ANAHEIM, CALIFORNIA: For the second year in a row, Ashly’s extremely efficient and powerful KLR-4000 amplifiers powered Community loudspeakers and subwoofers at the 2012 NAMM “Wanna Play?” stage in Anaheim, California. Michael Bell of Bell Event Services handled production at the stage, which featured an inspiring collection of handpicked, up-and-coming artists. The stage takes its name from NAMM’s “Wanna Play?” campaign, which encourages people of all ages and backgrounds to take up a musical instrument and perform. Last year, the “Wanna Play?” stage used a similar Ashly/Community configuration that set off alarms in the parking lot next door!

The Ashly KLR Series amplifiers leverage the company’s decades of experience building reliable, high-performance amplifiers and uses the latest technologies and materials to dramatically increase efficiency, while maintaining sonic purity and decreasing cost. The Ashly KLR Series amplifiers are dual channel, and each of the nineteen KLR-4000s used at the “Wanna Play?” stage delivered 2,000 watts per channel into a two-ohm load.

The “Wanna Play?” stage was located just outside the convention center area, adjacent to the arena fountain. The impressive collection of Community loudspeakers and subwoofers comprised a four-way system and included four Solutions SLS960 bi-amped all horn-loaded array cabinets, four iBOX i215S double-15-inch bass cabinets, eight VLF218 double-18-inch subwoofers, iBOX i2W8′s for front fill, and six channels of M12 stage monitors.

This year was the largest NAMM show in its 110-year history. Registered attendees numbered over 95,000, a six-percent increase over last year. International registration was up 15%. These numbers, along with the 236 new exhibitors, appears to forecast a prosperous 2012.

ABOUT ASHLY AUDIO With a greater than thirty-seven year history, Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of quality signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. www.ashly.com

ABOUT COMMUNITY PROFESSIONAL LOUDSPEAKERS Community Professional Loudspeakers has been a leading supplier of professional sound systems since 1968. Headquartered in Chester, Pennsylvania, Community distributes its products to over fifty countries on six continents. Visit www.communitypro.com for more information.

2012 NAB Show Product Preview Sencore April 16-19, 2012 Booth SU3612 more

TORONTO, FEBRUARY 8, 2012—Autoscript, part of Vitec Videocom, a Vitec Group company, and the world’s leading teleprompting company, will be in attendance at the 10th annual February Freeze, hosted by William F. White International in conjunction with CinequipWhite, Inc. on February 8. more

Buena Park, CA – February 2012… Hosa Technology, the leading innovator of analog and digital connectivity solutions for the modern musician and audio/video professional, is pleased to announce that the Mogan Elite Omni Earset Microphone, the newest addition to the Mogan Microphones brand of subminiature microphones, is now shipping. Designed to deliver full-frequency vocal reproduction for the most discerning presenter, the new Mogan Elite earset microphone is a terrific choice for broadcasters, theatrical performers, church worship leaders, and other professionals seeking exceptional audio performance—both spoken word and vocals— for mission-critical applications. more

2012 NAB Show Product Preview
Booth N5211
Wohler Technologies more

New System Makes Digital More Flexible, Affordable for Permanent Installations and Portable Live Sound Applications

WEST CHESTER, PA, JANUARY 31, 2012 – Aviom, the exclusive developer of the world’s most powerful audio transport protocol, A-Net, is pleased to announce that the AllFrame Multi-Modular I/O System is now shipping internationally (ISE Stand 3.D140). The new AllFrame Multi-Modular I/O System is suitable for a wide range of permanent and portable applications, bringing the flexibility of the company’s powerful Pro64 audio network to the wall box, stage box or floor pocket.

“We couldn’t be more pleased to announce the availability of the AllFrame outside the U.S.,� says Carl Bader, president and CEO of Aviom. “We look forward to continuing to offer streamlined solutions, including the AllFrame, for all of our customers. Designed with the system designer and installer in mind, the system helps to make digital more affordable and flexible, keeping analog cabling to a minimum and reducing system complexity and labor costs.�

Based on extensive market research, the AllFrame Multi-Modular I/O System eliminates several expensive and labor-intensive stages of the signal chain while reducing cable clutter, making it ideal for permanent installations such as theaters, schools, houses of worship, and conference centers, as well as touring and portable live sound applications. Each device supports Cat-5e cable runs of up to 400ft (120m) between devices, with no loss of fidelity. Since it requires only a single Cat-5e or fiber connection, the AllFrame Multi-Modular I/O System eliminates the need for soldering, terminating and testing scores of analog connections as well as installing conduits and pulling separate cables for each audio signal, significantly reducing setup time.

At the heart of Aviom’s AllFrame Multi-Modular I/O System is the F6 Modular I/O Frame, a multi-purpose network frame with six field-configurable I/O card slots and integrated Cat-5e and fiber optic connectivity. The F6 can be outfitted to meet the audio I/O requirements of nearly any application. The unit can be mounted on a wall or in a wall using a standard NEMA Type 1 enclosure. Using the RK6 rack-mounting kit, the F6 can be rack-mounted, with connectors facing the front or rear. The F6 can be powered through a four-pin XLR connector, a Euroblock connector or one of the Cat-5e A-Net ports.

Another mounting kit that is now available is the SK6 Stage Kit, which allows for AllFrame I/O boxes to be used as drop-boxes on stage. The SK6 provides an enclosure for the AllFrame to be used as a stage box in live applications—a perfect solution for touring and portable live sound applications. What’s more, for installations that use Power Over A-Net, the POA80 Power Over A-Net Power Supply has recently been updated to offer superior protection against voltage surges and to deliver enhanced flexibility for users.

“Our customers will appreciate the fact that the AllFrame can be used in conjunction with the complete line of Pro64 audio networking products and Pro16 Series Personal Mixers,� adds Bader. “Because Pro64 supports any combination of serial and parallel wiring topologies without affecting signal flow at any point, I/O points can be placed anywhere the application requires. This simplifies design and installation and gives the end user more flexibility.�

The system offers users multiple connectivity options via modular I/O cards. The C4m Mic/Line Input Card provides four remote-controllable analog mic- or line-level inputs. With the same mic preamp circuitry found in Aviom’s 6416m Mic Input Module, the C4m provides clean, transparent, archival-quality sound. Preamps on the C4m can be controlled from an MCS Mic Control Surface, select Yamaha digital consoles or Pro64 Network Manager software. The C4o Output Card provides four XLR analog outputs with variable output levels. For those looking to stay digital throughout the signal chain, there will be a C4dio Digital I/O Card with 4×4 AES3 I/O with Word Clock I/O.

Aviom pioneered personal mixing with its Pro16 Monitor Mixing System and continues to break new ground with the revolutionary Pro64 Series of audio networking products. With tens of thousands of products in the field today, Aviom has set the standard for high performance, scalable digital solutions. All Aviom systems harness the power of A-Net, Aviom’s innovative digital audio technology that simplifies system design while enhancing flexibility and fidelity. All Aviom products are designed, tested, and manufactured in the USA. For more information, visit www.Aviom.com.

AMSTERDAM, 31 JANUARY 2012 ─ Clear-Com, a global leader in critical voice communication systems, will showcase Concert Version 2.6 at ISE 2012 (Stand 11.D76). Designed specifically to allow collaborative workgroups to instantly and reliably communicate privately over LAN, WAN and Internet applications on Windows or Mac computers, the IP-based intercom software now provides an even greater range of features and options.

The Concert software is perfect for all production applications as it enables users to quickly and easily contact other team members who are shown to be ‘available’ for a call or text messaging. With the latest upgrade, other user statuses are also revealed – ‘already on a call’, ‘currently in production’ or ‘monitoring an audio feed.’ Unique to Concert, multiple conference sessions and/or texting sessions can occur simultaneously.

Another added convenience offered by the system is the ability for users to speak directly into their laptop’s existing microphone. The built-in ambient echo and feedback canceller feature eliminates the need for an external headset. This function can also be manually deactivated if needed. A “no audio� warning message, which informs a user when there is no audio detected from the microphone, is an additional bonus feature.

Concert can easily interface with external audio systems – including partyline systems, paging systems, program feeds and other matrix systems – using a four-wire interface over a standard IP network, which provides a seamless communications network.

Due to the current trend for broadcast stations to adopt multi-site infrastructures, the need for intercom-over-IP solutions, such as Concert, will become increasingly prevalent, as it helps to bridge the communications gap between remote studios. Given the latest advancements in Concert, markets that have relied on the system – including corporate, education and healthcare – will have the ability to collaborate even more effectively on a facility-wide, national and global scale.

To meet the growing demands of users, Clear-Com will now offer Concert in both full pre-loaded server and software-only options. Further, the upgrade includes two licensing alternatives – a lifetime perpetual license key, with the opportunity to add a software maintenance agreement, or an annual subscription with 12-month license key.

Concert Version 2.6 is compatible with the Mac OSX (Leopard or Snow Leopard) and Windows 7 or XP operating systems.

About Clear-Com
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HM Electronics, Inc. (HME)
A privately held company founded in 1971, HME has continued to be a leading provider of innovative technology focused on enhancing productivity and customer service for multiple markets including pro audio, sports, and restaurants. HME developed the first wireless intercom system for pro audio and continues to introduce exciting, cutting-edge wireless intercoms that enhance communications, increase productivity and facilitate creativity for virtually any application. For more information, please visit www.hme.com.

WEBSTER, NEW YORK – JANUARY 2012: Jointly hosted by InfoComm International and CEDIA, ISE (Integrated Systems Europe) became the A/V industry’s largest trade show last year, drawing almost 35,000 attendees. Ashly Audio, which has been represented by one of their distributors in previous years, will have its own stand (#7V214) at this year’s show (31 January to 2 February in Amsterdam). In addition to its stalwart network-enabled amplifiers and Protea(tm) processors, Ashly will demonstrate the capabilities of its new, highly-efficient KLR-Series amplifiers, all-in-one Pema(tm) multi-channel amp with on-board Protea(tm) DSP processor, intuitive FR-Series network fader remotes, and the new TM-Series mixer/amplifiers.

“Our international business has grown significantly in recent years,” said Ashly’s president, Mark Wentling, who will be joined by John Sexton, VP of sales and marketing, at the show. “We’re looking forward to meeting face-to-face with customers and industry friends from around the world. Of course, we’re also looking forward to introducing a broad audience to the unique value, functionality, and reliability of the Ashly product line.”

ABOUT ASHLY AUDIO With a greater than thirty-seven year history, Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of quality signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. www.ashly.com

STOP BY AND SEE US AT ISE 2012 STAND #7V214

Apantac continues to expands its line of MT HOOD and MAZAMA signal processing and extension solutions and is launching ten new products at ISE, stand 11 N67.

New to the MT HOOD series:
• HDBaseT extender and receiver set with Ethernet and Power over Ethernet (POE)
• 4×4 and an 8×8 HDMI Matrix switch
• Dual Head KVM Extender to extends VGA, USB mouse, and keyboard over two CAT 5e/6 cables
• A USB Touch Screen Extender extends VGA with USB control over a single CAT 5e/6 cable
• VGA Skew Corrector – provides skew delay correction between the Red, Green and Blue VGA signals being transmitted over CAT 5e/6 cable.

New to the MAZAMA Series:
• DVI Fiber Optic fixed cable extender that extends 1080p signals up to 500 meters up to resolutions of 1920×1200
• DVI Dual Link Fiber Optic fixed cable extender that extends Dual Link DVI signals up to 330 meters, using two multi-mode SC fibers
• HDMI Fiber Optic extender that extends 1080p signals up to 500 meters over a single multi-mode SC fiber

Apantac will be at ISE 2012 on stand 11 N67.

BRANSON, MO, JANUARY 23, 2012 – The RapcoHorizon Company (2012 NAMM Show Booth 4558, Hall C), a leading manufacturer of audio/video interfacing and cable equipment, has been the clear choice for the Clay Cooper Theatre since January 2010. Located in Branson, MO, the Clay Cooper Theatre relies on RapcoHorizon custom splitter snakes as well as an array of instrument and microphone cables to ensure the venue’s 1,000 annual performances go off without a hitch.

Home to the Clay Cooper Country Music Express, a 22-member live show with musical and comedic acts, the Clay Cooper Theatre also hosts several national celebrity performers, with shows taking place up to seven days a week. With as many as three shows each day, the venue relies on the RapcoHorizon cables and custom snakes for reliability, durability and ease of setup — elements that are vital to perfect productions.

“With three daily shows and all of our visiting acts coming in, the theatre never stops,� says R.P. Harrell, Clay Cooper Theatre’s production manager. “There is always a complete change in the audio setup for each show and the turnaround time is very fast. Yet, with all of this going on, I’ve never had a piece of RapcoHorizon equipment fail on me. I just cannot remember a time that anything with the name RapcoHorizon on it let us down.�

The RapcoHorizon/Taylor Guitar V-cable Volume Control Cables, introduced at the 2011 NAMM Show, are used by the venue’s acoustic musicians for individual control over the volume of their instruments. RapcoHorizon’s SP Cables are used with the stage monitors to ensure clarity of tone, while microphone cables with Neutrik connectors run audio to the various microphones. These cables and connectors guarantee a clear, crisp tone while rejecting interference and electrical hum, which is important in any live application. DMX lighting cables supply the perfect amount of power for the theatre’s lighting needs during productions. With the abundance of RapcoHorizon cables in use, the Clay Cooper Theatre relies on custom 56-channel XLR splitter snakes, XLR and TRS sub snakes as well as direct boxes from the company to ensure a neat, organized stage. With such a wide variety of RapcoHorizon equipment being used, the Clay Cooper Theatre is ensured dependable performance and resilience during every show.

“We use RapcoHorizon equipment both in the theatre and when the Clay Cooper Country Music Express goes on tour and we could not be more elated with the products,� concludes Harrell. “I’m totally sold; we were looking for reliability and performance and that’s exactly what we got.�

The RapcoHorizon equipment has been some of the most heavily used equipment in the Clay Cooper Theatre. Based on a recommendation by country music icon Neal McCoy’s house audio engineer, Daryl Johnson, during a performance at the venue, Harrell chose RapcoHorizon for all his cabling needs.

The Clay Cooper Theatre is a 1,250 seat venue located on Highway 76 in Branson, MO. Boasting a 50’ x 27’ main stage with two side stages positioned at a 45 degree angle to the crowd, each with a projection screen, the theatre puts on shows that are both visually and aurally exciting. The show season runs March 10 through December 9 with five additional performances being held between Christmas and New Year’s. The off-season runs January through February while the Clay Cooper Country Music Express show is on tour. In 2012, the Clay Cooper Theatre looks to bring a new morning show, “Red, Hot…& Blue!� and a new afternoon show, “The Rankin Brothers,� to audiences. For more information, visit http://www.claycoopertheatre.com/.

The RapcoHorizon Company, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theatre, data and telecommunications cable in both bulk wire and assemblies. Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, The RapcoHorizon Company’s products provide optimal flexibility and premium performance. The company’s state-of-the-art Custom Shop can modify existing products or build new devices to meet any need. For more information, please visit The RapcoHorizon Company’s Web site at www.rapcohorizon.com.