A virtual press conference from Sound & Video Contractor

Archive of the Tradeshow News Category

Primestream CCW 2014 Product Preview

Visit Primestream at CCW 2014, Nov. 12-13, Booth 961

Products on Display at CCW 2014:

FORK Production Suite v4.6
At CCW 2014, Primestream(R) will show FORK(TM) Production Suite v4.6, the latest version of its acclaimed software platform for managing the automation of the most complex broadcast workflows. With new modules, functionality, and integrations with the leading broadcast hardware and software vendors, FORK v4.6 is the most extendable, configurable, and powerful version of FORK ever released and includes major revisions to the underlying structures of FORK 4.5 that debuted at the 2014 NAB Show. These upgrades increase overall system responsiveness and provide for the handling of a vastly increased quantity of media assets.

These many improvements position FORK for the support of H.264, H.265, and MXF as well as 64-bit and 4K workflows. Behind this thinking is the intent that customers feel secure that the investments they make today pay big dividends in the future as they move toward the adoption of new formats and standards. FORK v4.6 also includes deep two-way integrations with nonlinear editors like Adobe(R) Premiere(R) Pro, Avid(R) Media Composer(R), and Apple(R) Final Cut Pro X(R). The integrations support edit-while-capture workflows with XDCAM(R), ProRes(R), and AVC-Intra(R) — empowering sports, news, entertainment, and corporate video operations to use industry-leading NLEs — while gaining the benefits of the FORK media asset management and automation platform for I/O, logging, tagging, proxy editing, workflow management, and archiving.

Photo Link: www.wallstcom.com/Primestream/Primestream-FORK4-6ProductionSuite.jpg
Photo Caption: FORK(TM) Production Suite v4.6

FORK Xchange Suite v3.0
At CCW 2014, Primestream(R) will also demonstrate FORK(TM) Xchange(TM) Suite v3.0, a major upgrade to the application that gives broadcasters instant Web access to content on their FORK Production servers from any Windows(R), Mac(R), or tablet device. Xchange v3.0 features a completely redesigned iPad(R) interface optimized for Apple(R) iOS 7. Also new in Xchange, users can now manage non-video files such as audio, image, document, and project files. Direct integration with multiple transcode engines for proxy rendering is also available in Xchange v3.0.

Other new features and capabilities include:

* Xchange Uploader: Allows users to submit raw or finished packages directly into the FORK production environment via a Web-based interface.
* Xchange Downloader: Allows users to download source content in order to edit final packages locally, with the ability to choose among multiple qualities to download.
* Xchange Partial File Download: Allows users to download sections of media, leading to faster download workflows and eliminating the need to download entire media.
* Quick, Cuts-Only Editing: Allows users to create a rough cut with footage in Xchange and send the timeline to the FORK Production environment for distribution.

Photo Link: www.wallstcom.com/Primestream/Primestream-FORKXchangeSuite3.jpg
Photo Caption: FORK(TM) Xchange(TM) v3.0

FORK Logger With STATS
FORK(TM) Logger, the metadata tagging module in the acclaimed FORK Production Suite, now integrates with in-depth data feeds from STATS, the global leader in sports information, technology, and content. With this service, FORK Logger users can start their sessions with prepopulated placeholders that contain rich event data pulled from the STATS feed, such as team name, location information, rosters, conference name, and win/loss records. Working from these populated placeholders enables users to avoid manually entering data, which increases the accuracy of the descriptive information.

Photo Link: www.wallstcom.com/Primestream/Primestream-Logger-sports.jpg
Photo Caption: FORK(TM) Logger for Sports

FORK Archive Bridge v1.0
Archive Bridge(TM) v1.0 is a new module for the FORK(TM) Production Suite that provides tight integration between industry-leading archival solutions and the FORK media asset management and production automation platform. Archive Bridge enables disaster recovery workflows and interconnects multiple production environments with a central archive point — adding essential visibility into the archival workflow and allowing facilities to make the most of their archiving dollars.

Photo Link: www.wallstcom.com/Primestream/Primestream-ArchiveBridgeUI.jpg
Photo Caption: FORK(TM) Archive Bridge(TM) v1.0

Company Quote:

“Attendees at CCW in New York will be able to see, first hand, how the FORK automation and asset management software environment is able to streamline workflows and save money through powerful integrations and intuitive applications. We will also be highlighting multisite cloud asset management workflows with new Xchange Suite 3.0 and fast metadata tagging with FORK Logger.”
– Namdev Lisman, SVP of Marketing and Sales, Primestream

Company Overview:

Primestream(R), a leader in advanced automation and asset management software, offers a seamless end-to-end platform for the digital acquisition of live and file-based content, editing, logging, control room and master control playback, Web publishing, smartphone video contribution, and archiving. Primestream’s proven solutions are implemented by some of the world’s leading broadcasters, uplink service providers, online digital media operations, corporations, and production/postproduction facilities, and are ideally suited for multisite operations. More information is available at primestream.com.

Riedel Communications SATIS 2014 Product Preview

Visit Riedel Communications at SATIS 2014, Nov. 18-20, at Stand E24

Riedel Products at SATIS 2014:

STX-200 Professional Broadcast-Grade Interface
The STX-200 professional broadcast-grade interface brings any Skype(R) user worldwide into the professional broadcast environment. Licensed by Microsoft(R), the new Riedel product meets broadcasters’ increasing need for a reliable single-box solution that enables them to bring live contributions from both reporters and viewers into live programming — all while avoiding typical problems such as consumer PCs running common Skype clients, scan and HDMI-to-SDI converters, or audio dropouts and menu pop-ups on their live feed. Serving as more than a stand-alone solution, Riedel’s STX-200 integrates Skype into the intercom solution to enable even more powerful, flexible applications and workflows. The unit offers broadcast-quality HD-SDI and balanced XLR audio I/Os and is packaged with professional Microsoft Skype TX software. The solution’s broad feature set includes remote management and monitoring of Skype calls.

Photo Link: www.wallstcom.com/Riedel/Riedel-STX-200_front.jpg
Photo Caption: STX-200

Tango TNG-200 Fully Networked Platform Based on AES67 and AVB
The Tango TNG-200 represents Riedel’s first fully networked platform based on the AES67 and AVB standards. With its own dedicated intercom application, the platform can be turned into a flexible, cutting-edge solution for a variety of communications scenarios. The unit itself is equipped with a high-resolution, full-color TFT display that ensures perfect readability at all times. Intuitive front-panel controls simplify the recall of presets and adjustment of audio levels. Along with powerful processing capabilities, the Tango TNG-200 features two integrated Riedel digital partylines, two AES67- and AVB-compatible ports, two Ethernet ports, one option slot, and redundant power supplies. The TNG-200 application transforms the platform into an efficient intercom system that users can tailor according to their needs, including their choice of matrix size starting with 40 x 80. The asymmetric 40 x 80 matrix size is another Riedel innovation, as it allows for a standard premium-quality stereo audio connection to Riedel panels.

Photo Link: www.wallstcom.com/Riedel/Riedel-Tango-Front.jpg
Photo Caption: Tango TNG-200

RSP-2318 Smartpanel
The new RSP-2318 Smartpanel offers features and capabilities that will enrich the user experience and change the way broadcasters and A/V professionals communicate. The world’s first smartpanel designed to serve as a powerful multifunctional user interface, the Riedel device boasts a unique feature set that includes three high-resolution, sunlight-readable, multitouch color displays; premium-quality stereo audio; a multilingual character set; and 18 keys in just 1 RU. These features make Riedel’s new smartpanel a powerful user interface that can be further expanded through the use of apps. Riedel’s first app for the RSP-2318 turns the smartpanel into an innovative and smart intercom panel. AES67 and AVB connectivity are standard, with AES3 over CAT/coax optional. Additional features include exchangeable headset connectors for mono or stereo applications, an integrated power supply, individual volume controls for each key, two USB ports, two Ethernet connectors, GPIO, audio I/O, an option slot, a removable gooseneck microphone, an SD card slot, and an HDMI output.

Photo Link: www.wallstcom.com/Riedel/Riedel-Smartpanel-Front.jpg
Photo Caption: RSP-2318 Smartpanel

Other Products on Display:
- MediorNet and MediorNet Compact
- MediorNet MetroN Core Router
- Artist, Performer, and Acrobat Intercom Systems
- RockNet Audio Systems

Company Quote:

“We are returning to SATIS with a remarkable array of new solutions that alter the way broadcast and A/V professionals manage communications and signal transport. From our innovative new Smartpanel to the new Tango platform to our STX-200 professional interface for bringing Skype content into live production, we will show how broadcasters can realize new levels of operational and creative freedom.”
– Francke Berger, Sales Engineer France, Riedel Communications

Company Profile:

Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 350 people at 12 locations in Europe, Asia, Australia, and the Americas.

API’s BOX BRINGS BIG CONSOLE SOUND INTO SMALL SPACES

John_FishellMUNCIE, INDIANA – OCTOBER 2014: Assistant Professor John Fishell teaches music media and production at Ball State University in Indiana, but enjoys recording from his home. In order to get a large format sound in the small space, Fishell turned to Vintage King and the BOX console from API. The BOX was the perfect size for Fishell’s small footprint requirement, considering his entire studio is located in the second bedroom of his apartment. However, the footprint of the console is the only thing he finds small about it. When asked what advice he would give to others considering a BOX of their own, Fishell responded: “Brace yourself, you are playing with the big boys now. With API, there should be no such thing as puny-sounding tracks. The built-in compressor is powerful, yet easy to use and makes a difference.”

In addition to the BOX, Fishell has accumulated quite the API collection, including six API 550b EQs, four JDK V14 EQs, and twelve API 225L compressors. He says his first experience with API gear was when he was a student himself at Omega recording studios in Rockville, Maryland. There he got to work with a 2488 in the B room, and he’s been a fan ever since. When he decided on the BOX himself, no other company would do. “I was very happy with my modular API DSM system, and I knew I wanted to stay with their summing. The features like the built-in 550A made me lust after the BOX. I was able to seamlessly integrate API outboard gear that I already owned through inserts and patch points.” Fishell has worked as independent engineer, producer, and musician since 1993. He has also worked full-time at James Madison University, Middle Tennessee State, University of Colorado at Denver, American University, and now Ball State.

At home, Fishell primarily focuses on rock and jazz, occasionally working on classical music as well. Even though he has only had the BOX installed for a few months, it has already recorded almost a dozen different artists such as Dave Liebman and Mike Stern. When he compares it to other consoles, Fishell will argue that the BOX holds its own: “The BOX has the same ‘mojo’ and coloration of API’s bigger consoles, so I can compete with other pro mix facilities in the comfort of my small apartment. It does a great job – better than mixes that stay in the ‘digital box’. Even classical and jazz projects benefit from the ‘muscle’ that API gear provides.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608, and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

INTERNATIONAL BAKERY CHAIN MAISON KAYSER GOES HI-FI IN NYC WITH ASHLY AUDIO MULTICHANNEL PROCESSORS AND AMPLIFIERS

Maison_Kayser_Bakery_1NEW YORK, NEW YORK – OCTOBER 2014: In only a few short years, French artisanal bakery Maison Kayser has opened five successful bakery/café locations in New York City that complement its dozens of locations throughout Europe and Japan. Its U.S. licensees have taken care to make every aspect of Maison Kayser NYC resonant with the brand’s international prestige, and, as a result, its French-trained bakers and upscale service and atmosphere have raised the bar in The Big Apple. High-fidelity sound is an important component of that atmosphere, and local A/V integrator Essential Communications specified Ashly Audio integrated signal processors/amplifiers to deliver high fidelity with 24/7/365 reliability.

“This client is understandably particular and demanding,” explained David Schwartz, owner of Essential Communications. “Canned music through a stereo wasn’t going to cut it. Added to the challenge were the cool surfaces and building materials that they preferred, as do many such establishments these days. Those materials are highly reflective. After allowing the client to learn that simpler solutions wouldn’t do the job, we stepped up the Maison Kayser template to include modest acoustical treatments and Ashly Audio processing and amplification, which gives me the ability to fine-tune each zone for maximum intelligibility and musicality.”

Maison_Kayser_Bakery_2Indeed, a hallmark of the Maison Kayser brand is that the seating area is divided into separate sections that naturally suggest separate audio zones. Using Ashly processing gives Schwartz individualized equalization, dynamics, and volume control, which he uses to bring each zone into perfect balance. The input at each location is dead simple: nothing more than an input connection that allows staff and management to play music from their personal devices. “It’s nothing fancy, but it has to sound great,” said Schwartz. Different locations use different loudspeakers from Community, Tannoy, and SoundTube. Some locations use Ashly ne-Series multi-channel network amplifiers with optional onboard Protea™ processing, whereas other locations use Ashly Pema™, which combines an 8×8 Protea Matrix processor with either a 4- or 8-channel network power amplifier. Either way, Maison Kayser gets high-end multichannel processing and amplification in a small, two-rack space footprint.

“Ashly builds a good, solid product, and they’re located nearby,” said Schwartz. “The support Ashly offers is always timely and helpful, which is especially important for us because we’re often creating evolving solutions for customers who require very individualized systems. We can always call Ashly and get a human on the phone who knows the products inside and out. The company and its people are very human, which is rare these days. For me, that factors into my specifications as much as anything else.”

At the time this was written, Essential Communications was designing another Ashly Audio-centered music playback system for Maison Kayser’s sixth New York City location.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Biamp Systems Brings TesiraFORTÉ and AVB Speaking Session to TecnoMultimedia InfoComm Colombia 2014

BEAVERTON, Oregon — Oct. 28, 2014 — Biamp Systems, a leading provider of innovative, networked media systems, today announced its commercial audio systems showcase and speaking session for TecnoMultimedia InfoComm Colombia 2014. Held in Bogotá from Nov. 6-7 at the Corferias convention center, the event will bring the company’s award-winning TesiraFORTÉ line of Audio Video Bridging (AVB) digital signal processors to the trade show floor for the first time — allowing attendees to get an up-close look at the newly launched technology during demonstrations in the Biamp(R) booth 58. The company’s area manager for Central America, Ernesto Montañez, will also present a session titled “Understanding AVB and its Advantages” on Nov. 6 from 3:30 p.m. to 4:30 p.m. more

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Christie Launches First National Experiential Network for Cinema Lobbies

Christie® today announced the launch of its new media initiative, Christie Experiential Networks® (CEN). Based on the theme “From the Street to the Screens™,” the network features unique digital destinations such as the Christie double-sided digital standee, the experiential video wall and the hero screen; some of which will be introduced during ShowEast, Oct. 27-30, in Hollywood, Florida.

Christie Experiential Networks Standee Rendering

Christie Experiential Networks Standee Rendering


“Christie was at the forefront leading the conversion of film to digital projection, and we are today the first to deploy a refined experiential strategy that will transform the way exhibitors, brands, agencies and studios connect with moviegoers across the country,” said Kevin Romano, senior director, Global Media, at Christie. “From projection mapping to mobile, to augmented reality and gesture interactions, we are committed to delivering superior, content-driven experiences for the cinema industry.”

New Role, New Business Model
Christie Experiential Networks (CEN) adds a new layer to how Christie brings value to the cinema industry. With this new initiative, Christie becomes a network operator that supplies technologies and digital content to exhibitors’ lobbies. Christie provides standard track installations at no cost to the exhibitor and can also provide personalized concepts for a competitive investment. CEN’s team of media specialists will manage advertising sales, in a revenue-share model with the exhibitors.

Experiential, Mass Media Style
From a brand and studio perspective, Christie’s new CEN provides access to a large-scale network of refined, multi-platform digital experiences for the consumer. Technologies and content strategy will, for example, enable studios to transform a trailer into a 4K gesture experience; or brands to create an interactive experience from an app, such as a 30-second ad or a static poster. Then the experience can be distributed on a national scale in top designated market areas. A variety of experience options are available for brands and studios.

More Entertainment Value Means More Guest Engagement, and More Revenues

CEN’s mission is to create new revenue streams for exhibitors, deliver refined media opportunities for brands and studios, and offer high-impact digital experiences for the consumer. Denys Lavigne, senior director, Experience Strategy and Creative Services, at Christie: “It is time that exhibitor lobby spaces become a legitimate part of the cinema experience and growth strategy for the industry. Experiential is growing everywhere; brands and studios are embracing it, and consumers expect it. With similar experiential projects that we’ve created for other industries, we observed that when customers are engaged there is more dwell time, which means higher brand impact, and a better overall experience.”

The Christie Experiential Networks programming will also integrate promotional elements such as discounts, special promotions and giveaways. Romano added, “Guests who interact with the digital displays will gain a direct and immediate benefit that makes their experience that much better.” These opportunities extend to studios, product marketers, advertisers, and exhibitors, who will be showcased on the new network as well as on the legacy systems Christie plans to integrate as one high-impact digital media within the exhibitor environment.

From the Street to the ScreensTM – a 360-Degree Perspective

Christie is delivering this new media initiative as part of its 360-degree digital solution capabilities. Sean James, vice president, Global Professional Services, at Christie, said “The industry might not be fully aware but Christie has developed a solid track record over the past five years in delivering next generation digital signage applications for our clients and partners. Our recent acquisition of Arsenal Media reinforced our unique position as a total solutions provider from strategy, hardware and software, to content, enterprise-level network operations center, maintenance and ongoing technical support. Now, with the addition of our media sales services, headed by Kevin Romano who has played a key role in the development of brand advertising in cinema, we feel we have built the ideal team to accompany the cinema industry in this next phase of innovation and growth.”

In this context, Mr. Lavigne will share his knowledge of digital planning, content and technology on the ‘Monetizing Your Digital Investment-New Technologies to Serve the Exhibition Community’ panel, scheduled for Tuesday, October 28, 8.30 a.m. – 9.30 a.m.

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Jason Phats Changes Direction with Prism Sound’s Orpheus

OLYMPUS DIGITAL CAMERA

Writer, producer, remixer and DJ Jason Phats has become the latest high-profile musician to purchase a Prism Sound Orpheus Firewire Recording Interface.

“The sound is extremely detailed and transparent. Clarity, depth, separation and stereo imaging is breath-taking – my jaw hit the floor when I first heard it,” he says. “I found myself kicking back in the sweet spot and going through my music collection. Suddenly everything made sense.”

Phats runs the Orpheus through a SSL Sigma summing mixer and likes the unit primarily for its ability to lever both Prism Sound quality conversion and mic preamps into a 1U box and then cram it full of features. These include line, microphone and instrument inputs, selectable RIAA Equalization for turntables, a built-in premium-quality monitoring mixer for each output providing for performer foldback and surround monitoring, and concurrent ADAT and switchable S/PDIF or AES3 digital I/O plus support for outboard MIDI devices.

Phats, who has sold over 5m records in a career spanning nearly quarter of a century. adds that the Orpheus has fundamentally altered the way he works.

“From the moment I started working with the Orpheus I could see myself getting closer to the sound I had been searching for,” he says. “I decided to stop releasing tracks and focus on a goal: a new sound, a new direction.”

Pursuing the new path took time but now, eight months later, Phats and his management are in the process of releasing his new material.

“With the Orpheus I could instantly identify where I was going wrong in my mixes and productions. Once I could understand the mixing process with such detail and depth I was able to achieve exactly what I wanted,” he says.

The first track from the new ‘Phats & Orpehus’ partnership was Jason Phats & Fenton Gee’s \ \ H I T E \ \ A T E R (White Water), which caused a real buzz in Ibiza over the summer. There is plenty more to come too.

“Every day is a joy in the studio with the Orpheus and I am very proud of the new material I have lined up for the future,” he says. “The huge leap in quality has led to some great collaboration.”

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Primestream Products on Display at CAPER 2014:

FORK Production Suite v4.6
At CAPER 2014, Primestream(R) will show FORK(TM) Production Suite v4.6, the latest version of its acclaimed software platform for managing the automation of the most complex broadcast workflows. With new modules, functionality, and integrations with the leading broadcast hardware and software vendors, FORK v4.6 is the most extendable, configurable, and powerful version of FORK ever released and includes major revisions to the underlying structures of FORK 4.5 that debuted at the 2014 NAB Show. These upgrades increase overall system responsiveness and provide for the handling of a vastly increased quantity of media assets.

These many improvements position FORK for the support of H.264, H.265, and MXF as well as 64-bit and 4K workflows. Behind this thinking is the intent that customers feel secure that the investments they make today pay big dividends in the future as they move toward the adoption of new formats and standards. FORK v4.6 also includes deep two-way integrations with nonlinear editors like Adobe(R) Premiere(R) Pro, Avid(R) Media Composer(R), and Apple(R) Final Cut Pro X(R). The integrations support edit-while-capture workflows with XDCAM(R), ProRes(R), and AVC-Intra(R) — empowering sports, news, entertainment, and corporate video operations to use industry-leading NLEs — while gaining the benefits of the FORK media asset management and automation platform for I/O, logging, tagging, proxy editing, workflow management, and archiving.

Photo Link: www.wallstcom.com/Primestream/Primestream-FORK4-6ProductionSuite.jpg
Photo Caption: FORK(TM) Production Suite v4.6

FORK Xchange Suite v3.0
Primestream(R) will demonstrate FORK(TM) Xchange(TM) Suite v3.0, a major upgrade to the application that gives broadcasters instant Web access to content on their FORK Production servers from any Windows(R), Mac(R), or tablet device. Xchange v3.0 features a completely redesigned iPad(R) interface optimized for Apple(R) iOS 7. Also new in Xchange, users can now manage non-video files such as audio, image, document, and project files. Direct integration with multiple transcode engines for proxy rendering is also available in Xchange v3.0.

Other new features and capabilities include:

* Xchange Uploader: Allows users to submit raw or finished packages directly into the FORK production environment via a Web-based interface.
* Xchange Downloader: Allows users to download source content in order to edit final packages locally, with the ability to choose among multiple qualities to download.
* Xchange Partial File Download: Allows users to download sections of media, leading to faster download workflows and eliminating the need to download entire media.
* Quick, Cuts-Only Editing: Allows users to create a rough cut with footage in Xchange and send the timeline to the FORK Production environment for distribution.

Photo Link: www.wallstcom.com/Primestream/Primestream-FORKXchangeSuite3.jpg
Photo Caption: FORK(TM) Xchange(TM) v3.0

FORK Logger With STATS
FORK(TM) Logger, the metadata tagging module in the acclaimed FORK Production Suite, now integrates with in-depth data feeds from STATS, the global leader in sports information, technology, and content. With this service, FORK Logger users can start their sessions with prepopulated placeholders that contain rich event data pulled from the STATS feed, such as team name, location information, rosters, conference name, and win/loss records. Working from these populated placeholders enables users to avoid manually entering data, which increases the accuracy of the descriptive information.

Photo Link: www.wallstcom.com/Primestream/Primestream-Logger-sports.jpg
Photo Caption: FORK(TM) Logger for Sports

FORK Archive Bridge v1.0
Archive Bridge(TM) v1.0 is a new module for the FORK(TM) Production Suite that provides tight integration between industry-leading archival solutions and the FORK media asset management and production automation platform. Archive Bridge enables disaster recovery workflows and interconnects multiple production environments with a central archive point — adding essential visibility into the archival workflow and allowing facilities to make the most of their archiving dollars.

Photo Link: www.wallstcom.com/Primestream/Primestream-ArchiveBridgeUI.jpg
Photo Caption: FORK(TM) Archive Bridge(TM) v1.0

Company Quote:

Spanish:

“Es siempre importante para Primestream participar en la convención de CAPER, este año vamos a exhibir nuestra completa suite de automatización y administración de contenido con los nuevos y avanzados módulos de Logger y Xchange con los cuales se obtiene una rápida y efectiva implementación de varios procesos incluyendo la posibilidad de trabajar en un ambiente de colaboración remoto a traves de la nube. A su vez en CAPER estaremos demostrando nuestra integración con múltiple plataformas de edición y captura.”
– Claudio Lisman, Presidente y CEO, Primestream

English:

“It’s always important for Primestream to participate at CAPER. This year we will show the entire FORK automation and asset management environment with Logger and Xchange being highlighted for fast metadata tagging and multisite cloud asset management environments. We are also emphasizing integrated workflows with leading NLE platforms that increase productivity and efficiency with features such as edit-while-capture.”
– Claudio Lisman, President and CEO, Primestream

Company Overview:

Primestream(R), a leader in advanced automation and asset management software, offers a seamless end-to-end platform for the digital acquisition of live and file-based content, editing, logging, control room and master control playback, Web publishing, smartphone video contribution, and archiving. Primestream’s proven solutions are implemented by some of the world’s leading broadcasters, uplink service providers, online digital media operations, corporations, and production/postproduction facilities, and are ideally suited for multisite operations. More information is available at primestream.com.

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Wohler Products at CCW 2014

CCW 2014
Nov. 12-13
Wohler Technologies Product Preview
Booth 701

Tachyon(R) Wormhole(TM) Media Retiming
The award-winning Tachyon(R) Wormhole(TM) file-based media retiming solution enables up to a plus or minus 10 percent runtime adjustment while preserving not only video and audio quality, but also closed caption integrity. Based on Cinnafilm’s popular Tachyon algorithms and the Wohler RadiantGrid Intelligent Media Transformation Platform(TM) framework, Tachyon Wormhole saves time for content producers, allowing them to “fit and fill” — easily adjusting content to meet specific customers’ length requirements without compromising the integrity or quality of audio, video, and captioning/subtitling. In many cases, this approach allows users to replace a great deal of expensive specialized hardware with a single server at a fraction of the cost. At the same time, Tachyon Wormhole not only gives time back to broadcasters and content distributors, but also allows them to realize new revenue opportunities without materially altering the viewer’s experience of their media assets.

Photo Link: www.wallstcom.com/Wohler/Wohler-Tachyon-Wormhole.jpg
Photo Caption: Tachyon(R) Wormhole(TM) File-Based Media Retiming Solution

RadiantGrid Intelligent Media Transformation Platform(TM) Version 8.7
The award-winning version 8.7 of the Wohler RadiantGrid Intelligent Media Transformation Platform(TM) offers broadcasters a variety of powerful tools that boost the efficiency of file-based workflows for multiplatform media delivery. The platform enables fully compliant OTT offerings for leading formats, including MPEG-DASH, HLS, and Microsoft Smooth Streaming, and aids broadcasters and other content producers in meeting the array of target bit rates, resolutions, and frame rates necessary for today’s content delivery ecosystem.

The media processing engine parallelizes complex audio loudness correction alongside the video at unprecedented speeds. Along with optimized video pipeline features such as anamorphic video handling, 2K/4K Ultra HD support, and bit depths of up to 16-bit YUV, the RadiantGrid platform has been enhanced with the RadiantGrid Detect and Correct(TM) video legalization option, which leverages Wohler’s unique RightHue(TM) algorithm to ensure comprehensive NTSC and PAL color compliance within the file-based domain.

Photo Link: www.wallstcom.com/Wohler/Wohler-RadiantGrid.jpg
Photo Caption: RadiantGrid Intelligent Media Transformation Platform(TM)

MPEG DVB-ASI and IPTV Monitors
Providing functionality critical for facilities migrating toward IP-oriented distribution networks, the award-winning MPEG Series monitors decode and provide convenient at-a-glance monitoring of program content from MPEG-2/4 ASI and Ethernet IP streams, as well as 3G/HD-SDI inputs. To meet broadcasters’ increasing need for stream-based monitoring, the MPEG video monitors identify, decode, and display in high resolution both MPEG-2 and MPEG-4 signals (input via BNC or Ethernet), while giving users the ability to browse the PAT, PMT, PID, EIT, and NIT data (both ATSC and DVB tables) for each selected stream. In addition to MPEG ASI and dual-input 3G/HD-SDI with loop-through, the MPEG monitors also accommodate audio with level meters, GPI, and tally. Convenient monitoring capabilities include Dolby Digital and Digital+ decoding, as well as the capacity to decode as many as 12 audio groups. In-picture level metering of up to 16 channels of audio is provided for both average and PPM (peak) levels with selectable meter scales.

Photo Link: www.wallstcom.com/Wohler/Wohler-MPEG-4290-VideoMonitor.jpg
Photo Caption: Wohler MPEG-4290 Video Monitor

AMP2-E16V Series Modular Audio/Video Processing Monitor
The AMP2-E16V monitor’s feature list continues to be the longest in the industry, yet the product is operated with one-touch simplicity. In addition to its top-quality audio system, it features simultaneous multiformat monitoring, quick program selection, instant stereo downmix, loudness monitoring, internal channel mixing including SDI re-embedding, and audio delays. The monitor also includes a wide variety of meter scales and ways to view meters, video, and Dolby or SMPTE 2020 metadata.

The AMP2-E16V offers Dolby Zoom, Dolby E line position, and CRC error monitoring, as well as automatic system configuration based upon signal inputs, 32 complete system configuration presets, a complete internal help system, and Ethernet software updates. Audio processor card options facilitate easy configuration for multiple SDI, AES I/O, analog I/O, and connection to external surround systems.

A new AVB Monitoring Option card allows AVB channels to be mixed, level-adjusted, and monitored alongside AES, SDI, analog, and other input types, and in the same fashion. Further enhancements include new processing modules and newly developed software that expand the feature set and capabilities to include loudness monitoring and extended audio interfacing.

Photo Link: www.wallstcom.com/Wohler/Wohler-AMP2-16V-Audio-VideoProcessingMonitor.jpg
Photo Caption: Wohler AMP2-E16V Audio/Video Processing Monitor

AMP1-16M Dual 3G/HD/SD-SDI Audio Monitor
Wohler’s new AMP1-16M dual-input SDI audio monitor provides high-performance monitoring of embedded audio in two 3G/HD/SD-SDI streams at an attractive price point. The 1-RU system de-embeds and provides metering and monitoring of any or all of the 16 audio channels in the selected 3G/HD/SD-SDI stream. It assures intuitive operation and clear display of levels and other critical information using bright 2.4-inch LED-backlit LCD displays, enabling one-touch monitoring and summing of any selected channel pair(s) to built-in speakers, headphones, or XLR-balanced analog outputs.

The AMP1-16M monitor features a number of convenient capabilities including remote access for setup and storage of user-defined presets via Ethernet and USB connections, along with gain adjustment/trim on individual audio channels with the ability to assign channels as left, right, or center (both) to the internal audio system and the analog outputs. It offers both pass-through of each SDI input and a reclocked output of the selected monitored SDI stream.

Photo Link: www.wallstcom.com/Wohler/Wohler-AMP1-16M-Dual-3G-HD-SD-SDI-AudioMonitor.jpg
Photo Caption: Wohler AMP1-16M Dual 3G/HD/SD-SDI Audio Monitor

RDM-173 Slide-Out Rackmount Video Monitor
Wohler will feature the company’s RDM-173 slide-out video monitor, a 1-RU rackmount system that provides robust monitoring tools and 17-inch HD IPS (1920 x 1080) display in a design that is ideal for space-constrained environments. An optimal solution for AV conferencing and both electronic newsgathering (ENG) and OB production, as well as for integration into electronic field production (EFP) flypacks, the RDM-173 supports all formats of 3G/HD/SD-SDI, HDMI, DVI, composite, Y/C, and component video. The high-resolution display provides superb imaging video quality with viewing angles of 160°H by 140°V and both picture-in-picture (PIP) and picture-by-picture (PBP) display modes. The unit provides a 16-channel level meter on-screen, as well as waveform and vectorscope display, tally, time code, format display, and area/title safe indicators. Front-panel controls simplify operation, and intuitive on-screen menus make configuration easy.

Photo Link: www.wallstcom.com/Wohler/Wohler-RDM-173-3GFrontView.jpg
Photo Caption: RDM-173-3G Front View

Company Quote:

“At CCW 2014 we’ll highlight products with innovative functionality that enables users to realize greater efficiency and — through both cost savings and new revenue-generating opportunities — a rapid return on their technology investment. In particular, we will demonstrate the capabilities of the award-winning Tachyon Wormhole file-based media retiming solution, including the ability to insert additional ad spots seamlessly and to reduce and expand content runtime for international distribution without the need for manual editing of media.”
– Craig Newbury, Vice President of Sales, Wohler

Company Overview:

Wohler’s tradition of innovation began more than 30 years ago with the creation of the industry’s first in-rack audio monitoring product, and it continues today through the company’s continued development of unique solutions that span the baseband, stream, and file-based domains and include advanced monitoring solutions for video, audio, and captioning applications; solutions for IP monitoring, encoding, and decoding; and the award-winning RadiantGrid(TM) platform for efficient file-based content transformation and distribution. Together, Wohler’s advanced, cost-effective confidence monitoring and media transformation products ensure high-quality production across any platform and delivery to any device. More information about Wohler is available at www.wohler.com.

All trademarks appearing herein are the property of their respective owners.

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Related Topics: Audio Playback, News, Tradeshow News |

Easy Access Distribution’s 15th Annual Emerging Technologies & Home Awareness Expo Draws 185 Integrators

Burlington, MA – October 24, 2014 – Steve Presti, principal of Easy Access Distribution – the Northeast region member of the Catalyst AV distribution network – reports that his company’s 15th annual Emerging Technologies & Home Awareness Expo, held October 15th and 16th at the Billerica, Massachusetts Courtyard by Marriott, had an attendance of 185 integrators.

WIlson Electronics Eastern Regional Sales Mgr Eric Mercil brought attendees up to speed on the merits of selling cellular signal boosters

WIlson Electronics Eastern Regional Sales Mgr Eric Mercil brought attendees up to speed on the merits of selling cellular signal boosters

Trainings conducted included The Internet of Things is Here (sponsored by Nest / Dropcam); It’s All About the Network (sponsored by Luxul); The Home Theater Experience (sponsored by Sonance) and Boosting a Better Signal (sponsored by Wilson Electronics). Vivitek projectors, Definitive Technology, Denon and DaLite came to together to demonstrate Dolby Atmos.

“Many of the trainings were 50+ attendees per session; proof-positive that integrators want to learn how to seize new opportunities,” says Presti. “We also had the 1st showing in New England of a deliverable Dolby Atmos system which created the anticipated response of a well-designed high-performance experience. All of these products are not the same – and we demonstrated this at the event.”

Milestone's regional sales manager Carole Masuck talking with attendees

Milestone’s regional sales manager Carole Masuck talking with attendees

“It is always productive for me to be part of the Easy Access Distribution / Catalyst AV Distribution Network team when they present their dealer shows,” said Carole Masuck, Regional Sales Manager of Milestone (Chief, Raxxess, Sanus and DaLite). “I’m able to work with many regional dealers and their sales teams, many of whom do not attend CES or CEDIA. They get a hands-on experience as well an opportunity for me to direct them on ‘what’s new / what’s not,’ ‘what’s hot / what’s not,’ ‘what the trends are,’ etc… I do not often have the luxury to touch so many dealers face-to-face in two short days!”

30 manufacturers had tables setup at the event to showcase their newest offerings. Participants included 2Gig, Alarm.com, APC, Atlona, Boston Acoustics, BrightSign, Catalyst AV Wire & Cable, Chief, ClearView CCTV, DaLite, Definitive Technology, Dropcam, Denon, Dynamat, enerG, EnGenius, Heos by Denon, IC Realtime, ICE Cable Systems, iPort, Launchport, Luxul, Marantz, Nest, Perfect Path, Pro Control, Raxxess by Chief, RTI, Russound, Sonance, TiVo, Vanco, Vivitek, and Wilson Electronics.

About Catalyst AV
Founded in 2012, Catalyst AV is a network of 12-independent consumer electronics distributors serving the residential and professional AV channels in the U.S. Catalyst AV grants manufacturers a consistent and cohesive nationwide distribution model to more than 15,000 professional integration specialists. Catalyst AV benefits integrators by delivering all the products and support necessary to execute the demands of job specifications with confidence. The Catalyst AV Board of Directors consists of Mike Hench (Electronics Source Distributors); Steve Presti (Easy Access Distribution) and Wally Whinna (Allnet Distributing). www.catalystav.com

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Related Topics: Residential AV, Tradeshow News |

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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