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John ‘Sax’ Williams Inspires Next-Generation Woodwind Players With HARMAN’s AKG Microphones

PHILADELPHIA, Pennsylvania – Woodwind specialist John “Sax” Williams devotes his life and career to being a professional recording artist, performer, and educator. Whether it’s in the studio, on stage or during instructional sessions with students, Williams uses HARMAN’s AKG WMS4500 and C519L microphones as his tools of choice.

With experience touring in the United States Army Band, Williams has performed for multiple presidential administrations such as that of George H.W. Bush, Ronald Reagan and Jimmy Carter. Currently, when he’s not focused on live and production work with renowned artists such as Mary J. Blige and Jay-Z, he passes his love and passion for music onto others through one-on-one instruction.

Williams’ AKG microphones allow him to project his sound during shows and recordings as best as possible. “AKG produces high-quality, world-class microphone systems, which make all the difference for me,” said Williams. “The WMS4500 wireless system and the C519ML saxophone microphone are awesome products that I constantly use for my live performances and recordings. The sound is sincere and warm, and I can tell that it is the result of long hours of refinement, where the development of the product was clearly thought out.”

A classically trained clarinet player, Williams has a deep understanding of the delicate sound elements on the stage and in the studio. But besides accuracy in sound, it is important to have reliable equipment, and the AKG microphones give Williams peace of mind when touring and teaching.

“The SR4500 Receiver and PT4500 UHF Wireless Bodypack Transmitter are extremely durable and last forever,” said Williams. “I’m also impressed by how HARMAN as a company always comes through with technical support, regardless of what time I need it. It’s been amazing every time, receiving honest and reliable support even when traveling on the road.”

Sound engineer of Audio Wave Sound Rob Gordon, a frequent collaborator with Williams and also a proud AKG customer, added: “I’ve recommended AKG microphones to others for a long time, considering their amazing front-end projection and warmth of sound,” said Gordon. “The C1000, C414 microphones sound great and are the perfect choices for top-level musicians such as John.”

For more information on John “Sax” Williams, please visit www.johnsaxwilliams.blogspot.com

For more information on Audio Wave Sound, please visit http://soundwaveaudio.com

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

The Chairworks Adds To Its Prism Sound Roster

Castleford-based The Chairworks, the north of England’s largest residential recording studio complex, has bought two more Prism Sound ADA-8XR multi-channel AD/DA converters to add to its growing roster of the units.

“We’ve got six now,” comments Studio Manager Ryan Jarvis. “We have 32 in 64 out, and everyone who comes here uses them and comments that Prism Sound are the best converters they’ve ever heard.”

The Chairworks has invested heavily in its facilities recently and is proud of the fact that its 96 channels of immaculate Prism Sound ADA-8XR conversion help artists to capture their performances perfectly through a large selection of first class microphones and vintage pre-amps. Recent credits include ex Beautiful South members Paul Heaton & Jacqui Abbot’s What Have We Become, Skindred’s Kill the Power, British Steam Power, and even the entire Grimethorpe Brass Band.

Constructed in a late nineteenth century Victorian factory, The Chairworks has been careful to utilise all the space at its disposal. Its phenomenally well-equipped Studio A control room now looks through into its newest live room, which in turn leads into another large space with multiple booths and ‘more keyboards than you can shake a stick at’.

“We finished the new live room, designed by studio legend John Wood, last year,” says Jarvis. “It features a double height ceiling and a large diamond-shaped window. It’s perfect for things like orchestral work. And while the Prism Sound converters are great for everything because of the level of detail you can hear, they’re really good for that,” he adds.

Studio A’s control room is built around an immaculately maintained SSL 4000 G+ with flying faders, Total Recall and Ultimation. To this are added the six ADA-8XRs, a Konnektor synchroniser and several racks of vintage outboard gear.

“To be honest, I think we have enough ADA-8XRs for the moment,” says Jarvis. “Besides, they’re so reliable we don’t need back-ups and the after-sales support from Prism Sound is fantastic. But the ADA-8XRs are fantastic too. What comes out is exactly the same as what goes in, you cannot tell the difference and I don’t know of any other convertor that does that. It’s just completely transparent.”

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

ADVERTISING AND POST STUDIO, MICAH KOVACS AUDIO, WINS AWARDS USING A METRIC HALO ULN-2 INTERFACE

BRONXVILLE, NEW YORK: Although the path to Micah Kovacs’ relatively new and successful freelance venture, Micah Kovacs Audio, was not clear to him at the outset, his dedication, professionalism, and knack for making audio work transparently with images guided him down it, nonetheless. Already, his ten-plus years in the advertising and film post industry have earned him Addy, Promax, and Mercury awards, and several awards at juried film festivals. His clients include the Sundance Channel, VH1, L’Oreal, Verizon, NBC, and many other high-profile brands. Whether working out of his home studio for smaller projects or temporarily relocating to a client’s facility for more involved projects, Kovacs relies on the superlative audio quality and reliability of his Metric Halo ULN-2 mic-preamp/converter to maintain a pristine signal path at all times. Moreover, Metric Halo’s commitment to future-proofing the ULN-2 with software and, when necessary, firmware upgrades – together with Metric Halo’s commitment to making the ULN-2 work robustly with any and every piece of audio software in the Mac universe – guarantees that Kovacs’ investment will continue to work for him indefinitely.

Like so many in the audio industry, Kovacs stumbled across recording technology while in a high school band. “I was fascinated by the process of recording very early on,” he said. “In college, I joined some other bands and we recorded ourselves with 4-tracks or with digital workstations when they were available. It wasn’t anything close to what I do these days; we weren’t using Pro Tools, for example. But the craft of recording and mixing captivated me.” An art major, Kovacs gravitated toward video in his coursework and secured an internship at a video post-production house after graduating. He worked his way up from production assistant to assistant video editor. “The whole time, I was the go-to guy for any audio work that needed to be done,” he recalled. “I really enjoyed the mix process and learned, through my work there, that there were companies dedicated solely to audio for video.”

From there, Kovacs took a job at NYC’s Pink Noise, where he worked his way up from glorified runner to head engineer in a span of eight years. Then he took a position at NYC’s Verbatim Sound as head engineer and music producer, and a while later – sated with industry contacts and know-how – he shifted to full-time freelance under the Micah Kovacs Audio flag. “Going freelance, I knew I had to upgrade my audio hardware,” Kovacs said. “Most of the audio interfaces on the market, including the one I owned at the time, had a nasty reputation for quickly becoming obsolete as computers and audio software progressed. I needed something that would be portable and more accepting of software upgrades. Moreover, I work with a number of audio programs, including Pro Tools and Nuendo, and I wanted something that would work seamlessly with all of them, now and in the future.”

He continued, “The Metric Halo ULN-2 was the natural choice. Metric Halo is famous for supporting its products [original versions of the company's first interface, the 2882, are still supported for all the latest Mac hardware and software]. In addition, its sound quality and reliability are consistently praised as among the best on the market.” With countless hours logged at his earlier jobs, Kovacs learned what gear was indispensible and what was not. He outfitted his personal studio with a lean, but powerful collection of gear that could travel when necessary. A small rack of outboard gear serves a variety of functions and interacts with a MacBook Pro and iMac via the ULN-2. The ULN-2 also sends signal from the computers to the gear and to a pair of KRK monitors and a pair of Yamaha NS-10s. On the far front end, Kovaks maintains a collection of studio-grade musical instruments for use in original recordings. When necessary, Kovacs can move his studio to a client’s space to complete long-term or quick turnaround jobs.

Understandably, Metric Halo’s free audio routing software, MIO Console, plays a large role in Kovacs’ setup. “I love MIO Console,” he said. “With it, I can switch between my monitors internally, and I can route signals in elaborate ways between internal software programs and my external hardware. I also like the processing the ULN-2 ships with; I’ve been experimenting a lot with the ‘Character’ signal path modeling plug-in. Finally, I was pleased with the service I received from Metric Halo. There’s a ton to learn, especially with MIO Console, and the tech support zeroed in on my particular setup to get me up and running quickly. I had clients wanting service right away, so I didn’t have time to experiment. Metric Halo understood that.”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

ASHLY AUDIO PROCESSING AND USER CONTROL STREAMLINES NEW MICHIGAN FUNERAL HOME

HOMER, MICHIGAN: Long established in Michigan, the Craig K. Kempf Funeral Home recently expanded to Homer, Michigan, where it purchased a small funeral home. Kempf immediately brought in contractors to revitalize the existing structure, which itself had originally been a residential house, and ordered an expansion to provide a modestly larger chapel than the existing 30’ x 15’ room. Local A/V firm Crookston Audio designed and installed a new sound reinforcement system for the new chapel and for the remodeled rooms. Based on its simplicity of installation, competitive pricing, and intuitive user interfaces, company president John Crookston specified an Ashly Pema 4125.70 integrated processor & four-channel amplifier together with Ashly RD-8C and WR-2 user controls.

“They originally asked for two zones, one for the new chapel and one for the existing chapel, the lobby, and the fellowship hall combined,” explained Crookston. “They wanted the ability to reinforce a small keyboard, a soloist, audio from DVD or CD, plus, of course, the spoken word from the person officiating the funeral or delivering a eulogy. Those inputs would be reinforced within the new chapel, and they would also be sent to the old chapel and the fellowship hall, which could serve as cry rooms or overflow. We explained that using four zones, one for each room, would give them greater flexibility, with the promise that using the system would be so intuitive that staff would be able to confidently negotiate source selection and volume control with little or no training.”

A two-rack space, four-channel Ashly Pema 4125.70 resides at the heart of the system and delivers 125 watts to each of the four 70-volt systems. The new chapel, which is still a modest 25’ x 35’, has four mic-level inputs, enough for soloists, vocalists, and spoken word. The audio system also takes input from the room’s CD and video sources. A single Community V2-28 two-way loudspeaker provides coverage in the new chapel, whereas Community D5 ceiling speakers provide coverage in the old chapel, the lobby, and the fellowship hall.

User control consists of two complementary controls. First, an Ashly RD-8C remote desktop fader bank allows anyone to sit within the new chapel and mix the input sources in real time. A single cable ties the RD-8C to the Pema 4125.70, which allows the operator to sit anywhere in the new chapel and discretely mix. Second, an Ashly WR-2 resides near the equipment rack and allows staff to send audio from the new chapel to any (or none) of the other rooms.

“As a contractor, I not only have to deliver a great final product, I also have to make money doing it,” Crookston laughed. “Ashly is a great help with that! Ashly equipment is totally reliable. We’ve been using it for years and never had a problem. Moreover, Ashly’s Protea™ signal processing software is common to the entire Ashly line. So my staff can learn Protea, which is quite intuitive, and then install any Ashly product in any size system. There’s no learning curve. As a result, all of our installations are predictable and as easy as they can be, which is the way I like it.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

Red TX Joins The Remote Recording Network

Broadcast audio specialist Red TX has joined Europe’s leading live recording initiative Remote Recording Network. Whilst contributing to managing and engineering music and broadcast assignments on a global and cost-effective basis, RRN offers bespoke solutions that cater for all kinds of transmission, recording, mixing, mastering, duplication and publishing.

Remote Recording Network GmbH had last year joined forces with Dutch mobile recording company Eurosound bv and had integrated the German ‘RemoteTaxi’ enterprise to establish the initial ‘Network’.

Peter Brandt, head of Remote Recording Network and a man with over 30 years’ experience of recording and mixing international rock, pop, jazz, and classical artists, says: “Bringing Red TX into RRN will benefit our European customers by giving them access to a fully digital truck based in Europe that can handle high-end surround sound projects, particularly for broadcast.”

Tim Summerhayes, CEO of Red TX, adds: “I have known Peter Brandt for many years and we have worked together on numerous projects in the past. I am very excited by this collaboration because it allows us to utilize our combined technical resources in a very effective way. There is a huge requirement for mobile digital recording facilities in Europe and by joining forces with the Remote Recording Network we can now provide the necessary human and technical resources to meet this demand.”

Red TX has two state of the art recording units, RED 1 and RED 2. Both are equipped with Studer Vista 8 Digital Mixers, PMC 5.1 surround sound monitoring and Pyramix, Pro Tools and Reaper recording systems. They also have extensive racks of outboard equipment and digital effects, and are internally designed to very high acoustic specifications. RED 2, which is the larger of the two units, will be located as required, between the RRN HQ in Germany and Eurosound bv’s base in The Netherlands, while RED 1 will remain at Red TX’s premises in the UK.

“Our model of using international partners to combine resources and equipment is very valid, especially in a world where businesses need to reduce their carbon footprint as much as they can,” Peter Brandt adds: “By tapping into facilities that are already stationed on different continents, we don’t need to transport huge trucks around the globe. Instead we can ‘travel lite’, frequently only needing to transport an engineer, which minimizes travel costs and keeps our carbon footprint to a healthy low. It also means that we can keep our rates very competitive, too.”

Red TX’s RED 2 unit will make its Remote Recording Network debut in June at the Tuckerville Festival in Enschede, The Netherlands. From there it has a busy summer ahead, working at live events and festivals in various countries.

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About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD www.remoterecording.net
www.red-tx.com

About Remote Recording Network:
Remote Recording Network is a new initiative that brings together the market-leading live recording companies Peter Brandt Remote Recording and Eurosound GmbH. Years of experience, knowledge and network are now combined to supply an unrivaled, world-class, world-wide recording service.
www.remoterecording.net
For more information, please contact Tony Andrews – tony@awandrews.com

Sun Valley Community Church Relies on FOR-A Video Switchers

Cypress, CA – When Arizona-based Sun Valley Community Church made the jump from SD to HD production in its Gilbert campus three years ago, the house of worship began using FOR-A’s HVS-300HS video switcher. Last fall, the church was faced with the decision of purchasing a new switcher for its nearby location in Tempe. Pleased with the ease of use and performance delivered by its FOR-A switcher, Sun Valley chose another FOR-A switcher to get the job done – the HVS-XT100. The house of worship has been successfully using its HVS-XT100 portable video switcher since September 2013.

“Because we’ve been very happy with our HVS-300HS switcher, it was a simple choice to stay within the FOR-A family for our next switcher purchase,” said Greg Gardner, Sun Valley’s Video Technical Director. “We decided on the HVS-XT100 because of the new features that it offers, such as having the flexibility to assign one of the keys to any of the AUX channels, and the ability to reposition and resize the key as desired.”

The HVS-XT series is the newest addition to FOR-A’s switcher line. Building on the diverse functions and features of the popular HVS-300HS, the HVS-XT switchers include mixed HD/SD input, frame synchronizing, re-sizing engine, 2.5D wipe effects, DVE, Chroma keyer, DSK, and clip memory to support playback of video and the enhancement of productions through the use of CG wipes.

Both Sun Valley’s Gilbert and Tempe campuses have full video production suites, with each of its FOR-A switchers running three live cameras, and multiple computers driving content to three projectors in the front of the auditorium, which are used for image magnification and visual content. Since the HVS-300HS and HVS-XT100 are laid out almost identically, the church’s volunteers can help with video production at either campus without any confusion as to where buttons are located.

Sun Valley uses its new HVS-XT100 during services every weekend at its 1,300-seat location in Tempe. The church has been taking advantage of the ability to log in to the switcher via a Web browser on a laptop, smart phone, or iPad to control all aspects of the unit remotely.

“FOR-A’s switchers provide great ease of use,” explained Gardner. “The bottom line for me is that the reliability of the products and customer support from FOR-A has been phenomenal.”

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

Wohler Signs on to Digital Production Partnership Compliance Program

SAN FRANCISCO — June 26, 2014 – Wohler Technologies today announced that it is participating in the new compliance program created by the Digital Production Partnership (DPP), an industry collaboration that provides information and shares best practices to help producers and broadcasters maximize the potential of digital production. The DPP Compliance Program and subsequent guidelines are intended to help the industry identify trusted products for DPP standards across the U.K. and to speed up the successful implementation of the digital delivery process by ensuring files are compliant with DPP AS-11.

“Compliance with the DPP specification is becoming a critical part of operations for many content producers, and our goal is to enable customers to create DPP deliverables with efficiency and confidence,” said Craig Newbury, vice president of sales for Wohler. “To this end, our solution, powered by the RadiantGrid Intelligent Media Transformation Platform, automates the DPP compliance workflow entirely within the file-based domain, going beyond other solutions to include features such as automated content assembly and legalization. We’re pleased to be part of the new DPP Compliance Program and look forward to demonstrating how sophisticated yet cost-effective file-based processing can successfully speed and streamline the packaging and delivery of DPP-compliant content.”

Through the new DPP program, participating manufacturers will provide details of completed tests, the sample files produced, and evidence of the results obtained on file delivery or processing products that are in development or being marketed. The program aims to establish a minimum quality threshold that manufacturers’ tested products need to meet. The DPP protects the integrity of its standards through the DPP trademark, and it is collaborating with the Advanced Media Workflow Association (AMWA) to develop a certification scheme that would enable the use of the DPP and AMWA brands on complying manufacturers’ products and marketing materials.

Information about Wohler, the company’s DPP-compatible RadiantGrid Intelligent Media Transformation Platform(TM), and other RadiantGrid solutions is available at www.wohler.com.

# # #

About Wohler Technologies Inc.
Wohler’s tradition of innovation began more than 30 years ago with the creation of the industry’s first in-rack audio monitoring product, and it continues today through the company’s continued development of unique solutions that span the baseband, stream, and file-based domains and include advanced monitoring solutions for video, audio, and captioning applications; solutions for IP monitoring, encoding, and decoding; and the award-winning RadiantGrid(TM) platform for efficient file-based content transformation and distribution. Together, Wohler’s advanced, cost-effective confidence monitoring and media transformation products ensure high-quality production across any platform and delivery to any device. More information about Wohler is available at www.wohler.com.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/Wohler/Wohler-RadiantGrid.jpg
Photo Caption: RadiantGrid Intelligent Media Transformation Platform(TM)

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DTV America Begins Rollout of Digital Alert Systems’ DASDEC EAS/CAP Units at Low-Power TV Sites

LYNDONVILLE, N.Y. — June 26, 2014 – Digital Alert Systems (DAS), a division of Monroe Electronics, today announced that DTV America is deploying DASDEC-II emergency messaging platforms at low-power TV (LPTV) sites across the United States. DTV America holds LPTV licenses in 80 markets, and it is rolling out the DAS units to realize technically advanced EAS/CAP capabilities while ensuring reliable centralized control of EAS units installed across DTV America sites.

“We are very happy with the performance of the DAS boxes, which offer a remarkably high degree of sophistication for LPTV operations, as well as the exceptionally proactive support we’ve received from the company,” said Kristina Bruni, vice president, compliance and engineering at DTV America. “This product is a perfect fit for our requirements, and because DAS already had proved the MPEG capabilities of the system and tested it thoroughly with our preferred multiplexer, installation and operation wound up being plug-and-play. Going forward with our system rollout, we can be confident that this robust system will meet our current and future EAS/CAP compliance needs.”

After finding that the devices first installed in its initial EAS/CAP deployments could neither provide an MPEG output nor support IP-based message aggregation, DTV America shifted gears and sought out a new EAS/CAP solution. The company then evaluated, purchased, and began deploying the DASDEC-II LPTV decoder with built-in radios (DASLPTVR) and integrated MPEG encoding online, and has plans for integrating this technology in multiple markets through 2015.

The network-centric DASLPTVR integrates three key features — monitoring radios, EAS decoder, and CAP decoder — into a single 2 RU box with a with a simple, secure browser-based interface and an architecture that supports simultaneous monitoring and user access with tiered security. The system’s internal triple tri-band (AM/FM/WX) high-performance receivers are fully adjustable via the web-browser user interface, and its optional four independent Ethernet ports enhance network performance by splitting network traffic among the ports. By presenting EAS text and audio as an MPEG stream for direct insertion into digital broadcast streams, the internal MPEG encoding option saves DTV America and others money and reduces the complexity of EAS/CAP compliance operations.

“As a rapidly growing owner and operator of LPTV stations at numerous geographically distributed sites, DTV America must have a full-featured EAS/CAP solution that enables scalable centralized control,” said Bill Robertson, vice president for business development at DAS. “We’re proud that the company has selected our DASDEC for its LPTV rollout, and we look forward to supporting DTV America as it continues to bring new broadcast sites online throughout the United States.”

Further information about Digital Alert Systems and its products is available at www.digitalalertsystems.com.

Information about DTV America is available at http://dtvamerica.com/

# # #

Digital Alert Systems
Digital Alert Systems is a leading innovator of next-generation Common Alerting Protocol (CAP) and Emergency Alert Systems (EAS). The company was formed in October 2003 to increase the effectiveness of emergency communications and merged with Monroe Electronics in October 2009. Based in Lyndonville, New York, Monroe Electronics provides R&D, manufacturing, sales, and customer service for the Digital Alert Systems brand. The company continues to retain its hard-earned reputation for quality, reliability, innovation, and service to valued customers around the world. More information is available at www.digitalalertsystems.com.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/DAS/DigitalAlertSystems-DASDEC-IIfront.jpg

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Strictly Audio STL Counts on HARMAN’s Soundcraft Si Expression Consoles For Regional Festivals

ST. LOUIS, Missouri – Running a small production company in the heart of Missouri, the owner of Strictly Audio STL Bob Walther provides his services to cover local festivals from St. Louis all the way to southern Illinois. While his HARMAN Soundcraft Si Expression 3 console is temporarily installed alongside the integrated HARMAN audio system at the Atomic Cowboy nightclub, his newly purchased Si Expression 2 is responsible for mixing the sound at some of his region’s most popular festivals.

The owners of the nightclub, which has a capacity of 700 people, were sold on the fact that the Si Expression’s core functions can be remotely controlled via the Soundcraft ViSi Remote 2.0 iPad app. This added functionality allows the 32-channel Si Expression 3 console to be stored away behind a barricaded space, freeing up precious room for customers, while the operator roams free through the crowd.

Besides the console, the audio system at the Atomic Cowboy features one JBL STX825 loudspeaker on each side of the stage and two SRX728S subwoofers under the stage, powered by two Crown I-Tech 6000 amplifiers, as well as three JBL SRX712M monitors powered by two Crown XTI2002 amplifiers. The sound is further enhanced by a dbx DriveRack, which provides optimum control of equalization and loudspeaker management.

“The evening after the installation was completed, a show took place that exceeded the expectations of the club owners and myself,” said Walther. “I knew that going with a full HARMAN setup would eliminate guesswork and result in good synergy, but we couldn’t believe how good the system sounded right out of the box. The owners praised the equipment that was chosen for the club, as the clarity and detail were fantastic. The Crown amplifiers provided plenty of headroom at front of house and the monitors made the band very happy.”

“I was pleased with the performance and audio fidelity of the Si Expression 3, which were my main reasons for purchasing a Si Expression 2,” Walther added. “The Si Expression Series remains far better than anything else within this price range. The lower channel count of the Si Expression 2 is more than sufficient for most of our local festivals and events, whereas the Si Expression 3 is used for regional touring groups, when not in use at the Atomic Cowboy.”

Having cut his teeth on analog equipment, Walther is averse to the cluttered menus found on some of the digital consoles in today’s market. However, the Soundcraft Si Expression consoles are designed with an appreciation for common sense; features such as FaderGlow™, the illuminated and color-coded fader-strip, speed up workflow and improve efficiency of operation.

“This console translates so well from the analog world, because it is designed in a very logical fashion,” Walther stated. “With some digital mixers out there, I almost feel like I’m translating a foreign language when attempting a live mix. With the Si Expression, I don’t even have to look at my hands, thanks to FaderGlow and the intuitive layout. Also, the onboard effects and compressors eliminated the need for a 4-foot-tall effects rack, which saved me a lot of room in the truck.”

Walther has recently used the Si Expression 2 in events such as the annual Crawfish Boil in downtown, where Cajun food is accompanied by a healthy dose of local musical acts. The Si Expression 3 temporarily installed in the nightclub will enjoy more spectacles such as the upcoming Mound City Music Fest over the weekend.

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Christie Previews First 4K Laser Illuminated 3-Chip DLP Projector Running at True 120HZ

Christie® is previewing the latest addition of its Mirage 4K platform, the Christie Mirage 4KLH. This new model builds on all the benefits of the Mirage platform, but adds Christie Solid State Laser illumination technology, driving a new range of brightness and flexibility. The Mirage 4K platform is ideal for 3D applications for advanced visualization in automotive, location-based entertainment, government, military, oil and gas and more.

Christie laser projectors provide industry-leading brightness, wider color gamut capabilities, higher contrast, and dramatically reduced maintenance requirements, resulting in a better experience for all 2D and 3D applications.

Christie Mirage 4KLH laser 3-chip DLP® projector at true 120Hz

The Mirage 4KLH supports both full 120Hz active stereo and passive stereo with optional external filters and polarized passive glasses with 3P illumination. The Mirage 4KLH system is also configurable with Christie’s latest 6P illumination source, providing support for an unprecedented 120Hz per eye when used in a 6P passive configuration.

Like the existing lamp based Mirage 4K projectors, the Mirage 4KLH is anchored by the unique Christie TruLife™ electronics platform with proprietary 1.2 Gigapixel per second, floating point architecture, offering full 4096 by 2160 resolution at 120Hz for 3D and integrated Christie Twist for warping and blending. The preview of the Mirage 4KLH takes place in the Christie 3D showroom located adjacent to the IVR conference at the Tokyo Big Sight, Japan’s largest exhibition technology and high definition image technology, June 25-27.

“Christie, as the global leader in the visualization market has the first and only projector in the world to provide full 4K DLP® resolution at a true 120Hz. With this new Mirage 4KLH, Christie has raised the benchmark even higher with high performance visualization solutions currently available on the market,” said Larry Paul, senior director of Technology and Visualization Solutions, Christie.

Mamoru Hanzawa, director of Christie Digital Systems, Japan, added, “Christie designs the most functionally-advanced and intuitive 3D projection for visualization display solutions. Enhancing the Mirage 4K with laser illumination will expand the capabilities for new applications. Christie once again is demonstrating its leadership position and dedication to customers with solutions and services that our customers have come to expect. Our mission at Christie is to help our customers create the world’s best shared experiences.”

By introducing the world’s first stereoscopic 3-chip DLP® projector in 2001, Christie set new standards for 3D performance and changed the way people looked at stereoscopic images. For 12 years Christie has led numerous Mirage innovations to facilitate the use of 3D visualization for multiple applications, including visualization of advanced computer-generated models, and presentation of engaging content at location-based entertainment venues, opening the doors to enhanced human perception and understanding.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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