A virtual press conference from Sound & Video Contractor

Archive of the Product Applications Category

FSR’s New LITE-IT Enclosed Box Light Named Winner In rAVe’s 2014 Annual Best of InfoComm Awards

Woodland Park, NJ – FSR is proud to announce that its LITE-IT Enclosure Box Light, introduced at this year’s InfoComm 2014 show in Las Vegas, has been named a winner by rAVe [Publications] in its 2014 Annual Best of InfoComm Awards in the category of “Best New AV Accessory.” Winners were revealed following the show, which reports a record high of 37,000-plus attendees from more than 114 countries. After scouring more than 490,000 net square feet of space and visiting with the 947 exhibitors showing new products and technologies, the rAVe team carefully chose the products that they thought were the best and most innovative.

FSR’s new LITE-IT easily provides lighting in floor, wall and ceiling boxes, or anywhere a work light is needed. This little light securely fastens to any ferrous metal surface via a “rare earth” magnetic mounting. A timed circuit automatically turns LITE-IT off after 75 seconds, and its anti-retrigger circuit prevents it from staying on even if the switch is held continuously.

“FSR is proud that our new LITE-IT Enclosure Box Light has not only received a very warm reception from show attendees at this year’s InfoComm show, but that it also gained the attention of the staff from rAVe and won its 2014 Annual Best of InfoComm Award,” said Jan Sandri, FSR president. “While looking to address the needs of our many users in markets ranging from education and houses of worship to corporate and medical, FSR wanted to design a unit that would deliver the same level of outstanding performance for which we are known.”

LITE-IT’s warm 3000K LED color for eye comfort provides over 12 Lumens of light output (20 percent more than a standard PR-2 flashlight bulb), and its super-efficient wide angle dual LED’s furnish a lighting pattern with uniform brightness to very end of battery life. High-quality alkaline batteries are included and pre-installed and provide 4+ years of typical usage from a single pair of batteries (Based on 2 operations per day, 5 days per week, 52 weeks per year).

rAVe [Publications], founded in 1998 by Gary Kayye, is a news organization that provides coverage of the commercial (ProAV) and residential (HomeAV) audiovisual trade industries via e-newsletters, blogs, video, social media, and a variety of other mediums.

About FSR
FSR, established in 1981, manufactures a wide variety of signal management and infrastructure solutions for the audio / video, datacom, education, hospitality, government, and religious markets, including floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and HDBaseT & CAT-X signal delivery solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Public Relations & Advertising
Harriet Diener
845-512-8283 • mailto:harriet@desertmoon.tv

Alex Clare Rocks the V Festival with HARMAN Soundcraft Vi6 Digital Consoles

LONDON, United Kingdom – Singer-songwriter Alex Clare headlined the Future Stage at the recent V Festival in Celmsford Essex, with The Old Lion Touring Company providing a pair of HARMAN Soundcraft Vi6 digital consoles for FOH and monitors.

According to Alex Clare’s FOH engineer Harry Devenish, Clare’s performances showcase a human approach to electronic music. “Alex’s performances fuse the weight and power of electronic records with live elements,” he said. “A lot of that is due to the bass setup—the bass guitars trigger a synth and a sub, creating a heavy, dynamic sound on stage.”

Devenish has significant depth of experience with the Soundcraft Vi6, having used one of the first models several years ago. “I come from more of an analog background and was slow to embrace digital, but I’ve always been comfortable with the Vi6,” he said. “It has a very intuitive surface, with hands-on encoders and two layers, it’s very flexible. You can do a lot on the Vi that you can’t do on other digital desks.”

“Vi Series consoles are so easy to work on,” said Tim Boardman, Tour Manager for The Old Lion Touring Company. “I’m from the studio world but I can walk up to the Vi6 and make it work, which is saying something!”

This fall, Old Lion will provide a Vi3000 and Vi6 console for a 10-week tour with Clare, where Boardman and Devenish plan on using the Soundcraft Realtime Rack library of plug-ins from Universal Audio. “We’re really excited about using the Realtime Rack library,” Boardman noted. “Bringing those effects that are predominantly used in studio settings to live performances makes a lot of sense.”

“Realtime Rack will be massive for us!” Devenish remarked. “The Vi6 is already a convenient console to work on and this will take the performance up another level.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

FIFA World Cup Stadiums Feature World-Class Audio with HARMAN Professional

Arena da Amazonia in Manaus, Brazil (Photo Credit: Gabriel Smith)

BRASILIA, Brazil – With hundreds of thousands of fans in the stadiums, not to mention the billions who tune in from across the globe, making sure the sound is perfect for the 2014 FIFA World Cup is no small undertaking. When faced with challenge of delivering the most sophisticated, world-class audio experience possible, from the Amazon basin in the north to the banks of the River Guaiba in the south, eight of the major stadium venues in Brazil’s 12 host cities featured HARMAN’s wide range of audio solutions. In addition, a wide variety of Studer Vista consoles were used for television broadcast of the games.

“From inception through delivery, each component in our family of brands is designed to provide a sophisticated, integrated and affordable audio solution,” said Robert Klesser, National Sales Manager, Install & Cinema, HARMAN Brazil. “As soccer transcends sport and becomes an expression of culture, we are honored to be the brand of choice for so many of the venues hosting matches during the 2014 FIFA World Cup.”

While the components installed vary by venue, popular products include HARMAN’s IDX communication systems, AKG microphones, BSS signal processing, Crown amplifiers, Soundcraft digital consoles and JBL loudspeakers. The range of stadiums equipped with HARMAN audio solutions is diverse in terms of size, location and age.

Beginning on a plateau in southeastern Brazil, on the Atlantic Coast, Arena de Sao Paulo hosted the opening match between Croatia and Brazil. Built specifically for the World Cup, the facility seats 68,807 and will serve as the new home for Sport Club Corinthians Paulista. Systems integrator Johnson Controls and audio integrator Soundvision outfitted the facility with the IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, Crown CTs amplifiers, JBL Control Contractor ceiling loudspeakers and Soundcraft Si Expression digital consoles.

Surrounded by mountains in Belo Horizonte, Brazil, which is inland from Sao Paulo and Rio, Estadio Mineirao is a national monument that will host not only World Cup matches but also numerous matches during the 2016 Summer Olympics as well. Built in 1965, the venue seats 57,400 and recently underwent an extensive renovation that took three years. Johnson Controls systems integrator and Soundvision audio integrator equipped the landmark stadium with an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, Crown I-Tech HD amplifiers, JBL ceiling loudspeakers and Soundcraft Si Compact digital consoles.

Estadio Nacional, in Brazil’s capital city, Brasilia, opened in 1974, was renovated in 2013 and seats 68,009. Systems integrator Siemens and audio integrator Loudness equipped the massive facility with an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, JBL ceiling loudspeakers and Soundcraft Si Compact digital consoles.

Estadio Castelao is located in Fortaleza, Brazil, considered a “fortress” port on the country’s northeast coast, more than 1,500 miles from Rio. The facility, which opened in 1973 and reopened in 2013, seats 58,000. For sound, systems integrator TODO and audio integrator Telem equipped the stadium with an IDX communication system, BSS BLU-800 networked signal processors, Crown CTs amplifiers, JBL PD5000 Series loudspeakers and Soundcraft Si Compact digital consoles.

Arena da Amazonia is in Manaus, Brazil, the capital of the state of Amazonas and, at 2,659 miles from Rio, the furthest north of the host cities. The stadium, which opened in March 2014, seats 42,374. Systems integrator Johnson Controls and audio integrator Soundvision equipped the facility with AKG microphones, BSS BLU-800 networked signal processors, Crown I-Tech HD amplifiers and JBL Control Contractor Series ceiling speakers.

Arena Pantanal, which opened just two months before the World Cup, is 1,200 miles from Rio, near the Bolivian border and close to the center of South America, in Cuiaba, Brazil. It seats 42,968. Systems integrator Canal Livre and audio integrator Soundvision equipped the facility with an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, Crown I-Tech HD amplifiers, Crown DCi amplifiers, JBL PD5000 Series loudspeakers and Soundcraft Si Expression digital consoles.

Arena Pernambuco is in an economically deprived area on the outskirts of Recife, Brazil, more than 1,400 miles from Rio. With a seating capacity of 42,800, the stadium was opened in 2013 with the hope that it will act as a catalyst for local regeneration long after the World Cup. Systems integrator NEC and audio integrator Telem installed an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, JBL ceiling loudspeakers and Soundcraft Si Compact digital consoles.

Finally, the oldest of the World Cup venues, Arena de Baixada is in Curitba, Brazil, south of Sao Paulo and about 500 miles from Rio. Originally built in 1914, the stadium was completely rebuilt in 1999 and then renovated again for the World Cup. It seats 41,456. Systems integrator NEC and audio integrator Telem equipped the facility with a HARMAN lineup that includes IDX communications systems, AKG microphones, BSS BLU-800 networked signal processors, Crown CTs amplifiers, JBL AWC weatherized compact loudspeakers, JBL PD5000 Series loudspeakers, JBL Control Contractor loudspeakers and Soundcraft Si Expression 3 digital consoles.

HARMAN Professional also had a strong presence in the broadcast elements of the World Cup, with multiple Studer Vista consoles in use for television broadcast of the games. In Rio de Janeiro, a Studer Vista 9 digital console was used to broadcast all 64 games via the TV Globo Network to the Jardim Botanico area. In addition, TV Globo’s OB Van HD3 used a Vista 9 to specifically feed games from Maracana Stadium for live transmission to Jardim Botanico. Projac, the main center of television production for TV Globo, also used a Vista 9 in its OB Van HD8 for live shows related to World Cup events. TV Globo also utilized a pair of Vista 8 digital consoles for television broadcast of live performances centered on the World Cup.

In Sao Paulo and Brasilia, TV Globo’s OB Van HD1 was equipped with a Vista 8 console for the games that were hold in those two cities. A Vista 8 and a Vista 9 were also used in Sao Paolo for live performances related to the World Cup.

Lastly, RCN in Colombia used its OB Van, equipped with a Studer Vista 5 digital console, to broadcast the entirety of the Colombian National Team’s games in the World Cup.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Rascal Flatts Goes Out On Rewind Tour With HARMAN’s JBL VTX Line Arrays and Crown Amps

NASHVILLE, Tennessee — Rascal Flatts keeps riding high – the band’s last eight albums have hit number one on the country music charts and the group continues to pack arenas in support of their new chart-topping album Rewind. Never a band to go short on production, Rascal Flatts along with supporting artists Sheryl Crow and Gloriana and live sound company Sound Image are going all-out this summer and fall with a tour sound system featuring HARMAN JBL’s flagship VTX Series line array loudspeakers and Crown I-Tech HD amplifiers.

For the Rewind shows, Escondido, California-based Sound Image is bringing out a stadium-shaking system that includes 60 JBL VTX V25 line array loudspeakers and 32 S28 subwoofers as the main system, complemented by six JBL VERTEC® VT4889 fullsize line array loudspeakers and two VERTEC VT4880 arrayable subwoofers used as sidefills. The loudspeakers are driven by no fewer than 72 of Crown’s flagship I-Tech 12000HD amplifiers.

Thirty VTX V25 loudspeakers and 16 S28 subs are flown on either side of the stage with three VT4889 loudspeakers flown on either side and aimed towards the stage as monitors, and two VT4880 subs are placed on the ground of the stage floor, aimed towards the performers.

“Everybody likes the new rigging system used on the VTX arrays,” said Sound Image Systems Tech Jeremy Overall. “Everything goes together pretty easily, which is a huge advantage when you have to set up literally 100 loudspeakers night after night.” VTX’s patented S.A.F.E. suspension system is streamlined for speed and efficiency with improved, integrated hardware for faster setup and greater security. Overall and his crew are also using the new JBL VTX Vertical Transporters, rolling frames that facilitate the transport of VTX line arrays for tour sound applications. “It actually makes moving all these arrays pretty easy.”

Sound Image was one of the first tour sound providers to add the JBL VTX Series to its inventory. “We got the second VTX rig and have been carrying it for about a year and a half,” Overall said. “It’s a significant improvement from anything else we’ve used with a lot more bottom end and good punch. The new D2 dual compression driver and waveguide really smooth out the high end – there’s no harshness to be heard.” Overall points out that with VTX in place, the system requires “just a little EQ but not nearly to the extremes we’d gotten accustomed to in order to make a system sound balanced.”

The Rascal Flatts rig is set up and tuned using JBL HiQnet Performance Manager™ software. “It’s so user-friendly – everything we need is right there. For example when we need to associate speakers to their amplifiers everything is built-in on a single tab. When we need to configure delay and processing, we just tell the program what speakers we’re setting up and all the control panels come right up.” Overall is also a big fan of the I-Tech HD Series amps, noting that Sound Image has had dozens of the amps working reliably on the road for two years. “I’m not the first person to say this but the amps work really well with the VTX arrays,” thanks to their built-in presets that enable the VTX models to be perfectly optimized for frequency response, crossover points and slopes and other sonic attributes.

“With a production like this you need to pull out all the stops in every respect including the live sound,” said Overall. “The JBL VTX and Crown system is more than a match for what’s happening on stage. The sound is incredibly detailed, punchy and ‘fast’-sounding from the deep low end to the smooth highs. I’m very happy.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Advanced Audio Video Technologies Retrofit Sound System at The Pentecostal Church of DeQuincy with HARMAN’s JBL and Crown

DEQUINCY, Louisiana – The Pentecostal Church in DeQuincy, Louisiana required an upgrade to its sound system, and with a change from a center cluster long overdue, Pastor Wayne Neyland turned to Sulphur, Louisiana systems integrator Advanced Audio Video Technologies (www.advancedav.biz) and HARMAN’s JBL VERTEC® line arrays and Crown amplifiers to bring the sanctuary’s sound up to date.

Not that the church rushed to make up for lost time, they contacted Advanced after asking around and getting a referral from another church in town. “Although the sanctuary only seats 700, the church wanted the best, and we were determined to provide it, so I took my time with the design to make sure we got it exactly right,” said Advanced owner Ethan Miller. The pastor and church personnel demoed several different models from various manufacturers and Miller had many conversations with Brad Ricks at HARMAN about recommended speaker selection and placement.

“As soon as the pastor heard the JBL VERTEC VT4886 subcompact line array loudspeaker he said, ‘that’s the speaker,’” noted Miller. Advanced went with 16 VT4886 subcompact line array elements, eight per side flown from the left and right of the pulpit to cover the floor and balcony of the sanctuary. In addition, two JBL PRX418S and two JBL ASB6125 subwoofers were installed and will be moved under the platform on either side during a planned remodelling project. Four Crown I-Tech 9000HD series amplifiers drive the speakers. Completing the system are a Soundcraft Vi1 digital console and Compact Stagebox.

“Even though I know the loudspeakers and amps are designed to work together, I have to say that this was an easy project,” Miller stated. “We worked closely with Ricks and HARMAN from the very beginning in engineering the system, and the extra time we took up front paid big dividends. The Crown amplifiers are very easy to use and the fact that they’re optimized to work with JBL VERTEC line arrays really saved on system setup and tuning.”

In fact, during one point in the process, one of the amplifiers indicated that one of the loudspeakers had a different impedance than it was supposed to have. It turned out that one of the loudspeakers wasn’t connected properly. “The Crown’s built-in monitoring enabled us to figure out the problem and correct it immediately,” Miller said.

In some cases, however, there’s nothing like a person’s experience and ears: “When we first set up the system the loudspeakers were dead-on in covering the seating area, but there was a bit more sound coming off the walls than we liked. All we had to do was turn the loudspeakers in a few degrees and the sound went from good to superb.”

“The VERTECs work beautifully in this space – far from being overkill, the clarity and headroom are outstanding and the system can handle anything without the slightest hint of strain. The overall sound is nothing less than amazing.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Southwestern Assembly of God U Installs Yamaha NUAGE DAW System

BUENA PARK, Calif.—Located in Waxahachie, TX, Southwestern Assemblies of God University (SAGU) began as a regional bible school and later, added a junior college program. The university has experienced phenomenal enrollment increases from 596 students in 1991 to approximately 2,200 today. In 2013, the academic divisions of the university realigned into three colleges: the College of Bible & Church Ministries, the College of Business and Education, and the College of Music and Communication Arts. All colleges maintain Bible-based curriculum to fulfill the mission of SAGU. Since 2000, SAGU has added 24 new academic programs, bringing the total to more than 60 programs.

Recently, SAGU added a 48-Fader Yamaha NUAGE Advanced Production DAW System, purchased through Audio DAWG of Irving, Texas. The system is installed in a dedicated studio for commercial production that is available for rental and an academic learning lab for Digital Media Arts students. Internships are being offered for students in the program, but they will also have to complete at least one major audio project using the studio, with staff engineer assistance.

“I started using Nuendo 2.0 in 2003 as an upgrade from Cubase SX which I was strictly using for MIDI programming, states John Cookman, Chief Engineer and Director of Media Services and Production. My DAW at the time was a PARIS system that had been discontinued, and I needed a DAW that could keep up with where I was leaving off. Wow! Nuendo really did that and more.”

Cookman purchased NUAGE primarily because he had grown tired of recording/editing/mixing with a mouse and keyboard. “I always sensed that my creativity was being stifled due to the inefficient ways of keyboard and mouse work flow, Cookman says. I had originally planned to purchase a Euphonix system because of its acclaimed integration with Nuendo, but once I demoed the NUAGE at NAB 2013, I decided it was much more practical to buy a console that was specifically made for the Nuendo platform and would also be supported by Nuendo’s parent company, Yamaha. From the first minute I sat down with the NUAGE, I have felt at home.”

The Digital Media Arts BA degree is the path for all of SAGU media students, and the department is moving toward an audio recording degree path. They do offer an audio recording class that is mandatory for all DMA students. Each student will be doing at least one project on the NUAGE. SAGU averages roughly 20 students in the audio recording class per semester.

Technically, SAGU is not a house of worship but they do have daily chapel services. “My department has started up a live and on-demand outlet to view and listen to services (www.SAGU.tv chapel channel), notes Cookman. This is a multi-camera and multi channel audio mix for broadcast TV using our DMA students as student workers. We also do sports broadcasting as well.”

Two main facilities are used for broadcasting, the largest auditorium seats approximately 2,300. During the school year the auditorium is occupied mostly by students. The other auditorium is a new performing arts theater seating 625. “Our NUAGE system is directly integrated to this room so that we can use it as a sound stage to record from,” adds Cookman.

Cookman appreciates the NUAGE state-of-the-art approach adding in the elements of the analog workflow to a digital non-linear workflow. “Now I am able to access the best of both worlds concerning work flow. Yamaha has done an outstanding job at connecting the user to efficient workflow systems. The way they have integrated NUAGE with the DAW (especially Nuendo) has empowered the engineer with hands-on tools that are unprecedented in our industry.”

Specific features that were attractive in SAGU’s decision process were the motorized faders, one-touch navigation to any parameter, and the ability to edit each parameter microscopically with professional grade encoders. “Faders and buttons impact our work environment everyday. Being able to reach over and instantly access channel data makes workflow so efficient. Now, I don’t have to spend time scrolling with my mouse and keyboard keeping me from really getting into that creative zone. The NUAGE is a “Must Have” for every DAW.”

John Cookman has been in the industry for 30 years, and 18 of those were spent in the non-linear DAW world. “Since I started working with NUAGE, I finally feel like I am tapping into the top layer of my potential as a engineer and producer. In May, we released a Christian music project for an outside artist (I was hired to produce and record/edit/mix). Within 45 days, we charted at #10 on the Billboard Hot Christian charts and the next week, we topped out at #8. The artist was the only independent artist in the top 100 at that time. I attribute a lot of that to the flexibility the NUAGE brought us to use more of our creative brain rather than engineering brain.”

Cookman says he is budgeting for a smaller NUAGE setup for broadcast remix in SAGU’s master control room currently using Nuendo.

For more information on SAGU, visit www.sagu.edu.

For more information on Audio DAWg, visit www.audiodawg.com.

For more information on NUAGE, visit www.yamahaca.com.

-END-

PICTURED: John Cookman

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

This One’s For You: Sound Image and Jimmy Buffett Celebrate 40 Years On the Road Together Using HARMAN’s Crown I-Tech HD Amps and JBL VTX Line Arrays

ESCONDIDO, California — Jimmy Buffett has been extolling the laid-back pleasures of Margaritaville, having a Cheeseburger In Paradise and the fact that it’s Five O’Clock Somewhere since he recorded his first album in 1970. For 2014, San Diego’s Sound Image is celebrating 40 years as Buffett’s live sound provider with a new touring system based around HARMAN’s JBL VTX line arrays and Crown I-Tech HD Series amplifiers.

“When it comes to connecting with the audience, I think you can safely say that nobody’s better at it than Jimmy Buffett,” said Dave Shadoan, who partnered with Sound Image’s founder and partner, the late Ross Ritto, in 1971. “His fans hang onto every word at his live shows and they deserve nothing less than the best sound we can deliver.”

Buffett’s audience certainly isn’t going to have to strain to hear him sing. The live sound rig consists of 80 Crown I-Tech 12000HD amplifiers driving 52 JBL VTX V25 line array loudspeakers and 24 S28 cardioid-arrayable subwoofers. “We generally hang 14 V25 loudspeakers per side in the main array, with eight S28 subs next to them and 12 V25 loudspeakers in each of the left and right side hangs,” noted Sound Image front of house engineer Rich Davis. Depending on the venue, Davis will add more S28 subwoofers at the middle of the stage to fill out any void in the low frequencies, plus three S28 subs on each side if necessary. “We were in sheds at the start of the tour and will be outdoors through October.”

Davis noted that the biggest issue Buffett will have with a sound system is keeping the low end from building up on the “deck” that makes up the floor of the stage. “That’s one of the reasons I like to spread out the subwoofers and not use massive ground stacks,” he said.

Davis sets up the system using JBL’s HiQnet Performance Manager™ system control software. “The latest version of Performance Manager saves us a lot of time and simplifies the entire configuration and calibration process,” Davis pointed out. “It enables us to go deeply into the I-Tech HD’s many DSP functions, filters and crossovers and fine-tune the sound. It also gives me automatic control screens for each of the line array columns and if I need to edit, modify, add or delete a hang, it’s actually easy instead of being a time-consuming chore.”

Davis notes that he rarely needs any EQ on the high end and that the system is smooth from top to bottom. “We did a show in Raleigh and I walked up on the lawn, which was about 430 feet from the speaker stacks and there was solid low end all the way in the back of the lawn, which never happened before. This new system is more coherent and the low end really holds up.”

“The PA is super stable,” Davis added. “Jimmy is known for talking between songs and when he talks to the other band members it’s often sideways off the mic. I can ram that fader all the way up so that he can be heard and the system still doesn’t have any problems.”

“It’s been an honor, a privilege and a great time working with Jimmy all these years,” Shadoan concluded. “The only thing missing in this 40th year is my former partner and Jimmy’s former monitor engineer, Ross Ritto. Sound Image has always been about technological innovation and I know Ross would be thrilled to hear what we’re doing with Jimmy on his 2014 This One’s For You tour.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

New JVC ProHD Broadcaster Server and GY-HM890 Cameras Help WDBJ7 Expand Live ENG Reports and Reduce Operational Costs

WAYNE, NJ – When the University of Virginia Cavaliers advanced to the College World Series in June, CBS affiliate WDBJ7, which serves the Roanoke-Lynchburg, Va., market (DMA #66), covered the team’s games at TD Ameritrade Park in Omaha, Neb. For an assignment like this, the station would usually send one of its satellite trucks and an operator, along with a reporter. This time, however, the station only sent a reporter with one of the station’s 16 new JVC GY-HM890 ProHD shoulder-mount camcorders.

According to Alan Novitsky, WDBJ7 director of engineering and IT, the setup provided “flawless live shots that looked absolutely fantastic.” It also eliminated a roughly 2,300-mile round trip for the station’s satellite truck, which provided significant operational cost savings.

In the field, the GY-HM890 is paired with a Verizon 4G LTE modem that connects directly to the camera via USB. At the station, JVC’s new BR-800 ProHD Broadcaster server manages the HD streams from the cameras and routes them through four Teradek decoders for live reports. Novitsky said each camera’s embedded Zixi advanced error correction, combined with the ProHD Broadcaster, has created such a highly reliable single modem streaming system that WDBJ7 will purchase more decoders and expand its live ENG capabilities next year.

WDBJ7 debuted the new camcorders on the air in late May. One of its first live shots was coverage of steeple repairs at St. Andrew’s Church in downtown Roanoke from a helicopter. Since then, one of the JVC cameras provided exclusive live coverage of a tanker truck crash in June, and another delivered live shots from a Ferris wheel at the Salem Fair in early July. WDBJ7 is one of nine television stations in six states owned by Mishawaka, Ind.-based Schurz Communications, Inc.

The cameras were purchased through JVC broadcast sales representative Digital Video Group (DVG) to upgrade the station’s aging Panasonic SD ENG camcorders to HD. “Not only does the upgrade deliver native HD acquisition in the field, but it offers native file recording for ingest without transcoding into our new Grass Valley Stratus/Edius post system,” Novitsky added. “Plus, now that we’ve moved to non-proprietary SD cards, our recording media is more accessible and less expensive.”

On average, WDBJ7 features three live shots from its new JVC camcorders during its nightly newscasts, in addition to live shots from our satellite and microwave trucks. “We have been very satisfied with our new fleet of JVC ENG cameras as well as our Broadcaster server,” Novitsky said. “We’ve got great video quality, reliable and cost effective live ENG reports from the field, and a happy news director.”

ABOUT JVC PROFESSIONAL PRODUCTS COMPANY
Headquartered in Wayne, New Jersey, with West Coast operations in Long Beach, California, JVC Professional Products Company is a division of JVC Americas Corp., a wholly-owned subsidiary of JVC Kenwood Corporation. JVC is a leading manufacturer and distributor of broadcast and professional video and audio equipment, D-ILA front projection systems, and Super LoLux HD video security products. For further product information, visit JVC’s Web site at http://pro.jvc.com or call (800) 582-5825.

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Show-Concept.ch Invests in JBL’s VTX Line Arrays and Crown I-Tech HD Amplifiers

The show-concept.ch team (left to right): Florian Jaeger, Project Manager; Cyril Schmuki, Head of Audio; Patrick Frueh, CEO.

ELSAU, Switzerland – Swiss rental and event production company show-concept.ch has recently purchased a HARMAN JBL VTX V20 line array system and additional Crown amplifiers from HARMAN Professional distributors Dr. W.A. Guenther Audio Systems AG with the aim of broadening the range of services they offer. They are the first company in Switzerland to invest in JBL’s new generation, smaller format VTX system. Known for their work in the corporate sector, their aim now is to migrate further into concert touring with their range of sound, lighting and technical services.

After running JBL’s VERTEC® in its inventory, the company has now stepped into the future, placing an order for 16 JBL VTX V20’s and eight each of the new VTX S25 subs and have also added four Crown I-Tech 12000HD and 12 Crown I-Tech 4x3500HD amplifiers to its existing Crown I-Tech HD inventory.

“The main reason for purchasing a new system was to take a step forward in tour sound—and of course to be up to date,” stated Cyril Schmuki, audio engineer for show-concept.ch —adding that its new front line PA system will be backed-up by other systems, including three complete VERTEC rigs.

VTX V20 features the advanced technology of VTX V25 in a smaller format and the high power density of this 3-way system is complemented by a new ASM suspension system that provides efficient transport, fast setup and precise configuration. Utilizing Differential Drive™ technology and a small format version of the revolutionary D2 dual compression driver, the integrated V5 presets fully realize the processing capability of the Crown I-Tech HD amplifiers.

“The handling and the rigging system were what we especially liked,” added Schmuki. “This and the new JBL HiQnet Performance Manager™ software were the main advantages.”

The sale was supported by Dr. W.A. Guenther’s Director of Sales Felix Alpstaeg, and Application & Project Engineer, Jaromir Ott. Already familiar with JBL VERTEC and Performance Manager for system configuration, monitoring and control, the production company is nevertheless planning advanced training in conjunction with Dr. W.A. Guenther for next year’s festival season.

Overall Schumuki couldn’t be more pleased with his new JBL and Crown powered rig, “We are delighted with the VTX V20, it’s a pleasure to work with. I’ve never heard a system which is so precise over the whole frequency range; and what is absolutely astonishing is to stand behind the array, because it’s just so quiet.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

ICE Cable Systems Invests in the Latest REELEX Cable Coiling Machine

Newer technology features the latest optimizations in both hardware and software, and is customized for ICE Cable Systems’ products, making this premium wire & cable brand’s Big Mouth Payout bulk wire dispenser even better

Example of REELEX II wind pattern and dispenser Los Angeles, CA – August 25, 2014 – ICE Cable Systems, a leading manufacturer of premium low-voltage wire and cable products, today announced that it has invested in a new REELEX coiling machine for its factory.

REELEX’s tangle-free technology is a patented method of winding wire and cable into a figure-eight coil. In optimizing each coil, factors such as gain, payout hole control and the density of the wind, along with progressive coil tension, are all instrumental to producing tangle-free packages. This unique coil can only be produced on a specially-designed and patented REELEX machine and accompanying customized software.

The REELEX II coil within the bulk wire carton does not rotate during payout, nor does any inertia take place. Void of any moving parts, the coil dispenses from the inside-out with a clear path and avoids the typical twists, tangles and snags that plague bulk wire cartons.

The REELEX II technology is a key element in ICE Cable Systems Big Mouth Payout bulk wire carton, that along with other conveniences such as ascending and descending foot markers on the cable jackets, and extremely durable 24 kilogram burst-tested cardboard with dual-layer handles, have made it very popular among installers.

“We’ve taken something good and made it even better,” says ICE Cable Systems President Brian Rizzo. “We’ve invested in a machine that represents the state-of-the-art in wire and cable technology and custom-configured it for our cables. The net result for our dealers will be perfect pulls, from the first foot to the last.”

ICE Cable's Big Mouth Payout bulk wire carton

Timothy Copp, Vice President of REELEX notes, “Installers need to know there is knock-off pull-box packaging out there. Non-REELEX coils might look and act like REELEX, but are prone to tangling, cable deformities, and can cause damage to the cable – leading to performance issues.”

For more information please contact ICE Cable Systems at 310.444.1950.

About ICE Cable Systems
Founded in 2004 by president Brian Rizzo, ICE Cable Systems is a leading manufacturer of premium low-voltage wire and cable products serving the Audio Video, Alarm and Security, Commercial, Electrical Contracting and Data Center channels. The company’s products are available to integrators both directly and through more than 50 distributors in North America and internationally. ICE Cable’s success is driven by ingenuity and its desire to make superior products that offer more value to installers. www.icecable.com

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