Click here to Visit Cobalt at NAB 2013 Booth N 4624

New Orleans, LA – Two of NEP’s fleet rolled into New Orleans equipped with a host of Cobalt Digital (www.CobaltDigital.com) terminal gear to cover the football championship game on Sunday, February 3.

NEP’s Supershooters / SS22 HD Production truck was on hand for game coverage, while the organization’s Denali California HD mobile unit handled the unique needs of the half-time extravaganza. Cobalt’s family of up/down/cross 3G/HD/SD-SDI converters populated both vehicles, as well as the Company’s distribution amplifiers, frame synchronizers, color correctors and remote control panels.

“Cobalt is proud to play a role in NEP’s coverage of the most watched sport event in the US,� said Chris Shaw, Cobalt EVP sales & marketing. “There’s no room for error when the whole country is watching, and our gear won’t disappoint. Reliability and support is key during such prestigious events�

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ABOUT COBALT DIGITAL INC.
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit http://www.cobaltdigital.com.

About NEP
With the world’s most advanced equipment, largest fleet of mobile units and global production studios to suit every genre, NEP enables its clients to execute, deliver, and display exceptional productions on any platform around the world. For more than 30 years, NEP has ensured its clients’ success by delivering superior service and building lasting relationships with a passion for continuous innovation. NEP’s talented staff is committed to acting with integrity and working as a team to deliver comprehensive solutions for remote production, studio production, video display, webcasting, and power generation that set the global industry standard. For more information, visit http://www.nepinc.com.

Company Contact: Chris Shaw, EVP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

At CABSAT 2013, dynamics specialist Jünger Audio will be introducing Middle East customers to M*AP – the latest addition to its Award-winning *AP family of audio loudness processors.

In conjunction with its Middle East distributor Qvest Media (Hall 8, Stand E8-10), Jünger Audio will demonstrate this ground-breaking processor that combines an audio monitor controller and a loudness measurement device in one unit, thus providing comprehensive quality control and loudness monitoring for anyone working in a production or broadcast environment.

Designed for quality checking surround (5.1) and/or stereo programs, M*AP can be used for live monitoring and also to ensure compliance with today’s standards and regulations (ITU 1770/1/2/3, ATSC A85 or EBU R128).

The unit comes with alarm signals that alert the operator when pre-set loudness thresholds are exceeded, and these signals can be delivered by simple GPOs and/or SNMP traps, which carry actual loudness values. Loudness measurements can be performed over a long run or over a fraction of a program, or both. These measurements can be triggered by automation systems via GPIs or via the network – or even manually by buttons of the X*AP remote panel.

Alongside loudness measurements, M*AP also offers functionality for acoustical QA. It has an option for up to eight speaker outputs that allow for monitoring of the audio mix and A/B checking of stereo compatibility of a surround downmix through alternative speakers, as well as via L/R front speakers.

Peter Pörs, Managing Director of Jünger Audio, says: “By incorporating 3G, HD and SD auto detection, M*AP gives users the option of dealing with all 16 channels of SDI embedded audio at the same time. This means that you can listen to one program while permanently logging the loudness of two (5.1 +2 mode) or four (4×2 mode) programs. It is also possible to send further de-embedded programs to M*AP’s AES outputs to feed a third party instrument for analyzing and/or display.â€�

For no extra cost, the M*AP’s SDI board acts as an embedder as well and comes with video delay to compensate for any kind of audio delay. This feature is ideal for those looking to maintain lip sync in QA suites or control rooms. M*AP also features a built-in Dolby® Metadata generator and an optional Dolby® decoder that allows users to decode Dolby-E, Dolby-D (AC-3) and Dolby Digital plus (E-AC-3).

Optional Dolby Metadata emulation will be introduced in the second quarter of 2013, giving producers a unit capable of simulating the results of different types of Dolby encoding, and a successor capable of performing many of the tasks previously undertaken by Dolby’s DP570 unit.

Jünger Audio will also be showing the rest of the processors in its *AP range, including the Award-winning T*AP TV Audio Processor, the D*AP LM4 four-channel Digital Audio Processor and the D*AP LM2 two-channel Digital Audio Processor.

The line-up is completed with Jünger Audio’s Loudness Logger, a powerful tool that offers customers of all Jünger Audio levelling processors an easy way to monitor the development of the loudness over time. Using this new software, broadcasters can monitor in real time or by analyzing previously stored loudness log files. This innovation is critical as all broadcasters now need to show precisely how their audio levels are performing in order to comply with new legislation on Loudness.

If you would like more information about these products please visit Junger Audio’s distributor Qvest Media in Hall 8, Stand E8-10 for a demo.

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.junger-audio.com

Powerful Confab Heads Back to the Desert for Insight, Conversation and Demonstration by Industry Thought Leaders


(Los Angeles, CA) For nearly twenty years, the Hollywood Post Alliance(r) (HPA) Tech Retreat(r) has drawn the top creative and technical experts involved in the creation and management of content to a conference where compelling ideas and new products are explored in lively conference sessions, networking events and demonstrations. The Tech Retreat is an informal meeting of the minds, where industry leaders in engineering, technology, creativity and strategic business; that are engaged in all aspects of digital-cinema, post production, film, television, video, and related endeavors, meet in an unparalleled environment for the exchange of knowledge and information. The gathering helps to define and clarify the development of technologies driving the industry. This year’s event returns to the Hyatt Regency Indian Wells in Indian Wells, California (Palm Springs area), on February 18-22, 2013.

Long recognized as the place where serious industry professionals go to connect and delve into the most current and relevant topics impacting the industry and their work, the HPA Tech Retreat presents significant opportunities for participants to stay competitive and informed of important industry issues and trends during the many networking events, presentations and technology demonstrations.

An overview of events at the HPA Tech Retreat include:
* Monday, February 18, Charles Poynton presents his highly regarded Technical Aspects of High[er] Frame Rate seminar.
* Tuesday, February 19, The HPA Super-Sized Session kicks off the HPA Tech Retreat with More, Bigger, but Better? – a look at the impact of higher resolution, higher frame rates, larger color space, higher dynamic range, more audio channels/objects, bigger screens and the push for all around pushing the envelope. Expert panelists speaking on this compelling topic are Leon Silverman, Phil Squyres, Stuart Bowling, Craig Henighan, Gilbert Lake, William Files, Jed Harmsen, Garrett Smith, and Evan Edelist, from companies including Park Road Post, Reliance Media Works, Sony Pictures Television, RealD, Dolby, and more.
* Tuesday also features the ATSC Seminar on Audio Loudness Control.
* Wednesday and Thursday will include back-to-back presentations on topics covering production and post, acquisition, IT, engineering, broadcasting, asset management, digital-cinema and distribution, manufacturing and much, much more.
* Breakfast Roundtables: Wednesday through Friday mornings put experts in a wide array of compelling issues in small group conversation about meaningful topics, including Cloud-Based Post Production, Ultra-Violet, Channel Sharing, File-Based QC, 4K Camera Workflows, the Workforce in Post and other developments and trends affecting the industry.

The HPA Tech Retreat Demo Room, completely re-imagined this year, will present over 60 leading companies and technologies in up close presentations and conversation.

Sponsors for the 2013 HPA Tech Retreat include; Foundation Sponsors: Avid, Company 3, Deluxe, Dolby, EFILM, Encore and Stereo D and Cloud Sigma, EMC(r) Isilon, Quantum, Sohonet and Technicolor. Media Sponsors include; Post Magazine, Shoot Magazine, Creative Handbook, Production Hub, and Sound & Picture.

Registration and reservations are highly recommended. The HPA Tech Retreat is a sold out event, year after year. A full schedule of the program can be viewed by visiting http://www.hpaonline.com/2013-program. Complete registration and information is available on the HPA website at http://www.hpaonline.com/2013-hpa-tech-retreat-home. For information regarding sponsorship or other opportunities call (213) 614-0860 or email ekramer@hpaonline.com.

About the HPA Tech Retreat(r)
The HPA Tech Retreat(r) is an informal gathering, in the Palm Springs area, of the top industry engineering, technical, and creative talent, as well as strategic business leaders focused on technology, from all aspects of digital cinema, post-production, film, television, video, broadcast, and related technology areas, for the exchange of information.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content.

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Media Contact:
Chris Purse, 818.303.8088
ignite strategic communications
chris@ignite.bz or mimi@ignite.bz

AMSTERDAM, The Netherlands — Launching at ISE, the compact all-in-one Studer Vista 1 console is now available in an even more compact 22-fader version, measuring just over 1 metre in width, and perfectly suited to small spaces such as found in OB vans. For smaller vans where the audio console fits into the cab area, the Vista 1 provides a comprehensive solution requiring no additional racks, including integral I/O, DSP and surround sound management including up and down-mixing. The low weight advantages of the new desk are immediately obvious.

The Vista 1 is based largely on the Vista 5, so existing Vista users will be immediately familiar with all the functionality of the Vistonicsâ„¢ user interface plus features such as true broadcast monitoring, talkback, red light control, GPIO, N-x (Mix Minus) busses, snapshot automation and DAW control.

With an integral DSP engine of 96 channels, the Vista 1 can handle mono, stereo and 5.1 inputs with ease, and is provided with 32 mic/line inputs, 16 line outputs and four pairs of AES inputs and outputs on rear panel connections.

I/O can be expanded using the standard Studer D21m card slot on the rear, to allow MADI, AES, AoIP, ADAT, TDIF, CobraNet, Dolby E/Digital, SDI connections etc. A MADI link can connect to any of the Studer Stagebox range for XLR connectivity as well as other formats.

New to the Vista 1 is an integral jingle player, played from audio files on a USB jingle stick (such as station ID or background FX), and triggered by a series of eight dedicated keys in the master section.

The Studer Vista 1 also features a redundant PSU for peace of mind, and RELINK integration with other Studer Vista and OnAir consoles means the Vista 1 can easily share signals across an entire console network.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,900 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

Anaheim, California (February 4, 2013) – Extron Electronics is pleased to announce an upgrade to the popular SME 100 encoder, enabling the support of additional network and streaming protocols. The SME 100 now supports push streaming in unicast or multicast applications applying native RTP or MPEG-2 Transport Streams. Session Announcement Protocol and Session Description Protocol are applied to manage push streaming sessions. These new network and streaming protocols make the SME 100 compatible with a greater variety of third party decoding devices and streaming configurations. Other new capabilities include HTTP tunneling and closed captioning support for the EIA-608B standard. These new features are included in all SME 100 units that are shipping, and this firmware upgrade is available as a free download for current users.

“Streaming encoders are used in many different applications and network configurations. This latest firmware update supports integration into a broader variety of streaming applications, and provides compatibility with a greater variety of H.264 devices including set-top box decoders,” says Casey Hall, Vice President of Sales and Marketing for Extron. “We have expanded our support of encoding, network protocols, and control features in the SME 100 to give AV professionals a broader set of tools for AV streaming applications.”

The SME 100 is available in two models, the SME 100 SD, which streams at resolutions from 166×120 up to 720×576, and the SME 100 HD, which streams at resolutions from 166×120 up to HDTV 1080p/30. Both models accept standard definition video and high definition video signals, including 1080p and computer-video signals up to 1920×1200 plus audio. Extron has developed the SME 100 feature set specifically to support the broad source, control, and processing capabilities that AV applications require.

Visit our Web site at www.extron.com for more information.

AMSTERDAM, The Netherlands – Underscoring its ability to provide the ideal solution for any live sound, conference or recording application, HARMAN’s AKG introduces a new line of tabletop microphone stands for all environments. The ST6 houses all AKG XLR-based mics, CGN321STS and CGN521STS and their programmable switch cater to gooseneck mics and STS DAM+ provides a base for DAM+ gooseneck modules and CS321/521 goosenecks.

ST6 is a heavy-duty table stand and due to its weight, absorbs shock and holds XLR microphones stable. Its internal cabling is well isolated to withstand EMC disturbances, including mobile phone frequencies.

The heavy-duty CGN321STS also keeps the microphones stable, while absorbing any shock. Its slim and elegant 30cm gooseneck holds a professional condenser capsule with cardioid polar pattern of 120 degrees. The switch is extremely rugged – put through more than 25,000 switching cycles in testing – and can be programmed for push-to-talk, push-to-mute, on/off or low cut on/off. An LED light square provides the user with the microphone’s status.

STS DAM+ features the same functions as CGN321STS, but is compatible with 4-pin DAM+ connector openings. This opens the possibility for numerous microphones, from the lower-end, cost-effective to studio quality models.

“AKG’s newest microphone stands provide a reliable base for all users, whether at a conference table or in the studio,� stated Thomas Giczy, Business Development Manager, Installed Sound, AKG. “The rugged build, combined with the quality and reputation of AKG over the past 65 years shows the full spectrum of our features and our ability to offer the best in sound reinforcement technology in the industry.�

For more information about AKG, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.

HARMAN (www.HARMAN.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for the twelve months ending June 30, 2012.

BVE 2013 (Digi-Box.co.uk) Stand F12

FULL COMPLEMENT OF PRODUCTS WILL BE DEMONSTRATED ON DIGI-BOX.CO.UK STAND

Urbana, IL – Cobalt Digital’s (www.CobaltDigital.com) European expansion is on the fast-track as the manufacturer reveals plans to demonstrate its extensive range of award-winning 3G/HD/SD-SDI conversion gear at BVE 2013 in London on 26-28 February. Chris Shaw, executive vice president of sales & marketing, announced that the Company will have its latest loudness processing innovations alongside their new line of throw down boxes, established terminal gear, and control panels in Stand F12, a space shared with Digi-Box.co.uk, a well known and established UK-based master distributor.

“With the recent appointment of Digi-Box as Cobalt Digital’s master distributor for the UK and Southern Ireland, it is vital that we support their efforts in this region,� stated Shaw. “BVE provides an ideal launching pad for this new partnership and offers the opportunity to demonstrate the latest additions to our product line.�

Cobalt’s timely loudness processing solutions will take center stage at BVE. Using LINEAR ACOUSTIC® Aeromax™ technology, the multi-award-winning LMNTS™ (Loudness Management for n-Transport Streams), represents a quantum leap in multi-stream loudness processing by offering an economic, consistent solution that’s easy to integrate. LMNTS performs automatic loudness processing across many transport streams making it ideal for MVPDs and MSOs where a large number of diverse programming sources must be simultaneously controlled.

Cobalt’s SpotCheck™, their audio loudness measurement and recorded data logging system, takes the guesswork out of loudness measurement and logging, and facilitates EBU R128 and CALM compliance. SpotCheck monitors an IP, ASI, or a transmitted over-the-air MPEG stream at the transmit (emission) encode point, and provides easy-to-use, convenient, long-term access to loudness records for all programming initiated from a broadcasting facility.

Also new is Cobalt’s Blue Box Group, a series of throw down boxes providing HDMI to SDI, SDI to HDMI, analogue to digital, and digital to analogue conversion with audio embedding/de-embedding.

Cobalt will additionally feature its widely-popular FUSION3G® line of terminal gear that offers extensive signal processing options including up/down/cross conversion, loudness processing, up-mixing, and Dolby® transcoding; the COMPASS® colour correction card with OGCP-9000/CC remote control panel; the 9223 MPEG-4 Encoder card; OGCP-9000 and WinOGCP remote control panels for control and monitoring of FUSION3G and COMPASS cards with loudness metering and monitoring options; and much more!!!

ABOUT COBALT DIGITAL INC.
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD-SDI conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit http://www.cobaltdigital.com.

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Company Contact: Chris Shaw, EVP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

Christie® is pleased to announce that the Christie Interactivity Kit is now shipping. Powered by Baanto™ ShadowSense™, the Christie Interactivity Kit is a distinctive solution for adding multi-touch interactivity to any digital display.

Designed in pieces that fit perfectly around Christie® MicroTiles®, the Christie Interactivity Kit can be configured into 84 different sizes. The kit can accommodate practically any large format display up to 21.4 feet wide and 6 feet high, or a Christie MicroTiles array measuring up to 16-units wide by 6-units tall.

The easy-to-use, field-installable kits simply attach around the display wall perimeter and plug into a computer USB port without need for drivers. Windows® 7 automatically recognizes the Christie Interactivity Kit as a multi-touch device and no manual calibration of sensors or cameras is required. Using breakthrough Baanto™ ShadowSense™ technology, Christie Interactivity Kit offers excellent performance with high touch accuracy and fast response times that support up to 18 touches on a large-format display.

Christie Interactivity Kit – The Simple Answer
“Many large-format touch technologies struggle with touch accuracy and response time, especially with multi-touch,� explained Richard Heslett, senior product manager, Business Products, Christie. “Typically you have to manually position and calibrate cameras, and install special drivers or software that must be running on the computer in order for the system to work.�

Christie’s Interactivity Kit solves this problem by detecting the video wall’s size and configuration, and simply connecting to the computer’s USB port. When used with Windows® 7, which offers native support for multi-touch, the Interactivity Kit is automatically recognized as a multi-touch device.

“In addition to saving the time and effort of calibrating sensors and installing drivers,� continued Heslett, “the Interactivity Kit is both lightweight and small for easy shipping and maneuvering into buildings while special brackets for MicroTiles handle the alignment.�

Applications for Christie Interactivity Kit
“With their stunning image quality, colors and resolution, Christie MicroTiles are the perfect medium for large format interactivity,� added Heslett. “For example, on broadcast sets, where MicroTiles are very popular, an on-air commentator can analyze a sports event or election results using the Interactivity Kit on a large presentation wall. Because of their modularity, MicroTiles and the Interactivity Kit are both easy to move around and flexible in size, so they are ideal for temporary events and trade shows. Rental stagers can purchase one set of gear and create a multitude of different shapes and sizes with it.

“Other great applications include museums and public institutions where visitors want to explore and learn, higher education where students want to learn and connect with each other, and corporate spaces where information needs to be shared and analyzed by colleagues in a collaborative setting.�

Benefits of Christie Interactivity Kit:

-True multi-touch performance with excellent accuracy, resolution and response rates for large-format applications.

-Up to 18 touches on a 16 by 6 array (21.4 feet wide by 6 feet high).

-Ease of setup with USB connection and no drivers required.

-No manual calibration of sensors or cameras.

-Recognized by Windows® 7 natively as a multi-touch device.

-Seamless integration with Christie MicroTiles and Christie JumpStart.

“Now shipping, the Christie Interactivity Kit is an exciting breakthrough technology for creating large-format, multi-touch displays that was not possible until now – there is nothing like it. This technology opens up all kinds of new possibilities for connecting people with each other and with information, and for delivering impactful, branded experiences,� Heslett concluded.

Underscoring its commitment to provide prospective customers with a maximum amount of information simply and efficiently, NanoLumens, Inc. today announced the launch of an entirely new and redesigned web site that features a unique Design Specification Calculator that allows potential customers to plug in their desired model, size and pixel pitch and receive a full list of specifications for that unique display. In less than 30 seconds a visitor to the site can enter their requirements, view the specifications, and submit the specified design to a NanoLumens team member for a price quote.

“We are dedicated to revolutionizing every aspect of digital media, including the way prospective customers go about gathering information for their projects and initiate the process,� today said Josh Byrd, NanoLumens Director of Marketing. “Available in any size, shape, or curvature, NanoLumens’ large-format display technology enables customers to set their imagination free to create the ultimate digital experience for their audiences.

“Our new web site now functions as a creative facilitator of their creative process,� Byrd continued. “Visitors to the site can gather more information about how NanoLumens displays are uniquely suited to their industry and then use our new calculator tool to choose from a variety of display options, sizes, and pixel, pitches, calculate their own display specifications and submit it for an immediate price quote. This new functionality is a direct result of our commitment to helping our customers break free from the constraints of traditional large-format display technology.�

According to Byrd, the launch of the new NanoLumens web site comes as the company prepares to introduce its new NanoSlim DS and NanoFlex DS Series (Design Specific) LED displays at Digital Signage Expo 2013 in Booth #1042 in the Las Vegas Convention Center.

NanoLumens’ technology has been named ‘Best Large-format LED Display’ of the year by Signage Solutions magazine in its 2012 Product of the Year awards program, as well as being recognized by Entrepreneur magazine as a 2011 future-proof tech trend and cited by The Wall Street Journal in its 2010 Technology Innovations Awards. NanoLumens’ technology also received the 2011 Breakthrough Technology of the Year Award at the American Technology Awards. Digital Signage Magazine awarded the NanoLumens NanoFlex a 2011 DIGI Award for “Best New Display Device – Non-LCD or Plasma.�

About NanoLumens:
Headquartered in Atlanta, Georgia, NanoLumens, Inc. (www.nanolumens.com) is a privately held corporation engaged in the research, product development, marketing and sales of unique flexible and fixed large-format LED display solutions in any size, shape, or curvature, that address a yawning technology gap in the $14 billion digital display industry. Since its founding in 2006, NanoLumens has built a portfolio of more than 20 international families of issued and filed patents on its flexible display technology that effectively address the commercial market void between relatively small flat-panel displays and huge, limited application LED boards. NanoLumens technology is not constrained by standard sizes and shapes, or by the weight, heat, noise and cost issues traditionally associated with commercial LED products.

Orlando, FL—January 2013—Tributaries is proud to introduce the all-new PROFIT connectors. The ever-popular PROFIT connectors have been vastly improved now requiring 50% LESS effort for compression and constructed of high impact plastic. The improvement is made possible thanks to the merger of “Pro-Connect� and “Snap N’ Seal� who were purchased by Belden, these two fantastic designs have combined to yield a new connector with the performance of “Pro-Connect� and the ease of “Snap N’ Seal�.

The new connectors feature an elegant gunmetal finish standard for all models. In the coming months, new signal identifier color rings will become available which will conveniently fit into the indented area just below the connector head. Connectors will only require one silver-crimping die to assemble the connectors; this enables the number of components to be kept down only to the essential items, simplifies installation and eliminates the need to swap out crimping dies on the compression tool.

The new style will retain the key features such as: visible entry for RCA and BNC and, 360° radial compressions. The connectors will continue to work with a number of different industry compression tools. While Tributaries won’t be the only manufacturer to offer this new connector, it is the only manufacturer to offer unprecedented quality control performed in its Orlando-based headquarters. Tributaries also guarantees all compression connectors fit on the coax sold by the company.

The newly designed F, RCA, and BNC for RG59 and RG6 are now available. Connectors for TRIBMINI will be available later this year.

Please check out @Tributaries to follow on Twitter and be sure to like us on Facebook.

About Tributaries®
Established in 1991 in Orlando, Florida, Tributaries® is an acknowledged leader in the design, production, and distribution of high-quality audio and video interconnect cables, speaker wires, accessories, and electronics. The company prides itself on its customer service, and has won the CE industry magazine Inside Track Supplier Loyalty Awards a total of 13 times in the past 15 years.

For more information, please visit www.tributariescable.com.