COOL OVERHEAD RACK ENCLOSURES OFFER SOLUTIONS FOR CLASSROOMS, BOARDROOMS AND MEETING ROOMS

Woodland Park, NJ – FSR, manufacturer of audio and video switching, control products, and connectivity boxes, is debuting its new CORE family of products to help solve the challenges of today’s classrooms, boardrooms and meeting rooms where floor space has reached an all-time premium.

With FSR’s Cool Overhead Rack Enclosures (CORE), which consists of the Ceiling Box family of above ceiling rack enclosures, and the brand new Top Shelf wall mounted rack enclosure, the company can offer viable options to facilities which can no longer afford to devote floor space to equipment racks or credenzas.

“Let’s face it, many facilities today just don’t have the same amount of floor space any longer to devote to large equipment racks,� says Jan Sandri, president, FSR. “With our new CORE family of products, FSR has the solution. We are thrilled to be able to introduce these powerful options to the industry, which includes the Ceiling Box family and Top Shelf wall-mounted rack enclosure, that target today’s challenges of space constraints.�

The Ceiling Box family is installed in a standard 2’ x 2’ or 2’ x 4’ drop ceilings and provides from 2 ½ rack to 4 full rack spaces for equipment mounting. Optionally, the Ceiling Box family can be equipped with a projector pole mount adapter so that the projector can mount directly to the ceiling box and cables can disappear through the pole.

The newest member of the CORE family is the Top Shelf wall mounted rack. Top Shelf mounts to a wall just below the ceiling in installations without a drop ceiling or where space above the drop ceiling is limited. The Top Shelf provides four rack units of mounting space and the plastic cover allows RF and WiFi signals to pass unobstructed between the equipment and the room.

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

FSR complies with the American Recovery and Reinvestment Act of 2009 and is a woman owned business. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information visit www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • harriet@desertmooncomm.com

WASHINGTON, D.C. — Cobalt Digital’s Blue Box Groupâ„¢ is the recipient of the 2012 Government Video SALUTE Award presented by the editorial staff of Government Video magazine during the 2012 Government Video Expo. BlueBoxâ„¢ is Cobalt’s new line of interface converter boxes that deliver peak performance from low-cost, compact modules.

Founded in 2003, Government Video’s SALUTE Award is designed to honor and showcase innovative technologies, products and services for the public sector demonstrated at Government Video Expo. Industry professionals, Government Video editors and contributors nominate candidates for Government Video SALUTE Awards with the decisions on the final awards made by Government Video’s editors.

“The Government Video SALUTE recognizes some of the innovative products and services for video professionals on display at GV Expo. We are proud to call attention to these tools that specifically help public-sector video professionals support the missions of their agencies and provide better information to the citizenry,� said J.J. Smith, editor of Government Video.

Cobalt’s easy-to-operate BlueBox™ modules attach easily and securely to cameras or host device chassis for dependable, uncomplicated installation. They receive power directly via USB from video monitors or other equipment without bulky and non-secure “wall wart� adapters.

“Cobalt recognized the need for first-class quality and affordable signal conversion in a compact package,� commented Chris Shaw, Cobalt EVP of Sales & Marketing. “BlueBox delivers exceptional performance from a small footprint with a full feature list packed into one convenient converter box; perfect for applications that need to stretch the budget but not compromise on quality.�

Government Video (http://www.governmentvideo.com)is the only magazine dedicated to providing comprehensive coverage of video professionals in all levels of public service. The magazine is published by NewBay Media LLC, the world’s largest publisher of audio and video publications. NewBay Media and Government Video are the organizers of the annual Government Video Expo, the largest trade show targeting government buyers and suppliers of video, AV, broadcast and multimedia technology.

ABOUT COBALT DIGITAL INC.
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD-SDI conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit http://www.cobaltdigital.com.

# # #

Company Contact: Chris Shaw, EVP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

Christie®, who introduced the world’s first DLP® simulation projection system with LED illumination, today announced that QuantaDyn Corporation, an engineering firm specializing in training simulation, has awarded Christie the contract to provide the projection system for the First Article Unit of the Air National Guard’s Advanced Joint Terminal Attack Controller Training System (AAJTS) Development Program. The 10 new Christie Matrix StIM™ WQ 1-chip DLP® solid state, LED-based projectors will power Immersive Display Solution’s semi-portable simulator dome with a field of view of 240 by 90 degrees. Battlespace Simulations Inc., will supply Model Air Combat Environment (MACE) software used for scenario/entity generation, and MetaVR will provide its Virtual Reality Scene Generator™.

The Christie Matrix StIM WQ is an integrated scalable environment projection system with the capability to display independent RGB and IR channels through Christie’s InfraScene™ technology at WQXGA (2560 x 1600) resolution. It features 800 ANSI lumens, 4.1 megapixels of resolution, fully ruggedized chassis, Christie proprietary technology such as ArrayLOC™, which allows a seamless and uniform performance across a projection array, MotoBlend™ to maximize system contrast and optimize dark scenes, robust and easy to use AutoCal™ to maintain the alignment to precisely match and blend arrays, and the latest fully adjustable Christie AccuFrame™ smear-reduction technology for the most true-to-life image quality in the industry. Unlike alternative approaches to “smear reduction�, Christie AccuFrame is integrated into the Christie Matrix StIM WQ and is fully adjustable in 1 percent increments over a 0-100 percent range. This allows system designers and customers to maximize dynamic image quality over a range of applications and/or training scenarios.

Engineered for simulation and training needs, the Matrix StIM WQ’s unique dual input architecture is capable of providing a true 120Hz output at full WQXGA resolution that allows users to maximize image quality without compromising system brightness.

WAYNE, NJ – JVC Professional Products Company, a division of JVC Americas Corp., today announced a firmware upgrade for the GY-HM600, its next-generation handheld ProHD camera. The upgrade adds new features and boosts camera performance.

Firmware upgrade improves camera’s autofocus and signal-to-noise ratio, as well as its flash band compensation, which minimizes or eliminates banding during recording when an external flash is in use.

New features include preset shooting modes, which provide optimized settings for common shooting scenarios: “Standard� mode for ideal lighting conditions and “Extended� mode with maximum gain for ENG image capture in difficult lighting conditions. In addition, the GY-HM600 now offers “AF Assist� functionality in “Auto Focus� mode.

Current GY-HM600 owners can download the file (version 0104) from pro.jvc.com/firmware. Firmware is loaded using an SDHC card (Slot B), and instructions are included with the file. Cameras currently being shipped from dealers or directly from JVC already include the firmware upgrade.

ABOUT JVC PROFESSIONAL PRODUCTS COMPANY

Headquartered in Wayne, New Jersey, JVC Professional Products Company is a division of JVC Americas Corp., a wholly-owned subsidiary of JVC KENWOOD Corporation. JVC is a leading manufacturer and distributor of broadcast and professional video equipment. For further product information, visit JVC’s Web site at http://pro.jvc.com or call (800) 582-5825.

HOUSTON, Texas—The High School for the Performing and Visual Arts (HSPVA) of the Houston Independent School District evolved in 1971 from a realization that gifted young artists need highly specialized and rigorous training in the arts to be prepared for the intense competition they will meet in colleges, conservatories, and the professional arts world. The creation of HSPVA represented the first attempt by any public high school in the nation to correlate an academic program with concentrated training in the arts.

Recently, the HSPVA completed the installation of a Yamaha AFC3 (Active Field Control) System for the 400-seat Denney Theater. The system, provided by Sound Productions of Irving, Texas and installed by Covenant Communications of Houston, is the first AFC3 installation, using the new AFC-FIR card released at InfoComm 2012, in the world. The HSPVA AFC3 installation includes 20 speakers with four mics all out in the main auditorium.

The project’s architect, Abe Sustatia of Sustatia Architects, contacted Covenant. “We were asked to design and install a new sound system for the Denney Theater and the black box theater,� states Shawn Mullins at Covenant. “While working with both Abe and the school to determine the best route for the sound system, they asked about options to help the acoustic environment in theater. They have multiple choral and musical groups, and since the theater was so acoustically dead, the school had to move musical performances to other venues that became costly and troublesome.�

“This is my fourth year as the Technical Director at HSPVA,� states Marc Duncan. “To say that we have had sound reinforcement issues would be an understatement of exponential proportions. After three years attempting to repair/replace or reinvent our acoustic orchestra shell and its implementation, we thought we had finally found what we believed was the best ‘sound’ we would ever achieve… until now.�

“We designed two systems, the reinforcement system, that is centered around a Yamaha LS9-32 digital console and digital snake and then the enhancement system,� Mullins continues. “We were familiar with two systems being used to enhance room acoustics, Yamaha and Meyer. We looked at both processes and felt that Yamaha suited the venue better. We contacted Yamaha Commercial Audio Systems and began the process of getting design assistance. As the project matured, we contacted Jeff Humphries of Sound Productions to make arrangements for the equipment. Sound Productions has been a great partner for us for over the past 12 years. The original design incorporated the previous generation of AFC equipment, so we were really excited when we were informed that we would be getting the new Yamaha AFC3 for this project.�

Active Field Control is a reverberation enhancement system that adjusts and enhances the acoustic characteristics of a facility while preserving the natural characteristics. This is achieved by creating feedback loops of microphones and speakers located in the reverberant field of the room to “recycle� the reverberant energy, thus extending the RT time. Yamaha AFC is used to create varying RT settings to suit different performance applications within the same facility. The system can be used to add spaciousness to under balcony or stage areas so all audience members and performers can enjoy the same sense of connection to the music and a greater shared experience. AFC systems can also be used to add early reflections or as crowd enhancements systems.

The new AFC3 processor supports transfer of FIR calculations of AFC processing to dedicated hardware. The new AFC-FIR processor card can be mounted in the AFC3 processor, and in addition to handling the processor-intensive FIR calculations, the card also provides four AES inputs for system microphone channels.

“As a performing arts school that averages 30 different events in our Denney Theater a year, half of them being from the Music Department, it is easy to understand how much this system has benefitted us,� says Duncan. “The look of shock and awe when our music department chairs heard the system for the first time was an overwhelming relief that we could finally provide a space to support the magic that takes place in our school every day.�

Duncan said the first event held for the Music Department using the new AFC System was a fundraiser where they had a 40-person choir, Symphonic Band & Wind Ensemble, Jazz Band, Young Performers Pop Concert, and a full Orchestra, all performing in the same space throughout the night. This event takes place throughout the whole building in all of the school’s performing spaces and averages 2,000 guests a year. “Everyone raved about how great the sound was and how shocked they were that this was the same building they had been coming to for years, but had never heard ‘this’ before. Looking back, I wonder how we ever did the event at all without the Yamaha AFC system. When we want a dead space we turn it off, and when we want more, the question now is, ‘how much more?’

As the main operator of the system Duncan said he can’t get over how quick and easy the AFC System is to operate. “We can switch between five different room environments, taking about four seconds to load each setting, and we have a 10 db range of control depending on how live we want it to sound. We can access it from the booth or from backstage, all from a simple panel no bigger than a DVD case. The Denney Theater is not just a performance space; it is also used as a classroom. Now, when we have master classes or guest artists in the space during the day, changing the acoustics of the room to customize it is fast, efficient, and a breeze. The system sounds outstanding; it’s remarkable!�

For more information on the Houston High School for the Performing and Visual Arts, visit www.hspva.org.

For more information on the Yamaha AFC System, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Christie®, who introduced the world’s first DLP® simulation projection system with LED illumination, today announced that FlightSafety International, with Aero Simulation Inc. (ASI), has awarded Christie the contract to supply a projection system consisting of nine Christie Matrix StIM™ WQ 1-chip DLP® solid state, LED-based projectors, to the U.S. Coast Guard’s HC-144A Ocean Sentry program at the Aviation Training Center (ATC) in Mobile, Alabama. Aero Simulation Inc. (ASI) is the program’s prime contractor responsible for delivering the Operational Flight Trainer (OFT) and supporting subsystems.

The Christie Matrix StIM WQ is an integrated scalable environment projection system with the capability to display independent RGB and IR channels through Christie’s InfraScene™ technology at WQXGA (2560 x 1600) resolution. It features 800 ANSI lumens, 4.1 megapixels of resolution, fully ruggedized chassis, Christie proprietary technology such as ArrayLOC™, which allows a seamless and uniform performance across a projection array, MotoBlend™ to maximize system contrast and optimize dark scenes, robust and easy to use AutoCal™ to maintain the alignment to precisely match and blend arrays, and the latest fully adjustable Christie AccuFrame™ smear-reduction technology for the most true-to-life image quality in the industry. Unlike alternative approaches to “smear reduction,� Christie AccuFrame is integrated into the Christie Matrix StIM WQ and is fully adjustable in 1 percent increments over a 0-100 percent range. This allows system designers and customers to maximize dynamic image quality over a range of applications and/or training scenarios.

The all-new HC-144A Ocean Sentry has been certified by the USCG as its Medium Range Surveillance Maritime Patrol Aircraft. The Ocean Sentry has the capability to perform aerial delivery of search and rescue equipment such as rafts, pumps, and flares. It can serve as an on-scene commander platform for homeland security missions, since it is outfitted with the IDS Command and Control (C2) System, and the state-of-the-art C4ISR suite of sensors and avionics. The HC-144A’s modern C4ISR suite, modular cabin, fuel consumption rate, and short field takeoff and landing capability, make it uniquely suited for U.S. Coast Guard missions.

Christie is at I/ITSEC in Orlando, FL, Dec 3-6 showcasing several new simulation solutions including the Christie Matrix StIM WQ at Booth #2549.

New State-of-the-art Hollywood Facility Relies on Nucoda and Phoenix

(LOS ANGELES, CA) Siren Digital, a film, TV and new media production group, has yet again turned to Digital Vision for a number of solutions to power the company’s new, state-of-the-art facility in Hollywood. Siren Digital has chosen Digital Vision’s Nucoda high-end color grading system with the DVO toolset and Precision control panel to sustain their DI and technological operations. Continuing a long-standing collaborative relationship, the team at Siren has worked with Digital Vision over many years, beginning with installations of Nucoda in Santa Monica and extending overseas to large-scale, facility build-outs in Korea and China. Over the course of many projects, the companies have found new ways to produce and manage the creation and delivery of entertainment content.

Kyle Jackson, co-founder of Siren Digital noted, “We have a significant comfort level and familiarity with Digital Vision’s outstanding toolset, support, and R&D group, built upon years of experience at another facility we designed and operated in Los Angeles, and global projects we’ve managed. Over the past five years, Digital Vision has been the backbone of many of our endeavors. Their software proves time and again to be able to handle the real-world challenges of changing post production workflows.”

Digital Vision’s Nucoda grading and mastering solutions offer a powerful color toolset that integrates easily with customized workflows. It supports ACES, all the major digital camera formats on the market, and provides robust features for creative flexibility. The Precision panel adds a high level of control for colorists, with its unique, industry-leading combination of tactile controls and integrated touch-sensitive panels.

The awarding-winning DVO (Digital Vision Optics) image processing software provides a comprehensive solution for image repair, restoration, enhancement and format conversion whether originated from film or video. DVO tools are only available on Digital Vision’s Nucoda and Phoenix platforms.

Siren Studios, an emerging 360-degree production studio, and Siren Digital together offer a broad base of services to the industry, from creative to advanced production, visual effects, post production audio, film finance, and international distribution. “We are engaged in a number of traditional and emerging processes, globally, and it is crucial that our tools work now and evolve with the way our colleagues want to collaborate in the future. While we are involved in some very technologically advanced work, we are also working daily on digital intermediates, designing post workflows, and delivering projects. We believe that Digital Vision is with us today and for the long run.”

In 2011, Digital Vision supported a massive restoration and color pipeline project for Jackson in South Korea with over 200 licenses for Digital Vision’s Phoenix restoration software. Jackson notes, “We knew from our experience that the range of capabilities – Phoenix for restoration and Nucoda for grading, as well as the tools in the highly regarded DVO toolset – was a perfect fit.”

Jackson adds, “Working with Digital Vision has always been one of the most rewarding technological collaborations we have ever engaged in. Their willingness to work closely with us to devise solutions is crucial. They understand real-world demands as well as creative needs. Just as important as the toolset is their willingness to respond with flexibility, ingenuity and dedication.”

Kelvin Bolah, President of Digital Vision stated, “We have known the Siren team for years, and have seen them consistently do ground breaking, interesting work. They think a bit differently, and they think big. You must be careful with words like ‘visionary,’ but that’s what we consider Siren Digital. We are looking forward to the exciting projects that Kyle, and his partners Jeff Brue and Matthew Treinish, have in their pipeline.”

Digital Vision’s Nucoda and Phoenix systems are in use around the globe on thousands of features, commercials, broadcast programs and restoration projects. To learn more about Siren Digital, visit www.siren6500.com. For further information about Digital Vision please visit www.digitalvision.tv.

About Digital Vision
Digital Vision is the supplier of the world’s best colour grading, restoration and film scanning solutions for the broadcast, film, commercial and archive industries. Founded in 1988 in Stockholm, Sweden, Digital Vision has offices in London, Los Angeles, New Zealand, and Linköping in Sweden. Digital Vision’s Emmy award winning technology and products include Nucoda and Phoenix colour grading, finishing, mastering and restoration solutions that are used to create much of the worlds’ high profile television, film and commercials media broadcast and distributed today. In addition to the Nucoda and Phoenix ranges, Golden Eye film scanners and the Vintage Cloud solution provide innovative tools to create the industry recognized highest quality in scanning, film digitization, preservation and archiving.

In April 2011, Digital Vision acquired Image Systems and is now a division of the Image Systems group of companies.

All trademarks used herein, whether recognized or not, are the properties of their respective companies.

# # #

Digital Vision Marketing Contact:
Alexa Maza | alexa.maza@digitalvision.se | Tel: +1 (818) 769-8111

Digital Vision PR Contact:
ignite | Christine Purse | chris@ignite.bz | Tel: +1 818 303 8088 | Mobile: +1 323 806 9696

Costa Mesa, CA (December 5, 2012) – QSC Audio Products is proud to announce the launch of the AcousticPerformance™ line of professional, two-way, full-range loudspeakers, ideal for a variety of installed sound reinforcement applications which require higher SPL and a stylish enclosure. All models feature a 3-inch voice coil, high power-capacity compression driver combined with high-output woofers to deliver exceptional full bandwidth reproduction.

“In keeping with QSC’s loudspeaker design philosophy, all AcousticPerformance loudspeakers feature Directivity Matched Transition™ (DMT) which matches the compression driver to the natural coverage angle of the woofer in the cross-over region�, states Phil Sanchez, QSC Loudspeaker Product Manager. “When combined with their axisymmetric waveguides, AcousticPerformance loudspeakers deliver a flat power response with smooth and accurate sonic reproduction and remarkably consistent coverage both on and off-axis.�

AcousticPerformance models may be used in passive (full-range) mode to minimize amplifier channel count or bi-amp mode for greater control and performance. To further enhance performance, bi-amp and full-range tunings using QSC Intrinsic Correction techniques are available for Q-Sysâ„¢ and future QSC products.

All models feature M10 mounting points for deployment via eye-bolts as well as mount points for an optional yoke bracket. The AP-5122m multi-purpose enclosure features a 40-degree angle, making it ideal for floor monitor use, and a pole cup for deployment on a loudspeaker stand. The enclosure and terminal input cup on the AP-5122m have been designed to facilitate the cable runs for a clean appearance on stage.

Presenting a clean, unobtrusive look, AcousticPerformance grilles are unadorned, eliminating the need to cover-up logo treatments, which can be difficult to hide or remove. The grille is also lined with acoustically transparent backing, adding to the enclosure’s professional appearance.

AP-5102/5122/5152 models are available in black (RAL 9011) and white (RAL 9010) finishes. AP-5122m is available in black only. To minimize impact and disposal fees at the job site, all AcousticPerformance loudspeakers are packaged in environmentally friendly, recyclable cartons.

Key Features of the AcousticPerformance Line:

•DMT™ (Directivity Matched Transition) ensures smooth, coherent power response across the listening plane
•3� diaphragm compression delivers a clean and powerful high frequency response
•M10 fittings and yoke mount fittings offer flexible deployment options for a variety of applications
•Clean industrial design with unadorned grilles complement most decors and settings
•NL4 Speakon™ connector and covered barrier strip terminals*
•Bi-Amp / Passive Switchable
•Constructed from 15-ply Baltic birch plywood
•16-Gauge powder coated steel grilles
•Available in black (RAL 9011) and white (RAL 9010)*
•Complete EASE, CAD & BIM information available online
* Except for 5122m

For more information, visit the AcousticPerformance product page at http://qsc.com/products/speakers/ap/

About QSC Audio
QSC Audio Products, LLC is a leading manufacturer of power amplifiers, loudspeakers, digital signal processors, digital sound transport, and network audio for professional audio systems worldwide. qsc.com

Christie® a leader in simulation projection display and visualization solutions, takes solid state projection technology “to the next level� with the launch of the new Christie Matrix StIM™ WQ and Christie Matrix SIM WQ, the world’s first, fully integrated solid-state, WQXGA resolution projection systems designed specifically to address the requirements of today’s most demanding simulation and training applications.

Built upon the unique, dual-input architecture first developed in the groundbreaking Christie Matrix StIM™ LED illuminated simulation projector – the first to provide independent control over both the visible and infrared spectrum – both the Christie Matrix StIM WQ and Christie Matrix SIM WQ provide the highest levels of light output available in an LED-based WQXGA projection system when used in a real-world training and simulation application.

The Christie Matrix StIM WQ and Christie Matrix SIM WQ feature 800 ANSI lumens, 4.1 megapixels of resolution, fully ruggedized chassis, ArrayLOC™ and the latest fully adjustable Christie AccuFrame™ smear-reduction technology for the most true-to-life image quality in the industry. Unlike alternative approaches to “smear reduction,� Christie AccuFrame™ is integrated into the Christie Matrix StIM WQ and Christie Matrix SIM WQ and fully adjustable in 1 percent increments over a 0-100 percent range. This allows system designers and customers to maximize dynamic image quality over a range of applications and/or training scenarios.

Like all Christie Matrix series projection systems, the Christie Matrix StIM WQ and Christie Matrix SIM WQ are integrated, scalable environment projection systems purpose-built for simulation applications. Complete system solutions built on Christie Matrix StIM WQ and Christie Matrix SIM WQ along with Christie AutoCalâ„¢, directly translates to the highest levels of performance combined with extremely low sustainment cost and maximum life span.

“The introduction of the Christie Matrix StIM WQ and Christie Matrix SIM WQ represents a major leap in technological capabilities in simulation and training that strongly reaffirms Christie’s commitment to the industry,� said Zoran Veselic, vice president of Visual Environments, Christie. “Solid state projection technology is rapidly evolving, driven by customers’ increasing expectations for higher resolution and higher brightness from LED-based projectors. The Christie Matrix StIM WQ and Christie Matrix SIM WQ further strengthen our innovation leadership in simulation and training.�

Christie Matrix StIM WQ – “Star� of the Night Sky
The unique, dual input architecture of the Matrix StIM WQ makes it the only WQXGA simulation projection system available today that displays separate channels for visible light and Infra-Red (IR) spectrum for stimulated Night Vision Goggles (NVG) training through Christie InfraScene™. With the ability to separate RGB and IR channel management, the Matrix StIM WQ offers greater system design flexibility, enabling the user to tailor and optimize the system to meet the specific night training requirement. Another advantage of the Matrix StIM WQ’s dual input architecture is the ability to composite the two 60Hz RGB inputs to deliver true 120Hz RGB operation. When used with Christie AccuFrame™ smear reduction technology, the result is dramatically improved image quality without image artifacts or perceived loss of brightness while maintaining compatibility with current Image Generator technology, and without the need to make changes to the visual database.

Designed for 24/7 operation and with a platform rated at 50,000 hours Mean Time Between Failures (MTBF), the Christie Matrix StIM WQ’s rugged design for motion platform use is a durable projection system with no consumables and virtually maintenance-free.

Christie Matrix SIM WQ – A “High Flyer� in Commercial Flight Simulation
The Christie Matrix SIM WQ goes beyond FAA Level D compliance for projectors in Full Flight Simulators with its higher resolution and color matching technology. Solid state, LED-based illumination means reliable, 24/7 operation, with lower power consumption and an extremely low sustainment cost that translates to a low total cost of ownership. Its inherently stable long-life platform doesn’t fade over time due to its unique, lamp-less illumination systems that offer unprecedented stability and reliability, with no consumables for reliable, continuous operation.

“The Christie Matrix StIM WQ and Matrix SIM WQ will dramatically expand training options for a wide range of simulation programs,� said Veselic. “They are compatible with all simulation motion environments, can be mounted in either landscape or portrait mode and, with Christie AutoCal™, they provide real-time continuous calibration to ensure consistent luminance and color across the entire projection array, and minimum time for system set-up and re-calibration. They are at the true ‘front line’ of simulation technology, offering performance, value and versatility to meet the most demanding needs of the industry.�

Visit Christie at booth #2549 at I/ITSEC.

Christie®, a leader in simulation projection display and visualization solutions, is poised to introduce one of the industry’s most innovative concepts, the Christie DualView simulator display at I/ITSEC 2012, December 3–6, 2012. The innovative DualView simulator can separately compute and render the same scene from two unique points of view (POV) with excellent image quality, allowing two operators to respond to their own, separately warped, full-screen image simultaneously. This achieves essentially zero geometric distortion rather than a compromise single DEP ( Design Eye Point) located half way between operators.

It accomplishes this by computing completely separate ideal DEP’s for each independent operator working adjacent in the same cockpit, and separating those pilot/copilot views by time, toggling both eyes alternately – very similar to how alternate eye stereo glasses work. As a result, the system offers collaborative training that is closer to real-life scenarios where fast action developments require rapid decisions. It is ideal for applications that involve two operators or pilots such as two-person tandem jets or helicopters, as well as ground vehicles with driver and a gunner behind him, or any other training scenario where completely separate views and telemetry/HUD augmented-reality feedback is useful with zero geometric distortion. DualView computes eight separate images, for a total of 18.4 MegaPixels, seamlessly blended such that pilot sees four combined images and copilot his own separate four combined images.

“The Christie DualView allows configurations like tandem seating, while offering the perfect viewpoint for pilot and copilot – or any two viewing positions – since the images are computed and corrected specifically for their eye points, not a half-way-in-between,� noted Zoran Veselic, vice president of Visual Environments at Christie. “It’s a concept built upon Christie’s simulation expertise and experience that includes the world’s first dual-input projector, the Christie Matrix StIM™ LED DLP® simulation projector, which renders visible and infrared light simultaneously for Night Vision Goggle training. It reflects our leadership in the industry and commitment to developing a compact, low-cost simulator display without sacrificing on versatility and performance.�

Christie partnered with RealTime Immersive (RTI), a simulation and serious games company established to support CryENGINE® licensees in the simulation and serious games market. RTI played a key role in the display at I/ITSEC by providing photorealistic quality undersea demo content.

According to Veselic, the Christie DualView represents a new opportunity in the simulation markets such as government, civilian, and gaming, where cost constraints can force customers to compromise on quality and system capabilities. It creates a better sense of teamwork and cooperation than systems in which operators occupy entirely separate simulators. DualView is also much better than splitting screen real estate into two half-resolution images, as is common in gaming, because now each viewer can see their own full resolution images on the entire screen – no compromise in Field of View or image quality. DualView’s ellipsoidal screen is a highly mobile, deployable, and cost-effective solution. It is an extremely promising technology with an immense range of applications, from multi-user simulators for training across many industries, to multiplayer gaming.