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Archive of the Product Applications Category

DPA Microphones Helps Steve Browell Capture Unique Car Sounds

Recording audio for film and TV within the confines of a car is hard enough, but actually capturing the sheer range of sounds that comprise car noise is an entirely different level of challenge. This, however, is something of a specialty for freelance sound effects editor Steve Browell who uses a range of DPA microphones and a variety of techniques to achieve spectacular results.

Browell, whose recent projects have included recording sound effects for Scarlett Johansson’s latest film Under the Skin, directed by Jonathan Glazer, says: “What I love about the job is that it’s so varied. From enhancing the physical sounds on screen to bringing inanimate objects to life; from designing effects to add to the emotion of the story to recording original sounds for each film, there is always a new challenge.”

Browell’s work involves many different locations, from race-tracks to mansion houses, from anechoic chambers to scrap yards. With him go a matched pair of DPA’s d:dicate™ 4011C Compact Cardioid Recording Microphones and a selected pair of d:screet™ 4061 Omnidirectional Miniature Microphones, which were supplied by DPA’s UK distributor Sound Network. Browell also owns a pair of d:dicate 4021 Compact Cardioid Recording Microphones in an DPA X/Y setup that have been customised to fit into a Rycote windshield.

“I have always liked the sound DPA microphones capture,” he says. “When I started my career I was involved in a lot of music recording and I can remember the first time I used a pair of DPA d:dicate 4011s when they were still Brüel and Kjaer. I loved the amazingly detailed and natural sound they were able to capture; it was like hearing the sound from the live source again. From then on I have always wanted to own my own pair.”

Browell first started experimenting with car recordings when he was asked to capture car sounds for a film he was working on. “Cars are fascinating machines that create a symphony of sound,” he says. “Also I liked the physical challenge of where and how to place microphones on a moving vehicle and still get a decent sounding recording with as little vibration and wind buffeting as possible.”


He explains that much of the action in Under the Skin takes place in the interior of a Mercedes Sprinter van. “To get a really authentic sound and the right coverage I spent a day recording the van with a multi-mic setup covering different aspects of the interior, the engine and the exhaust.”

Browell has been able to hone his techniques, not to mention widen the library of different cars he has captured, with work on the Need for Speed computer game franchise. As he says, though, it’s a delicate balance between the shielding stopping wind noise and it starting to colour the source sound.

“I also had to find materials that would withstand the high temperatures and a few Rycote windshields got burnt in the process,” he explains. “The McLaren MP4 12c was particularly bad for this; on overrun you can get a flame of three foot out of the exhaust. It can also be a problem fixing the microphones onto the cars and not damaging the paint and bodywork, which is important when some of them are valued at over $1m. Each car’s shape is so different and I need to be extremely flexible with my methods to get the microphones into a sweet spot: out of the direct airflow around the car but also avoiding some of the high temperatures and trying to dampen some of the vibration.”

For the future he says he would definitely like to own more DPA microphones, but adds that remembering petrol helps, too…

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Amptec and DPA Host Microphone Workshop With Balthazar

Belgium rock band Balthazar recently threw open the doors to one of their sound checks so that 45 audio engineers and musicians in Brussels could see how DPA microphones are used during the band’s live shows.

This unique workshop, organised by DPA’s Belgium distributor Amptec, was supported by Balthazar’s Front of House engineer Filip Tanghe who took part in a question and answer session with the invited audience, during which he discussed microphone and mixing techniques.

Dany Meeuwissen, Pro Audio Sales Manager at Amptec, says: “The workshop took place at the Ancienne Belgique concert hall where the band were playing a gig later that evening. After a general introduction to DPA’s microphone technology, the audience was able to listen to the band soundchecking and hear solo examples of the various DPA microphones that they use on stage. These include four d:facto™ Vocal Microphones, two d:dicate™ 4011C Compact Recording Microphones, which are used for overheads, and three d:vote™ 4099 Instrument Microphones, which are used on the snare and floor tom drums.”

Originally from Ghent and Kortrijk, Balthazar is a five-piece rock band that has been receiving fantastic reviews across Europe as the support act for Editors. The band is now touring in its own right and has made DPA microphones an integral part of its tour equipment.

“When it comes to vocal microphones, DPA’s d:facto is my first choice because it has such great resistance to feedback without sacrificing any detail,” says Filip Tanghe. “The sound it produces is very full and rounded, with no harshness at all. I find it incredibly musical.”

Tanghe engineers approximately 130 live gigs a year for Balthazar and now uses DPA microphones all the time. When Balthazar are not touring he works with Belgian singer songwriter Hannelore Bedert, who tours with an 11-piece band consisting of horns, strings, drums, guitars, keyboards and backing vocalists.

“I use DPA microphones for Hannelore’s live gigs as well and they certainly make those set-ups a lot easier,” Tanghe says.

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Opera Universitaria Goes High-Class with IC Live

Trento, Italy – April, 2014… The Opera Universitaria di Trento recently completed construction of its new student union, a modern building that is home to housing and financial offices, as well as fitness facilities including one of the country’s largest climbing walls. It also houses a new, 240-seat performing arts theater, equipped with an extensive audio, video and lighting installation by Trento-based AV installers A&T Multimedia Srl.

The multipurpose space required a sound system versatile enough to deliver the power and full-range performance needed for live events, while also providing highly intelligible sound for conferences and training sessions. A&T Multimedia’s chosen solution —Iconyx IC Live digitally steerable line arrays from Renkus-Heinz.

The system, provided by Adeo Group, SpA, comprises four ICL-FR arrays, with four ICL215S-FR subwoofers for LF reinforcement. The ICL-FR arrays are directly mounted on the backstage handrails using a specially designed bracket created by A&T Multimedia’s Giorgio Sartorelli, which supports the loudspeaker by its own weight without bolts or screws and enables the speakers to tilt and rotate as required.

The IC Live’s digitally controlled beam steering enables the sound to be focused directly on the audience areas, while aimed away from the walls and other reflective surfaces. RHAON, the Renkus-Heinz Audio Operations Network, provides a full set of remote control and supervision functions, along with the ability to store up to ten preset configurations in memory.

“This is a top-class installation, and the theater has been designed to host everything from lectures to high-level concerts,” says A&T Multimedia’s Alessandro Baron. “We needed a system that could deliver exceptional sound levels and performance for live events, as well as superior intelligibility for spoken word lectures, but was also visually low-profile enough to not interfere with the theater’s design. The only real solution was the IC Live.”

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems”.

Euroshow Deploys HARMAN’s Martin Professional To Bring A Fairy Tale To Life At Moscow’s Olympisky Arena

AARHUS, Denmark — In conjunction with the beginning of Russia’s longest school holiday, Moscow’s famous Olympisky Arena hosted a 2-week children’s project, Circus of Ded Moroz – 2 (Father Frost’s Circus), at the end of December 2013. In order to showcase a stunning, mystical fairy tale light show, Euroshow and lighting designer Alexey Zhuravlev deployed a world-class lighting system featuring HARMAN’s Martin fixtures.

Euroshow supplied lighting fixtures for the event surrounding a large Christmas tree which included: 36 MAC Viper Profile, 20 MAC 2000 Wash XB, 12 MAC III Air FX, 48 MAC Aura, 96 MAC 101, five Atomic 3000 DMX, 30 RUSH MH3 Beam and three Jem Ready 365 Hazer fixtures.

The New Year’s project for children at Olympisky has gained a traditional status already, but for Zhuravlev, it was his debut. Producers of the event knew about Zhuravlev due to his successful work with numerous clubs and concerts, so they invited him to implement the basic idea of creating a dynamic event that children would love and remember.

The main story of the Circus of Ded Moroz – 2 was influenced by an enormous event – the 2014 Winter Olympics in Sochi. Fairy tale characters from different stories and different countries met each other on the arena space to compete for the highest sports prizes. This story needed a bright and colorful setting, something totally different from traditional theatrical drama.

Zhuravlev analyzed the individual elements of the script together with the director of the show, highlighting the key moments and offering an individual decoration for each. “I had a few ideas for this show,” explained Zhuravlev. “For example, I put the MAC 101’s around the arena at the bottom and made a ‘mirrored’ installation at the top, so that each fixture was above another fixture. This scheme allowed us to create a lot of different, interesting lighting pictures for numerous events.”

Because some events in the program featured aerialists in the space below the roof, it was necessary to change the lighting concept and make accents on the flights in midair. Zhuravlev chose the powerful MAC III AirFX fixtures based on a 1500W lamp and the new Jem Ready 365 fog generators in order to work with the challenges.

“It is my first work experience with MAC III AirFX”, Zhuravlev explained. “I had seen these fixtures before and I have known what I could get from them. Of course, I was attracted by their functionality to create midair and beam effects. MAC III AirFX is a perfect fixture to make magnificent decor for aerialists’ routines. Besides, these fixtures are very bright, so in other words, they were the perfect solution for this project.”

For the circus arena area, Zhuravlev deployed the MAC 2000 Wash XB, MAC Aura and MAC 101, along with the MAC Viper Profile with the gobo #1, which served as the main lighting tool.

“In the stage design we rarely use this gobo, but in this project it was very useful for me,” Zhuravlev said. “The action takes place in a circular arena, and it is very difficult to make smooth wash effects and stay within the borders, and I had to think about how not to confuse the audience. With gobo #1 of MAC Viper Profile, I could wash the necessary parts of the arena without compromising the main texture aspect.”

The MAC Viper also played a familiar role for Zhuravlev, creating bright and powerful projections that draw beautiful pictures on the surface.

“This fixture is very bright with excellent projection quality,” he continued. “Of course, I used this instrument at 100%. For example, when I needed to ‘move’ artists on the pavement in Sweden, I used gobo-imitating pavement, creating a very realistic effect. Another example is a traditional Russian theme, followed with the appearance of Samovar with cups. By the way, MAC Viper Profile has a very suitable gobo for this scene, as if designed especially for Russia.”

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Prism Sound Shows New Audio Interfaces at NAB 2014

After an exceptionally successful 12 month trading period, which culminated in a move to larger offices in the USA, internationally acclaimed manufacturer Prism Sound will be using the NAB 2014 platform to introduce post production and broadcaster engineers to its growing family of audio interfaces.

Alongside Orpheus, Lyra and Titan, the company will also be showing Atlas – the third new interface product that Prism Sound has launched in the last year.

“Launching three new products in such a short timeframe meant that our existing premises could no longer cope – to put it simply we needed more space,” says Janice Norton, Prism Sound’s VP US Operations. “We have moved to a larger, ground floor suite close to our former premises in Rockaway, New Jersey, and now have plenty of room to stock the extensive range of products that Prism Sound offers to both the recording and broadcast markets.”

Designed with Prism Sound’s latest and award-winning CleverClox clocking technology and incorporating eight of the company’s popular mic pre’s as standard, the new Atlas interface is aimed squarely at multitrack recording applications. It offers recording professionals ultimate quality analogue and digital I/O for Mac or Windows PC at sample rates up to 192kHz via a simple USB interface. In addition to the USB host interface, Atlas also features Prism Sound’s new MDIO interface expansion slot, which was first incorporated into Titan and announced at AES New York in October 2013. Using this miniature expansion slot users can, for example, directly connect to Pro Tools|HDX systems. A range of other MDIO interfaces is planned for later introduction. Atlas will also run with Apple and Windows native applications over USB.

Atlas, Titan and Lyra are all capable of aggregated operation in both MAC and Windows PC environments. This makes it possible to link up a number of different units for multichannel applications – for example 24 track, 32 track – or even bigger set-ups – while retaining a USB connection for each unit. In the Windows environment, Prism Sound provides a new driver that aggregates the units and presents a single multitrack interface to DAW applications for I/O routing.

At NAB 2014, Prism Sound is also showing its full range of Test & Measurement solutions, including the versatile dScope Series III Audio Analyzer. This award-winning unit features a freely-available test suite that can be used to evaluate the performance and compliance of any loudness meter on the market. As US broadcasters are now legally obliged to comply with the ATSC A/85 standards, Prism Sound’s test suite enables them to properly evaluate all loudness meters and ensure that their chosen product can deliver both ATSC and ITU BS.1770 compliance.

To find out more about the Prism Sound range and to demo the new Atlas interface, please visit NAB booth C1944. The company’s new address is Suite 1, 45 Pine Street, Rockaway, NJ 07866. The telephone and fax numbers remain the same.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

In the US
Sales department
Prism Media Products Inc.
45 Pine Street, Suite 1
Rockaway
NJ 07866
USA
Tel : +1 (973) 983 9577
Fax : +1 (973) 983 9588
e-mail : sales@prismsound.com

TED2014 Speaks Up with DPA Microphones

McCune Audio, full-service technical event specialists, rely on classic 4088s and d:screet 4060s to mic guests and props for the renowned conference

VANCOUVER, APRIL 3, 2014 – Heard by thousands of people through live audiences, simulcasts, webcasts and recordings, and millions more through online video engines, the annual TED Conference requires gear that matches its prestige. With discussions that address a wide range of topics within the research and practice of science and culture, microphones are vital to all TED audiences. To provide the ultimate in sound quality for presenters and performers at TED2014, technical team from McCune Audio/Video, the symposium’s sound services company, relies on DPA Microphones’ classic 4088 Directional Headset Microphones and d:screet 4060 Omnidirectional Microphone.

TED2014 marks the second time that DPA Microphones is part of the audio setup for the conference. The McCune Audio team used the same selection of mics at last year’s event because of the high-quality audio of both mics and comfortable fit and feel of the 4088, each requests from production crew workers and presenters, respectively.

“For years, the post-production crew was trying to get us to reduce the amount of room acoustics we were hearing in the recordings,” says Nick Malgieri, McCune’s Head of Audio for the TED Conference. “Because of the live PA system in the room, there was a slap-back echo always happening in the voice. We really used some pretty extreme processing paths with our previous mics just to try to help us get ahead of the issues. Once we switched to DPA 4088s, the added isolation let us really scale back on the processing. The sound was so much better that the post-production crew asked us to deploy ambient mics to capture the energy of the venue. That led us to the d:screet 4060s, which we use to pick up a lot of the stage noise from the props and scenery on set, such as chalkboards during presentations, a fire organ for a pyrophone performance or a target being hit by an archer.”

The versatility of the DPA mics also plays an important role in the audio support at the TED Conference, which hosts 12 90-minute shows over the course of five days. Throughout each of these individual productions, Malgieri and his crew need to mic as many as 10 separate presenters speaking for up to 18-minute segments each. In these instances, the audio team uses the 4088s. The shows also incorporate other types of presentations, such as musical, theatrical or dance performances, or magical acts, which require the 4060s.

“The technology setup for this show is very important because of the high turnover and the way the show is actually produced,” explains Malgieri. “We are doing three shows a day, with only an hour or so to reset between them, so we need high-end gear that can keep up with the constant demand and rigorous use.”

As one of DPA’s most popular products, the 4088 is ideal for a variety of performing and vocal presentations. It is designed for acoustically demanding live performance environments, where background noise and feedback is a concern, and boasts the same open and natural sound qualities of the company’s other legendary microphones.

Originally designed for use with wireless systems in theater, television and close-miked instrument applications, the d:screet 4060 capsule is highly unobtrusive. Because of its small size, this tiny condenser mic exhibits an exceedingly accurate omnidirectional pattern, and therefore does not need to be aimed directly at the sound source to achieve quality pickup.

As the technical specialists of record for the TED Conference since it began, McCune Audio/Video provides live sound, projection and video production services for the event. Over the course of its 82-year history, McCune has been involved with some of the nation’s top events, including the final Beatles concert – held at Candlestick Park, the Monterey Pop Festival, Monterey Jazz Festival, and the Playboy Jazz Festival. They have also supported a variety of speeches for every sitting U.S. President since John F. Kennedy.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

UK Studio Rimshot Productions Continues its Dreams with Decades-Lasting HARMAN AKG Microphones

Artist King Size Slim of UK label Tree House 44 recording through a pair of AKG microphones. Photo Credit: ©Graeme Miall

KENT, United Kingdom – As one of the few boutique music production companies operating in the Kent countryside of the UK, Rimshot Productions is uniquely positioned to cater to a wide variety of recording artists. Having provided production, studio and mastering services for many years, owner Mike Thorne has equipped the studios at Rimshot Productions with AKG microphones to ensure world-class quality of service throughout the company’s history.

Situated in the countryside just an hour away from London, Rimshot Productions was built a few years ago, and relied completely on word of mouth to grow to the dependable facility it is today: a large and creative space where international clients achieve the best productions and recordings. Thorne has complete confidence that his in-house studio offers world-class recording and provides the requisite equipment for any artist to succeed.

The studio at Rimshot Productions features a pair of AKG C414 B-ULS microphones, which have reached legendary status since their introduction in 1971; a D112 egg-shaped bass microphone perfect for bass instruments; a D12 large-diaphragm microphone that makes everything from the drums to the vocals sound better; and C1000 microphones that can withstand any level of vocal abuse.

“I’ve acquired these microphones over the years and slowly built up my AKG collection,” said Thorne. “During my 20-plus years of experience, I haven’t had an AKG microphone fail on me, as they truly last forever. I’ve really grown to appreciate the quality of AKG products.”

When asked what prompted him to purchase AKG microphones, Thorne quotes from personal experience that “during sessions at another studio, a guy had AKG C414 microphones, which sounded absolutely great!”

Just like his studio and the services Thorne offers, the quality of AKG speaks for itself and is appreciated by Thorne’s clients. “The D12 is what I like to call the ‘make it better’ microphone,” said Thorne. “I like to use it for vocals, drums, and all kinds of recording, because it produces truly exceptional sound quality. As for the C1000, these things just don’t break! They were my first microphones and have been used for recordings for 15 years.”

AKG is known for its award-winning quality in both sound and build. There is no replacement for a microphone that will last this long, and yet maintain its output consistency. Companies like Rimshot Productions rely on the belief that musicians can record an electrifying track with the AKG C414, or kick up a crisp beat with the AKG D112.

“I like the multiple pickup patterns of the C414 AKG microphone,” Thorne continued. “There’s loads of space in the studio, so we can be creative with microphone placements. I don’t have to put the microphone very close to a specific instrument. This results in a sound with more depth and character.”

“There is a lot to be said about the consistency of these microphones,” Thorne concluded. “They’re indeed the workhorses that I expect them to be and work great every time.”

For more information on Rimshot Productions, please visit http://www.rimshotproductions.co.uk.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

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Masque Sound’s Custom Audio Package Charms Audiences for New Touring Production of Joseph and the Amazing Technicolor Dreamcoat

EAST RUTHERFORD, NJ, APRIL 3, 2014 — When Andrew Lloyd Webber and Tim Rice’s enduringly popular musical Joseph and the Amazing Technicolor Dreamcoat embarked on its 2014 U.S. tour on March 4, Masque Sound, a leading theatrical sound reinforcement, installation and design company, supported Co-Sound Designers David Patridge and John Shivers in their quest to bring this new, contemporary production of the 1968 hit to the stage.

Joseph and the Amazing Technicolor Dreamcoat is the irresistible family musical about the trials and triumphs of Joseph, Israel’s favorite son. Retelling the Biblical story of Joseph, his eleven brothers and the coat of many colors, this magical musical is full of unforgettable songs including Those Canaan Days, Any Dream Will Do and Close Every Door. Directed and choreographed by Tony® Award-winner Andy Blankenbuehler, this new production features Broadway stars Diana DeGarmo (Hairspray, Hair) as the Narrator and Ace Young (Grease, Hair) as Joseph.

Since Joseph and the Amazing Technicolor Dreamcoat is scheduled to tour through spring of 2015, Patridge and Shivers wanted to make sure that in designing the sound system it would be capable of easily moving and fitting into a small footprint on the truck. “We wanted to provide the best audio experience that we could, in working within the confines of a traveling production’s space limitations,” says Patridge. “In order to maximize the power and efficiency for the system, and get the most ‘bang for the buck,’ we once again showed no hesitance in turning to Masque Sound.”

With space at a premium, the designers opted to utilize the smaller-footprint Yamaha CL5 Mixing Console, along with a Yamaha CL3 for monitoring, both of which worked quite well for the show. The Yamaha Console was ideal for the production not only for its compactness, as it could be picked up and lifted into position by two people, but also because its comprehensive feature set addressed all of the production crew’s needs. In addition, connecting the console together is a fairly straightforward process and can be done with Cat 5 cabling, which is ideal on a show that needs to move quickly and efficiently.

For the PA, Masque Sound provided an L-Acoustics dV-DOSC array, a tried and true speaker design that sounds great. The dV-DOSC line array was integrated into existing speaker towers from Masque Sound’s inventory, which gives the show a PA that is quite spectacular. The flexible system that Masque Sound provided is ample enough to fit, but also compact enough for smaller venues, which was particularly ideal for this production tour, as it features various venues of different sizes.

“Fortunately Masque Sound has a very deep shelf of available gear, and we were able to put together an excellent audio package with its equipment that stayed within our budget and did not compromise on the quality of the sound at all,” adds Patridge. “In addition, Masque Sound’s modification of existing inventory speaker towers to fit with the L-Acoustics PA was a large cost savings to us. Masque Sound is always great about trying to repurpose available structural items. The talented crew in the metal shop is able to piece together these sorts of things relatively easy, which is a huge benefit and just one of many reasons we like working with them.”

Masque Sound also provided its expert frequency coordination services for the tour. The wireless package consisted of Sennheiser SK5012 wireless mini bodypack transmitters and Sennheiser EM1046 receivers. “Masque Sound’s RF department is top notch at keeping equipment range tested and ready to go,” concludes Patridge. “Masque Sound is wonderful at listening to us and providing us with the equipment and services we need to be successful, and once again did a great job.”

The new tour launched at Playhouse Square in Cleveland on March 4, 2014 and is scheduled tour through spring of 2015. For more information, visit www.josephthemusical.com/ustour.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Hyphen Expands Rapid Prototyping Capabilities with Addition of Stratasys Fortus 900mc

Hyphen™, the most comprehensive rapid prototyping and testing facility in North America, announced a significant upgrade to its capabilities with the purchase of the Stratasys Fortus 900mc 3D Production System from Cimetrix, one of Canada’s leading additive manufacturing solution providers. Using Fused Deposition Modeling (FDM®), the system builds durable, accurate, repeatable parts as large as 36 x 24 x 36 inches, with a selection of ten material options, including FDM® Nylon 12, to create more finely detailed building fixture, factory tooling, and end-use parts that are closer to a finished product than ever before. The new developments are part of Hyphen’s growth over the past year and a half, which has seen the lab broaden its services, establish new industry connections, and strengthen its leadership role in the additive manufacturing industry.

Cimetrix is uniquely positioned to assist clients like Hyphen in the acquisition and maximum use of 3D production systems, offering services that enhance their business processes and facilitate their effective use of technology through ongoing product and applications support. Cimetrix also brings access to an impressive array of additive manufacturing systems that use leading technologies such as FDM, further ensuring that Hyphen services and technology are at the forefront of innovation. Hyphen’s addition of the Stratasys Fortus 900mc will enable their team to manufacture larger parts that are ideal for concept modeling, functional prototyping, manufacturing tools and even end-use parts, enabling faster speed to market.

“Hyphen has quickly established itself as a visionary in the additive manufacturing industry, championing new technologies and forging relationships with key players in all aspects of this growing field,” said James Janeteas, President & CEO, Cimetrix Solutions Inc. “As their industry colleagues, we look forward to working with the Hyphen team to continue to develop innovative and cutting-edge solutions to address client needs.”

“Hyphen continues to make major strides in capabilities and services, and important industry connections like Cimetrix ensure that our customers receive the latest technology and most creative support available today,” said Mark Barfoot, managing director of Hyphen. “The purchase of the Stratasys Fortus 900mc offers us groundbreaking technology to help designers and manufacturers bring their ideas to life faster and more accurately than ever before.”

Hyphen also actively looks for the most effective ways to work with large and small companies, inventors and makers, and educational institutions. Hyphen’s lab is open to the public, providing a broad range of additive manufacturing and environmental testing, all under one roof.

“If you can envision it, we can help you build it at Hyphen,” said Barfoot.

Prism Sound Discusses Audio Production at Brighton Music Conference

Internationally acclaimed manufacturer Prism Sound is hosting a production panel at this year’s Brighton Music Conference where it will also be taking an exhibition stand for two days.

Prism Sound’s panel will discuss all things audio – from creative audio production through to studio techniques and tips. Confirmed panelists include producer Steve Mac, DJ Dave Clarke, Producer and re-mixer James Wiltshire (Freemasons) and Anthony Middleton of Audiofly.

Brighton Music Conference (BMC) runs from April 11th – 12th and Prism Sound’s panel will be held on Friday April 11th at 16.35 in the Exhibition Room.

“Our panel is designed to be educational as well as entertaining,” says Prism Sound Product Specialist Chris Allen, who is hosting the event. “There will be plenty of opportunity for the audience to fire questions at our panelists and we are anticipating lively debate.”

Prism Sound will also be using the BMC platform to show its internationally acclaimed family of audio interfaces, which include Orpheus, Titan, Atlas, and Lyra. Also on show will be the company’s range of Maselec audio production tools such as the MEA-2 EQ and the MLA-2 compressor.

“We have launched three new products in less than a year, which is a record for Prism Sound,” Chris Allen adds. “This indicates our determination to offer recording professionals the widest possible choice when it comes to the high quality, richly featured and competitive tools they want and need.”

As part of its commitment to the audio production community, Prism Sound will also be promoting the Music Producers Guild on its BMC stand. Representatives from MPG will be on hand to talk about the issues the organization is involved in and highlight the benefits of joining.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

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