A virtual press conference from Sound & Video Contractor

Archive of the Product Updates Category

Matrox Announces Support for StudioCoast vMix Video Mixing Software

Matrox® Video today announced support for StudioCoast’s vMix video mixing software across the entire line of Matrox MXO2™ capture devices and the Mojito MAX™ I/O card. One of Streaming Media Magazine’s, “Best of NAB 2013” award winners, vMix is a complete live video production software solution that provides live mixing, switching and streaming of SD and HD (up to 1080p) video sources including cameras, video files, DVDs, still images and more.

Matrox MXO2 Family and Mojito MAX

Matrox MXO2 devices are the ideal portable capture solutions for streaming live events from wherever they are happening. Users simply connect an HD or SD camera or any other video source and can use the live pass-through feature for external video monitoring. Matrox Mojito MAX provides the same great functionality in a ¾-length PCIe card that can be easily integrated into a PC desktop or server.

“Matrox has a reputation for quality professional video solutions,” said Martin Sinclair, sole director and founder of StudioCoast. “We’re pleased to provide support for MXO2 devices and Mojito MAX to bring video sources into vMix at up to full HD.”

“vMix users are sure to find the exact digital and analog video and audio connectivity they need in the versatile Matrox product line,” said Wayne Andrews, product manager, Matrox Video. “And current Matrox users will be happy to be able to add another powerful and cost-effective live production steaming application to their toolkits.”

Price and availability
Matrox MXO2 devices are priced starting at $449 US (£338, €382) not including local taxes and delivery. Matrox Mojito MAX is priced at $995 US (£749, €799). Matrox products are available through a worldwide network of authorized dealers. Support for vMix is part of Matrox driver release 7.5.1 for Windows which is available to registered users as a free download from the Matrox website.

About StudioCoast Pty Ltd
vMix is a product of StudioCoast Pty Ltd. For more information and to download a fully functional 60-day free trial version of the software, visit www.vmixhd.com.

About Matrox Video
Matrox Video is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

Vaddio Continues to Strengthen Presence and Brand Awareness through Participation in D-Tools MVP Program

More than 300 Vaddio products appear in the D-Tools System Integrator Data Browser

CONCORD, CA, October 16, 2013 — D-Tools, Inc., the worldwide leader in system integration software has announced today that Vaddio has joined the D-Tools Manufacturer Vantage Point (MVP) program. Based in Minneapolis, MN, Vaddio is the leading manufacturer of PTZ cameras, specialty camera control systems and professional USB peripherals for the audiovisual, video conference and broadcast industries.

“Vaddio’s innovative products and partner-focused practices provide opportunities for integrators and resellers to win business and increase profitability, and we are excited to extend these same principals to D-Tools’ users,” said Kelly Perkins, marketing and communications manager at Vaddio. “We confidently stand behind our products as well as the customer service that we provide and our partnership with D-Tools beautifully complements this commitment. We’re thrilled to be a D-Tools MVP partner as we know that integrators using the D-Tools platform benefit greatly by having free access to Vaddio product information as they create their system designs, estimates and proposals.”

The D-Tools Manufacturer Vantage Point (MVP) program provides a database of the most up-to-date product information to more than 4,400 users of the D-Tools System Integrator software platform worldwide. D-Tools MVP Partners are dedicated to helping companies of any size or scope streamline the design process, making it easier for system integrators and installers to provide detailed, accurate, and professional proposals to their clients.

“We are very pleased that Vaddio has chosen to return to the D-Tools MVP Program and are pleased their product information will continue to be made available to our entire user base,” said Adam Stone, President of D-Tools. “Vaddio’s product line is not only user-friendly, but it also provides integrators a dependable solution they can confidently recommend to their clients for a wide variety of audiovisual, videoconferencing and broadcast systems.”

About Vaddio 
Vaddio is the leading manufacturer of specialty PTZ cameras and camera control systems used in the audiovisual, videoconference and broadcast industries. Your customers demand cutting-edge technology that’s simple to use. You want equipment that’s easy to install and reliable to operate. Vaddio serves integrators and operators alike – with broadcast-quality PTZ cameras and control systems that deliver the performance you need with the convenience you demand. More information can be found on the Vaddio website, www.vaddio.com or by calling (800) 572-2011.

About D-Tools, Inc.

D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software. The company’s flagship product, System Integrator™ (SI), is a total design solution that utilizes Autodesk® AutoCAD and Microsoft® Visio for comprehensive system design, documentation and project management. D-Tools SI allows residential and commercial integrators to streamline their business processes to increase overall revenues while reducing the time and costs associated with the installation and integration of low-voltage systems. Over 4,400 leading companies use D-Tools software to reduce time and costs and streamline the system integration process. D-Tools is a three-time recipient of the Consumer Electronics Association Mark of Excellence Award, multiple recipient Custom Retailer/Technology Integrator Excite Award (2007, 2008, 2009, 2010, 2011, 2012, 2013), and Commercial Integrator BEST Award (2011, 2013), plus the Multi-Room Audio Video Awards for Best Installation Aid, National Systems Contractors Association, Sound and Video Contractor Innovations in Technology for Business Productivity Award, CE Pro High Impact Award for Design Software and CE Pro BEST Award for Business Software (2013).

More information about D-Tools can be obtained by calling (866) 386-6571, e-mailing info@d-tools.com, or visiting www.d-tools.com. Follow D-Tools on Twitter at www.twitter.com/DTools and on Facebook at www.facebook.com/beatool.

D-Tools Press Contacts: 

Tim Bigoness

D-Tools, Inc.

(925) 270-4102

timb@d-tools.com

www.d-tools.com

Katye (McGregor) Bennett

KMB Communications

(425) 328-8640

katye@kmbcomm.com

www.kmbcomm.com

 

 

# # #ENDS

Clear-Com Showcases the Latest HelixNet Partyline System With Linking Capability at AES 2013

NEW YORK, OCTOBER 15, 2013 – Clear-Com® is demonstrating the latest advancements to the HelixNet™ Partyline Intercom System at AES 2013 (Booth 3030). Among these is a new capability that allows multiple HelixNet systems to link over Ethernet and Fiber networks for distributing many digital partyline channels, program audio feeds and auxiliary interfaced audio to digital beltpacks users.

HelixNet’s station-to-station networking function is made possible with the new HLI-ET2 Ethernet Module. Main Stations can connect directly or through a LAN using standard IT switches. The Ethernet Module comes standard with two RJ-45 jacks. A new HLI-FBS Fiber Module is also available for linking stations over long distances. The Fiber Module has two fiber ports with small form-factor pluggable (SFP) modules, for simple exchange of fiber transceivers. The standard SFP for the Fiber Module is Single-Mode with Multi-Mode offered as an option.

Linking HelixNet Main Stations together creates a network that pools channel resources of each individual station. Linked main stations can dynamically discover each other, thus giving HelixNet users the capability to share multiple digital partyline channels plus program inputs and any two-wire or four-wire interfaces in a network distributed system.

“This new capability for HelixNet means that any of the possible dozens of HelixNet beltpack users can access any two of the available network partyline channels by simply selecting the desired channels on their beltpack,” says Simon Browne, Director of Product Management, Clear-Com. “Since all these channels are running off a single, shielded twisted-pair cable, users no longer need to physically relocate multiple cables for new configurations, utilize expensive source-assign equipment or rely on multiple power supply units.

“The networking functionality of HelixNet Partyline permits a more sophisticated and cost-effective digital partyline intercom network. It is ideal for any audio application – from broadcast, to touring, to live – that requires quick setup and distribution of multiple channels of intercom. This allows crew members to remain connected even in disparate locations and over long distances.”

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

The Music Producers Guild Gets BPI and AIM Backing For Its Broadcast WAV Initiative

Just months after officially launching its ‘ISRC in Broadcast WAV’ initiative, the Music Producers Guild has received the support of the BPI and AIM, two trade bodies representing the music industry. Both have agreed to adopt Broadcast WAV as standard.

“We are really delighted to have the support of the BPI and AIM,” says Alchemy Mastering’s Barry Grint, who has led the MPG ISRC campaign. “This is fantastic news for all recording artists and copyright owners because adopting Broadcast WAV will make file identification and content tracking much easier and more accurate. It will also help royalty agencies develop more precise systems for payments, thereby safeguarding the incomes of artists and copyright owners when their recordings are played on air.”

With two major UK music industry organisations now firmly behind the new format – and with a number of mastering hardware equipment manufactures also on-board – the Music Producers Guild believes it is only a matter of time before Broadcast WAV is adopted by the music industry world-wide.

“WAV is the standard format for music interchange in the production process, but MPG members were frustrated that there was no method of embedding industry standard ISRC information in the format to enable more accurate identification the content of files,” Grint explains. “Working in collaboration with the European Broadcasting Union, which created a professional version of the WAV format called Broadcast WAV, we have been able to ensure the carriage of ISRC information in this type of file, thus removing the need for it to be re-entered and reducing the opportunity for error.”

The inherent good sense of using Broadcast WAV is now being recognised.

BPI Chief Executive Geoff Taylor says: “BPI is pleased to support this MPG initiative and we’ll be encouraging our members to adopt Broadcast WAV as a standard. By incorporating ISRC data into the WAV file, we can provide a more accurate and reliable means of identifying recordings when they are exchanged between labels and studios.”

James Farrelly, membership manager of AIM, adds: “In an environment where labels of all sizes now understand that effective metadata management is the key to maximising revenue from their master rights, the work MPG is doing to adapt the BWF format will result in a clearer, more accurate approach to identifying tracks and minimising potential mis-allocation of income from repertoire usage. AIM is proud to support this initiative and looks forward to working with the MPG and their partners to build industry wide adoption of the format.”

The MPG is now planning to address mastering engineers by holding a seminar to demonstrate the ease with which Broadcast WAV can be implemented. This will take place in London in early November (see www.mpg.org.uk for more details).

“For engineers using Magix/Sequioa or Merging/Pyramix, switching to Broadcast WAV will simply involve a software upgrade as both of these workstation manufacturers are already backing the Broadcast WAV initiative, ” Grint explains. “Now that this issue is higher up the priority list, we hope other manufacturers will quickly follow their lead.”

-ends-

About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

HARMAN’s Martin MAC III Quadray’s Multi-Beam Luminaire Provides One-of-a-Kind Lighting

AARHUS, Denmark — HARMAN’s Martin Professional MAC III Quadray™ is an all-new, multi-beam effect offering a whole new dimension to the lighting designer toolbox. The MAC III Quadray is tour-tested, having been deployed on Paul McCartney’s latest tour ‘Out There!’ with lighting design by Roy Bennett, among others. The MAC III Quadray allows designers to create a wide variety of looks that would otherwise be difficult to program solely via a lighting console.

The MAC III Quadray allows for projection of up to four individually controllable rays of light from a single luminaire, providing new possibilities in static or dynamic mid-air effects. Superior output from a 1500-watt lamp means the MAC III Quadray delivers enough power for even the biggest stages and venues. It houses the same high-quality feature set as Martin’s MAC III AirFX™, including a vibrant color mixing system, stunning aerial effects and a linear zoom with linked focus.

Available as an easy-to-install front lens replacement kit for the MAC III AirFX, the lens kit installs (and uninstalls) in only a few minutes, providing flexibility of use and greater value from a single luminaire. The MAC II provides added flexibility and enhanced value for any rental house or lighting designer.

For more information on the MAC III Quadray, please visit http://bitly.com/MACIIIQuadrayOnYouTube

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

HARMAN’s Martin Professional Releases v3.0 Software for M-Series Range of Lighting Consoles

AARHUS, Denmark — HARMAN’s Martin Professional has released its latest update for the M-Series consoles, v3.0, with hundreds of improvements and a stunning new user-interface. Martin’s v3.0 Software is faster than ever, features new touch and gesture optimization while the upgrade allows consoles to become a real PC-based controller.

The new v3 software is all about speed with faster start-up time, show loading and more efficient access to functions. The clean and modern user-interface has been optimized for touch and gesture technology, which allows the user to work in an environment where everything is accessible from a single finger touch. Users can simply swipe to move from view to view, access other playback banks quickly or change parameter selection. Double tapping on playback status accesses its functions and options. Additionally, users can enlarge the quick slide out for visual parameter control.

“Our goal for this new interface was to simplify the workflow by giving access to many functions without the need to constantly change views or access sub menus,” stated Steven Vanspauwen, Head of User Experience Design, Martin. “Users will find themselves programming faster than they ever did on any console before with v3.”

Martin’s M-PC v3 is no longer a simple hardware emulator, but a real PC-based controller with a user-interface optimized for any Windows 7 or Windows 8 PC equipped with or without a touch screen. Using the same concept as the console interface, the M-PC v3 allows anyone to program shows for free. M-PC Free Edition is available for one universe over Artnet as well as the popular ENTTEC DMX devices.

It is also possible to use the M-PC with two universes using any Martin Duo-DMX box. When using its One-Key dongle license, the universe count can be increased to 8 and even 64, making M-PC one of the most powerful lighting PC controllers in the industry.

All this in a clean and modern user-interface optimized for touch and gesture technology. The new v3 release is available now at (http://www.martin.com/controllersupport/)

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

Tailgate With Confidence With SunBriteTV’s Outdoor Televisions

THOUSAND OAKS, California – Whether camped out on the blacktop or lounging near backyard greenery, a SunBriteTV outdoor television enhances any football game. Indoor televisions won’t be able to sustain the fall and winter’s harsher weather, making a SunBriteTV an essential item when packing for the next tailgate event.

“Tailgating is a great part of American culture,” said Tom Dixon, SunBriteTV’s VP of Marketing, “but a bit of bad weather can put a damper on any electronic equipment not designed for the outdoors. SunBriteTV’s are Full-HD 1080p, fully weatherproof and perform in temperatures ranging from -24° to 122° Fahrenheit.”

Take a SunBriteTV to a tailgate party with the portable tabletop stand or securely mount it at home with a wall- or pole-mount. And with SunBriteTV’s Best Seat in the House consumer rebate promotion running now through the end of the year, football season is the season of SunBriteTV!

Every SunBriteTV includes a 2-year warranty, a weatherproof remote, and a built-in 20-watt sound system. Optional accessories include a variety of wall-, ceiling- or pole-mount installation solutions, dust covers and FM Radio.

For more information on SunBriteTV please visit www.sunbritetv.com or call the sales department directly at 866.357.8688.

About SunBriteTV
SunBriteTV’s all-weather televisions have been time-tested in home installations, outdoor sports arena, restaurant and hotel patios and even on military vehicles participating in field operations. All models are available through SunBriteTV’s network of Authorized Dealers. To inquire about becoming an Authorized Dealer, contact SunBriteTV at 866.357.8688, or visit the Dealer Inquiry page at www.sunbritetv.com.

Funky Junk Helps Steve Honest Fulfil A Life Long Ambition

If you were a music professional who already owned a house, a car and even a two studio recording complex, what would be the next item topping your wish list?

For recordist Steve Honest, the owner of Rock of London Studios in Shoreditch, the answer was easy: a vintage Fairchild 670 compressor dating from the late 1950s. Finding one, though, was more difficult – and for that Honest needed the help of specialist audio equipment supplier Funky Junk.

“I’ve always wanted to have my own Fairchild,” Honest says. “When I was younger I was fortunate enough to do sessions at Konk Studios and they had them. One of the engineers put a 670 across the output of the desk as he was making me a cassette to take home and the difference it made to the sound was amazing. It was so wide, open, full, dense and controlled that it seemed as though the Fairchild 670 was using sleight of hand with my ears. From that day on I was hooked.”

Honest is not alone in this sentiment. For studio gear aficionados, the Fairchild 670 is the ultimate compressor. The undisputed king of Tube limiting, it has 20 vacuum tubes and weighs in at 30 kilos, making it both the heaviest and the most expensive compressor in the world. It is also as rare as a hen’s tooth.

“Fairchilds had been on my mind since the late 1980s, but I had other things to buy at the time,” Steve explains. “Then about three years ago I started putting the feelers out in earnest, but although a couple of units came up I wasn’t happy about the source they were coming from. For such a costly purchase I wanted to be sure that I could get proper after sales support if I needed it – and that’s where Funky Junk came in.”

In 2012, Honest learned that Funky Junk Paris was about to take delivery of a Fairchild 660 compressor – a mono version of the much loved 670 – so he snapped it up and put it to work straight away.

“I used it on everything – bass, kick drum, guitars, vocals horns – the lot,” he says. “After a couple of weeks I couldn’t hear what was so special about it anymore, so I stopped using it. Suddenly everything seemed flat and boring, with no tone, density or power, so I plugged it straight back in again. That’s what I mean about Fairchild sleight of hand.”

Although he was delighted with his Fairchild 660, Honest still wanted a 670 and so the search continued. Earlier this year he lost out on a unit in Germany, so he was really delighted when Adam Crowe at Funky Junk London called to say they had one.

“I bought it on the spot,” he says, “and it’s now in Rock of London where it is performing beautifully. With both compressors, Funky Junk had done all the checks and servicing pre delivery, so they were in good working order when they arrived.”

Owning vintage gear does bring its own set of issues, not least the problem of finding spare parts when things need replacing. But Honest says that when he buys from Funky Junk he also gets peace of mind because everything comes with a warranty, and Funky’s technicians are there to help if anything does go wrong.

“I’ve been dealing with Funky Junk for years because they are great people to work with,” he adds. “It doesn’t matter which branch you are talking to – London, Paris or Milan – it’s always a two-way conversation because they listen to what you want, remember what gear you are looking for and alert you if anything of interest comes along. I’d say more than 60% of the gear I use has come via Funky Junk – and that list includes some really lovely vintage pieces such as a 1960 Telefunken U47, a pair of Neumann KM84s, a racked pair of Neve 33135 channel strips and a really punchy Neve 33609 compressor. And, of course, there are Rock of London’s two consoles – a Neve 66 desk, which Funky Junk installed, and an SSL 4000E, which was lovingly restored by Bob Stewart who Funky Junk introduced me to.”

Since starting as a session musician in the mid-1970s, Steve Honest has held many roles within the music recording industry, including that of studio owner. He opened his first studio in Hoxton in 1981 and continues to be involved in studios because he enjoys watching songs take shape and come to life.

“As I have spent the last decade supporting the idea of self-release, I tend to offer my studio and services to artists that want to make their own records and release them themselves,” he explains. “My prices facilitate people who don’t have huge budgets, but who do know you can’t make a big sounding record on your laptop. I do some label work, but supporting the emerging self-releasing artist is what I am about.”

Most recently Honest has been working on two projects with guitar virtuoso Colin Pollock and recording Maddy Carthy, one of a number of artists who are currently keeping Rock of London busy.

-ends-

About Funky Junk:
Funky Junk is Europe’s leading supplier of new and refurbished professional recording equipment and services. It has offices in London, Paris, Milan and Spain and has been in business for over 20 years. The company is renowned for its high level technical knowledge, backed by extensive workshop facilities. As well as handling sales and repairs, Funky Junk also acts as a distributor to a number of equipment brands and deals with their service and warranty.
For more information please visit www.funky-junk.com

HARMAN’s Martin MAC Viper Quadray™ – Four Times the Excitement

AARHUS, Denmark — As HARMAN’s Martin continues to provide the brightest and most reliable professional lighting equipment to the industry, today, it’s new MAC Viper Quadray is officially launched, adding to Martin’s award-winning MAC Viper Family of moving heads. This unique, multi-beam luminaire has been deployed on international tours, including the Sarah Brightman tour with lighting design by Andi Watson, and Pitbull with lighting design by Justin Geiger.

The MAC Viper Quadray allows for the projection of four individually controllable rays of light – a new effect providing a unique aspect to any show.

An efficient effects engine provides designers and programmers the ability to create a whole new variety of looks that would otherwise be difficult or even impossible to program via a lighting console.

The MAC Viper Quadray houses a narrow-range zoom and includes the same high-quality feature set as the MAC Viper AirFX, including a vibrant color mixing system and stunning aerial designs. Additionally, it features the same compact form, impressive speed and superior light quality from the MAC Viper Family’s 1000-watt lamp.

The MAC Viper Quadray is available as an easy-to-install front lens replacement kit for any standard MAC Viper AirFX. The lens kit installs (and uninstalls) quickly, providing flexibility of use and greater value from a single luminaire.

“The ability to individually maneuver and manipulate up to four beams from a single luminaire provides designers new possibilities in static or dynamic mid-air effects,” stated Brian Friborg, President, Martin US. “For the end user, Quadray provides another great lighting tool, as well as increasing the rental house benefits from added flexibility and enhanced value for their MAC Viper AirFX portfolio.”

For more information on The MAC Viper Quarday, please visit http://bitly.com/MACViperQuadrayOnYouYube

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

HARMAN’s Soundcraft Hosts HOT Labs Sessions at WFX 2013

DALLAS, Texas – At WFX 2013, HARMAN’s Soundcraft is hosting sessions at the HOT (Hands-On Training) Labs titled, “Introduction to Mixing with Digital Consoles.” Conducted by Katy Templeman-Holmes of Soundcraft Studer, the sessions will enable attendees to learn the fundamental differences between analog and digital consoles and the benefits of switching to digital. The sessions will be held daily from October 2-4.

HOT Labs provides live educational sessions for professionals and volunteers in the house of worship industry. Attendees of the “Introduction to Mixing with Digital Consoles” sessions will get first-hand experience working on Soundcraft’s industry-leading Si Expression and Si Performer digital consoles. A Studer Vista 1 digital console is also available for attendees to train on.

“As so many houses of worship rely on volunteer staff to control their A/V systems, ease of use is a priority for any piece of technology, and our HOT Labs sessions will show how easy digital consoles are to use, and more specifically, will demonstrate the ease of use of Soundcraft’s Si Expression and Si Performer consoles,” Templeman-Holmes said. “Moreover, these consoles provide world-class audio quality that can meet the demands of any professional in the house of worship industry, so all WFX attendees will find value in these sessions.”

The “Introduction to Mixing with Digital Consoles” sessions will be held in Room C143 of the Dallas Convention Center on the following dates/times:
• October 2—3:45-4:45 PM
• October 3—4:15-5:15 PM
• October 4—8:45-9:45 AM

Soundcraft Si Series training is also available at WFX between HOT sessions.

For more information, please visit usa.soundcraft.com

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

April 2014
M T W T F S S
« Mar    
 123456
78910111213
14151617181920
21222324252627
282930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication