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Archive of the Product Applications Category

Fairlight Showcases 3D Audio Workspace at IBC 2014

At IBC 2014, Fairlight will showcase 3D Audio Workspace (3DAW), a new platform for immersive and object oriented 3D Sound Production.

Aimed at the film and television post production market, 3D Audio Workspace reinforces the industry’s drive for the ultimate in cinematic and immersive sound delivery by providing a comprehensive and diverse environment for 3D audio production.

“Fairlight has always had a reputation for pushing the boundaries of technology, but even by our high standards 3DAW is one of the most exciting products we have launched in many years,” says Tino Fibaek, Fairlight’s CTO.

One of the features that make 3DAW so unique is AirPan – a brand new concept that allows operators to use a Virtual Reality (VR) style input to position and control images in a 3D space.

“This feature is incredibly cool because you can literally reach out into the airspace monitored by the controller and by just moving your fingers in the air, you can pan, rotate, tilt and spread your sound in space,” Fibaek adds.

Fairlight’s 3DAW adds immersive sound capabilities to an existing digital audio workstation, whilst remaining fully compatible with an established workflow. This open platform configuration support VST® and RTAS® plugins, as well as ASIO® for I/O and sync sharing.

“The philosophy behind Fairlight’s 3DAW is to give sound mixers a post production solution that works with all platforms,” Tino Fibaek adds. “Different deliverables require different technologies, so Fairlight’s immersive platform provides the best of both worlds, supporting object orientated implementations such as Dolby’s Atmos and DTS’ MDA and fixed bus formats in 2D and 3D, from stereo through to 5.1 and all the way up to NHK’s impressive 22.2 format.”

Fairlight has ensured post production facilities can easily connect to their studio workspace. Integrated, user definable B-chain processing supports up to 34 discrete speaker outputs allowing sound mixers to switch instantly between different surround formats, different speaker sets, speaker muting and soloing and comprehensive metering.

For more information about Fairlight’s 3D Audio Workspace and other innovations in the Fairlight range, please visit us at IBC 2014 – Hall 7, Stand H17. Or visit the company’s website –www.fairlight.com.au

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About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications.
www.fairlight.com.au

HARMAN’s JBL Professional EON 206P Portable PA System Delivers World-Class Sound on the Move

NORTHRIDGE, California – Delivering a complete audio solution that puts legendary sound at the fingertips of anyone for audiences of all sizes, HARMAN’s JBL Professional is introducing the EON 206P Portable PA system, an all-in-one powered system that delivers professional performance and remarkable ease of use. The EON206P is ideal for a variety of applications, including: small band/solo acts, coffeehouses, clubs, schools, worship events, meetings/seminars, presentations, health clubs and more.

“With best-in-class performance, easy setup and portability, the EON 206P allows anyone to deliver their performance, presentation, class or message with legendary JBL sound technology,” said Andy Flint, Senior Manager, Portable PA Marketing, JBL Professional. “It’s also so easy to use and lightweight that anyone can operate the system, making it possible to enjoy great sound in any environment.”

The JBL EON 206P features a pair of 6.5 inch passive loudspeakers, each featuring a 6.5-inch woofer and a 1-inch neodymium black nylon dome tweeter, powered by a 160-watt power amp section (80-watts per channel). The EON 206P features a maximum SPL output of 113 dB, with a nominal coverage pattern of 100 x 80 degrees.

The EON 206P also features an integrated 6-channel mixer with: two balanced mic/line channels with XLR/quarter-inch combo jacks (CH1 and CH2); two stereo inputs (CH3 and CH4 is RCA and quarter-inch; CH5 and CH6 is a 1/8-inch mini jack). The mixer also features Stereo Monitor Out (quarter-inch left and right out) with volume control (for an external sub or stage monitors), master volume control, reverb on Channels 1 and 2, bass/treble control, and universal power (100-240V; 50/60 Hz).

Designed for easy portability, the entire EON 206P system weighs only 25 pounds, features a durable road-tough enclosure, convenient internal cable storage, and comes in a suitcase format for easy transport and storage. It also features a 36 mm pole socket for easy mounting.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

HARMAN’s Martin Professional Provides Energy Efficient Lighting Solution for Danish Power Plant

ROSKILDE, Denmark — In 2011, Danish waste management company KARA/NOVEREN set out to replace two furnaces with a state-of-the-art waste-to-energy incineration line. Three years later the incineration line, or more popularly referred to as The Energy Tower, stands tall on the skyline of the Danish City of Roskilde, ready for its opening today, September 2nd 2014 with HARMAN’s Martin Professional lighting fixtures.

Increasing demands to reduce Co2 emissions from fossil fuels calls for alternative energy production, and implementing a modern facility will allow KARA/NOVEREN to utilize the energy resources from residual waste that cannot otherwise be recycled. In line with KARA/NOVEREN’s vision was for The Energy Tower to become a new Danish landmark. Naturally they wanted an energy efficient lighting solution to go with it so 112 Martin Exterior 410 fixtures and 78 Tripix 1200 LED strips were installed, controlled by Martin’s M-PC software.

KARA/NOVEREN envisioned a structure with the ability to communicate and relay messages of sustainable energy to the public. Located only a few hundred meters from one of the major inroads to the Danish Capital of Copenhagen, it has a huge reach and potentially thousands of spectators on a daily basis.

The Energy Tower was designed by Dutch Architect and expert in sustainable design Erick Van Egeraat, who brought in Danish Lighting Architect Gunver Hansen to identify and implement the most optimal lighting solution. An extensive testing phase began to determine the best choice of fixtures. The requirements for these fixtures were very specific. First of all the lighting solution had to be able to reproduce the lighting concept created by Van Egeraat (described below). All fixtures should be individually controllable to give the building a dynamic expression. It was also crucial that the fixtures would be able to illuminate the relatively difficult projection surface, which was dark and very diverse. At the same time the lighting should be bright and powerful enough to be seen from a distance. Finally, of course there was also a desire for low power consumption.

Even before the construction process had started, various forms of testing were performed on surfaces that resembled the projection surface of The Energy Tower. Ultimately, Martin Professional’s Exterior range fixtures were chosen for the project due to their size, durability, and color reproduction capabilities.

Van Egeraat’s vision for the lighting was for it to be an aesthetic contribution to The Energy Tower as a new landmark, and that it should signal the processes that take place inside of the tower and portray the combustion and energy making process. “At night the backlight perforated façade transforms the incinerator into a gently glowing beacon – a symbol of the plant’s energy production,” said Erick van Egeraat. “Several times an hour a spark of light will gradually grow into a burning flame that lights up the entire building. When the metaphorical fire ceases, the building falls back into a state of burning embers.”

Van Egeraat’s vision for the lighting was for it to be an aesthetic contribution to The Energy Tower as a new landmark, and that it should signal the processes that take place inside of the tower. The lighting scenario that is in place for the opening starts with a white flickering at the bottom that spreads to the whole tower. For a few minutes every hour the spark gradually grows into a blazing flame that encases the whole building. The array of warm colors resembling flames and glowing coals are meant to portray the combustion and energy making process.

“When I designed the tower I wanted the lighting design to complement the building and express what type of building it is and what it does,” said Van Egeraat. “The lighting solution has proven to have many more options than we originally anticipated, and therefore we are now working on additional lighting designs for special occasions such as the Danish Constitution Day, cultural and sporting events etc. Citizens of Roskilde and the surrounding areas will be in for a treat.”

According to Gunver Hansen this was one of the more challenging projects of her career. The structure itself consists of a framing grid built around the new chimney. An amber-colored aluminum plating is mounted onto the grid to form the exterior facade of the tower. The fixtures are mounted inside on the grid between the outer facade and the facade of the inner building, and the fixtures project onto the inner facade, which is visible at night through the laser-cut circular openings of the outer facade. Many factors had to be taken into consideration, e.g. the distance between the exterior facade and the interior projection surface varies across the entire structure. Therefore each individual fixture had to be placed carefully so the colors would mix correctly and the output would be even. Also, as the direct view into the LEDs in the fixtures had to be avoided, a number of the projectors had to be screened off with a specially designed grid.

The next challenge that presented itself was how to mount the fixtures. A lift was not an option as the fixtures had to be mounted between the inner surface and the new exterior facade. As the space was not accessible to any kind of machinery, a team of professional climbers from Danclimb was hired to mount the fixtures via rope access.

Today, on its opening day, the tower is already a well-known landmark and the object of admiration for passers-by. “We’ve already received an overwhelming public support for this project,” said Thorkil Jørgensen, CEO of KARA/NOVEREN. “People respond very well to the idea and the concept, and they really like what it adds to the area in terms of architecture and beautiful lighting. This is extremely valuable to us for branding purposes and to secure a future leading position in waste management. We see it as a great investment on several levels. We’re happy to combine an investment in modern waste management methods with an extraordinarily beautiful structure and landmark for the area.”

“We’re very pleased with the end result,” Lighting Architect, Gunver Hansen added. “The many creative possibilities for changing light color and light patterns on the Energy Tower’s facades work amazingly. I think we have succeeded in creating a shining Energy Tower, that is a fascinating and magical landmark on the dark Roskilde night sky.“

Even though not officially open till today, spectators have already had glimpses of the building in lit condition. For example during the famous Roskilde Festival, The Energy Tower shone orange to mirror the official color of the festival and its main stage. Part of the magic of KARA/NOVEREN’s new Energy Tower is its ability to alter its appearance with future lighting designs for special events, and that the lighting concept sends the message of waste-to-energy to spectators. It is an important message with global relevance.

The Energy Tower has been submitted for the Danish Lighting Award 2014.

Martin Professional Equipment
Exterior 410, 112 pcs.
Tripix 1200, 78 pcs.
Control system: Martin M-PC, RDM 5.5 splitter, Ether 2DMX

Facade Design:
(designed by) Erick van Egeraat
Facade Lighting:
Architectural Concept: (designed by) Erick van Egeraat
Lighting Project: Gunver Hansen Tegnestue
Fixtures, light control, programming, and installation: Martin Professional

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Prism Sound Releases SADiE Version 6.1

Prism Sound has announced the release of SADiE Version 6.1, an update to its highly acclaimed SADiE Version 6.0.0 recording and editing software.

With no dedicated proprietary hardware requirements the SADiE v 6.1 software packs are application based and focus on the core SADiE expertise of Mastering, Radio Production, TV/Film Post, Archiving and Restoration, and high level Sound Design.

Prism Sound has also announced a new and exceptionally competitive pricing structure for its SADiE software packs. With the entry level SADiE PRO now starting at UK £445.00 (plus VAT), the product range is even more cost effective, taking the SADiE brand, reputation and advantages into new markets. The extended compatibility will also significantly reinforce its appeal to professional users around the world.

New SADiE Features

WAV Master
With many more consumers now choosing to buy their music via a download, record labels are increasingly asking mastering engineers to deliver mastered audio as digital WAV files so they can be easily supplied to audio download sites such as iTunes, Spotify and Amazon.
SADiE’s newly introduced WAV Master feature allows users to create WAV files for an entire album, using PQ marks to define the start and end of the WAV file for each album track. Track Titles, Artist Name and other information is automatically incorporated into these files. As a further extension of its WAV Master feature, SADiE has also introduced a new high quality Sample Rate conversion algorithm. This brings the sample rate conversion process in-line with the high quality processing standards for which SADiE’s parent company, Prism Sound, is famous.

This ultra-efficient workflow allows SADiE’s PQ list to be used as a single source to create the WAVs, DDP and CDs that are required by today’s mastering engineers.

ISRC in BWF Files
Prism Sound has also incorporated ISRC in BWF into SADiE’s new WAV Master option. This feature is included as part of the Mastering Suite and Sound Suite packs.

Created and standardised by the European Broadcasting Union, Broadcast WAV (BWF) is an extended WAV format that allows ISRC data to be embedded in the file. ISRC stands for International Standard Recording Code. Every song released, and every version of that song, is allocated a unique ISRC by the record label. ISRC is then used to ensure that the correct files are used for playback and replication. It also ensures that artists and recording professionals who stand to benefit financially from any playback or replication are identified and compensated.

The UK Music Producer’s Guild has led the initiative to get BWF adopted as standard, and in conjunction with the EBU it has produced a Recommended Practice document that lays out methods by which an ISRC can be embedded into a BWF.

Other updates

These include an extension to SADiE’s Wav Master functionality with support for reading and writing a WAV file’s LIST-INFO chunk, and for Track Name and Artist metadata (included in Mastering Suite and Sound Suite packs). Prism Sound has also incorporated 32bit floating point format for recording or bouncing to WAV or BWF, thus allowing engineers to work at the highest possible resolution throughout. There is also the option of creating a profile when making a DDP Image or importing one.
In addition to these upgrades, Prism Sound is now including SADIE MTR (Multi-Track Recorder) software in the SADIE6 installer. This will run without license when using an LRX2 or Prism Sound Lyra, Titan, and Atlas, interfaces, and requires a license for native operation.
Looking to the future, SADiE will soon be offering enhanced video support for BlackMagic Design Decklink cards, as well as timecode support on SADiE Native systems (where the ASIO audio hardware supports timecode functionality). These extended new features will be included in an imminent service update. The software element of this update will be available to all 6.1 users, although some users may require additional hardware.

To try out the software, please visit http://www.sadie.com/support/download_v6.php

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.sadie.com or www.prismsound.com

Lightware Matrix Router Gets Kudos for Performance at Sochi Winter Olympics

Well before the start of the 2014 Winter Olympics in Sochi, Russia the Main Operations Center was installed inside the International Olympic Committee (IOC) building to run the day-to-day operations of various elements of the Olympic Village and venues, including transportation systems. Russia-based Live Sound Ltd. and its head of broadcast technologies, Andrei Mazurov, designed and installed central switching for the Center’s large videowall using a Lightware 65×65 MX-FR65R multifunctional matrix router. The company’s California-based arm, BBRS, Inc. handled procurement and part of the design work, including vendor communication. Lightware USA is the US distributor for Budapest-based Lightware Visual Engineering products.

The Main Operations Center was a powerful complex consisting of dozens of computers, monitors, a large multiscreen videowall, numerous management systems and many kilometers of wire. The big videowall, which displayed one continuous image or multiple views, showed operations personnel feeds of the sports competitions and the press room where Russian President Vladimir Putin, IOC members, heads of state and other VIPs held press conferences.

Lightware scored points for many of its features, which met the demanding applications of the Main Operations Center. “The most important requirements for all internal systems were superior reliability and intuitive, easy management despite the complexity of the systems. Operators did not have time to study all the details of the systems,” Mazurov recalls. “Based on these parameters the best solution for switching the videowall was the Lightware 65x matrix router.”

He notes that the modular design of the matrix allowed the technical team to configure the system to meet the objectives of the application. “The router offers more than 30 different modular I/O cards, which allowed us to interconnect many devices with different interfaces,” Mazurov explains. “The high quality of the both the main unit and each module, as well as the dual hot-swappable power supplies, raised the reliability of the device to the highest level.”

The router’s simplicity and ease of use meant “there were no problems even for users unfamiliar with the system and without prior experience with Lightware,” he adds.

Also scoring points for ease of use was High Resolution Systems’ UDC Raptor, which controlled the Lightware matrix. Raptor is a Linux-embedded server that significantly lowers costs to users compared to full-blown Windows servers; it supports the same user-friendly interfaces as popular UDC (Universal Device Control) software.

Mazurov says that the IOC “praised the work of all the organizational services working during the games and chief among them was the great job performed by the Main Operations Center where the multifunctional and extremely reliable Lightware matrix router was at the heart of the system.”

About Lightware USA

Lightware USA is the US distributor of professional AV products manufactured by Lightware Visual Engineering in Budapest, Hungary. With the flexibility of the Lightware product line, the Lightware USA team is able to assist with the design for some of the highest performance systems in the world. Router sizes ranging from the robust UMX4x4-Pro up to the impressive 160×160 25G Hybrid give Lightware USA the edge over the competition when it comes to routing multiple video sources to the ever changing variety of displays in the industry. Their array of solutions for extending the highest resolution video formats including 4K and 3D over Cat or Fiber put Lightware USA on the forefront of cutting edge technology.

For more information on these products, visit www.LightwareUSA.com.

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Yamaha Commercial Audio Donates Live System To Nashville HS

Pearl-Cohn Entertainment Magnet High School in Nashville, Tennessee offers students the opportunity to learn through the lens of the entertainment industry with pathways in audio engineering, broadcasting, record industry, marketing, and image consulting. It is the only entertainment magnet high school in the country. The vision of Pearl-Cohn is to equip its students to realize and achieve their potential while committed to educate the whole person.

Bryan Lenox of Lenox Productions facilitated the arrangement with Yamaha, who in turn, enlisted the services of J Sound Services (Nashville) to add a new Yamaha CL1 Digital Audio Console and Rio 3208-D input/out box to its 413-seat auditorium. Yamaha IS and DXR speakers, and TXn amplifiers were also installed. J Sound Services specified the system for its easy operation by student volunteers. Auditorium productions at Pearl-Cohn can be anything from assemblies with announcements and presentations that include video to full-on theatrical events.

J Sound Services has had a lot of experience installing Yamaha Installation Series Speakers, so they were the obvious choice for the installation. “Once we understood the scope of the project, we determined a Yamaha MTX5D processor and DCPS wall-mount controller would also be required,” states Jason Spence, owner, J Sound Services. The design approach was based on the fact that there is limited acoustic treatment in the school auditorium. “It was important to minimize the amount of energy on the walls, says Spence.

Time was spent using Yamaha’s YS3 Sound System Simulator and EASE acoustic modeling software to focus the mid-high and subwoofer-arrays. Deployed end-fire arrays both in L-R and Center allow pattern control on how wide the throw would be in the room and also provides a Cardiod pattern measuring 12db down on stage behind the arrays. “By deploying the subs this way we have significantly reduced the low-end energy on the stage and what would have reflected off the walls in a typical Omni pattern, Spence adds. The room can easily handle and extends below 40Hz without the low-end building up, leaving the room also very articulate and musical. The house is nice and big with lots of sub. The design is very unique and it clearly looks different. The staff and Bryan Lenox were quite impressed with the results of the end-firing arrays.”

Lenox assisted in the set up and adjustments of the CL1. “The system sounds really good. The school had a unique need for a system that can handle intimate speaking all the way to low-end thumping Hip Hop music. And, this system definitely delivers. The CL1 is a great sounding console and one that the students can learn on in order to prepare for the real world so they can jump into any situation with confidence.”

The new auditorium’s multi-purpose system is all Dante connected with the Yamaha CL1 taking control of presets for theatrical productions using the consoles Nuendo Live software. Pearl-Cohn ran cat5 cable to their multi-track room to record the events taking place in auditorium. A.Cisco switch is used to network and import multi-tracking in studio. An old projection booth above the auditorium now has the capability of adding a Nuendo recording suite with infrastructure and cables already in place.

“Our students needed professional-class live production facilities in order to complete our vision to equip our students with real-world skills that will transfer to the marketplace or college when they graduate, states Sam Lorber, Instructional Designer at Pearl-Cohn. Thanks to Yamaha’s generous donation, these students will now be able to walk into any venue: club, church, college auditorium, or arena with a skill set advantage no other school can provide.” The principal commented on how she loves that she can touch one button and it just works.

J Sound Services also installed a Vivitek High-Definition 6K lumen projector with remote HDMI interface. To update the theatrical lighting system, JSS enlisted the consulting services of Chris Lisle Lighting Design and installed Elektralite LED PAR fixtures, Watson raceway and ElektraHazer, an Altman spotlight, and Chauvet Datastream; all of which integrated with the existing ETC dimmers. As part of the lighting system update the existing Fresnels and Lekos were reconditioned and focused.

J Sound Services also installed four Yamaha C115VA and two C112VA Club Series Speakers using a MTX3 processor and the same DCPS wall-mounted controller as in the auditorium. Spence said the system installed could be operated in the same manner, with a touch of a button, making it extremely simple and consistent for staff and students to operate the systems in either location.

For more information on Pearl-Cohn Entertainment Magnet High School, visit www.pearlcohnhs.mnps.org.

For more information on J Sound Services, visit www.jss.net.

For more information on Yamaha Commercial Audio products visit, www.yamahaca.com.

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100 Free DPA Microphones – How Do You Wear Yours?

As part of an exciting competition that begins today (September 1 2014), DPA is giving 100 lucky people the chance to win its d:screet™ Necklace Microphones, which were launched earlier this year.

The competition, running on DPA’s Facebook page and website, asks contestants to come up with ingenious ideas for how and where to use the d:screet™ Necklace Microphone. Five microphones will be awarded to the five most liked submissions on Facebook, while the remaining 95 will be given to the people who, in DPA’s opinion, come up with the best, most creative and most original ideas. An example can be found at this YouTube video, created by DPA Microphones: http://bit.ly/1ll1KBQ

This unique plug-and-play microphone solution from DPA is ideally suited to situations where mounting and consistent audio output are the primary requirements. By housing a legendary d:screet 4061 Omnidirectional Miniature Capsule in a soft rubber necklace, DPA has created a microphone that anyone can use. There is no need to worry about attaching it to clothing because the only fitting skill this microphone requires is the ability to do up a necklace catch.

“We are extremely excited about this product and want to share our excitement with the rest of the world,” says DPA’s CEO Christian Poulsen. “These new microphones are clearly meeting a need because they can be mounted and removed quickly, and several times, by untrained talent without a sound expert nearby. We are well aware that they are perfect for reality show settings as they have already been used for the Danish adaptation of Big Brother. But we think there are plenty of other situations where their simplicity, audio quality and size make them ideal. We hope that people entering our competition will use their imagination to come up with some really ingenious ideas to surprise and amuse us.”

DPA’s competition also has a second phase, which will be open to those who win one of the initial 100 necklace microphones. Once winners get their microphones, all they have to do is document their idea by sending the company a picture or a video. The two best entries will win a grand prize – a choice of DPA Microphones up to a value of 1,000 EUR (list price).

Entry to this competition is via the DPA website or DPA’s Facebook page. All ideas need to be submitted by September 28, 2014 and the 100 initial winners will be announced on October 1, 2014. Contestants can win multiple necklace microphones, but only one microphone will be awarded per idea.

Entry to phase two of the competition will open after October 1, with the two ultimate winners announced on November 10, 2014. The first grand prize will go to the most liked picture or video on Facebook, while the second will go to the application idea that DPA perceives to be the best and most well documented.

To enter and for more information please follow these links:
Website http://www.dpamicrophones.com/100freemics
Facebook https://www.facebook.com/dpamicrophones

For inspiration of what you might do with your microphone, watch this clip:

https://www.youtube.com/watch?v=9IJFpGwWfcQ&feature=youtu.be

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Lady Gaga Launches ArtRave Tour with Clay Paky Fixtures

Lady Gaga has launched her tour, ArtRave: The Artpop Ball, and Clay Paky’s A.leda B-EYE K20 innovative, LED-based moving lights and Clay Paky Sharpys are along for the wild ride.

ArtRave marks Lady Gaga’s fourth concert tour. It is in support of her third studio album, “Artpop” and kicked off May 4 in Fort Lauderdale. It will play 78 dates in North America, Europe, Oceania and Asia.

PRG has provided 120 B-EYEs for the tour as well as a large complement of Clay Paky Sharpys. Lighting control is performed with three full-size grandMA2s and 10 NPUs.

“Production and lighting designer Roy Bennett’s approach to the show was to make it an immersive rave that reflected Gaga’s non-stop party aesthetic,” says programmer Jason Baeri. “That means active, alive, vibrant and high energy — it requires us to be just as active on stage as in the crowd. The audience is every bit as much a set piece as they are a room of spectators, so we had to include them as part of Gaga’s same party not just watching the spectacle from afar. Cue wise, that’s almost like programming two shows at once: Both had to behave as one cohesive element.”

Bennett describes the set as three stages connected by Lucite catwalks over the audience so the crowd can dance while watching Gaga perform above them. “It’s very interactive. She plays off the audience with her dancing and a big rave vibe,” he says. Bennett had previously used B-EYEs for Lady Gaga’s gig at the Roseland Ballroom. On this tour they are mounted above the upstage video wall, which measures 3×40 feet. “They mainly act as eye candy,” he explains. “They’re working great; they’ve been very reliable.”

For the ArtRave tour the lighting designer has deployed the Sharpy rig “all over the place: the main stage, front, rear, side, as well as on the pods over the audience. The Sharpys act as our other main effects light. I always have at least 100 if not 200 hundred on shows.”

Baeri cites the data management challenge the tour poses given “the immense amount of pixels we’re controlling. There are about 120 B-EYEs on the show, all in full-tilt mode, which adds up to over 4,500 pixels of just B-EYEs — and we use them in every configuration possible. Gaga’s music is extremely detailed, so we’re using every part of that light for the various tones and inflections in every song.”

Solotech is the video contractor and 8th Day Sound the audio contractor for the show.

Francesco Romagnoli, Clay Paky Area Manager for North and Latin America, commented, “It’s great to once again be a part of a Lady Gaga project and it’s always a pleasure to work with the very talented Roy Bennett. He and Jason are doing a great job on this tour.”

A.C.T Lighting is the exclusive North American distributor for Clay Paky.

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Forbidden Integrates Timecode Buddy Into Forscene Platform Via MovieSlate iOS App

LONDON — Aug 26, 2014 – Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, today announced that it has integrated Forscene with Timecode Systems Limited’s Timecode Buddy via the MovieSlate iOS application. MovieSlate is the industry standard for production slates and the Timecode Buddy system lets users reliably and easily generate, sync, and share accurate timecodes and metadata wirelessly over RF or Wi-Fi networks. The integration brings the three technologies together to allow people to insert metadata notes and media into a logging and editing system.

“We’re always aiming to integrate with proven technologies that help our customers solve their most vexing problems in order to save time and money. This integration fills a gap at the beginning of the production workflow, helping our customers not only capture important metadata in Forscene from the very start of production, but also make sure the metadata is synchronized and searchable throughout the workflow,” said Greg Hirst, business development director, Forbidden Technologies plc. “Timecode Buddy is a powerful enhancement to the Forscene platform that makes it possible to import shot notes created on the shoot directly into Forscene in a way that automatically links back to the media — a feature that translates to a faster, more efficient post process.”

With the Timecode Sync plugin, MovieSlate users can leverage SMPTE timecode that’s synced over Wi-Fi, in real time, from the extremely accurate Timecode Buddy system. This means that MovieSlate notes containing shoot log information reference the same timecode as the media itself. As a result of the Forscene integration, the MovieSlate shoot notes then automatically link back to the media when they’re imported into Forscene. This process ensures that producers starting work in Forscene already have some basic notes from which to build more detailed logs. All information is present throughout the Forscene workflow as searchable metadata to allow for fast assembly and editing.

The integration with Forscene is Timecode Buddy’s first integration with a crossplatform editing solution.

“Timecode Systems has always believed that collaboration is the only true way to advance the greater good of the industry. From day one, our senior production contacts have been telling us that they require more manufacturers and developers to work together with common interfaces,” said Paul Scurrell, managing director, Timecode Systems Limited. “This integration is very important to Timecode Buddy because it takes us one step closer to our mission of bringing the latest technology together with third-party companies to provide a more efficient and elegant way to sync, log, and track content. Forscene is already widely adopted in production and post- production workflows, so it is an ideal platform with which to integrate.”

More information about Forscene can be found at www.forscene.co.uk. More information about Forbidden can be found at www.forbidden.co.uk.

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About Timecode Systems Limited
Timecode Systems Limited designs and manufactures timecode hardware and software products that meet the needs of today’s shooting practices and recording formats. Launched in April 2012, the Timecode Buddy system is the first suite of products to generate and sync extremely accurate timecode and metadata on licence free RF channels whilst simultaneously transmitting timecode and metadata to iPads using Wi-Fi. More information on Timecode Buddy can be found at www.timecodebuddy.com.

About Forbidden Technologies plc
Forbidden develops advanced technologies that enable media makers and broadcasters to create and distribute compelling viewing experiences to demanding worldwide audiences. Forbidden’s flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform. It allows post-production professionals to make and deliver stories with high quality and production value in demanding, fast-paced landscapes. Quoted on the London Stock Exchange Alternative Investment Market, Forbidden partners with high-profile media and technology organisations, including Atos, BIM, deltatre, EVS, and Key Code Media. More information about Forbidden can be found at www.forbidden.co.uk. More information about Forscene can be found at www.forscene.co.uk.

All trademarks appearing herein are the property of their respective owners.

Visit Forbidden at IBC2014, Stand 8.B38e
Visit Timecode Systems at IBC2014, Stand 9.B14b

Photo Link: www.wallstcom.com/Forbidden/Forbidden-iPadWithShoot.jpg
Photo Caption: MovieSlate on iPad

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Simple. Robust. Intelligent: Kramer Launches RC-43T Control Panel

Audio, video and computer signal processing specialists, Kramer Electronics introduces the RC-43T, a 6−button auxiliary control panel that works as a remote control panel for master room controllers such as the Kramer SL−1 in classrooms, meeting rooms, boardrooms or auditoriums.

The RC-43T uses proprietary KNET™ protocol to power and communicate over a single cable and between Kramer products. Easy to use front panel buttons are touch−sensitive and give press confirmation using LED lights. The slimline unit measures 6.9cm x 1.6cm x 11.4cm (2.72″ x 0.63″ x 4.5″ W, D, H – US) and matches 1-gang US wall plates. Rugged and robust, the RC-43T is made for extensive use and brings significant return on investment.

Speaking about the new innovation, Ezra Ozer, Vice President, Marketing at Kramer Electronics said: “Created with the end user in mind, the RC-43T is simple to use, reliable, functional and intelligent. It forms part of Kramer’s comprehensive range of media and wall controllers. All products are expertly designed to be future-proof, manufactured at our factory in Jerusalem and marketed globally.”

The RC-43T will make its official international debut at InfoComm India 2014 at Booth D1, Mumbai Exhibition Center from 17-19 September 2014.

Some useful links:
Website: www.kramerelectronics.com
Twitter: KramerElec
Facebook: kramerelectronics
Linkedin: https://www.linkedin.com/company/895692

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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