A virtual press conference from Sound & Video Contractor

Archive of the Tradeshow News Category

WIND OVER THE EARTH ADDS AN API 1608 TO ITS DEMO ROOM STUDIO

BOULDER, COLORADO – AUGUST 2014: Situated in the foothills of the Rocky Mountains, Wind Over the Earth (WOTE) offers recording sessions for local bands, singer/songwriters, and voice-overs, as well as post-production and training services within its demo studios. It doesn’t promote itself as a commercial studio, but rather uses its space as a base of knowledge to be shared with the community. As a longtime user of API gear, WOTE has now commissioned an in-house 1608 console to offer real world knowledge and applications to its customers.

“Jumping into the 1608 is something we wanted to do for quite some time,” stated Mark Venezia, studio manager at WOTE. “The classic sound of API is something WOTE has been advocating for years, so when we were making the decision to install a console, the 1608 was the right fit.”

Since the commissioning, the 1608’s headroom, imaging, and overall depth of sound have made an immediate impact. “The 1608 has brought us up to another level of visibility,” shared Venezia. “It has made our life that much easier. The work flow on everything we do is smoother.”

Part of what makes the 1608 a success at WOTE is the setup. “We have everything wired into four bays as of right now, and the ease of use revealed itself in our first session. We custom-build all of our cables here at WOTE, and the last two 1608 consoles we have sold have included custom wiring packages for specific client needs,” explained Venezia. “In each case, customers who have been in our demo room learned first-hand the ease of use. The versatility of moving modules around is nice as well.”

With some post-production projects, recording sessions, and a series of live shows using the 1608 already complete, WOTE is eager to pursue further trainings. “We are putting together a series of master’s mixing seminars, where we will be flying out some high-profile engineers for an evening of knowledge sharing in the mixing environment. We love hosting seminars like this, as community is our number one priority,” shared Venezia. Part of the glue that holds all the future works together is the knowledge WOTE is able to pair with the gear it offers. “The 1608 is the centerpiece of the room, and everything is based around it.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

HARD HIT BY SANDY, LONG BEACH HIGH SCHOOL REBUILDS ATHLETIC FIELD USING ASHLY AUDIO

LIDO BEACH, NEW YORK – AUGUST 2014: Long Beach High School is situated on a barrier island on the southern side of New York’s Long Island, where it received a terrific pounding from Hurricane Sandy in late October 2012. For more than a year afterward, student athletes had to pass the trashed and unusable athletic field as other rebuilding efforts took precedence. The job would be large. In addition to rebuilding the field itself, the school had to replace the field’s fatally damaged sound reinforcement system. Installed by Advance Sound of Farmingdale, New York, the new system centers on an Ashly ne24.24M modular processor and two Ashly ne8250 eight-channel amplifiers. Advance Sound installed a similar system at Long Beach Middle School prior to Hurricane Sandy, and that system weathered the fateful storm and remains functional to this day.

“Long Beach High School was very hard hit by Sandy,” said Thomas DePace, chief operations officer at Advance Sound. “The wind, the sand, and the water turned what was once a grassy field into a swampland. The goal of this rebuilding effort was to prevent such loss to a future storm. We’ve had great success with the robustness of Ashly gear, so that was easy to specify. In addition, the school wanted to move to a more distributed system to avoid noise conflicts with neighbors that had been a source of some tension with the old end zone-fired system. We needed a lot of amplifier channels, and Ashly’s two-rack space, eight-channel ne8250 filled that need perfectly.”

Inputs to the system include a CD player, an iPod input, and a handful of wired and wireless microphones, all of which feed an Ashly ne24.24M modular processor outfitted with eight analog inputs and twelve analog outputs. Two Ashly ne8250 amplifiers deliver sixteen 250W channels to drive six bi-amped One Systems 212CIM loudspeakers and a collection of indoor loudspeakers for the press booth. The 212CIMs are weatherproof, and Advance Sound was allowed to install each speaker on its own dedicated sound pole. Thus, coverage was not constrained by the locations of existing structures, and the SPL at the adjacent residences is significantly lower than with the previous system.

“With an eight-fader Ashly RD-8C remote control, the new system is also very easy and intuitive for the non-technical staff to operate,” said DePace. “That’s important because we’re an hour away from the school, and troubleshooting on game day is not something we want to be engaged in. With the RD-8C, all they have to do is turn the fader up for the input they’d like to hear. That’s as easy and repeatable as it gets!”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. 

www.ashly.com

L.A.’s CHALICE RECORDING GETS DOWN WITH DANLEY

HOLLYWOOD, CALIFORNIA – AUGUST 2014: The client list at Chalice Recording Studio in Hollywood, California is so extensive that it is challenging to think of a celebrity who is not on it. For example, the “B” section includes the Backstreet Boys, Barbara Streisand, Beastie Boys, Justin Bieber, Beyoncé, the Black Eyed Peas, Blink 182, and Britney Spears and the “P” section includes Paris Hilton, Perry Farrell, Prince, and Puff Daddy. Those clients use Chalice Recording Studio as the medium through which they turn ideas into platinum albums and Grammy Awards. So Chalice is always humming – almost literally – with the next big thing. Because top-volume monitoring (think 120dB+) and deep, authentic bass at those extreme SPLs have become so critical to so many hip-hop and top-40 artists, engineers, and producers, Chalice Recording Studio has installed Danley Sound Labs TH-115 subwoofers in studios A and B.

“Before we installed the Danley subs, we were blowing our subwoofer drivers once or twice a week,” said Lowell Pickett, head studio tech at Chalice. “It’s because the monitoring volume is often really extreme; more and more, our clients are using the main system to gauge the music’s impact at club volumes. It’s a visceral thing – they want to feel it as much as hear it. Anyway, I did some research, and more than one person suggested that I check out Danley.”

Compared with conventional designs, Danley Sound Labs’ patented Tapped Horn (TH) subwoofer technology delivers deeper low-end extension, a more even frequency response, and much lower distortion. Indeed, few people understand how distorted conventional subwoofers are until they hear a Danley Tapped Horn subwoofer. To help make their decision, the Chalice staff A/B’d the Danley TH-115s against their existing big-name subwoofers in Studio A.

“The Danley subs were way, way better,” Pickett said flatly. “Previously, there was no place in the room where the bass seemed focused. With these subs, I could really hear what was going on in most places in the room. Everything tightened up and became clearer, and our low end got even lower.” “There’s a magic that happens when the Danley subwoofers at Chalice pair up with the full-range system,” added Kenny Andrews, the area Danley rep. “It’s a very musical sound.”

As part of the Danley installation, Chalice did something very few studios are willing to do (yet). They put the entire monitoring signal through a Danley DSLP48 digital processor, which provided clean crossovers, as well as flexible equalization and filtering for tuning the room. “We were nervous,” Pickett admitted. “We had previously used high-end analog crossovers and equalizers. This was a jump, but everyone agrees it has been all up side and no down side. The sound is as transparent as ever, and the uniform channel processing has tightened up the stereo imaging. The DSLP48′s equalizers are great and have helped the acousticians who tune the room.” As a bonus, Chalice uses the DSLP48 to provide different presets to different clients.

Output from the Danley DSLP48 feeds a Danley DSLA3.3K dual-channel amplifier, which in turn powers the two Danley TH-115 subwoofers. The processor output also feeds the existing full-range system, an Augspurger GA215H with 15-inch TAD 1601 B woofers and TAD 4002 beryllium compression drivers. All the loudspeaker components, as well as the Danley TH-115 subwoofers, are soffit mounted.

“Our clients noticed the improvement right away, and we stopped replacing subwoofer drivers on a weekly basis,” said Pickett. “With the Danleys, the volume can be so great that the light fixtures fall from the ceiling! That really tickles the clients!” With Studio A booked out completely, Chalice made the same change in Studio B. Now Studio B has a pair of Danley TH-115s, backed by additional Danley processing and amplification.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

BOCK AUDIO ACCURATELY CAPTURES THE CLASSIC SOUND OF A TUBE 47 IN THE MODERN BOCK 407

LAS VEGAS, NEVADA – AUGUST 2014: Just as he has captured the sound of the vintage Telefunken 251 in the Bock 251 and the sound of the vintage Neumann U47 FET in the Bock iFet, studio microphone genius David Bock has now captured the sound of the vintage Neumann U47 tube microphone in the new Bock 407. As with Bock’s other products, TransAudio Group will distribute the Bock 407 in the United States. Studios and individuals who want the timeless 47 sound will find it in the Bock 407 at half the price of a vintage unit and without the reliability and serviceability issues for which vintage microphones are so horribly notorious. Indeed, David Bock gained most of his critical insights into the 47′s sound by servicing a seemingly endless parade of vintage units that marched into his shop.

“The Bock 407 has that smooth, creamy midrange you associate with a 47, along with the signature proximity effect that vocalists like Robert Plant and Frank Sinatra used so famously,” said Brad Lunde, president of TransAudio Group. “It sounds stunning. Importantly, David designed the 407 to use new ‘old stock’ materials: materials that are in current production and that replicate the properties of vintage materials that are no longer being made. The Bock 407 is affordable, consistent, reliable, and, when the time eventually comes, easily serviceable.”

The Bock 407 borrows its power supply and amplifier from the flagship Bock 507 and adds a custom k47-type capsule that David Bock tirelessly prototyped and adjusted to bring to its current perfection. The microphone has a cardioid pickup-pattern and ships with a remote power supply, a professional spider-type shock mount, and a custom twenty-foot cable that connects the microphone to the power supply. In addition to its signature “big vocal” sound (both male and female), the Bock 407 will shine a beautiful light on brass, strings, and percussion. It can also serve as the whole solution for small ensembles or simple guitar and vocal performances.

TransAudio Group is currently taking orders from dealers and suggests that interested users contact their dealers for a demonstration.

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.www.transaudiogroup.com

The BOCK 407 is now shipping. MSRP: $7,175.00

Cobalt Prepares to Introduce European Market to A Significant Number of NEW Products at IBC 2014

IBC Stand # 10.B44

Quint-Split Multi-Image Display Tops the List of 13 Additions to Already Robust Product Ranges

Urbana, IL – Cobalt Digital (www.CobaltDigital.com), manufacturer of award-winning 3G/HD/SD-SDI conversion gear for broadcast environments, has revealed plans to roll out a record-breaking number of product launches in Stand 10.B44 at this year’s IBC exhibition taking place from 12 – 16 September 2014. Topping the lengthy list of launches are numerous openGear® cards including a quint-split multi-image display processor, a high-quality down-converter, embedder/de-embedder, DA, a MPEG multi-standard broadcast transcoder, and several fibre optic cards. The outrageously popular Blue Box Group™ is also being expanded with many new units, and Cobalt’s SPOTCHECK® loudness measurement/compliance monitoring system will be sporting numerous upgrades at the show.

“We’re excited to bring over 13 new and enhanced products to IBC, the premier international show devoted to professionals engaged in creating, managing and delivering media,” says Chris Shaw, EVP sales and marketing, Cobalt Digital. “Our customers play a critical role in our development process and we’re thrilled to respond with reasonably priced solutions that target exactly what they need to keep them technically advanced and financially sound.”

NEW openGear® CARDS
9970-QS 3G/HD/SD-SDI/CVBS Quint-Split Multi-Image Display Processor

Cobalt Digital will debut the 9970-QS 3G/HD/SD-SDI/CVBS Quint-Split Multi-Image Display Processor. A single processor is capable of auto-detecting and displaying up to five independent 3G/HD/SD/Composite inputs and multiple processor cards can be cascaded to provide additional input source capacity. An Ethernet-based GUI control enables intuitive set-up of video windows and advanced on-screen graphics, and a simultaneous display output over SDI and HDMI supports flexible system design and easy integration. The 9970-QS is ideal for outside broadcast vehicles and production control rooms.
9902-DC-4K UHDTV High-Quality Down Converter
Cobalt’s reputation for high-quality down-converters grows with the introduction of its Quad 3G-SDI 1080p 50/60Hz (UHDTV) to HD 50/60Hz or SD 50/60Hz. The card makes copies of the down converted output TO 3G/SDI/ HDMI, and features a timecode burn-in window and user defined character insertion.

9950-EMDE-ANC Embedder/De-Embedder
The new 9950-EMDE Embedder/De-Embedder provides multiple serial RS-232/422 and GPIO to/from ancillary data insertion and extraction. An IP (RJ-45) I/O option is also available.

9910DA-4Q-3G-RCK 3G/HD/SD/ASI Partitionable Multirate Reclocking Distribution Amplifier
This single DA card can be configured as 1×16, 2×8, 4×4, or 1×8 and 2×4. Designed for 4K applications and high-density base band or ASI distribution, the 9910DA-4Q-RCK is capable of receiving 3G input signals up to 120m on 1694A cable. As a safety feature it will automatically perform a switch over from any of the four inputs, upon loss of signal. Amazing configurability, and loss of signal source switching for peace of mind.

9990-TRX-MPEG Multi-standard Broadcast Transcoders
Cobalt’s new 9990-TRX-MPEG multi-standard broadcast transcoders target MPEG-2 to MPEG4 AVC and MPEG-4 AVC to MPEG-2, and media conversion to and from ASI and IP. Up to 40x channels of real time transcoding can be accomplished in a 2RU openGear frame. The card offers MPEG-1 Layer II, AAC, and AC-3 audio support

Cobalt is also extending its series of fibre cards for openGear with a number of new solutions, including:
9420LT/LR Fibre Optic L-BAND Transmitters and Receivers

• Remote antennae extension over fiber up to 30km
• 25dB Tx and Rx Adjustable Gain Range
• One 2RU openGear frame houses up to 20x transmitter or receiver cards
• 1310nm, 1550nm, and CWDM laser options

9450GT Fibre Optic Gigabit Ethernet Transceivers
• 4 x Port (RJ-45) Ethernet Switch with copper extension over 2 x LC fibers
• Point-to-point and CWDM laser options with support of distances up to 80km.

9490CWDM Fibre Optic Multiplexers
• Available in 4, 8, 12, 16 channel configurations
• Fully passive design has no active components for maximum reliability

BBG-1000 SERIES
Cobalt’s user-friendly Blue Box Group™ offers peak performance from compact conversion modules at a low-cost. The series will be expanded to include numerous new models, Including:

BBG-1002-DC-4K UHDTV Downconverter
Cobalt is introducing IBC attendees to a standalone high-quality UHDTV downconverter from the Blue Box Group. The BBG-1002-DC-4K Quad 3G-SDI converts 1080p 50/60 (UHDTV) to HD 50/60Hz or SD 50/60Hz and offers simultaneous SDI and HDMI ouputs for extended capabilities. The unit can be rack-mounted for 3x paths of downconversion in 1RU.

BBG-1070-QS 3G/HD/SD-SDI/CVBS Standalone Quint-Split Multi-Image Display Processor
Also new to the global market is the standalone version (1/3 Rack Width) of the quint-split multi-image display processor. The BBG-1070-QS 3G/HD/SD-SDI/CVBS can auto-detect and display up to 5x independent 3G/HD/SD/composite inputs on one unit. An Ethernet based GUI control facilitates intuitive set-up of video windows and advanced on-screen graphics. A simultaneous display output over SDI and HDMI allows flexible system design and easy infrastructure integration. Rack-mounted units can be cascaded for up to 13x Inputs in 1RU.

BBG-1090-TRX-MPEG Standalone Multistandard Broadcast Transcoders
The new BBG-1090 TRX-MPEG converts MPEG-2 to MPEG4 AVC and MPEG-4 AVC to MPEG-2, and media conversion to and from ASI and IP. Three units can be rack-mounted for up to twelve channels of real time transcoding in 1RU. The modules support MPEG-1 Layer II, AAC, and AC-3 audio.

More Blue Box Group™ BBG Series Launches
Small form factor Audio Embedders and De-Embedders will be debuted, including:

• BBG-EM-AA 3G/HD/SD eight Channel Balanced Analogue Audio Embedder
• BBG-DE-AA 3G/HD/SD eight Channel Balanced Analogue Audio Embedder
• BBG-EMDE-AES 3G/HD/SD sixteen Channel Un-Balanced AES Embedder / De-Embedder

Small form factor HDMI Fibre Optic Transmitters and Receivers,
• BBG-H-to-F HDMI to Fibre Transmitter
• BBG-F-to-H Fibre to HDMI Receiver

UPGRADE
SPOTCHECK® – Transport Stream Compliance Monitoring

Cobalt Digital’s SPOTCHECK®, initially developed to provide loudness measurement and records for broadcasters, returns to IBC with significant upgrades including full EBU-R128 compliance (Including DVB-T, DVB-C & DVB-S), as well as CALM A/85. SPOTCHECK now detects transport communication errors as well as frozen/black frame and audio silence for superior quality control. Multiple operators in different destinations can now receive email alerts by email, and reports can be located by date. The Optional feature – AIRCHECK – provides easily managed lo-res proxy downloads of user-selected transport stream segments.

Come see all of Cobalt’s new and established products being showcased in Stand 10.B44!

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ABOUT COBALT DIGITAL INC.
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit http://www.cobaltdigital.com.

Company Contact: Chris Shaw, EVP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmoon.tv

Shotoku Broadcast Systems Announces “SMART” IBC Exhibition Plans

IBC Stand # 11.F40

New SmartTrack System Anchors New and Enhanced Studio and Field Camera Support Gear

Staines, UK — Shotoku Broadcast Systems, the well-established leader in manual and robotic camera support, and virtual reality tracking, will anchor its IBC Stand with a new ‘smart’ rail camera system targeting the rigorous demands of daily TV studio use. The SmartTrack system will be at show alongside Shotoku’s advanced and high-performing control solutions, pan & tilt heads, robotic and manual pedestals, and virtual reality products for OB, studio, field production and legislative applications.

“As always, we are totally committed to IBC, which is a major event in our calendar. It allows us to showcase our systems to visitors from Europe and so many other parts of the world. It’s a fantastic opportunity to meet new clients and catch-up with old friends with whom we’ve worked for many years,“ said James Eddershaw, sales director, Shotoku. “This year, as usual, we will be showing a combination of systems from across our entire range of camera supports, including for the first time outside the USA the new SmartTrack rail-based camera system for floor or ceiling use.”

ROBOTIC HIGHLIGHTS

    NEW SmartTrack
    For the first time at IBC, Shotoku will demonstrate the new SmartTrack system, a fully integrated product based on the core track-based technology of MAT, Germany. In combination with Shotoku pan & tilt heads and control systems the MAT system is turned into the perfect solution TV studio use, day after day. It is highly adaptable, supporting floor or ceiling operation and a range of height column configurations, in both upright and inverted modes. The high quality engineering of the MAT and Shotoku systems ensure that the system is robust and stable, designed for long-term use in demanding applications such as 24/7 news or TV Shopping environments.

    ENHANCED TR-XT Control Systems
    Shotoku’s leading advanced control system will be shown once again, incorporating the recent enhancements and expansions in terms of camera capacity and dynamic configuration. The systems on show will be controlling multiple cameras and sharing camera operation across several controller-types.

    ENHANCED Fully Robotic Pedestal
    Shotoku will also be showing the latest developments in fully robotic studio pedestals, providing complete X-Y-H camera positioning with free-roaming capability, where track systems would not be appropriate. Several enhanced features including Virtual Reality tracking and simple referencing make the pedestal ideal for many TV studio applications.

    SEE IT LIVE Orchestra CMS Parliamentary Systems
    Fully automated and with live video touch-screen operation, Shotoku’s world-leading parliamentary TV system will be shown in action. The TG-27 pan and tilt head, becoming a standard among high-end parliaments and legislatures all over the world, will be shown under the control of the TR-S panel.

    MANUAL HIGHLIGHTS
    NEW TTH1502C Carbon Fibre Tripod

    Shotoku’s new 2-stage TTH1502C carbon fibre tripod incorporates the latest technology to give operators a lightweight, yet sturdy tripod system that is perfect for EFP or documentary production. Built to last with carbon fibre legs, the tripod weighs a mere 5.9kg (13 lbs.), features a 150mm bowl base, and stands over 1615mm (5’) tall at its maximum height. Available with a ground spreader or a mid-level spreader, the tripod is ideally paired with Shotoku’s SX300 pan & tilt head for optimal performance.

    TRIED & TRUE SX300 Pan & Tilt Head
    One of Shotoku’s latest mid-weight EFP pan & tilt fluid heads, the SX300 features outstanding balance, a robust build and ergonomic design. With a high capacity 38kg (83 lbs) payload and wide-balance capability, the SX300 supports an array of cameras, lenses and accessories, making it perfectly suited for field production, OB and studio use. The 300 head accommodates flat base or 150mm ball. Operators can not only expect top-class performance and reliability from the SX300’s VISCAM technology for smooth and adjustable pan & tilt drag with reinforced torque, but a continuously adjustable balance system.

    FLEXIBLE SG900 Pan & Tilt Head
    Shotoku’s SG900 manual pan & tilt head offers vibration-free speed in an ergonomically designed sturdy package. Ideal for OB and studio production with Teleprompters or box type lenses, the SG900 supports 90 kg (198 lbs), and features single knob balance adjustment. The unit incorporates the VISCAM ultimate fluid drag system to control smooth pan & tilt movement and REULAUX perfect balance system for maintaining the camera’s centre of gravity. The SG900 fits various pedestals including Shotoku’s TP200 lightweight, 2-stage pneumatic pedestal and both the TP-80 and TP-90 studio models.

    BACKED BY EXPERIENCE Virtual Tracking Systems
    Based on decades of extensive VR experience, Shotoku VR tracking systems offer outstanding design features, robust and reliable platforms for a wide range of camera and lens configurations. High-accuracy, real-time data output with absolutely no loss in manual performance is common to all Shotoku systems as is compatibility with all leading VR graphics systems. Shotoku’s VR range includes the simplest PT head and tripod right up through studio pedestals and high payload heads to state of the art cranes and jibs with total freedom of movement within VR studios small or large. Shotoku will have a sample of these systems on show at IBC.

    About Shotoku Broadcast Systems
    Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk

    Shotoku contact: James Eddershaw
    +44 (0) 1784 224650 / mailto:info@shotoku.co.uk

    Press contact: Desert Moon Communications / Harriet Diener
    +1-845-512-8283 / mailto:Harriet@DesertMoon.tv

Torus Power Appoints Four New Canadian Sales Representative Agencies

New Canadian reps extend Torus Power’s reach and add value to dealer partners

TORONTO, ON, CANADA – AUGUST 19, 2014 – Torus Power, a subsidiary of Plitron Manufacturing and maker of uncompromising, clean, isolation transformer–based power components, announced today that it has appointed four new Canadian representatives in the Ontario, Quebec, British Columbia, and Alberta territories.

Known for its power components that isolate the AV system, Torus Power products are engineered to provide high instantaneous power to the system, filter noise present in the system, protect the connected equipment from electrical fluctuations and surges, and can extend the life of connected equipment.  

“Torus Power is built in Canada to perform and protect like no other, and we are committed to reaching our dealers through a network of dedicated professional sales representatives,” says Kevin Main, VP of Sales and Marketing for Torus Power. “Our goal goes beyond just being a supplier to A/V dealers and custom integrators. Our goal is to bring added value to our network of dealer, which is why we have aligned our company with sales representatives who share our core values and are dedicated to enhancing the businesses of our dealer partners.”

The new firms now representing Torus Power in Canada are as follows:
• Ontario: Wired with Sound – James Drew, President 

• Quebec: Griffin Audio – James Griffin, Principal

• British Columbia: Mark Owen Agency – Mark Owen, Principal

• Alberta: Grand Prix Marketing – Jason Hay, Principal

Torus Power has two open Canadian territories for which it is seeking interested applicants, including Saskatchewan/Manitoba and Atlantic Canada. Interested parties are encouraged to contact Kevin Main of Torus Power by e-mailing kmain@plitron.com or by phoning(800) 754-8766.

Torus Power turns up the heat at CEDIA Expo 2014
During CEDIA Expo, Torus Power will showcase an assortment of toroidal isolation power conditioning solutions, including TOT, AVR, and WM Series models. Torus Power will also host the “Torus Power Hour +” September 12, 2014 from 3–4:30 PM. The course provides attendees .75 CEU and will deliver a stimulating discussion on grounding and power for high-end, high-performance installations, covering everything integrators need to know to properly power, protect, and preserve electronics in high-end, high performance installations. All-star panelists participating the session include Dennis Erskine, Anthony Grimani, Dr. Henry Pajooman, Ph.D., and Arthur Kelm, who will share field-tested best practices as part of an in-depth technology overview and deep dive into key success factors.

Torus Power is a Crestron Integrated Partner and a member of Savant’s Partner in Excellence Program, which enables seamless integration across platforms. More information about Torus Power can be obtained by visiting www.toruspower.com, calling (800) 754-8766, writing to tech@toruspower.com and by following @TorusPower on twitter.

To schedule a media booth tour at CEDIA, contact Katye (McGregor) Bennett, KMB Communications, 425-328-8640,katye@kmbcomm.com@katyemcgregorwww.kmbcomm.com/press.

About Torus Power
Torus Toroidal Isolation Power Conditioners are the world’s finest clean power source for audio, video, and control systems. Built to an uncompromising standard of quality, performance and reliability, Torus Power Conditioners are engineered to perform and protect like no other. Torus Power products are the consistent choice of knowledgeable audiophiles, home theater enthusiasts, custom electronic system integrators and designers, whose discriminating tastes and technical requirements mandate the ultimate performance and protection levels achievable.

Utilizing Plitron’s patented NBT technology and toroidal isolation transformers, Torus Power products restore incoming power to its clean original state, eliminate virtually all power line noise artifacts, and protect connected equipment from potentially damaging AC power line events, including severe lightning strikes and brownouts, thereby increasing system reliability and extending product life. Providing high levels of clean, instantaneous current, Torus Power products ensure that dynamic components – such as high power amplifiers – are never starved for power.

Precision engineered by Plitron Manufacturing Inc., a much sought-after OEM supplier of toroidal transformers and toroidal-based products for many of the audio/video industry’s leading amplifier brands, providing more than 30 years of experience and an unparalleled reputation, Torus Power is manufactured to rigorous standards under Plitron’s ISO9001 medical-level quality control system in Toronto, Canada. More information can be found online at www.toruspower.com. Follow Torus Power on Twitter @TorusPower.

Torus Power Media Contact
Katye (McGregor) Bennett, KMB Communications, (425) 328-8640katye@kmbcomm.com@katyemcgregor,www.kmbcomm.com/press.

Images
An accompanying image for use in publication can be downloaded via this link.

 

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DVEO Wins Prestigious Annual SBE Award for DOZERbox II IP Video Traffic Smoothing via UDP Packet Recovery Technology

IP Video Traffic Smoothing and Packet Recovery Technology for Reliable and Timely Delivery of Video over Public Internet – DOZERbox IP IPSan Diego, California — DVEO, the broadcast division of Computer Modules, Inc. (CMI), announced today that their patent pending IP video traffic smoothing technology has won the prestigious Society of Broadcast Engineers Technology Award for 2014.

DVEO’s DOZERbox II IP gateways enable broadcasters, IPTV operators, and Over The Top (OTT) video providers to improve their video distribution over public internet or so-so private lines, doing invisible packet loss recovery. DVEO will demonstrate their “DOZER” technology at the International Broadcasting Convention (IBC) in Amsterdam, September 12-16, at Stand 2.A34.

“Only one SBE Technology Award is granted each year,” stated Laszlo Zoltan, Vice President of DVEO. “We are extremely honored to be chosen for this major broadcast engineering award. Everyone at DVEO is very proud of our engineering team.”

The Technology Award recognizes the SBE Individual or Sustaining Member who has provided the industry with the best new or innovative technical item to further the science of broadcast engineering and to assist the broadcast engineer to be more productive in the craft. The award will be presented during the SBE National Meeting taking place October 8th in Verona, New York.

In some regions of the USA, public internet infrastructure is not always reliable and drops video packets during periods of high packet volume. Public routers do not prioritize video traffic well enough. DVEO’s “DOZER” technology routes video through the public internet in a unique way.

The DOZERbox II IP IP is a compact (4.6 inches/117 mm square) end to end Error Correcting Router for smoothing UDP traffic over the public internet, with built-in packet recovery algorithms for alleviation of packet loss or resultant video freezes. It makes transmissions immune to jitter and noise, and does not delay video like FEC. It is perfect for delivering critical video over congested public backbones. The technology is also available as a software license — the Media Dozer: LIC, or in a 1 RU system — the DOZER Racks IP IP.

Typically sold in pairs, the DOZERbox and DOZER Racks gateways replace expensive private point to point internet managed network connections. Many broadcasters use them to replace satellite transmissions. Customers in the USA use Dozer technology to import video content from Greece, Iraq, Colombia, and Bangladesh — with no packet loss or video freezes, and lower latency. An Asian IP TV operator uses the DOZERbox to utilize video transfer between cities. Many customers use it to create their own advanced CDN (Content Delivery Network). The technology is also used in remote robotics.

When Media Dozer II: LIC is added to DVEO systems such as the MultiStreamer encoder or MPEG Gearbox II transcoder, the original content can be encoded or transcoded before it is processed by the Media Dozer II: LIC.

Media Dozer II: LIC can also be added to DVEO’s unicast to multicast RTP to UDP converter, the Proxicaster IP IP. The system adds wrappers such as HLS or RTMP, and redirects video streams to multiple locations. This new combination product is sold as the Proxi DOZER™.

Supplemental Information for Press Release

Features:

  • Supports both HD and SD H.264/MPEG-4 AVC or MPEG-2 encoded streams
  • Underlying traffic is not examined
  • Inputs/Outputs: 2 each Gig/E ports
  • Guaranteed packet delivery with UDP protocol with up to 50% packet drop recovery (given enough bandwidth)
  • Supports IP UDP unicast and multicast, in or out
  • Uses proprietary and sophisticated data and streaming management algorithms in order to optimize traffic that traverses across managed switches and routers
  • Ships with designated IP addresses on each unit
  • Will not alter the internal structure of the transport stream (PAT, PMT, etc.)
  • IP address and Port can be remapped to different ones if necessary in the remote network
  • Protocol is resistant to packet loss and corrects for internet jitter and packet reordering
  • All inter-Dozer communication is encrypted
  • Configurable destination port on listener for firewall traversal
  • Can be configured for point-to-point or point-to-multipoint functionality
  • Supports dual destination in primary/backup configuration for redundant setups
  • Each device can be configured as a sender, a receiver, or both
  • One DOZERbox transmitter can send 50+ channels to one DOZERbox receiver
  • One transmitter can send channels to 8 different receiver devices
  • One receiver can accept channels from up to 8 different Dozer transmitter devices
  • Each receiver device can output UDP on a local network to one or many different devices using second Ethernet port on unit
  • Each connection using Dozer Transmitter and Receiver is authenticated with a user name and password for additional security
  • Performance certified with WAN Emulator Appliance testing
  • Also available: Rackmountable 1 RU – DOZER Racks IP IP

Suggested Retail Prices:
Media Dozer II: LIC: $100 to $1,200 U.S. each
DOZERbox II IP IP: $1,695 U.S. each, typically sold in pairs
DOZER Racks IP IP: $2,995 U.S. each, typically sold in pairs
Proxi DOZER IP IP: $4,995 U.S. each

DVEO, DOZERbox II IP IP, DOZER Racks IP IP, Media Dozer II: LIC, MPEG Gearbox II, MultiStreamer, Proxicaster IP IP, and Proxi DOZER IP IP are trademarks of Computer Modules, Inc. All other trademarks and registered trademarks are the properties of their respective owners.

About The Society of Broadcast Engineers
The Society of Broadcast Engineers (SBE) is the only organization devoted to the advancement of all levels and types of broadcast engineering and the broadcast engineer. With more than 5,500 members and 114 local chapters, the SBE provides a forum for the exchange of ideas and the sharing of information to help members keep pace with our rapidly changing industry. The SBE amplifies the voices of broadcast engineers by validating skills with professional certification, by offering educational opportunities to maintain and expand those skills and by speaking out on technical regulatory issues that affect how our members work.

About CMI and DVEO
CMI, founded in 1982, is a privately held company headquartered in San Diego, California. DVEO, the Broadcast Division of Computer Modules, Inc., sells digital video and high definition television (HDTV) products to the top television broadcast companies throughout the world.

For more information on CMI and DVEO, please contact Rebecca Gray at +1 (858) 613-1818 or rebecca@dveo.com. To download DVEO’s press releases and product images, visit the news section at www.dveo.com.

DVEO, 11409 West Bernardo Court, San Diego, California, 92127
Web: www.dveo.com phone: +1 (858) 613-1818, fax: +1 (858) 613-1815

Revolabs to Show Comprehensive Unified Communications Solutions at InfoComm Mexico 2014

Executive Elite, FLX UC 500, and New Elite Wired Microphones on Display

SUDBURY, Mass. — Aug. 18, 2014 — Revolabs(R) today announced that at TecnoMultimedia InfoComm Mexico 2014, on Warehouses Audiovisuales’ booth 29/31, the company will feature its next-generation Executive Elite wireless microphone system and audio-enhancing FLX UC 500 USB conference phone, as well as introduce its new Elite Wired Microphones. Held at the World Trade Center in Mexico City, the show runs Aug. 20 to 22. more

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Seymour-Screen Excellence Brings to Market Best-in-Class Ambient Light-Rejecting Film Screen Line

Available in 1.3, 2.1 and a black 1.2 gain version, the company’s proprietary technology prevents color shifting and sparkling in a manner that has already been declared best-in-class by reference calibrator
W. Jeff Meier in his June 2014 AccuCal Projection Screen Material Report

Ames, IA – August 19, 2014 – Seymour-Screen Excellence — the made-in-the-USA brand best known to date for its luxurious, reference-grade acoustically transparent 4K film screens — is rounding-out its offerings with Ambient-Visionaire™, a proprietary ambient light filtration technology that the company claims is the most advanced to ever reach the market.

The Ambient-Visionaire is a solid screen surface, comprised of billions of nano-mirrors, dithered at the desired viewing angle, and layered so that side light (from any direction) will be absorbed by carbon particles and the substrate.

Ambient-Visionaire screen surface close-up

”By shrinking the reflective elements down to less than 1/10th the smallest size visible by the human eye, the screen cannot create a discrete sparkle,” says Seymour-Screen Excellence Managing Director Chris Seymour. “They are so small and dense, that a 16K resolution pixel would have over 300 mirrors to itself; a 4K pixel would have nearly 5,000. With this more efficient method of selectively reflecting the projected image versus ambient light, the screen offers the reference quality color uniformity that Seymour-Screen Excellence is known for without exhibiting any color shift, sparkles or ringing – all issues that have plagued performance of ambient light-rejecting film screens.”

Chris Seymour putting the finishing touches on a film screen

Ambient-Visionaire Silver Series
To satisfy a wide range of installation applications, the Silver Series consists of both 2.1 and 1.3 gain versions. The Silver 1.3 was reviewed and declared best-in-class by W. Jeff Meier in his June 2014 AccuCal Projection Screen Material Report. Meier is considered by many in the industry to be a leading reference calibrator. The AccuCal report can be read here: http://bit.ly/1lWPgec

Ambient-Visionaire Black Series
Using the same aggressive combination of carbon particles and stacked, dithered nano-mirrors along with a deep black background that absorbs 90% of ambient light from any direction, the 1.2 gain Black produces a 12x improvement in contrast ratios in environments that are otherwise unsuited to front projection use, even outdoors.

The Ambient-Visionaire screens are available in sizes up to 130-inches wide (141-inches diagonal) in 2.37 aspect ratio and 100-inches wide (115-inches diagonal) in 16:9 aspect ratio. The surface of both the Silver and Black series feature a durable finish that can be wiped down and cleaned with common household cleaners including rubbing alcohol or mineral spirits.

While manufactured in Seymour-Screen Excellence’s Ames, Iowa production facility, the Ambient-Visionaire line is also available outside of The Americas through partner Screen Excellence, located in the UK.

”The response to Ambient-Visionaire from dealers, reps, calibrators and press has been extremely enthusiastic,” says Patrice Congard, Seymour-Screen Excellence partner. “Chris Seymour has done a phenomenal job – certainly his background as an engineer has been quite influential in the development of this special screen surface. I am quite confident that Ambient-Visionaire will be a catalyst in our joint-venture taking an even stronger foothold in the home theater channel.”

For more information on Ambient-Visionaire visit http://www.seymourscreenexcellence.com/materials.asp or call 515.450.5694.

For all Seymour-Screen Excellence media inquiries, please contact Paul Muto via paul@mutocomm.com or phone 631.849.4301.

About Seymour-Screen Excellence
Founded as a joint venture by US-based Seymour AV and UK-based Screen Excellence, SSE combined the leadership and innovation of their acoustically transparent projection screen materials for high-end custom installers and specialty AV retailers in North America. Using the latest in materials and design from Patrice Congard, originator of the modern acoustically transparent screen, the company’s state-of-the-art screens provide flawless picture quality and acoustic transparency, superior to traditional perforated screens or other less exacting woven screen materials. www.seymourscreenexcellence.com

About AccuCal
AccuCal was founded in 2005 by Jeff Meier to provide professional services and develop tools to support the installation of sound and video equipment. The services offered include audio calibration, design, performance measurements and video calibration. AccuCal is unique in this business segment. Jeff has developed proprietary software and methods that are combined with industry reference sensors and standards to deliver superior results. AccuCal also sells no products and receives no incentives to promote products. This provides clients the assurance that recommendations are not biased by equipment margins. Since 2005, Jeff has assisted with over 2,000 audio and video installations for home theater and commercial applications including movie post production, TV advertising, businesses, churches and schools.
Equipment that is supported ranges from reference quality to very modest in nature depending on the client’s budget and needs. www.accucalhd.com

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