WEBSTER, NEW YORK – APRIL 2013: Ashly Audio, maker of powerful, high-performance, cost-effective signal processors and amplifiers, have licensed Dante digital media networking solution from Audinate. With low latency, robust synchronization, I/O scalability, and simplicity of installation via standard IT technology, Dante will significantly enhance the power and value of Ashly’s range of signal processors and amplifiers.

Dante is built on IT standards, and is a complete media networking solution. Dante delivers a low-latency, tightly-synchronized, sample-accurate playback, while simplifying installation and configuration of A/V networks. Dante has become the leading solution of choice for a variety of professional applications as it demystifies audio networking.

“Ashly Audio is known in the industry as a leader in networked power amplification and signal processing, addressing multiple professional audio applications,� says Director of Sales at Audinate, Dave Anderson. “We are pleased that Ashly has recognized Dante as the most interoperable networking solution available, and look forward to a range of products as they come to market.�

Noted President, Ashly Audio, Mark Wentling, “Ashly is excited to be able to offer our customers yet another option in digital connectivity for our DSP processors and DSP enabled power amplifiers. Dante from Audinate currently brings the best in flexible, yet robust digital audio transport, to the pro-audio and commercial-sound installation markets.”

Audinate revolutionizes the way that A/V systems are connected, by transporting high-quality media over standard IT networks. Dante is robust proven solution which is widely deployed in hotels, transportation centers, shopping centers, public address systems, live sound reinforcement, theaters, concert halls, stadiums, athletic venues, corporate boardrooms, universities, broadcast facilities, recording facilities, houses of worship, government facilities, and courtrooms.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT AUDINATE Audinate’s patented Dante media networking solution has been adopted by eighty OEM manufacturers in the professional audio/visual industry and is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected. www.audinate.com

Dante is a trademark of Audinate Pty Ltd. Audinate is a registered trademark of Audinate Pty Ltd.

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #335

Suwanee, Georgia, April 15, 2013 — Hisense USA Corporation has announced the immediate implementation of its in-home warranty program, giving customers peace of mind before, during, and after their decision to purchase a Hisense product. All Hisense televisions purchased from April 1st, 2013 are eligible for this convenient program while still in warranty

“This is an exciting step to provide the best service and support to our customers,� said Jonathan Frank, Vice President of Marketing, Hisense USA Corporation. “We take pride in providing the most advanced entertainment technology solutions, and know that this innovative warranty program demonstrates our long term commitment to Hisense products.�

A factory-trained technician from a Hisense national service provider will arrive at the customer’s home and repair the television, all at the customer’s convenience. This new warranty process will lessen additional damage that can occur during shipping as well as eliminate any inconvenience to the customer in having to find and pay for adequate packaging.

How it works:

1. Customer calls Hisense for support. If the call center agent deems that the unit needs service, and it is not a panel related issue*, the agent collects the customer information including model, serial number, and proof of purchase.

2. Agent then prepares a parts order to be shipped directly to the customer’s home, within 3 business days to anywhere within the US.

3. In tangent, the customer’s information is sent to the service provider so they can track the shipping of the parts to the customer – to ensure accuracy and timing.

4. As soon as the parts are delivered to the customer, a Hisense service provider contacts the customer and sets up the service call.

5. Once the repair is complete and tested to ensure that it is fully functional, the technician will then take the “bad� parts with them.

*If the set has a panel issue, they will need to be shipped back to Hisense USA for service. If the panel cannot be repaired Hisense USA will replace the unit with a same/like model.

For more information about Hisense, visit www.hisense-usa.com.

About Hisense USA Corporation
Established in 2001, Hisense USA Corporation is a Georgia based subsidiary of the Hisense Company Ltd., headquartered in Qingdao, China. Hisense USA offers a broad range of highly affordable consumer electronics products in the North American market, including televisions, refrigerators, air-conditioners, dehumidifiers, beverage coolers and freezers. In 2010 Hisense established an R&D center in Georgia to enable localized product development and innovation.

Hisense USA sells into retailers across North America, including hhgregg, Best Buy, Walmart, Costco.com, Canadian Tire and more. Around the world, Hisense has production bases in South Africa, Algeria, Egypt and sales offices in the USA, Europe, Australia, the Middle East and Southeast Asia. Hisense products are exported to over 130 countries and regions throughout the world.

Customers Provide Testimonials of Their Experience with the Christie Solaria One

Shipments of the Christie Solaria One projector, a DCI-compliant solution based on Texas Instruments’ (TI) (NASDAQ: TXN) S2K DLP Cinema® chipset, have accelerated since first units rolled off Christie’s manufacturing plant floors in November 2012. Small-screen theaters in China, Russia, India, Brazil and across Europe and North America are seizing the opportunity to purchase these complete, economical projectors.

“Smaller cinemas the world over are strong contributors to their local economies but they must make the switch to digital format. That said, their loss would also leave a cultural vacuum that is irreplaceable. It is something we simply cannot allow to happen. Our Solaria One projector, our global network of first-rate installation partners and our participation in industry programs to help them finance the change are just some of the ways we’re helping complete the conversion to digital cinema projection,� said Dr. Don Shaw, senior director, product management, Christie Entertainment Solutions.

Christie’s Solaria One has a lot to offer, including being the brightest DCI compliant projector in its class, able to project 8000 lumens in the DCI color space and 9000 for alternative content. And a variation, the Christie Solaria One+, projects 9000 for DCI content and 10,000 with alternative content. As well, it has a customized Xenon lamp, the CDXL-21S1, which ensures ultimate performance, efficiency, and reliability. The projector, which ships “3D ready,� complete with built-in IMB, is easily upgraded to play high frame rate (HFR) movies.

Here, in their own words, are some customers’ experiences. While they serve different regions and cater to varied cinematic tastes, they have all found that the Christie Solaria One is the cost-effective, reliable way for independent exhibitors to transition to digital.

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Testimonials:

“We are very happy to partner with Christie in the roll out of their Solaria One series of projectors in India. This will enable us to take Hollywood content to the far corners of India and expand the market for Hollywood content in India exponentially. This new projector will push the envelope further in providing quality entertainment at affordable prices. The new offering has received a very positive response from the Indian Exhibition Industry, both in regards to quality and pricing.�

–Mr. Sanjay Gaikwad, Founder and Managing Director – UFO MOVIEZ INDIA LIMITED.

UFO directly and through its subsidiary Scrabble Entertainment Limited has deployed digital cinema solutions in more than 4400 screens in India.

“When we heard about the new ‘all-in-one’ Christie Solaria One, we realized at once that this was what we needed. On offer was a reliable, all-round projection solution from a proven manufacturer, and it became apparent that it was the most economically attractive option in terms of cost and quality. We installed the Christie Solaria One in each of our three screens, including our 42-seat VIP screen, replacing the old film projector. The first audiences to experience the technology on 24 March 2012 went home impressed with the high picture quality. For us, this is a chance to offer a wider selection of films and give cinemagoers more choice, since studios are increasingly switching from film to digital.”

–Alexandr Ryabkin, manager of the KinoFox cinema in Kamensk-Uralsky, Russia – the first three-screen cinema in this city of 170,000.

“Customers love the picture and sound improvements from film to digital and were relieved that we had made the switch to digital and will remain in business in their area, using Christie’s Solaria One.�

–Rhonda Fitzsimmons, Fun Time Cinema, Kendig, Pennsylvania

The Fun Time has three locations in Pennsylvania ranging from four to six screens each. It specializes in youth and family movies at economy prices, and also offers private screenings and parties. The installation was done by Integrity Entertainment Systems, LLC.

“The main selling feature for us was that the Christie Solaria® One could project both alternative content from Blu-Ray players as well as digital cinema files, including our pre-show ads. Also, the integrated media block (IMB) came with the projector, as opposed to other vendors with their external servers. That was a great combination, and we like having the newest and the best. The Christie Solaria One suits a small theater like the Princess very well. Audiences really notice the difference in color saturation, clarity and sound.�

Carleigh Pope of Princess Cinema with Solaria One

–John Tutt, Princess Cinema, Waterloo, Ontario

The Princess Cinema is a 180-seat theater specializing in documentaries, foreign-language films, avant-garde festival-type films and emerging Canadian cinema content. It is located on the second floor of an historic 19th century brewery building. Christie’s technicians assisted Princess staff in quickly setting up the unit and training them on it.

“The Christie Solaria One has worked out perfectly for me, and it was obtained at a much more favorable price than the estimates I was getting on the Internet. In addition to the superior visual and sound quality, the Solaria One freed up a great deal of space in the balcony.�

–Barry Flood, Tryon Theatre, Tryon, North Carolina

The Tryon is a single-screen exhibitor in Tryon, North Carolina. It was built in 1932 and re-opened after a fire in 1938 with an added balcony. The feature film changes often, with runs of two or three days being the norm, and the theater is also used for presentations of a local film society. The Solaria install was done by Sonic Equipment Company.

OXNARD, California – April 2013 — L-ACOUSTICS is pleased to announce the latest version of its LA Network Manager software (2.1.0.1) as well as a firmware update (2.0.0.2) for its LA4 and LA8 amplified controllers. The full release pack with updated documentation is now available from L-ACOUSTICS’ online download center at http://www.l-acoustics.com/support-download-center-13.html. more

Extended Digital Partyline Communications Offer More Capabilities and Options

FRANKFURT, APRIL 11, 2013 ─ Clear-Com®, a global leader in critical voice communications systems, will unveil version 1.1 of the HelixNet™ Partyline Intercom System to the live sound community at Prolight + Sound 2013 (Hall 8.0, Stand L51). Included in this new product release is a system-linking capability, allowing users to cost-effectively and efficiently extend their digital partyline intercom communications over a network to multiple production spaces.

The HelixNet Partyline Intercom System is the industry’s leading digital network partyline intercom, combining the simplicity of a traditional analog partyline intercom with the advanced network management capabilities of a matrix intercom. Because it uses a single-pair shielded cable for supporting all audio channels, program audio and power for beltpacks, it is ideal for live sound applications that require quick setup and configuration.

Expanded functionality under version 1.1 includes the ability to link up to five HMS-4X Main Stations via Ethernet and support up to 100 HBP-2X Digital Beltpacks to build larger and more sophisticated partyline intercom systems. With the linking function, users significantly expand the channel count on their intercoms. They can now select from up to 20 partyline channels and five programs by simply dialing up the channels they need on their beltpack. Since all these channels are running off a single mic cable, users no longer need to physically re-locate several cables for new configurations, utilize expensive source-assign equipment, or rely on multiple power supply units.

Up to five Main Stations are connected via the new HLI-ET2 Ethernet Module in HelixNet’s station-to-station networking. The Main Stations can connect directly over fiber or through a LAN using standard IT switches. A new HLI-FBS Fiber Module is also available for linking stations over long distances. The Fiber Module has two fiber ports using SFP modules for simple exchange of fiber transceivers. It also allows linking to four other Main Stations in a fiber daisy-chain. The standard connection is Single-Mode, with Multi-Mode offered as an option.

“With HelixNet Partyline 1.1, production teams are able to take advantage of a decentralized, distributed intercom architecture in a theater or concert venue,� says Simon Browne, Clear-Com’s Director of Product Management. “Regardless of their location, electricians, stage managers, carpenters, lighting and audio technicians and any other digital or analog beltpack user can utilize HelixNet over an IP connection to quickly connect and communicate to other crew members. On top of this improvement in workflow, this new version of HelixNet easily integrates with other wireless or two-wire systems to create a complete intercom setup. �

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

BUENA PARK, Calif.—Initially launched in 2010 the Yamaha M7CL StageMix application for the iPad allowed wireless remote control of M7CL mixing parameters for the first time. The combination of the iPad interface and StageMix concept turned out to be very successful, providing unprecedented monitor setup, freedom and flexibility. Versions for the Yamaha LS9 and CL Series soon followed.

Yamaha Commercial Audio Systems, Inc. has announced the latest updates available in StageMix Version 4. Version 4 includes new Dynamics Parameter Editing, Output Port Delay Editing, Output Port Levels (Gain/Attenuation), PEQ Copy and Paste, Phantom Power Switching, Mix Send Pre/Post Switching, HPF Slope Parameter (CL V1.5 only), Retina Display Support, and other enhancements.

“StageMix Version 4 will work seamlessly with Yamaha CL, M7CL, and LS9 Series Consoles and bring our end users more convenience and efficiency in setting up for live sound events,� states Kevin Kimmel, Systems Application Engineer, Yamaha Commercial Audio Systems, Inc.

Yamaha StageMix Version 4 is scheduled for release in May of 2013, and will be available from the Apple iTunes Store as a free upgrade. For more information on StageMix Version 4, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Loudness Moving Coil Instrument Now Available

LAS VEGAS, APRIL 10, 2013 — RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is proud to unveil the new TM3-SWMC Software for its TM3 series of TouchMonitors at the 2013 NAB Show (Booth C1844). This new software license, available as an add-on option, incorporates a moving coil emulation display.

This license expands the functionality of the TM3 TouchMonitor series, which includes the TM3 and TM3-3G, with PPM, VU and the new loudness moving coil instruments. The display can be chosen with vertical or horizontal orientation, numeric level information and peak indicators. Single-, double- and stereo-channel, instruments are now available. For stereo groups with PPM moving coil mode, additional M/S moving coil emulation is selectable. As with all instruments in the TouchMonitor series products, the user can individually define the instrument size and positioning on the screen to meet his specific application needs.

RTW’s TM3 includes features of the larger TM7 and TM9 versions in a compact size. Users can control it with a touch-sensitive display. With its budget-friendly base price, 4.3-inch touchscreen and stylish exterior allowing for horizontal and vertical placement, the TM3 is an appealing compact device, ideal for edit suites, control rooms and OB vans. The TM3-3G, introduced in 2012, is a compact yet versatile solution for metering, de-embedding and monitoring 3G-SDI audio. It also features a 4.3-inch touchscreen for horizontal as well as vertical orientation, which can display any of the eight audio channels contained in a 3G-SDI stream.

ABOUT RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s ranges of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

FRANKFURT, Germany – With the success of its K702 headphone line, HARMAN’s AKG proudly introduces the K612PRO reference class and K712PRO reference studio headphones at Prolight and Sound 2013. The Vienna-manufactured headphones with 2-layer diaphragm patented VarimotionTM technology provide exceptional imaging and distortion elimination.

The K612PRO is an open-back, circumaural dynamic headphone, delivering brilliant details for a full, spacious sound. The visual components of the self-adjusting glove-leather headband with aluminum arches and solid rivets not only provide a lightweight, maximum comfort fit, but also reinforce the quality AKG has provided the studio engineer for decades.

The K712PRO is the new top-of-the-line reference headphone, as the K702 aligns itself in the middle of the two new headphones. Its sophisticated open-back design, 3dB improved low-end performance, revolutionary flat wire voice coil and a detachable professional cable provide mastering and mixing professionals hours of fatigue-free work hours. K712PRO has a genuine soft leather headband for a lightweight and comfortable fit. Its pre-selected transducers provide consistency and accurate localization. K712PRO comes with an additional coiled cable and a premium carrying bag.

“With the addition of the K612PRO and K712PRO to our line of high quality and reliable reference headphones, AKG has a full-circle solution for any studio’s needs,� stated Thomas Stubics, Product Marketing Manager, Recording and Broadcast, AKG. “Whether mixing a track for a few hours or mastering an album overnight, the wearer will be able to work in comfort with perfect sound.�

For more information about AKG, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

New StreamZ Live 4000EX, 6000EX and 8000EX target live and linear multiscreen, broadcast and converged applications

April 10, 2013 — NAB Show, Las Vegas, Booth SL5624: Digital Rapids – the trusted provider of innovative media transformation and workflow solutions for bringing video to wider audiences — is unveiling powerful new models in the company’s award-winning StreamZ Live family of live encoders. Building on the superior multi-format flexibility, quality and reliability of the StreamZ Live series, the new additions include the StreamZ Live 4000EX for premium multiscreen applications; the StreamZ Live 6000EX for dedicated broadcast applications; and the StreamZ Live 8000EX for converged broadcast and multiscreen deployments.

The new StreamZ Live 4000EX multiscreen encoder combines the proven benefits of existing StreamZ Live models with increased fault-tolerant redundancy and expanded control capabilities for premium live and linear multiscreen encoding applications from IPTV and over-the-top (OTT) services to high-profile and mission-critical live streaming deployments. The StreamZ Live 4000EX features rich adaptive streaming format support for providing viewers with high-quality experiences on the broadest range of devices, from ‘smart TVs’ and desktop computers to tablets, game consoles and mobile phones.

Leveraging the flexible software architecture of the Kayak technology platform, the StreamZ Live 4000EX can be easily upgraded to support new features, formats and technologies as they emerge. Streams can be output in multiple formats simultaneously, with independent management of each output for exceptional control. Output profiles can be started, stopped and reconfigured separately without interrupting other concurrent outputs — even those from the same input.

The StreamZ Live 4000EX can be managed and controlled through an intuitive web interface, optional touchscreen front-panel controls or through a new version of the scalable Digital Rapids Broadcast Manager multi-encoder management software for multi-channel automation, scheduling, monitoring and failover. Its robust new hardware platform bolsters fault tolerance with features including redundant inputs and outputs, multiple network interfaces and redundant, hot-swappable power supplies.

Existing StreamZ Live models also continue to be available for professional live streaming and multiscreen applications not requiring the advanced redundancy and control capabilities of the 4000EX.

Convergence without Compromise

Simplifying the convergence of core television and multi-platform streaming operations now occurring within media enterprises, the StreamZ Live 8000EX integrated broadcast/multiscreen encoder combines all of the capabilities of the StreamZ Live 4000EX with robust features for the unique demands of broadcast, cable, telco and satellite television operations. Reducing complexity and costs, the StreamZ Live 8000EX features simultaneous encoding for broadcast television (H.264 or MPEG-2) and adaptive bit rate streaming for multiscreen distribution — all in a single 1RU encoder.

The new StreamZ Live 6000EX delivers the same robust, premium-quality broadcast encoding capabilities as its sibling 8000EX in a tailored configuration for dedicated broadcast, cable and satellite television applications.

All three new models offer a broad range of configuration options to match customer and project requirements. Units are available in single, dual and quad-channel input densities with input options including SDI, IP and ASI interfaces. The StreamZ Live 4000EX features IP outputs, while IP and ASI output options are available for the StreamZ Live 6000EX and 8000EX. The units are also easily field-upgradeable with expansion options including single-channel to dual-channel, SD-only to HD and more.

“The introduction of the StreamZ Live 4000EX, 6000EX and 8000EX rounds out our comprehensive range of high-quality live encoders with robust, application-tailored solutions for multiscreen, broadcast and combined deployments,” said Tony Huang, Senior Product Manager, Broadcast and Live at Digital Rapids. “The expanded resilience, redundancy and control capabilities of the new models reflect the pivotal role that live and linear multiscreen delivery now play in media organizations’ business strategies, while the StreamZ Live 8000EX directly addresses and simplifies the convergence of their multi-platform streaming initiatives into their core television operations.”

The complete range of Digital Rapids solutions is being showcased in booth number SL5624 at the 2013 NAB Show, April 8-11 in Las Vegas. For more information about Digital Rapids, please visit www.digitalrapids.com.

About Digital Rapids Corporation — Digital Rapids provides market-leading content transformation and workflow solutions that empower the world’s leading media organizations to reach wider audiences more efficiently, more effectively and more profitably. Recipients of more than two dozen prestigious awards for company and product excellence, Digital Rapids combines innovative technology with proven expertise and visionary insight to help our customers expand their audiences, increase their revenues, and reduce their costs. Digital Rapids Corporation (www.digitalrapids.com) is headquartered in Ontario, Canada with offices in the United States, the United Kingdom, Hong Kong, Australia and Argentina.

Meridian Audio has announced the availability of its new DSP520 Digital Active In-wall Loudspeaker, one of a new range of models introduced to set new standards in custom installation sound quality.

The Meridian DSP520 in-wall offers the ability to create a discreet installation or mix and match them with Meridian’s freestanding loudspeakers such as the newly updated DSP7200 to create a superior Digital Theatre system.

As with every Meridian loudspeaker design, special attention has been paid to ensure the highest quality audio performance. The DSP520 is built with the drivers mounted into the front extrusion of the enclosure itself, while a separate case houses the electronics and amplifiers.

The DSP520 can be mounted horizontally (the wide-range driver is centrally mounted making it ideal for use as a horizontal centre) or vertically, in a wall or ceiling. It includes a paintable magnetic grille (mounting frame, installation back box, etc.) and offers scope for adjustment enabling the entire assembly to be fitted into almost any type of wall, blending seamlessly with any décor.

For more information please visit www.meridian-audio.com