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Archive of the Product Applications Category

FOR-A Switcher Meets Growing Technical Demands for First Baptist Church Oviedo

Cypress, CA – Established in the 1800s, First Baptist Oviedo is a longstanding Florida-based house of worship that has drastically altered its use of technology in recent years. In 2009, First Baptist Oviedo built a 2,700-seat worship center. Since that time, the church has delivered its message to a wider audience through live streaming, sermon archiving, and the production of podcasts on its website, as well as through its weekly shows on local television.

Recently, the church was in the market for a new video switcher to help run its productions more efficiently. Orlando-based video equipment specialist Encore Broadcast recommended the house of worship look at FOR-A’s HVS-390HS video switcher. Pleased with what they saw, the church purchased the HVS-390HS and began using the unit earlier this year in February. First Baptist Oviedo has been impressed with how the switcher has improved operations in its HD facility.
“We came from having a small switcher with only eight inputs. Our technological demands have rapidly grown with the production of our live broadcasts, and we needed a new switcher that could handle that,” said Josh Felix, the church’s director of technical arts. “We narrowed it down to two choices: FOR-A’s HVS-390HS and Ross Video’s Carbonite. Both switchers met our minimum requirements – each were 2 M/E units with full HD-SDI capabilities. However, a few features of FOR-A’s switcher stood out to us, one being its built-in color corrector on four channels, which has been huge for us. Another perk of the HVS-390HS is its built-in scalers, which allows us to easily scale SD images to HD.”

First Baptist Oviedo has two Sunday services, both of which have the same pastor and message, but each take on their own style. The earlier service is more traditional, led by the choir and orchestra, while the later service takes on a more contemporary approach with a live band providing music. The services are shown on local programming, one of which is broadcast live, while the church’s other television show broadcasts a sermon that took place the previous week.

Felix reports that the HVS-390HS switcher offers several useful features right out of the box, without requiring additional hardware. The church’s video production team enjoys the switcher’s Web browser interface, which allows them to control and manipulate the board remotely. They also appreciate the HVS-390HS switcher’s remote panel options. Video operators can have a mix for its broadcast television productions, and another setup for the church’s image magnification, allowing them to easily show the audience at home something different than what the audience at the church sees on its video screens.

“We design our video systems around FOR-A switchers because they’re reliable and offer excellent cost efficiency and functionality,” explained Jeff Cameron, Sales Engineer at Encore Broadcast. “FOR-A also consistently offers great support and training to its customers. The HVS-390HS has proven itself to be user friendly for the church’s volunteer staff, and has enhanced the house of worship’s video production capabilities.”

“Our goal every Sunday morning is to create a distraction-free worship environment through our equipment set up,” explained Felix. “With better quality video production gear like our HVS-390HS, we’re able to eliminate any technical distractions for our members, and this is critical to us. Even more so, technology allows our gospel to expand beyond our doors, reaching the world. I look at our FOR-A switcher as an infrastructure upgrade, and one of the main functions that help our video production run smoothly. I’m confident that the HVS-390HS will carry our church’s productions for many years down the line.”

About FOR-A
FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

HARMAN Professional India Takes 2014’s An Ode to the Blues Festival To a Higher Level with Stunning Sound and Lighting

BANGALORE, India — The blues has growing appeal as evidenced by the popularity of India’s An Ode to the Blues festival, now in its fourth year. Held at Bangalore’s CounterCulture performance space/restaurant, the festival featured international and Indian blues artists including Guitar Shorty, Soulmate, Blackstratblues, Ministry of Blues and many others, who performed on two stages outfitted with a complete HARMAN Professional live sound system and Martin lighting.

“With every event we do, our primary focus is on the artist and we want to present the way they sound and the way they look at their absolute best,” said Guru Somayaji, Program Director and Festival Manager at CounterCulture. “This year we wanted to up the ante to bring in a setup that not only looked good but sounded top-notch.”

The Robert Johnson Stage and the Roots Blues Stage were equipped with a variety of JBL loudspeakers including four VRX 900 Series loudspeakers, two STX828 dual-18-inch subwoofers, two PRX615M powered loudspeakers and two STX815M loudspeakers. The loudspeakers were powered by Crown VRACK complete, self-contained amplifier systems, which include I-Tech HD Series power amps, analog and digital connections and a globally universal power distribution system, all housed in wheeled rack with a suspension system that enables VRACK to be flown if desired.

A Soundcraft Si Expression 1 digital console with a Si Compact 16 handled the live sound mix for the Robert Johnson Stage, with a Soundcraft Si Compact 16 deployed for the Roots Blues Stage. The consoles were equipped with a Soundcraft Si Multi Digital Card to record the shows to a computer in multitrack digital audio. A selection of AKG microphones rounded out the system (Indian blues-rock band Soulmate are AKG endorsers).

The Robert Johnson Stage and Roots Blues Stage were illuminated by a complete Martin lighting setup that included RUSH by Martin MH 3 Beam, MH 1 Profile and MH 2 Wash models, plus MAC 101 LED wash and PAR 1 LED can lights. Martin M1 and M2GO consoles operated the lights for each stage.

HARMAN Professional India and students at India’s Audio Academy assisted CounterCulture in producing An Ode to the Blues. “This year through our partnership with HARMAN Professional and Audio Academy, the team not only delivered a fantastic-sounding and looking setup, but the students at Audio Academy also learned the process of setting up the system and the stage and in fact helped us a great deal,” said Somayaji. The students will go on to mix the multitracks and produce a finished live recording of the event. “From a lighting perspective, the audiences enjoyed a real treat – the Martin illumination created atmospheric, exciting and even surreal lighting experiences that took this year’s performances to an entirely new level.”

“An event of this scale requires a first-class sound and lighting setup. With multiple bands and a quick turn around required between acts, an effective and reliable sound system is an engineer’s backbone for an event of such complexity. HARMAN brands, AKG, BSS Audio, dbx, JBL, Soundcraft and Martin lighting ensured that! As an FOH engineer, I could not have asked for better technology. This was one of the best music festivals I have had the pleasure of being associated with,” added Nikhil Pai, Freelance Sound Engineer.

“Without HARMAN Professional India and especially application manager, Sunil Karanjikar, none of this would have been possible,” he noted. “Each and every artist complimented us on how exceptional the JBL loudspeakers and Crown amps sounded, the clarity of the Soundcraft consoles and the AKG mics and the striking lighting provided by Martin. The audio was truly stellar, with excellent balance, presence and clarity from every location around both stages.”

Somayaji concluded, “We look forward to further such associations for next year’s An Ode to the Blues festival and other events.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

HARMAN’s Crown Offers Online Certification Program for DriveCore™ Install Series Amplifiers

ELKHART, Indiana — HARMAN’s Crown Audio announced that it now offers an online certification program for its DriveCore Install (DCi) Series amplifiers. Available free of charge, the program offers instruction covering Crown’s DCi Analog, Network and Network Display amplifier models and information about the company’s exclusive DriveCore technology that is at the heart of the amplifiers’ powerful and efficient operation.

The course is available online at: http://www.crownaudio.com/usa/drivecore-install-series.html. Simply click on the blue “Test Your Knowledge” icon at the right of the screen to register and take the test. The test consists of approximately 50 questions and has a time limit of three hours to complete. Once registered, users may take the exams in one sitting or save their progress and resume the test at a later date.

“Our DCi certification program was created with installed sound contractors, systems integrators and other professionals in mind, to help them get the most out of Crown’s DCi Series amplifiers and use them effectively in a wide variety of real-world situations,” said Dan Saenz, Business Segment Manager, Crown Audio. “We designed the DCi Series as the new industry standard in installed-sound amplifiers and models are available with connectivity options and power ratings to suit any application.”

Once logged on, participants are asked a series of questions about the DCi Series amplifiers. Information to help in completing the exam can be found in the DCi training videos on the Crown YouTube channel (https://www.youtube.com/user/CrownInternational) and on www.crownaudio.com. Additional helpful information is available by working within HARMAN’s HiQnet Audio Architect software and watching its training videos, viewing the company’s System Technology Bulletins and by having a general understanding of professional audio and networking. The test is designed to provide guidance to those seeking training, and the questions themselves offer helpful resources.

Participants must receive a score of 90 percent or greater to earn certification. There is no limit to how many times the test may be taken. Once they pass, users receive a downloadable Certificate of Completion and a notification is sent to Crown.

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Bexel Expands Inventory with $13 Million Investment to Support 2014 FIFA World Cup(tm) and Beyond

Company Upgrades Key Products to Service US Rights Holders Host Coverage

BURBANK, Calif. - Bexel, a unit of the Vitec Group's Services Division and a leading worldwide provider of broadcast services and solutions, recently completed a major inventory upgrade to support the company's extensive installations for both the Spanish and English-speaking U.S. rights holders at the 2014 FIFA World Cup Brazil(tm). The $13 million investment increases Bexel's service offering of products in several key areas, including camera systems, switchers and routers, and servers.

The significant investment is strategically aligned to support Bexel's continuing expansion into the major global sporting event sector. "Bexel has had an incredibly busy year," commented Tom Dickinson, CTO of Bexel. "We came right off doing the winter games in Sochi, Russia, directly into World Cup preparation. This was the largest World Cup effort that Bexel has ever undertaken, as we provided complete turnkey facilities with on-site technical support to two major broadcasters. To support these live events that are international in scope, we invested millions to expand our systems and solutions so that we can service our clients with the technology they require to execute at this level."

Grass Valley and Sony Camera Systems-


Bexel has made a significant investment in the expansion of its camera inventory. Over 50 new camera systems were purchased to support Bexel's increased servicing of global sports arenas. Thirty Grass Valley LDX 80 Compact cameras and 20 Sony HDC-2400 cameras have been added to the Bexel roster. All 50 camera chains were used in Brazil.

In addition to the cameras, Bexel bought more than 50 supporting lenses, ranging from wide-angle lenses to Cannon XJ95x and Fujinon XA99x8.4 super-telephoto lenses. The company's inventory of camera support equipment has also grown, including new Vinten Vector 75 Pan and Tilt Heads and Sachtler tripods.

Evertz Routers and Grass Valley Switchers-

Bexel has undertaken a major upgrade of its routers and increased the quantity to include two new Evertz EQX routing systems from 288x853 up to a full size 394x970. In addition, Bexel has an Evertz EMR router at 288x864. These routers are central to the company's support of its large systems and bigger than what would be found on many mobile trucks.

"The World Cup, being such an expansive event, required host broadcast facilities to have very extensive routing capabilities to manage the signals coming in from all the venues simultaneously," said Dickinson. "This routing of the signals was one of the key requirements, due to the complexity of the event and the large amount of content being managed in a given time period. To support that, and to ensure that both networks had maximum production flexibility, we upgraded our router fleet with two additional, high-end EQX systems, both of which were deployed in Brazil."

Two new 5M/E Grass Valley Kayenne Video Production Centers were also acquired, for an inventory total of six production switchers. "We're continuing to invest in Kayenne switchers, as we build out our flypacks to support massive global events like Sochi and the World Cup," stated Dickinson. "We were able to do both US host facility installations with all Grass Valley Kayennes, which worked perfectly. We had four of our switchers in Brazil with a total of five control panels.

EVS XT3 Video Servers-

Bexel has also upgraded and expanded its entire fleet of EVS servers, as well as acquired a host of EVS support products. With the $5 million purchase of 25 new XT3 video servers, Bexel now has a deployable fleet of more than 50 XT3 units. The servers range from six-channel to eight-channel units, and include a new 10 gigabit Ethernet networking feature that allows users to move files over an IP network much more efficiently.

Both U.S. host providers used Bexel's EVS XT3 servers in Brazil. "The XT3s were crucial to the systems we set up in Brazil," noted Dickinson. "Both broadcasters' workflows were file-based and very EVS-centric. The EVS XT3s were key to how the large amount of content was managed from all the World Cup venues."

To service U.S. hosts' coverage over the course of the entire month-long tournament, Bexel transported approximately 26,000 pieces of equipment and 35 senior engineers and support staff to Brazil.

The Spanish-language rights holder for the U.S., broadcast extensive coverage from Rio de Janeiro in addition to the actual World Cup matches. The Bexel set-up served as the hub supporting their extensive pre- and post-game coverage and entertainment broadcasts of its morning show from Copacabana Beach, and the rooftop of the Atlantico Sul Hotel.

"We put together a total of five control rooms on site in Brazil, and everything worked seamlessly," concluded Dickinson. "The extensive investment we made for the World Cup has positioned Bexel to be able to handle any major sporting event anywhere in the world, with the highest quality of well-built systems. We are already looking forward to upcoming events, and we're confident that this investment will allow us to continue supporting our clients with both the strongest systems and the smartest solutions available."

Bexel will also utilize the new broadcast solutions and equipment on upcoming telecasts of the U.S. Open, NCAA Football, MLB, and the NFL, as well as other live events.

Yamaha YCATS Training Moves Toward Future In Networking

BUENA PARK, Calif.—Yamaha Commercial Audio Training Sessions (YCATS) is moving in a new direction with their console training programs. This year, YCATS has created two new console classes in order to eliminate the repetition between the CL, QL, M7CL and LS9 seminars as these consoles share many of the same software features. The new classes will initially be held at HB Live during the first week of August, HB Live is sponsoring a CL/QL Series Essentials Class in North Haven, CT and ATR/Treehouse is sponsoring the same class in Warwick, RI.

HB Live, a division of HB Communications will host new sessions Tuesday, August 5th between 8:30 – 5:00 pm at 60 Dodge Avenue, North Haven, CT. For more information, call 800-331-1804. Registration details below.

ATR/Treehouse sessions will be held Thursday, August 7th between 8:30 am – 5:00 pm at the Ocean State Theater, 1245 Jefferson Blvd, Warwick, RI. Complementary breakfast and lunch will be served. For more info, contact ATR/Treehouse at 401-751-3121. Registration details below.

“The new YCATS training direction will be much for efficient and streamlined for our customers,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “We are improving the YCATS programs for networking and acknowledge that our end user customers operate different Yamaha digital consoles from time to time with many common paradigms between the various models that enables us to improve the efficiency and effectiveness of our training programs.”

Console Operation – Level 1 is for those with little or no familiarity with Yamaha live sound consoles. Console Operation – Level 2, is more of an intermediate to advanced class designed for those familiar with the basic functions of Yamaha digital consoles. This new training format will allow YCATS more efficiency in terms of customer time. It will also reinforce that the software of Yamaha digital consoles is the same, and a user familiar with one should have no problem operating another. Right now, the largest demand is for training on CL, QL, M7CL and LS9; all sharing similar software.

In addition to the new Console Operation Levels, YCATS is adding “Digital Sound Reinforcement – Dante” and “CL/QL Series Essentials”. “DSR – Dante” is a one-day class covering design and use of Dante networks with Yamaha products as well as several third party products (i.e. Shure ULX-D and Aviom D800). “CL/QL Series Essentials” is a class for those who have been trained on the M7CL and LS9 and covers all new features with the CL and QL consoles and the set up of Dante networks.

For an end user looking for more in depth information on a particular console, YCATS has produced an online video series that can be used as a reference. New videos and webinars are on the docket for later this year.

Detailed descriptions of the new classes can be found online at:

Console Operation – Level 1: http://www.yamahacommercialaudiosystems.com/training_class_desc.php?courseID=33
Console Operation – Level 2: http://www.yamahacommercialaudiosystems.com/training_class_desc.php?courseID=34
Digital Sound Reinforcement – Dante: http://www.yamahacommercialaudiosystems.com/training_class_desc.php?courseID=35
CL/QL Series Essentials:
http://www.yamahacommercialaudiosystems.com/training_class_desc.php?courseID=32

Look for the new YCATS classes coming in Chicago, IL; Hayward, CA’ Long Island City/Queens, NY; and Nashville, TN. A full list of locations for this year can be found at: http://www.yamahacommercialaudiosystems.com/training.php?catID=11001.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Masque Sound Custom Audio Solutions Take the Stage at New York City’s Famed Public Theater

NEW YORK, JULY 21, 2014 – As the curtain rose on the 2014 summer season of The Public Theater’s free Shakespeare in the Park at the Delacorte Theater in Central Park, Masque Sound, a leading theatrical sound reinforcement, installation and design company, was once again on-hand to offer its support to one of New York City’s most beloved traditions, providing custom audio equipment packages for this year’s lineup, as well as for The Public’s array of other shows and events hosted throughout the year.

The Public Theater, the only theater in New York that produces Shakespeare, the classics, musicals, contemporary and experimental pieces in equal measure, boasts several expansive venues, including its landmark downtown home on Astor Place, which houses five theaters plus Joe’s Pub; the Delacorte Theater in Central Park, home to its beloved, free Shakespeare in the Park; and the Mobile Unit, which tours Shakespearean productions for underserved audiences throughout New York City’s five boroughs.

Recently named Audio Supervisor of the famed establishment, Corrine Livingston manages upwards of 20 plus shows and productions throughout The Public Theater’s different venues in a given year, including Shakespeare in the Park. In order to ensure that each show provides audiences with the clear, dynamic audio that they have come to expect, Livingston relies exclusively on Masque Sound’s custom audio equipment packages to meet The Public Theater’s vast sound requirements.

“With all of the logistics, managing and planning that goes into running all of these venues and associated shows, knowing that Masque Sound is providing all of our audio equipment is one less thing I have to worry about,” says Livingston. “I am always looking for ways to take our productions to the next level and build upon the wonderful work my predecessors have created. With Masque Sound’s extensive inventory and expert team, I am afforded the opportunity to do so.”

Shakespeare in the Park moved to its permanent home at the Delacorte Theater in 1962, and, since then, over five million New York natives and visitors alike have enjoyed free Shakespeare performances each summer season. The majestic, open-air theater has a seating capacity of 1,800, and each season, more than 100,000 people attend performances produced by The Public Theater. Since Shakespeare in the Park’s inception, more than 150 productions have been presented for free at the venue.

“Masque Sound has enjoyed a long and successful relationship with The Public Theater, especially the Delacorte and its summer productions of free Shakespeare in the Park,” says Stephanie Hansen, vice president and general manager, Masque Sound. “Having served as the Delacorte’s audio equipment provider since its first production, which took place more than 50 years ago, is quite an accomplishment and something we take great pride in. With the support of Corrine and everyone at The Public Theater, we look forward to continuing to provide our custom audio solutions to The Public Theater’s multitude of productions in the years to come.”

This summer’s free Shakespeare in the Park performances include Much Ado About Nothing, directed by Jack O’Brien, which ran from June 3 to July 6 and King Lear, directed by Daniel Sullivan, which is slated to open on July 22 and conclude on August 17. All performances begin at 8pm. For more information on The Public’s free Shakespeare in the Park, as well as the full line-up of events produced by The Public Theater, visit http://www.publictheater.org/.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Quantum IBC2014 Preview, Stand 7.B26, Sept. 12-16, Amsterdam

Quantum Products at IBC2014

Quantum StorNext(R) is the market-leading storage technology for media and entertainment workflows, enabling high-performance, real-time collaboration and keeping content readily accessible for reuse and remonetization. For more than a decade, the world’s top studios and broadcasters, along with thousands of cutting-edge content creators, have put their trust in Quantum for their most demanding media workflows.

All StorNext solutions are built on the power of StorNext 5, the new generation of Quantum’s award-winning storage platform. StorNext 5 solutions empower media professionals to rethink their workflows for higher performance and cost-effective efficiency. With StorNext 5, they can ingest more content from multiple camera sources, create more content, deliver it on time, and preserve owned content for future monetization.

StorNext(R) Pro Solutions High-Performance Workflow Storage
At IBC2014, Quantum will showcase its StorNext(R) Pro Solutions, which offer postproduction and broadcast professionals three complete high-performance workflow storage solutions.

StorNext(R) Pro 4K addresses the performance and scalability demands of true 4K production. With flash-based metadata performance using the StorNext M445 SSD metadata appliance and scalability provided by StorNext QX-1200 RAID Storage (144 TB raw capacity), this rock-solid storage solution enables efficient 4K workflows, including ingest, post, and delivery. StorNext Pro 4K empowers users to ramp up 4K production and meet aggressive deadlines while staying within budget.

StorNext(R) Pro Studio refreshes or extends existing Xsan deployments with 100 percent compatibility. A complete solution for storage deployment in the production studio, StorNext Pro Studio is ideal for postproduction facilities with aging Xserve(R) systems or with any other aging storage system that is incapable of expanding to meet the user’s growing demands. The solution combines the StorNext M441D metadata appliance with the StorNext QX-1200 RAID storage (48 TB raw capacity) in an integrated solution that is cost-effective and easy to deploy.

StorNext(R) Pro Production enables content owners to manage workflows ranging from production to the creation and maintenance of long-term content libraries. The solution combines the powerful StorNext M662XL metadata appliance, StorNext QX-1200 RAID storage (96 TB raw capacity), and a StorNext AEL500 41-slot LTO-6 library with 102.5 TB raw capacity for cost-effective archiving automated by StorNext Storage Manager. The solution facilitates control, monetization, and long-term management of content by uniting production, review, archive, and LTFS sharing functions in one system, thus offering incredible storage capacity and very high performance.

Photo Link: www.wallstcom.com/Quantum/Quantum-StorNextProStudio.jpg
Photo Caption: StorNext(R) Pro Solutions

StorNext(R) Connect Monitoring and Management
For the first time at IBC, Quantum will introduce StorNext(R) Connect, a new way to monitor and manage StorNext deployments. StorNext Connect dramatically simplifies the process of configuring systems and eases ongoing system management and health monitoring. Through StorNext Connect, customers can install StorNext software, upgrade StorNext clients and servers, restart clients, check status on automated tasks, and troubleshoot performance issues through real-time graphs.

Quantum StorNext(R) Demonstration at IBC2014

During the IBC2014 exhibition, Quantum will feature a demonstration of its StorNext(R) technology in cloud-enabled environments. By building on its leadership in moving media workflows to the cloud and by working closely with its extensive partner ecosystem of leading media management and production automation vendors, Quantum has developed StorNext cloud solutions. These solutions enable wide-scale collaboration on content stored in the cloud without disrupting users’ existing and familiar workflows.

Photo Link: www.wallstcom.com/Quantum/Quantum-SNintheCloudSlide.jpg
Photo Caption: Quantum StorNext(R) in the Cloud

Company Quote:

“IBC is always a great place to engage closely with current and prospective customers and to demonstrate how the latest StorNext developments can benefit their businesses and operations. This year we look forward to showcasing not only the power and robust functionality of our StorNext Pro Solutions, but also the convenience and control that come from StorNext Connect. Attendees also will have the chance to examine ‘StorNext in the Cloud.’ They will see how it allows people to collaborate on content in a secure, private cloud within a familiar, natural workflow.”
– Alex Grossman, Vice President, Media and Entertainment at Quantum

Company Overview:

Quantum is a leading expert in scale-out storage, archive, and data protection. The company’s StorNext 5 platform powers modern high-performance workflows, enabling fluid, real-time collaboration and keeping content readily accessible for future use and re-monetization. More than 100,000 customers have trusted Quantum to address their most demanding content workflow needs, including top studios, major broadcasters, and cutting-edge content creators. With Quantum, customers can Be Certain(TM) they have the end-to-end storage foundation they need to manage assets from ingest through finishing, and into delivery and long-term preservation.

Quantum, the Quantum logo, Be Certain, and StorNext are either registered trademarks or trademarks of Quantum Corporation and its affiliates in the United States and/or other countries. All other trademarks are the property of their respective owners.

Johnny D’s Serves Up A Superior Sound Experience with HARMAN’s Soundcraft Si Expression 3

SOMERVILLE, Massachusetts – For a 300-seat nightclub that is 45 years old and doubles as a restaurant in David Square, Somerville, Massachusetts, Johnny D’s required a renovation of its outdated sound system. While MJ Audio integrated the front end of the new system, which features HARMAN’s Crown amplifiers and BSS signal processors, Technical Manager Dana Westover has installed a Soundcraft Si Expression 3 to improve upon its existing analog consoles.

Given the popular area in which Johnny D’s is situated, its stage enjoys many touring bands and guest engineers in addition to local artists. Therefore, Westover needed a reliable console that is not only within the venue’s budget and able to accommodate the various performers, but also one that is user-friendly for the various engineers working at the club.

“We’ve been running analog mixers up until now, and have had a slow transition towards digital technology, because we get a lot of guest engineers who come from the analog world,” said Westover. “However, the Si Expression 3 is perfect as an upgrade, because it helps people transition to digital due to its logical layout and ease of use. For example, we had a guest engineer who has never worked on a Soundcraft board before, and within 15 minutes, he was ready for the show.”

The room housing the new equipment contains no parallel surfaces, thus leading to unique acoustics and an intimate layout of the venue. With a Soundcraft Si Expression 3 console, a sound engineer can ensure that guests enjoy the most distinctive sounding shows. In addition, FaderGlowTM illumination of the faders prevents any unwanted mistakes in dark club environments that might hamper the audio experience.

“I think the audio quality is very solid, especially considering the price of the console,” said Westover. “I’m very happy that we have a great sounding venue, and now we have a great sounding board that any traveling engineer can do well with. I especially like how FaderGlow allows me to identify everything clearly, but I can also adjust the intensity of the LED’s depending on the lighting of the venue.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Jünger Audio’s IBC 2014 Line Up Delivers Perfect Voice Recording

At IBC 2014 (10.A49), dynamics processing specialist Jünger Audio will show its D*AP4 VAP Voice Processor – a unique unit that is designed to make life easier for engineers working in radio stations, TV production voice-over studios and feature film ADR facilities.

What makes this processor so special is the inclusion of Jünger Audio’s proprietary Spectral Signature™ dynamic EQ – a totally new creative tool that offers automatic and dynamic EQ control to balance spectral differences in real-time. By analyzing incoming audio and comparing its spectrum with individually predetermined voice ‘fingerprints’, this clever unit can automatically apply dynamic EQ corrections to give a consistent sound.

For people working in TV voice over and feature film ADR, this facility is a Godsend because it allows them to deal with any changes in a performer’s voice. For example, if a performer has a sore throat on day three of a recording session and therefore sounds a bit different, this clever unit will look at the tonal characteristics of the actor’s voice on day one and automatically adjusts the frequency until both voices match. This ability to deliver consistent sound means that producers save money and time because they don’t have to cancel voice over or ADR sessions while they wait for an actor’s voice to return to normal.

Jünger Audio’s D*AP4 VAP Voice Processor is equally interesting to radio broadcasters who want to create an aural identity for their radio stations. By using similar spectral sound management principles, the unit measures the running program and uses the station master sound fingerprint as a reference. The Spectral Signature algorithm matches all different program elements to this reference signature, thus creating a dedicated ‘station sound’.

“The D*AP4 VAP draws on our extensive experience with previous Voice Processing devices such as our popular VO2, but adds new tools and algorithms to create an easier and more efficient approach to voice processing with no compromise in sound quality,” says Peter Pörs, CEO of Jünger Audio. “We have also included processing such as HP/LP filtering, versatile dynamics section, full parametric EQ and de-essing, and made the unit really easy to use – even for non-technical radio staff such as producers and journalists.”

Jünger Audio has also provided a dedicated voice leveler combined with an auto-mixer circuit to help mixed voice programs into loudness-based broadcasting on the fly. Using the optional SDI I/O card automated voice over for SDI embedded audio becomes an attractive feature of the D*AP4 VAP.

Connected as either an insert into a mixing desk or as a stand-alone unit, D*AP4 VAP offers interfaces that allow integration in existing environments via an AES insert. The unit can also be used with an optional analogue board that adds two high quality mic-preamps.

For more information about Jünger Audio’s D*AP4 VAP, please visit IBC stand 10.A49 or visit the company’s website at www.jungeraudio.com

-ends-

About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

HARMAN’s JBL VTX Line Arrays Go Into “X Mode” for the 2014 Miss USA Interviews

BATON ROUGE, Louisiana – As 51 contestants competed in one of the country’s most widely viewed beauty contests, Baton Rouge, Louisiana-based Premier Sound Services (PSS) provided the sound reinforcement for the Miss USA Pageant. The event is part of Miss Universe, which is owned by Donald Trump and was televised nationally live on NBC. As always, PSS stuck with its inventory of HARMAN’s JBL VTX line arrays to generate the best coverage and superior sound quality.

The main PA system consisted of 13 JBL VTX V25 line array loudspeakers per side in long-throw “X Mode” (35Hz high pass filter) and were powered with 24 Crown I-Tech 12000 HD and two Crown I-Tech 4×3500 HD amplifiers. The system also featured 45-degree outfill arrays, which featured nine VTX V20 loudspeakers in long-throw 60Hz mode that were powered by six Crown I-Tech 4×3500 HD amplifiers. On the floor, 16 bi-amped JBL SRX712M stage monitors were used with five Crown I-Tech 4×3500 HD amplifiers.

Two JBL VTX V20 loudspeakers were provided for the judges, with an additional two V20 loudspeakers per side for front fill, powered by two Crown I-Tech 4×3500 HD amplifiers. The downstage side-fill hangs featured six JBL VERTEC® VT4886 subcompact line array loudspeakers per side, powered by a single Crown I-Tech 4×3500 HD amplifier. The upstage side fill hangs also featured six VT4886 loudspeakers per side, powered with one Crown I-Tech 4×3500 HD amplifier.

“Keeping the loudspeakers hidden from the camera angles as much as possible was the main challenge of this event,” said Brian Gordon, Co-Owner and Head Audio Engineer of PSS. “Originally, we wanted to hang 14 units per side for the main PA, but thanks to the sheer power of the VTX Series we got the output we needed with fewer units, and we never hit the limit on any of the amplifiers.”

When asked why no subwoofers were used, Gordon replied, “We didn’t need any subwoofers for this show, because intelligibility and sound cohesiveness were the key objectives, and the VTX Series loudspeakers are superior in those areas over everything else. There was no interference and everything came out exactly as it should. I was especially impressed by the smoothness of the off-axis dispersion of the V20’s, which was just amazing.”

For more information on Premier Sound Services, please visit www.psssound.com

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

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