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Archive of the Projectors Category

Christie’s Book of Transformation Celebrates Projection Mapping Around World

Christie® has published and released The Book of Transformations – a ‘coffee table‘ style book that explores and celebrates how artists and technicians are using powerful projection display technologies to visually transform familiar structures and objects.
The Book of Transformations provides key visuals, core plans and technical details on scores of projection mapping projects done around the world using Christie projectors and complementary enabling technologies. It is available as a free downloadable app across multiple platforms, a PDF file and as a limited release hard copy publication.

Through more than 70 case studies, readers learn how giant office buildings, ancient temples and churches, landmark towers, bridges, performance stages and even athletic playing surfaces have been re-imagined and truly transformed using ‘light paint’ and the creative genius of event producers and artists.

Projection mapping involves creating an accurate, virtual version of a structure, and then using powerful professional-grade projectors to transform the characteristics of that structure using painted light and motion graphics.

Canada’s Parliament Hill Centre Block features Christie's projection mapping

The tablet version of The Book of Transformations includes images, embedded video and detailed narratives of how various structures and surfaces were mapped, recreated in software, and then given entirely new appearances using powerful projected light. The Book of Transformations also traces the history of the art form, provides an extensive primer on how projects are conceived and executed, and looks at the future of the technology and medium.

The free tablet app is available on Apple’s App Store for iPads and Google’s Play Store for Android tablets. A non-interactive PDF is also available free of charge, allowing all the showcases and supporting material to be readily viewed on other tablet devices, as well as PCs and laptops.

The book follows the early 2013 release of Christie’s ‘The Book of Shapes,’ which explored the projects and possibilities of the Christie’s groundbreaking Christie® MicroTiles® modular displays.

Book of Transformations – Designed To Inform and Inspire
“The feedback and marketplace demand for the Book of Shapes was extremely positive, so we started putting the plans together for this new publication even as the first one was being released,” explained Kathryn Cress, vice president, global & corporate marketing, Christie.

“With this new book, we wanted to not only inspire our partners and end-users with what’s possible using our projection technology, but also help explain the process and ingenuity behind some of the truly amazing projection mapping work we’ve seen around the world.”

Bart Kresa of Los Angeles-based BARTKRESA Design inspired the book’s title, having produced stunning visuals at events and installations on several continents. “It’s magic,” said Kresa, “when the audience doesn’t see this as being done with projection … when the audience doesn’t really know how it happens.”
Sorted by vertical categories: Celebrations & Festivals, Corporate, Government, Mega Events, Museums & Entertainment, Promotional & Branded, and Retail & Fashion, the Book of Transformations celebrates projects across several continents.

Featured projection mapping displays include iconic landmarks like the Sydney Opera House, the Eiffel Tower in Paris, St. Basil’s Cathedral domes in Moscow’s Red Square and the La Scala opera house in Milan. There are also Middle East mosques and temples, grain silos along Canada’s St. Lawrence River, and an old courthouse in Chile – all brought to life with projection mapping.

The book also shows how motion graphic artists and technical producers push the boundaries of projection such as in South Korea and Singapore where water vapor has served as the digital canvas. In the U.S. and Spain, new motor vehicles have been tightly wrapped in fabric and magically transformed through multiple projections and the imagination.

The Christie Technology behind Projection Mapping
Christie’s 3-chip DLP® projectors are used around the world for projection mapping. A wide choice of resolutions and brightness levels lets users project rich, evocative displays on almost any structure or surface. Christie’s range of projectors feature up to 35,000 center lumens, and are equipped with either Xenon or mercury illumination, meeting the requirements for applications of any size and budget.

Christie Twist™ technology allows users to warp and edge-blend projected images onto irregular shapes or surfaces, and complicated multi-projector setups are made easy using camera-based systems such as Christie AutoStack™.

To download a copy of The Book of Transformations, tablet users can click here.

Ocean Matrix Introduces New HDMI Over IP Extender / HDMI to CAT5/CAT6 Converter

SAUGERTIES, N.Y. – May 27, 2014Ocean Matrix, a worldwide leader in the design and manufacture of professional broadcast video gear, today announced the availability of a new HDMI Over IP Extender. The OMX-HDMI-2-IP transmitter accepts HDMI and converts it to standard TCP/IP to send the signal over your local area network via CAT5/CAT6. The receiver then converts the signal back to HDMI at the destination point. The transmitter has a static IP address and can pair with multiple receivers (up to 8). Multiple transmitters and multiple receivers can be paired on the same network. Ocean Matrix HDMI Over IP Extender

“With the distance limitations of HDMI and since CAT5/CAT6 infrastructures exist in virtually every facility we wanted to leverage these systems to provide a low cost, long distance HDMI transmission option,” said Dan Coscarella, Product Manager at Ocean Matrix. “Sending HDMI over your entire network frees you of the typical limitations found in send/receive point-to-point systems. The OMX-HDMI-2-IP delivers unparalleled performance in Pro-AV projection networks, digital signage systems and educational streaming applications taking advantage of your existing network and making it your HDMI network.”

The Ocean Matrix HDMI Over IP Extender is available and shipping now. To learn more about the OMX-HDMI-2-IP and other Ocean Matrix products visit www.oceanmatrix.com.

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About Ocean Matrix
Ocean Matrix is both a manufacturer and importer of cost effective interface solutions for video & Pro-AV users. Our in-house engineers evaluate every product with state-of-the-art test equipment to ensure quality results at the lowest possible cost. Every Ocean Matrix product features a 1-Year Product Warranty.

Ocean Matrix is exclusively distributed by TecNec Distributing and is available through the entire TecNec dealer network and online at Markertek.com.

More realistic than ever before: CAST releases beta version of wysiwyg R33

Ahead of its general product release, expected before the end of June, CAST Software announces the distribution of the beta version of wysiwyg R33 design and previsualization software suite – the second instalment in the graphics upgrade — with three of its new and significant features, many of which were evaluated and requested by CAST Software’s partner base.

LED Video Walls / Screen Virtual Point Light
As content changes on screens such as LED video wall displays, they emit a light ‘glow’ into the surrounding environment. wysiwyg perfectly replicates this effect so lighting designers will be able to produce the most accurate previsualization and deliver stunning designs for their clients.

Shaded View Profiles
Promising greater workflow efficiency, Enhanced Shaded View Profiles allows users to save a combination of lighting settings under a profile for future use.

200 Lighting Universes
Saving perhaps the best new feature of R33 to last, CAST Software has doubled the number of universes giving wysiwyg users access to 200 universes. This translates to 102,400 DMX lighting channels, ensuring that no project is too big for wysiwyg.

But what does an industry professional see when looking at wysiwyg for the first time? Really virtually real super rich graphics driven by the ultimate software application that is so comprehensive that it deals with all aspects of lighting, including those things, which affect lighting like moving props, LED video walls, and reflective surfaces. wysiwyg lets them design and pre-cue, and then previsualize, run a sequence or take screen shots to test or share, ultimately delivering a design that can be faithfully replicated for real.

One lighting designer working with the beta version is Emiliano Morgia who said: “On seeing the beta version of wysiwyg R33, my first impression was ‘Wow’. In our lighting design projects we are often working to very tight deadlines so the Shaded View feature will ensure that we’re even more efficient. Additionally R33 packs some punch in creating realistic previsualizations for clients, especially those who are increasingly requiring LED video wall displays.”

“R33 represents a huge leap forward in functionality and the next instalment of the on-going graphics upgrade. The speed enhancement, file handling and navigation improvements are a result of the direct feedback from our professional customer base. R33 continues to unleash creative lighting for today’s needs and exemplifies what we are prone to say around CAST: it just keeps getting better!” explained Bruce Freeman, Chairman at CAST Group.

Meanwhile, over 100 beta testers, representing a cross-section of lighting professionals, are busy putting R33 through its paces and will be communicating their findings to CAST over the next weeks.

A full set of R33 features will be announced when the general release version of wysiwyg R33 becomes available, likely before the end of June.

R33 Beta LED Video Wall Glow Video: http://youtu.be/rQaoazMZ7dI

Twitter & Facebook: @CASTsoftware

CAST Forum: http://forum.cast-soft.com

www.cast-soft.com/blog

TDC provides core video expertise for largest-ever light festival Vivid Sydney

Aquatique Show International, Vivid Aquatique, Darling Harbour, Photography by Rodney Campbell.

TDC – The Technical Direction Company is proud to be deploying the full range of its professional and technical expertise in providing core technology and services to Destination NSW for the sixth annual Vivid Sydney festival running from 23 May to 9 June.

Anthony Bastic, Vivid Light Festival Director said: “Vivid Sydney is a unique celebration of light, music and ideas that will see the centre of New South Wales’ vibrant capital transformed by a series of state-of-the-art visual and creative art installations. There are two components to Vivid Light. The first is the Light Walk, which is the public interface of Vivid Sydney. This includes numerous light installations by artists. Secondly, also forming part of the Light Walk, are projections onto some of Sydney’s most iconic buildings including the Museum of Contemporary Art and Customs House. We are thrilled to work with TDC in bringing the artists’ vision to light.”

“This is our third year of working with Destination NSW on Vivid Sydney, providing a huge range of technologies including 3D media servers, 3D mapping, video projection equipment, projection tower infrastructure and sound installations, not to mention our highly skilled crews to manage the technology,” comments Kain Jones, Special Projects Manager at TDC. “We have used our experience of working on Vivid Sydney for the last three years to apply the insights with have learned to how to adapt and continue to make sure that the elements TDC is involved in are amazing.

“As Vivid Sydney grows, new buildings and locations are added, so initially we spend considerable time analysing which technology is best-aligned to meet the artists’ vision. We get involved from the outset in installation design, mapping the buildings to enable the designers to create content specific to the outline of those buildings. We then work on optimal locations for projector placement, media server selection, lens selection and the number of projectors required to meet specific brightness (lux) output for each installation.”

“Vivid Sydney is a great challenge for our company, the scale of this event is enormous in regard to projection technology required to bring it all together,” comments Michael Hassett, TDC’s Managing Director. “This year over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors. This is a projection technology feat and not something that any company globally could pull together easily. We’re proud to be working with the great team at that Destination NSW again this year, and we look forward to the continued success of Vivid Sydney.”

• Over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors. Photography Rodney Campbell.

The TDC team preparing for Vivid Sydney. Photography by Rodney Campbell.

TDC getting ready for Vivid Sydney. Photography by Rodney Campbell.

And the last word goes to Olin Winton, Technical Manager at TDC who says: “It’s always a joy to work on large format projection projects and Vivid Sydney is no exception. The opportunity to display images on iconic buildings takes months of planning and long nights of alignment. This year we have added several new projects to our list, which we are extremely pleased with. Seeing it all come together, working with world class technicians and seeing the end result of people interacting with the buildings is extremely rewarding.”

World firsts from TDC

This year’s Vivid Sydney programme includes a number of significant technological and creative firsts.

Dichroic Dimensions

Digital Shamans, Dichroic Dimensions, Museum of Contemporary Art Australia (Mordant Wing). Photography by Rodney Campbell.

Kain Jones points to one aspect of a unique interactive installation at the new building of the Museum of Contemporary Art Australia (MCA), where artist-in-residence Ross Manning has collaborated with multidisciplinary artistic collective, The Digital Shamans to give visitors the chance to projection-map the façade of the building using only their voice.

“There’ll be two microphones on a slightly raised platform. As the audience uses their voice to interact with the installation, various hidden layers of visuals and soundscapes will be revealed based on pitch,” explains Michael K Chin at The Digital Shamans. “TDC are an amazing company with the technical know how and equipment to cope with the subtleties in our work. Especially with the HD video taken of dichroic filters producing subtle gradients in tones and colour shifts, strong contrast and vivid colour. It’s been a pleasure working with TDC for the first time. They are very professional and their experience with past Vivid Sydney festivals has been invaluable.”

Gamma World

Jess Johnson & Spinifex, Gamma World, Original Façade, Museum of Contemporary Art Australia. Photography by Rodney Campbell.

Bringing together the worlds of live performance, interaction and visual art onto the original façade of the Museum of Contemporary Art, ‘Gamma World’ combines isometric designs, old school gaming, pop up 3D books and forced perspective using 3D and animation tricks that powerfully takes the viewers on a journey through changing worlds.

Stella Carmody, Producer at Spinifex Group Sydney says: “What makes this projection so special this year is that we were able to combine our love of story-telling with the wonderfully inspiring artwork of Jess Johnson to create an abstract, engaging and playful piece of moving art on this iconic building. Hardware and projection mapping was undertaken by our good friends, large-scale projection experts, TDC.”

Urban Tree Project

Urban Tree Project, Ample Projects – MLC Centre, Martin Place. Photography by Rodney Campbell.

If you ever find yourself wondering what grew in the CBD before monuments of glass and steel, Urban Tree Project in Vivid Sydney 2014 will show you. The CTA building in Martin Place will grow out of the ground to become a magnificent living tree within the surrounding urban environment to celebrate and reflect on Sydney’s original green landscape. Design and animation company, Ample Projects turned to TDC to provide the projection solution.

“This project had unique technical challenges, so the natural choice for us was TDC. Ample designed a complex 3D mapping solution in collaboration with the TDC team. They were highly professional, providing projection design solutions for a cylindrical architecture screen with extreme focal planes. We look forward to working with them again soon,” says Ample Creative Director, Nicholas Tory.

“The shape of the structure was great to work on. We decided that the best solution was to map the projection to the curves of the building using Coolux Pandoras Box Media Servers,” comments Pete Lynn, TDC’s Media Server Specialist. “We’re very happy with the results.”

The projections for the Urban Tree Project are synchronised with a stunning laser lighting show as is the case with TDC’s projections for the Vivid Aquatique Water Theatre installation.

Spirit of Patyegarang

•	Patyegarang, Bangarra Dance Theatre Company – Vivid Light Walk Tour, Harbour Bridge Southern Pylon. Photography Greg Barrett.

Bangarra Dance Theatre is Australia’s leading Indigenous performing arts organisation celebrating its 25th anniversary this year. To mark this milestone the company presents its new production at the Sydney Opera House Patyegarang until 5 July and participates for the first time in Vivid Sydney with The spirit of Patyegarang. Projected onto the southern pylon of the Sydney Harbour Bridge, The spirit of Patyegarang is a video installation marking the first Indigenous contribution to the Vivid Light Walk.

Bangarra’s Executive Director, Philipe Magid, said: “TDC is providing equipment and video expertise enabling our company to project a stunning work of art on to a section of the iconic Sydney Harbour Bridge. Through a fusion of dance movements and music soundscape and thanks to video projections supported by TDC, the important story of Patyegarang will awake and inspire with the sensations and emotions of ‘first contact’”.

Play Me

Play Me, Customs House, Photography by Rodney Campbell.

In a poetic explosion of colour, light and sound, ‘Play Me’ will transform the façade of Customs House into a series of massive ‘musical sculptures’ that are individually selected and manipulated by the audience.

“Each of these ‘sculptures’ depicts a family of musical instruments which the audience can ‘play’ in real-time using a touch screen located on a platform in front of Customs House bringing it to life in glorious torrents of ever-changing colour, light form and sound,” says Sergio Carrubba, director and projection designer at Danny Rose, the design team for this project. “We’ve worked with TDC before on the ‘Move Your Building’ exhibit at Vivid Sydney 2013. In all cases, TDC offers exceptional support during planning phases, onsite technical support and the very best in projection equipment to assist with our designs which will all be brought to life at Vivid Sydney.”

Ignatius Jones, Creative Director, Vivid Sydney, comments: “Vivid Sydney is a strange beast: on the one hand it is a major government initiative designed to drive visitation and tourist expenditure during the year’s lowest season, and on the other a celebration of the fusion of Art and Technology that is changing our world forever and for the better. As Creative Director I must split my focus between the exacting contractual and economic demands of government, and the necessity to provide cutting-edge technical solutions to all the issues of larges-scale – or should I say vast-scale – public entertainment.

“TDC has an instinctive and comprehensive understanding of these issues. They are the perfect collaborators: calm, creative and totally competent. I would have no qualms in recommending them to anyone in the tough world of live mass entertainment, and hope to be working with them for a long time to come.”


TDC staff working on this project:

Kain Jones – Special Project Manager
Olin Winton – Technical Manager
Steve Cain – Head Technician/Media Server Specialist
Pete Lynn – 3D Media Server Specialist
Drew Ferors – Projectionist
Gareth Marsh – Projectionist
Katrina Harding – Projectionist
Isaac McKenzie – Projectionist
Adam Fiddler – Technician

TDC are working with following designers for Vivid Sydney:
• Urban Tree Project, Ample Projects – MLC Centre, Martin Place http://www.vividsydney.com/events/urban-tree-project
• Aquatique Show International – Vivid Aquatique, Darling Harbour, http://www.vividsydney.com/events/vivid-aquatique
• Patyegarang, Bangarra Dance Theatre Company – Vivid Light Walk Tour, Harbour Bridge Southern Pylon, http://www.vividsydney.com/events/the-spirit-of-patyegarang
• Starry Night, Brad Miller – Pier 8, Walsh Bay Wharf, http://www.vividsydney.com/events/starrynight
• Digital Shamans – Dichroic Dimensions, Museum of Contemporary Art Australia (Mordant Wing), http://www.vividsydney.com/events/dichroic-dimensions
• Danny Rose – Play Me, Customs House, http://www.vividsydney.com/events/play-me
• Heinz Kasper – Mystery of Creation (Fragments of The Seasons), Cadman’s College, http://www.vividsydney.com/events/mystery-of-creation-fragments-of-the-seasons
• Jess Johnson & Spinifex – Gamma World, Original Façade, Museum of Contemporary Art Australia, http://www.vividsydney.com/events/gamma-world-mca-original-facade

TDC equipment supplied:

• Over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors.
• Coolux Pandoras Box Media Servers
• Dataton WATCHOUT™ multi-image display and presentation software

Bellevue’s Bake’s Place Boosts Business By Increasing Entertainment Value With Hitachi Projector

Bellevue, Washington, May 27, 2014 – Like its home city of Bellevue, bar/bistro Bake’s Place has grown from quaint beginnings into a high-tech destination. Bake’s Place serves up delicious food, special event nights and frequent concerts, which are boosted by a Hitachi CP-WX8255A projector.

Owner and founder Craig Baker, who has been in the music and restaurant business for 16 years, wanted to improve his venue’s traffic on slow weeknights. Perfectly timed with the Seattle Seahawks’ stellar NFL season, he bought a Hitachi CP-WX8255A projector to show Monday night games on a 24 x 14-foot screen inside the restaurant. After seeing an increase in sales, he began using the projector for special events like the Academy Awards and the Super Bowl, the latter of which amassed a 100-person waitlist after selling out quickly.

“We’re not a sports bar, but people were more than happy to pay for a ticket during the Super Bowl,” said Mr. Baker. “Businesses will often rent out the restaurant and they’ve been grateful for the ability to easily project presentations. We use a special backdrop with custom ripples, colors and special effects that’s definitely boosted several band performances.”

Located a few blocks away from the center of downtown Bellevue, Bake’s Place features a 3,500-square-foot patio. Its indoor dining area, also 3,500 square feet, boasts 18-foot floor-to-ceiling windows and casts a sophisticated atmosphere, complemented by the Hitachi projector.

“Our customers have been very impressed by the projector’s image clarity, especially on such a large screen,” said Mr. Baker. “It has definitely helped Bake’s Place create a unique experience for both regular and first-time customers.”

The Hitachi CP-WX8255A 3LCD projector features 5,500 ANSI lumens brightness and an aspect ratio of 16:10 (WXGA).

For more information on Bake’s Place, visit http://bakesplacebellevue.com/

For more information on Hitachi projectors visit www.hitachi-america.us/projectors

Follow Hitachi on Facebook

About Hitachi
Hitachi America, Ltd., headquartered in Tarrytown, New York, a subsidiary of Hitachi, Ltd., and its subsidiary companies offer a broad range of electronics, power and industrial equipment and services, automotive products and consumer electronics with operations throughout the Americas. For more information, visit www.hitachi-america.us. For more information on other Hitachi Group companies in the United States, please visit www.hitachi.us.

About Hitachi, Ltd.
Hitachi, Ltd. (TSE: 6501), headquartered in Tokyo, Japan, delivers innovations that answer society’s challenges with our talented team and proven experience in global markets. The company’s consolidated revenues for fiscal 2013 (ended March 31, 2014) totaled 9,616 billion yen ($93.4 billion). Hitachi is focusing more than ever on the Social Innovation Business, which includes infrastructure systems, information & telecommunication systems, power systems, construction machinery, high functional materials & components, automotive systems, health care and others. For more information on Hitachi, please visit the company’s website at http://www.hitachi.com.

Screen Innovations—The World Needs the Best Bigger

Austin, TX—May 22, 2014—Because we believe that everyone deserves the best, Screen Innovations (SI) has enlarged the Black Diamond™, the world’s most popular ambient-light-rejecting screen. The largest Black Diamond™ screens to date feature 1.4 gain in new sizes: 16:9 120” and 2.35:1 150”, in Fixed and Zero Edge formats. The larger Black Diamond screens, as well as other recently designed additions to the SI family, continue to make SI the fastest growing screen company in the world.

Black Diamond, the world’s only vertical and horizontal ambient-light-rejecting screen, has a multi layer optic that reflects only the light generated by the projector resulting in a 900% boost in contrast. Additionally, Black Diamond is the only screen that greatly benefits dark environments by reducing light scatter by over 75%. The result is the richest, sharpest image, with the best blacks now available from a screen.

Ryan Gustafson, President of Screen Innovations, boldly announced, “At SI, we believe innovation means that a design is never complete, just more perfect with each iteration. He continued, “We are excited to announce that plans are underway to invest in and expand our production capability to better support today’s large display needs. Our customers asked, and we delivered.”

All Black Diamond screens feature active 3D capabilities and are future-proofed and 4K ready. Screen sizes start at 80” fixed, curved, motorized, and popular Zero Edge formats.

Screen Innovations will exhibit at InfoComm June 18-20, 2014, in Booth #419 in the North Hall. Stop by to see the next generation of video projection screens demonstrated with projectors from our partners, DPI, Epson, and Vivitek.

Manufacturers Suggested Retail Pricing: Starts at USD $2,199.00
Availability: May 1, 2014

Screen Innovations makes it easy to choose the right screen for each application, based on lighting, room size, seating distance, and more. Visit www.screeninnovations.com to check out the Screen Calculator, Screen Wizard, and Projector Wizard online tools.

About Screen Innovations
Based in Austin, Texas, Screen Innovations is a leading manufacturer of projection screens and associated technologies for residential and commercial applications. Best known for Black Diamond™, the world’s first and only multi-directional ambient-light-rejection projection screen technology, SI has effectively revolutionized the two-piece projection category by pioneering and producing screens that deliver an unparalleled video image in light or dark environments. Sold at affordable price points and designed to blend flawlessly with surrounding décor, SI projection screens deliver stunning images and a fully immersive entertainment experience that rivals or surpasses traditional displays. Operating under the principle of “No matter the budget, Screen Innovations has the best available screen solution to suit your needs.” SI produces a comprehensive assortment of screens and accessories for nearly any budget or application.

Visit www.screeninnovations.com or call 512-832-6939. Follow us on Facebook @screeninnovations and on Twitter @SIScreens.

Christie Technology Takes Visitors on Spectacular Coast to Coast Visual Journey

Christie® technology is taking people on an unforgettable journey across Canada – without flight delays, congested airports or jetlag. A spectacular new flight simulation ride called Fly Over® Canada launches guests into a thrilling immersive experience including the jagged peaks of the Canadian Rockies, cosmopolitan cities, the rugged East Coast and more via the Christie D4K35603-chip DLP® projector and images produced by Sherpas Cinema.

Christie Projectors are used in Fly Over Canada

Installed at Canada Place in downtown Vancouver, British Columbia, Fly Over Canada also features Uplift, a preshow presentation produced by the award winning Montreal-based Moment Factory using eight Christie DWU675-E 1-chip DLP® projectors.

Christie: The Brightest and the Best Choice
“As we built up the company we started talking to Christie about various aspects of this project. Moment Factory then specified Christie for the preshow projectors so that got us hooked up with the (Christie) DWU670-E projectors,” said Eric Sambell, director, construction &technology, Soaring Attractions.

“After considerable research by the technical and creative team at Soaring Attractions, the owner/operator of Fly Over Canada concluded that Christie was also the clear 4K projector choice for the main ride.

“We chose the Christie D4K3560 projector solution because we needed the brightness and intensity to light a 19-meter diameter surface area. Obviously we needed the brightest projector and as much resolution as we could get,” continued Sambell. “That meant a 4K solution but because it’s a motion ride we needed 60 hertz to avoid motion blur – which led us to the D4K3560.”

The Christie D4K3560 projector is part of the Christie TruLife™ electronics platform offering customers superior image and video quality for the most comfortable and realistic viewing experience.

Christie Steps up and does it Right
“The projector sits out on a perch, which made it a bit of challenge but the installation went smoothly and Christie made sure everything was perfect; they came through with everything right when we needed it. Everyone, from the Christie field application engineers to Geoff Chick (central and western regional sales manager, Canada), really stepped up and made things right.”

The show opened last summer and, according to Sambell, ran at capacity on weekends and well-exceeded expectations in the months that followed. He said people have returned up to ten times and the reaction from people of all ages has been overwhelmingly positive.

Christie DWU675-E1-chip DLP® projectors provide trusted performance, reliability and exceptional image quality. Ideal for small auditoriums, boardrooms, classrooms and houses of worship, the Christie DWU675-E delivers image blending and warping, stacking capabilities and precision color matching for use in either fixed or rental staging applications.

Studio Tenn Chooses Hitachi for Tennessee Performing Arts Center Production

Nashville, Tennessee, May 20, 2014 – Hitachi’s CP-WX8265 projector was instrumental in Studio Tenn’s critically acclaimed debut of Charles Dickens’s classic A Christmas Carol at the Tennessee Performing Arts Center’s Polk Theater.

Located in Nashville, the James K. Polk Theater is an intimate proscenium theater for its size, with a maximum seating capacity of 1,075. The distance from the projection booth to the back wall of the set is 102 feet and the projection area is approximately 56 x 20 feet.

“We found the Hitachi projector to be very bright and quite simple to use—it was a perfect solution for our needs,” said Mitch White, Technical Director, Studio Tenn. “The image was fantastic despite the long throw using the standard lens.”

The Hitachi CP-WX8265 was instrumental in adding “strikingly modern twists” to TPAC’s rendition of the classic Christmas play which featured an 18-member cast, a full orchestra and fog effects. Traditionally performed in the more intimate Franklin Theater, this was the first year that TPAC used the Polk Theater for A Christmas Carol.

The Studio Tenn Theatre company was established in 2009 in order to combine talent from Nashville and Broadway, bringing classic works of drama and musical theatre to life in Middle Tennessee.

“Peter Vaque of SpringTree Media Group in Franklin, TN suggested Hitachi when we told him what we wanted to do,” said Jake Speck, Managing Director, Studio Tenn. “Video elements are an integral part of what we put on stage and that simply can’t be compromised. Needless to say, we were thrilled with the Hitachi projector’s performance.”

The Hitachi CP-WX8265 3LCD projector features 6,500 ANSI lumens brightness, motorized lens shift, Perfect Fit (which allows easy shaping of the projection to fit to the projecting area) and setup memory, which allows for quickly changing lens and focus settings for specific scenes.

For more information on Studio Tenn, visit http://www.studiotenn.com/

For more information on SpringTree Media Group, visit http://www.springtree.net/

For more information on TPAC, visit http://www.tpac.org/

For more information on Hitachi projectors visit www.hitachi-america.us/projectors

Follow Hitachi on Facebook

About Hitachi
Hitachi America, Ltd., headquartered in Tarrytown, New York, a subsidiary of Hitachi, Ltd., and its subsidiary companies offer a broad range of electronics, power and industrial equipment and services, automotive products and consumer electronics with operations throughout the Americas. For more information, visit www.hitachi-america.us. For more information on other Hitachi Group companies in the United States, please visit www.hitachi.us.

Hitachi, Ltd. (TSE: 6501), headquartered in Tokyo, Japan, is a leading global electronics company with approximately 326,000 employees worldwide. The company’s consolidated revenues for fiscal 2012 (ended March 31, 2013) totaled 9,041 billion yen ($96.1 billion). Hitachi is focusing more than ever on the Social Innovation Business, which includes infrastructure systems, information & telecommunication systems, power systems, construction machinery, high functional material & components, automotive systems and others. For more information on Hitachi, please visit the company’s website at http://www.hitachi.com/.

Moody Gardens Chooses D3D Cinema and Christie for 4K 3D Giant Screen 6P Laser Projection System

Christie® and D3D Cinema are pleased to announce that the world’s first museum-based 4K 3D giant screen 6P laser projection system will be installed and premiering at Moody Gardens MG3D Cinema in Q4 2014. The system design and configuration will further distinguish the Moody Gardens MG3D Theater as one of the world’s most premier cinema venues.

“This is the game-changing milestone that the museum giant screen industry has longed to achieve for many years,” said Don Kempf, president and founder of D3D Cinema. “Moody Gardens’ audiences will be the first in the world to have a 6P giant screen laser experience, unarguably the future of cinema presentation. The DCI and DIGSS-compliant Christie laser solution, coupled with 6P glasses technology, will be unparalleled in terms of image quality. D3D has always been committed to designing first-rate giant screen solutions that are built on a more economically viable business model. It’s a great thrill to be able to achieve this goal AND be first to market with such a premium solution.”

John Zendt, CEO of Moody Gardens agrees. “D3D Cinema has proven time and again that they can deliver the goods first, better and more efficiently. We thoroughly researched all known laser options and the D3D/Christie solution beats the competition across the board – including, significantly, the price. We’ll own this laser system outright, which is important to us, saving significant operating dollars over the life of the laser modules. We’re really proud to have our theater represented as a pioneer in digital cinema and invite all museum executives to visit for a demonstration.”

Christie 4K 6PLaser Digital Projection System

The upgrade will replace Moody Gardens’ existing 4K xenon system with a state-of-the-art pair of Christie 4K laser projection heads, a 6P modular laser light farm with fiber optic delivery, Christie 4K 3D high-bitrate server, new giant screen 6P laser glasses, and a new premium white screen. “Our 6P laser design is a huge step forward for the industry,” said Don Shaw, senior director, Entertainment Solutions, Christie. “This particular system is designed to achieve up to 14-foot lamberts onscreen in 3D, far exceeding any ‘ultra-bright’ industry standards. Our non-flashing 6P architecture is by far the most light-efficient 3D technology on the market, providing incredible brightness, enhanced color gamut and a remarkable contrast ratio. On a speckle-free premium white screen, Moody Gardens will deliver a peerless cinematic presentation to their audience. It’s a real feather in our cap to have Moody Gardens as a flagship theater.”

This latest collaboration between D3D and Moody Gardens builds on a longstanding partnership. In January 2011, D3D and Moody co-hosted the first annual Digital Cinema Symposium, showcasing 4K projection technology on a giant screen for the first time, including the first 4K vs. 70mm split screen shootout. The following year, at the 2012 Digital Cinema Symposium, D3D showcased the first 4K 3D demonstration, 11.1 3D audio, high frame rate 3D as well as a prototype laser on a giant screen, all industry firsts. The 2012 event was a milestone, marking the first time that industry professionals overwhelmingly acknowledged a digital presentation exceeded the quality of a 70mm film in a side-by-side comparison. A case study was recently published by D3D & Moody Gardens illustrating the financial benefits and qualitative success of digital presentation and rebranding.

Moody Gardens’ marks the first giant screen laser deal of many for D3D and Christie. “Lasers raise the bar,” adds Kempf. “After Moody Gardens, our first laser dome system is around the corner, which will save our dome clients hundreds of thousands in operating costs per year. The giant screen industry is about to look quite a bit brighter!”

Christie Mirage 4K Projector Screens Trumbull’s ‘UFOTOG’ in 3D 4K at 120 FPS

Filmmaker and Visual Effects legend Douglas Trumbull is partnering with Christie® on May 11 to premiere UFOTOG, a dramatic 10-minute experimental sci-fi story about a lone man attempting to photograph UFOs. Directed by Trumbull and created in 4K 3D at 120 frames per second (fps), the short film will be screened on a Christie® Mirage 4K35, the world’s first and only 4K DLP® resolution projector running at a true 120Hz, at the Seattle Cinerama Theater’s 2nd Annual Sci-Fi Film Festival.

“By using the latest technological advances in a smaller, less expensive space I can create and shoot live action content in a virtual environment at an actual 120Hz at full 4K resolution,” said Douglas Trumbull. “This ensures that the film will have the intended impact of an immersive, action 3D experience that can only be achieved on a Christie Mirage 4K at a true 4K 120Hz playback rate for a special venue or advanced immersive theatrical environment.”

Filmmaker Douglas Trumbull screening UFOTOG

With UFOTOG, Trumbull will demonstrate his ground-breaking MAGI process, which explores a new cinematic language that invites the audience to experience a powerful sense of immersion and impact that is not possible using conventional 24 fps or 3D standards.

“With Trumbull’s vision and process, he is taking the audience experience to an entirely new immersive story-telling level, beyond anything ever seen in the cinema world,” said Larry Paul, senior director, technology and visualization solutions, at Christie. “In fact, the use of the Christie Mirage 4K35 DLP® projector is the first screening of its kind showing in true 120Hz.”

The Christie Mirage 4K series (4K24 and 4K35)
The Mirage product line offers significant benefits to the global business and visualization markets, including theme parks, special events and custom theaters that rely on both 3D and single or multiple channel immersive displays, but it can also be used in filmmaking and post production for reviewing 4K shots from 24 to 120 fps at a full 4K resolution. The Christie Mirage 4K projectors provide outstanding flexibility in brightness from 10,000 to 35,000 lumens, a variety of input options including DisplayPort, HDMI and DVI and built-in Christie Twist™ for curved screens and blended array visualization applications.

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