A virtual press conference from Sound & Video Contractor

Archive of the Projectors Category

Light Iron Chooses Christie Solaria Projection For Postproduction Needs

Light Iron, a leading postproduction house based in Los Angeles, has expanded its use of Christie Solaria® Series digital cinema projectors offering rich, saturated color, high brightness and sharp, 4K resolution to its ever growing clientele.

A Christie CP4230 digital cinema projector was installed at Light Iron's new facility in New York City


“We’ve used other manufacturer’s 4K projectors when 4K projectors first hit the streets, but the fact of the matter is it’s more important to be the best at something than the first. And the best 4K solution is exactly what Christie brings to the market. With its reliable and proven name, it was an easy decision to make Christie the standard for our screening rooms in both Los Angeles and New York City, with Christie Solaria 2K and 4K projectors in operation at both locations, including a Christie Solaria CP4230, which will be highlighted at the official unveiling of our new facility in New York City tonight,” said Michael Cioni, CEO, Light Iron.

“Christie’s all-in-one design allows us to view 4K content without an external cinema server. This allows us to stream uncompressed 4K content from our DI color systems directly to Christie projectors in our LA and New York facilities. This makes the integration of 4K into our technical pipeline nearly identical to our 2K pipeline, and that’s one of the reasons it’s the best projection solution on the market,” added Cioni.

Christie DLP Cinema® Projectors a Hit with Postproduction Houses
“Our product flexibility is gaining us a lot of converts in the postproduction space. One of our key differentiators here is that the user doesn’t have to swap input cards when switching between uncompressed and packaged cinema content, as two slots are standard on the Solaria 4K projectors,” said Don Shaw, senior director, Product Management with Christie’s Entertainment Solutions group. “And as one of these connections is a professional-grade quad 3G-SDI connect, Christie can ensure that post facilities have a robust and convenient digital interface for flawless viewing of 4K digital cinema or alternative content.”

After four years in Los Angeles, Light Iron has expanded into New York to help serve the postproduction community there. A pioneer in 4K postproduction projection, Light Iron hopes to demonstrate to the NYC cinema and postproduction community the solid workflows that 4K enables and how easy, cost-effective and quick it is to implement a 4K workflow as an alternative to 2K workflows, which don’t facilitate 4K digital content as well. Light Iron’s New York screening room has a 35-foot throw and a Microperf screen 16 feet wide by 9 feet. The 4K content is played out of a Quantel Pablo Rio with AJA Corvid Ultra video card, while 4K content is fed via 4 by 3G-SDI. The facility at 580 Broadway will be unveiled to a broad cross-section of the industry at its grand opening tonight.

“Ours is the only post facility designed for 4K from the ground up. While working with 4K files is becoming common, viewing pixel-for-pixel results is not. The Christie CP4230 expands Light Iron’s creative freedom by enabling real-time 4K monitoring in a calibrated DCI space. Since that’s where the cinema is headed, that’s where Light Iron needs to be. There’s really no one else on either coast that feels as strongly about this as we do,” said Cioni.

About Light Iron
Light Iron is a postproduction company specializing in on-site dailies, digital intermediate, archival, and data services for projects originated on file-based motion cameras. With facilities in Hollywood and New York City, Light Iron serves feature film, episodic television, commercial, and web-bound projects at both the independent and studio level. The company distinguishes itself by providing clients state-of-the-art hardware and software solutions configured to enhance the creative process. More specifically, Light Iron delivers post production workflows that minimize time, maximize image fidelity, and increase filmmakers’ creative control over their projects.

New cost–effective KanexPro HDMI Matrix with up to 32×32 I/O’s

May 16, 2013. Getting ready for InfoComm? Don’t forget to check our new, best-in class HDMI™ Matrix Switcher for all your AV integration needs.

The KanexPro HDMI 32×32 (also available in 4×4, 8×8 & 16×16) matrix is an ultra-high performance, digital matrix switcher engineered to route HDMI signals from 32 inputs to 32 outputs. The unit provides full HDCP internal management for today’s integration in commercial A/V market, ensuring HDCP key authentication, and administering the handshake internally. It maintains resolutions up to 1920 x 1200, 1080p or 2K, supporting full cross point switching. The matrix supports smart EDID management for rapid integration of sources and displays.

HDMI, Matrix, EDID, HDCP


Fully controllable through RS-232 commands, IR remote and front-panel buttons, this switcher includes 10-global presets for I/O configurations which allows saving and recalling via the front-panel, IR or through serial control at any time.

Today’s Applications

The KanexPro HDMI 32×32 matrix switcher is ideal for countless commercial applications such as military, medical and government environments where swift, reliable switching and distribution of high-resolution DVI/HDMI signals is critical to meet pixel-by-pixel needs.
To get a quote or for more information please call us at 888-644-4149 or visit KanexPro.com

About KanexPro™

Leveraging our core strength in professional A/V products, KanexPro carries a complete selection of A/V connectivity needs. When planning digital installations you will find that we carry a broad line of A/V connectivity products enabling you to broadcast, extend, split, or multiply HD signal transmissions; simply and cost-effectively. KanexPro is a registered trademark. All other trademarks and registered trademarks mentioned herein are the property of their respective owners.

BenQ to Unveil Brilliant Display Products at InfoComm 2013

Company Expands Leadership With New Digital Signage and Interactive Touch Displays, High Brightness Projectors, Classroom IQ Solutions, and Enhancements to World-Leading SmartEco(TM) Technology

IRVINE, Calif. — May 16, 2013 — BenQ America Corp., the world’s No. 1 DLP(R) projector brand and globally renowned provider of digital lifestyle innovations, today announced its product lineup for InfoComm 2013. With an award-winning family of projectors, monitors, and flat-panel displays, BenQ will demonstrate the industry’s new standard for brightness, image quality, and energy savings within the business, education, and digital signage spaces. more

Free yourself from projector lamp costs with DP’s ‘Lamp Freedom’ program

ATLANTA, GA – 5/9/2013 – Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high-performance projection systems, announces an unprecedented program benefitting end-users in both professional and residential markets. For new projector purchases made between May 1, 2013 and June 30, 2013, DPI’s ‘Lamp Freedom’ program qualifies the end-user for a free set of replacement lamps in years two and three of the projector’s three-year warranty.  The ‘Lamp Freedom’ program is offered to end-users purchasing  HIGHlite Series or TITAN Series projectors from authorized DPI Commercial AV or Home Cinema dealers in the Americas or Canada during the 5/1/13 – 6/30/13 timeframe. 

Lamp replacement costs are a key concern when calculating the long-term cost of ownership of high-brightness projectors.  DPI’s ‘Lamp Freedom’ program ensures that end-users purchasing DPI displays within the allotted program dates will receive a dramatically reduced cost of ownership benefit on their HIGHlite and TITAN projectors.  Depending on the DPI projector model purchased, this program can represent more than $10,000 in lamp savings during the three-year warranty period.  For customers with typical use applications, defined by DPI as 1,000-1,500 hours per year, this program will completely eliminate lamp purchase costs during the warranty period. 

To qualify, end-users simply purchase and take delivery of HIGHlite and TITAN 3-chip projectors during the 5/1/13 – 6/30/13 timeframe. This qualifies the end-user to order one set of replacement lamps, at no cost, in each of years 2 and 3. 

For more details on DPI’s ‘Lamp Freedom’ program, please visit digitalprojection.com/freedom. 

- ENDS -

About Digital Projection International

Founded in 1989, Digital Projection International (Digital Projection) has been instrumental in the development and application of Digital Light Processing™ technology by Texas Instruments for projection systems. Digital Projection International introduced the world’s first 3-chip DLP® projector in 1997, and has since delivered expert system engineering and world-class customer services, thus maintaining its position as a digital imaging pioneer.

Digital Projection International’s groundbreaking projection research and development has garnered the admiration of industry professionals around the world. This has earned the company many awards, including two Emmy® Awards for Outstanding Achievement in Engineering Development by the Academy of Television Arts and Sciences. Digital Projection remains the first and only projector manufacturer to win the coveted award.

Today, Digital Projection International manufactures and distributes an extensive line of ultra high-performance 3-chip and single-chip DLP® projection systems. These projectors are the reference standard for demanding applications such as large-venue, live-event staging, fortune 5000, education, medical and scientific research, command and control, digital cinema, commercial entertainment, worship and elite home cinema.

For further information and photography, please visit www.digitalprojection.com or contact:

Press Enquiries
Michael Bridwell, Director of Marketing
Digital Projection Inc.
T:(770)-420-1350
E:mbridwell@digitalprojection.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Projectors |

Calibre UK to debut upgraded switcher/scalers at InfoComm 2013

Company maintains competitive edge by making ‘under the hood’ improvements to LEDView530 and HQView530

Calibre UK returns to InfoComm 2013 with significant updates to two of its most important products for the pro-AV marketplace: the LEDView530 and HQView 530 switcher/scalers.

Both products were launched earlier this year, with the former being aimed at the control of large-scale LED screens in rental and fixed-installation applications, and the latter being designed specifically to multiple-projector setups.

They have already found a loyal following among rental companies and AV systems integrators, and now Calibre UK has increased their appeal by maintaining its policy of continually updating its products during their lifetime.

Tim Brooksbank, Chairman, Calibre UK, explains: “We’ve given both the LEDView530 and the HQView530 a number of new features that really set them apart from the competition. These include the ability to capture an input feed to save as a custom test pattern, for display as a customer logo screen or as a backdrop when no live signal is being displayed. Both products can scale this saved image and will geometrically correct, warp, rotate and blend it like a live input, something our key competitors can’t achieve!

“Users can also now choose whether PTZ is applied globally to all input signals or is automatically saved and recalled per input channel per signal mode – a very powerful function for performing per-mode adjustments to aspect ratio.

“We have also enhanced the color calibration options with the ability to set R, G, B gains and bias (black level) per input channel and the ability to set saturation and hue per input channel, per mode. Unlike many competing products, these functions are available for all input channels including DVI, HDMI and 3G-SDI.

“Finally, both products have been given new ‘blue’ easy-to-read dimmable front-panel menu displays, with fast navigation via jog-wheel as well as buttons for direct input selection.”

In addition to being included as standard on all new inventory, all the above new features with the exception of the updated front-panel are available as free firmware upgrades for existing customers.

“We’re celebrating 25 years in business this year and customer service has always been one of our top priorities,” adds Brooksbank. “We always enjoy exhibiting at InfoComm and getting the chance to put the results of our intensive R&D effort in front of the pro-AV community. This year will, I’m sure, be no exception!”

Calibre UK will exhibit on Booth 4481 at InfoComm 13 at the Orange County Convention Center, Orlando, FL, from 12-14 June 2013.

Christie Solaria Series Projectors Light Up the Warner Bros. World Premiere of “The Great Gatsby” in 3D at Avery Fisher Hall in New York City

The highly anticipated world premiere of Warner Bros. “The Great Gatsby” lit up the screen in brilliant 3D, thanks to Christie Solaria® Series digital cinema projectors, which brought to life the splendor of the roaring twenties in rich, saturated colors and sharp, 4K-resolution. The star-studded event took place at Avery Fisher Hall, an iconic New York City venue at Lincoln Center for the Performing Arts.

The Great Gatsby (Courtesy Warner Bros.)

Directed by Baz Luhrmann, the film is based on the classic novel by F. Scott Fitzgerald, and will be distributed worldwide by Warner Bros. on May 10. The event was a glamorous evening worthy of the film’s 1920s setting, featuring an audience filled with the film’s stars—Leonardo DiCaprio, Tobey Maguire, Isla Fisher, Joel Edgerton, and Carey Mulligan. A host of other A-list celebrities, including Jay-Z and Jake Gyllenhaal, also made appearances at the red carpet event.

“Christie is thrilled to have projected the world premiere of ‘The Great Gatsby’, a long-awaited movie based on one of the most beloved literary classics,” said Craig Sholder, vice president, Entertainment Solutions, Christie. “As a trusted leader in digital cinema projection, we were pleased that that our projectors displayed all the splendor and opulence of ‘The Great Gatsby,’ fully realized in 3D!”

Preferred Christie® dealer Digital Media Systems selected two top-of-the-line Christie CP4230 DLP® digital cinema projectors for the screening, which converged the light from two projectors to create a seamless image projected onto a silver screen. Gregg Paliotta, president and owner of Digital Media Systems, said that this 4K Christie solution was the only choice for providing the brilliant 3D images needed.

Avery Fisher Hall - Ready for Great Gatsby Premiere (Photo Courtesy Gregg Paliotta)

“We have done other major premieres at Avery Fisher Hall in the past, such as ‘Hugo’ and ‘War Horse,’ so Warner Bros. and Lincoln Center trusted us and Christie to deliver the high brightness and absolutely flawless picture quality needed to screen this major studio event,” said Paliotta. “The Christie projectors always perform to our expectations, and ‘The Great Gatsby’ premiere was no exception. We are proud to be an exclusive Christie dealer for that reason.”

ArcLight Cinemas Has “Peace of Mind” With Support From Christie Network Operations Center And Remote Monitoring

ArcLight Cinemas’ 90 Christie Digital Cinema Projectors Protected with 24/7 Remote Monitoring and Reporting Through Christie’s Network Operations Center (NOC)

A Christie projector in an ArcLight Cinemas Booth

ArcLight Cinemas can rest easy knowing that its 90 Christie digital cinema projectors installed at the chain’s seven locations in California, including its newest addition in San Diego, are protected with 24/7 remote monitoring and reporting through Christie’s Network Operations Center (NOC) and additional Managed Services offerings such as round-the-clock phone support and quick access to locally-stored spare parts.

As one of the first theater chains in the U.S. to convert to digital projection, ArcLight Cinemas (along with sister company Pacific Theatres) recognized the need to safeguard its investments early on with Christie’s NOC and the Managed Services team, who work alongside a national dealer network to design, deploy and support fully-customized visual display systems whether it be projection equipment or lobby displays that integrate into all cinemas.

Christie Network Operations Center

Joe Miraglia, director of design, construction and facilities for ArcLight Cinemas, stated, “Christie’s NOC support services are an excellent fit for our ongoing needs. The professionalism from their staff, and reporting tools continue to be a significant benefit for our organization. No matter whether it’s a small inquiry or a major outage, we know the Christie NOC team is there to support our needs. ”

As part of the NOC’s reporting capability, customers can choose customized software and weekly and monthly reports through an automated system that distributes information to cinema operators to help them run their theaters more effectively. According to Miraglia, the collection of data that reports how the theaters are performing overall was important. “I get weekly equipment inventory reports that tell me how much space is on my server and I receive notices about software updates and incident performance reports. The monthly analysis really tells me what’s happening along with the trends and patterns within my company, and that’s huge for me.”

“We are pleased that ArcLight Cinemas put their confidence in Christie’s Managed Services team and our NOC,” said Sean James, vice president, Managed Services at Christie. “With new technologies and programming constantly evolving, a state-of-the-art NOC for remote monitoring, in particular, provides a safety net for theaters embarking on the digital age of 2K and 4K digital cinema projection.”

Miraglia said Christie’s track record and history in the cinema industry gave them the edge over the competition. He was also confident that they made the right choice because of Christie’s Ed Vitelli and his teams’ extensive IT background. The analytical and systematic approach that Ed and his team incorporate into their analysis impressed him. Their approach was aligned with that of ArcLight Cinemas’, helping to reduce down time and guest-facing incidents.

Managed Services functions as a single point of contact. The service team can support all lobby displays and projection equipment, multi-media and audiovisual hardware, associated software and business application systems, as well as servicing other manufacturer’s warranties. Extended services from Christie’s Managed Services team include on-site preventative maintenance and emergency repair service, quick access to locally stored spare parts and online training. In addition to providing end-to-end solutions for projection and in-lobby digital displays in the cinema environment, Christie’s Managed Services team also has a technology-agnostic approach in that they support all your cinema equipment including a wide array of manufacturers, projectors, technology platforms, visual displays, servers, switchers and networking products.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News, Projectors |

Dataton’s seamless solution helps BP convey a sustainable image

WATCHOUT at the heart of immersive London 2012 cyclorama

The use of cutting-edge multimedia technology to entertain consumers while reinforcing brand values is gaining momentum globally, and a shining example using Dataton WATCHOUT™ multi-image display and presentation software platform was to be found at BP’s ‘Fuelling The Future’ showcase during the London 2012 Olympics.

In a 360-degree environment designed by KBW Design, systems integrator DJ Willrich (DJW) designed and installed the AV system according to guidelines laid down by LOCOG, the London Organising Committee of the Olympic and Paralympic Games. DJW used eight Panasonic projectors to create a cyclorama with seamless edge-blending courtesy of Dataton WATCHOUT. WATCHOUT was supplied by Dataton Premium Partner, Mirage Associates.

With a timeline synchronised to a Medialon show-control system, the audience was surrounded by a shifting audio-visual landscape that brought to life BP’s key brand messaging as an Olympic sponsor – that the company is discovering and recovering energy efficiently, responsibly and safely from some of the world’s most hostile environments.

David Willrich at DJW comments: “We have used WATCHOUT many times and had no hesitation in specifying it for this project. The system’s ability to blend, warp and geometrically correct multiple video images, synchronise them to a multimedia show, and put the whole thing inside a package that can be controlled on-site by non-technical staff, is second to none.”

For Dataton, Marketing Director Fredrik Svahnberg adds: “It is always a thrill to contribute core technologies to an event of global significance such as the Olympic Games, and we were delighted to be part of ‘Fuelling The Future’.

“Our systems performed faultlessly in front of almost 50,000 people during London 2012 and, now that the Games are over, they can be completely re-purposed – complying with the wishes not just of LOCOG but of our end-customer as well.”

ENDS

Note to editors: Images © KWB Design & courtesy of DJ Willrich.

Christie Projects Tribute to Barbra Streisand For 40th Anniversary Chaplin Award Gala at Avery Fisher Hall

A Christie® digital projector was chosen to honor Barbra Streisand at the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall in Lincoln Center on April 22, 2013. Former President Bill Clinton presented the pop culture icon with the prestigious Chaplin Award for her lifetime of achievements and contributions to the art of film. The Christie projection system screened a tribute montage of Streisand’s illustrious career, which includes her Academy Award®-winning performance in “Funny Girl” and her role as director, co-producer, co-writer, and star of the film “Yentl.”

A 40-year tradition, the Chaplin Award Gala is The Film Society of Lincoln Center’s major fundraising event, which helps support the organization’s “ongoing work in education, artist development, and cross-cultural film outreach,” according to the Film Society. Special guests included actors Pierce Brosnan, Blythe Danner, Amy Irving, and Kris Kristofferson, with musical performances by Tony Bennett, Wynton Marsalis, and Liza Minnelli.

“We were thrilled that Christie technology was chosen to deliver the visual experience that honored Barbra Streisand with this deserving award at Lincoln Center,” said Kathryn Cress, vice president, Global & Corporate Marketing, Christie. “We recognize that, with a sold-out audience filled with distinguished guests, a visual solution worthy of showcasing Ms. Streisand’s legendary performances was needed. And that we delivered, as our projectors are recognized for delivering the most brilliant, high-definition images in the industry today and with the reliability expected from the Christie brand.”

The Film Society of Lincoln Center chose Digital Media Systems to install a powerful and reliable projection solution for the gala at Avery Fisher Hall, one of Lincoln Center’s largest venues with a capacity of over 2,700 people. Digital Media Systems in turn selected a Christie Roadster HD18K 1080 HD DLP® Projector to light up a 32ft. screen throughout the event, confident that it would deliver an image that was bright and powerful enough to meet the demanding needs of the high-profile evening.

According to Gregg Paliotta, president and owner of Digital Media Systems, “We have done other projects for various Lincoln Center venues and events, and we always ensure that any projection and sound solution we use is world premiere standard. Quality and reliability are paramount. Absolutely nothing can go wrong once the curtains go up, which is why we choose Christie to deliver at these prestigious events. The Christie HD18K projector was the perfect solution for the challenging distance, angle, and space limitations of the projection booth.”

“This is an incredibly important event for us each year, as it helps support our organization through the celebration of those who have advanced the art and culture of film,” said Lesli Klainberg, managing director, The Film Society of Lincoln Center. “For the 40th Anniversary Chaplin Award Gala, we really wanted the clips from Barbra Streisand’s career to pop with bright, sharp images. We have worked with Gregg Paliotta of Digital Media Systems in the past, and are always impressed with the quality of the Christie projectors and the exceptional services he provides in setting them up for our most important functions.”

Part of the Christie HD Series, the Christie Roadster HD18K features full 1920 x 1080 resolution, proven 3-chip DLP® technology with Xenon® illumination, high quality optics and 10-bit image processing for the brightest, clearest HD imaging available in the industry today.

About The Film Society of Lincoln Center
Founded in 1969 to celebrate American and international cinema, the Film Society of Lincoln Center works to recognize and support new directors, and to enhance the awareness, accessibility and understanding of film. Among its yearly programming of film festivals, film series and special events, the Film Society presents two film festivals in particular that annually attract global attention: the New York Film Festival which just celebrated its 50th edition, and New Directors/New Films which, since its founding in 1972, has been produced in collaboration with MoMA. The Film Society also publishes the award-winning Film Comment Magazine and a year-round calendar of programming, panels, lectures, educational and transmedia programs and specialty film releases at the famous Walter Reade Theater and the new state-of-the-art Elinor Bunin Munroe Film Center. For more information, visit www.filmlinc.com.

About Digital Media Systems
Digital Media Systems, Inc. represents the motion picture post production, distribution and exhibition communities for complete projection and sound services. It specializes in equipment and engineering support for world premieres and event screenings. It also provides multiplex and screening room installation service and maintenance. For more information, visit www.dmediainc.com.

Calibre UK appoints new distributor for sub-Saharan Africa

Johannesburg-based Prosound adds HQView and FoveaHD ranges of image-processors to impressive brand roster

Calibre UK has extended its global reach still further with the appointment of Prosound as its new distribution partner for sub-Saharan Africa. Based in South Africa, Prosound is a hugely experienced distributor and rental company with several decades of expertise in supplying professional sound and lighting equipment under its belt.

With more and more of its customers also requiring hardware solutions for multi-screen shows and installations, the link with Calibre UK was a natural progression, according to Prosound’s Technical Director, Mark Malherbe:

“Our reputation has been built on using only market-leading products in both our sales and hire departments, so when the opportunity arose to add Calibre to our roster, we jumped at the chance.

“We supply a number of high-end production companies not just in South Africa but in East and West African countries as well. Whether they are putting on a small conference or a 10-screen, multi-input show, we believe we will have a Calibre UK image-processing solution that meets their needs, and which they can trust to be seamless and stable.”

Pauline Brooksbank, Managing Director, Calibre UK, adds: “The market for high-quality image processing in sub-Saharan Africa is growing very fast, and we believe Prosound is perfectly positioned to offer our entire range to this market including the HQView and FoveaHD ranges.

“The synergy between video production, sound and light is growing not just in the rental arena but in fixed installations as well, and we look forward to seeing more of our products being sold into all these sectors through the good auspices of the team at Prosound.”

www.calibreuk.com

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

October 2014
M T W T F S S
« Sep    
 12345
6789101112
13141516171819
20212223242526
2728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication