A virtual press conference from Sound & Video Contractor

Archive of the Product Applications Category

BenQ’s Ultra-Short Throw Projectors Bring Setup Simplicity and Interactive Tools to Classrooms

New MX852UST and Award-Winning MW853UST Combine Flexible Installation, Interactive Software, and Colorific(TM) Image Quality

COSTA MESA, Calif. — July 17, 2014 — BenQ America Corp., an internationally renowned provider of Classroom IQ solutions and the No. 1-selling DLP(R) projector brand in North America(1), today unleashed its newest interactive classroom tools: the MX852UST and MW853UST ultra-short throw projectors. Designed to bring Colorific(TM) image quality, easy installation, and PointWrite(TM) interaction to today’s students, teachers, and learning institutions, the devices deliver more than one billion bright colors, provide impressive cost savings, and enable more collaborative classroom experiences while reducing total cost of ownership (TCO). more

World Cup Concert in Rio Scores Big with DPA Microphones

Renowned classical musicians helped close FIFA games during finale performance with assistance from d:dicate™ Recording Mics

RIO DE JANEIRO, JULY 18, 2014 – When Spanish tenor and conductor Plácido Domingo took to the stage for the Concert in Rio, honoring the close of the 2014 FIFA World Cup, television audiences received a crystal clear sound thanks to DPA Microphones’ d:dicate™ Recording Microphones. Performing at the HSBC Arena Stage in Rio de Janeiro on Friday, July 11, Domingo was accompanied by Puerto Rican soprano Ana María Martínez, Chinese pianist Lang Lang and the Brazilian Symphony Orchestra.

With the entire world watching, Grammy® Award-winner Jesse Lewis, audio producer for the live international broadcast of the concert, knew he needed reliable microphones for the broadcast of the performance, which was aired live from the massive arena. He turned to DPA Microphones for its range of d:dicate mics, including the 4006 Omnidirectional, 4011 Cardioid and 4041 Large Diaphragm solutions.

“For a venue of that size, we had a tremendous need for an overhead microphone that was able to reach deep into the orchestra and pull out the really important details of the instruments,” says Lewis. “In this case, it was the DPA 4006 and 4041. The sound of the live broadcast depended greatly on the special sound those mics provide. Additionally, I have relied on the d:dicate 4011 for years as my preferred mic for acoustic piano recording. That’s why I selected a stereo pair on podium stands, accompanied by a pair of the d:vote™ 4099 Instrument Mics, for Lang Lang’s piano, and I’m happy I did, because the sound was very big and beautiful.”

Working alongside the concert’s live sound engineer Jerry Eade, who used his own collection of microphones, Lewis also faced the challenge of combating PA and monitor bleed with the live broadcast. “We needed a microphone that would keep the music and the atmosphere, but would reduce the negative effects from being on the wrong side of the PA system,” he explains. “Being omnidirectional, the DPA 4041 has unique characteristics, both on and off axis, that helped us do exactly what we wanted – more music and less PA bleed. It really couldn’t have been a more perfect setup. Despite using a PA system, we were able to achieve the exact sound we strive for in a pure acoustic situation.”

According to Lewis, the concert’s producer Bernhard Fleischer was ecstatic with the sound that they achieved. “The DPA mics hanging over the orchestra were the most crucial ingredient for this production,” adds Lewis. “They ensured that we conveyed the music in a powerful way to the broadcast audiences around the world.”

Performing for his sixth World Cup concert, Domingo presented a program of arias, Spanish zarzuelas and Broadway hits in addition to traditional Brazilian songs and sambas. Led by American-born pianist and conductor Eugene Kohn for the Concert in Rio, the Brazilian Symphony Orchestra was founded in 1940 and was the first touring orchestra from Brazil. The Latin Grammy Winner for Best Classical Album in 2001, Martínez regularly performs alongside Domingo as well as singer Andrea Bocelli while Lang Lang, who is considered one of the most sensational artists in classical music, was a child prodigy who began playing the piano at the age of three.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

Artspace Studio Buys a Prism Sound Titan Audio Interface

Artspace Studio, one of London’s premier boutique recording, has recently invested in a Prism Sound Titan USB multi-track audio interface for its Brixton-based facility.

“Titan was recommended to me by quite a few people, including mastering engineer Mandy Parnell at Black Saloon Studios and Kirk DeGiorgio (aka As One),” explains mixing and mastering engineer/producer, Tom Gillieron. “We thought we’d test one out, and we were amazed! I do a lot of mixdown work for people and they send me tracks that they’ve mixed down ‘in the box’ in Pro Tools, Ableton or Logic. When I compare the mixes I have done through the Titan and then summed on the SSL Matrix, the clarity in the high end is amazing and the stereo image is far clearer and more impressive.”

Studio owner Olsi Rama agrees that the Prism Sound Titan has been the best purchase Artspace has made this year.

“We have used the pre amps a lot because they are great, and we have also used it to clock from our Digidesign 192s,” Rama says. “We have an 8-track 3M tape machine at the studio and sometimes we like to record drums onto that. With the Titan’s fantastic conversion we can get back into the computer really easily without losing the warm analogue sound.”

Artspace is developing a strong reputation as the place to record in London. Artists who have recently worked in the facility include Jamie T, Marmozets, The Severed Limb and Martyn Ware (Human League). It is a mixed digital and analogue recording facility that offers three rooms, including a large live room, the Octagon, billed as a distinctive space ideal for laying down drums and group recordings.

Rama adds that another feature both he and Gillieron like is Titan’s versatile USB connection.

“This is great because it allows visiting engineers to just plug in their laptop with their preferred software and make an immediate connection to our vintage outboard processors without losing any of the detail,” he says.

Gillieron adds: “I have mixed down some tracks that I started elsewhere, on different speakers and on headphones and so on. The Prism Sound unit gave all the projects a bit of a boost – to my ears – which was exciting but also made me listen to them more carefully and mistakes became more obvious.”

For the future Gillieron is looking forward to using the Titan on multitrack field recordings of live musicians, but he’s already impressed with what it has revealed through his current and long-standing audio set-up.

“I have mastered a few tracks using the Titan and I find it’s easier for me to pinpoint unnecessary resonance than it was with what we were using before,” he says. “And I’ve been using the same speakers and amp for about 18 years.”

Gillieron has recently remixed PHORIA and his re-mix can be heard at this link: https://soundcloud.com/phoriamusic/emanate-tom-gillieron-remix

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Clay Paky Rocks Third Eye Blind Festival Tour

American alternative rock band Third Eye Blind (3eb) is taking its Festival Tour to venues across America, and Clay Paky’s A.leda B-EYE K20 LED-based moving lights are hitting the road with them.

3eb’s production and lighting designer Mitchell Schellenger, of I Like Lights in Denver, created a look for the band that echoes the sunset set times of some of their gigs. “The band doesn’t always have a headline slot, and when that happens they don’t have the luxury of performing in complete darkness,” Schellenger explains. “So we decided to mimic the look of sunset with warm pretty light on stage. To do that we needed really bright fixtures.”

Enter Clay Paky B-EYEs, which Schellenger had read about and seen in video clips. “I wanted to get my hands on them – they looked really awesome,” he recalls. 4Wall Entertainment Lighting’s Nashville office supplied five fixtures, and Schellenger proceeded to design a rig that would be “universally speedy” getting on stage and off, a critical factor when the band wasn’t headlining.

His solution was to build carts comprised of Chauvet Nexus 4×4 LED panels with four B-EYEs arched above them. The fifth was positioned on a center line upstage to pop behind the lead singer.

“The B-EYEs have a nice big head so their look is perfect for our sunset theme,” Schellenger says. “The show color scheme starts more bright CTO Amber and works its way toward a deeper orange. The B-EYEs’ awesome effects give the show the ability to progress visually through that minimal color scheme.”

On the Festival Tour he’s doing quite a lot of bit mapping across the Nexus panels, the B-EYEs and a complement of other lights. He also deploys a number of macros, which enable 3eb to get on and off the stage quickly. “A start show macro makes us immediately ready for quick focuses,” Schellenger explains. “We have song macros, too, and an end show macro for a speedy finish.”

The lighting designer says that he and his assistant and crew chief, Cort Lawrence, have been pleased with the “stunning results” produced by the B-EYEs. “We’ve had a ton of feedback from the promoters, the band and fans on social media. Everybody has responded really well to them!”

Francesco Romagnoli, Clay Paky Area Manager for North and Latin America, commented, “The Third Eye Blind tour is using out B-EYEs jus the way we intended them to be used and they look great on the stage. We’re thrilled to be a part of it.”

A.C.T Lighting is the exclusive North American distributor for Clay Paky.

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Riedel Real-Time Media Network and Intercom System Support Broadcast and Comms for European Elections

DB Video, Host Broadcaster of the 2014 European Parliament Elections in Brussels, Relies on Riedel MediorNet, Artist, and RockNet Systems for Stable, Flexible Signal Transport

WUPPERTAL, Germany — July 15, 2014 – Riedel Communications, provider of pioneering real-time video, audio, data, and communications networks, today announced that the European Parliament employed a large-scale MediorNet real-time media network and Artist digital matrix intercom system to meet the signal transport requirements of the 2014 European Parliament elections in Brussels. During the weeks surrounding the May 25 elections, the fiber-based Riedel installation provided a flexible and redundant network for HD video, audio, and broadcast-quality intercom signal management, routing, and processing.

“For this ‘mother of all elections,’ we needed a dependable and very versatile network to support all broadcast and communications requirements,” said Michel Melotte, technical video coordinator for DB Video, which provided the complete Riedel system for the elections as well as all broadcast sets and audiovisual facilities. “We have used Riedel equipment on big events like Tomorrowland TV and were familiar with its power and flexibility, and we knew that we could deploy it to create a decentralized matrix with signals available throughout the whole network. Thus, despite the fluid, fast-paced nature of elections coverage, we ultimately were able to accept any signal, process it as needed, and deliver a quality output to any point on the network.”

The large-scale system installed within the parliament buildings by DB Video for the elections included 40 MediorNet frames connected over redundant fiber, two Artist 64 systems, the Riedel RockNet digital audio network, and a number of Riedel panels already in use on site. These systems were connected in a ring topology over a fiber network put in place by DB Video in co-operation with Amubel, which then connected to the in-house fiber network.

The Riedel network enabled DB Video to interconnect seven different broadcast sets with up to 10 cameras each, which were used for press conferences, interviews, and live commentary on the results. An additional 40 SNG and over 60 live stand-up positions were set up throughout, and adjacent to, the parliament buildings to complement these sets. Because DB Video had created a plan to address both routing and processing, including up/downconversion, embedding/de-embedding of audio, and synchronization, Riedel was able to preprogram and test the whole system in advance. The installation was nearly plug and play, allowing DB Video to install the network much faster than expected and to focus on final adjustments to the network configuration.

During the elections, the Riedel systems proved to be very stable, maintaining high quality outputs even when pushed to 95 percent of available bandwidth. Technical support from Riedel was on-site throughout the event to ensure that any issues could be resolved quickly. Given the success of the Riedel gear in this application, the European Parliament is evaluating the system for a fixed installation in its Strasbourg, France, parliament buildings.

“Riedel equipment excels in the most challenging of environments, including live coverage and communications support during high-profile elections,” said Thomas Riedel, CEO of Riedel Communications. “The Riedel Benelux team worked closely with DB Video and our counterparts within the European Parliament to make sure that the installed fiber network could support a high volume of signals while maintaining high video and audio quality, as well as flexibility in managing a continually changing array of sources and outputs.”

Further information about Riedel and the company’s products is available at www.riedel.net.

# # #

About DB Video
At DB Video, we specialize in reportage and multicamera solutions for events and broadcast and develop comprehensive audiovisual packages for large, complex events as well as small, personalized projects. We have over 20 years of experience and offer all the necessary expertise and technical knowledge, as well as the most up-to-date equipment. Our offices are located in Belgium, the Netherlands, and Luxembourg. Further information about our wide range of production and post-production services is available at www.dbvideo.tv.

About Riedel Communications
Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 400 people at 11 locations in Europe, Asia, Australia, and the Americas.

Photo Links:
www.wallstcom.com/Riedel/Riedel-DBVideo-CentralRacks.jpg
www.wallstcom.com/Riedel/Riedel-DBVideo-CentralRoom.jpg
www.wallstcom.com/Riedel/Riedel-DBVideo-MediorNetNodes.jpg
Photo Credit: Dominique Thys

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Broadcast Pix Part of New Video Call Center Solution for New Genre of Production Workflow

Billerica, Massachusetts – Broadcast Pix™ announced today that its integrated production switchers are being used with the new Video Call Center (VCC) automated production solution to bring the caller-based talk radio show format to television. By utilizing Broadcast Pix’s application programming interface (API) and file-based macros, the VCC system essentially creates a video-driven version of talk radio using Web-based video sources.

Inventor Tom Wolzien company received a patent for VCC on July 1. A 45-year television veteran, Wolzien serves as a consultant for large media organizations through his company, Wolzien LCC, and is the lead independent director for TiVo, Inc. Since last year, Wolzien and his team have been testing the VCC system by producing TalkCenterAmerica®, a series of call-in shows covering a variety of topics.

“VCC is right at the intersection of social and mass media, TV and the Web,” said Wolzien. “What’s unique is that the system doesn’t just handle a single IP video call, but it’s designed to handle multiple video calls simultaneously, each with the power of its own computer – essential for any live caller-based TV program.”

With VCC, the on-camera host produces the call-in show without a traditional control room. Broadcast Pix API and Fluent™ Macros allow the VCC software to provide the host with a great deal of production flexibility, such as triggering sequences of individual key/shot combinations that can be modified based on available callers. As a result, with no content costs for callers and minimal staffing requirements, VCC is a cost effective approach to producing live programming.

Using Skype and similar technologies on various devices, multiple Web video callers can connect to the show. Viewers can see the callers and whatever the callers want to show. Proprietary CAT™ Caller Acquisition Software assists screeners with incoming calls, audio metering, video cropping and conversion, and return video. Plus, a patented Text Overlay superimposes caller names and locations over the caller’s picture at the screener’s position and remains on-screen when the caller is added to the live production.

“The innovative technical team at Broadcast Pix has been supportive every step of the way as we implemented the Video Call Center,” said Wolzien. “As an inventor, I have appreciated their readiness to help us solve the challenges of integrating the complex aspects of television automation in a way that appears simple to the host who solely controls the air. And on the technical side, I have appreciated their rapid and creative support when we have run into problems.”

“Video Call Center utilizes today’s Web-based video technologies to adapt the caller-based talk radio format for TV,” said Steve Ellis, CEO of Broadcast Pix. “It’s truly an innovative way to produce high quality programming with minimal staff, and Broadcast Pix is proud to be part of the process.”

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

Broadcast Pix and Fluent are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

SYMETRIX RADIUS 12X8 DANTE™ NETWORK DSP IS THE BACKBONE FOR CHICKIE’S AND PETE’S CRAB HOUSE AND SPORTS BAR

ATLANTIC CITY, NEW JERSEY – JULY 2014: What started as a late-night effort between two brothers in 1987 to perfect their mother’s secret recipe turned into Crabfries® and launched their fledgling restaurant, Chickie’s and Pete’s Crab House and Sports Bar, to critical and commercial success. ESPN recently proclaimed the establishment to be the “Number One Sports Bar in North America” and Maxim Magazine deemed it the “Greatest American Neighborhood Bar.” Now a well-established Philadelphia favorite, Chickie’s and Pete’s is expanding its reach and recently opened its 26th location in Atlantic City’s Tropicana Resort & Casino. As with all of the other Chickie’s and Pete’s locations designed and installed by Cherry Hill, New Jersey-based Pro Systems, the new one uses Symetrix processing. This time it’s two SymNet Radius 12×8 Dante network audio DSPs paired with two SymNet xIn 12 and two xOut 12 audio I/O expanders for a total I/O count of 48 by 40.

Pro Systems’ Rich Stout and Jim McCann designed, programmed, and installed the new system. “For the Atlantic City location, the client wanted an upscale sports bar feel consistent with their ‘Best Sports Bar’ award from ESPN,” said Stout. “Every Chickie’s and Pete’s location that we have installed has incorporated Symetrix processing, and they’ve always been pleased with the sound quality and ease of use. At Atlantic City, we went with an HDMI 1080p solution with lots of individual audio zones. To accommodate all the inputs and zones, we chose two Radius 12×8 processors paired with two each xIn 12 and xOut 12 breakout boxes. The Radius’ integrated Dante network capacity made it easy, reliable, and inexpensive to route audio from box to box.

In addition to the Symetrix backbone, the system consists of Crown amplifiers feeding JBL Control and AE Series loudspeakers across 39 zones. Two Crestron HDMI DM switchers support 38 by 64 channels of video/audio, and several Crestron V15 touch panels enable end user control of audio, video, and lighting from a variety of strategic locations.

Rich Stout commented, “The client has no idea about the underlying complexity of a system like this nor should they have to. The trick is to make it simple enough that anyone walking up to the Crestron panel can run the entire system. With Symetrix and other premium hardware vendors we achieved that goal at Atlantic City, and it is now one of Chickie’s and Pete’s favorite locations.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

Rui Da Silva invests in a Prism Sound Lyra 2 Audio Interface

Rui Da Silva, writer of international number one single Touch Me amongst many other diverse projects, describes himself as a Producer, Engineer, Beatmaker, Remixer, Writer, DJ and Programmer. He can now add Lyra 2 owner to the list as well, having recently bought one of the audio interface units from Prism Sound.

“I first heard about Prism Sound’s Lyra 2 through a magazine article,” he says. “I’ve been a longtime user of the company’s Orpheus audio interface and have also used the Dream AD-2 converter in the past. The Lyra 2 integrates perfectly in my new setup. Studio space is at a premium and while I still use the Orpheus in my studio in Windsor, Lyra 2 is the right fit for my central London studio and for travelling work. It has sufficient inputs and outputs to be able to run most of my sessions and has a small enough footprint for me to just put it in my backpack.”

For Da Silva, this makes Lyra 2 a ubiquitous tool in his kitbag. He not only used the unit to write, record and mix all of the debut album from Lisbon Kid, but also to record Chloe Howl and much of his latest solo productions and remixes.

“In fact, you can hear it on every single release I have put out in this past year,” he says.

The Lyra family of audio interfaces is proving to be an extremely popular one for Prism Sound. Built from a design brief that demanded Prism Sound quality at an even more accessible price point, Lyra has the same no-compromise analogue front and back ends as its bigger brother Orpheus, with the same fully-balanced-throughout architecture and the same isolation barriers protecting the analogue from digital and computer interference. And it achieves all this in a 2.1kg, 2/3 width, 1U 19in rack mountable unit.

“It has also allowed me to not have a mixer in the studio as I use the Lyra Control Panel instead,” comments Da Silva. “And it allows me to give a separate headphone feed to the singers when we are doing vocals. The latency — even if it is not an absolute zero — is very workable for almost every scenario.”

Da Silva adds that Prism Sound support has been brilliant and staff are ‘a pleasure to deal with’. But it’s the Lyra 2′s portability along with that ‘Prism Sound’ that is the real advantage for him.

“I have to make a long trip to Portugal this year to record some new material for Lisbon Kid and, of course, the Lyra 2 will be in the bag with me,” he says.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Visual Unity Confirms its Worldwide Ambitions at IBC 2014

Leading OTT solutions provider Visual Unity will use the IBC 2014 platform (14.F34) to unveil the latest versions of its Award-winning vuMedia™ multiscreen platform and vuEasy™ Online Video Platform.

One of the most important changes will be the introduction of a raft of new languages to vuEasy™’s administrator user interface, including Chinese, Arabic, Spanish and Russian. This significant upgrade broadens vuEasy™’s international appeal and reinforces Visual Unity’s plans to expand sales into new geographic territories.

“Having recently secured an investment of 7.2 million US$ (5.2 million Euros) from 3TS Capital Partners, we are now able to support the growth of an international customer base for both vuMedia™ and vuEasy™,” says Visual Unity’s CEO Tomas Petru. “Our goal is to be the leading provider of OTT and multiscreen solutions and 3TS’s investment is already helping us to achieve this ambition by enabling us focus on product development and reach previously untapped markets.”

Introduced in 2011 and the winner of the 2012 ConnectedWorld.TV Award for the Best Use of Online Video by a Non-Broadcaster, Visual Unity’s flagship vuMedia™ is an end-to-end OTT platform that allows broadcasters and content owners to control how their brand and assets are managed, delivered and monetized in the multiscreen environment. Highly scalable and flexible, vuMedia™ delivers a cutting-edge live viewing experience on the web or any mobile or connected device. vuMedia™ also enables comprehensive Video on Demand services, social network integration and secures the distribution of content – all of which can be deployed into existing workflows and business processes.

In recent months, Visual Unity has upgraded vuMedia™ so that it now features an improved modular architecture and enhanced API integration for faster OTT integration into existing infrastructures. There is also support for Live Time-Shifting so that subscribers can rewind while watching live broadcasts. This user experience is enhanced with the inclusion of a Timeline Thumbnail Preview (vuMedia™ TTP), which makes it faster and easier for consumers to navigate within streamed content.

vuMedia™ is now fully integrated with Visual Unity’s vuEasy™Cloud-based service that allows Enterprise and Media companies to manage and monetize their audio, video and image libraries. vuEasy™ supports live streaming of up to 4K video and allows graphics and other audio and visual material to be associated with video or audio files, for brand promotion or to generate advertising revenue. Quick and easy to use, vuEasy™ alleviates the need for businesses to build an expensive, in-house and resource-intensive media library, by allowing them to publish their content online.

At IBC 2014, Visual Unity will show a new, white label version of vuEasy™ that gives partners the opportunity to sell the product under their own brand by changing the colours and logos on the user interface. Also new is Multi-level account administration, which allows Visual Unity customers to collaborate on OTT projects, share resources or limit access to specific parts of vuEasy™ to dedicated groups. It also allows vuEasy™ to support different re-seller and seller models and relationships.

Alongside support of live streams that can easily be added into an OTT trough, vuEasy™ also allows customers to record their own live events, include them in their content management systems and automatically published them on VoD portals.

Since first launching its vuMedia platform, Visual Unity has supported video delivery to iOS and Android devices. At IBC 2014, the comany will show a new, native application for iOS devices that enables delivery of VoDs that are DRM protected. This upgrade, which supports Widevine DRM in iOS applications, will give end users and even better experience.

-ends-

About Visual Unity

Visual Unity is a global provider of video and digital media solutions, enabling our clients to deliver premium quality video content. Our clients can measure, analyze and optimize their libraries over time and achieve optimal business success. Our platform capabilities inspire our clients to deploy their assets across multiple devices, screens, and media formats. Visual Unity helps clients manage, deliver and monetize their digital content.

Visual Unity is a Multiscreen Solution Provider, bridging the gap between linear broadcast, IT and IPTV to help clients reach and engage audiences on any screen. Since 1991, the team has been designing and delivering turnkey broadcast and complex multiscreen solutions worldwide – from HD outside Broadcast (OB) vehicles and major playout facilities to live internet streaming and Video on Demand services. Visual Unity’s award-winning vuMediaTM platform helps broadcasters and content owners control how their brand and assets are managed and monetized in the multiscreen environment. vuMediaTM is a highly scalable and a modular architecture, delivering a cutting-edge live viewing experience on the web or any mobile or connected device – all of which can be deployed into existing workflows and business processes.

Visual Unity is based in Prague, London, Cologne, Moscow, Bratislava, Belgrade, Nairobi and Dubai. For further information, please visit www.visualunity.com

Catalyst AV Distribution Network Inks Nationwide Deal to Sell APC by Schneider Electric Power Products

Each of the 11 Catalyst AV network distributors is now selling APC by Schneider Electric’s full suite of surge protectors, power conditioners and battery backup solutions

Burlington, MA – July 15, 2014 – Catalyst AV, a distribution network that serves over 15,000 integrators in the US, announced that its 11-member companies totaling 15-regional locations have entered into an agreement to distribute APC by Schneider Electric’s full suite of surge protectors, power conditioners and battery backup solutions.

”With multiple power and protection solutions for home A/V, commercial and industrial businesses, APC by Schneider Electric has been a perfect fit for us,” says Jason Potter, General Manager of Easy Access Distribution, the New England chapter of the Catalyst AV network. “APC by Schneider Electric has always been the leader in networked power conditioners and battery backups that can be managed remotely from offsite locations; this capability will help reduce the amount of costly service calls. Their new product introductions are exciting and profitable for our customers.”

“As the convergence of AV and IT equipment continues, the home network becomes a critical element in assuring the availability, reliability and success of AV/IT installations,” comments Shannon Sbar, ‎Vice President of Channels, North America, APC by Schneider Electric. “By working with Catalyst AV, APC by Schneider Electric is able to introduce our home and business networking protection solutions to a vast and established network of 15,000 custom integration specialists. Together we are able to further our commitment to providing customers with the end to end solutions they need.”

Catalyst AV is comprised of 11 privately-owned distribution companies:
-Allnet Distributing (www.allnetdistributing.com) (Midwest)
-Audio Video Warehouse (www.av-warehouse.com) (Nevada, Arizona)
-Custom Partners (www.custompartners.com) (Metro-NY)
-CustomPlus Distributing (www.customplusdistributing.com) (No. CA/ Pacific NW/ AK)
-Easy Access Distribution (www.easyaccessdistribution.com) (Northeast)
-Electronic Lane Distributors (www.electroniclane.com) (Southwest)
-Electronics Source (www.electronics-source.com) (Florida and Southeast)
-HCA Distributing (www.hcadist.com) (Rocky Mountains)
-Pioneer Music Company (www.pmcav.co) (Plains States)
-SPD (www.soundproductdistributing.com) (Upstate NY)
-Tech Source Distributors (www.techsourcedist.com) (Mid-Atlantic)

About Catalyst AV
Founded in 2012, Catalyst AV is a network of 11-independent consumer electronics distributors serving the residential and professional AV channels in the U.S. Catalyst AV grants manufacturers a consistent and cohesive nationwide distribution model to more than 15,000 professional integration specialists. Catalyst AV benefits integrators by delivering all the products and support necessary to execute the demands of job specifications with confidence. The Catalyst AV Board of Directors consists of Mike Hench (Electronics Source); Steve Presti (Easy Access Distribution) and Wally Whinna (Allnet Distributing). www.catalystav.com

About Schneider Electric
As a global specialist in energy management with operations in more than 100 countries, Schneider Electric offers integrated solutions across multiple market segments, including leadership positions in Utilities & Infrastructure, Industries & Machines Manufacturers, Non-residential Buildings, Data Centers & Networks and in Residential. Focused on making energy safe, reliable, efficient, productive and green, the company’s 150,000 plus employees achieved sales of 31 billion US dollars in 2013, through an active commitment to help individuals and organizations make the most of their energy. www.schneider-electric.com/us

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