A virtual press conference from Sound & Video Contractor

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Gepco® Brand Lightweight and Flexible 7.8 mm Hybrid Fiber Camera Cable Featured at NAB 2014

LAS VEGAS, NEVADA, APRIL 7, 2014 — General Cable is pleased to demonstrate the flexible and lightweight, yet durable Gepco® Brand HDC720HD 7.8 mm Hybrid Fiber Cable at the 2014 NAB Show (Booth #C7708) April 7-10, 2014. Radically different from typical industry products but with the same performance characteristics of traditional SMPTE 311 cables, the HDC720HD 7.8 mm hybrid fiber cable is 16 percent smaller and 40 percent lighter in design. Visitors will be able to feel for themselves the differences in size, weight and flexibility of the HDC720HD compared to a typical portable 9.2 mm cable and how those differences add up when in use in the field.

The revolutionary construction of the HDC720HD starts with replacing the typical heavy steel strength member with a Kevlar® strength member that has the same pull strength of steel, but is lighter and more flexible. Unlike steel, Kevlar expands and contracts at the same rate as the glass members during temperature extremes, keeping the elements in the cable aligned reducing migration. Using Kevlar in place of steel also means the cable has virtually no memory making the cable easier to pay off, lay flat and wind back up on the drum.

For further durability, the HDC720HD utilizes bend-insensitive fiber elements with very low attenuation and a bend radius of 0.2 mm—versus 2.0 mm for traditional single-mode fiber—in a breakout style with additional Kevlar protection around the individual fibers.

In the HDC720HD, the typical outer braid is replaced with two 18 AWG drain wires and a foil shield that allow the cable to be more flexible, lighter and smaller in diameter. The power conductors consist of two
16 AWG conductors so you can still achieve the same distance a regular SMPTE 311 cable performs to. The master jacket of HDC720HD is polyurethane material with a glossy finish that reduces the pickup of dirt and debris from outside applications, making it easier to keep clean.

“The HDC720HD design provides a lightweight, flexible solution with the added bonus of reducing migration errors caused by temperature extremes,” said Brian Lamar, Product Manager, General Cable Communications Products. “This makes the HDC720HD extremely ideal for use in portable applications and with high-definition Steadicams.”

General Cable (NYSE:BGC), a Fortune 500 Company, is a global leader in the development, design, manufacture, marketing and distribution of aluminum, copper, and fiber optic wire and cable products for the energy, construction, industrial, and communications markets. In August 2009, Gepco International was acquired by General Cable. For more information about General Cable products, please contact your local sales representative or visit our Web site at www.gepco.com or www.generalcable.com.

Gepco® has been an industry-leading brand of studio, stage and broadcast AV cables and cable assemblies for 30 years. As a complete solutions-based supplier, Gepco also offers value-added service and distribution of connectors, cable management products, patch panels, and wire and cable accessories.

DPA Microphones Helps Steve Browell Capture Unique Car Sounds

Recording audio for film and TV within the confines of a car is hard enough, but actually capturing the sheer range of sounds that comprise car noise is an entirely different level of challenge. This, however, is something of a specialty for freelance sound effects editor Steve Browell who uses a range of DPA microphones and a variety of techniques to achieve spectacular results.

Browell, whose recent projects have included recording sound effects for Scarlett Johansson’s latest film Under the Skin, directed by Jonathan Glazer, says: “What I love about the job is that it’s so varied. From enhancing the physical sounds on screen to bringing inanimate objects to life; from designing effects to add to the emotion of the story to recording original sounds for each film, there is always a new challenge.”

Browell’s work involves many different locations, from race-tracks to mansion houses, from anechoic chambers to scrap yards. With him go a matched pair of DPA’s d:dicate™ 4011C Compact Cardioid Recording Microphones and a selected pair of d:screet™ 4061 Omnidirectional Miniature Microphones, which were supplied by DPA’s UK distributor Sound Network. Browell also owns a pair of d:dicate 4021 Compact Cardioid Recording Microphones in an DPA X/Y setup that have been customised to fit into a Rycote windshield.

“I have always liked the sound DPA microphones capture,” he says. “When I started my career I was involved in a lot of music recording and I can remember the first time I used a pair of DPA d:dicate 4011s when they were still Brüel and Kjaer. I loved the amazingly detailed and natural sound they were able to capture; it was like hearing the sound from the live source again. From then on I have always wanted to own my own pair.”

Browell first started experimenting with car recordings when he was asked to capture car sounds for a film he was working on. “Cars are fascinating machines that create a symphony of sound,” he says. “Also I liked the physical challenge of where and how to place microphones on a moving vehicle and still get a decent sounding recording with as little vibration and wind buffeting as possible.”


He explains that much of the action in Under the Skin takes place in the interior of a Mercedes Sprinter van. “To get a really authentic sound and the right coverage I spent a day recording the van with a multi-mic setup covering different aspects of the interior, the engine and the exhaust.”

Browell has been able to hone his techniques, not to mention widen the library of different cars he has captured, with work on the Need for Speed computer game franchise. As he says, though, it’s a delicate balance between the shielding stopping wind noise and it starting to colour the source sound.

“I also had to find materials that would withstand the high temperatures and a few Rycote windshields got burnt in the process,” he explains. “The McLaren MP4 12c was particularly bad for this; on overrun you can get a flame of three foot out of the exhaust. It can also be a problem fixing the microphones onto the cars and not damaging the paint and bodywork, which is important when some of them are valued at over $1m. Each car’s shape is so different and I need to be extremely flexible with my methods to get the microphones into a sweet spot: out of the direct airflow around the car but also avoiding some of the high temperatures and trying to dampen some of the vibration.”

For the future he says he would definitely like to own more DPA microphones, but adds that remembering petrol helps, too…

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

NAB 2014: Digital Nirvana Introduces FIFOPro Ingest Back-Up System for Broadcast Production

Creates edit-ready backups of all live ingested media, eliminating the need for manual recording, cataloging, storing and transcoding of back-up tapes

Fremont, CA – Digital Nirvana will give the broadcast industry its first look at the company’s new FIFOPro ingest back-up system at the NAB 2014 convention, to be held from April 5-10th at the Las Vegas Convention Center. Digital Nirvana will showcase this powerful new production tool in Booth #SU11017.

The FIFOPro system was engineered to streamline workflows for news departments and live production applications. Traditionally for SAN back up, broadcasters have relied on recording onto multiple tape decks, one for each feed, with station personnel completing the cumbersome tasks of loading, labeling, cataloging and storing each tape for back-up insurance. In this mode of operation, if the need arises to restore from tape, it must be manually de-archived, taken to the editing bay, loaded and then transcoded into the proper format prior to editing.

With the FIFOPro ingest back-up system, the workflow is automated. FIFOPro continually records and archives multiple HD-SDI feeds on a rolling First-in/First-out (FIFO) basis, retaining all content for 72 hours before deleting it from the system. This data is automatically recorded in an edit-ready AVCi 50 format along with its metadata, including channel, date and time. If original content is lost or damaged, it’s a simple process to find and access the stored media via web browser and export the selected clips to the watch folder for immediate editing.

By eliminating the need for multiple tape decks, transcoding and time-consuming metadata management, the FIFOPro ingest back-up system is the perfect solution to streamline workflows, save time, space and money.

About Digital Nirvana

Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s product portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ OTT monitoring solution, and the MediaPro content repurposing system. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Fremont, California with offices in Hyderabad and Coimbatore, India. For more information visit http://www.digital-nirvana.com.

Christie is Front and Center at NAB 2014 with the Authoritative Visual Display Technology Line-Up

Christie® continues its leadership in the visual display technology market at the National Association of Broadcasters (NAB) Show in Las Vegas April 5-10. The exhibits open April 7, showcasing two connecting Christie booths featuring the latest 4K solutions including laser projection. The benefits of Christie Q Series, Christie Brio, large format LCD displays, 1-chip DLP® and 3-chip DLP® projectors, and more will be featured.

Laser Projection Summit Kicks off NAB
Don Shaw, Ph.D. and senior director of product management, Entertainment Solutions, Christie, will participate in the “Technology Summit” on Cinema at 5:00 p.m. April 5 as part of the ‘Laser Illuminated Projectors’ panel discussion. The presentation will show how 3D light levels, color fidelity, image uniformity, viewing comfort, and a sense of immersion can be vastly improved using a 6P laser projection system, especially when combined with advanced color separation technology like Dolby 3D®, versus the conventional 3D systems found in cinemas today.

6P Laser Presentation at Christie Innovation Theater
The Christie Innovation Theater will demonstrate a 4K Christie Solaria 6P laser system using the world’s most efficient 3D technology and the industry-preferred image quality that doesn’t require a silver screen. Sure to be a show highlight, the 6P laser presentation provides a glimpse into the future of projection technology. Utilizing six specific primary colors, Christie laser projection technology brings dramatically improved 3D efficiency to projection systems and is ideal for any 3D display system.

The demonstration will use Dolby® 3D glasses specifically engineered to match the six primary laser light wavelengths and viewers will experience 3D Cinema as it was meant to be seen.

4K Solutions, Large Format LCD Display, New HD Christie Q Series and more
The Christie D4K2560 3-chip DLP® projector with the Christie TrueLife™ 4K platform will be showcased. When uncompromising image fidelity, brightness and resolution are needed in cinematic settings, amusement parks, casinos, or 3D visualization systems, the Christie D4K2560 is the clear choice; providing four times the resolution of 2K along with 60Hz.

A Christie broadcast set complete with Christie® MicroTiles® and content driven by the Christie Spyder X20 video processor will also be featured along with the North American debut of the Christie FHD651-T intuitive touch flat panels. With up to four simultaneous touches, the Christie FHD651-T provides superior touchscreen performance in a fully integrated package for meeting and classrooms, corporate spaces, museums, education, hospitality and retail, and more.

The Christie FHD551-W outdoor flat panel and the Christie FHD551-XG complete the large format LCD display solutions.

Christie Q Series Makes North American Debut at NAB

NAB also marks the North American debut of Christie Q Series, including the new Christie DHD951-Q HD that complements the existing, highly successful line. Similar to the rest of Christie Q Series, the HD version introduces 3G-SDI and includes eClarity™ – advanced image processing that significantly enhances images by providing greater control over image sharpness, gloss and shading. With its sleek overall style and high-performance features, the Christie DHD951-Q provides superior image processing, versatility and affordability.

Also debuting in North America is the Christie DHD600-G. Part of the upgraded Christie G Series, it is suitable for demanding environments such as signage and museums – delivering multi-projector blends onto curved surfaces seamlessly for a perfect image every time.

Christie Brio – Share More, Accomplish More
The Christie FHD651-T flat panel seamlessly combines with the Christie Brio multi-site presentation and collaboration solution. Christie Brio – featured in separate meeting rooms at the booth – allows users to virtually meet, share information and collaborate effortlessly, overcome geographical distances, and eliminate the challenge of single and multi-site workplace meetings.

On the second floor of the Christie booth, the advantages of the 3-chip DLP® Christie Roadster HD20K-J and Christie HD14K-M projectors will be presented. Rugged and ideal for rental staging, both provide significantly higher return on investment and provide superior image quality compared to others in their class.

The benefits of Christie Entero HB 70-inch HD cubes will also featured along with a Christie® Phoenix™. With HD resolution and built on proven LED technology for long life, reliability and low cost of ownership, the front access design of the Entero cubes allows them to be positioned against a wall without compromising space limitations, performance or image quality in 24/7 control room environments.

Christie Solutions throughout NAB 2014
Christie is pleased to collaborate with several vendors. Quantel is using a Christie D4K2560 while AutoDesk will be using a Christie Mirage 4K25. At the Red Digital Cinema Camera booth, a Christie Mirage 4K35 will be featured. In addition, Vizrt is pleased to use the Christie 84-inch Quad HD at its booth and Ross Video is featuring 50 Christie MicroTiles. Finally, Da-Lite will display its solutions with a Christie D4K2560.

Sound Devices Hosts Lineup of Renowned Industry Professionals at Its Booth During NAB 2014

Hear from the Pros as They Discuss Today’s World of Audio and Video Production

LAS VEGAS, APRIL 4, 2014 – Sound Devices, specialists in audio and video products for production, will host several presentations from leading industry professionals at its booth throughout the 2014 NAB Show (Booth C2546).

“Sound Devices is thrilled to welcome Alex Lindsay, Eliot Mack, Dave Ruddick and Drew Taylor to provide their expert insight and experience in various aspects of audio and video production,” says Paul Isaacs, vice president of marketing for Sound Devices. “I encourage all of those in attendance at NAB to come be a part of these informative sessions.”

These leading industry influencers will share their first-hand production experience with multimedia workflows, extreme location audio and video capture, and other challenging scenarios, providing their insights into the real world of production from both the audio and video perspective. The NAB seminar lineup includes:

Monday, April 7, 2014 – 2:00 p.m.
Alex Lindsay – Founder, Pixel Corp.

Alex Lindsay has been working in computer graphics and video production for over 25 years. Starting in programming and computer aided drafting, Lindsay has worked in radio, print, games, interactive, broadcast and film. He spent three years working at Lucasfilm and Industrial Light and Magic on Star Wars: Episode 1 before starting his own companies, dvGarage, which builds tools for the visual effects community, and Pixel Corps, a world leader in live interactive streaming events — producing over 300 events per year around the world. Lindsay will discuss the audio and video challenges of multi-site live stream productions.

Tuesday, April 8, 2014 – 2:00 p.m.
Eliot Mack – CEO, Lightcraft Technology

Lightcraft Technology was founded in 2004 by mechanical engineer and MIT/University of Michigan graduate Eliot Mack. Mack has worked at Walt Disney Imagineering, where he led the mechanical engineering effort on the iRobot Roomba before applying his skills and dedication to the development of the Previzion virtual studio system. In this presentation, he will walk through the details and benefits of how Lightcraft’s Previzion virtual studio system embeds tracking data into Apple ProRes Quicktime files captured by the Sound Devices PIX 240i, which can then be transferred into traditional post-production tools or played back in real time from the PIX 240i into Previzion.

Tuesday, April 8, 2014 – 4:00 p.m.
Dave Ruddick – Location Sound Mixer

Dave Ruddick records audio in some of the most beautiful, treacherous and remote locations in the world. An accomplished mountain climber and outdoorsman, Ruddick is in demand when the conditions are the most challenging, including productions taking place on the summit of Mount Everest, following the Iditarod in Alaska and scaling glaciers in Greenland. His customers include National Geographic, Discovery Channel, PBS Nova, WGBH Boston, History Channel and Skywalker Sound. Dave will discuss the challenges of audio production in extreme locations, far from mains, technical support and hot showers.

Wednesday, April 9, 2014 – 11:00 a.m.
Drew Taylor – Business Development, HRS Control

HRS Control is a four-year-old company with a deep background in corporate rental, staging, live event production and concert touring that has also expanded into broadcast and commercial system integration. The company develops its own products for AV system control. Taylor will talk about how HRS Control products control and automate the PIX 260i, taking advantage of the frame synchronous playback and record.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Prism Sound Shows New Audio Interfaces at NAB 2014

After an exceptionally successful 12 month trading period, which culminated in a move to larger offices in the USA, internationally acclaimed manufacturer Prism Sound will be using the NAB 2014 platform to introduce post production and broadcaster engineers to its growing family of audio interfaces.

Alongside Orpheus, Lyra and Titan, the company will also be showing Atlas – the third new interface product that Prism Sound has launched in the last year.

“Launching three new products in such a short timeframe meant that our existing premises could no longer cope – to put it simply we needed more space,” says Janice Norton, Prism Sound’s VP US Operations. “We have moved to a larger, ground floor suite close to our former premises in Rockaway, New Jersey, and now have plenty of room to stock the extensive range of products that Prism Sound offers to both the recording and broadcast markets.”

Designed with Prism Sound’s latest and award-winning CleverClox clocking technology and incorporating eight of the company’s popular mic pre’s as standard, the new Atlas interface is aimed squarely at multitrack recording applications. It offers recording professionals ultimate quality analogue and digital I/O for Mac or Windows PC at sample rates up to 192kHz via a simple USB interface. In addition to the USB host interface, Atlas also features Prism Sound’s new MDIO interface expansion slot, which was first incorporated into Titan and announced at AES New York in October 2013. Using this miniature expansion slot users can, for example, directly connect to Pro Tools|HDX systems. A range of other MDIO interfaces is planned for later introduction. Atlas will also run with Apple and Windows native applications over USB.

Atlas, Titan and Lyra are all capable of aggregated operation in both MAC and Windows PC environments. This makes it possible to link up a number of different units for multichannel applications – for example 24 track, 32 track – or even bigger set-ups – while retaining a USB connection for each unit. In the Windows environment, Prism Sound provides a new driver that aggregates the units and presents a single multitrack interface to DAW applications for I/O routing.

At NAB 2014, Prism Sound is also showing its full range of Test & Measurement solutions, including the versatile dScope Series III Audio Analyzer. This award-winning unit features a freely-available test suite that can be used to evaluate the performance and compliance of any loudness meter on the market. As US broadcasters are now legally obliged to comply with the ATSC A/85 standards, Prism Sound’s test suite enables them to properly evaluate all loudness meters and ensure that their chosen product can deliver both ATSC and ITU BS.1770 compliance.

To find out more about the Prism Sound range and to demo the new Atlas interface, please visit NAB booth C1944. The company’s new address is Suite 1, 45 Pine Street, Rockaway, NJ 07866. The telephone and fax numbers remain the same.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

In the US
Sales department
Prism Media Products Inc.
45 Pine Street, Suite 1
Rockaway
NJ 07866
USA
Tel : +1 (973) 983 9577
Fax : +1 (973) 983 9588
e-mail : sales@prismsound.com

Broadcast Pix Expands Flint Integrated Production Switcher Family

Billerica, Massachusetts – Broadcast Pix™ will unveil its expanded family of Flint™ end-to-end integrated production switchers at the 2014 NAB Show (Booth SL6325), which runs April 7-10 in Las Vegas, Nev. All three HD models include the same Fluent™ workflow software tools, but provide different input configurations to address different production requirements and budgets.

There are three new Flint models available. The entry-level system, Flint LE, supports three HDMI or analog (composite, component or S-Video) inputs and is now priced at $7,495. Flint LX features four SDI or HDMI inputs for $9,995. Flint LS supports six inputs and offers a choice of six SDI (two of which can be HDMI) or four SDI and two HDMI or analog inputs for $12,995. In addition, all three models include two additional network inputs, which are ideal for presentations and Web pages from remote computers. All three models are available now.

Broadcast Pix will also have two raffles during the NAB Show, providing attendees the opportunity to win a Flint system as well as a new fX3D real-time 3D graphics software package. Raffle rules and instructions will be available at the Broadcast Pix booth.

“Flint has quickly become a popular choice among streaming video professionals, because it provides a complete set of production tools for true end-to-end integration,” said Steve Ellis, general manager, Broadcast Pix. “By expanding the Flint family, we’re making it more affordable than ever to produce live multi-camera productions for broadcast or webcast.”

Introduced last year, Flint handles the entire production workflow, from ingest to distribution. In addition to cameras and file-based graphics and video, its multi-format production switcher allows operators to include cloud-based content from Skype, Twitter, RSS feeds, Google Drive, Dropbox and other resources during live productions. Flint ingests and scales all sources while maintaining constant lip sync.

Flint’s switcher also includes three keyers for layering, each with PiP and customizable DVE. An internal Inscriber CG provides six graphic channels, while a built-in, two-channel clip server stores up to 30 hours of clips and animations in a variety of file formats, including ProRes, H.264, DNxHD and QuickTime animations. Flint’s audio mixer is controlled through an intuitive audio interface with on-screen stereo faders and VU meters, and two outputs allow separate mixes with independent control for master recording and Web presentations.

With up to seven simultaneous output formats, Flint offers built-in HD streaming in a variety of formats and allows live recording on its internal hard drive. Other features include a customizable multi-view, customizable virtual sets, and control of robotic cameras, video servers, external audio mixers, and other devices.

Version 3.0 software, which was announced earlier this month, allows all Flint systems to be tightly integrated with Broadcast Pix’s new fX3D and ReVue multi-channel slow motion replay system. It also includes ClearKey, Broadcast Pix’s next generation chromakey, and new device control of Blackmagic HyperDecks. The software will be available in May as a free upgrade for all Flint systems under warranty.

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

Broadcast Pix, Flint and Fluent are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

New FOR-A 4K Compatible Multi Viewer to Make Debut at NAB 2014

Company to introduce the MV-4200, MV-42HSA, and MV-1620HSA multi viewers

Cypress, CA – FOR-A Corporation of America announces the introduction of its new 4K compatible MV-1620HSA, MV-42HSA and MV-4200 multi viewers at the NAB Show. The company will exhibit in Booth C5117 during the show, which takes place April 7-10 at the Las Vegas Convention Center.

The MV-1620HSA 3G/HD/SD/Analog Mixed High-Resolution multi viewer accepts up to 16 channels of signals for monitoring on up to two screens. The 1RU unit is a compact but full-featured multi viewer, including the option to cascade it with other units to display up to 64 sources simultaneously.

Another 4K compatible multi viewer to be unveiled by FOR-A at NAB is the MV-4200 3G/HD/SD/Analog/HDMI/DVI/RGBHV Mixed High-Resolution solution – a 2 RU unit multi viewer that accepts 4K signals and is capable of handling up to 68 inputs and 8 channels of output.

Both the MV-1620HSA and MV-4200 feature a Windows-based Layout Manager that enables easy layout of 4K video in a seamless display by using four 3G-SDI inputs. Both multi viewers support a versatile mixed-source environment, and include video streaming capabilities for remote monitoring, additional local computer display and error capture.

FOR-A will also show its new MV-42HSA 4K (QFHD) monitoring down converter, an enhanced version of the company’s popular MV-42HS HD/SD multi viewer. In addition to HD-SDI, SD-SDI and analog composite inputs, the unit newly supports 3G-SDI (Level A) inputs and 4-input split-screen displays. The MV-42HSA is an ideal choice for use as a down-converter that monitors 4K footage on an HD or PC monitor.

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

Prism Sound Discusses Audio Production at Brighton Music Conference

Internationally acclaimed manufacturer Prism Sound is hosting a production panel at this year’s Brighton Music Conference where it will also be taking an exhibition stand for two days.

Prism Sound’s panel will discuss all things audio – from creative audio production through to studio techniques and tips. Confirmed panelists include producer Steve Mac, DJ Dave Clarke, Producer and re-mixer James Wiltshire (Freemasons) and Anthony Middleton of Audiofly.

Brighton Music Conference (BMC) runs from April 11th – 12th and Prism Sound’s panel will be held on Friday April 11th at 16.35 in the Exhibition Room.

“Our panel is designed to be educational as well as entertaining,” says Prism Sound Product Specialist Chris Allen, who is hosting the event. “There will be plenty of opportunity for the audience to fire questions at our panelists and we are anticipating lively debate.”

Prism Sound will also be using the BMC platform to show its internationally acclaimed family of audio interfaces, which include Orpheus, Titan, Atlas, and Lyra. Also on show will be the company’s range of Maselec audio production tools such as the MEA-2 EQ and the MLA-2 compressor.

“We have launched three new products in less than a year, which is a record for Prism Sound,” Chris Allen adds. “This indicates our determination to offer recording professionals the widest possible choice when it comes to the high quality, richly featured and competitive tools they want and need.”

As part of its commitment to the audio production community, Prism Sound will also be promoting the Music Producers Guild on its BMC stand. Representatives from MPG will be on hand to talk about the issues the organization is involved in and highlight the benefits of joining.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

DVEO Shipping Upgraded Version of Ad and EAS Playout Server — Ad+EAS Serter™ with Channel in Box Features will be Introduced at NAB 2014

San Diego, California – DVEO, the broadcast division of Computer Modules, Inc. (CMI), is now shipping the latest version of its ad inserter and EAS emergency alert system for DVB-ASI or IP. DVEO will debut the new Ad+EAS Serter™ at Booth SU2903 at the NAB (National Association of Broadcasters) Show, April 7-10, in Las Vegas, Nevada.

The Ad+EAS Serter functions as a simple playout server with Ad and EAS capabilities. It inserts emergency alerts – plus video clips, text, and graphics – anywhere on video content, live, on a schedule, or via signaling like SCTE 35. It adds messages to one to four targeted cable or on-air channels or sub channels, or to one to four IPTV channels. The high density system is designed for broadcast studios, cable head ends, and IPTV operators who require an easy to use EAS messaging system to communicate with their subscribers.

The cost-effective Windows® based system is compatible with Trilithic™, Sage™, and Monroe™ EAS Alert generators. It works by decoding the transport stream, overlaying the graphics, and transcoding the result. Alerts can be overlaid anywhere on H.264 or MPEG-2 video content. Messages can be quickly revised in real time, to give viewers critical updates – such as safety precautions, evacuation notices, and locations of assistance centers. EAS audio from EAS systems is spliced into live audio and emergency audio messages are sent to viewers.

“Our newest version of the Ad+EAS Serter supports both splicing and ad overlays. Emergency alerts and messages can be via industry standard methods. It also features a SLATE function that puts up an empty background on which you can type messages,” stated Laszlo Zoltan, Vice President of DVEO. “This system is currently deployed at a major cable company to originate important messages to the entire subscriber base.”

The system ships with a graphics creation application but uses most graphics formats. Graphics can be created in several formats, although bitmaps and “.pngs” are preferred. The position of the graphics, transparency, and fade characteristics can be configured via the management console. Easy drag and drop placement positions logos, text, or graphics on screen.

Graphical elements can be inventoried on the on board hard drive. Large local graphical libraries can be created for quick use under dynamic real world events. For example, the hard drive can store maps showing evacuation routes. The system is also able to mask the entire screen with a static image in case of video input failure or auto bypass via relay. Graphical elements such as fancy boxes, borders, background colors, and identifiers can be used to enhance emergency messages.

The Ad+EAS Serter is also suitable for Public Service Announcement crawls, and as a very flexible video messaging system to a subscriber base. DVEO can also create customized systems to meet customer’s needs.

Supplemental Information for Press Release

Features:

  • Inserts or overlays emergency alerts – text and/or graphics – into video feeds on a schedule or via signaling like SCTE 35 signals from EAS generators
  • Creates crawling messages and emergency alerts with programmable fonts and background colors, in any language
  • Compatible with Trilithic™, Sage™, and Monroe™ EAS alert generators
  • Works with most fonts: Chinese, Arabic, Indian, etc. via Unicode interface
  • SD – Optional SD plus HD version available
  • Inserts video clips or graphical overlays, or L wraps for advertising
  • Supports multiple areas of interest
  • Proof of play for all ads and emergency messages played
  • Built in intelligence makes scheduling easy
  • Supports 1080i, 720p, and 480i, and all standard broadcast resolutions
  • Selects transport streams by program numbers or PIDs
  • Features daily, weekly, and monthly schedule-based logos, alerts, and text insertion
  • Arbitrary location for graphics
  • Choose from static, rotating, or blinking graphics, logos, and text
  • Creates crawling messages and emergency alerts with programmable fonts and background colors, in any language
  • Select any degree of transparency
  • Easy drag and drop placement to position logo, text, or graphics on screen
  • News feeds from RSS in any language, with programmable fonts and background colors
  • Able to mask entire screen with a static image in case of video input failure or auto bypass via relay
  • 1 RU or 3 RU rack mountable frame
  • Template based character generator
  • Works as a playout server
  • SLATE function puts up an Empty Background on which you can type messages
  • Customization available
  • Can also play recorded files from hard drive, in loop mode
  • ESAM support in development
  • Stores graphics, clips, and messages in local memory
  • IP input and output version available
  • SDI input and output version available
  • Suggested Retail Prices:
    Ad+EAS Serter ASI/ASI 4ch (SD): $9,995 U.S.
    Ad+EAS Serter IP/IP 4ch (SD): $8,495 U.S.
    Ad+EAS Serter SDI/SDI 4ch (SD): $9,995 U.S

    DVEO and Ad+EAS Serter are trademarks of Computer Modules, Inc. All other trademarks and registered trademarks are the properties of their respective owners.

    About CMI and DVEO
    CMI, founded in 1982, is a privately held company headquartered in San Diego, California. DVEO, the Broadcast Division of Computer Modules, Inc., sells digital video and high definition television (HDTV) products to the top television broadcast companies throughout the world.

    For more information on CMI and DVEO, please contact Rebecca Gray at +1 (858) 613-1818 or rebecca@dveo.com. To download DVEO’s press releases and product images, visit the news section at www.dveo.com.

    DVEO, 11409 West Bernardo Court, San Diego, California, 92127
    Web: www.dveo.com phone: +1 (858) 613-1818, fax: +1 (858) 613-1815

    About

    Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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