THOUSAND OAKS, California, May 21, 2013 – Memorial Day barbecues herald warmer weather and bring families together to enjoy the best backyards in the neighborhood. Don’t sacrifice the sun for the sake of the big game on TV or family photo slideshows—a SunBriteTV all-weather television brings outdoor entertainment to your patio.

“A SunBriteTV is as much a social device as it is a television,� said Tom Dixon, VP of Marketing, SunBriteTV. “Families want to show off their backyard during the summer and a SunBriteTV becomes an immediate conversation-starter. Being able to simultaneously watch your favorite sport and lounge under the sun is like getting the best of both worlds.�

As a new outdoor haven for the kids by day and family home theater under the stars by summer night, a SunBriteTV continues to impress long after the big party. What’s more, the Signature Series comes with a family-friendly price tag: $1,495 for a 32� $2,795 (46�), $3,995 (55�) and $6,995 (65�).

All SunBriteTV models withstand temperatures from -24°F to 122°F and completely resist rain, humidity, salt corrosion, dust, and insects. Anti-glare screens are specially designed to deliver bright high-definition images in any outdoor climate, any time of day or night.

Every SunBriteTV includes a two-year warranty, a weatherproof remote, and 20 watt built-in speakers.
Optional accessories include a variety of wall-, ceiling- or pole-mount installation solutions, dust covers and FM Radio.

For more information on SunBriteTV please visit www.sunbritetv.com.

About SunBriteTV
SunBriteTV’s all-weather televisions have been time-tested in home installations, outdoor sports arena, restaurant and hotel patios and even on military vehicles participating in field operations. All models are available through SunBriteTV’s network of Authorized Dealers. To inquire about becoming an Authorized Dealer, contact SunBriteTV at 866.357.8688, or visit the Dealer Inquiry page at www.sunbritetv.com.

Ames, IA – May 20, 2013 – Seymour-Screen Excellence is now shipping its multi-format retractable (MFR) film screen – a motorized dual-roller acoustically transparent film screen outfitted with a retractable masking system to perfectly frame different aspect ratios.

The foundation of the MFR is SSE’s exclusive Enlightor-4K woven-fabric acoustically transparent film screen surface. This .98 gain surface is both ISF-certified for color purity and is the only acoustically transparent screen that has no visible holes, weave, texture, or minimum seating distance.

The MFR is sold with either a lateral system (2 vertical masks) to display 16:9 while maintaining a constant image height on a 2.35 screen, or a horizontal system (1 mask) to display 2.35 while maintaining a constant image width on a 16:9 screen.

Either of the masking options descends and ascends via a second roller (hidden in the case). SSE specializes in woven-fabric acoustically transparent film screens; all of its masks are made of a black, lightweight acoustically transparent material.

According to SSE Managing Director Chris Seymour, the company is the only brand to trim its retractable models with a fabric velvet border. Employed is the company’s proprietary Infinite Black™ material which delivers substantially more light absorbing power than that of painted borders. The material also frames the screen image with a sharp, high-contrast edge.

Exclusive to all of SSE’s retractable designs is the company’s patented Uni-tab™ system which serves to hide most of the side tensioning cables behind the borders. This continuous tension system eliminates the unsightly hourglass shape common to tab-tensioned screens while providing a completely smooth projection surface.

�The Multi-Format Retractable perfectly achieves the same performance and multiple aspect ratio conveniences of our home theater-optimized Reference Fixed-Frame series,� says Seymour. “This is a win for homeowners that want to experience these same attributes in a non-dedicated room such as a living or multipurpose room, where the film screen can drop in front of a flat panel with the speaker locations no longer an issue, and completely disappear when not in use.�

The MFR case is made from extruded aluminum and finished in choice of black, white or custom colors; additional options include black velvet or glossy automotive coatings. The case measures 5.8-inches high x 5.5-inches deep and can accommodate either on-ceiling or on-wall mounting.

With quiet 120v European 4-wire motors and optional external control box, actuating the MFR screen can be accomplished with SSE’s wall switches, infrared (IR) receivers, Vdc triggers, radio frequency (RF) receivers, RS-232 or several other special order options.

The MFR is available in sizes ranging from 70- to 150-inches wide. The models are completely built in the US and ship within 3 weeks from order. For more information visit www.seymourscreenexcellence.com.

About Seymour-Screen Excellence
Founded as a joint venture by US-based Seymour AV and UK-based Screen Excellence, SSE combined the leadership and innovation of their acoustically transparent projection screen materials for high-end custom installers and specialty AV retailers in North and South America. Using the latest in materials and design from Patrice Congard, originator of the modern acoustically transparent screen, the company’s state-of-the-art screens provide flawless picture quality and acoustic transparency, superior to traditional perforated screens or other less exacting woven screen materials. www.seymourscreenexcellence.com

May 16, 2013. Getting ready for InfoComm? Don’t forget to check our new, best-in class HDMIâ„¢ Matrix Switcher for all your AV integration needs.

The KanexPro HDMI 32×32 (also available in 4×4, 8×8 & 16×16) matrix is an ultra-high performance, digital matrix switcher engineered to route HDMI signals from 32 inputs to 32 outputs. The unit provides full HDCP internal management for today’s integration in commercial A/V market, ensuring HDCP key authentication, and administering the handshake internally. It maintains resolutions up to 1920 x 1200, 1080p or 2K, supporting full cross point switching. The matrix supports smart EDID management for rapid integration of sources and displays.

HDMI, Matrix, EDID, HDCP

Today’s Applications

The KanexPro HDMI 32×32 matrix switcher is ideal for countless commercial applications such as military, medical and government environments where swift, reliable switching and distribution of high-resolution DVI/HDMI signals is critical to meet pixel-by-pixel needs.
To get a quote or for more information please call us at 888-644-4149 or visit KanexPro.com

About KanexProâ„¢

Leveraging our core strength in professional A/V products, KanexPro carries a complete selection of A/V connectivity needs. When planning digital installations you will find that we carry a broad line of A/V connectivity products enabling you to broadcast, extend, split, or multiply HD signal transmissions; simply and cost-effectively. KanexPro is a registered trademark. All other trademarks and registered trademarks mentioned herein are the property of their respective owners.

Woodland Park, NJ – FSR, along with co-sponsors NSCA and Women in AV (WAVE), will host an informal reception on Wednesday, June 12, from 5 to 6:30 p.m. at The Peabody Hotel in Orlando, Florida. The event coincides with opening day of the InfoComm, the premiere trade show for the commercial audiovisual industry. Women are encouraged to attend the unique reception where they can network with colleagues, share success stories, industry tips and ideas.

“It’s an honor to sponsor this reception,� said Jan Sandri, FSR president. “It’s important to provide opportunities that allow women from all industry segments to mingle with their peers, share knowledge, and benefit from one another’s successes. We’re pleased to join NSCA and WAVE in this initiative. “

Register today for the reception at www.womeninav.com

About FSR – www.fsrinc.com
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions. The Flex LT control systems and IT-AS411 Series Audio Switcher/Amplifiers are 100% made in the USA.

All FSR products are designed and manufactured in its Woodland Park, NJ facility. The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives.

About NSCA
The National Systems Contractors Association (NSCA) is the leading not-for-profit association representing the commercial low-voltage electronic systems industry. NSCA is a powerful advocate for all who work within the low-voltage industry, including systems contractors/ integrators, product manufacturers, consultants, sales representatives, architects, specifying engineers and other allied professionals. NSCA is dedicated to serving its contractor members and all channel stakeholders through advocacy, education, member services and networking designed to improve business performance. For more information, visit: www.nsca.org

About WAVE
WAVE’s mission is to support women within the AV industry through collaborating, mentoring and networking opportunities. The popular Twitter group, !Womenin AV was formed to encourage women to become involved in both technical and management roles within the electronic systems industry.

# # #
FSR Contact: Jan Sandri, President
973-785-4347 • sales@fsrinc.com

FSR Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • harriet@desertmooncomm.com

NSCA Contact: Cathy Mrosko
Senior Director of Government Affairs and Industry Outreach
571-263-9800 • cmrosko@nsca.org

Updates include encoding quality and performance enhancements, expanded ad insertion support and new Netflix production presets
May 16, 2013 — Markham, Ontario: Digital Rapids – the trusted provider of innovative media transformation and workflow solutions for bringing video to wider audiences — is now shipping version 3.8 of the Digital Rapids Stream software for the company’s StreamZ, StreamZHD and Flux ingest, encoding and streaming solutions. Advances in the new version include H.264, MPEG-2 and DVCPro encoding enhancements including 4K Ultra HD H.264 encoding support; expanded support for automated multiscreen advertising insertion workflows; and new predefined project files for transforming content for Netflix delivery.

H.264 (AVC) encoding enhancements in Stream 3.8 include increased quality, significant performance gains — as much as 25% faster depending on host system and content characteristics — and support for 4K Ultra HD encoding. Featuring quadruple the number of pixels per frame (3840×2160) as 1080p HD, 4K Ultra HD enables superior viewing experiences with corresponding displays. Version 3.8 also features increased quality and performance for MPEG-2 encoding, plus improved DVCPro output quality. more

Latest Firmware Update, Version 1.02, Now Available for Free Download

LOS ANGELES, MAY 15, 2013 — In an effort to continue to streamline workflows for production and post-production environments with its rack-mounted PIX 260i Production Video Recorder, Sound Devices, experts in portable audio and video products for field production, now offers expanded audio and video recording and file transfer capabilities with its newest firmware update, Version 1.02. Available as a free download to all PIX 260i users, this latest version will be highlighted at Cine Gear 2013 (Booth 94).

With Version 1.02, all drives are now formatted as exFAT instead of UDF. While this new drive formatting is available, it is still possible for PIX 260i users to record and play back from UDF drives for compatibility with the PIX 220i and PIX 240i. Users have the ability to set each PIX 260i drive independently to Ethernet File Transfer (Network) mode. This offers the convenience of transferring files over a network while the PIX 260i records new data. Drives will also automatically switch to the Ethernet File Transfer mode when full. In addition, the end user can now read and write data to PIX 260i drives over Ethernet. The update also enables the PIX 260i to provide users with both simultaneous recording to multiple drives or sequential mode, recording to the next successive drive as drives become full. A 10-second (maximum) pre-record buffer for the audio-only mode has also been added.

“The PIX 260i offers an innovative new approach to file-based audio and video recording,� says Paul Isaacs, Technical Development Manager for Sound Devices. “Every new version of PIX 260i firmware, including version 1.02, is the result of feedback from customers who have incorporated it into their everyday workflows.�

Based on Sound Devices’ PIX 240i portable audio/video recorder, PIX 260i is a rack-mounted, file-based audio/video recorder that seamlessly replaces tape-based video decks in production and post-production environments. PIX 260i offers 32 tracks of audio record and playback as well as control functionality from browser-capable computers and tablets. PIX 260i offers the features and tools that production companies and broadcasters require to migrate to file-based recording and playback capabilities. It records QuickTime files in either Apple ProRes or Avid DNxHD video formats. Files recorded in these intra-frame codecs are ready for editing directly from the recorder in common editing environments, such as Avid, Final Cut Pro, and Adobe Premiere, eliminating time-consuming transferring and transcoding. For color-critical applications, the PIX 260i supports Apple ProRes 4444 through its 12-bit, 4:4:4 3G-SDI I/O. Users can also play out files from the PIX 260i for real-time applications.

PIX 260i users can download Version 1.02 by visiting www.sounddevices.com/download/pix260i-firmware/.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Extron Electronics is pleased to announce the immediate availability of the new FOX RS 104, a four port RS-232 inserter for long-haul transmission of control signals to remote source and destination equipment over fiber optic cabling. Each port provides a bidirectional fiber optic connection to an Extron FOX Series transmitter or receiver for the insertion and extraction of control data, while maintaining a continuous pass-through link for video and audio. The FOX RS 104 is ideal for use in applications with a centralized control system that require the long-haul transmission of AV and control signals over fiber optic cabling.

“The FOX RS 104 provides system designers and integrators with a simple way to provide control to remote locations,â€� says Casey Hall, Vice President of Sales and Marketing for Extron. “By embedding control data into the fiber optic AV signal, the inserter eliminates the need for separate control system wiring.”

RS-232 data from the Ethernet port is inserted onto one or more of the fiber optic outputs, providing remote monitoring and control. Reclocking on the unit’s buffered fiber optic outputs ensures signal integrity and transmits the fiber optic signal at its original power level. The FOX RS 104 maintains the performance of the optical signal transmission while providing bidirectional control from a control processor, eliminating the need for separate control system wiring to remote devices. Available in multimode and singlemode models, it is compatible with the extensive line of FOX Series extenders, distribution amplifiers, switchers, and matrix switchers.

Company maintains competitive edge by making ‘under the hood’ improvements to LEDView530 and HQView530

Calibre UK returns to InfoComm 2013 with significant updates to two of its most important products for the pro-AV marketplace: the LEDView530 and HQView 530 switcher/scalers.

Both products were launched earlier this year, with the former being aimed at the control of large-scale LED screens in rental and fixed-installation applications, and the latter being designed specifically to multiple-projector setups.

They have already found a loyal following among rental companies and AV systems integrators, and now Calibre UK has increased their appeal by maintaining its policy of continually updating its products during their lifetime.

Tim Brooksbank, Chairman, Calibre UK, explains: “We’ve given both the LEDView530 and the HQView530 a number of new features that really set them apart from the competition. These include the ability to capture an input feed to save as a custom test pattern, for display as a customer logo screen or as a backdrop when no live signal is being displayed. Both products can scale this saved image and will geometrically correct, warp, rotate and blend it like a live input, something our key competitors can’t achieve!

“Users can also now choose whether PTZ is applied globally to all input signals or is automatically saved and recalled per input channel per signal mode – a very powerful function for performing per-mode adjustments to aspect ratio.

“We have also enhanced the color calibration options with the ability to set R, G, B gains and bias (black level) per input channel and the ability to set saturation and hue per input channel, per mode. Unlike many competing products, these functions are available for all input channels including DVI, HDMI and 3G-SDI.

“Finally, both products have been given new ‘blue’ easy-to-read dimmable front-panel menu displays, with fast navigation via jog-wheel as well as buttons for direct input selection.�

In addition to being included as standard on all new inventory, all the above new features with the exception of the updated front-panel are available as free firmware upgrades for existing customers.

“We’re celebrating 25 years in business this year and customer service has always been one of our top priorities,� adds Brooksbank. “We always enjoy exhibiting at InfoComm and getting the chance to put the results of our intensive R&D effort in front of the pro-AV community. This year will, I’m sure, be no exception!�

Calibre UK will exhibit on Booth 4481 at InfoComm 13 at the Orange County Convention Center, Orlando, FL, from 12-14 June 2013.

DPA Microphones is delighted to announce the launch of the d:dicateâ„¢ Recording Microphone range, which combines the best capsules with the best pre-amplifiers to deliver superior sound for all applications where high quality audio is required.

The d:dicate range includes DPA’s new modular MMC4018 supercardioid capsule, the counterpart to the MMC4018V capsule used in the company’s new d:facto™ Vocal Microphone and one that is ideally suited to applications where clarity and audio quality are critical. d:dicate also includes the well-known MMC4007 hi-SPL omnidirectional capsule, previously known as 4007, now in a modular version. Widely used for measurement purposes, this capsule has an unbeatable dynamic range and can handle extremely high sound pressure levels. Both capsules is widely used for picking up drums, percussion, brass instruments – and for measurement purposes. Both are entirely compatible with other d:dicate preamplifiers.

Completing the d:dicate line-up are microphones from the familiar and well-loved DPA Reference Standard series, which has been absorbed into the d:dicate range with all former Reference Standard products now carrying d:dicate branding. These include the modular 4000 and 2000 series, which are manufactured to perform within very narrow tolerances and offer exceptional linear frequency responses, high SPL and superior gain before feedback. Within the 4000 series there are a wide variety of capsules including the new 4018 supercardiod, 4017 shotgun, 4015 wide cardioid, 4011 cardioid and 4006 omnidirectional. The 2000 series consists of two twin diaphragm capsules – the 2011 cardioid and the 2006 omni versions that are rooted in the design technology of DPA’s classic miniature capsules. All these capsules can be combined with a state-of-the-art A pre-amp, a B pre-amp with low cut and high boost filters, and a C pre-amp, which is a compact version for discreet miking.

Like all DPA microphones, every variant in the d:dicate range delivers clear, transparent and precise sound, along with the robustness and versatility that are the hallmarks of DPA’s ingenious engineering techniques. These high quality microphones are increasingly being employed in harsh live sound environments, particularly on drum kits where there is a demand for exceptional sound quality but where the microphones solution needs to be robust and sturdy so that it can be relied on time after time.

Christian Poulsen, CEO of DPA Microphones, says: “Our new d:dicate Recording Microphone range gives customers the ultimate in flexibility as any microphone in the range can easily be transformed into a new variant simply by choosing a different capsule or preamplifier. Customers will also find that owning several capsules is more cost effective than purchasing a completely new microphone.

“By gathering these microphones into a specific group, d:dicate now joins our other established product groups: d:fine™ Headset Microphones, d:vote™ 4099 Instrument Microphones and d:facto™ Vocal Microphones.�

New accessories have also been developed for the d:dicate Recording Microphone range, including modular active cables (MMP-ER with rear cable entry and MMP-ES with side cable entry) plus modular active booms (MMP-F) that are compatible with all d:dicate capsules. These new microphone solutions can be used in many different situations, for example as a podium microphone on a desktop or podium, suspended for high-end capture or on elegant stage stands. The active booms come in several lengths and configurations with flexible gooseneck and XLR termination, while the new active cable only adds a centimetre to the capsule, making it even more discreet than the compact C pre-amp, while giving comparable performance.

“It was difficult to split the preamplifier construction and make an ultra-compact head without sacrificing the sound quality,� Christian Poulsen adds. “However, we succeeded and now customers can have DPA’s renowned sound quality across many applications where we have not been widely used before, for example installation, concert halls, on stage, etc.�

The two new capsules and new accessories in DPA’s d:dicate Recording Microphones range will be available from August 2013. Former Reference Standard capsules and preamplifiers now included in the d:dicate range are available now.

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Internationally acclaimed for creating high quality live sound and recording microphones, DPA Microphones has now turned its attention to the installation market with the launch of two new microphones that give AV installers and conference organisers the clear, transparent and precise sound they demand.

At the top end of the range DPA is offering podium microphones that incorporate the modular capsules from the d:dicateâ„¢ Recording Microphones (formerly known as Reference Standard), which are acclaimed for their exceptional linear frequency responses, high SPL and superior gain before feedback. These new podium microphones combine the state-of-the-art capsules with newly introduced modular active booms to complete their modular nature. A number of different capsules are available and by choosing the exact capsule and boom combination, DPA customers can access the exact microphone for their needs.

Christian Poulsen, CEO of DPA Microphones, says: “Given the flexibility of our d:dicate range, creating a microphone for the installation and conference markets was an obvious step. We already had the high-end capsule and pre-amplifier technology needed to fulfil the brief, so all we had to do was employ some ingenious mechanical solutions. By doing this, we have been able to adapt our boom and cable technology so that we can deliver high-end installation solutions for a wide variety of applications. Whether this is for a podium, a desk top, a stage stand or even suspended from the ceiling, we have it covered with visually elegant and sonically superior products that boast all the robustness inherent in DPA’s ingenious engineering techniques.�

Alongside the high-end d:dicate solution, DPA has also developed a cost-effective, directional podium microphone based on its renowned 4060/d:vote 4099 miniature microphones.

This directional gooseneck microphone, which uses interference tubes and pre-polarized backplate to ensure speech intelligibility, was originally devised for the Nobel Prize organisation. The organisation had requested a dedicated podium solution for its 2012 Nobel Peace Prize presentation, which was taking place in Oslo City Hall, in a room with challenging acoustics. DPA adapted its existing miniature capsule to give an off-axis frequency response that negated room reverberation while preserving the needed on-axis sensitivity for voice level. It also positioned the capsule on a delicate gooseneck stand, which encompasses all that is best in sleek Scandinavian design. The result was so well received that the microphone was quickly adopted as a standard DPA product and is now available to all installation customers. This miniature podium microphone can even be used in a wireless configuration by employing the company’s ingenious adapter range, which is already used for other miniature microphones.

Both of these ingenious solutions for the installation market will be available from August 2013. For further information please visit www.dpamicophones.com

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com