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Fairlight Delivers the Gift of Great Sound at Sky Vision Sound Studios

Robert Thompson Sky Vision

London-based Sky Vision Sound Studios, the international distribution arm of Sky, has recently completed a major upgrade of its Fairlight equipment to bring it in line with Sky’s UK broadcasting facilities in Osterley. The three-studio complex, two mix rooms and a prep room, has upgraded its Fairlight Constellation console with a Fairlight EVO, six of which are already in use at Sky. It has also upgraded its XYNERGI system by installing the latest software version – a move that is already improving workflow.

Sky Vision’s Audio Supervisor and Senior Dubbing Mixer Robert Thompson says: “Although we have handled work for external clients such as the BBC, Universal and Channel 5, the majority of our work comes from Sky Vision. As work often moves between Sky’s sound studios and ours, it made sense for us to have identical equipment. The dubbing mixers at Sky were obviously very happy with their Fairlight EVO’s and this, combined with our own good experiences of Fairlight, meant we had no qualms about upgrading our own desk.”

Tucked away in a Georgian Mews in the heart of London’s Fitzrovia, Sky Vision Sound Studios handles a variety of programming covering wildlife, docudrama, documentary, children’s TV shows, scripted content, sports and comedy. The diversity of the projects Sky Vision Sound Studios tackles is mind-boggling, as is the speed of turnaround this facility achieves.

“Last year we completed over 70 hours of broadcast TV, which for two mix rooms is pretty good going,” Thompson says. “That’s just shy of three hours a month – a lot of work by anyone’s standards. Of course none of this would be possible without the Fairlight systems we have in both rooms. It really is a credit to Fairlight we achieve what we do because you simply couldn’t get through such a large quantity of work without having a system that is so reliable and flexible.”

Sky Vision Sound Studio’s affiliation with Fairlight goes back to 1999 when the facility was first set up by dubbing mixer Trevor Barber. Thompson, who was brought in some years later to help increase the facility’s output, says: “I got switched on to Fairlight by Trevor because he wouldn’t use anything else. I didn’t start out as a Fairlight user – in previous jobs, and as a freelancer, I had mostly used Avid Pro Tools. But when Trevor first set up the studios he installed a Fairlight MFX hard disk recorder in Studio One. As soon as Fairlight introduced their new Xynergi range, Trevor came on board straight away. In fact, the Xynergi system we own and use today is serial number 5. It still works perfectly. The only thing we have changed is the operating software, which we have just upgraded again to the latest version.”

Thompson adds that transitioning from Constellation to EVO has been very straightforward, mainly because all Fairlight systems are very intuitive.

“We have had no issues moving over to the EVO,” he says. “Both Russell Skellon, who mainly works in Studio Two, and myself have been using Fairlight for a long time and we have so much experience that the system is almost second nature to us. I would say the same about XYNERGI and the upgrade to the latest software version. Setting up the XCS controller on the EVO so that it works the way we are used to was very quick to master and it was all so seamless that we were up and running almost immediately. The only thing that is taking a bit of time is exploring the new software features. We are now finding out all the new tricks it can do and it is already offering much greater functionality.”

As many users will testify, one of the main benefits of Fairlight is the ability to build customised workflows.

“We often have to deliver shows to multiple broadcasters worldwide, and with Fairlight I am able to build consoles and workflows that produce all the deliverables I need very efficiently,” Thompson says. “I also find editing on Fairlight incredibly intuitive because I can use the Picture Keys on the XCS to make my own controller and editor, which I design around my personal preference. It’s also really nice to personalise my common functions and assign them a macro so they can be done with just the push of a button. It gets me away from mouse based editing. The whole XCS mentality is quite exciting as it has the potential to operate as a controller across multiple applications.”

Thompson adds that Fairlight’s ability to accept and export multiple file formats is useful when the facility gets project from outside clients, “but to be honest we’ve honed the workflow between ourselves and Sky Vision to a point there this isn’t really relevant,” he says.

“What is useful, though, is Fairlight’s ability to give users two picture tacks at the same time.
If you are re-versioning and don’t get an EDL file that tells you what has been cut where, this can be a very tedious and time consuming process. With Fairlight’s integrated video we can streamline the process by running two picture tracks and comparing them in real time. This makes it much faster to manually make the cuts. It’s a great feature and one that really helps us.

“For example, the nature of our work is that we do quite a few versions of a specific programme mix. With the new software, we can easily conform all of our edits, including the mix, which was something we couldn’t do with previous versions. We’ve always had a good dialogue with Fairlight and this is something we’ve been specifically asking them to do, so having it now is just fantastic because it means we can work even faster as the whole reversioning process is now far more automated. Most other systems rely on third party software for this.”

Thompson adds that he is also looking forward to exploring the latest software’s new background recording feature, which offers lots of sound design potential.

“I’m still checking this out but it looks like another really useful feature,” he says. “You can record while you are scrolling and jog shuttling. It basically records anything passing through a specified output as a background task. I can also see this being useful for ADR because it saves the timeline becoming littered with takes.”

Having proved that Sky Vision Sound Studios can handle an annual output of more than 70 hours of broadcast TV on Fairlight’s previous software, Thompson is confident this can be exceeded now that the new version is in place. But despite all the time saving features the new EVO console delivers, he still feels the best thing about Fairlight is its sound quality.

“I suppose I’m a bit of a musician at heart,” he laughs, “which is why I really like the smoothness of the Fairlight I/O. Some of our clients are composers and musicians as well so it’s no surprise they also comment on how good this system sounds.”

-ends-

About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications.
www.fairlight.com.au

SVS LAUNCHES PC-2000 POWERED CYLINDER SUBWOOFER

The cylinder subwoofer form factor is reinvented by SVS with acclaimed 2000 Series subwoofer technology and décor-friendly styling.

Denver, CO – Rocky Mountain Audio Fest – October 10-12, 2014 – SVS, a worldwide leader in high performance home audio products, proudly announces the PC-2000 subwoofer, a modernization of the original SVS cylinder design featuring driver and amplifier technology from the vaunted 2000 Series subwoofers, and fresh, décor-friendly styling. With a footprint measuring just 16.5” in diameter, the PC-2000 delivers unmatched bass performance per square-inch of floor space.

“The cylinder subwoofer is an icon of our design heritage. The PC-2000 integrates our best technology and engineering resources, along with style upgrades, to make it appealing to contemporary audio and home theater enthusiasts,” said Gary Yacoubian, SVS president. “It’s an absolute beast of a performer and ideal for those who want outstanding deep bass effects and mid-bass slam, without the huge footprint.”

Standing 34” tall, the PC-2000 is a striking monolith of power that uses vertical height to achieve a generous enclosure volume, despite the small footprint. Interchangeable black ash or piano gloss top caps give the subwoofer design flexibility to match a range of décors. It is also the first SVS subwoofer to come standard with the SoundPath Isolation System. The elastomer feet decouple and isolate the PC-2000 from the floor, resulting in tighter and cleaner sounding bass, less room rattle, and fewer complaints from neighbors and roommates.

Inside, the PC-2000 boasts a 12” down-firing 2000-series driver. Nearly 20 driver prototypes were built by hand and punished with rigorous real-world testing; including 100-hours straight of full power testing; before the final version was approved for production. The drivers consist of dual high-grade ferrite magnets and an FEA-optimized motor for nearly distortion-free performance. A reinforced Nomex spider was integrated for improved linearity and driver control, especially important when the STA-500D amp is pushing the PC-2000 to maximum output levels.

Conservatively rated at 500 watts RMS continuous and 1100 watts peak dynamic, the Sledge STA-500D DSP amplifier inside the PC-2000 has brains to match its brawn. A sophisticated DSP in the amplifier includes an array of filters and volume, gain, and phase controls for fine-tuning performance. A frequency-dependent limiter/compressor algorithm with adjustable attack/release and compression parameters offers the ultimate in refined behavior at the drive limits of the subwoofer system. The DSP amplifier is effortless in its delivery of all this power, yet it consumes less than half-a-watt in stand-by mode.

Rated at 17-270 HZ +/- 3dB, the PC-2000 features a stereo line-level RCA input and 80Hz high pass filtered output connections, continuously variable volume and phase controls, and a rear-firing 4” high-flow port with large radius inner and outer flanges.

Pricing for the PC-2000 is $799.99 for the Black Ash top cap, and $849.99 for the Piano Gloss top cap.

For more information, please visit www.svsound.com  or follow them on Facebook, Instagram, Pinterest or Twitter.

About SVS

SVS is a global leader in high performance home audio products; designing, manufacturing and selling subwoofers and speakers through its Internet direct business. Founded in 1998 by a group of audio enthusiasts seeking to develop an alternative to traditional audio manufacturers, SVS was forged out of a passion for the science of sound married to a disruptive, forward-facing go-to-market strategy. Today, SVS takes a radical approach to how audio products are developed. Built on collective decades of experience, SVS is redefining performance and value for people who love music and sound.

Press Contact:  Caster Communications, Inc. at 401.792.7080

Nicholas Brown: nbrown@castercomm.com

Kimberly Lancaster: klancaster@castercomm.com

For digital images log on to: www.castercomm.com

HARMAN’s dbx Introduces 676 Tube Mic Pre Channel Strip

dbx-676-FrontSALT LAKE CITY, Utah – HARMAN’s dbx today announced the introduction of its model 676 Tube Mic Pre Channel Strip, a vacuum tube-based microphone preamplifier that offers a host of flexible sound-tailoring options to deliver extraordinary audio quality in recording and live sound applications.

The dbx 676 employs a high-gain, Class A tube preamp section based around a 12AU7 vacuum tube that can be adjusted to be clean and pure-sounding or dirty and full of harmonic character. The 676 incorporates the Compressor/Limiter design from the highly sought-after dbx 162SL and a 3-band parametric EQ, enabling exacting control of dynamics and tonal balance.

“We created the dbx 676 to be nothing less than the ultimate mic preamp,” said Jason Kunz, Market Manager, Portable PA and Recording & Broadcast, HARMAN Signal Processing. “Whether you need a preamp that provides pristine, rich sound quality and tube warmth, want to add some edge and personality to vocals and instruments or are seeking to improve the sound of your recording or live rig, the dbx 676 is the ideal tool for taking your sound to the highest level.”

The dbx 676 offers ¼-inch and XLR inputs and outputs, a front-panel instrument input and a side chain insert. An optional digital output card is available. The 676 allows for precise tailoring of input and output levels which can be monitored by its large multi-function VU meter.

The compressor/limiter section provides extremely flexible control of dynamics including threshold, attack, gain and release, auto attack and release, hard and soft knee compression, dbx-exclusive AutoVelocity™ manual and OverEasy® modes and PeakStop™ limiting algorithm and many additional functions. The 676’s 3-band parametric EQ allows adjustment of level and bandwidth at frequencies that have been carefully chosen for maximum musical effectiveness.

Although comprehensive in its capabilities the dbx 676 is designed for ease of use, with its vintage-style controls and VU metering. The 676 features military-grade build for total reliability and mounts in a 2U rack space.

The dbx 676 Tube Mic Pre Channel Strip will be available in January 2015 at a U.S. street price of $999.95.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Annual New England Emerging Technologies & Home Awareness Expo Takes Place October 15th & 16th

Northeast Catalyst AV Network Member Easy Access Distribution Hosts Annual Emerging Technologies & Home Awareness Expo October 15th and 16th

Two action-packed days featuring the latest from 30 brands, a Dolby Atmos demo and trainings from Nest, Luxul, Sonance and Wilson Electronics

Location: Courtyard by Marriot in Billerica, Massachusetts

Burlington, MA – October 9, 2014 – Easy Access Distribution (www.easyaccessdistribution.com) – the Northeast region member of the Catalyst AV distribution network – is hosting its annual Emerging Technologies & Home Awareness Expo at the Billerica, Massachusetts Courtyard by Marriot on October 15th and 16th.

30 manufacturers will participate in the dealer event. They are 2Gig, Alarm.com, APC, Atlona, Boston Acoustics, BrightSign, Catalyst AV Wire & Cable, Chief, ClearView CCTV, DaLite, Definitive Technology, Dropcam, Denon, Dynamat, enerG, EnGenius, Heos by Denon, IC Realtime, ICE Cable Systems, iPort, Launchport, Luxul, Marantz, Nest, Perfect Path, Pro Control, Raxxess by Chief, RTI, Russound, Sonance, TiVo, Vanco, Vivitek, and Wilson Electronics.

Specialized trainings offered include The Internet of Things is Here sponsored by Nest / Dropcam; It’s All About the Network sponsored by Luxul; The Home Theater Experience sponsored by Sonance and Boosting a Better Signal sponsored by Wilson Electronics.

A Dolby Atmos demonstration featuring Vivitek projectors, Definitive Technology, Denon and DaLite will be a main attraction as well.

Food and refreshments will be served throughout the two-day event.

The event takes place from 8:30 AM – 7 PM October 15th and 16th at the Courtyard by Marriot in Billerica, MA. Dealers interested in attending can register by calling 781.893.3999 or email info@easyaccessdistribution.com

About Catalyst AV
Founded in 2012, Catalyst AV is a network of 12-independent consumer electronics distributors serving the residential and professional AV channels in the U.S. Catalyst AV grants manufacturers a consistent and cohesive nationwide distribution model to more than 15,000 professional integration specialists. Catalyst AV benefits integrators by delivering all the products and support necessary to execute the demands of job specifications with confidence. The Catalyst AV Board of Directors consists of Mike Hench (Electronics Source Distributors); Steve Presti (Easy Access Distribution) and Wally Whinna (Allnet Distributing). www.catalystav.com

iZotope Announces New Version of Mastering Software

Ozone 6, a complete mastering platform featuring an elegant and modern interface, will preview to the public at AES 137

Cambridge, MA (October 8, 2014) — iZotope, Inc., a leading audio technology company, has announced an update to its critically acclaimed line of mastering software, Ozone.

iZotope-Ozone-6-box

Launching this fall, Ozone 6 is the latest version of iZotope’s complete mastering system. For the first time, the mastering workflow is centered around creativity: Ozone 6’s modern visual paradigm guides and inspires users of all experience levels at every step, so they can freely experiment with ease—or dial in their signature sound in just a few clicks.

Whether they are mastering engineers or home studio producers, Ozone 6 gives users everything they need to effortlessly produce professional-sounding masters in one elegant standalone application.

iZotope at AES 137
iZotope product specialists will preview Ozone 6 to the general public at AES (Booth 1100) in Los Angeles from October 9 – 12. AES attendees can view a demo of Ozone 6, hear from top audio industry figures, and learn the latest research and technology information. iZotope plans to release further information about Ozone 6’s features throughout the coming weeks.

Pricing
Ozone 6 - $199 USD Promotional Price ($249 USD Regular Price)
Ozone 6 Advanced – $599 USD Promotional Price ($999 USD Regular Price)
Upgrade from Ozone 1-5 to Ozone 6 – Always available at a special price of $99 USD
Upgrade from Ozone 1-5 to Ozone 6 Advanced – $399 USD Promotional Price ($750 USD Regular Price)
Upgrade from Ozone 1-5 Adv. to Ozone 6 Adv. – Always available at a special price of $299 USD

For international customers, check with your local dealer for Ozone 6 pricing.

Grace Period Purchases
Customers who purchase Ozone 5 after September 1, 2014, will receive a free upgrade to Ozone 6 upon release.
Customers who purchase Ozone 5 Advanced after September 1, 2014, will receive a free upgrade to Ozone 6 Advanced upon release.

Availability
Be among the first to hear when Ozone 6 and Ozone 6 Advanced become available. Sign up for the iZotope newsletter and learn more at www.izotope.com/ozone6.

Learn more about AES 137 at www.aes.org.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®.

For more information on iZotope products, please visit www.izotope.com.

wysiwyg Lighting Design Video Challenge 2014

video-challenge2

Make sure you register your vote at the People’s Choice Awards

The Challenge is not yet over.

Entries judged by the panel now flow to the second part of the wysiwyg Lighting Design Video Challenge 2014. So to register your vote for BEST Lighting Design, go to CAST Software’s Blog — http://tinyurl.com/o7bn2nw — and vote by noon Wednesday, 8 October 2014 (EST – Toronto, Canada).

www.cast-soft.com

TRANSAUDIO GROUP ANNOUNCES DRAMATIC PRICE REDUCTION ON DAKING PRO AUDIO SIGNAL PROCESSORS

Daking_FET_3LAS VEGAS, NEVADA – OCTOBER 2014: Daking Audio has changed the way it brings its American-made equipment to market in order to increase value to the end user. Purchasers of Daking Audio signal processors will benefit from the resulting dramatic price reduction, which applies to all of its products. These include the Daking Mic Pre 1, Mic Pre EQ, Mic Pre 4, FET II compressor, and FET III stereo compressor, plus all of the Daking 500 Series equalizers, compressors, and preamps.

“Daking has ended its traditional export distributor program and enacted a major price reduction to end users, without changing its designs or its U.S. manufacturing quality,” explained Brad Lunde, president of TransAudio Group, Daking’s U.S. distributor. “We at TransAudio Group think Daking’s value is exceptional at these new price points and will represent a major change to how Daking is perceived in the marketplace.”

THE NEW MAP PRICES ARE AS FOLLOWS:
Mic Pre 500: Was $649 – Now $499
Comp 500: Was $699 – Now $499
EQ 500: Was $949 – Now $699
500 RS: Was $5,019 – Now $3,844
Mic Pre One: Was $845 – Now $599
Mic Pre EQ: Was $1,549 – Now $1,099
Mic Pre 4: Was $2,599 – Now $1,799
FET 2 Compressor: Was $1,549 – Now $1,099
FET 3 Compressor: Was $2,150 – Now $1,549

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

STOP BY AND SEE US AT AES 2014 BOOTH #1110

DVIGear Launches DisplayPort Cables Supporting 4K / 60Hz

Expands Line of High Performance Copper Cables

Marietta, Georgia    October 2, 2014  –  DVIGear, a leading manufacturer of digital connectivity products, has announced the introduction and immediate availability of High Resolution™ DisplayPort Copper Cables.  These cables are designed to transport DisplayPort signals with bit rates up to 21.6 Gbps. over cable lengths of up to 15 meters (~ 50 ft.).  These cables support uncompressed DisplayPort resolutions up to 4096×2160 / 60 Hz.
DVIGear HR™ DisplayPort Copper CablesEngineered to Support Ultra High Resolutions at Long Distances

Long distance transport of high resolution DisplayPort signals over copper cables must overcome several challenges, such as insertion loss, differential skew and jitter.  Insertion loss is caused by cable capacitance, which acts as a low-pass filter, blocking higher frequency signal components from passing.  Skew occurs when the differential DisplayPort signals get delayed and become out of phase as they pass over a long cable.  Both factors contribute to increased digital jitter, which degrades the performance of the cable.  This jitter becomes more severe with higher resolutions, higher bit rates and longer cable distances.  Conventional cables that support lower resolutions at short distances are often unable to support the data rates required by higher resolutions at longer distances.  The resulting video can be disrupted by visual artifacts or may not be visible at all.

To overcome these challenges, DVIGear’s HR™ Series DisplayPort Cables are constructed using heavy gauge 24AWG copper wires that provide superior ruggedness and durability.  The heavier wire gauge has increased cross-sectional cable area, as well as decreased capacitance and lower differential skew, which allows high speed signals to pass with minimal jitter.  These features enable cable lengths of up to 15 meters (~ 50 ft.) with full compliance with DisplayPort 1.2 signal parameters.

Comprehensive Line of HDMI, DVI, and DisplayPort Copper Cables

For many years, system integrators, designers and consultants across the globe have trusted DVIGear’s line of copper cables thanks to their unsurpassed performance and reliability.  This comprehensive line supports high resolution HDMI, Single-Link DVI, Dual-Link DVI, and DisplayPort signals over long distances.  When coupled with DVIGear’s Active Cable Extender (ACE™) unit, the Super High Resolution (SHR™) Series HDMI, DVI, and DVI-DL cables support cable lengths up to 60 meters (~ 200 ft.).  All these cables are available in a wide range of lengths for immediate delivery.

DVIGear HDMI, DVI, and DisplayPort Copper CablesAbout DVIGear

Founded in 1999, DVIGear (www.dvigear.com) is a leading supplier of Digital Connectivity Solutions for a wide range of professional display applications.  Located in Marietta, Georgia, DVIGear offers an extensive portfolio of high performance digital video distribution products including:  Digital Matrix Routing Switchers, Splitters, Extenders, Converters, Scalers, as well as long-length copper and optical cables.

###

Contact: Joseph Barbier  /  770.421.6699  /  joseph@dvigear.com
High Resolution Product Photo: HR™ Series DisplayPort Cable
High Resolution Product Line Photo: Copper Cables

Shotoku Boosts Studio Capabilities of National Spanish Broadcaster

Versatile Robotic Pan/Tilt System Delivers Big For Major Madrid Media Group

Madrid, Spain – Shotoku Broadcast Systems, a leading international manufacturer of advanced camera support products, has announced the recent installation of a robotically controlled system comprising numerous pan and tilt heads and dual 16-camera control systems at Atresmedia Corporación de Medios de Comunicación, S.A. The Madrid-based Spanish media group, a national broadcaster, maintains a significant presence in the television, radio and cinema industries. The sale was made through Shotoku’s regional reseller Datos Media.

After in-depth testing and on-site demonstrations, the Shotoku systems — seven TG-18 robotic pan and tilt heads and two 16-camera TR-T control systems — were selected by Atresmedia Corporación as key pieces of its re-launched and refurbished studio to replace its older gear.

“Since the first test, we were satisfied with the overall capability of Shotoku’s system, both operationally and technically,” says Fernando García del Rey, Head of Studio Operations, Atresmedia. “The system works well, operators find it easy to use, and the support we get from Shotoku, with Datos Media, has been excellent.”

According to James Eddershaw, Shotoku sales director, Atresmedia is a brand new client and the first order with Shotoku’s newly appointed agent in the region, Datos Media, signaling a major win for the company. “I am delighted to be working with Atresmedia – one of Spain’s leading national broadcasters with a long history of experience in robotic camera systems,” says Eddershaw. “To be selected by them after a detailed evaluation, is praise indeed for our systems.”
The Datos team worked very closely with the Atresmedia crew during installation and provided full training on-site once the system was integrated. Now, the station is live and on-air every day.

“We were extremely pleased to be able to supply a large Shotoku system to Atresmedia, especially so soon after partnering with Shotoku in Spain,” says Tomas Nielsen, managing director, Datos Media. “Like Atresmedia, we were happy with the way the project went, with very smooth integration into the existing studio environment and all completed on time.”

The TG-18 has a 56kg payload capacity making it ideal for any ENG camera/lens combinations in typical studio configurations including the usual accessories such as viewfinder, hand controls and teleprompter/preview monitor. The TG-18 offers exceptional pan and tilt control, allowing complete freedom for on-air adjustments from the control systems. The head combines all the features expected of a high performance remote pan and tilt head (i.e. high accuracy, smooth movement, silent operation and high payload) with a full manual override capability.

The completely configurable screen layouts of the TR-T system supports 16 cameras, capable of being controlled by a single operator position, and displayed in any configuration to suit the particular requirements of the program. The TR-T panel style uses multicolored illuminated keys to communicate system status and control settings, with the same high precision joystick for ultra-smooth, on-air control that has become the trademark of a Shotoku system.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk
# # #
Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / mailto:info@shotoku.co.uk

Press contact: Desert Moon Public Relations & Advertising / Harriet Diener
+1-845-512-8283 / mailto:Harriet@DesertMoon.tv

HARMAN’s Martin Professional Now Shipping RUSH Wizard™ Effect Light

RUSH by Martin_WizardAARHUS, Denmark — HARMAN’s Martin Professional today announced the RUSH Wizard™ “full-house” effect light for nightclubs, bars and other leisure environments is now shipping. As the latest member of the RUSH by Martin line of affordable lighting solutions, the RUSH Wizard is an extremely bright yet energy-efficient light providing high-quality mid-air effects.

The RUSH Wizard is music-triggered and DMX-controllable with two independent color/gobo wheels offering seven colors (plus two whites) and 13 different gobos with an additional two open patterns. An advanced shutter system allows the Wizard to create fast strobe and pulse effects as well as blackouts and a unique instant open. The Wizard also delivers more than 80 agile light beams with each beam chasing the other while continuously changing color and gobo pattern.

“Finding reliable effect lighting that is compact and bright while also energy efficient is a challenge faced by many integrators,” said Mark Buss, Product Manager, RUSH by Martin. “We are committed to providing the industry with the most innovative and affordable lighting solutions; the RUSH Wizard is a powerful addition to our RUSH by Martin line that is capable of filling any venue with a dazzling display of mid-air effects and personality.”

The Wizard’s powerful ‘full-house’ club effect produces more than 80 light beams with each beam chasing the other while also continuously changing color and gobo patterns. It also features adjustable focus and a stand-alone mode for easy control as well as a130W short-arc discharge to create powerful effects via a reflector.

In addition, the RUSH wizard comes equipped with mounting brackets for easy installation on walls and ceilings as well as on floor stands ideal for mobile DJs in need of portable lighting.

For more information on Martin’s RUSH Wizard, please visit:

http://www.martin.com/en-US/Product-Details/RUSH-Wizard.aspx

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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