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RHC Holdings Unveils New FAT RAT Guitar Pedal at the 2014 NAMM Show

ANAHEIM, JANUARY 24, 2014 – RAT, an RHC Holdings Brand, is unveiling its new FAT RAT Guitar Pedal at the 2014 NAMM Show (Booth 4558). Building off the popularity and foundation of the original RAT Pedals, this new model is entirely built in the United States and features complete tonal flexibility through a choice of original or MOSFET clipping circuits.

The MOSFET clipping section in the new pedal provides a subtle smoothing in the upper mids and a more amp-like tone throughout the range of the RAT, without loss of the basic feel of the classic pedal. The new FAT RAT Pedal also features a bass enhancement that increases the bass response, which is perfect for bassists and guitar players who tune down their instruments. The new pedal will now run on nine- to 18-volts of DC power, for users looking for the best headroom and audio fidelity. Lastly, the FAT RAT also includes a socketed op-amp, which allows users to easily change between the stock OP07DP and other popular chips.

For more information on the RAT Pedal, please visit: www.ratdistortion.com.

RHC Holdings, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theater, data and telecommunications interfacing products. Comprising RapcoHorizon, Momentum, Pro Co, Pro Co Data, RAT, RoadHog and StageMASTER, each RHC Holdings brand has developed a reputation in many industries for reliability, and superior sound performance. Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, the company’s products provide optimal flexibility and premium performance. RHC Holdings also has a state-of-the-art Custom Shop to modify existing products or build new devices to meet any need.

RHC Holdings Redefines Targeted Marketing Strategies at the 2014 NAMM Show

ANAHEIM, JANUARY 24, 2014 – At a press conference held yesterday at the 2014 NAMM Show (Booth 4558), RHC Holdings announced its new targeted marketing strategies. Under this plan, RHC Holdings, comprised of well-known dependable brands, including RapcoHorizon, Momentum, Pro Co, Pro Co Data, RAT, RoadHog and StageMASTER, will target its brands to their specific markets.

This marketing strategy means that RHC Holdings offers comprehensive audio and cable solutions for a variety of budgets and projects, from 100,000-seat stadiums to single-room houses of worship and everything in between. RHC’s collection of brands affords users the options of low-, mid- and high-grade instrument, speaker or microphone cable options. Fans will also find solutions such as guitar pedals, digital snakes, personal audio interfaces, digital facility design software and personal monitor systems.

“We are very excited to make the announcement today about the future of RHC Holdings,” says Darius Seabaugh, Vice President of Marketing for RHC Holdings. “With this strategy, each of the brands will now have a very targeted marketing plan that will focus on a targeted customer base for areas such as live sound, retail, studio and installation.”

As RHC’s mid-to-upper-range line of audio solutions, RapcoHorizon products are tailored to the entire retail music industry to meet the demands of both live sound and studio recording. The brand comprises three different series of products, including the Players Series, a rugged solution for nightly club performers; Concert Series, a diverse line of professional interfacing products for live stage performances and Studio Series, an elite selection of cables with superior sound quality and rugged, durable construction for professional performances and studio sessions. With RapcoHorizon, fans can be assured they will attain the same sound on the road as they do in the studio.

A personal monitoring and digital audio distribution network, Momentum is designed to replace traditional analog audio wiring wherever audio distribution is needed. Difficulties in executing the increasingly complicated audio systems can be simplified by capturing audio at the source, converting it to digital and distributing it over a standard Ethernet network. This reduces the amount of field terminations, making installation less time-consuming. With the mTweak app for the Momentum mo8me Mix Engine, an average smart phone or tablet becomes a handheld wireless interface to control a user’s mix and settings right from his hand or music stand.

Pro Co and Pro Co Data represent RHC’s professional line of customizable audio, video, data, communications and fiber-optic interfacing solutions. With product lines such as LifeLines high-end signal transfer cable; TradeTools industrial strength and sized device boxes; RoadMaster heavy-duty touring snakes and PlateWorks standard and custom wall plates designed through DesignVision, ProCo truly defines what it means to be in the professional market.

From its beginnings as a pedal created in a Michigan basement, RAT has become an iconic legend in the mainstream of rock music. Built with the traditional rock musician in mind, RAT products have a rough, vintage, rebellious and dark sound. The newest product to make its way into the brand is the FAT RAT, which is also being presented at NAMM.

RoadHog touring cables are uniquely designed for touring performers. Engineered “Road Ready and Tour Tough,” RoadHog cables utilize the most rugged construction for those who don’t have the time to be neat and careful with their gear, while always providing high-quality sound. For those who want even more superior sound, there is also the SilverHog, which features the same RoadHog construction with silver-plated conductors and shields. RoadHog also comprises Hog, HogCloth, HogM, HogMPro, HogMCloth and SilverHogM, and will forever remain devoted exclusively to cables.

RHC Holdings, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theater, data and telecommunications interfacing products. Comprising RapcoHorizon, Momentum, Pro Co, Pro Co Data, RAT, RoadHog and StageMASTER, each RHC Holdings brand has developed a reputation in many industries for reliability, and superior sound performance. Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, the company’s products provide optimal flexibility and premium performance.

MORE SLOTS, MORE POWER, BETTER PERFORMANCE API TAKES THE 500 SERIES LUNCHBOX® TO A NEW LEVEL

JESSUP, MARYLAND – JANUARY 2014: API will introduce its new eight-slot 500-8 lunchbox at the 2014 NAMM Show. The new eight-slot model is priced the same as the six-slot 500-6 lunchbox, effectively giving new purchasers two free slots! Moreover, the new 500-8B includes all of the features that have made the 500-6B so well regarded in the industry, including DB-25 (D-Sub) connectors for easy I/O, universal power supply (100 or 250V, 47 to 63Hz), phantom power, and easy rack-mounting with optional rack-ear kit for robust performance, and new toggle switches for channel linking.

Noted Larry Droppa, president of API, “Listening to our end users is key to our product development. As we add new 500 series modules to our line, including the new 505-DI and 565 Filter Bank, it was only natural to add two more slots to the 500-6 lunchbox. And to make it even sweeter, we decided to offer the 500-8 lunchbox at the same price as the 6.

The 500-8 lunchbox is now shipping MSRP: $499.00

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

STOP BY AND SEE US AT NAMM 2014 BOOTH #6204

NEW AT NAMM! SONODYNE LAUNCHES NEW SRP SERIES OF HIGHLY-ARTICULATE COMPETITIVELY-PRICED STUDIO MONITORS

LAS VEGAS, NEVADA – JANUARY 2014: Based in India, Sonodyne is well known for designing and manufacturing studio monitors that deliver big-ticket performance without the big ticket. Company founder Ashoke Mukherjee and his research team have yet again smashed the performance/price barrier with the SRP series of bi-amplified, die-cast aluminum studio reference monitors, and TransAudio Group, Sonodyne’s U.S. distributor, will be showcasing them at Booth #6945 at NAMM 2014. Five models span the series to meet different needs and budgets, from the small SRP 350, through the SRP 400, 500, and 600, to the large SRP 800. A sensible collection of back panel controls adapt the SRP series loudspeakers to a wide range of room conditions, and tapped inserts at the bottom and rear allow for a variety of mounting options. Clean self-power ranging from 20+20W in the SRP 350 to 175+100W in the SRP 800 is perfectly matched to the acoustics of the drivers and enclosures.

“We’re pleased to demo Ashoke’s latest creation at NAMM,” said Brad Lunde, president of TransAudio Group. “The Sonodyne SRP series studio reference monitors deliver the sort of clear, honest reproduction that is normally available only from manufacturers that charge many times the price. The range of sizes available in the SRP series will suit a variety of needs, from small-driver references, to surround channels, to primary near-fields.” The aesthetically-pleasing Sonodyne SRP series studio monitors are available in rich black, charcoal grey, and snow white.

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm. www.transaudiogroup.com

STOP BY AND SEE US AT NAMM 2014, BOOTH #6945

ADX TRAX Audio Separation Software Now Available

New Software Provides Powerful Tool for Remixing or Creating New Compositions

LOS ANGELES (January 23, 2014) – Audionamix® announces the release of ADX TRAX™, unique audio separation software built on the company’s proprietary ADX® Technology. ADX TRAX separates full mixes into two audio files: a vocal track and its accompanying music track. This cloud-based technology allows musicians, mixers, audio engineering professionals and producers to achieve superior vocal isolation for a number of creative applications. The company is demonstrating ADX TRAX (booth #7523 in The Venue) at The NAMM Show in Anaheim, which runs January 23-26, and it is available to download at www.audionamix.com.

“ADX TRAX puts a piece of our innovative, melodic source separation technology into the hands of the professional music community,” says Rick Silva, VP of Production and Product Manager at Audionamix. “We’ve designed TRAX to be a user friendly tool for speeding up the labor-intensive task of creating vocal isolations and instrumental tracks. By utilizing the power of cloud computing, the process is now automated for quick, high-quality results.”

ADX TRAX features intuitive navigation and editing tools in an environment that is familiar to all DAW users. The software is unique in that it has the ability to perform separations on mono, as well as stereo recordings, and it is compatible with multiple file formats, bit depths and sample rates.

Specific to the software, ADX TRAX provides users with a vocal volume control feature. This is an extremely valuable option when lead vocal levels of a mixed music track need to be adjusted for various commercial applications.

Additional software features address reverb, and an A/B button provides the ability to refer to the current refined pitch guide, as well as return to the automatic separation and associated pitch guide.

ADX TRAX is client and cloud-based audio separation software designed for MAC OS (10.6 or later). It is intended for use with owned or licensed content, or content obtained from the public domain, and may not be used to violate any law, including copyright laws.

An annual, prepaid software license for ADX TRAX begins at $240. Audionamix is offering a 20% discount to anyone who purchases the software through February 28. There is also a free 7-day trial available for anyone who signs up by January 31. After that, it will be a free 3-day trial period.

As a special show offer, NAMM attendees can visit the Audionamix booth for a promo code to save an extra $120 on the Premium subscription package, which can be applied with the 20% discount through January 31, for a total savings of $168. To download ADX TRAX, and for more information on subscription plans, visit www.audionamix.com.

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About Audionamix
Founded in 2008, Audionamix is a global leader in audio source separation. Based on years of research, the company developed the revolutionary, patented ADX Technology and continues to pioneer audio solutions for the film, broadcast and music industries. Audionamix’s technical expertise in isolating and separating elements from a master recording empowers content owners, engineers, producers, and artists to create new arrangements, and unlock television and movie assets for expanded distribution. ADX TRAX is specialized software that utilizes the company’s technology to easily, quickly and effectively isolate vocal elements from its accompanying music track. Located in Los Angeles and Paris, the company’s technology and service offerings provide innovative solutions to a wide range of audio challenges. For more information, visit www.audionamix.com, or follow them on Facebook, Twitter, YouTube, Vimeo, and LinkedIn.

(Audionamix, ADX and ADX TRAX are trademarks of Audionamix.)

Media Contacts:
ignite strategic communications
Lisa Muldowney, lisa@ignite.bz / 760.212.4130 direct
Sally Christgau, sally@ignite.bz / 415.238.2254 direct

Prism Sound Unveils Atlas – Another New Audio Interface

Internationally renowned manufacturer Prism Sound will score a hat trick at NAMM 2014 when it unveils Atlas – its third new interface product to be launched in just eight months (Booth 7123).

Complementing the company’s existing Orpheus, Lyra and Titan interfaces, Atlas offers the same no-compromise design and acclaimed converter performance that users have long come to expect from Prism Sound’s high quality audio products.

Designed with Prism Sound’s latest and award-winning CleverClox clocking technology and incorporating eight of the company’s popular mic pre’s as standard, this latest addition to the USB interface family is aimed squarely at multitrack recording applications. Atlas offers recording professionals ultimate quality analogue and digital I/O for Mac or Windows PC at sample rates up to 192kHz via a simple USB interface. In addition to the USB host interface, Atlas also features Prism Sound’s new MDIO interface expansion slot, which was first incorporated into Titan and announced at AES New York in October 2013. Using this miniature expansion slot users can, for example, directly connect to Pro Tools|HDX systems. A range of other MDIO interfaces is planned for later introduction. Atlas will also run with Apple and Windows native applications over USB.

Graham Boswell, Sales Director of Prism Sound, says: “The biggest news for Prism Sound customers is that now Atlas, Titan and Lyra all will be capable of aggregated operation in both MAC and Windows PC environments. This makes it possible to link up a number of different units for multichannel applications – for example 24 track, 32 track – or even bigger set-ups – while retaining a USB connection for each unit. In the Windows environment, Prism Sound provide a new driver that aggregates the units and presents a single multitrack interface to your DAW application for I/O routing. This gives our customers enormous choice and flexibility and we are confident that countless more hit records and blockbuster film scores will benefit from Prism Sound’s acclaimed converter performance thanks to the ongoing development of our interface range.”

As with all Prism Sound audio interface products, Atlas has been specifically designed to meet customer demand. The unit draws on Prism Sound’s conversion and clocking expertise developed over many years in products ranging from the AD-2 and DA-2 and the popular ADA-8XR modular converter to Orpheus and the latest releases, Lyra and Titan. It offers eight analogue inputs, eight analogue outputs plus S/PDIF and TOSLINK optical digital I/O ports. The optical ports can also be used for ADAT, giving a single Atlas unit a maximum capability of 18 concurrent input and output channels plus dual stereo headphones.

Atlas also features high quality digitally-controlled preamplifiers – eight for microphones and two for instruments, which are automatically selected when the respective sources are plugged in. An assignable rotary control is provided for monitoring or output level control, which can be applied to any desired set of output channels. In addition, dual stereo headphone outputs are provided, each with its own volume control.

Building on the versatile DSP features of the Prism Sound Orpheus and Titan interfaces, Atlas has a powerful built-in DSP engine which provides high precision input and output conditioning functions, as well as a fully-featured mixer for every Atlas output channel, including ADAT channels. Each output can be driven with its own zero-latency mix of input channels and DAW feeds, allowing flexible performers’ foldback feeds to be created, as well as stereo or 5.1/7.1 surround monitoring feeds, controlled by the front-panel rotary control if desired. Titan’s high quality analogue outputs are ideally suited for use with analogue summing boxes.

All of Atlas’ functions, aside from the front panel monitor and headphone level controls, are controlled from a dedicated Control Panel app, which opens on-screen as a separate panel alongside the user’s existing editing software.

“Launching three new products in less than a year is a record for Prism Sound and indicates our determination to offer recording professionals a wide choice of the high quality, richly featured and competitive tools that they want and need,” Graham Boswell adds. “We are on a roll now, so watch this space because we have even more exciting new products scheduled for 2014.”
Atlas will be officially unveiled at NAMM 2014, which runs from January 23rd – 26th in Los Angeles, USA. For more information please visit www.prismsound.com or visit Prism Sound’s NAMM Booth 7123 for a demo.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

DPA Microphones Introduces the d:fine™ 66 and 88 Miniature Headset Mics at the 2014 NAMM Show

New mics join the original 4066/4088 and d:fine Headsets in the d:fine family to meet a variety of needs

ANAHEIM, JANUARY 23, 2014 – DPA Microphones is pleased to introduce its d:fine™ 66 and d:fine 88 Miniature Headset Microphones at the 2014 NAMM Show (Booth 7119). These new products join the original d:fine as well as the traditional 4066 and 4088 Miniature Headset Microphones under the company’s d:fine Headset Microphone family. With a contemporary look and feel, the new mics will carry on the sound capabilities of the microphone capsules from the classic 4066 and 4088, and the features of the modern d:fine mechanics, such as an advanced headset mount and flexible ear hooks.

When DPA Microphones launched its d:fine Headset Microphones a few years ago, the company met a market demand, which created a new niche of DPA headset users that did not affect the popularity of the original 4066 and 4088s. Thanks to the strong popularity of both microphone lines, DPA Microphones is now adding the d:fine 66/88 into the d:fine Headset Microphone family.

“We launched the d:fine Headset Microphones a few years ago and selected the name based on a belief that the microphone would define a new generation of headsets,” says Christian Poulsen, CEO of DPA Microphones. “The d:fine certainly did meet our expectations, so we have now decided to expand the d:fine Headset series to include this third solution to give users a broad assortment of headsets and features. Combining the flexibility of our modern d:fine ear mount solution with the sound qualities of the classic 4066/4088 Headsets, fans can choose between a variety of sound handling, size and cleaning options, depending on the intended application.”

Now featuring a total of four capsules, two omnis and two cardioids, and three headset mounts, single-ear, dual-ear and personalized mount, the d:fine Headset Microphones Series offers something for every user and environment.

The new DPA d:fine 88 Directional Headset Microphone and d:fine 66 Omnidirectional Headset Microphone, which is recognized by the rounded capsule/housing of the 4066/4088 predecessors, is intended for use by actors, musicians and singers who require optimal sound and grid cleaning/changing options. The d:fine Headsets that are recognized by their low-profile flat microphone head are perfect for presenters, speakers or hosts who require minimal visual impact. The classic 4066 and 4088 are for users who prefer a more personal fit to the headset mount.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

Gepco® Brand Solutions for Live Music Venues Displayed at the 2014 NAMM Show

ANAHEIM, CALIFORNIA, JANUARY 23, 2014 — General Cable is pleased to showcase its Gepco® Brand solutions for live music venues including RunONE™ Powered Cables and the DLC Series DMX Lighting Control Cables among others at the 2014 NAMM Show (Booth #6983) January 23-26, 2014.

Gepco Brand RunONE™ Powered Cables combine audio and power, along with optional data, under a single durable, yet flexible jacket. Shielding around the power channels eliminates power noise from interrupting the audio/data signal, ensuring high-quality performance. With multiple uses for corporations, DJs, lighting rigs and tours, RunONE allows the user to pull a single cable in place of multiple cables, providing a portable and neat solution that saves time and hassle.

Especially relevant to live music venues, the RunONE Touring Line was designed with larger-gauge power conductors and an overall shield specifically for touring and production use. The 12 AWG power conductors of the Touring Line provide a lower voltage drop for long distance runs, while the overall shield reduces outside noise often encountered during those longer runs. At the NAMM Show, the Gepco booth will highlight the varied applications for RunONE, including self-powered speakers, stage boxes that combine audio and power, and lights using DMX signals.

Gepco® Brand DLC Series DMX Lighting Control Cables will also be displayed at NAMM, including the newest additions to the series, the DLC122 and DLC222. Ideal for heavy production use, rigging and touring conditions, the DLC122 and DLC222 feature larger 22 AWG conductors for use in extended distance runs without signal loss, as well as an extremely durable and abrasion-resistant, yet flexible, polyurethane jacket. The DLC series lighting control cable is a true DMX cable with 120 Ohm impedance, low capacitance, double (foil and braid) shield and color-coded conductors for easy identification. Unlike conventional cables that are not intended for data transmission, the DLC series offers reliable data transfer through its data-specific design. The single- and dual-pair designs of the DLC series accommodate multiple lighting manufacturers’ products, and the DLC222 and DLC224 meet the United States Institute for Theater Technology (USITT) standards for DMX512 cable specifications.

“General Cable is happy to provide Gepco products tailored to touring and live music venues,” said Joe Zajac, Sales and Applications Engineer for Gepco® Brand Products. “The newest additions to the Gepco Brand RunONE and DLC series will provide the best performance in tough, heavy-production and touring conditions.”

In addition to RunONE and the DLC Series, the Gepco booth will display microphone and instrument cables as well as heavy-duty tactical cat 5e and fiber cables with Neutrik® etherCON® or opticalCON® connectors for protocols such as CobraNet®, MADI, EtherSound™, A-Net®, LightViper & OPTOCORE®.

General Cable (NYSE:BGC), a Fortune 500 Company, is a global leader in the development, design, manufacture, marketing and distribution of copper, aluminum and fiber optic wire and cable products for the energy, industrial, and communications markets. In August 2009, Gepco International was acquired by General Cable. For more information about General Cable products, please contact your local sales representative or visit our Web site at www.gepco.com or www.generalcable.com.

Gepco® has been an industry-leading brand of studio, stage and broadcast AV cables and cable assemblies for 30 years. As a complete solutions-based supplier, Gepco also offers value-added service and distribution of connectors, cable management products, patch panels, and wire and cable accessories.

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Cerwin-Vega! Announces XD Desktop Speaker Series Expansion at the 2014 NAMM Show

ANAHEIM, JANUARY 23, 2014 — Cerwin-Vega!, a Gibson Brand, is pleased to present the expansion of its popular XD Desktop Speaker Series at the 2014 NAMM Show (TASCAM Booth 6491). Unveiled recently at CES, the new four-inch XD4 and five-inch XD5 full range systems and eight-inch XD8 powered subwoofer join the company’s existing XD3 Powered Desktop Speaker. In keeping with the tradition of Cerwin-Vega! products, key design elements of the series include optimized frequency response, overall clarity, low distortion and the company’s trademark bass performance.

Each XD Series member is matched with low distortion, high output amplifiers and soft-dome tweeters for the best possible sound. Equipped with metal covers, the XD3 and XD4 feature 3/4-inch tweeters while the XD5 utilizes a one-inch tweeter. The XD8 sub offers deep bass extension, allowing each system to go to a new level of performance. Unlike other desktop speaker systems, the Cerwin-Vega! XD Series is built with solid MDF wood enclosures, allowing it to deliver the same quality of sound as home speaker systems.

“When setting out to create the Cerwin-Vega! XD Series, our engineers made it their goal to deliver optimal sound reproduction in a compact system,” says Gus Jursch, Director of Operations for Gibson Pro Audio. “Since versatility is the ultimate sign of a great desktop speaker, our designers also worked to ensure that the entire XD Series fully integrates with existing desktop equipment such as audio interfaces, audio mixers or DJ gear.”

The Cerwin-Vega! XD Series speakers are equipped with several front and rear inputs, including an 1/8-inch TRS, RCA pair and 1/4-inch TRS pair inputs, as well as a front panel 1/8-inch TRS headphone jack. Additionally, the speakers feature an optimally designed bass port for proper low frequency phase alignment and minimal turbulence. Also included is Cerwin-Vega!’s signature Vega-Bass Boost Switch, which enables an enhanced bass EQ.

The efficient XD8 Subwoofer offers an extended bass response, high SPL and an optimally designed port for proper low frequency phase alignment and minimal turbulence. In addition to the standard audio input and outputs, a volume knob, crossover switch and polarity switch can be found at the rear of the sub for aligning its audio to the desktop monitors. A System Remote connection port is also on the sub for use with the included XD8 Remote Control, which allows for easy volume control of the entire system. Featuring a Volume knob and Mute/Bypass switch, it is also outfitted with an audio input jack.

About Cerwin-Vega!
Cerwin-Vega!, part of the Gibson Pro Audio division, is a leader in the design, manufacture, and distribution of loudspeakers for the home and professional audio markets. Designed in the pursuit of dynamic, accurate sound reproduction since 1954, Cerwin-Vega! products are distributed throughout the world via a network of distributors and dealers in more than 75 countries. For additional information on all Cerwin-Vega! products, please visit us online at www.cerwin-vega.com.

About Gibson Brands
Gibson Brands Inc. is known worldwide for producing classic models in every major style of fretted instrument, including acoustic and electric guitars, mandolins, and banjos. The Gibson Les Paul Guitar is the bestselling guitar of all time and is a tribute to the late, famed musician of the same name. Collectively, the Gibson Robot Guitar, Gibson Dark Fire, Gibson Dusk Tiger and the Gibson Firebird X represent the biggest advances in electric guitar design in more than 75 years. Through the Gibson Foundation, Gibson Guitar Corp. has become equally known for its philanthropic efforts on behalf of music, education, health, and human services. Founded in 1894 in Kalamazoo, MI, and headquartered in Nashville, TN, since 1984, Gibson Brands Inc’s family of brands includes Epiphone, Dobro, Kramer, Steinberger, Tobias, Echoplex, Electar, Flatiron, Slingerland, Valley Arts, Maestro, Oberheim, Baldwin, Sunshine Piano, Take Anywhere Technology, J&C Fischer, Chickering, Hamilton, Wurlitzer, Cakewalk and Gibson Pro Audio. Visit Gibson’s website at www.gibson.com. Follow Gibson Guitar at www.twitter.com/gibsonguitar and www.facebook.com/gibsonguitar.

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Symetrix SymNet Edge Processor Defines Video Conferencing at the Fred W. Smith National Library for the Study of George Washington

MOUNT VERNON, VIRGINIA – JANUARY 2014: The Fred W. Smith National Library for the Study of George Washington opened recently just outside the gates of Washington’s Mount Vernon estate, roughly fifteen miles south of Washington DC. Not only is the $45 million building the leading scholarly research facility for America’s first President, it is also filled with state-of-the-art technology that allows scholars-in-residence to videoconference with colleagues around the world. A SymNet Edge Dante networked audio DSP system with comprehensive conferencing features, including Acoustic Echo Canceling (AEC), delivers robust, high-quality audio for the library’s six video conferencing systems, as well as background audio and paging services. A dedicated SymNet Radius 12×8 DSP together with a custom Crestron computer control interface serve as the heart and brains of the library’s recording studio.

Richard Derbyshire of Shen, Milsom & Wilke’s Washington, D.C. office designed the sound reinforcement system, and IES Communications of Roanoke, Virginia installed it. Jim Hogan, A/V project manager with IES Communications, explained, “This is a high-profile, high-visibility installation, and the expectation is perfection. We’ve done a number of Symetrix installations, and they always go smoothly. The technical support from Symetrix is excellent, and the sound quality and stability of the units are great. The modular SymNet Edge system gives us tremendous flexibility with regard to inputs and outputs as well as customized processing.”

The sound reinforcement system and conferencing systems are located primarily in the conference wing of the library, where two larger conference rooms and two smaller conference rooms join the library’s signature lecture and conferencing space, The David M. Rubenstein Leadership Hall. A massive eighteen-foot by eight-foot micro-tile screen forms the focal point of Rubenstein Hall and allows the library’s scholars-in-residence to connect with individuals and groups across the country and around the world. Four SymNet Edge frames are outfitted with eleven AEC cards, two 2-Line analog telephone interface cards, three analog input cards, and two analog output cards, all working in conjunction with two SymNet xIn12 and two SymNet xOut12 I/O expanders. The units are integrated using the DanteTM network audio protocol. All of the conferencing systems benefit from Symetrix’ advanced AEC hardware and DSP algorithms.

In addition, the library staff has use of a small audio and video recording studio with which to create educational and other materials in-house. Hogan centered the studio workflow on a SymNet Radius 12×8 processor. He used its open architecture to design custom recording and playback functionality that users control via an intuitively laid out Crestron interface, thereby enhancing their productivity by providing them with efficient, easy to use tools.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

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