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TRANSAUDIO GROUP ANNOUNCES DRAMATIC PRICE REDUCTION ON DAKING PRO AUDIO SIGNAL PROCESSORS

Daking_FET_3LAS VEGAS, NEVADA – OCTOBER 2014: Daking Audio has changed the way it brings its American-made equipment to market in order to increase value to the end user. Purchasers of Daking Audio signal processors will benefit from the resulting dramatic price reduction, which applies to all of its products. These include the Daking Mic Pre 1, Mic Pre EQ, Mic Pre 4, FET II compressor, and FET III stereo compressor, plus all of the Daking 500 Series equalizers, compressors, and preamps.

“Daking has ended its traditional export distributor program and enacted a major price reduction to end users, without changing its designs or its U.S. manufacturing quality,” explained Brad Lunde, president of TransAudio Group, Daking’s U.S. distributor. “We at TransAudio Group think Daking’s value is exceptional at these new price points and will represent a major change to how Daking is perceived in the marketplace.”

THE NEW MAP PRICES ARE AS FOLLOWS:
Mic Pre 500: Was $649 – Now $499
Comp 500: Was $699 – Now $499
EQ 500: Was $949 – Now $699
500 RS: Was $5,019 – Now $3,844
Mic Pre One: Was $845 – Now $599
Mic Pre EQ: Was $1,549 – Now $1,099
Mic Pre 4: Was $2,599 – Now $1,799
FET 2 Compressor: Was $1,549 – Now $1,099
FET 3 Compressor: Was $2,150 – Now $1,549

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

STOP BY AND SEE US AT AES 2014 BOOTH #1110

TRANSAUDIO GROUP HIRES ZACH WINTERFELD AS SOUTHERN CALIFORNIA REPRESENTATIVE

Zach_WinterfeldLAS VEGAS, NEVADA: TransAudio Group, U.S. distributor of the world’s best high-end studio recording equipment, has hired engineer, educator, and salesperson Zach Winterfeld to serve as its Southern California Rep. In that capacity, Winterfeld will represent all of TransAudio Group’s professional lines, including ATC monitors, Bettermaker, Bock, Drawmer, and Tube-Tech, as well as ATC’s hi-fi loudspeakers. Winterfeld’s diverse industry experience includes freelance engineering and positions with Mercenary Audio, Boston University, and Berklee College of Music.

“TransAudio Group President, Brad Lunde has assembled an amazing line of products and manufacturers,” said Winterfeld. “It is important to remember that we work in an unique industry. Our products serve to help people capture their artistic vision. Exposing dealers and, ultimately, end-users to products that will help them with their artistic vision is incredibly rewarding. I will continue the wonderful support TransAudio Group has given its dealers and will expand this in the L.A. and Southern California market.”

“Zach has extensive studio experience,” said Lunde. “He worked at Cello Studios (now East West Studios) and The Mix Room, and thus knows what great equipment can do for a project. As ‘Head of All Things Digital’ at Mercenary Audio, Zach got a premier dealer’s-eye-view of the industry that will serve him well at TransAudio Group.”

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

STOP BY AND SEE US AT AES 2014 BOOTH #1110

Shotoku Boosts Studio Capabilities of National Spanish Broadcaster

Versatile Robotic Pan/Tilt System Delivers Big For Major Madrid Media Group

Madrid, Spain – Shotoku Broadcast Systems, a leading international manufacturer of advanced camera support products, has announced the recent installation of a robotically controlled system comprising numerous pan and tilt heads and dual 16-camera control systems at Atresmedia Corporación de Medios de Comunicación, S.A. The Madrid-based Spanish media group, a national broadcaster, maintains a significant presence in the television, radio and cinema industries. The sale was made through Shotoku’s regional reseller Datos Media.

After in-depth testing and on-site demonstrations, the Shotoku systems — seven TG-18 robotic pan and tilt heads and two 16-camera TR-T control systems — were selected by Atresmedia Corporación as key pieces of its re-launched and refurbished studio to replace its older gear.

“Since the first test, we were satisfied with the overall capability of Shotoku’s system, both operationally and technically,” says Fernando García del Rey, Head of Studio Operations, Atresmedia. “The system works well, operators find it easy to use, and the support we get from Shotoku, with Datos Media, has been excellent.”

According to James Eddershaw, Shotoku sales director, Atresmedia is a brand new client and the first order with Shotoku’s newly appointed agent in the region, Datos Media, signaling a major win for the company. “I am delighted to be working with Atresmedia – one of Spain’s leading national broadcasters with a long history of experience in robotic camera systems,” says Eddershaw. “To be selected by them after a detailed evaluation, is praise indeed for our systems.”
The Datos team worked very closely with the Atresmedia crew during installation and provided full training on-site once the system was integrated. Now, the station is live and on-air every day.

“We were extremely pleased to be able to supply a large Shotoku system to Atresmedia, especially so soon after partnering with Shotoku in Spain,” says Tomas Nielsen, managing director, Datos Media. “Like Atresmedia, we were happy with the way the project went, with very smooth integration into the existing studio environment and all completed on time.”

The TG-18 has a 56kg payload capacity making it ideal for any ENG camera/lens combinations in typical studio configurations including the usual accessories such as viewfinder, hand controls and teleprompter/preview monitor. The TG-18 offers exceptional pan and tilt control, allowing complete freedom for on-air adjustments from the control systems. The head combines all the features expected of a high performance remote pan and tilt head (i.e. high accuracy, smooth movement, silent operation and high payload) with a full manual override capability.

The completely configurable screen layouts of the TR-T system supports 16 cameras, capable of being controlled by a single operator position, and displayed in any configuration to suit the particular requirements of the program. The TR-T panel style uses multicolored illuminated keys to communicate system status and control settings, with the same high precision joystick for ultra-smooth, on-air control that has become the trademark of a Shotoku system.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk
# # #
Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / mailto:info@shotoku.co.uk

Press contact: Desert Moon Public Relations & Advertising / Harriet Diener
+1-845-512-8283 / mailto:Harriet@DesertMoon.tv

API 1608 CONSOLE A POWERFUL SOLUTION FOR CHT ESTUDIOS IN CHILE

Gonzalo_GonzalezSANTIAGO, CHILE: With sound quality a top priority, mix and mastering engineer Gonzalo González E. wanted to expand his studio offerings, while maintaining the high quality of recording for which his clients are accustomed. With all the needs of his growing studio in mind, González was advised by 57 Pro Audio, API’s Chilean distributor, to add a standard 1608 console.

The 1608 is a perfect match for the size of CHT Estudios, as well as both the independent and bigger international label clients that it works with. “We usually record bands of rock, pop, hip-hop, reggae, and folk music of Chile,” said González. “Many people in Chile receive this new console as good news for the recording industry.”

Along with the 1608, CHT Estudios has a pair of 3124 preamps, which González says he uses on everything. He also uses a 527 compressor in his API lunchbox®. “With the 1608, we can now use the preamps and EQ, and send to record in DAW, and at the same time. We can also use faders of the same channels to listen to tracks from DAW, which is very useful. My favorite feature is the ability to use EQs as an insert for gear outside the console. We can also sum thirty-two channels of DAW using sixteen channels on faders, with eight stereo returns and eight program bus ins.”

Coming up in the next few months, the studio will continue recording and mixing for an array of recognized artists. “All of the features make the console a powerful solution for a studio like ours,” said González. “It is a good inspiration for us, and for everybody who likes music with a very good quality of recording.”

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

STOP BY AND SEE US AT AES 2014 BOOTH #1219

DRAWMER INTRODUCES THE 1973 A THREE-BAND FET STEREO COMPRESSOR AT AN UNREASONABLY LOW PRICE

Drawmer_1973LAS VEGAS, NEVADA: Ivor Drawmer, maker of classic analog, and now digital, pro audio signal processing equipment, drew on his thirty-plus years behind the soldering iron to create the Drawmer 1973, a three-band FET stereo compressor. Drawmer’s longtime distributor, TransAudio Group, will distribute the 1973 in the USA. Three features set apart the Drawmer 1973 from other multichannel dynamics processing solutions. First, the all-analog 1973 sounds noticeably better than the wide variety of multiband plug-ins popular with mixers. Second, the 1973′s controls are sensibly selected and intuitively laid out to get quick, effective results for an impressively wide range of dynamics problems. Third, Drawmer has priced the 1973 aggressively, matching the price of its best-selling full-band tube stereo compressor, the 1968.

The Drawmer 1973′s features include three independent compressor sections with two variable-frequency 6dB/octave crossovers to separate them into low, middle, and high frequency compression sections. Each section contains familiar threshold, gain, attack, and release controls, along with gain-reduction metering. Moreover, each section can be independently muted or bypassed for confusion-free setup and monitoring. The low section possesses a “Big” switch for enhanced low-end, whereas the high section possesses an “Air” switch for enhanced high-end. The three sections are recombined to form the “wet” signal, which can be mixed to variable degree with the dry signal for easy parallel compression. Illuminated VU meters make monitoring compression and output intuitive and, yes, fun.

“Certainly, the Drawmer 1973 owes some of its sound and functionality to Ivor’s experience designing the classic Drawmer 1960 and 1968 compressors, as well as to the Drawmer S3 signature series multiband tube compressor,” said Brad Lunde, president of TransAudio Group. “But it also has a sound and operation all its own. It is capable of solving problems single-band compressors simply cannot, such as compressing only the low end, raising its average level relative to everything else, and giving your mix a bit more bass without changing the overall level. It has a sound quality that cannot be matched by other analog processors, never mind plug-ins. It will be popular among mixers and EDM mixers alike. The 1973′s layout is impressive. Unlike most other multiband compressors, the 1973′s controls are easy to understand at a glance and work to inspire creative use. The real news here may be the 1973′s affordable price. Those in need of stereo multiband compression with Drawmer’s quality can have it for the cost of Drawmer’s famous single-band stereo tube compressor, the 1968.”

ABOUT TRANSAUDIO GROUP
TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

MSRP: $1,825.00
The Drawmer 1973 is now shipping.

STOP BY AND SEE US AT AES 2014 BOOTH #1110

FOR-A to Showcase Video Switcher, Multi Viewer & Video Transmission Technology at WFX 2014 Conference & Expo

Cypress, CA – FOR-A will exhibit at this week’s WFX Conference & Expo. The event is dedicated to showcasing technology for houses of worship and takes place October 1-2 at the Kay Bailey Hutchison Convention Center in Dallas, TX. FOR-A will exhibit a number of its products used in the worship industry, including video switcher and multi viewer technology, in Booth #120.

The HVS-XT100 HD/SD portable video switcher is among the products that FOR-A will showcase in its booth. The HVS-XT100 features a compact, HVS-390HS_Image02integrated design and comes standard with eight HD/SD-SDI inputs and four outputs (plus one HDMI output). The unit HVS-390HS_Image02offers a wide range of functions, including frame synchronization, multi-viewer capability, a built-in Web server, and a clip memory feature within the still store that supports complex moves. First introduced last year, the switcher is a popular choice among houses of worship due to its high-performance and portability.

Another video switcher that FOR-A will show is its versatile HVS-390HS unit. The cost-effective switcher features advanced AUX technology that allow users to add in up to four additional mix effects, giving the switcher the capabilities of a 6 M/E unit. The HVS-390HS is the switcher of choice for many houses of worship across the country, including use by Manhattan’s Trinity Church, Florida’s First Baptist Church Oviedo, Flatirons Community Church in Colorado, Alabama’s Hunter Street Baptist Church, and Detroit’s Kensington Church, to name a few.

FOR-A will also showcase its MV-1620HSA 4K compatible multi viewer. First introduced at NAB earlier this year, the MV-1620HSA 3G/HD/SD/Analog Mixed High-Resolution multi viewer is a 1 RU unit that accepts up to 16 channels of signals for monitoring on up to two screens. The multi viewer includes the option to cascade it with other units to display up to 64 sources simultaneously.

As the exclusive North American dealer for Fujitsu, FOR-A will also demonstrate Fujitsu’s IP-920 high-performance encoder/decoder solutions. The video transmission technology uses H.264 advanced MPEG-4 AVC encoding to provide best-in-class video fidelity, is capable of operating at less than 99ms back-to-back latency, and features real-time transmission and robust error correction.

“Being that the house of worship industry is such an important area to FOR-A, we see WFX as one of our most important shows of the year,” said Jay Shinn, Vice President of FOR-A America. “This year we will be highlighting a few of our small to midsized video production switchers. These reliable and easy-to-operate units are packed with useful features and unique capabilities that make them the perfect fit for full-time professionals, weekend pros and volunteers alike. Our aim is to always be the leader in affordability and value for house of worship video technology.”

About FOR-A
FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

Professional Wireless Systems Highlights Range of RF Solutions for House of Worship Events at WFX 2014

DALLAS, TX, SEPTEMBER 30, 2014 – Professional Wireless Systems (PWS), a Masque Sound Company and experts in supplying and supporting wireless systems for live and broadcast events, will showcase its range of RF solutions at WFX 2014 (Booth 1023), including its Helical Antennas and Domed Helical Antennas, Intermodulation Analysis Software System (IAS), GX Series of Combiners and DB Series of Multicouplers.PWS_Helical Antenna

“We are excited to bring our range of state-of-the-art RF and wireless equipment to the house of worship professionals in attendance at WFX 2014,” says Jim Van Winkle, general manager, PWS. “In addition to showcasing our RF solutions, PWS representatives will be on-hand to discuss our ability to provide on-site install services and support for wireless systems at HOW events of any size, especially with the influx of larger scale events for the upcoming holiday season.”

Two of PWS’ flagship product lines, Helical Antennas and Domed Helical Antennas, will be on display at the show. PWS Helical Antennas, perfect for long throws and high gain, have become the industry standard for multichannel wireless microphone, in-ear and intercom systems, due in part to their unique characteristics, which offer users extreme flexibility. The circularly polarized UHF antennas cover a frequency range of 450 MHz to 950 MHz and offer 14dbi gain and 8.5dbi for the Domed Helical. With an inherent boost in gain, greater bandwidth, and dropout-resistant polarization, PWS Helical Antennas outshine the performance of traditional antenna designs. Popular for use with IEM systems, users can employ these antennas with other UHF systems, including wireless microphones and intercom systems.

For venues and installations in which site-line appearance is a priority, PWS Domed Helical Antennas offer a wider angle of coverage perfect for smaller stages and medium gain. Offering the same circular polarization as the original PWS Helical Antenna, the Domed Helical features a more durable, sealable enclosure with a compact profile. Inconspicuous and robust, the PWS Domed Helical Antenna is a great choice when aesthetics and function cannot be compromised.

PWS will also be demonstrating its Intermodulation Analysis Software (IAS), which cuts down on setup time by combining a database of wireless performance equipment and access to local television frequencies in use. “PWS’ IAS software is the solution RF technicians have been waiting for,” adds Van Winkle. “This saves tremendous time over traditional trial-and-error methods. Once a clean frequency is found in IAS, a simple pre-show equipment test will verify the software’s ‘offline’ analysis. Our proprietary software helps to speed up a tedious and error-prone process.”

Additionally, PWS will highlight its GX Series of Combiners, the GX-4 and GX-8, which offer selectable high and low output settings, as well as above unity gain on output, as well as its DB Series of Multicouplers, including the DB8 (8 outputs), DB16 (16 outputs) and DB24 (24 outputs). These diversity systems are designed to distribute antenna signals to multiple receivers without loss and with high isolation between ports.

Interested show participants are invited to stop by PWS’ WFX Booth (1023) to speak with executives about the company’s latest product offerings. The team will also be offering site surveys at a discounted price to show attendees who are interested in learning more about how to optimize their frequency coordination during house of worship events.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “MAMMA MIA!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

IsoAcoustics Introduces Arista Isolation Stands for Studio Monitors and Speakers

Arista Sep18 2014

Los Angeles, CA (Sept 23, 2014) —At this year’s AES Show in Los Angeles, IsoAcoustics (booth #1651) is pleased to introduce Arista, a stylish and sleek new aluminum acoustic isolation stand for medium-sized professional studio monitors and bookshelf speakers for Home Entertainment and hi-fi applications.

The new Arista stands provide an aesthetically pleasing and cost-effective means to markedly enhance the sound clarity of speakers, using the patented “floating design” that this award-winning company has become known for.

The new IsoAcoustics Arista stands feature a unique integrated tilt adjustment that enables the user to dial-in the optimum tilt angle. With an overall size of 6”(w) x 7.5”(d), the Arista stands are designed for medium size studio monitors and speakers weighing up to 35 lbs.

“IsoAcoustics is very pleased to introduce the Arista stand, which offers a handsome and cost-effective isolation solution for the pro studio and hi-fi market,” says Dave Morrison, CEO of IsoAcoustics.
The Arista stand will be available in black and aluminum in December 2014.

See the new Arista and IsoAcoustics entire line of award-winning acoustic isolation stands at booth 1651 the AES Show at the Los Angeles Convention Center, October 10-12, 2014.

About IsoAcoustics Inc.
IsoAcoustics stands provide superior acoustic isolation and enhance the sound clarity of virtually all speakers and amplification systems, including monitors for the professional studio and sound reinforcement, home theatre systems, musical instrument amplifiers, subwoofers and large monitors. AlI IsoAcoustics stands are built with a unique, patented isolation technology that allows speakers to float in free space, resulting in authentic, clear uncolored sound.

For more information, visit www.isoacoustics.com.

Yamaha Audioversity – Applications Edition Headed to ChiTown

audioversity_logo

Buena Park, Calif.—Yamaha Commercial Audio Systems, Inc. is heading to Chicago with an Applications Edition for Sound Reinforcement/Live Sound of the ever-popular Audioversity, November 3-5, 2014. The company has reformatted the learning experience for a limited time held over three days and consisting of three tracks, with each day focusing on a specific subject. Day 1 will focus on Digital Mixing Consoles for Sound, Day 2 – Digital Audio Networking, and Day 3 – Speaker Systems. Attendees will be eligible to receive CTS credits for each of the three-day sessions.

The Mixing Consoles track on Day 1 will focus on the latest in the Yamaha digital console family – CL and QL Series. Subjects will feature the essentials of the two series, mixing techniques, tips and tricks, and a mixing lab offering attendees hands-on time with assistance from our specialists. You may choose the CL or QL Series track depending on preference Learning material will be consistent in both tracks. A unique course for system techs covering Dante™ networking, Soundcheck Best Practices, Guest/User Management, and much more. For more information and to register, visit https://www.yamaha.com/ycas/training/registration.html?classdate_id=794&course_id=151.

Day 2 focuses on building networking skills applicable for audio engineers. The day will start with fundamentals in the context of a common home network, and expand into features required for full scale Dante™ network provisioning and configurations. Participants will learn by doing with live demonstrations and interactive labs. Popular and thought provoking topics include: Integrating Audio Networks with Existing IT Networks (Including WiFi points and Internet Access), Adding Dante™ to Existing Audio Networks (CobraNet®/EtherSound™), employing Dante™ as a clear, low-latency conferencing solution, using Dante™ for distributed audio or connecting overflow rooms, choosing network switches, WAPs, and other hardware for audio networks. For more information and to register, visit https://www.yamaha.com/ycas/training/registration.html?classdate_id=795&course_id=152.

Day 3 will feature speakers and systems including product listening demos, applications, and the latest in design software. New NEXO products – the GEO M6 Compact Sound Reinforcement System and the versatile STM M28 loudspeaker will be highlighted along with various STM ground-stack configurations. For more information and to register, visit https://www.yamaha.com/ycas/training/registration.html?classdate_id=796&course_id=153.

“Since its inception in 2010, the Audioversity Expo has provided complimentary education to thousands of audio professionals,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “This one-of-a-kind event is truly a unique offering unlike any other.”

Audioversity – Applications Edition is free-of-charge and open to members of the audio community. Attendance is limited and seats will be filled quickly so register for the tracks at the links above.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Christie is the New Face of Security and Surveillance for the Control Room at ASIS 2014

Christie®, a world leader in creating and sharing the world’s best visual and audio experiences, brings a generation of leadership experience to designing and implementing high-performance mission critical control room solutions to ASIS 2014 in Atlanta, Georgia, September 29 – October 2. From high resolution flat panel displays, to video processors and the Christie Phoenix™ open content management platform, Christie will showcase versatile and cost-effective solutions for the ultimate in mission-critical communications, performance, and reliability.

Christie Entero™ HB Front Access Cube, Front Screen Extended

Christie Entero™ HB Front Access Cube, Front Screen Extended

Among the products on display will be a 2×2 ultra-narrow bezel Christie FHD552X HD LCD-based flat panel video wall featuring ultra-sharp HD resolution, high pixel density, and superior image sharpness and brightness. Significantly thinner than conventional panels, Christie flat panels automatically map in any array configuration, either in portrait or landscape mode. They are quick and easy to set up and use less than one watt of power in standby mode for low-cost operation. Also on display will be a 2×2 set-up of the 70-inch Christie Entero™ HB front access display cube the first and only LED display cube to offer wireless control through Wi-Fi® capability. Christie’s video wall displays will be fed by the Christie Phoenix™ open content management platform.

“Christie brings more than 80 years of leadership in visual displays and generations of experience in designing and implementing 24/7 mission-critical operations for some of the world’s largest organizations,” noted Dave Muscat, senior director, Americas Region, Visualization, Simulation and Control Room Solutions, at Christie. “Whether for government, law enforcement, power, utility or telecommunications, Christie offers customized, end-to-end control room solutions specifically tailored to the customer’s needs and budget.”

Collaborative visual solutions for mission-critical monitoring
Today’s control rooms go beyond traditional displaying and monitoring and Christie’s collaborative visual solutions are removing boundaries and enabling expansive collaboration for many of the world’s most mission-critical operations. By integrating stunning zero-maintenance displays with the power of the network, Christie is completely redefining the control room space, and setting the stage for an increasingly distributed control room environment. Across every sector in business, commerce and government, Christie is raising the bar beyond today’s stringent control room requirements.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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