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Archive of the Product Applications Category

LECTROSONICS ASPEN PROCESSORS INTEGRAL TO CHICAGO’S THE SECOND CITY THEATRE SR UPGRADE

**** Photo: Brian O’Connell ****

**** Photo: Brian O’Connell ****

Chicago, IL – October, 2014… Operating since the 1950′s, The Second City is an improvisational comedy enterprise, best known as the first ever on-going improvisational theater troupe in the United States. It is known also for the inclusion of live, improvised music during their performances and has served as the training ground for a host of famous alumni including John Belushi, Mike Myers, Bill Murray, Gilda Radner, Tina Fey, Steve Carell, Stephen Colbert, and many more. As part of an upgrade to the facility’s sound reinforcement (SR) systems, the venerable nightspot recently incorporated three Aspen SPN1612 16 input / 12 output audio processors from Rio Rancho, NM-based Lectrosonics. more

Cignal Systems/Logic Systems to Host NEXO Speaker Tour

YCAS_NEXO Logo Panel

BUENA PARK—Cignal Systems/Logic Systems Sound and Lighting in Valley Park, MO will host a NEXO “Speaker Tour Stop” Open House this Wednesday, October 29, 2014 from 4:00 – 8:00 pm. Registration is not required. The event will take place at 255 Marshall Rd. Suite 160 in Valley Park, Missouri.

Products to be included in the demonstrations are NEXO STM Line Array (M46, M28, B112, S118B, NUAR Rack) and the new GEO M620/M6B Compact Loudspeaker Series.

Mike Eiseman, Steve Armstrong, Paul Furtkamp and others from Yamaha Commercial Audio Systems, Inc. will be on hand to answer questions.

For more information, contact 314-743-0100 or 888-968-4050; or visit
www.cignalsys.com or www.logicsound.com.

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Deutsche Welle Calls on RTW TouchMonitor Range

Broadcaster Selects RTW TM3, TM7 and TM9 Units to Ensure EBU-R128-Compliant Program Levels at Berlin and Bonn Production Sites

COLOGNE, GERMANY, OCTOBER 27, 2014 – When Deutsche Welle, Germany’s premier international broadcaster and a member of the ARD network of German public broadcasters, sought to make its programming compliant with the EBU-R128 loudness mandate, it turned to RTW, the market leader in visual audio meters and monitoring devices, and the company’s TouchMonitor line of audio meters, to make the transition. With their ability to offer intuitive, precise monitoring, along with their ease of installation, RTW’s TM3, TM7 and TM9 TouchMonitor meters were the perfect fit for the job.RTW_TM3_DE_IB_134_Stereo_Num_ATSC

Deutsche Welle first took delivery of the RTW TouchMonitor units last September, employing a combination of 65 TM3, TM7 and TM9 meters with various configurations and feature sets in several recording studios, editing suites and workplaces in its Bonn and Berlin facilities. AVS Medientechnik GmbH, based in Berlin, oversaw the procurement and implementation of the units.

According to Hannes Brandt, technical assistant at Deutsche Welle’s Berlin site, the broadcaster chose RTW on the recommendation of an ARD working group that had tested loudness meters from several manufacturers. He also noted his company had previous experience with the RTW metering systems. “Our production workplaces were already using digital and/or analog peak meters by RTW, as well as metering instruments from their PortaMonitor series, and the positive experience we had with those products, along with RTW customer support, also contributed to the decision to go with RTW.”

Engineers working on various broadcast shows Deutsche Welle’s Berlin and Bonn sites currently employ the RTW TM3 units in a combined setup with the existing RTW PortaMonitor, which is used for monitoring level, loudness, frequency response and phase of analog and digital signals systems, as well as the RTW TM7 units at the company’s dubbing suites (mainly the TM7-VID version, which is installed in the company’s Tektronix mainframes). The TM9 units are being used with an installed radar option, for a more detailed look into the composition of the metering data.

The RTW TM3, TM7 and TM9 units are highly modular, which has made installation into the Deutsche Welle workflow straightforward. The majority of the meters there comprise typical desktop units well-equipped, along with TM7-VID modules supplied with 19-inch rack-mount adapters for waveform monitors as well as TM9 OEM units for installation into mixing consoles. As with all members of RTW’s TouchMonitor family, the TM3, TM7 and TM9 TouchMonitor units can be enhanced with software licenses as future needs arise.
RTW_Touchmonitor_TM9_Screen_web
“We currently use a reference setting of either –17 LUFS or the traditional 0 dB QPPM,” Brandt says. “This allows our users to familiarize themselves with level adjustment based on loudness. However, we currently still support QPPM-based level adjustment. For that purpose, we configured two different layouts on the installed units. As soon as all workplaces are equipped with TM units and all users have undergone appropriate training, we will switch our in-house reference to –23 LUFS by changing the layout presets.

According to Brandt, another major benefit is the unlimited configurability of instrument layouts on the user interface. “This way, we can adjust our meter scales to the requirements at hand,” he notes. “In addition, the constant software refinement and the additional software options ensure maximum protection of our investments.”

The TM7 and TM9 versions offer a 16:9 touch-enabled TFT screen with a display size of 7 or 9 inches, respectively. The operator can quickly scale and place the instruments on the screen for maximum ease of use. With the SW20002 software license installed, the TM7 and TM9 include basic stereo-PPM instruments with analog scales (DIN +5, Nordic, British IIa, British IIb) and digital ones (0 to –60 dB, +3 to –60 dB TruePeak, Quasi-DIN, Quasi-Nordic, Quasi-British IIa, and Quasi-British IIb) as well as peak-hold and correlation meters. Additional features include loudness meters complying with current standards (EBU-R128, ITU-R BS.1770-3/1771-1, ATSC-A/85, ARIB, OP-59) and the MagicLRA instrument used for visualizing loudness range and the integrated loudness. This allows for a unique combined view of all relevant information.

In user mode, the operator can change the parameter settings. Moreover, the units include an SPL view that provides various weighting filters and integration times as well as reference-level parameters for calculating the SPL of an electric input signal. Other loudness-metering specific software modules, such as, for example, the logging-data server (software license SW20014), are unlocked as necessary. This feature adds a logging instrument to the software that allows for transferring metering data from several TouchMonitor units over Ethernet (TCP/IP) to a Windows-based computer running the Loudness Quality Logger (LQL) analysis software. Each TM7 or TM9 unit includes a 16-channel audio interface. Users can choose from a variety of I/O configurations in analog and/or digital formats. Alternatively, a 3G-SDI interface for up to 32 input channels can be implemented. With the SW20001 software expansion for multichannel support installed, the meters on the user interface show each stereo or surround input while the user can monitor and control them.

The compact TM3 features a 4.3-inch touch-enabled screen and a separate interface box. It handles analog and digital stereo signals (TM3) or 6-channel digital audio (TM3-6CH). In its standard configuration, the TM3 offers extensive loudness-metering functions compliant with all globally relevant standards (EBU R128, ITU-R BS.1770-3/1771-1, ATSC A/85, ARIB, OP-59) including single-channel and summing bargraphs, LRA, and numerical displays.

The TM3 offers the same functionality and user-friendly tools as the more advanced TM7 and TM9 at a minimum footprint and lower price. This makes it particularly suitable for journalist cubicles, editing suites, and small control rooms. The TM3 also includes the MagicLRA instruments, used in cooperation with the loudness metering. This instrument provides a quickly and clearly readable view of critical loudness parameters in context supported by its color, shape, and position on the metering scale and thus makes meeting all requirements a breeze.

For more information, please visit www.rtw.com.

About Deutsche Welle (DW)
Deutsche Welle (DW) is Germany’s international broadcaster, providing content in 30 languages on TV, radio, and the Internet. They represent Germany in the international media landscape and offer people on all continents independent information. In addition, they ensure uncensored reporting in restricted media markets and conflict zones. While the Bonn headquarters produce mainly radio features and multimedia contents for the website, their Berlin site is mostly in charge of productions for Deutsche Welle’s six TV channels. In total, Deutsche Welle employs more than 1500 permanent staff plus the same number of freelancers.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.com or call +49 221 709130.

For High-Profile Events Where Huge Screens, Image Quality, and Precision Are Top Priorities, WorldStage Relies on Stewart Filmscreen

WorldStage, the well-known rental and staging company, purchases two gigantic projection screens, adding to an ever-growing Stewart Filmscreen inventory and recommitting to Stewart as its projection screen supplier of choice

TORRANCE, CA, USA – October 27, 2014 – Stewart Filmscreen, world leader in built-to-order, high-performance, extra-large, projection screens for the commercial, rental, and residential markets, and WorldStage, a premiere technical rental and staging company in event and entertainment technology, stewart_logo_sfc08_webannounced today their ongoing mutual support, with WorldStage buying two gigantic new ‘Stewart Large’ category screens,adding to its extensive and ever-growing Stewart Filmscreen inventory.

“While Stewart screens can sometimes cost more than the alternatives and require special care when being used, they are unparalleled in terms of image quality,” says Richard Bevan, VP and General Manager at WorldStage-LA. “No matter where the viewer is seated, they will see the same image quality as those seated front-row center, no matter the projector configuration. With the very large shows we cater to, that is critical.” 

For more than thirty years, display technology engineers at WorldStage have relied on Stewart Filmscreen, going back to WorldStage CEO Gary Standard’s early days in the industry in the mid-1980s. As WorldStage evolved in to an AV staging company in the early 1990s, the company began to purchase Stewart screens for rental inventory. Now, the company uses large high-performance Stewart screens ranging in size anywhere from 10-feet x 17-feet to 24-feet x 91.5-feet, with a large number of Stewart AeroView 100 rear-projection surfaces, specialty screens including GrayHawk front-projection surfaces, UltraMatte 150 front-projection curved surfaces, and a variety of other screen surfaces in inventory.

WorldStage chooses Stewart Filmscreen projection screens for their unmatched color-accuracy and brightness uniformity, attributes that allow the screens to be used very successfully in applications where other screens would exhibit hot spots and color-shift. With the added advantage of being the only screen company that can create seamless projection screens up to 40-feet by 90-feet wide, Stewart Filmscreen offers the uninterrupted, larger-than-life images that live events in large venues require. The Stewart ‘Difference’ means WorldStage can offer the biggest and best seamless image, while providing the durability that the rental market requires. Stewart’s unrivaled build-to-order custom manufacturing capabilities also means WorldStage has the versatility necessary to service any live event, no matter how big, unique, or demanding.

We are honored to be the projection screen supplier of choice for WorldStage, one of the country’s most prestigious rental and staging companies,” says Stewart Filmscreen president and CEO, Grant Stewart. “WorldStage continually amazes us with its innovative and impressive use of Stewart Filmscreen products in some of the most creative events and venues we’ve witnessed.”

WorldStage uses Stewart screens in many different configurations on the majority of its projection shows. For instance, a 24-feet x 91.5-feet Stewart screen was used for the Cisco Partner Summit 2013 in Boston, while two 20-feet x 66-feet GrayHawk front-projection screens and one 20-feet x 35.5-feet rear-projection surface were showcased in the SALT Conference 2014 in Las Vegas.

Whether it’s a Fortune 500 product launch, a wildly inventive media art exhibit, or an extravagant benefit gala, WorldStage and Stewart Filmscreen are both dedicated to customer service, diverse and custom solutions, and impeccable image quality regardless of environment. To see Stewart screens in action at WorldStage events, go to www.worldstage.com/portfolio.

All trademarks and registered trademarks mentioned herein are the property of their respective owners. 

About Stewart Filmscreen
Headquartered in Torrance, Calif., with additional manufacturing and satellite sales facilities in Ohio, Singapore, and Denmark, Stewart Filmscreen has been the consistent choice of discerning clientele around the world for more than 65 years. An Academy Award-winning manufacturer of projection screens and specialty optical coatings, aesthetic-conscious architects, consultants, systems designers, and property owners rely on Stewart Filmscreen for the perfect combination of superior quality, flexible design, and dedicated support, and we consistently deliver. Providing the most immersive experience in the industry, Stewart can custom engineer a projection screen solution to meet nearly every need. Proprietary material science and innovative manufacturing methods allow Stewart to produce some of the most optically immaculate screens in the world, ultimately delivering an immersive experience that’s unrivaled in the marketplace. Simply put, if a screen can be imagined, Stewart Filmscreen can deliver it. www.stewartfilmscreen.com | @StewartFilm

About WorldStage
In 2007, Scharff Weisberg merged with Video Applications to form WorldStage, a diverse technical staging company in the live event and entertainment technology field. WorldStage provides Audio-Visual Design, Engineering and Implementation Services to the corporate, artistic, and theatrical communities, and has one of the most experienced and conscientious staffs in the business. The company also has a full-service lighting division that is a market leader in quality of service. And, finally, WorldStage’s design and research division specializes in designing the systems and configurations that are the most cost-effective and innovative around. For more information, visit www.worldstage.com.

Stewart Filmscreen Media Contact
Katye (McGregor) Bennett | KMB Communications | (406) 446-1283 | Katye@KMBComm.com | @katyemcgregor

WorldStage Contacts
Josh Weisberg | President, WorldStage | (212) 582-2345

David Steinberg | Goliath Marketing | (646) 319-8255 | golmar@mac.com

Images for use in publication can be downloaded from the following links:

Cisco Event
Caption: “A 24-foot high by 92-foot wide rear projection screen using Stewart AeroView 100 material is flanked by two 18-foot wide by 24-foot high screens using Stewart AeroView 150 material.”

Dreamforce Event
Caption: “Multiple 92-foot, 60-foot & 24-foot wide Stewart front and rear projection screens support a Metallica appearance at Dreamforce 2011”

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Flag Systems Delivers Balanced SPL to HARD Summer Festival with HARMAN’s JBL VTX Line Arrays and Crown I-Tech HD Amplifiers

HARMAN_HardFestLOS ANGELES, California – As an audio system provider with a 40-year history of working with world-class audio equipment, Flag Systems was again contracted to provide sound reinforcement and personnel for this year’s HARD Summer Festival. Having used HARMAN’s JBL VERTEC® line arrays for over a decade, the company recently decided to upgrade to JBL VTX Series line arrays, exceeding all expectations at the show.

The HARD Summer Festival is an electronic music dance festival, featuring some of the world’s top DJs. Naturally, this requires the highest volume levels and a heavy bass from the PA system, which not only needed to move a tremendous amount of air, but also due to city noise ordinances must have balanced SPL combined with precise pattern control. With guest appearances like Mary J. Blige and DJ Tiesto, system designers dazzled audiences with a total of 40 JBL VTX V25 loudspeakers and 44 VTX S28 subwoofers on the main stage.

Flag Systems was responsible for the audio at the main outdoor stage and one tent. On the main stage, it set up two hangs of 18 VTX V25 line arrays for the main LR system and four VTX V25 units as front fills. By using the same loudspeakers for the main hang and front fills, they were able to provide sonic consistency while maintaining high SPL’s that smaller loudspeakers cannot deliver. To ensure that the attendees enjoyed a bass-heavy experience with controlled coverage, the subwoofers were set up in a delay-steered end-fire cardioid configuration of 11 2×2 blocks.

The tent that Flag Systems was responsible for, dubbed “Pink Tent”, had a system consisting of two hangs of eight VERTEC® VT4889 line arrays and two of Flag Systems’ recently-acquired VTX V20 loudspeakers for front fills. Outside the tent for out fills and delays, there were two stacks of four VT4889 loudspeakers on risers and four of Flag System’s new proprietary SubX on each side. For the DJ monitors Flag used one VTX S25 and three V20 loudspeakers per side.

The entire system was powered by 102 Crown I-Tech 12000HD and three Crown I-Tech 4x3500HD amplifiers. JBL HiQnet Performance Manager™ was used to manage the system.

“At the request of guest engineers, we needed a system that could deliver all of the low-end frequencies in an accurate and powerful fashion,” said Dale West, Systems Designer of Flag Systems. “We believe that the JBL VTX Series is a phenomenal sounding system. The high end of the D2 driver never needs a lot of EQ, staying extremely linear as the output level increases, and the subwoofers are equally impressive. In order to generate the balanced SPL we needed for this festival and still have cancelation behind the stage, we end-fired the subs because it allowed us to achieve this with fewer boxes when compared to a traditional cardioid configuration.”

“We used Performance Manager because it is an amazing tool for system alignment, control over circuit-based EQ’ing, level control and delay times to add digital arc delays for optimum horizontal sub steering,” said West. “On a show like this where a system is pushed to its limits, it’s an absolute must to monitor system health, limiter threshold and component health. I never leave home without it.”

With this setup, the PA system exceeded the requirements of the audience as well as the touring engineers. The unique configuration rewarded the team with a good rear rejection, high SPL, smooth high end and powerful bass. West was mostly impressed by VTX’s ability to be tuned easily for any application, and is pleased with the increased efficiency of this upgrade.

“I can see that JBL did a lot of work designing these components, that in turn helps us a lot with systems design and implementation,” said West. “When I have the time to do my due diligence, by capturing multiple mic measurements and really delve into circuit based level and EQ-ing, the results have been jaw dropping. However when there is a time crunch I have complete confidence I’ll be able to get a PA into the air and timed correctly and get a fairly linear, distortion free system with a high SPL in relatively little time. With JBL VTX every show ends with smiles from the audience, artists and techs. I really enjoy using this product.”

Flag Systems will again be providing VTX for the upcoming Hard Festival Day of the Dead taking place Nov 1-2 in Los Angeles.

http://www.hardfest.com/

http://flagsystemsinc.com/

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Ward Church Makes a Joyful Noise With Renkus-Heinz

 Northville, MI – October 2014…In today’s fast-changing society, many churches have taken creative steps to grow their congregations by diversifying their offerings. Ward Church, a Presbyterian house of worship located in this Detroit suburb, is a case in point. The church had long offered three different worship settings each Sunday: a liturgical service in their chapel, a traditional service in their sanctuary, and a post-modern service in Knox Hall, a large multi-use venue. After a new worship director was hired, the church decided to start a fourth, mainstream contemporary service that featured a more driving and progressive rock musical style.

The new service was held in the sanctuary, with an existing sound system that included a pair of Renkus-Heinz STX8 loudspeakers mounted in the center above the stage. While the church had been happy with the STX8s, the more bass-heavy, driving style of music accompanying the new service called for a more powerful, full-spectrum solution.

“Overall, the sound quality was great for the more traditional service, but they wanted to take it up a notch for the more rock-oriented service,” explained consultant Nathan Cole of Sound Planning Communications in Redford, Michigan. “There was nothing wrong with the existing STX8 loudspeakers — they are good products and certainly could handle a contemporary service. What was needed was a re-installation of the speakers, some tweaking and some additional supplemental boxes here and there to fill it out.”

After modeling the room, Sound Planning Communications split up the two existing center STX8s to front right and left positions and kept an existing STX8 in the rear for back fill. An ICONYX IC Live ICL-FR-DUAL Digitally Steerable Line Array loudspeaker system was added on each side of the stage to cover the side-fill requirements created by a drop to an 18-foot ceiling on each side. Additional subwoofers were also installed.

“The IC Lives gave great penetration into the lower areas,” said Cole. “And because of their width, they delivered great horizontal front-fill coverage. We didn’t need to do any down-fill or front-fill boxes because the IC LIVEs were covering all the way across.”

After installing a series of 4-inch acoustic panels to help avoid bass traps in the final phase of the project, church leaders were pleased with the result.

“They didn’t really recognize how inadequate the previous system had been until they started the new service,” said Cole. “By re-positioning the existing Renkus-Heinz boxes and supplementing them with the ICONYX arrays, they now have a very warm, very punchy, nice sounding system for the space.”

 

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About Renkus-Heinz - Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

DANLEY DOES DOUBLE DUTY FOR RICHWOODS CHRISTIAN CHURCH AND SATELLITE LOCATION

Richwoods_ExteriorPEORIA, ILLINOIS – OCTOBER 2014: Richwoods Christian Church was founded in the late 1990s by pastor Jim Powell in Peoria, Illinois. Its congregation was initially small, a scant sixty-five people, but those congregants were motivated to grow the church. They succeeded, and today Richwoods Christian Church brings 1,400 people together every weekend, spread across four services at two locations. The larger location built its current sanctuary in a former high-end furniture store, where, despite low ceiling height, local A/V integration firm Advanced Audio and Lighting gave the church a highly-intelligible and musical sound reinforcement system based on Danley Sound Labs SH-50 full-range loudspeakers and TH-115 subwoofers. Not wanting to compromise at the satellite location, Richwoods Christian Church asked for Danley again. There, a collapsible system of self-powered Danley SH-96 loudspeakers and TH-118 subwoofers meets that goal.

“Everyone we worked with at Richwoods had a clear vision of what they wanted to achieve without getting overly involved in the nuts and bolts of how it would be achieved,” said Trent Keeling, vice president at Advanced Audio and Lighting. “Quality audio was high on their priority list. They wanted a system that would deliver their very contemporary praise and worship style with authority. Because there’s a lot of musical talent in the church, they needed something that would serve everything from orchestral music to a five-piece rock band, on top of having excellent intelligibility.”

Richwoods_PerformanceWhile the church’s new location in a former furniture store would serve it well in terms of location and accessibility, it was not ideal for sound reinforcement. There was only a nineteen-foot distance between the floor and the low steel, which was compressed even further by a modest stage and drop ceiling. “That’s not a standard hang height,” laughed Keeling. “One of Richwoods’ signature programs is its Christmas pageant, which involves, at various points, up to thirty children running around stage with open omnidirectional lavalier mics. If we could place the PA twenty-five feet up and twenty-five feet forward, then just about any loudspeaker could pull that off. But here we were going to be right above the stage, sixteen feet up. That’s where you separate the men from the boys.”

Keeling’s solution was to cover the room with four Danley SH-50 full-range loudspeakers, two close-packed on each side of the stage. “Danley’s Synergy Horn loudspeakers, like the flagship SH-50, have excellent phase coherency and precise pattern control down to 350Hz and lower,” he said. “Because of that pattern control, the SH-50s can be right above the stage without collapsing into feedback. In addition, the fact that the SH-50 is a three-way enclosure gives Richwoods great vocal intelligibility.” Two flown Danley TH-115 subwoofers provide low-end support. The system is nominally stereo, but because the six hundred-plus seat room is so wide, the techs are “discouraged from doing any hard panning,” in Keeling’s words. Biamp Audia provides modest processing, Lab.gruppen amplifiers power the system, the FOH desk is a Yamaha M7, and Shure microphones provide input.

The church was so pleased with the quality of its Danley sound reinforcement system that it motivated the approach they took to designing a satellite location, Richwoods East. “They recognized that the quality of their services was an important component of Richwoods’ success,” said Keeling. “They wanted the satellite to live up to the quality of the ‘Mother Ship’.” The 500-member congregation of Richwoods East meets at an Embassy Suites ballroom using a portable, plug-and-play system. Keeling maintained the ‘Mother Ship’s’ quality by designing a ground-supported system of two self-powered Danley SH-96s and two self-powered Danley TH-115 subwoofers.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Pexip Infinity Expands Remote Education Capabilities of Texas Education Telecommunications Network

Scalable Meeting Platform Powers Distance Learning for Over 500 Texas School Districts

OSLO, Norway — Oct. 23, 2014 — Pexip(R), a leading innovator in scalable, distributed video conferencing software, today announced that the company’s Infinity platform has been selected to power the Texas Education Telecommunications Network (TETN). Implemented to support the organization’s expanding distance learning network, the software-based meeting platform enables the TETN to connect a consortium of 20 Education Service Centers, 500 school districts, and the Texas Education Agency. more

Estonia Public Broadcasting Achieves “Best Sound Ever” with HARMAN Studer’s Vista 5 M3 Digital Console

Studer_EstoniaTALLINN, Estonia – Estonia Public Broadcasting recently upgraded its OB van with a HARMAN Studer Vista 5 M3 digital console. The organization chose to make the upgrade in anticipation of the Estonian Song and Dance Celebration, which took place July 4-6 in Tallinn.

Sold through ProMedia Inc., Studer’s Estonia distributor, the Vista 5 M3 is being used to mix all audio through EPB’s OB van. The console is also complemented with Studer’s Vista FX engine, a 2U chassis that offers Lexicon surround effects and a graphic EQ, all controlled through the Vistonics™ user interface. Connection to the console’s DSP engine is made directly via two high-capacity multichannel HD links.

“This is the first time we have had the chance to mix 150 channels—with the Vista 5, it’s now possible,” said Vytautas Martinonis, Head of the Radio Technical and Sound Recording Department, Estonia Public Broadcasting. “It’s given us the best sound I’ve ever heard from a digital console.”

The Studer Vista 5 M3 is ideal for small to midsize studios and OB trucks, thanks to its compact size and simple connectivity. The total I/O capacity, comprising various cards including mic/line, ADAT, TDIF, AES/EBU, SDI and MADI, may exceed 1,700 inputs and outputs.

“We chose the Vista 5 M3 because it made the most sense from an ergonomic perspective, and we know this console was specifically built with OB vans in mind,” Martinonis noted. “We have also had a positive experience with the Vista 9 that we use at the Estonia Concert Hall, so we found it to be the perfect choice.”

Martinonis also pointed out that durability was also a key factor in choosing the Vista 5 M3. “It was important to have a console that could perform in higher temperatures and could absorb the movement and bumps that come with being in a portable truck,” he said.

For more information on Estonian Public Broadcasting, please visit www.err.ee

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Deluxe Toronto Demonstrates Commitment to World-Class Quality, Outfits New Facility with HARMAN’s JBL M2 Master Reference Monitors, Crown Amplifiers and BSS Audio Processing

HARMAN_DeluxeTorontoTORONTO, Canada — Deluxe Toronto Ltd., one of the world’s most prestigious and successful suppliers of services and technologies to the worldwide entertainment industry, has completed relocation to a new state-of-the-art facility on King Street West in Toronto. Affirming its commitment to offering the very best in technology, Deluxe has standardized on HARMAN’s JBL M2 Master Reference Monitors, Crown Macro-Tech 9000i amplifiers, and BSS Soundweb London processing.

Deluxe Toronto’s main theaters are equipped with three JBL M2 Master Reference Monitors behind the screen in a left-center-right configuration, powered by Crown Macro-Tech 9000i amplifiers and tuned using BSS Soundweb London processing. Deluxe’s largest mixing stage, Mix 1, is also Canada’s first Dolby Atmos-equipped mixing stage (while also being equipped for IMAX). Deluxe chose JBL 3 Series Studio Monitors in its pre-mix room. The monitoring systems were supplied by HARMAN’s distributor, SC Media Canada.

According to Nick Iannelli, VP of Post Production Operations, Deluxe Toronto, the ability to have identical setups in each mixing room not only ensures consistency for its team of audio engineers; it also provides valuable flexibility for its clients.. “Having the same technology in multiple rooms means we can transfer our work throughout the facility to accommodate different schedules, with no change in what we are hearing.”

“The JBL, Crown and BSS technologies are all built to work together,” said Phil Seel, Senior Engineer, Deluxe Toronto Ltd. “So we have this tremendous, integrated package that not only performs incredibly well, it’s also easy to customize for our operation.”

The choice of HARMAN equipment was the result of Deluxe’s extensive evaluation of the world’s best technologies, and the M2 monitors stood out markedly from the competition. “We did a lot of testing with a lot of different systems, and the M2’s sounded terrific right out of the box,” said Mike Baskerville, Manager, Sound Operations, Deluxe Toronto Ltd..

“When we first listened to the M2 speakers, it was so easy to hear the difference compared to other monitors we tested. The flatness and consistency across the room, was very evident, it didn’t matter where we stood in the room. It was amazing!” Iannelli said.

“Mixing requires critical listening. The second we changed something in the EQ, there was an instant response from the M2 speakers. This accurate sound reproduction effortlessly allows us to find the balance among so many different elements. We could hear the difference right away. It makes mixing exciting,” Baskerville said.

Moreover, the Crown amplification provides Deluxe Toronto with plenty of flexibility, regardless of the project. “We need a lot of headroom and dynamic range for a lot of the theatrical mixing we do, and the Crown amps give us that and more,” Baskerville said.

As Deluxe Toronto hoped, the consistency between rooms has paid off in spades. “For workflow it’s been great,” Baskerville said. “Not only are we hearing the same thing, we continue to be amazed at the quality of the sound, even though we’ve all been working in this industry for a long time!”

“Initial exposure to the new rooms has been met with exceptional reviews,” Iannelli said. “Everyone can now hear every single detail in the mix, which actually creates more work for us in the short term but enables us to deliver a better product at the end of the day!”

“The M2’s are a game changer,” Seel concluded. “To have this kind of fidelity in these systems, it’s mind blowing. We’ve never heard anything like this before.”

Deluxe Entertainment Services Group Inc. is a global leader in media and entertainment services for film, video and online content, from capture to consumption.

Since 1915, Deluxe has been the trusted partner for the world’s most successful Hollywood studios, independent film companies, TV networks, exhibitors, advertisers and others, offering best-in-class solutions in production, post production, distribution, asset and workflow management, and new digital solution-based technologies.

With operations in Los Angeles, New York and around the globe, the company employs nearly 6,000 of the most talented, highly honored and recognized artists and industry veterans worldwide. Deluxe is a wholly owned subsidiary of MacAndrews & Forbes Holdings Inc. For more information visit www.bydeluxe.com and www.bydeluxetoronto.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014

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