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HARMAN’s Studer Introduces New MADI Card to Accompany D23 I/O System

AMSTERDAM, The Netherlands – In correlation with the introduction of its D23m I/O system and A-Link 3 Gbit/s optical interface, HARMAN’s Studer is announcing the first MADI I/O card specifically designed to fit in the new D23 frame, which works seamlessly with Studer Vista X and Vista V digital consoles. The card may also be used in the Vista 1 I/O card slot.

The new I/O card is a dual slot card fitted with two redundant MADI interfaces and provides up to 128 channels of inputs and 128 channels of outputs on the two fully redundant interfaces. SFP modules are used for the front panel MADI interfaces and these hot-pluggable devices are available in a variety of optical and electrical formats.

MADI is a worldwide standard and is used for high capacity interfaces to much studio equipment such as Digital Audio Workstations (DAWs), video and audio routers, other consoles and, most importantly, stage boxes. Studer stage boxes have embedded control within the MADI stream, even if all 64 channels are used for audio. This new card may be connected to two Studer stage boxes, either D21m type or the Compact Stagebox. Full microphone control and remote frame status monitoring for both frames is provided on the console application.

Each of the two MADI interfaces provides dual outputs (with the same audio and control data). The MADI inputs will automatically switch in less than a millisecond to the reserve input if the data is corrupt or fails, thus providing full cable redundancy for typical OB operations.

MADI channel count to the D23m backplane may be set for both interfaces in eight channel steps individually from eight channels to 64 channels. MADI outputs may be set to 56-channel mode for compatibility with legacy equipment. MADI inputs may be in either 64- or 56-channel mode. Input sample rate converters may be enabled for use with non-synchronous sources.

The MADI interfaces will run at 44.1 kHz, 48kHz, 88.1kHz and 96kHz in the D23m frame. Channel count is halved unless two pairs of cables are used.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

HARMAN’s Studer: IBC Debut of D23m I/O System For Huge Channel Count

AMSTERDAM, The Netherlands – Featuring enhanced channel count architecture that allows customers of its Vista X and Vista V digital consoles to transfer a huge number of channels; HARMAN’s Studer is demonstrating the new D23m I/O system. The D23m works seamlessly with Studer’s new Infinity Core and A-Link interface technology.
The D23m is fully compatible with D21m systems already in the field; all existing D21m I/O-cards are fully compatible and can be used in the new D23m frame. Plug-and-play features like automatic card detection are also available with D23m.

The D23m offers a new and robust I/O frame for all future Studer mixing consoles using A-Link technology, wherever a high channel count is required. The ability to use D21m cards protects existing customer investments and offers a cost-effective solution. The use of different I/O modules, be it existing D21m cards or new I/O higher capacity and new format interfaces, provides an I/O system tailor-made for customer needs.
The audio between the mixing console or router system and the D23m connects via the A-Link interface. The A-Link HD card hosts a powerful processor to operate all required patching and may be used as the sync master to the system, or may be slaved to a variety of external synchronization signals.

The D23m can host up to 12 I/O cards with a total of 1,536 inputs and 1,536 outputs, dependent of the I/O cards fitted.

The new D23m I/O system comes with two A-Link ports and two hot-swappable power supplies (including secondary regulators) for secure, redundant operation. Status displays on the front panel indicate the status of the frame or the status of installed cards.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Quantum Introduces Extended Online Storage Architecture Combining High Performance With Unlimited Scalability for Content Workflows

New StorNext Pro Workgroup Solution Featuring Lattus Object Storage Seamlessly Extends Content Collaboration at Lower Cost with No Performance Compromises more

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Shotoku Broadcast Systems Announces New SmartTrack System at IBC 2014

Latest Solution Anchors New and Enhanced Studio and Field Camera Support Gear

Amsterdam • IBC2014 — Shotoku Broadcast Systems, the well-established leader in manual and robotic camera support, and virtual reality tracking, is anchoring this year’s IBC Stand with a new ‘smart’ rail camera system that targets the rigorous demands of daily TV studio use. The SmartTrack system is being shown alongside Shotoku’s advanced and high-performing control solutions, pan & tilt heads, robotic and manual pedestals, and virtual reality products for OB, studio, field production and legislative applications.

“As always, we are totally committed to IBC, which is a major event in our calendar. It allows us to showcase our systems to the European broadcast market as well as to professionals from so many other parts of the world. It’s a fantastic opportunity to meet new clients and catch-up with old friends with whom we’ve worked for many years,“ said James Eddershaw, sales director, Shotoku. “This year, we are showing a combination of systems from across our entire range of camera supports, including for the first time outside the USA the new SmartTrack rail-based camera system for floor or ceiling use.”

ROBOTIC HIGHLIGHTS
NEW SmartTrack

For the first time at IBC, Shotoku is demonstrating the new SmartTrack system, a fully integrated product based on the core track-based technology of MAT, Germany. In combination with Shotoku pan & tilt heads and control systems the MAT system is turned into the perfect solution TV studio use, day after day. It is highly adaptable, supporting floor or ceiling operation and a range of height column configurations, in both upright and inverted modes. The high quality engineering of the MAT and Shotoku systems ensure that the system is robust and stable, designed for long-term use in demanding applications such as 24/7 news or TV Shopping environments.

ENHANCED TR-XT Control Systems
Shotoku’s leading advanced control system is on display once again, incorporating the recent enhancements and expansions in terms of camera capacity and dynamic configuration. The systems on show are controlling multiple cameras and sharing camera operation across several controller-types.

ENHANCED Fully Robotic Pedestal
Shotoku is demonstrating the latest developments in fully robotic studio pedestals, providing complete X-Y-H camera positioning with free-roaming capability, where track systems would not be appropriate. Several enhanced features including Virtual Reality tracking and simple referencing make the pedestal ideal for many TV studio applications.

SEE IT LIVE Orchestra CMS Parliamentary Systems
Fully automated and with live video touch-screen operation, Shotoku’s world-leading parliamentary TV system is also being shown in action. The TG-27 pan and tilt head, becoming a standard among high-end parliaments and legislatures all over the world, is being demonstrated under the control of the TR-S panel.

MANUAL HIGHLIGHTS
NEW TTH1502C Carbon Fibre Tripod

Shotoku’s new 2-stage TTH1502C carbon fibre tripod incorporates the latest technology to give operators a lightweight, yet sturdy tripod system that is perfect for EFP or documentary production. Built to last with carbon fibre legs, the tripod weighs a mere 5.9kg (13 lbs.), features a 150mm bowl base, and stands over 1615mm (5’) tall at its maximum height. Available with a ground spreader or a mid-level spreader, the tripod is ideally paired with Shotoku’s SX300 pan & tilt head for optimal performance.

TRIED & TRUE SX300 Pan & Tilt Head
One of Shotoku’s latest mid-weight EFP pan & tilt fluid heads, the SX300 features outstanding balance, a robust build and ergonomic design. With a high capacity 38kg (83 lbs) payload and wide-balance capability, the SX300 supports an array of cameras, lenses and accessories, making it perfectly suited for field production, OB and studio use. The 300 head accommodates flat base or 150mm ball. Operators can not only expect top-class performance and reliability from the SX300’s VISCAM technology for smooth and adjustable pan & tilt drag with reinforced torque, but a continuously adjustable balance system.

FLEXIBLE SG900 Pan & Tilt Head
Shotoku’s SG900 manual pan & tilt head offers vibration-free speed in an ergonomically designed sturdy package. Ideal for OB and studio production with Teleprompters or box type lenses, the SG900 supports 90 kg (198 lbs), and features single knob balance adjustment. The unit incorporates the VISCAM ultimate fluid drag system to control smooth pan & tilt movement and REULAUX perfect balance system for maintaining the camera’s centre of gravity. The SG900 fits various pedestals including Shotoku’s TP200 lightweight, 2-stage pneumatic pedestal and both the TP-80 and TP-90 studio models.

BACKED BY EXPERIENCE Virtual Tracking Systems
Based on decades of extensive VR experience, Shotoku VR tracking systems offer outstanding design features, robust and reliable platforms for a wide range of camera and lens configurations. High-accuracy, real-time data output with absolutely no loss in manual performance is common to all Shotoku systems as is compatibility with all leading VR graphics systems. Shotoku’s VR range includes the simplest PT head and tripod right up through studio pedestals and high payload heads to state of the art cranes and jibs with total freedom of movement within VR studios small or large. Shotoku has samples of these systems on show at IBC.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk
# # #

Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / mailto:info@shotoku.co.uk

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / mailto:Harriet@DesertMoon.tv

HARMAN’s Studer Leads the AoIP Race With AES67 Integration via Digigram Interface

MONTBONNOT, France — Sept. 12, 2014 — Digigram today announced that its LX-IP AES67 PCIe(R) Sound Card is making it possible for HARMAN’s Studer Infinity Core to integrate with audio-over-IP (AoIP) networks according to the AES67 standard. Delivering more versatility and speed than ever before, the Studer Infinity Core drives the company’s flagship Vista X and Vista V digital audio consoles. more

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Digigram to Demo 4K Real-Time HEVC Video Encoder Based on KALRAY Manycore Processor Array Chip at IBC2014

MONTBONNOT, France — Sept. 12, 2014 — Digigram today announced that at IBC2014 it will present a proof of concept for a high-quality, low-power, real-time 4K HEVC video encoder based on a massively parallel multipurpose processor array (MPPA) chip developed by KALRAY. more

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Big Pic Media Becomes U.K. Reseller for Cinnafilm Tachyon Wormhole Retiming Solution

Powered by Wohler RadiantGrid Intelligent Media Transformation Platform, File-Based Solution Automates Retiming up to Plus or Minus 10 Percent of Runtime more

Point Source Audio will Demonstrate Digigram’s New Lower Cost AQILIM *FIT/LE Live Video Streaming Encoder to the Worship Market

Visitors at this year’s WFX Expo in Dallas, Texas, will get a first-hand look at how to use AQILIM for Live Streaming in a growing array of applications.

Point Source Audio (PSA), Digigram’s Master Distributor for the Americas, announced that the AQILIM *FIT/LE professional video encoder will be on display from October 1 – 2 at this year’s Worship Facilities Expo (WFX) 2014 Expo (booth #844) in Dallas, Texas.

The AQILIM *FIT/LE is an intuitive and cost-effective solution for high-quality live event broadcasting over an IPTV network or multiscreen video distribution over the Internet. With flexible input options and compatibility with leading web streaming providers, this latest addition to Digigram’s encoder line is ideal for increasingly popular streaming applications for live video, live distribution of religious services, corporate, sporting, or news events; the creation of WebTV; and live education via e-learning.

“AQILIM *FIT/LE is an affordable professional encoder that makes it easy to connect to most major web streaming providers and stream live broadcast-quality video to PC, Mac, smartphone, and tablet users around the world,” said Laurent Gros, video product manager at Digigram. “Built on proven technology and ready to use, right out of the box, the AQILIM *FIT/LE provides reliable, straightforward operation for the user while assuring exceptional video quality. By making live streaming both simple and affordable, the AQILIM *FIT/LE opens up new and valuable opportunities for a broad variety of businesses, institutions, and organizations.”

The AQILIM *FIT/LE connects directly to the camera or video mixer, capturing live video and streaming encoded video either to an IP network or to the CDN responsible for Internet distribution of live video. A Web-based interface gives users convenient access to simple configuration parameters for video streaming, eliminating the need for specialized training or dedicated operators.

Occupying just one rack unit, the robust hardware system is available with analog, SDI, and/or HDMI video inputs. Quiet operation enables use of the encoder even in a meeting or conference room.

The AQILIM *FIT/LE is now available for purchase at select Point Source Audio resellers. More information about Point Source Audio’s various audio solutions can be found by visiting www.point-sourceaudio.com

About Point Source Audio
Point Source Audio (PSA) manufactures and distributes worldwide their SERIES8 miniature microphones—a unique line of headset and earworn microphones known for their robust bendable boom and waterproof features. As a result of PSA’s pro-audio expertise and its admired reputation for sales and service support, the company was also named Digigram’s Master Distributor for the Americas. The world renowned brand of Digigram sound cards, IP audio and video codecs, and Ethersound audio networking technology are now available from Point Source Audio. Founded in 2004, Point Source Audio is headquartered in Petaluma, Calif. For more information call (415) 226-1122 or visit www.point-sourceaudio.com.

HARMAN’s Studer OnAir Radio range adds Dante AoIP, Loudness Metering and BSS Blu-link among many other new features

AMSTERDAM, The Netherlands – Offering continued support of its customer base in the radio broadcast market, HARMAN’s Studer is announcing the release of its OnAir v6.1 software. This new software release is a free update for all owners of Studer OnAir digital mixing consoles. The OnAir v6.1 software offers a wealth of new feature enhancements including: loudness metering; delay function; improved AoIP support with Dante; automated gain calibration; and BSS BLU link support.

The OnAir v6.1 software offers loudness metering as an added option for the main screen of OnAir 3000 digital mixing consoles. It offers EBU R128, ITU-R BS.1770-3/1771-1 compliant loudness metering, covering single-channel and summing bar graphs, Loudness Range (integrated value, short term, momentary), true peak and numeric views. The physical presentation of both loudness (R128) and peak-programme metering is software-based and emulates a twin-indicator meter display.

The delay function is an option for OnAir 1500, OnAir 2500 and OnAir 3000 consoles, according to available DSP processing. It offers up to five seconds each. Summing bus delay for all master channels include an pre-delayed output to be used for output routing and monitoring. It is configurable as mono/stereo/surround in the OnAir Config Tool. The OnAir 1500 has stereo delay of 400ms on program bus.

As a next step in Studer’s open Audio over IP approach, OnAir v6.1 supports the new Studer D21m Dante interface providing, Dante 64 I/Os. This allows connection of an OnAir console into a Dante audio network with the D21m Dante interface and operates the OnAir mixing desk with other Dante devices.

As a perfect addition to Studer’s VMix function that was successfully introduced with OnAir software 6.0, this new software release brings automated gain calibration for mic input sources to OnAir products. Once levels are measured and set up in rehearsal before a show, the stored parameter can be loaded and activated with a single click. The combination of VMix and gain calibration will enable any operator to run a discussion or interview in a fast and secure way with less effort.

Lastly, OnAir v6.1 introduces support for the new Studer D21m BLU link card. This card is a 32 x 32 interface between a console and the Soundweb London digital audio bus, informally known as BLU link. The card allows connection to a wide variety of HARMAN products equipped with a BLU link interface, such as BSS London BLU 800, dbx PMC or Crown PIP‐BLU interfaces, amongst others.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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DANLEY JERICHO HORNS COVER NORTH TO SOUTH AT PENN STATE UNIVERSITY’S BEAVER STADIUM

Penn_State_Beaver_StadiumUNIVERSITY PARK, PENNSYLVANIA – SEPTEMBER 2014: The Penn State Nittany Lions play all of their home games at Beaver Stadium in University Park, Pennsylvania. With an astounding capacity of over 106,000, Beaver Stadium is the second largest stadium in the Western hemisphere (after the University of Michigan’s stadium) and the fourth largest in the world. A recent off-season upgrade to high-definition LED scoreboards inspired a parallel upgrade to a new high-definition sound system that relies on Danley Sound Labs Jericho Horns to throw sound from the south end zone clear across to the north end zone – and all areas between – with point-source, horn-loaded fidelity. Coverage is a remarkable ±2dB across that huge expanse, and eight Danley TH-812 subwoofers support the full-range content with honest, musical low end that shakes the stands.

Clair Solutions Senior Systems Designer Jim Devenney (Manheim, Pennsylvania) designed the system with assistance from Chad Edwardson at Danley Sound Labs and Al Harris from Populous Architects (Kansas City, Missouri). Jason Hertz led the installation for Clair Solutions with assistance from Jonathan Hoffman and Forrest Brewer from Barton-Mallow/Alexander, the general contractor. “The new scoreboard would no longer be able to accommodate the old sound system,” said Devenney. “It simply wouldn’t fit. Mike Hedden, Danley president, came up from Georgia to demo a Danley Sound Labs solution, and the school officials liked its full-bandwidth sound, dynamic response, and even coverage.” Importantly, the Danley solution would allow Devenney to cover the entire stadium with a much smaller footprint. Hedden commented, “Our demo was an opportunity to do a side-by-side with a very popular line array. At 800 feet the Jericho Horn was clear and present, like it was fifty feet away. When we switched to the existing line array it was as if the sound stepped backwards three hundred feet. It was a stunning difference. One of the officials asked me how I could explain what everyone was hearing. I replied, to paraphrase the founders, we hold these truths to be self evident, that all loudspeakers are not created equal!”

The system hangs from three levels on the new scoreboard, and each side is a mirror image of the other side. At the top level, two Danley J4 Jericho Horns hit the stands beyond the opposite end zone. Below that level, four Danley J3 Jericho Horns cover the far half of the east and west stands. At the lowest level, two Danley J3 Jericho Horns cover the near half of the east and west stands, and two Danley SH95-HO loudspeakers provide near fill. All told, eight Danley TH-812 subwoofers, four on the top and four on the bottom, provide abundant bass. Devenney left a distributed system of fill speakers under overhangs in place. Lab.gruppen LM26 processors running Lake software provide equalization and protection for the system. Lab.gruppen FP-Series amplifiers with the NLB-60E controller provide system power as well as network control and monitoring.

“Everything worked out very well,” said Devenney. “Coverage is excellent: plus or minus 2dBA throughout the stadium, except in club areas where I intentionally made things quieter. The system has good articulation, nice fullness, great dynamics, and impressive vocal clarity. The J4’s do a great job getting high end to the far side of the stadium, and the efficiency of the Danley components reduced the footprint considerably from where it had been.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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