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Archive of the Product Updates Category

There’s Still Time to Trade-up to DPA Microphones’ d:fine Headsets

LONGMONT, CO, SEPTEMBER 10, 2014 – DPA, Inc., the U.S. arm of DPA Microphones, is urging everyone to take advantage of its trade-up rebate program for its d:fine™ Headset Microphones, which concludes Friday, October 3, 2014. Participants will receive a $100 mail-in rebate for every purchase of select d:fine Headset Microphones, provided they additionally trade-in a competitor headset. The promotion is only valid on purchases made from an authorized U.S. dealer.

The DPA d:fine Headset Microphones raise the bar for head-worn microphone solutions. Offering industry-leading sound quality, the mics are ideal for singers, public speakers, actors, musicians, house of worship leaders and broadcast professionals who insist on superior voice reproduction, comfort, ease of setup and a discreet look. They are available as both directional and omnidirectional mics, with single- and dual-ear mounts, to cover a broad range of applications. They are also available in black, brown and beige with a variety of boom lengths and adapters for every professional wireless system.

“This trade-in program is the perfect, cost-effective way to upgrade the tools that audio professionals need most,” says James Capparelle, Director of Marketing for DPA, Inc. “We’ve already seen a great response to the promotion from new and existing users, but there are only a few weeks left. We hope that all headset microphone customers continue take advantage of this opportunity.”

This special program is available to all U.S.-based microphone customers. In order to receive a rebate for each headset, customers must trade-in an equal number of competitor headset microphones. The following DPA and competitor microphones are included in the promotion:

Eligible d:fine Headset Mics:

d:fine Directional
d:fine Omnidirectional
d:fine 88 Directional
d:fine 66 Omnidirectional
Both single- and dual-ear mounts, as well as all colors, boom lengths and connector types are part of the campaign.

Offer excludes the classic d:fine 4066 and 4088 Headset Microphones.

Eligible Non-DPA Head-worn Mics:

Audiotechnica – MicroSet or Microearset Series
Countryman – ED, E6, H6 or Isomax Series
Crown – CM Series
Samson – SE50 or DE50
Sanken – HWM Series
Sennheiser – Ear Set, HS or HSP Series
Shure – MX, WBH or WCM Series

To claim the $100 rebate, customers must mail in a completed form, proof of purchase of the new DPA d:fine and the non-DPA headset that is being traded to DPA’s U.S. office, postmarked no later than October 31, 2014.

For more information about DPA, Inc.’s promotion, please visit the Trade Up to d:fine promotion info page or contact your local authorized dealer.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

RTW Showcases Latest TouchMonitor Updates at IBC 2014

Upgrades to Timecode Reader and Logging Data Server Licenses Add Loudness Recalculation and More Plus Chart Displays to TM7 and TM9 Meters

AMSTERDAM, 10 SEPTEMBER, 2014 – RTW, the market leader in visual audio meters and monitoring devices, is pleased to debut two major updates to its highly regarded TouchMonitor TM7 and TM9 audio meters at the 2014 IBC Show (Hall 8, Stand D92). The meters’ Timecode Reader License SW20008 now permits recalculation during loudness metering, while their Logging Data Server License SW20014 has gained expanded chart-display functionality.

The new Loud.Recal (Loudness Recalculation) instrument helps mix engineers and editors save valuable time during a broadcast sound editing session. Jumping back and forth in a program segment with continuous timecode, it automatically calculates loudness measurements for the complete runtime of a segment at the time the user performs corrections to the mix or sequence (wherever located in the program). Logging Data Server License SW20014, meanwhile, now offers graphs with up to four different loudness and TP values, as well as real-time relative-gate display.

“When it comes to loudness monitoring, anything that helps the operator work more efficiently makes a huge difference. We had this in mind when we developed these latest upgrades,” says Andreas Tweitmann, managing director, RTW. “Now, users can recalculate the loudness measurements for a segment without having to pass through the program after corrections on overdriven program spots have been completed, and they have more options than ever to view loudness values. It all adds up to a faster, easier user experience, which can save time when it really counts.”

The TM7 and TM9 series TouchMonitors, which include the innovative Magic LRA instrument, feature a seven- and nine-inch touch-sensitive display, respectively, and pair unparalleled flexibility and modularity with intuitive control. The software visualizes multiple sources simultaneously. Both support displaying the same signal on multiple instruments in parallel, each with dedicated defaults with both horizontal and vertical operation. TM7 visualizes up to 40 sources at the same time, while the TM9 visualizes up to 48.

Various audio interfaces and combinations are available i.e. analog, AES3, AES3id or 3G-SDI. RTW’s entire TouchMonitor range was created to help adhere to all major industry loudness standards, including EBU R128, ITU BS.1770-3/1771-1, ATSC A/85, ARIB, OP-59, AGCOM, and the CALM Act.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.com, www.facebook.com/rtw.de or call +49 221 709130.

Fairlight Launches Affordable QUANTUM.Live Table-Top Console

IBC 2014 will see the launch of QUANTUM.Live Table-Top (TT), the newest addition to Fairlight’s live console family that includes the award winning EVO.Live digital audio mixing system.

Based on Fairlight’s leading edge audio processing and control surface hardware, their groundbreaking range of live consoles can switch between live and post production at the touch of a button, delivering an exceptional return on investment as customers are effectively getting two consoles in one.

Designed for the most demanding on-air and live productions, Fairlight’s Live family is a highly flexible console range, available from 12 to 60 faders, as standalone chassis, In-Surface modules and Table-Top configurations.

The entry level QUANTUM.Live TT is the smallest console in Fairlight’s Live line-up. It comes with faders accommodating 144 signal paths over 12 layers. It delivers fast tactile access and full command over two monitor systems. A second TT frame can be added, increasing the system to 24 faders.
At the core of all Fairlight’s Live consoles is an incredibly powerful audio processing engine designed with FPGA (Field Programmable Gate Array) technology. The Audio Processor combines: Fairlight’s renowned Crystal Core engine; a redundant power supply; all interfaces for control screens, GPIOs, storage; local control room I/O; MADI connections for remote I/O; and other system hardware.

A QUANTUM.Live Table Top base configuration with 12 faders, a centre section, audio processing engine with 48 channels, 32 buses and a full complement of local audio I/O, starts at €30,000, US$40,000.

For more information about QUANTUM.Live TT and the full Fairlight Live console range, please visit us at IBC 2014 – Hall 7, Stand H17. Or visit the company’s website –www.fairlight.com.au

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About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications.
www.fairlight.com.au

HARMAN’s Studer ‘Expands Infinity’ With New Vista V Digital Console

AMSTERDAM, The Netherlands – At IBC 2014, HARMAN’s Studer is adding to the immense power of its Vista X digital console with the next step in processing power and intuitive functionality, the Studer Vista V. The new 52-fader Vista V is based on the same Quad Star technology as its predecessor the Vista X, but in a more compact footprint ideal for smaller studios, OB trucks and large live productions.

The Vista V features a built-in meter bridge, high-quality motorized faders, and a sophisticated, built-in Dynamic Automation system with DAW remote control. The console is fully surround-sound capable, with versatile panning and monitoring functionality.

At the heart of the Vista V is the Infinity Core, which uses CPU-based processors to deliver an unprecedented 800+ audio channels with superb sonic quality, and more than 5,000 inputs and outputs. The use of CPU-based processors suggests exciting possibilities for scaling up to even larger channel counts, and for running third-party algorithms. Being able to program in high-level languages like C++ speeds up the time of implementing new features—never possible when using DSPs and FPGA processing technology.

Infinity Core provides 12 high-capacity A-Link ports (1,536 channels per port) for D23m I/O integration or direct connection into routing systems from Artel, Evertz, Riedel and more. The Vista V also offers easy integration into most AoIP networks used in broadcast like Dante and Livewire, and AES67.
The Vista V with Quad Star technology uses four processors to achieve aviation-standard levels of redundancy in the control surface, while CPU-based DSP makes it viable to provide two completely independent DSP cores running in parallel with instant changeover, without a single sample of audio dropout.

The Vista V also comes replete with VistaMix, Studer’s proprietary automated microphone mixing algorithm, based on gain sharing ideal for simplifying the mixing task at multi-contributor events like game shows, debates etc.. VistaMix removes the need for an operator to manually adjust all the faders all the time, leaving the microphones of talking participants open, while closing the microphones of silent participants in order to reduce spill and background noise. As VistaMix runs directly on the core, no external boxes are needed.

Vista V mixing engineers are freed from the burden of complex mental mapping, thanks to Studer’s revolutionary Vistonics™ interface, which builds Vista V’s rotary controls and buttons directly into the flat screen displays, providing visual feedback exactly where you operate. Each audio function is always associated with the same colour, e.g. red for EQ and filters, green for dynamics, and so on.

FaderGlow™ combines with assignable channel naming to further reduce stress by illuminating each fader in the colour relating to the relevant Vistonics function, creating an instant overview of console status. Studer’s new Spill Zone feature enables users to line up a group’s contributing channels with the press of just one button. FaderGlow then identifies their affiliation assigning the appropriate illumination.
The Vista V also features a built-in, high-class Loudness meter. The large-scale bargraph meter monitors every channel from mono to surround, plus a history display of up to the last 50 seconds of audio to capture any annoying clicks and overloads that are so hard to find in a multi-mic live show.

Built into the Vista V is the BSS DPR-901 Dynamic EQ Plug-In, assignable to any channel as desired and running directly on the Infinity Core. In addition, up to six Lexicon PCM96 Surround high-quality reverb processors can be connected with their parameters stored in the mixer’s snap shots and accessible directly from the Vistonics interface.

The Vista V also allows users to connect up to four Soundcraft Realtime Racks, providing access to Universal Audio’s (UAD) huge Plug-In library assignable on up to 64 Insert-Channels where their parameters are stored and managed directly in the Mixer’s CUE-List automation.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

D-Tools and SupplyStream Form Strategic Partnership

Joint collaboration establishes standards for Data Management and Categorization for manufacturers, distributors and integrators – future integration of respective software solutions to streamline workflow for AV integrators

CONCORD, CA and DENVER, CO – SEPTEMBER 10, 2014 — D-Tools, Inc., the worldwide leader in system integration software, and SupplyStream, the leading web based product catalog  and industry purchasing platform today announced the formation of a strategic partnership that will  establish new standards for product specification gathering, categorization, management, and publishing to help streamline data management for manufacturers, distributors and integrators of audio video systems. The partnership will also focus on the integration of data and workflow for future versions of the D-Tools System Integrator software platform and SupplyStream’s online catalog and purchasing platform.

The management and publishing process for manufacturer product information is often manually executed and time-consuming, riddled with duplicate efforts and void of any set standards for nomenclature, categories, and sub-categories. One of the primary goals for the D-Tools and SupplyStream partnership is to establish a set of standards that can be used by both industry manufacturers and the dealers and integrators who ultimately utilize this information to specify, purchase, and resell products to their clients.

Furthermore, the integration of this product information into the D-Tools and SupplyStream solutions will ultimately benefit both manufacturers and dealers, as it will provide the basis for an end-to-end process for effective research, specification, design, procurement, and installation of low-voltage audio video systems.

“We’re pleased to work with the team at SupplyStream and are confident that this collaborative effort will make it easier for everyone in the industry to manage, categorize and publish product data,” says Adam Stone, President and CEO of D-Tools. “As pioneers of the data management process we understand the challenges manufacturers, distributors, and integrators face with regard to standardized management and communication of ever-changing product information.”

In addition to standards for data management, the strategic partnership will pursue ways to integrate the two industry-first software platforms in ways that users of both will benefit from. The goal of integration will be to further streamline AV integrator workflow, making it easier for integrators to manage their data and run their businesses. Stone explains, “Our software platform has facilitated a more efficient process for thousands of integrators over the years and we look forward to working with the team at SupplyStream as we discuss how to further improve the industry data and integration company processes moving forward.”

“It makes so much sense for us to partner with D-Tools and work collectively to make dealers’ lives easier. Our visions and dedication to the dealer experience are perfectly aligned. Not only will we work together with manufacturers to make industry data cleaner and more consistent, but we are also discussing how best to share our technologies so the dealer experience can extend across both of our platforms,” says SupplyStream Founder and CEO, Kirk Chisholm.

D-Tools will be previewing the latest version of its award-winning solution, System Integrator 2015 at CEDIA (booth #526), featuring new Mobile installation functionality. D-Tools will also be announcing the winners of the 2014 D-Tools Design Awards at the booth on Friday, September 12th at 3:00 P.M. MT. Dealers can register to win an iPad Mini and $500 towards D-Tools software.

SupplyStream will officially launch their web-based dealer purchasing platform out of beta at CEDIA Expo (Booth #1264). Dealers who stop by the booth can get a personal, live demonstration of the SupplyStream powered product catalog and industry purchasing platform.

About SupplyStream
SupplyStream is a complete, web based industry-specific product catalog that allows AV installers to find product information and make wholesale purchases from all of their suppliers in one place. SupplyStream collects and organizes product data by category, including pricing, availability, specifications, videos, and more, then presents it in a comprehensive yet intuitive web catalog, making it easier for resellers to find what they need and purchase wholesale on the web.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platform. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.

Learn more about the D-Tools MVP Program, D-Tools System Integrator, or the undeniable benefits of using a streamlined system design, proposal, and estimation software platform at www.d-tools.com(866) 386-6571 ext. 1, or e-mail info@d-tools.com or mvp@d-tools.com.

Press Contacts
Tim Bigoness, D-Tools, Inc., (925) 270-4102timb@d-tools.comwww.d-tools.com

Katye (McGregor) Bennett, KMB Communications, (425) 328-8640katye@kmbcomm.comwww.kmbcomm.com

MVP Contact  
Josh Carlson, D-Tools, Inc., (925) 270-4105joshc@d-tools.com

 

 


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Sound Devices Introduces FileSafe into Rack-Mounted Video and Audio Recorders

New Mission-Critical Technology Protects Video and Audio Recordings from Unintentional Drive Removal and Power Loss

AMSTERDAM, SEPTEMBER 9, 2014 – Sound Devices (IBC Show: Hall 8, Stand B59) introduces its unique FileSafe™ technology as part of its 2.02 firmware release for its multi-drive, network connected video and audio rack-mounted recorders. Incorporated into the Video Devices PIX products, including the 270i, 260i and 250i, as well as the Sound Devices 970, FileSafe recovers video and audio files if, during recording, drives are unintentionally removed or power is lost.

“Pulling a drive mid-recording with a Windows, MAC or other hardware-based recording system will most likely result in corrupted files,” says Dan Desjardins, Software Development Manager at Sound Devices. “It’s taken some clever engineering to make FileSafe work, especially with high bandwidth ProRes and DNxHD video files.”

During recording, data is written to a proprietary Sound Devices file format optimized for high-data rate, real-time video and audio recording. Video Files have an ‘.sdv’ file extension and audio files have an ‘.sda’ file extension. When a recording ends, files are automatically “finalized” by converting the ‘.sdv’ files to QuickTime movie files and the ‘.sda’ files become ‘.wav’ files. This process typically only takes a couple of seconds. In the event that files cannot be finalized, whether due to power loss or inadvertent drive disconnection, they still remain intact on the drive. These files are recovered simply by inserting the drive back into a Sound Devices or Video Devices rack-mounted recorder. Each time a drive is mounted, the recorder automatically scans for unfinalized files and finalizes them.

In the absence of a Sound Devices or Video Devices rack-mount recorder, the FileSafe MAC or PC utility, which is available as a free download http://www.sounddevices.com/products/filesafe/, can be used to recover unfinalized files. Simply connect the PIX drive caddy via Firewire, USB or eSATA to the computer, open the utility and point it to the drive’s directory path containing the unfinalized files and click ‘Scan and Finalize.’

“Providing our customers with mission-critical product performance and reliability has always been a top consideration as we continue to develop the Sound Devices and Video Devices product lines,” says Paul Isaacs, VP of Marketing and Product Design. “FileSafe is yet another example of our commitment to this design philosophy.”

In addition to FileSafe, the new 2.02 firmware release includes longer file-splitting options, RS-422 control improvements and enhanced metadata editing.

Video Devices’ PIX line of rack-mounted products, PIX 270i, 260i and 250i, are a complete offering addressing a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events and mobile production. Video Devices recorders offer significant advantages and time-savings for production workflows, providing tapeless, file-based recording and playback with the ability to access and transfer high-quality files over Ethernet. The units record edit-ready Apple ProRes or Avid DNxHD files, and allow simultaneous multiple-drive recording, giving production staff rock-solid redundancy and backup capabilities.

A powerful tool for professionals requiring a significant number of audio channels, Sound Devices’ first-ever dedicated audio-only rack-mounted solution, the 970, records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported. The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

The Video Devices PIX recorders and Sound Devices 970 all feature the company’s proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production.

Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.

Matrox Mojito 4K to Support Next Release of Adobe Creative Cloud

Tight integration with upcoming updates to Adobe professional video tools ensures true realtime editing and monitoring at resolutions up to 4Kp60

Matrox® Video today announced support for the upcoming release of Adobe® professional video editing tools in Adobe Creative Cloud®, including Adobe Premiere® Pro CC, Adobe After Effects® CC, SpeedGrade® CC, Prelude® CC, and Photoshop® CC with the Matrox Mojito™ 4K monitoring card.

Matrox Mojito 4K video card for Adobe Creative Cloud

Matrox Mojito 4K is a quad 3G-SDI, 4K video card for use with Adobe Creative Cloud professional video editing tools on Windows® platforms. It provides realtime monitoring and output of video footage at resolutions up to 4096×2160 and at frame rates up to 60 fps (4K@60fps). A 10-bit H.264 intra-frame rendering codec enables full raster video previews, making Mojito 4K ideal for 2K, QFHD and 4K workflows. Users can now edit, monitor, render and export native digital files in full 4K.

“We want to make it easy for our customers to take advantage of all the creative possibilities within the powerful Adobe video tools in Creative Cloud,” said Simon Williams, director of strategic relations at Adobe. “Matrox continues to provide robust solutions that streamline creative workflows, enabling creative pros to focus on what they do best.”

“Matrox Mojito 4K gives post-production professionals a fluid editing experience with Adobe Creative Cloud apps,” said Alberto Cieri, senior director of sales and marketing at Matrox. “Uninterrupted playback for 4K workflows lets them see every pixel of every frame in real time to craft breathtaking content.”

Matrox Mojito 4K will be featured on stand 7.B29 at IBC2014 (Amsterdam, Sept. 12-16).

Price and availability
Matrox products are available through a worldwide network of authorized dealers. Matrox Mojito 4K is priced at $1995 US (€1795, £1495) not including local taxes and delivery. Matrox drivers for the next update of Adobe Creative Cloud will be available to registered Matrox Mojito 4K users as a free download from the Matrox website after the updates are available via Adobe Creative Cloud.

About Creative Cloud
Creative Cloud is a radical rethinking of the entire creative process where members can explore, create, publish and share their work across devices, the desktop and the Web. With Creative Cloud, your creative apps are always evolving. At IBC, Adobe is previewing the next wave of innovation coming to the Creative Cloud video apps, including Adobe Premiere Pro CC and Adobe After Effects CC. New advances include timesaving media and project management features, and a refined user interface with HiDPI support across all of the video desktop apps. With frequent feature releases, it’s easy for Creative Cloud members to stay up to speed on industry developments and new hardware and formats, including new support for the GoPro CineForm intermediate codec and more. Learn more about new features coming to Adobe Creative Cloud at www.adobe.com/go/video, or visit Adobe at IBC Hall 7, Stand 7.G27.

About Matrox Video
Matrox Video is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a-box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

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Fairlight Showcases 3D Audio Workspace at IBC 2014

At IBC 2014, Fairlight will showcase 3D Audio Workspace (3DAW), a new platform for immersive and object oriented 3D Sound Production.

Aimed at the film and television post production market, 3D Audio Workspace reinforces the industry’s drive for the ultimate in cinematic and immersive sound delivery by providing a comprehensive and diverse environment for 3D audio production.

“Fairlight has always had a reputation for pushing the boundaries of technology, but even by our high standards 3DAW is one of the most exciting products we have launched in many years,” says Tino Fibaek, Fairlight’s CTO.

One of the features that make 3DAW so unique is AirPan – a brand new concept that allows operators to use a Virtual Reality (VR) style input to position and control images in a 3D space.

“This feature is incredibly cool because you can literally reach out into the airspace monitored by the controller and by just moving your fingers in the air, you can pan, rotate, tilt and spread your sound in space,” Fibaek adds.

Fairlight’s 3DAW adds immersive sound capabilities to an existing digital audio workstation, whilst remaining fully compatible with an established workflow. This open platform configuration support VST® and RTAS® plugins, as well as ASIO® for I/O and sync sharing.

“The philosophy behind Fairlight’s 3DAW is to give sound mixers a post production solution that works with all platforms,” Tino Fibaek adds. “Different deliverables require different technologies, so Fairlight’s immersive platform provides the best of both worlds, supporting object orientated implementations such as Dolby’s Atmos and DTS’ MDA and fixed bus formats in 2D and 3D, from stereo through to 5.1 and all the way up to NHK’s impressive 22.2 format.”

Fairlight has ensured post production facilities can easily connect to their studio workspace. Integrated, user definable B-chain processing supports up to 34 discrete speaker outputs allowing sound mixers to switch instantly between different surround formats, different speaker sets, speaker muting and soloing and comprehensive metering.

For more information about Fairlight’s 3D Audio Workspace and other innovations in the Fairlight range, please visit us at IBC 2014 – Hall 7, Stand H17. Or visit the company’s website –www.fairlight.com.au

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About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications.
www.fairlight.com.au

HARMAN’s JBL Professional EON 206P Portable PA System Delivers World-Class Sound on the Move

NORTHRIDGE, California – Delivering a complete audio solution that puts legendary sound at the fingertips of anyone for audiences of all sizes, HARMAN’s JBL Professional is introducing the EON 206P Portable PA system, an all-in-one powered system that delivers professional performance and remarkable ease of use. The EON206P is ideal for a variety of applications, including: small band/solo acts, coffeehouses, clubs, schools, worship events, meetings/seminars, presentations, health clubs and more.

“With best-in-class performance, easy setup and portability, the EON 206P allows anyone to deliver their performance, presentation, class or message with legendary JBL sound technology,” said Andy Flint, Senior Manager, Portable PA Marketing, JBL Professional. “It’s also so easy to use and lightweight that anyone can operate the system, making it possible to enjoy great sound in any environment.”

The JBL EON 206P features a pair of 6.5 inch passive loudspeakers, each featuring a 6.5-inch woofer and a 1-inch neodymium black nylon dome tweeter, powered by a 160-watt power amp section (80-watts per channel). The EON 206P features a maximum SPL output of 113 dB, with a nominal coverage pattern of 100 x 80 degrees.

The EON 206P also features an integrated 6-channel mixer with: two balanced mic/line channels with XLR/quarter-inch combo jacks (CH1 and CH2); two stereo inputs (CH3 and CH4 is RCA and quarter-inch; CH5 and CH6 is a 1/8-inch mini jack). The mixer also features Stereo Monitor Out (quarter-inch left and right out) with volume control (for an external sub or stage monitors), master volume control, reverb on Channels 1 and 2, bass/treble control, and universal power (100-240V; 50/60 Hz).

Designed for easy portability, the entire EON 206P system weighs only 25 pounds, features a durable road-tough enclosure, convenient internal cable storage, and comes in a suitcase format for easy transport and storage. It also features a 36 mm pole socket for easy mounting.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

DVIGear Introduces Universal Presentation Switcher / Scaler

Solves Challenges of Diverse Presentation Environments

Marietta, Georgia    September 2, 2014  –  DVIGear, a leading manufacturer of digital connectivity products, has expanded its line of switching and scaling products with the new DVI-3571a Universal Presentation Switcher / Scaler.  This unit is engineered for use in conference rooms, training facilities, classrooms, auditoriums and other presentation applications.

DVI-3571a Universal Presentation Switcher / Scaler

Presentation Powerhouse

System designers and facility managers often face unpredictable requirements as different presenters can use a wide range of source devices.  For each device, the signal format and resolution can vary greatly, making AV signal distribution difficult.  The DVI-3571a overcomes these issues through a rich array of Input / Output connections that supports all popular AV input signal formats, as well as providing multiple outputs with user-selectable resolutions.  The unit’s powerful capabilities provide the flexibility needed to adapt to the ever-changing demands of media-rich presentation environments.

The DVI-3571a accepts up to eight (8) video inputs: 3x HDMI (or DVI), 3x RGB Analog (VGA), 1x Component Video and 1x Composite Video.  Each input supports a broad range of signal formats and resolutions. The selected input signal is routed simultaneously to 2x HDMI outputs and 1x RGB Analog (VGA) output for downstream display and/or processing. Two high performance scaling engines provide user-selectable output resolutions up to 1080p and 1920×1200.

Advanced Features

The DVI-3571a supports advanced audio features such as HDMI audio embedding and de-embedding, as well as lip sync correction up to 150 ms.  The unit includes a variety of control features including Ethernet, RS232, IR Remote and front panel selection.  The unit can be easily integrated into a network using the Ethernet port and controlled via the built-in web browser GUI.  These powerful features allow the unit to be seamlessly integrated into any professional AV system.

The DVI-3571a is available now for immediate delivery.

About DVIGear

Founded in 1999, DVIGear (www.dvigear.com) is a leading supplier of Digital Connectivity Solutions for a wide range of professional display applications.  Located in Marietta, Georgia, DVIGear offers an extensive portfolio of high performance digital video distribution products including:  Digital Matrix Routing Switchers, Splitters, Extenders, Converters, Scalers, as well as long-length copper and optical cables.

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Contact: Joseph Barbier  /  770.421.6699  /  joseph@dvigear.com
High Resolution Product Photo:  DVI-3571a

 


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