A virtual press conference from Sound & Video Contractor

Archive of the Tradeshow News Category

Christie Displays Cost-Effective and Versatile Control Room Technology at SecureTech 2014

Christie®, a world leader in creating and sharing the world’s best visual and audio experiences with versatile and cost-effective solutions for mission-critical communications, performance, and reliability, is bringing its surveillance and security solutions to SecureTech 2014, Canada’s only all-encompassing public safety, emergency management, and security showcase. Hosted by the Canadian Association of Defence and Security Industries (CADSI), the show takes place November 3-5 at the Ottawa Convention Center. The Christie booth includes high resolution flat panels, the Christie Phoenix® open content management platform, and the Christie® Brio Team+ integrated wireless collaboration system.

Christie Phoenix featured at SecureTech 2014

Christie Phoenix featured at SecureTech 2014

Christie Phoenix provides seamless collaboration for the global workplace
Christie Phoenix enables seamless access and control of audio-visual data for thousands of viewers simultaneously regardless of location, breaking through physical walls of control rooms to encompass a global workplace. Christie Phoenix consists of one or more hardware nodes and web-based management software connected through a standard IP network. Using the powerful Christie Phoenix, security and surveillance operations, utility companies, government institutions, along with transportation and telecommunications centers, can make quicker and more accurate life-critical decisions, and share appropriate data even in the most challenging of environments. Christie Phoenix is renowned for ease of use and its ability to encode, decode and simultaneously display over 1000 video sources on multiple displays walls using multiple desktops.

Christie Brio – the future of collaboration
The award-winning Christie® Brio family of meeting presentation and collaboration solutions allow users to connect, collect and share content through a single unit. The family includes Brio Team, Brio Team+ and Brio Enterprise. At SecureTech, Christie will display Brio Team+, with an integrated wireless access point that eliminates the need for apps or additional hardware to mirror the full desktop of tablets, phones or laptops as 30 fps HD video sources in a collaboration session. Ideal for meeting spaces in corporate, academic and government facilities, Brio Team+ displays high quality video content at native resolutions through DVI video inputs that support video output sources 2560 by 1600 at 30 Hz or 1920 by 1080 at 60 Hz with HDCP.

Christie Flat Panels – Ideal fit for control rooms
Today’s security and surveillance systems going beyond basic displaying and monitoring and Christie flat panels deliver the image clarity and versatility needed in control room environments.

The booth features the Christie FHD552-X LCD flat panel. This 55-inch ultra-narrow bezel (only 3.5mm when tiled) flat panel display offers full HD resolution, high pixel density, and LED-backlit screen so images look sharp at any distance – all with energy-efficient operation and low cost of ownership.

Christie flat panels are installed in numerous control rooms and operations centres, including FishNet Securities, the largest independently-owned, privately-held information security solutions provider in the United States with clients in the energy, financial services, government, healthcare and retail sectors. Using Christie MicroTiles and Christie JumpStart content management tool, the large video wall displays intelligence data and surveillance video along with dashboard information — service tickets, the number of active service calls and service calls handled per person. The SOC at FishNet also serves as a showroom for clients and Christie MicroTiles can be used to display engaging 3D and interactive content.

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Italian Superstar Pino Daniele Chooses DPA Microphones

Pino Daniele with DPA 1

Pino Daniele, one of Italy’s best known singer/songwriters and a man whose career spans both genres and decades, has recently started using a range of DPA microphones, including the company’s ground-breaking d:facto™ Vocal Microphone.

Fabrizio Facioni, Daniele’s sound engineer, jumped at the chance of using d:facto when the opportunity presented itself.

“I like its sound. It’s so ‘present’ and natural,” he says. “This microphone reproduces exactly what it is given in terms of the vocal, and that greatly simplifies my job.”

The d:facto Vocal Microphone joined a range of DPA mics that were used over the summer for the NERO A META’ tour, which reunited Daniele with band members from the 1980s alongside special guests. For his forthcoming theatre tour, the line-up is more intimate and includes Pino Daniele on vocals and acoustic guitar, a second acoustic guitar, an upright bass, piano and drums played by internationally acclaimed producer and arranger Alfredo Golino, who regularly works with artists such as Laura Pausini.

Facioni says: “The decision to use DPA microphones initially came about when I needed a microphone for Pino’s acoustic guitar. I spoke to Agora, our PA rental company, and they recommended DPA’s d:vote™ 4099 Instrument Microphones. After trying one, I knew it was perfect for the task. Both Pino and I were so impressed that we decided to use d:vote 4099s on his guitar and on the second acoustic guitar.”

Facioni adds that the improvement in sound made him question the microphones he was using on the other instruments in Daniele’s intimate line-up. It was at this point that Alfredo Golino suggested he got in touch with Salvatore Zocco from DPA’s Italian distributor M. Casale Bauer for more advice on the DPA range.

Salvatore Zocco says: “Alfredo is a great ambassador for DPA and has used the company’s microphones for a long time, so it was perfectly natural for him to put Fabrizio in touch with me. I was able to recommend the most appropriate microphones for Fabrizio’s requirements.”

The final choice came down to d:vote 4099 Instrument Microphones for the high hat, snare (top and bottom) and toms. DPA d:dicate™ ST4011C and ST4015C Recording Microphones were respectively chosen to handle overheads and percussion. The acoustic guitars and upright bass are also miked with d:vote 4099s, while Pino Daniele has two d:facto Vocal Microphones – one for when he’s standing and the other for when he performs with his acoustic guitar.

“I have been very satisfied with the results these microphones have delivered,” Facioni adds. These were exactly the mics I needed to give me a natural sound. I am a studio engineer as well, so I already knew DPA mics for piano and orchestra and I like them a lot. But this is the first time I have tried them for percussion and bass and I am definitely impressed.”

And perhaps more importantly, Pino Daniele himself has also been impressed with the performance of the d:facto Vocal Microphone which he used consistently during his summer tour of Italy’s sports arenas.

“We are now planning more dates in smaller theatre venues during November and December and the d:facto will once again be part of our microphone set up,” adds. “It has worked for Pino and he really like it. He says he now recognises his own voice!”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Visual Unity Shows vuMedia™ at NAT Expo 2014 and Inter BEE 2014

multiscreen_devices_vu

Leading OTT solutions provider Visual Unity is showing the latest version of its Award-winning vuMedia™ multiscreen platform at NAT Expo in Moscow (November 19-21, 2014) and Inter BEE in Tokyo (November 19-21, 2014). The software will include a new, white label version that gives partners the opportunity to sell the product under their own brand by changing the colours and logos on the user interface.

“Having secured an investment of 7.2 million US$ (5.2 million Euros) from 3TS Capital Partners, we are now able to support the growth of an international customer base for vuMedia™,” says Visual Unity’s CEO Tomas Petru. “We are positioning Visual Unity as the leading provider of OTT and multiscreen solutions and to this end we are very focused on both product development and expanding into previously untapped markets.”

The company, which will be exhibiting on booth B23 at NAT Expo in Moscow, while at InterBEE it will be exhibiting in conjunction with its Japanese distributor DSP-Japan (Booth 5380).

Visual Unity’s updated vuMedia™ platform now includes a raft of new languages that have been incorporated into the software’s administrator user interface. This significant addition broadens its international appeal and reinforces Visual Unity’s plans to expand sales into new geographic territories. Also new is Multi-level account administration, which allows Visual Unity customers to collaborate on OTT projects, share resources or limit access to specific parts of vuMedia™ to dedicated groups. It also allows vuMedia™ to support different re-seller and seller models and relationships.

Introduced in 2011 and the winner of the 2012 ConnectedWorld.TV Award, Visual Unity’s flagship vuMedia™ is an end-to-end OTT platform that allows broadcasters and content owners to control how their brand and assets are managed, delivered and monetized in the multiscreen environment. Highly scalable and flexible, vuMedia™ delivers a cutting-edge live viewing experience on the web or any mobile or connected device. vuMedia™ also enables comprehensive Video on Demand services, social network integration and secures the distribution of content – all of which can be deployed into existing workflows and business processes.

vuMedia™ can be bought in two formats – Platform as a Service (PaaS) or Software as a Service (SaaS) for customers who don’t want to invest in new hardware.

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About Visual Unity

Visual Unity is a global provider of video and digital media solutions, enabling our clients to deliver premium quality video content. Our clients can measure, analyze and optimize their libraries over time and achieve optimal business success. Our platform capabilities inspire our clients to deploy their assets across multiple devices, screens, and media formats. Visual Unity helps clients manage, deliver and monetize their digital content.

Visual Unity is a Multiscreen Solution Provider, bridging the gap between linear broadcast, IT and IPTV to help clients reach and engage audiences on any screen. Since 1991, the team has been designing and delivering turnkey broadcast and complex multiscreen solutions worldwide – from HD outside Broadcast (OB) vehicles and major playout facilities to live internet streaming and Video on Demand services. Visual Unity’s award-winning vuMediaTM platform helps broadcasters and content owners control how their brand and assets are managed and monetized in the multiscreen environment. vuMediaTM is a highly scalable and a modular architecture, delivering a cutting-edge live viewing experience on the web or any mobile or connected device – all of which can be deployed into existing workflows and business processes.

Visual Unity is based in Prague, London, Munich, Moscow, Nairobi, Dubai, Istanbul, Ottawa, Los Angeles and Hong Kong. For further information, please visit www.visualunity.com

Primestream CCW 2014 Product Preview

Visit Primestream at CCW 2014, Nov. 12-13, Booth 961

Products on Display at CCW 2014:

FORK Production Suite v4.6
At CCW 2014, Primestream(R) will show FORK(TM) Production Suite v4.6, the latest version of its acclaimed software platform for managing the automation of the most complex broadcast workflows. With new modules, functionality, and integrations with the leading broadcast hardware and software vendors, FORK v4.6 is the most extendable, configurable, and powerful version of FORK ever released and includes major revisions to the underlying structures of FORK 4.5 that debuted at the 2014 NAB Show. These upgrades increase overall system responsiveness and provide for the handling of a vastly increased quantity of media assets.

These many improvements position FORK for the support of H.264, H.265, and MXF as well as 64-bit and 4K workflows. Behind this thinking is the intent that customers feel secure that the investments they make today pay big dividends in the future as they move toward the adoption of new formats and standards. FORK v4.6 also includes deep two-way integrations with nonlinear editors like Adobe(R) Premiere(R) Pro, Avid(R) Media Composer(R), and Apple(R) Final Cut Pro X(R). The integrations support edit-while-capture workflows with XDCAM(R), ProRes(R), and AVC-Intra(R) — empowering sports, news, entertainment, and corporate video operations to use industry-leading NLEs — while gaining the benefits of the FORK media asset management and automation platform for I/O, logging, tagging, proxy editing, workflow management, and archiving.

Photo Link: www.wallstcom.com/Primestream/Primestream-FORK4-6ProductionSuite.jpg
Photo Caption: FORK(TM) Production Suite v4.6

FORK Xchange Suite v3.0
At CCW 2014, Primestream(R) will also demonstrate FORK(TM) Xchange(TM) Suite v3.0, a major upgrade to the application that gives broadcasters instant Web access to content on their FORK Production servers from any Windows(R), Mac(R), or tablet device. Xchange v3.0 features a completely redesigned iPad(R) interface optimized for Apple(R) iOS 7. Also new in Xchange, users can now manage non-video files such as audio, image, document, and project files. Direct integration with multiple transcode engines for proxy rendering is also available in Xchange v3.0.

Other new features and capabilities include:

* Xchange Uploader: Allows users to submit raw or finished packages directly into the FORK production environment via a Web-based interface.
* Xchange Downloader: Allows users to download source content in order to edit final packages locally, with the ability to choose among multiple qualities to download.
* Xchange Partial File Download: Allows users to download sections of media, leading to faster download workflows and eliminating the need to download entire media.
* Quick, Cuts-Only Editing: Allows users to create a rough cut with footage in Xchange and send the timeline to the FORK Production environment for distribution.

Photo Link: www.wallstcom.com/Primestream/Primestream-FORKXchangeSuite3.jpg
Photo Caption: FORK(TM) Xchange(TM) v3.0

FORK Logger With STATS
FORK(TM) Logger, the metadata tagging module in the acclaimed FORK Production Suite, now integrates with in-depth data feeds from STATS, the global leader in sports information, technology, and content. With this service, FORK Logger users can start their sessions with prepopulated placeholders that contain rich event data pulled from the STATS feed, such as team name, location information, rosters, conference name, and win/loss records. Working from these populated placeholders enables users to avoid manually entering data, which increases the accuracy of the descriptive information.

Photo Link: www.wallstcom.com/Primestream/Primestream-Logger-sports.jpg
Photo Caption: FORK(TM) Logger for Sports

FORK Archive Bridge v1.0
Archive Bridge(TM) v1.0 is a new module for the FORK(TM) Production Suite that provides tight integration between industry-leading archival solutions and the FORK media asset management and production automation platform. Archive Bridge enables disaster recovery workflows and interconnects multiple production environments with a central archive point — adding essential visibility into the archival workflow and allowing facilities to make the most of their archiving dollars.

Photo Link: www.wallstcom.com/Primestream/Primestream-ArchiveBridgeUI.jpg
Photo Caption: FORK(TM) Archive Bridge(TM) v1.0

Company Quote:

“Attendees at CCW in New York will be able to see, first hand, how the FORK automation and asset management software environment is able to streamline workflows and save money through powerful integrations and intuitive applications. We will also be highlighting multisite cloud asset management workflows with new Xchange Suite 3.0 and fast metadata tagging with FORK Logger.”
– Namdev Lisman, SVP of Marketing and Sales, Primestream

Company Overview:

Primestream(R), a leader in advanced automation and asset management software, offers a seamless end-to-end platform for the digital acquisition of live and file-based content, editing, logging, control room and master control playback, Web publishing, smartphone video contribution, and archiving. Primestream’s proven solutions are implemented by some of the world’s leading broadcasters, uplink service providers, online digital media operations, corporations, and production/postproduction facilities, and are ideally suited for multisite operations. More information is available at primestream.com.

Riedel Communications SATIS 2014 Product Preview

Visit Riedel Communications at SATIS 2014, Nov. 18-20, at Stand E24

Riedel Products at SATIS 2014:

STX-200 Professional Broadcast-Grade Interface
The STX-200 professional broadcast-grade interface brings any Skype(R) user worldwide into the professional broadcast environment. Licensed by Microsoft(R), the new Riedel product meets broadcasters’ increasing need for a reliable single-box solution that enables them to bring live contributions from both reporters and viewers into live programming — all while avoiding typical problems such as consumer PCs running common Skype clients, scan and HDMI-to-SDI converters, or audio dropouts and menu pop-ups on their live feed. Serving as more than a stand-alone solution, Riedel’s STX-200 integrates Skype into the intercom solution to enable even more powerful, flexible applications and workflows. The unit offers broadcast-quality HD-SDI and balanced XLR audio I/Os and is packaged with professional Microsoft Skype TX software. The solution’s broad feature set includes remote management and monitoring of Skype calls.

Photo Link: www.wallstcom.com/Riedel/Riedel-STX-200_front.jpg
Photo Caption: STX-200

Tango TNG-200 Fully Networked Platform Based on AES67 and AVB
The Tango TNG-200 represents Riedel’s first fully networked platform based on the AES67 and AVB standards. With its own dedicated intercom application, the platform can be turned into a flexible, cutting-edge solution for a variety of communications scenarios. The unit itself is equipped with a high-resolution, full-color TFT display that ensures perfect readability at all times. Intuitive front-panel controls simplify the recall of presets and adjustment of audio levels. Along with powerful processing capabilities, the Tango TNG-200 features two integrated Riedel digital partylines, two AES67- and AVB-compatible ports, two Ethernet ports, one option slot, and redundant power supplies. The TNG-200 application transforms the platform into an efficient intercom system that users can tailor according to their needs, including their choice of matrix size starting with 40 x 80. The asymmetric 40 x 80 matrix size is another Riedel innovation, as it allows for a standard premium-quality stereo audio connection to Riedel panels.

Photo Link: www.wallstcom.com/Riedel/Riedel-Tango-Front.jpg
Photo Caption: Tango TNG-200

RSP-2318 Smartpanel
The new RSP-2318 Smartpanel offers features and capabilities that will enrich the user experience and change the way broadcasters and A/V professionals communicate. The world’s first smartpanel designed to serve as a powerful multifunctional user interface, the Riedel device boasts a unique feature set that includes three high-resolution, sunlight-readable, multitouch color displays; premium-quality stereo audio; a multilingual character set; and 18 keys in just 1 RU. These features make Riedel’s new smartpanel a powerful user interface that can be further expanded through the use of apps. Riedel’s first app for the RSP-2318 turns the smartpanel into an innovative and smart intercom panel. AES67 and AVB connectivity are standard, with AES3 over CAT/coax optional. Additional features include exchangeable headset connectors for mono or stereo applications, an integrated power supply, individual volume controls for each key, two USB ports, two Ethernet connectors, GPIO, audio I/O, an option slot, a removable gooseneck microphone, an SD card slot, and an HDMI output.

Photo Link: www.wallstcom.com/Riedel/Riedel-Smartpanel-Front.jpg
Photo Caption: RSP-2318 Smartpanel

Other Products on Display:
- MediorNet and MediorNet Compact
- MediorNet MetroN Core Router
- Artist, Performer, and Acrobat Intercom Systems
- RockNet Audio Systems

Company Quote:

“We are returning to SATIS with a remarkable array of new solutions that alter the way broadcast and A/V professionals manage communications and signal transport. From our innovative new Smartpanel to the new Tango platform to our STX-200 professional interface for bringing Skype content into live production, we will show how broadcasters can realize new levels of operational and creative freedom.”
– Francke Berger, Sales Engineer France, Riedel Communications

Company Profile:

Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 350 people at 12 locations in Europe, Asia, Australia, and the Americas.

API’s BOX BRINGS BIG CONSOLE SOUND INTO SMALL SPACES

John_FishellMUNCIE, INDIANA – OCTOBER 2014: Assistant Professor John Fishell teaches music media and production at Ball State University in Indiana, but enjoys recording from his home. In order to get a large format sound in the small space, Fishell turned to Vintage King and the BOX console from API. The BOX was the perfect size for Fishell’s small footprint requirement, considering his entire studio is located in the second bedroom of his apartment. However, the footprint of the console is the only thing he finds small about it. When asked what advice he would give to others considering a BOX of their own, Fishell responded: “Brace yourself, you are playing with the big boys now. With API, there should be no such thing as puny-sounding tracks. The built-in compressor is powerful, yet easy to use and makes a difference.”

In addition to the BOX, Fishell has accumulated quite the API collection, including six API 550b EQs, four JDK V14 EQs, and twelve API 225L compressors. He says his first experience with API gear was when he was a student himself at Omega recording studios in Rockville, Maryland. There he got to work with a 2488 in the B room, and he’s been a fan ever since. When he decided on the BOX himself, no other company would do. “I was very happy with my modular API DSM system, and I knew I wanted to stay with their summing. The features like the built-in 550A made me lust after the BOX. I was able to seamlessly integrate API outboard gear that I already owned through inserts and patch points.” Fishell has worked as independent engineer, producer, and musician since 1993. He has also worked full-time at James Madison University, Middle Tennessee State, University of Colorado at Denver, American University, and now Ball State.

At home, Fishell primarily focuses on rock and jazz, occasionally working on classical music as well. Even though he has only had the BOX installed for a few months, it has already recorded almost a dozen different artists such as Dave Liebman and Mike Stern. When he compares it to other consoles, Fishell will argue that the BOX holds its own: “The BOX has the same ‘mojo’ and coloration of API’s bigger consoles, so I can compete with other pro mix facilities in the comfort of my small apartment. It does a great job – better than mixes that stay in the ‘digital box’. Even classical and jazz projects benefit from the ‘muscle’ that API gear provides.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608, and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Biamp Systems Brings TesiraFORTÉ and AVB Speaking Session to TecnoMultimedia InfoComm Colombia 2014

BEAVERTON, Oregon — Oct. 28, 2014 — Biamp Systems, a leading provider of innovative, networked media systems, today announced its commercial audio systems showcase and speaking session for TecnoMultimedia InfoComm Colombia 2014. Held in Bogotá from Nov. 6-7 at the Corferias convention center, the event will bring the company’s award-winning TesiraFORTÉ line of Audio Video Bridging (AVB) digital signal processors to the trade show floor for the first time — allowing attendees to get an up-close look at the newly launched technology during demonstrations in the Biamp(R) booth 58. The company’s area manager for Central America, Ernesto Montañez, will also present a session titled “Understanding AVB and its Advantages” on Nov. 6 from 3:30 p.m. to 4:30 p.m. more

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Christie Launches First National Experiential Network for Cinema Lobbies

Christie® today announced the launch of its new media initiative, Christie Experiential Networks® (CEN). Based on the theme “From the Street to the Screens™,” the network features unique digital destinations such as the Christie double-sided digital standee, the experiential video wall and the hero screen; some of which will be introduced during ShowEast, Oct. 27-30, in Hollywood, Florida.

Christie Experiential Networks Standee Rendering

Christie Experiential Networks Standee Rendering


“Christie was at the forefront leading the conversion of film to digital projection, and we are today the first to deploy a refined experiential strategy that will transform the way exhibitors, brands, agencies and studios connect with moviegoers across the country,” said Kevin Romano, senior director, Global Media, at Christie. “From projection mapping to mobile, to augmented reality and gesture interactions, we are committed to delivering superior, content-driven experiences for the cinema industry.”

New Role, New Business Model
Christie Experiential Networks (CEN) adds a new layer to how Christie brings value to the cinema industry. With this new initiative, Christie becomes a network operator that supplies technologies and digital content to exhibitors’ lobbies. Christie provides standard track installations at no cost to the exhibitor and can also provide personalized concepts for a competitive investment. CEN’s team of media specialists will manage advertising sales, in a revenue-share model with the exhibitors.

Experiential, Mass Media Style
From a brand and studio perspective, Christie’s new CEN provides access to a large-scale network of refined, multi-platform digital experiences for the consumer. Technologies and content strategy will, for example, enable studios to transform a trailer into a 4K gesture experience; or brands to create an interactive experience from an app, such as a 30-second ad or a static poster. Then the experience can be distributed on a national scale in top designated market areas. A variety of experience options are available for brands and studios.

More Entertainment Value Means More Guest Engagement, and More Revenues

CEN’s mission is to create new revenue streams for exhibitors, deliver refined media opportunities for brands and studios, and offer high-impact digital experiences for the consumer. Denys Lavigne, senior director, Experience Strategy and Creative Services, at Christie: “It is time that exhibitor lobby spaces become a legitimate part of the cinema experience and growth strategy for the industry. Experiential is growing everywhere; brands and studios are embracing it, and consumers expect it. With similar experiential projects that we’ve created for other industries, we observed that when customers are engaged there is more dwell time, which means higher brand impact, and a better overall experience.”

The Christie Experiential Networks programming will also integrate promotional elements such as discounts, special promotions and giveaways. Romano added, “Guests who interact with the digital displays will gain a direct and immediate benefit that makes their experience that much better.” These opportunities extend to studios, product marketers, advertisers, and exhibitors, who will be showcased on the new network as well as on the legacy systems Christie plans to integrate as one high-impact digital media within the exhibitor environment.

From the Street to the ScreensTM – a 360-Degree Perspective

Christie is delivering this new media initiative as part of its 360-degree digital solution capabilities. Sean James, vice president, Global Professional Services, at Christie, said “The industry might not be fully aware but Christie has developed a solid track record over the past five years in delivering next generation digital signage applications for our clients and partners. Our recent acquisition of Arsenal Media reinforced our unique position as a total solutions provider from strategy, hardware and software, to content, enterprise-level network operations center, maintenance and ongoing technical support. Now, with the addition of our media sales services, headed by Kevin Romano who has played a key role in the development of brand advertising in cinema, we feel we have built the ideal team to accompany the cinema industry in this next phase of innovation and growth.”

In this context, Mr. Lavigne will share his knowledge of digital planning, content and technology on the ‘Monetizing Your Digital Investment-New Technologies to Serve the Exhibition Community’ panel, scheduled for Tuesday, October 28, 8.30 a.m. – 9.30 a.m.

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Jason Phats Changes Direction with Prism Sound’s Orpheus

OLYMPUS DIGITAL CAMERA

Writer, producer, remixer and DJ Jason Phats has become the latest high-profile musician to purchase a Prism Sound Orpheus Firewire Recording Interface.

“The sound is extremely detailed and transparent. Clarity, depth, separation and stereo imaging is breath-taking – my jaw hit the floor when I first heard it,” he says. “I found myself kicking back in the sweet spot and going through my music collection. Suddenly everything made sense.”

Phats runs the Orpheus through a SSL Sigma summing mixer and likes the unit primarily for its ability to lever both Prism Sound quality conversion and mic preamps into a 1U box and then cram it full of features. These include line, microphone and instrument inputs, selectable RIAA Equalization for turntables, a built-in premium-quality monitoring mixer for each output providing for performer foldback and surround monitoring, and concurrent ADAT and switchable S/PDIF or AES3 digital I/O plus support for outboard MIDI devices.

Phats, who has sold over 5m records in a career spanning nearly quarter of a century. adds that the Orpheus has fundamentally altered the way he works.

“From the moment I started working with the Orpheus I could see myself getting closer to the sound I had been searching for,” he says. “I decided to stop releasing tracks and focus on a goal: a new sound, a new direction.”

Pursuing the new path took time but now, eight months later, Phats and his management are in the process of releasing his new material.

“With the Orpheus I could instantly identify where I was going wrong in my mixes and productions. Once I could understand the mixing process with such detail and depth I was able to achieve exactly what I wanted,” he says.

The first track from the new ‘Phats & Orpehus’ partnership was Jason Phats & Fenton Gee’s \ \ H I T E \ \ A T E R (White Water), which caused a real buzz in Ibiza over the summer. There is plenty more to come too.

“Every day is a joy in the studio with the Orpheus and I am very proud of the new material I have lined up for the future,” he says. “The huge leap in quality has led to some great collaboration.”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Primestream Products on Display at CAPER 2014:

FORK Production Suite v4.6
At CAPER 2014, Primestream(R) will show FORK(TM) Production Suite v4.6, the latest version of its acclaimed software platform for managing the automation of the most complex broadcast workflows. With new modules, functionality, and integrations with the leading broadcast hardware and software vendors, FORK v4.6 is the most extendable, configurable, and powerful version of FORK ever released and includes major revisions to the underlying structures of FORK 4.5 that debuted at the 2014 NAB Show. These upgrades increase overall system responsiveness and provide for the handling of a vastly increased quantity of media assets.

These many improvements position FORK for the support of H.264, H.265, and MXF as well as 64-bit and 4K workflows. Behind this thinking is the intent that customers feel secure that the investments they make today pay big dividends in the future as they move toward the adoption of new formats and standards. FORK v4.6 also includes deep two-way integrations with nonlinear editors like Adobe(R) Premiere(R) Pro, Avid(R) Media Composer(R), and Apple(R) Final Cut Pro X(R). The integrations support edit-while-capture workflows with XDCAM(R), ProRes(R), and AVC-Intra(R) — empowering sports, news, entertainment, and corporate video operations to use industry-leading NLEs — while gaining the benefits of the FORK media asset management and automation platform for I/O, logging, tagging, proxy editing, workflow management, and archiving.

Photo Link: www.wallstcom.com/Primestream/Primestream-FORK4-6ProductionSuite.jpg
Photo Caption: FORK(TM) Production Suite v4.6

FORK Xchange Suite v3.0
Primestream(R) will demonstrate FORK(TM) Xchange(TM) Suite v3.0, a major upgrade to the application that gives broadcasters instant Web access to content on their FORK Production servers from any Windows(R), Mac(R), or tablet device. Xchange v3.0 features a completely redesigned iPad(R) interface optimized for Apple(R) iOS 7. Also new in Xchange, users can now manage non-video files such as audio, image, document, and project files. Direct integration with multiple transcode engines for proxy rendering is also available in Xchange v3.0.

Other new features and capabilities include:

* Xchange Uploader: Allows users to submit raw or finished packages directly into the FORK production environment via a Web-based interface.
* Xchange Downloader: Allows users to download source content in order to edit final packages locally, with the ability to choose among multiple qualities to download.
* Xchange Partial File Download: Allows users to download sections of media, leading to faster download workflows and eliminating the need to download entire media.
* Quick, Cuts-Only Editing: Allows users to create a rough cut with footage in Xchange and send the timeline to the FORK Production environment for distribution.

Photo Link: www.wallstcom.com/Primestream/Primestream-FORKXchangeSuite3.jpg
Photo Caption: FORK(TM) Xchange(TM) v3.0

FORK Logger With STATS
FORK(TM) Logger, the metadata tagging module in the acclaimed FORK Production Suite, now integrates with in-depth data feeds from STATS, the global leader in sports information, technology, and content. With this service, FORK Logger users can start their sessions with prepopulated placeholders that contain rich event data pulled from the STATS feed, such as team name, location information, rosters, conference name, and win/loss records. Working from these populated placeholders enables users to avoid manually entering data, which increases the accuracy of the descriptive information.

Photo Link: www.wallstcom.com/Primestream/Primestream-Logger-sports.jpg
Photo Caption: FORK(TM) Logger for Sports

FORK Archive Bridge v1.0
Archive Bridge(TM) v1.0 is a new module for the FORK(TM) Production Suite that provides tight integration between industry-leading archival solutions and the FORK media asset management and production automation platform. Archive Bridge enables disaster recovery workflows and interconnects multiple production environments with a central archive point — adding essential visibility into the archival workflow and allowing facilities to make the most of their archiving dollars.

Photo Link: www.wallstcom.com/Primestream/Primestream-ArchiveBridgeUI.jpg
Photo Caption: FORK(TM) Archive Bridge(TM) v1.0

Company Quote:

Spanish:

“Es siempre importante para Primestream participar en la convención de CAPER, este año vamos a exhibir nuestra completa suite de automatización y administración de contenido con los nuevos y avanzados módulos de Logger y Xchange con los cuales se obtiene una rápida y efectiva implementación de varios procesos incluyendo la posibilidad de trabajar en un ambiente de colaboración remoto a traves de la nube. A su vez en CAPER estaremos demostrando nuestra integración con múltiple plataformas de edición y captura.”
– Claudio Lisman, Presidente y CEO, Primestream

English:

“It’s always important for Primestream to participate at CAPER. This year we will show the entire FORK automation and asset management environment with Logger and Xchange being highlighted for fast metadata tagging and multisite cloud asset management environments. We are also emphasizing integrated workflows with leading NLE platforms that increase productivity and efficiency with features such as edit-while-capture.”
– Claudio Lisman, President and CEO, Primestream

Company Overview:

Primestream(R), a leader in advanced automation and asset management software, offers a seamless end-to-end platform for the digital acquisition of live and file-based content, editing, logging, control room and master control playback, Web publishing, smartphone video contribution, and archiving. Primestream’s proven solutions are implemented by some of the world’s leading broadcasters, uplink service providers, online digital media operations, corporations, and production/postproduction facilities, and are ideally suited for multisite operations. More information is available at primestream.com.

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