A virtual press conference from Sound & Video Contractor

Archive of the Product Updates Category

DVEO Announces New Products for Streaming Media West 2014 — Including Revamped Media Server, Award-Winning UDP Video Packet Recovery Technology, H.264 Mobile Backpack Encoder, and More

Live Media Distribution Server -- Atlas Media ServerSan Diego, California — DVEO, the broadcast division of Computer Modules, Inc. (CMI), will demonstrate many unique video streaming products at Streaming Media West 2014 in Huntington Beach, California, November 18-19, in booth 206.

DVEO products at the show will include:
1. Revamped Media Server — Atlas Media Server™
2. UDP Video Packet Recovery Technology — Winner of the Society of Broadcast Engineers Technology Award for 2014 — DOZERbox II IP IP™
3. Mobile Cellular Modem Encoder for H.264 HD Streaming from HD-SDI Cameras — Mobile Backpack™: H.264/HD-SDI Kit
4. 120 Channel Adaptive Optimized Transcoder for OTT and Multi Screen Services — Brutus™ V IP/IP: TELCO
5. IP to SDI/HD-SDI Video and Audio Decoder — D-Streamer IP/DIG™
6. Ad Inserter for Mobile Multi Screen Video Delivery and for OTT — Ad Serter IP/ASI/SDI™
7. 50 Channel Transcoding IP Video Playout Server with Scheduling — IP Grooming Server™ 50ch 1TB
8. SDI/HD-SDI to IP Live Streaming Appliance — MultiStreamer DIG/IP™

1. Revamped Media Server — Atlas Media Server
Designed for IPTV operators, telcos, mobile operators, broadcasters, and Over The Top (OTT) video providers, the powerful Atlas Media Server provides grooming and VOD (video on demand) options in three different sizes.

The system ingests MPEG-2, H.264, and/or H.265/HEVC live streams over IP, then “grooms” the streams by adding wrappers such as MPEG-DASH, HLS, or RTMP, plus subtitles for closed captions or multiple languages. It outputs the live streams and simultaneously stores the streams as VOD files.

2. UDP Video Packet Recovery Technology — Winner of the Society of Broadcast Engineers Technology Award for 2014 — DOZERbox II IP IP
DVEO’s patent pending “DOZER” technology enables reliable high quality video delivery over public internet or so-so private lines. The DOZERbox II IP IP is a compact end-to-end Error Correcting Router for smoothing UDP traffic over the public internet, with built-in packet recovery algorithms for alleviation of packet loss and resultant video freezes. It does not add jitter or noise, and does not increase bandwidth consumption like FEC. It is perfect for delivering critical video over congested public backbones.

The technology is also available as a software license — the Media Dozer: LIC™, or in a one RU system — the DOZER Racks IP IP™. The DOZERbox II IP IP is the winner of the prestigious Society of Broadcast Engineers Technology Award for 2014.

3. Mobile Cellular Modem Encoder for H.264 HD Streaming from HD-SDI Cameras — Mobile Backpack: H.264/HD-SDI Kit
The Mobile Backpack: H.264/HD-SDI Kit is a lightweight (about 8.6 lbs./3.9 kg.) H.264 backpack encoder for streaming HD-SDI, SDI, or HDMI video via live wireless video and data transmission, using bonded 3G and 4G mobile network connections. It bundles up to eight mobile network channels from one or more operators into a single broadband channel.

Streaming media production professionals will use this system for electronic news gathering and streaming live video from events. The system ships with a matching decoder and a custom made backpack.

4. 120 Channel Adaptive Optimized Transcoder for OTT and Multi Screen Services –Brutus V IP/IP: TELCO
The enterprise class Brutus IV IP/IP: TELCO is a real time Adaptive Optimized Transcoder with 48 Cores — ideal for simple transcoding or grooming at headends for OTT or Multiscreen services. It transcodes up to 120 SD streams, or 40 720p HD streams, or 30 1080i/p HD streams from MPEG-2 to H.264 or vice-versa. The system is suitable for IPTV, OTT, mobile TV, broadcast, and Telco TV, or as a transcoder/reformatter for RTSP IP Cameras. The Brutus supports Flash, HLS, RTMP, HTTP, Smooth, and Live streaming and works well with Wowza®, Adobe® Flash® and RealNetworks® Servers.

5. IP to SDI/HD-SDI Video and Audio Decoder — D-Streamer IP/DIG
The D-Streamer IP/DIG is a real time H.264 or MPEG-2 decoder that receives IP transport streams and decodes them to SDI or HD-SDI, or optional HDMI. Streaming media content providers use DVEO’s MultiStreamer DIG/IP to encode SDI or HD-SDI to H.264 IP, then decode the IP streams with the D-Streamer IP/DIG. The Linux® based system is available in three versions — a single input channel, two input channels, or 1-8 input channels. It is perfect for receiving and professionally decoding “poor” video from IP cameras, remote sites, content delivery networks (CDNs), or IPTV compatible appliances or players. The system works with Teradek, Nanocaster, Minicaster, Axis IP Cameras, and other streaming appliances.

6. Ad Inserter for Mobile Multi Screen Video Delivery and for OTT — Ad Serter IP/ASI/SDI
The Ad Serter IP/ASI/SDI is a broadcast quality playout server with Ad and EAS (Emergency Alert System) capabilities. It inserts or overlays video clips, graphical ads, logos, scrolling text, and RSS news feeds — anywhere on live or stored video content, on a schedule, or via signaling like SCTE 35 signals from EAS generators. Graphics, logos, and text can be static, blinking, or rotating.

The system adds messages to one to four IPTV SD channels, or to one to four targeted SD cable or on-air channels or sub channels. (An option for 1 HD and 3 SD channels is available.) Three versions are available: DVB-ASI, IP, or SDI.

7. 50 Channel Transcoding IP Video Playout Server with Scheduling — IP Grooming Server 50ch 1TB
The IP Grooming Server 50ch 1TB is a file playout server for scheduled continuous streaming. It stores various file types, then “grooms” them by transcoding the streams to H.264 and/or scaling the video to different resolutions. It also adds various “wrappers” such as HLS, RTMP, etc.

With the IP Grooming Server, users can create their own 50 “streaming” web channels with 50 different movies or content, playing on a preset schedule. The Linux® based system is a great video hosting playout server for ISPs, corporate websites, schools, hotels, and digital signage.

8. SDI/HD-SDI to IP Live Streaming Appliance — MultiStreamer DIG/IP
The latest version of DVEO’s real time MultiStreamer DIG/IP live streaming webcasting encoder receives one, two, or four SDI or HD-SDI inputs (from cameras, editing systems, or video servers) and multiple IP inputs. It creates multiple simultaneous high, medium, and low bitrate IP streams and sends them to iPads, iPhones, content delivery networks (CDNs), and remote video capture devices. Each stream can have several proxies with different “wrappers” such as HLS, RTMP, etc. The broadcast quality system features schedulable input — it can receive input at a specified date and time — and ships with one terabyte of local storage.

The MultiStreamer is also available with other video input formats — 8VSB, HDMI, Analog, DVB-ASI, HDMI, DVB-S+S2, DVB-T+T2, QAM, ISDB-T, or DVB-C.

“We are excited to be showing our leading edge products at Streaming Media West,” said Laszlo Zoltan, Vice President of DVEO. “Our unique streaming systems feature lots of options to meet the needs of our customers. And as always, we are very open to customizing our products.”

Ad Serter IP/ASI/SDI, Atlas Media Server, Brutus, D-Streamer, DVEO,
DOZERbox II IP IP, DOZER Racks IP IP, IP Server, IP Grooming Server,
Media Dozer II: LIC, Mobile Backpack, and MultiStreamer are trademarks of Computer Modules, Inc.
All other trademarks and registered trademarks are the properties of their respective owners.

Supplemental Information for Press Release

Suggested Retail Prices:
Ad Serter ASI/ASI 4ch (SD): $14,995 U.S.
Ad Serter IP/IP 4ch (SD): $10,995 U.S.
Ad Serter SDI/SDI 4ch (SD): $13,995 U.S.
Atlas Media Server — Small, 1RU: $5,995 U.S.
Atlas Media Server — Medium, 1RU: $9,995 U.S.
Atlas Media Server — Large, 3RU: $16,995 U.S.
Brutus V IP/IP Telco: $33,995 U.S.
DOZERbox II IP IP: $1,695 U.S. each, typically sold in pairs
DOZER Racks IP IP: $2,995 U.S. each, typically sold in pairs
IP Grooming Server (with transcoding): $16,995 U.S.
IP Server (No transcoding): $4,995 U.S.
Media Dozer II: LIC: $100 to $1,200 U.S. each
Mobile Backpack: $24,995 U.S.
MultiStreamer DIG/IP: $3,995 U.S.

About CMI and DVEO
CMI, founded in 1982, is a privately held company headquartered in San Diego, California. DVEO, the Broadcast Division of Computer Modules, Inc., sells digital video and high definition television (HDTV) products to the top television broadcast companies throughout the world.

For more information on CMI and DVEO, please contact Rebecca Gray at +1 (858) 613-1818 or rebecca@dveo.com. To download DVEO’s press releases and product images, visit the news section at www.dveo.com.

Video Clarity’s RTM and ClearView Now Include Built-in Decoding of Dolby(R) Digital Audio

New Functionality Streamlines Critical Quality Testing for SDI or IP Video Streams Containing Dolby Digital Audio; Bypasses Need for External Decoding Device

CAMPBELL, Calif. — Nov. 6, 2014 — Video Clarity Inc., provider of market-leading audio and video quality measurement and analysis systems, today announced that its RTM real-time audio and video monitoring solution and ClearView line of video quality analyzers now provide built-in decoding of Dolby(R) Digital audio in SDI or IP video streams and files. With this new capability, both the RTM and ClearView systems offer an efficient and cost-effective method for media enterprises to run critical test parameters on all channels and devices carrying Dolby Digital audio. At the upcoming CCW Expo, Nov. 12-13, Video Clarity will demonstrate IP stream testing with Dolby Digital audio using RTM. more

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Corporate AV, News, Product Updates |

Revolabs Shipping Award-Winning FLX UC 500 Conference Phone

The UC Device That Puts the Speaker in Speakerphone Now Available Worldwide

SUDBURY, Mass. — Nov. 5, 2014 — Revolabs(R) today announced that the company is shipping its FLX UC 500 USB conference phone, the award-winning solution that brings high-fidelity sound to everyday computer-based unified communications. Featuring dual speaker elements, four microphones, and integrated echo cancellation, the sleekly designed device sets a new audio standard for unified communication applications in settings such as desktop workspaces and conference rooms. more

Sound Devices 970 Audio Recorder Earns NAMM TEC Award Nomination

Company’s First Dedicated Rack-Mounted Audio Recorder Features 64 Tracks of Dante and MADI

REEDSBURG, WI, NOVEMBER 4, 2014 – Sound Devices, specialists in professional audio and video products, is pleased to announce that its 970, the company’s first dedicated rack-mounted audio recorder, which boasts an impressive 64 channels of Dante and MADI with FileSafe™ technology, has been nominated for the 30th Annual NAMM TEC Awards in the category of Outstanding Technical Achievement, Recording Devices.Sound Devices 970 - front panel

Founded in 1985, and presented by the TEC Foundation for Excellence in Audio, the TEC Awards are the longest-running awards show specifically recognizing outstanding achievement in product innovation and sound production. The awards ceremony will take place on Saturday, January 24, during the 2015 NAMM Show, one of the world’s largest global music industry trade shows, held annually in Anaheim, CA.

“We are honored that the 970 has been nominated for the prestigious TEC Award,” says Paul Isaacs, VP Marketing and Product Design, Sound Devices. “It’s great to receive such recognition from the professional audio industry for our first dedicated rack-mounted audio recorder. For audio professionals requiring a significant number of audio channels, the 970 is an incredibly powerful and flexible tool, backed by Sound Devices’ reputation for high-quality audio and reliability.”

A half-rack, 2U audio recording device, the Sound Devices 970 simplifies any application requiring high-quality, high-track-count audio recording, including live musical productions, concert recordings, and drama- or reality-based productions. Incorporated into the 970, FileSafe recovers audio files if, during recording, drives are unintentionally removed or power is lost.

Sound Devices 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. These inputs include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported. The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying, and allows for continuous long-form, high-track count recordings.

With its built-in, rock-steady Ambient Recording Lockit time-code technology, the 970 is well-suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports word-clock synchronization from an external word clock, video sync, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

The Sound Devices 970 also features an embedded Web-based control panel for machine transport and setup control over Ethernet-based networks, as well as file transfer over the data network with SMB. File metadata editing of scene name, take name, notes, track names and reel folders can be performed during, before and after recording across all drives. In addition to RS-422 and GPIO control, the unit also operates as a bridging interface between analog, AES digital, MADI and Dante connectivity.

Additionally, the Sound Devices 970 features the company’s proprietary PowerSafe™ technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording. In addition, 970 features FileSafe, which automatically detects and repairs corrupted file headers when drives are mounted. Should this occur when a drive is inadvertently removed during recording, the user can simply reinsert the drive and FileSafe will automatically repair the files.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production.

Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Berlin-Adlershof, Germany. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.

Pro Sound Effects Releases Enhanced Hybrid Library + Expansion Program

100 Units Available for Freelance Sound Designers through Dec. 31

NEW YORK, NY – Pro Sound Effects®, the next level sound library company, has released its enhanced Hybrid Library™ and new Expansion Program for freelance sound designers and independent media creators worldwide.

Since 2012, Pro Sound Effects has supported freelancers by providing access to a big feature, big studio library ($10,000 value) at an affordable price ($1,500).

Now through December 31st, Pro Sound Effects is making 100 more Hybrid Library units available to qualified sound designers who apply and qualify for freelancer pricing. In addition, all Hybrid Library owners gain access to the Expansion Program, which ensures the Hybrid Library is continually updated.

“We really stepped up our features this year,” says Douglas Price, Founder & President of Pro Sound Effects. “Our goal is to continually improve our Hybrid Program so it lives up to its reputation as both the ‘Robin Hood of Sound Libraries’ and ‘the Sound Designers Secret Weapon.’”

Hybrid-Library-Sound-Effects-Hard-Drive-2014

Hybrid Library Key Features:
- 56,477 Sound Effects on Hard Drive: 338 GB of professional sound delivered on flashy Hybrid-branded USB 3.0 hard drive
- Spans the Sonic Spectrum A to Z: Categories include Ambiences, Animals, History, Nature, Science Fiction, Technology, Warfare and beyond
- World-Class Recordists : we curate sound effects content from the top recordists and sound designers including Blastwave FX, BBC, BOOM, Foundation, Sound Control SE, and beyond
- Online Access to 215,000+ sounds from any computer through the Pro Sound Effects Online Library
- Masterful Metadata for lightning fast, pinpoint searches
- Free Annual Updates: 2014 Update includes 400 new sounds (6.4 GB) from Blastwave FX plus enhanced metadata
- 100% Royalty-Free Lifetime License

View full Hybrid Library features, videos, audio demos & reviews here.

Hybrid-Library-Sound-Effects-Expansion-Flash-Drive-2014

Expansion Program Key Features:
The Expansion Program provides freelancers with a simple, cost-effective way to ensure that their sound effects selection and software toolset is continually refreshed. Developed with feedback from Hybrid Library owners and curated by the PSE Library Team, Expansions 1 and 2 are robust sound effects compilations available only to Hybrid Library owners.

- Expansion 1: New Room Tones, Ambiences, Footsteps, and Foley; 10,856 sounds (54 GB) on 64 GB USB Flash Drive.
- Expansion 2: 1,000 hand-picked BBC Ambiences, Outdoor Impulse Responses, and Production Elements; 2,721 sounds (62 GB) on 64 GB USB 3.0 Flash Drive.
- Soundminer Add-On: Search, Audition, Drag-n-Drop to application

View Expansion Program features & demos here.

Pricing & Availability:
Through December 31, 2014, 100 Hybrid Library units are available for $1,500 ($10,000 value). Expansions 1 and 2 are available $500 each ($2500 value each).

Existing Hybrid Library owners will be emailed the 2014 Free Update and this will also be posted in the Hybrid Library Owner Forum.

See http://www.prosoundeffects.com/pse-hybrid-library for more information.

About Pro Sound Effects:
Pro Sound Effects curates and delivers the Next Level sound effects library for media producers worldwide. The Pro Sound Effects Library is 220,000+ royalty-free sounds effects available both online and on hard drive. The Library spans the entire sonic spectrum and is continually updated. Founded in 2004, Pro Sound Effects is relied upon by top freelancers and big media production companies worldwide.

Groove3 Unveils $99 All Access Annual Web Pass

Become a better producer with unlimited access to online audio tutorials for about the cost of 2 cups of coffee a month!

Austin, TX – October 30, 2014 – Beyond one-day events like Black Friday or Cyber Monday, Groove3 has launched the Black November Sale and is offering new customers an All Access Annual Web Pass for just $99 during entire month of November. Normally $150, customers gain instant online access to every video tutorial currently available on Groove3.com as well as new videos that are added during their 1-year membership.

G3-AAP-1-Year-600x600

Groove3.com hosts nearly 900 hours of innovative, inventive and progressive online video training for music producers of all levels, covering all of the top digital audio workstations, plug-ins, and virtual instruments on the market as well as essential audio topics like recording, mixing, and mastering. Groove3’s expert trainers are working musicians and audio professionals that know how to get the most from their gear and apply that knowledge to real-world workflow. New content is added weekly and is accessible with the All Access Annual Web Pass.

While there is plenty of video instruction on YouTube, Groove3 takes the guess work out of finding consistently high-quality instruction backed by more than 10 years of experience in working closely with audio experts and directly with manufacturers. This saves the end-user countless hours of searching the web for relevant, high quality video instruction.

“My schedule is so hectic that I don’t have the time it takes to fully learn the latest and greatest software,” said Trace Foster, engineer and guitar tech for Joe Perry of Aerosmith. “Now I just put on a Groove3 video while we’re flying or on the bus and before long, I’m so far ahead of the learning curve! It really makes my life easy.”

There has never been a better time to become a Groove3 member. In addition to the Black November Sale price of $99, members will have access to new content from a recent development partnership with publishing giant Hal Leonard, which will include titles on drums, guitars, bass and keyboard playing and more. Several new titles are due out in November and December as well as many more in 2015.

For more information and to purchase an All Access Annual Web Pass for just $99 during the Black November Sale, visit http://www.groove3.com/str/access-it-all.html.

About Groove3:
For over 10 years, Groove3 has been on providing informative and effective training and content that is in-depth yet easy to follow. Their products are currently in use by thousands of musicians, engineers, producers, project studio owners, colleges, universities, trade schools, and working professionals. They were the first to offer training videos specifically targeted to the pro audio community via online access and the first to offer regular video content updates for their members. Groove3 offers the most flexible options for purchasing their training and viewing the content with DRM free downloads, iOS and Android apps, as well as an intuitive streaming player.

iZotope Releases Ozone 6: Creative Mastering Platform

Ozone 6 features a redesigned interface, standalone application, and new Dynamic EQ module

Cambridge, MA (October 30, 2014) – iZotope, Inc., a leading audio technology company, has launched the latest version of its critically acclaimed line of mastering software, Ozone.

iZotope-Ozone-6-Advanced-box

Ozone 6 is a creative mastering platform that enables both project studio producers and mastering engineers to easily add a final level of professional polish to their mix.

The modern new workflow is centered around creativity. A fully redesigned interface and real-time visual feedback in every module assist users in creating masters with ease.

“Our goal was to create an elegant visual aesthetic and fluid workflow,” says iZotope Product Manager Brett Bunting, “in order to bring the creative elements of mastering front and center and allow users to define their own sound.”

Ozone 6 takes the guesswork and the manual labor out of the mastering process, helping users experiment without fear of making the wrong sonic choices. Using Ozone’s presets as a starting point, pros and newcomers alike can immediately achieve authentic sounds in any genre.

izotope-ozone6-equalizer-single-band-sa

Ozone also produces great sound, providing the warmth and character of analog sound without the restrictions of hardware. And since Ozone 6 works as either a standalone application or a suite of plug-ins, users can choose to work exclusively in Ozone, or to complement their audio editor of choice.

For professional users, the Advanced version’s Dynamic EQ module lives and breathes with your music, harnessing the precision of an equalizer and the musical ballistics of a compressor. It’s an ideal tool for transparently sculpting audio.

“Ozone is full of great mastering tools,” says Adam Ayan, GRAMMY-winning mastering engineer at Gateway Mastering, “and it just keeps getting better!”

Learn more at www.izotope.com/ozone6.

Watch the video at http://youtu.be/GZMvIxPZ-50.

Availability
Ozone 6 is available now at www.izotope.com/ozone and at select retailers.

Pricing
Ozone 6 – Promotional Price: $199 USD, Regular Price: $249 USD

Ozone 6 Advanced – Promotional Price: $599 USD, Regular Price: $999 USD

Upgrade from Ozone 1-5 to Ozone 6: Always available at a special price of $99 USD

Upgrade from Ozone 1-5 to Ozone 6 Advanced – Promotional Price: $399 USD, Regular Price: $750 USD

Upgrade from Ozone 5 Advanced to Ozone 6 Advanced: Always available at a special price of $299 USD

For international customers, check with your local reseller for Ozone 6 pricing.

Grace Period Purchases
Customers who purchased Ozone 5 after September 1, 2014, will receive a free upgrade to Ozone 6 upon release.

Customers who purchased Ozone 5 Advanced after September 1, 2014, will receive a free upgrade to Ozone 6 Advanced upon release.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®. For more information on iZotope products, please visit www.izotope.com.

Visual Unity Shows vuMedia™ at NAT Expo 2014 and Inter BEE 2014

multiscreen_devices_vu

Leading OTT solutions provider Visual Unity is showing the latest version of its Award-winning vuMedia™ multiscreen platform at NAT Expo in Moscow (November 19-21, 2014) and Inter BEE in Tokyo (November 19-21, 2014). The software will include a new, white label version that gives partners the opportunity to sell the product under their own brand by changing the colours and logos on the user interface.

“Having secured an investment of 7.2 million US$ (5.2 million Euros) from 3TS Capital Partners, we are now able to support the growth of an international customer base for vuMedia™,” says Visual Unity’s CEO Tomas Petru. “We are positioning Visual Unity as the leading provider of OTT and multiscreen solutions and to this end we are very focused on both product development and expanding into previously untapped markets.”

The company, which will be exhibiting on booth B23 at NAT Expo in Moscow, while at InterBEE it will be exhibiting in conjunction with its Japanese distributor DSP-Japan (Booth 5380).

Visual Unity’s updated vuMedia™ platform now includes a raft of new languages that have been incorporated into the software’s administrator user interface. This significant addition broadens its international appeal and reinforces Visual Unity’s plans to expand sales into new geographic territories. Also new is Multi-level account administration, which allows Visual Unity customers to collaborate on OTT projects, share resources or limit access to specific parts of vuMedia™ to dedicated groups. It also allows vuMedia™ to support different re-seller and seller models and relationships.

Introduced in 2011 and the winner of the 2012 ConnectedWorld.TV Award, Visual Unity’s flagship vuMedia™ is an end-to-end OTT platform that allows broadcasters and content owners to control how their brand and assets are managed, delivered and monetized in the multiscreen environment. Highly scalable and flexible, vuMedia™ delivers a cutting-edge live viewing experience on the web or any mobile or connected device. vuMedia™ also enables comprehensive Video on Demand services, social network integration and secures the distribution of content – all of which can be deployed into existing workflows and business processes.

vuMedia™ can be bought in two formats – Platform as a Service (PaaS) or Software as a Service (SaaS) for customers who don’t want to invest in new hardware.

-ends-

About Visual Unity

Visual Unity is a global provider of video and digital media solutions, enabling our clients to deliver premium quality video content. Our clients can measure, analyze and optimize their libraries over time and achieve optimal business success. Our platform capabilities inspire our clients to deploy their assets across multiple devices, screens, and media formats. Visual Unity helps clients manage, deliver and monetize their digital content.

Visual Unity is a Multiscreen Solution Provider, bridging the gap between linear broadcast, IT and IPTV to help clients reach and engage audiences on any screen. Since 1991, the team has been designing and delivering turnkey broadcast and complex multiscreen solutions worldwide – from HD outside Broadcast (OB) vehicles and major playout facilities to live internet streaming and Video on Demand services. Visual Unity’s award-winning vuMediaTM platform helps broadcasters and content owners control how their brand and assets are managed and monetized in the multiscreen environment. vuMediaTM is a highly scalable and a modular architecture, delivering a cutting-edge live viewing experience on the web or any mobile or connected device – all of which can be deployed into existing workflows and business processes.

Visual Unity is based in Prague, London, Munich, Moscow, Nairobi, Dubai, Istanbul, Ottawa, Los Angeles and Hong Kong. For further information, please visit www.visualunity.com

X2O Media Launches Major Upgrade to HTML5-Based X2O Platform

Redesigned Visual Communication Software Makes it Easier Than Ever to Create Stunning Channels for Any Digital Screen

MONTREAL — Oct. 30, 2014 — X2O Media, a leading provider of real-time visual communications solutions, today announced the release of X2O platform version 5.5. Designed to streamline the content management workflow dramatically, the company’s newest release significantly simplifies the creation and management of media-rich channels for playout on any screen including digital displays, videowalls, tablets and smartphones. With a modern new look and a highly intuitive graphical user interface, content creation, scheduling, and playout of dynamic content on visual communication networks is easier than ever. more

Jason Phats Changes Direction with Prism Sound’s Orpheus

OLYMPUS DIGITAL CAMERA

Writer, producer, remixer and DJ Jason Phats has become the latest high-profile musician to purchase a Prism Sound Orpheus Firewire Recording Interface.

“The sound is extremely detailed and transparent. Clarity, depth, separation and stereo imaging is breath-taking – my jaw hit the floor when I first heard it,” he says. “I found myself kicking back in the sweet spot and going through my music collection. Suddenly everything made sense.”

Phats runs the Orpheus through a SSL Sigma summing mixer and likes the unit primarily for its ability to lever both Prism Sound quality conversion and mic preamps into a 1U box and then cram it full of features. These include line, microphone and instrument inputs, selectable RIAA Equalization for turntables, a built-in premium-quality monitoring mixer for each output providing for performer foldback and surround monitoring, and concurrent ADAT and switchable S/PDIF or AES3 digital I/O plus support for outboard MIDI devices.

Phats, who has sold over 5m records in a career spanning nearly quarter of a century. adds that the Orpheus has fundamentally altered the way he works.

“From the moment I started working with the Orpheus I could see myself getting closer to the sound I had been searching for,” he says. “I decided to stop releasing tracks and focus on a goal: a new sound, a new direction.”

Pursuing the new path took time but now, eight months later, Phats and his management are in the process of releasing his new material.

“With the Orpheus I could instantly identify where I was going wrong in my mixes and productions. Once I could understand the mixing process with such detail and depth I was able to achieve exactly what I wanted,” he says.

The first track from the new ‘Phats & Orpehus’ partnership was Jason Phats & Fenton Gee’s \ \ H I T E \ \ A T E R (White Water), which caused a real buzz in Ibiza over the summer. There is plenty more to come too.

“Every day is a joy in the studio with the Orpheus and I am very proud of the new material I have lined up for the future,” he says. “The huge leap in quality has led to some great collaboration.”

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

November 2014
M T W T F S S
« Oct    
 12
3456789
10111213141516
17181920212223
24252627282930

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication