 System Controller Software Version 3.1.0 With Improved Presets and Fixture Placement Tools

MARTIN_P3 Controller FamilyAARHUS, Denmark — HARMAN’s Martin Professional today introduced the latest software update for its P3 System Controller family of LED video processors. Version 3.1.0 includes an improved preset system, placement tools for creative projects, and a host of additional new features for improved functionality and ease-of-use.

“Since its introduction in 2008, Martin’s P3 System Controller has become the industry standard for integrating video and lighting,” commented Wouter Verlinden, Product Manager – LED Video, Martin Professional. “Setting up LED video systems can be a lengthy process. However, the P3’s real time control capabilities paired with the new Version 3.1.0 software allows lighting designers to more easily integrate screen processing as part of the creative process and set up an entire system with a few mouse clicks. ”

The new software’s updated preset system allows fixture/fixture-group positions and rotations to be stored for quick recall of different layouts within the same show, making it ideal for events with moving scenery as well as large-scale festivals.

Also featured in the update are upgrades to wizards and placement tools for even faster handling of creative products, such as Martin’s VC-Dots and VC-Strips. The new placement tools allow for flexible fixtures, such as VC-Dots, to be set in free placement or “snap-to-grid” placement for easier system layout.

Other improvements include full copy/paste support for handling big setups, an updated fixture library sorted by product family for a better overview, and automation integration now supports Tait Navigator, Kinesys K2, and Kinesys Vector.

Software Version 3.1.0 is available for all Martin P3-100, P3-200 and P3-PC System Controllers.

For more information on Martin’s P3 System Controller line, please visit: www.martin.com

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Chartmakers Mastering Stocks Up On Prism Sound Kit

Henkka Niemisto photo credit Christoffer Relander (1024x683)

High profile Finnish mastering studio, Chartmakers Mastering, recently bought both a Prism Sound Dream AD-2 A/D converter and an MEA-2 EQ for its state-of-the-art facility in the Töölö district of the nation’s capital, Helsinki.

Established by Svante Forsbäck together with long-term associate Henkka Niemistö, the studio is celebrating its tenth birthday this year and is as dedicated to high-quality audio mastering services as ever.

“All music styles are more than welcome to use our services,” says Niemistö. “I usually work with pop, dance, hip-hop and electronic music and some metal and rock groups. My clients are mainly Finnish bands and include Husky Rescue, Pepe Deluxe, Sofi De La Torre, Machinae Supremacy and many more.”

Chartmakers currently runs three studios in Helsinki itself and a satellite about 20 minutes to the west in Espoo. Niemistö is a firm believer that the simplest mastering chain of very high-grade equipment delivers the best results. As such, he says that the AD-2 and the MEA-2 have both been on his mind for a long time.

“It was time to finally give them a go,” he says. “Svante and I have gone through pretty much everything on the mastering market, and Prism Sound was, for me, the last largely untested equipment to try.”

The kit was supplied by Finnish distributor Qualitron and Niemistö says that as soon as the converter and the EQ were connected he felt right at home with them.

“They are a joy to use. The converter continues to surprise me, almost every day,” he says. “The EQ has some strange way of adding a sort of ‘glue’ to the master sound — I can’t really explain it. They both definitely bring the game to the next level.”

Niemistö adds that he particularly likes the fact that the converter can drive two different sample rates to different AES/EBU outputs.
“The clock also sounds very nice,” he says. “Since I do a lot of bassy electronic music I love the fact that the EQ goes down to 19Hz and up to 27k.”

Niemistö is using his Prism Sound equipment on all of his current projects where it meshes well into his existing set-up.

“I personally use three Amphion Two18 speakers and two One18s in the back for full surround, and I have a Maselec MTC-2 mastering console,” he explains.

And there might well be more Prism Sound kit added into the Chartmasters slate in the near future.

Niemistö says: “We just got the Prism Sound compressor in to test, and we might have to get that one as well…”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Jason Phats Changes Direction with Prism Sound’s Orpheus

OLYMPUS DIGITAL CAMERA

Writer, producer, remixer and DJ Jason Phats has become the latest high-profile musician to purchase a Prism Sound Orpheus Firewire Recording Interface.

“The sound is extremely detailed and transparent. Clarity, depth, separation and stereo imaging is breath-taking – my jaw hit the floor when I first heard it,” he says. “I found myself kicking back in the sweet spot and going through my music collection. Suddenly everything made sense.”

Phats runs the Orpheus through a SSL Sigma summing mixer and likes the unit primarily for its ability to lever both Prism Sound quality conversion and mic preamps into a 1U box and then cram it full of features. These include line, microphone and instrument inputs, selectable RIAA Equalization for turntables, a built-in premium-quality monitoring mixer for each output providing for performer foldback and surround monitoring, and concurrent ADAT and switchable S/PDIF or AES3 digital I/O plus support for outboard MIDI devices.

Phats, who has sold over 5m records in a career spanning nearly quarter of a century. adds that the Orpheus has fundamentally altered the way he works.

“From the moment I started working with the Orpheus I could see myself getting closer to the sound I had been searching for,” he says. “I decided to stop releasing tracks and focus on a goal: a new sound, a new direction.”

Pursuing the new path took time but now, eight months later, Phats and his management are in the process of releasing his new material.

“With the Orpheus I could instantly identify where I was going wrong in my mixes and productions. Once I could understand the mixing process with such detail and depth I was able to achieve exactly what I wanted,” he says.

The first track from the new ‘Phats & Orpehus’ partnership was Jason Phats & Fenton Gee’s \ \ H I T E \ \ A T E R (White Water), which caused a real buzz in Ibiza over the summer. There is plenty more to come too.

“Every day is a joy in the studio with the Orpheus and I am very proud of the new material I have lined up for the future,” he says. “The huge leap in quality has led to some great collaboration.”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Edmonton Church Upgrades West Campus Sound System

Beulah Pastors Abbott and Jones

BUENA PARK, Calif.—Founded in 1887 by Albert Benjamin Simpson, a Canadian preacher, theologian, and author as part of the Christian and Missionary Alliance (C&MA), the Beulah Alliance Church recently upgraded its West Campus sanctuary sound system. The contemporary worship facility seats 1,440.

Alliance Design of Edmonton was responsible for the selection and installation of the sound system; the previous system was originally designed in 1990. The new system includes a Yamaha CL5 Digital Audio Console at front of house and a Yamaha CL3 used for broadcast recording, along with one RIO 3224-D input/output box, and three Rio 1608-D input/output boxes, complimenting the existing NEXO GEO S8 speaker system.

“The Yamaha CL consoles were chosen for ease of operation, small footprint, Yamaha legendary sonic clarity, and the built-in Dante networking software which is amazing, nailed our decision, states Dwayne Plishka, System Consultant, Alliance Design. The consoles have been received with hi-fives from the staff.”

Plishka said Beulah Alliance previously owned a Yamaha M7CL so it was a natural progression to move to the CL consoles. The staff are using the consoles’ built-in Nuendo Live and Nuendo 6 software, he said, to audio capture the sermon message, which is then redeployed along with video to facilitate multi-site delivery, multi-track recording for artist evaluation, and broadcast.

“The entire sound system has far exceeded all performance expectations with constant compliments from guest artists, says Plishka.” At any given time during services, musicians with strings, winds, drums, bass, electric guitar, and piano assist the guest artists and worship choir.

The NEXO GEO S8 speaker system layout consists of nine boxes per side left and right with six NEXO PS8s for side fills and eight PS 8s on stage for monitors powered by both Camco and NEXO 4×4 amplifiers. “The size, remarkable sound image, and audio amplification for the number of line array elements is surprising, Plishka adds. Even guest artists support techs are surprised at the efficiency of the system.”

“Dwayne is amazing and his choice of efficient, high-quality gear is impeccable, states Pastor Mike Jones. The first time I heard the system I was blown away at the power and clarity of the system; I continue to be amazed.”

Alliance Design also installed platform lighting that is a combination of VariLite, Martin, Chauvet fixtures, and ETC. The lighting console is a Martin Maxxyz, and dimming is ETC. Panasonic switching and Panasonic Cameras were also installed.

For more information on Beulah Alliance Church, visit www.beulah.ca.

For more information on Alliance Design, visit www.alliancedesign.ca.

For more information on Yamaha and NEXO products, visit www.yamahaca.com.

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PHOTO ID: L to R: Pastors Rob Abbott and Mike Jones

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

LECTROSONICS ASPEN PROCESSORS INTEGRAL TO CHICAGO’S THE SECOND CITY THEATRE SR UPGRADE

**** Photo: Brian O’Connell ****

**** Photo: Brian O’Connell ****

Chicago, IL – October, 2014… Operating since the 1950′s, The Second City is an improvisational comedy enterprise, best known as the first ever on-going improvisational theater troupe in the United States. It is known also for the inclusion of live, improvised music during their performances and has served as the training ground for a host of famous alumni including John Belushi, Mike Myers, Bill Murray, Gilda Radner, Tina Fey, Steve Carell, Stephen Colbert, and many more. As part of an upgrade to the facility’s sound reinforcement (SR) systems, the venerable nightspot recently incorporated three Aspen SPN1612 16 input / 12 output audio processors from Rio Rancho, NM-based Lectrosonics. more

Cignal Systems/Logic Systems to Host NEXO Speaker Tour

YCAS_NEXO Logo Panel

BUENA PARK—Cignal Systems/Logic Systems Sound and Lighting in Valley Park, MO will host a NEXO “Speaker Tour Stop” Open House this Wednesday, October 29, 2014 from 4:00 – 8:00 pm. Registration is not required. The event will take place at 255 Marshall Rd. Suite 160 in Valley Park, Missouri.

Products to be included in the demonstrations are NEXO STM Line Array (M46, M28, B112, S118B, NUAR Rack) and the new GEO M620/M6B Compact Loudspeaker Series.

Mike Eiseman, Steve Armstrong, Paul Furtkamp and others from Yamaha Commercial Audio Systems, Inc. will be on hand to answer questions.

For more information, contact 314-743-0100 or 888-968-4050; or visit
www.cignalsys.com or www.logicsound.com.

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Deutsche Welle Calls on RTW TouchMonitor Range

Broadcaster Selects RTW TM3, TM7 and TM9 Units to Ensure EBU-R128-Compliant Program Levels at Berlin and Bonn Production Sites

COLOGNE, GERMANY, OCTOBER 27, 2014 – When Deutsche Welle, Germany’s premier international broadcaster and a member of the ARD network of German public broadcasters, sought to make its programming compliant with the EBU-R128 loudness mandate, it turned to RTW, the market leader in visual audio meters and monitoring devices, and the company’s TouchMonitor line of audio meters, to make the transition. With their ability to offer intuitive, precise monitoring, along with their ease of installation, RTW’s TM3, TM7 and TM9 TouchMonitor meters were the perfect fit for the job.RTW_TM3_DE_IB_134_Stereo_Num_ATSC

Deutsche Welle first took delivery of the RTW TouchMonitor units last September, employing a combination of 65 TM3, TM7 and TM9 meters with various configurations and feature sets in several recording studios, editing suites and workplaces in its Bonn and Berlin facilities. AVS Medientechnik GmbH, based in Berlin, oversaw the procurement and implementation of the units.

According to Hannes Brandt, technical assistant at Deutsche Welle’s Berlin site, the broadcaster chose RTW on the recommendation of an ARD working group that had tested loudness meters from several manufacturers. He also noted his company had previous experience with the RTW metering systems. “Our production workplaces were already using digital and/or analog peak meters by RTW, as well as metering instruments from their PortaMonitor series, and the positive experience we had with those products, along with RTW customer support, also contributed to the decision to go with RTW.”

Engineers working on various broadcast shows Deutsche Welle’s Berlin and Bonn sites currently employ the RTW TM3 units in a combined setup with the existing RTW PortaMonitor, which is used for monitoring level, loudness, frequency response and phase of analog and digital signals systems, as well as the RTW TM7 units at the company’s dubbing suites (mainly the TM7-VID version, which is installed in the company’s Tektronix mainframes). The TM9 units are being used with an installed radar option, for a more detailed look into the composition of the metering data.

The RTW TM3, TM7 and TM9 units are highly modular, which has made installation into the Deutsche Welle workflow straightforward. The majority of the meters there comprise typical desktop units well-equipped, along with TM7-VID modules supplied with 19-inch rack-mount adapters for waveform monitors as well as TM9 OEM units for installation into mixing consoles. As with all members of RTW’s TouchMonitor family, the TM3, TM7 and TM9 TouchMonitor units can be enhanced with software licenses as future needs arise.
RTW_Touchmonitor_TM9_Screen_web
“We currently use a reference setting of either –17 LUFS or the traditional 0 dB QPPM,” Brandt says. “This allows our users to familiarize themselves with level adjustment based on loudness. However, we currently still support QPPM-based level adjustment. For that purpose, we configured two different layouts on the installed units. As soon as all workplaces are equipped with TM units and all users have undergone appropriate training, we will switch our in-house reference to –23 LUFS by changing the layout presets.

According to Brandt, another major benefit is the unlimited configurability of instrument layouts on the user interface. “This way, we can adjust our meter scales to the requirements at hand,” he notes. “In addition, the constant software refinement and the additional software options ensure maximum protection of our investments.”

The TM7 and TM9 versions offer a 16:9 touch-enabled TFT screen with a display size of 7 or 9 inches, respectively. The operator can quickly scale and place the instruments on the screen for maximum ease of use. With the SW20002 software license installed, the TM7 and TM9 include basic stereo-PPM instruments with analog scales (DIN +5, Nordic, British IIa, British IIb) and digital ones (0 to –60 dB, +3 to –60 dB TruePeak, Quasi-DIN, Quasi-Nordic, Quasi-British IIa, and Quasi-British IIb) as well as peak-hold and correlation meters. Additional features include loudness meters complying with current standards (EBU-R128, ITU-R BS.1770-3/1771-1, ATSC-A/85, ARIB, OP-59) and the MagicLRA instrument used for visualizing loudness range and the integrated loudness. This allows for a unique combined view of all relevant information.

In user mode, the operator can change the parameter settings. Moreover, the units include an SPL view that provides various weighting filters and integration times as well as reference-level parameters for calculating the SPL of an electric input signal. Other loudness-metering specific software modules, such as, for example, the logging-data server (software license SW20014), are unlocked as necessary. This feature adds a logging instrument to the software that allows for transferring metering data from several TouchMonitor units over Ethernet (TCP/IP) to a Windows-based computer running the Loudness Quality Logger (LQL) analysis software. Each TM7 or TM9 unit includes a 16-channel audio interface. Users can choose from a variety of I/O configurations in analog and/or digital formats. Alternatively, a 3G-SDI interface for up to 32 input channels can be implemented. With the SW20001 software expansion for multichannel support installed, the meters on the user interface show each stereo or surround input while the user can monitor and control them.

The compact TM3 features a 4.3-inch touch-enabled screen and a separate interface box. It handles analog and digital stereo signals (TM3) or 6-channel digital audio (TM3-6CH). In its standard configuration, the TM3 offers extensive loudness-metering functions compliant with all globally relevant standards (EBU R128, ITU-R BS.1770-3/1771-1, ATSC A/85, ARIB, OP-59) including single-channel and summing bargraphs, LRA, and numerical displays.

The TM3 offers the same functionality and user-friendly tools as the more advanced TM7 and TM9 at a minimum footprint and lower price. This makes it particularly suitable for journalist cubicles, editing suites, and small control rooms. The TM3 also includes the MagicLRA instruments, used in cooperation with the loudness metering. This instrument provides a quickly and clearly readable view of critical loudness parameters in context supported by its color, shape, and position on the metering scale and thus makes meeting all requirements a breeze.

For more information, please visit www.rtw.com.

About Deutsche Welle (DW)
Deutsche Welle (DW) is Germany’s international broadcaster, providing content in 30 languages on TV, radio, and the Internet. They represent Germany in the international media landscape and offer people on all continents independent information. In addition, they ensure uncensored reporting in restricted media markets and conflict zones. While the Bonn headquarters produce mainly radio features and multimedia contents for the website, their Berlin site is mostly in charge of productions for Deutsche Welle’s six TV channels. In total, Deutsche Welle employs more than 1500 permanent staff plus the same number of freelancers.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.com or call +49 221 709130.

For High-Profile Events Where Huge Screens, Image Quality, and Precision Are Top Priorities, WorldStage Relies on Stewart Filmscreen

WorldStage, the well-known rental and staging company, purchases two gigantic projection screens, adding to an ever-growing Stewart Filmscreen inventory and recommitting to Stewart as its projection screen supplier of choice

TORRANCE, CA, USA – October 27, 2014 – Stewart Filmscreen, world leader in built-to-order, high-performance, extra-large, projection screens for the commercial, rental, and residential markets, and WorldStage, a premiere technical rental and staging company in event and entertainment technology, stewart_logo_sfc08_webannounced today their ongoing mutual support, with WorldStage buying two gigantic new ‘Stewart Large’ category screens,adding to its extensive and ever-growing Stewart Filmscreen inventory.

“While Stewart screens can sometimes cost more than the alternatives and require special care when being used, they are unparalleled in terms of image quality,” says Richard Bevan, VP and General Manager at WorldStage-LA. “No matter where the viewer is seated, they will see the same image quality as those seated front-row center, no matter the projector configuration. With the very large shows we cater to, that is critical.” 

For more than thirty years, display technology engineers at WorldStage have relied on Stewart Filmscreen, going back to WorldStage CEO Gary Standard’s early days in the industry in the mid-1980s. As WorldStage evolved in to an AV staging company in the early 1990s, the company began to purchase Stewart screens for rental inventory. Now, the company uses large high-performance Stewart screens ranging in size anywhere from 10-feet x 17-feet to 24-feet x 91.5-feet, with a large number of Stewart AeroView 100 rear-projection surfaces, specialty screens including GrayHawk front-projection surfaces, UltraMatte 150 front-projection curved surfaces, and a variety of other screen surfaces in inventory.

WorldStage chooses Stewart Filmscreen projection screens for their unmatched color-accuracy and brightness uniformity, attributes that allow the screens to be used very successfully in applications where other screens would exhibit hot spots and color-shift. With the added advantage of being the only screen company that can create seamless projection screens up to 40-feet by 90-feet wide, Stewart Filmscreen offers the uninterrupted, larger-than-life images that live events in large venues require. The Stewart ‘Difference’ means WorldStage can offer the biggest and best seamless image, while providing the durability that the rental market requires. Stewart’s unrivaled build-to-order custom manufacturing capabilities also means WorldStage has the versatility necessary to service any live event, no matter how big, unique, or demanding.

We are honored to be the projection screen supplier of choice for WorldStage, one of the country’s most prestigious rental and staging companies,” says Stewart Filmscreen president and CEO, Grant Stewart. “WorldStage continually amazes us with its innovative and impressive use of Stewart Filmscreen products in some of the most creative events and venues we’ve witnessed.”

WorldStage uses Stewart screens in many different configurations on the majority of its projection shows. For instance, a 24-feet x 91.5-feet Stewart screen was used for the Cisco Partner Summit 2013 in Boston, while two 20-feet x 66-feet GrayHawk front-projection screens and one 20-feet x 35.5-feet rear-projection surface were showcased in the SALT Conference 2014 in Las Vegas.

Whether it’s a Fortune 500 product launch, a wildly inventive media art exhibit, or an extravagant benefit gala, WorldStage and Stewart Filmscreen are both dedicated to customer service, diverse and custom solutions, and impeccable image quality regardless of environment. To see Stewart screens in action at WorldStage events, go to www.worldstage.com/portfolio.

All trademarks and registered trademarks mentioned herein are the property of their respective owners. 

About Stewart Filmscreen
Headquartered in Torrance, Calif., with additional manufacturing and satellite sales facilities in Ohio, Singapore, and Denmark, Stewart Filmscreen has been the consistent choice of discerning clientele around the world for more than 65 years. An Academy Award-winning manufacturer of projection screens and specialty optical coatings, aesthetic-conscious architects, consultants, systems designers, and property owners rely on Stewart Filmscreen for the perfect combination of superior quality, flexible design, and dedicated support, and we consistently deliver. Providing the most immersive experience in the industry, Stewart can custom engineer a projection screen solution to meet nearly every need. Proprietary material science and innovative manufacturing methods allow Stewart to produce some of the most optically immaculate screens in the world, ultimately delivering an immersive experience that’s unrivaled in the marketplace. Simply put, if a screen can be imagined, Stewart Filmscreen can deliver it. www.stewartfilmscreen.com | @StewartFilm

About WorldStage
In 2007, Scharff Weisberg merged with Video Applications to form WorldStage, a diverse technical staging company in the live event and entertainment technology field. WorldStage provides Audio-Visual Design, Engineering and Implementation Services to the corporate, artistic, and theatrical communities, and has one of the most experienced and conscientious staffs in the business. The company also has a full-service lighting division that is a market leader in quality of service. And, finally, WorldStage’s design and research division specializes in designing the systems and configurations that are the most cost-effective and innovative around. For more information, visit www.worldstage.com.

Stewart Filmscreen Media Contact
Katye (McGregor) Bennett | KMB Communications | (406) 446-1283 | Katye@KMBComm.com | @katyemcgregor

WorldStage Contacts
Josh Weisberg | President, WorldStage | (212) 582-2345

David Steinberg | Goliath Marketing | (646) 319-8255 | golmar@mac.com

Images for use in publication can be downloaded from the following links:

Cisco Event
Caption: “A 24-foot high by 92-foot wide rear projection screen using Stewart AeroView 100 material is flanked by two 18-foot wide by 24-foot high screens using Stewart AeroView 150 material.”

Dreamforce Event
Caption: “Multiple 92-foot, 60-foot & 24-foot wide Stewart front and rear projection screens support a Metallica appearance at Dreamforce 2011”

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Flag Systems Delivers Balanced SPL to HARD Summer Festival with HARMAN’s JBL VTX Line Arrays and Crown I-Tech HD Amplifiers

HARMAN_HardFestLOS ANGELES, California – As an audio system provider with a 40-year history of working with world-class audio equipment, Flag Systems was again contracted to provide sound reinforcement and personnel for this year’s HARD Summer Festival. Having used HARMAN’s JBL VERTEC® line arrays for over a decade, the company recently decided to upgrade to JBL VTX Series line arrays, exceeding all expectations at the show.

The HARD Summer Festival is an electronic music dance festival, featuring some of the world’s top DJs. Naturally, this requires the highest volume levels and a heavy bass from the PA system, which not only needed to move a tremendous amount of air, but also due to city noise ordinances must have balanced SPL combined with precise pattern control. With guest appearances like Mary J. Blige and DJ Tiesto, system designers dazzled audiences with a total of 40 JBL VTX V25 loudspeakers and 44 VTX S28 subwoofers on the main stage.

Flag Systems was responsible for the audio at the main outdoor stage and one tent. On the main stage, it set up two hangs of 18 VTX V25 line arrays for the main LR system and four VTX V25 units as front fills. By using the same loudspeakers for the main hang and front fills, they were able to provide sonic consistency while maintaining high SPL’s that smaller loudspeakers cannot deliver. To ensure that the attendees enjoyed a bass-heavy experience with controlled coverage, the subwoofers were set up in a delay-steered end-fire cardioid configuration of 11 2×2 blocks.

The tent that Flag Systems was responsible for, dubbed “Pink Tent”, had a system consisting of two hangs of eight VERTEC® VT4889 line arrays and two of Flag Systems’ recently-acquired VTX V20 loudspeakers for front fills. Outside the tent for out fills and delays, there were two stacks of four VT4889 loudspeakers on risers and four of Flag System’s new proprietary SubX on each side. For the DJ monitors Flag used one VTX S25 and three V20 loudspeakers per side.

The entire system was powered by 102 Crown I-Tech 12000HD and three Crown I-Tech 4x3500HD amplifiers. JBL HiQnet Performance Manager™ was used to manage the system.

“At the request of guest engineers, we needed a system that could deliver all of the low-end frequencies in an accurate and powerful fashion,” said Dale West, Systems Designer of Flag Systems. “We believe that the JBL VTX Series is a phenomenal sounding system. The high end of the D2 driver never needs a lot of EQ, staying extremely linear as the output level increases, and the subwoofers are equally impressive. In order to generate the balanced SPL we needed for this festival and still have cancelation behind the stage, we end-fired the subs because it allowed us to achieve this with fewer boxes when compared to a traditional cardioid configuration.”

“We used Performance Manager because it is an amazing tool for system alignment, control over circuit-based EQ’ing, level control and delay times to add digital arc delays for optimum horizontal sub steering,” said West. “On a show like this where a system is pushed to its limits, it’s an absolute must to monitor system health, limiter threshold and component health. I never leave home without it.”

With this setup, the PA system exceeded the requirements of the audience as well as the touring engineers. The unique configuration rewarded the team with a good rear rejection, high SPL, smooth high end and powerful bass. West was mostly impressed by VTX’s ability to be tuned easily for any application, and is pleased with the increased efficiency of this upgrade.

“I can see that JBL did a lot of work designing these components, that in turn helps us a lot with systems design and implementation,” said West. “When I have the time to do my due diligence, by capturing multiple mic measurements and really delve into circuit based level and EQ-ing, the results have been jaw dropping. However when there is a time crunch I have complete confidence I’ll be able to get a PA into the air and timed correctly and get a fairly linear, distortion free system with a high SPL in relatively little time. With JBL VTX every show ends with smiles from the audience, artists and techs. I really enjoy using this product.”

Flag Systems will again be providing VTX for the upcoming Hard Festival Day of the Dead taking place Nov 1-2 in Los Angeles.

http://www.hardfest.com/

http://flagsystemsinc.com/

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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