A virtual press conference from Sound & Video Contractor

Archive of the Tradeshow News Category

Wohler Products at CCW 2014

CCW 2014
Nov. 12-13
Wohler Technologies Product Preview
Booth 701

Tachyon(R) Wormhole(TM) Media Retiming
The award-winning Tachyon(R) Wormhole(TM) file-based media retiming solution enables up to a plus or minus 10 percent runtime adjustment while preserving not only video and audio quality, but also closed caption integrity. Based on Cinnafilm’s popular Tachyon algorithms and the Wohler RadiantGrid Intelligent Media Transformation Platform(TM) framework, Tachyon Wormhole saves time for content producers, allowing them to “fit and fill” — easily adjusting content to meet specific customers’ length requirements without compromising the integrity or quality of audio, video, and captioning/subtitling. In many cases, this approach allows users to replace a great deal of expensive specialized hardware with a single server at a fraction of the cost. At the same time, Tachyon Wormhole not only gives time back to broadcasters and content distributors, but also allows them to realize new revenue opportunities without materially altering the viewer’s experience of their media assets.

Photo Link: www.wallstcom.com/Wohler/Wohler-Tachyon-Wormhole.jpg
Photo Caption: Tachyon(R) Wormhole(TM) File-Based Media Retiming Solution

RadiantGrid Intelligent Media Transformation Platform(TM) Version 8.7
The award-winning version 8.7 of the Wohler RadiantGrid Intelligent Media Transformation Platform(TM) offers broadcasters a variety of powerful tools that boost the efficiency of file-based workflows for multiplatform media delivery. The platform enables fully compliant OTT offerings for leading formats, including MPEG-DASH, HLS, and Microsoft Smooth Streaming, and aids broadcasters and other content producers in meeting the array of target bit rates, resolutions, and frame rates necessary for today’s content delivery ecosystem.

The media processing engine parallelizes complex audio loudness correction alongside the video at unprecedented speeds. Along with optimized video pipeline features such as anamorphic video handling, 2K/4K Ultra HD support, and bit depths of up to 16-bit YUV, the RadiantGrid platform has been enhanced with the RadiantGrid Detect and Correct(TM) video legalization option, which leverages Wohler’s unique RightHue(TM) algorithm to ensure comprehensive NTSC and PAL color compliance within the file-based domain.

Photo Link: www.wallstcom.com/Wohler/Wohler-RadiantGrid.jpg
Photo Caption: RadiantGrid Intelligent Media Transformation Platform(TM)

MPEG DVB-ASI and IPTV Monitors
Providing functionality critical for facilities migrating toward IP-oriented distribution networks, the award-winning MPEG Series monitors decode and provide convenient at-a-glance monitoring of program content from MPEG-2/4 ASI and Ethernet IP streams, as well as 3G/HD-SDI inputs. To meet broadcasters’ increasing need for stream-based monitoring, the MPEG video monitors identify, decode, and display in high resolution both MPEG-2 and MPEG-4 signals (input via BNC or Ethernet), while giving users the ability to browse the PAT, PMT, PID, EIT, and NIT data (both ATSC and DVB tables) for each selected stream. In addition to MPEG ASI and dual-input 3G/HD-SDI with loop-through, the MPEG monitors also accommodate audio with level meters, GPI, and tally. Convenient monitoring capabilities include Dolby Digital and Digital+ decoding, as well as the capacity to decode as many as 12 audio groups. In-picture level metering of up to 16 channels of audio is provided for both average and PPM (peak) levels with selectable meter scales.

Photo Link: www.wallstcom.com/Wohler/Wohler-MPEG-4290-VideoMonitor.jpg
Photo Caption: Wohler MPEG-4290 Video Monitor

AMP2-E16V Series Modular Audio/Video Processing Monitor
The AMP2-E16V monitor’s feature list continues to be the longest in the industry, yet the product is operated with one-touch simplicity. In addition to its top-quality audio system, it features simultaneous multiformat monitoring, quick program selection, instant stereo downmix, loudness monitoring, internal channel mixing including SDI re-embedding, and audio delays. The monitor also includes a wide variety of meter scales and ways to view meters, video, and Dolby or SMPTE 2020 metadata.

The AMP2-E16V offers Dolby Zoom, Dolby E line position, and CRC error monitoring, as well as automatic system configuration based upon signal inputs, 32 complete system configuration presets, a complete internal help system, and Ethernet software updates. Audio processor card options facilitate easy configuration for multiple SDI, AES I/O, analog I/O, and connection to external surround systems.

A new AVB Monitoring Option card allows AVB channels to be mixed, level-adjusted, and monitored alongside AES, SDI, analog, and other input types, and in the same fashion. Further enhancements include new processing modules and newly developed software that expand the feature set and capabilities to include loudness monitoring and extended audio interfacing.

Photo Link: www.wallstcom.com/Wohler/Wohler-AMP2-16V-Audio-VideoProcessingMonitor.jpg
Photo Caption: Wohler AMP2-E16V Audio/Video Processing Monitor

AMP1-16M Dual 3G/HD/SD-SDI Audio Monitor
Wohler’s new AMP1-16M dual-input SDI audio monitor provides high-performance monitoring of embedded audio in two 3G/HD/SD-SDI streams at an attractive price point. The 1-RU system de-embeds and provides metering and monitoring of any or all of the 16 audio channels in the selected 3G/HD/SD-SDI stream. It assures intuitive operation and clear display of levels and other critical information using bright 2.4-inch LED-backlit LCD displays, enabling one-touch monitoring and summing of any selected channel pair(s) to built-in speakers, headphones, or XLR-balanced analog outputs.

The AMP1-16M monitor features a number of convenient capabilities including remote access for setup and storage of user-defined presets via Ethernet and USB connections, along with gain adjustment/trim on individual audio channels with the ability to assign channels as left, right, or center (both) to the internal audio system and the analog outputs. It offers both pass-through of each SDI input and a reclocked output of the selected monitored SDI stream.

Photo Link: www.wallstcom.com/Wohler/Wohler-AMP1-16M-Dual-3G-HD-SD-SDI-AudioMonitor.jpg
Photo Caption: Wohler AMP1-16M Dual 3G/HD/SD-SDI Audio Monitor

RDM-173 Slide-Out Rackmount Video Monitor
Wohler will feature the company’s RDM-173 slide-out video monitor, a 1-RU rackmount system that provides robust monitoring tools and 17-inch HD IPS (1920 x 1080) display in a design that is ideal for space-constrained environments. An optimal solution for AV conferencing and both electronic newsgathering (ENG) and OB production, as well as for integration into electronic field production (EFP) flypacks, the RDM-173 supports all formats of 3G/HD/SD-SDI, HDMI, DVI, composite, Y/C, and component video. The high-resolution display provides superb imaging video quality with viewing angles of 160°H by 140°V and both picture-in-picture (PIP) and picture-by-picture (PBP) display modes. The unit provides a 16-channel level meter on-screen, as well as waveform and vectorscope display, tally, time code, format display, and area/title safe indicators. Front-panel controls simplify operation, and intuitive on-screen menus make configuration easy.

Photo Link: www.wallstcom.com/Wohler/Wohler-RDM-173-3GFrontView.jpg
Photo Caption: RDM-173-3G Front View

Company Quote:

“At CCW 2014 we’ll highlight products with innovative functionality that enables users to realize greater efficiency and — through both cost savings and new revenue-generating opportunities — a rapid return on their technology investment. In particular, we will demonstrate the capabilities of the award-winning Tachyon Wormhole file-based media retiming solution, including the ability to insert additional ad spots seamlessly and to reduce and expand content runtime for international distribution without the need for manual editing of media.”
– Craig Newbury, Vice President of Sales, Wohler

Company Overview:

Wohler’s tradition of innovation began more than 30 years ago with the creation of the industry’s first in-rack audio monitoring product, and it continues today through the company’s continued development of unique solutions that span the baseband, stream, and file-based domains and include advanced monitoring solutions for video, audio, and captioning applications; solutions for IP monitoring, encoding, and decoding; and the award-winning RadiantGrid(TM) platform for efficient file-based content transformation and distribution. Together, Wohler’s advanced, cost-effective confidence monitoring and media transformation products ensure high-quality production across any platform and delivery to any device. More information about Wohler is available at www.wohler.com.

All trademarks appearing herein are the property of their respective owners.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Audio Playback, News, Tradeshow News |

Easy Access Distribution’s 15th Annual Emerging Technologies & Home Awareness Expo Draws 185 Integrators

Burlington, MA – October 24, 2014 – Steve Presti, principal of Easy Access Distribution – the Northeast region member of the Catalyst AV distribution network – reports that his company’s 15th annual Emerging Technologies & Home Awareness Expo, held October 15th and 16th at the Billerica, Massachusetts Courtyard by Marriott, had an attendance of 185 integrators.

WIlson Electronics Eastern Regional Sales Mgr Eric Mercil brought attendees up to speed on the merits of selling cellular signal boosters

WIlson Electronics Eastern Regional Sales Mgr Eric Mercil brought attendees up to speed on the merits of selling cellular signal boosters

Trainings conducted included The Internet of Things is Here (sponsored by Nest / Dropcam); It’s All About the Network (sponsored by Luxul); The Home Theater Experience (sponsored by Sonance) and Boosting a Better Signal (sponsored by Wilson Electronics). Vivitek projectors, Definitive Technology, Denon and DaLite came to together to demonstrate Dolby Atmos.

“Many of the trainings were 50+ attendees per session; proof-positive that integrators want to learn how to seize new opportunities,” says Presti. “We also had the 1st showing in New England of a deliverable Dolby Atmos system which created the anticipated response of a well-designed high-performance experience. All of these products are not the same – and we demonstrated this at the event.”

Milestone's regional sales manager Carole Masuck talking with attendees

Milestone’s regional sales manager Carole Masuck talking with attendees

“It is always productive for me to be part of the Easy Access Distribution / Catalyst AV Distribution Network team when they present their dealer shows,” said Carole Masuck, Regional Sales Manager of Milestone (Chief, Raxxess, Sanus and DaLite). “I’m able to work with many regional dealers and their sales teams, many of whom do not attend CES or CEDIA. They get a hands-on experience as well an opportunity for me to direct them on ‘what’s new / what’s not,’ ‘what’s hot / what’s not,’ ‘what the trends are,’ etc… I do not often have the luxury to touch so many dealers face-to-face in two short days!”

30 manufacturers had tables setup at the event to showcase their newest offerings. Participants included 2Gig, Alarm.com, APC, Atlona, Boston Acoustics, BrightSign, Catalyst AV Wire & Cable, Chief, ClearView CCTV, DaLite, Definitive Technology, Dropcam, Denon, Dynamat, enerG, EnGenius, Heos by Denon, IC Realtime, ICE Cable Systems, iPort, Launchport, Luxul, Marantz, Nest, Perfect Path, Pro Control, Raxxess by Chief, RTI, Russound, Sonance, TiVo, Vanco, Vivitek, and Wilson Electronics.

About Catalyst AV
Founded in 2012, Catalyst AV is a network of 12-independent consumer electronics distributors serving the residential and professional AV channels in the U.S. Catalyst AV grants manufacturers a consistent and cohesive nationwide distribution model to more than 15,000 professional integration specialists. Catalyst AV benefits integrators by delivering all the products and support necessary to execute the demands of job specifications with confidence. The Catalyst AV Board of Directors consists of Mike Hench (Electronics Source Distributors); Steve Presti (Easy Access Distribution) and Wally Whinna (Allnet Distributing). www.catalystav.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Residential AV, Tradeshow News |

Christie Interactive Visual Solutions Light Up Smartweek 2014

Christie® is serving as Innovation Lab Sponsor for SMARTWEEK 2014 in Toronto, October 24-26. The event is taking Toronto by storm, bringing the brightest minds, inventors, and industry leaders to the city for the first time together to advance the Internet of Things (IoT) and to experience Machine-to-Machine (M2M) communications. Kitchener-based Christie will light up their work using powerful and versatile interactive visual technologies in the Department of Computer Sciences (DCS) Innovation Lab at the University of Toronto’s Gerstein Science Information Centre.

Christie MicroTiles

Christie MicroTiles

What began as an idea to host SMARTWEEK in one major city has expanded across the globe, either as a joint or independent event.

“This ‘storm’ is beyond anything I ever imagined. The vision was to create a one-day event to explore emerging smart technologies and strategies that are shaping our connected world and challenging us all to see how IoT and M2M are transforming our lives every day. This is now a three-day event, with global offshoots,” said SMARTWEEK 2014 co-founder and lecturer, Helen Kontozopoulos.

“Our lineup of speakers and sponsors for SMARTWEEK are among the most respected in the industry and we are excited to be live streaming many of the conference sessions and offering them post-event on YouTube. We are grateful for Christie’s technology support, which lets us showcase creative interactive digital content  including renderings created by Mulvey & Banani architects  to illustrate to potential funders the type of computer science department the University of Toronto envisions for its students and industry researchers. Our aim is to make the university, Toronto, and Canada a polestar for Internet of Things where great minds with big ideas make things happen.”

Christie technology in the DCS Innovation Lab includes:
- A 4 by 6 Christie® MicroTiles® array with Christie Jumpstart content management solution which allows the display of multiple, high-bandwidth video files, graphics.
- Christie Interactivity Kit is a distinctive solution for adding multi-touch interactivity to any digital display. It allows multiple users to interact simultaneously with content on Christie MicroTiles or any video wall using finger touch gestures.
- Two Christie FHD651-T 65 inch LCD flat panels and one Christie QUADHD 84 inch flat panel.

Mario Grech, SMARTWEEK co-founder, University of Toronto alumnus, lecturer and co-creator, (with Kontozopoulos), of the Department of Computer Sciences’ “The Business of Software” course, said, “We are seeing the entrepreneurial ecosystem, government, higher education and industry intersect with IoT at a level where Canada is ideally positioned as a technology hub for this exploding segment of the high tech sector. I returned to Toronto after years in the Silicon Valley to bring its culture of entrepreneurial innovation and creativity to my alma mater through lecturing, seed-funding and growing the Department of Computer Science’s innovation engine into one to be envied around the world.”

John Hallman, senior director of Canadian sales at Christie, said, “SMARTWEEK brings together industry leaders, startups and thought leaders from a global technology sector that is experiencing explosive growth. As a visual and audio technology solutions leader, Christie is at the forefront of innovation in IoT commercialization and pleased to showcase industry-leading ideas and the university’s vision for its computer science department lab of the future on bright, large-format visual displays.”

On October 26, Mark Barfoot, managing director, Hyphen Services, a division of Christie, will participate in ‘Creating IoT: 3D Printing and Prototyping,’ a Smart Industry-themed panel session exploring rapid and distributed prototyping and bespoke manufacturing. Attendees will learn how improved tools and connectivity connects people to printers and printers to assembly lines.

Follow the live streaming online at http://www.smartweek2014.com/

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Tradeshow News |

DANLEY DOES DOUBLE DUTY FOR RICHWOODS CHRISTIAN CHURCH AND SATELLITE LOCATION

Richwoods_ExteriorPEORIA, ILLINOIS – OCTOBER 2014: Richwoods Christian Church was founded in the late 1990s by pastor Jim Powell in Peoria, Illinois. Its congregation was initially small, a scant sixty-five people, but those congregants were motivated to grow the church. They succeeded, and today Richwoods Christian Church brings 1,400 people together every weekend, spread across four services at two locations. The larger location built its current sanctuary in a former high-end furniture store, where, despite low ceiling height, local A/V integration firm Advanced Audio and Lighting gave the church a highly-intelligible and musical sound reinforcement system based on Danley Sound Labs SH-50 full-range loudspeakers and TH-115 subwoofers. Not wanting to compromise at the satellite location, Richwoods Christian Church asked for Danley again. There, a collapsible system of self-powered Danley SH-96 loudspeakers and TH-118 subwoofers meets that goal.

“Everyone we worked with at Richwoods had a clear vision of what they wanted to achieve without getting overly involved in the nuts and bolts of how it would be achieved,” said Trent Keeling, vice president at Advanced Audio and Lighting. “Quality audio was high on their priority list. They wanted a system that would deliver their very contemporary praise and worship style with authority. Because there’s a lot of musical talent in the church, they needed something that would serve everything from orchestral music to a five-piece rock band, on top of having excellent intelligibility.”

Richwoods_PerformanceWhile the church’s new location in a former furniture store would serve it well in terms of location and accessibility, it was not ideal for sound reinforcement. There was only a nineteen-foot distance between the floor and the low steel, which was compressed even further by a modest stage and drop ceiling. “That’s not a standard hang height,” laughed Keeling. “One of Richwoods’ signature programs is its Christmas pageant, which involves, at various points, up to thirty children running around stage with open omnidirectional lavalier mics. If we could place the PA twenty-five feet up and twenty-five feet forward, then just about any loudspeaker could pull that off. But here we were going to be right above the stage, sixteen feet up. That’s where you separate the men from the boys.”

Keeling’s solution was to cover the room with four Danley SH-50 full-range loudspeakers, two close-packed on each side of the stage. “Danley’s Synergy Horn loudspeakers, like the flagship SH-50, have excellent phase coherency and precise pattern control down to 350Hz and lower,” he said. “Because of that pattern control, the SH-50s can be right above the stage without collapsing into feedback. In addition, the fact that the SH-50 is a three-way enclosure gives Richwoods great vocal intelligibility.” Two flown Danley TH-115 subwoofers provide low-end support. The system is nominally stereo, but because the six hundred-plus seat room is so wide, the techs are “discouraged from doing any hard panning,” in Keeling’s words. Biamp Audia provides modest processing, Lab.gruppen amplifiers power the system, the FOH desk is a Yamaha M7, and Shure microphones provide input.

The church was so pleased with the quality of its Danley sound reinforcement system that it motivated the approach they took to designing a satellite location, Richwoods East. “They recognized that the quality of their services was an important component of Richwoods’ success,” said Keeling. “They wanted the satellite to live up to the quality of the ‘Mother Ship’.” The 500-member congregation of Richwoods East meets at an Embassy Suites ballroom using a portable, plug-and-play system. Keeling maintained the ‘Mother Ship’s’ quality by designing a ground-supported system of two self-powered Danley SH-96s and two self-powered Danley TH-115 subwoofers.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

FSR Demonstrates Ever-Expanding Leadership Role In Education Market With Launch of Dedicated Website

Woodland Park, NJ – FSR, an industry-leading manufacturer of products for the Pro AV market, continues to make serious inroads in the education market by announcing the launch of its new, dedicated education website (www.fsr.education). Jan Sandri, FSR president, announced details from the company’s headquarters in Woodland Park, NJ, of how it will continue to strengthen and grow its presence and brand recognition even further within education — a key segment of the market. This news follows FSR’s appointment earlier this year of Gina Sansivero as its new director of educational sales.

“We clearly take schools, learning and the education market extremely seriously and feel that many of the initiatives we’ve taken this year have demonstrated FSR’s ever increasing commitment to this important market segment,” said Sandri. “We welcomed Gina to the FSR team in early 2014 to help us continue to expand our role as a leader in this market. Now, we take our commitment even further by launching a web site completely dedicated to this same segment. As technology for learning continues to evolve, along with the needs of those working in various areas of this core industry, it’s imperative that we keep providing our customers with the advanced tools and technologies they need to properly prepare the next generation of thought leaders.”

The new website, which is dedicated to tech managers and end-users, delivers the latest news on technology and infrastructure solutions for higher education and K-12 school systems. Among key social and dynamic features is a blog that helps keep visitors informed of new and emerging industry trends and ideas, a related Twitter handle (FSR_EDU) and a place for visitors to sign up to receive an education specific monthly e-newsletter that will feature current information about trends in education, articles, news and FSR’s products and solutions specific to the education market. Further, the newest FSR case studies are posted to exemplify how FSR’s technologies are used throughout all areas of the education market and how new products and solutions are ever evolving to create an even more comprehensive and cohesive offering to the company’s highly regarded education customers. Additionally it will be a resource for those involved with educational technology to share feedback, requests, challenges and successes so that FSR can address them with solutions tailored to their need.

FSR is committed to teaching those working in higher education and K-12 about the company’s newest opportunities and solutions for interactive and collaborative learning systems. The new website features the latest company news and events that will offer those interested the opportunity to meet with FSR staff in person at various industry and market specific shows and conferences.

About FSR
FSR, established in 1981, manufactures a wide variety of signal management and infrastructure solutions for the audio / video, datacom, education, hospitality, government, and religious markets, including floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and HDBaseT & CAT-X signal delivery solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Public Relations & Advertising
Harriet Diener
845-512-8283 • mailto:harriet@desertmoon.tv

Riedel Communications CCW Expo 2014 Product Preview

Visit Riedel Communications at the CCW Expo 2014, Stand 1241 more

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News, Tradeshow News |

PIE MAN SOUND ENSURES LONGEVITY WITH 32-CHANNEL API 1608 CONSOLE

Pie_Man_SoundCARY, NORTH CAROLINA – OCTOBER 2014: Pie Man Sound opened last month in Cary, NC, – co-owners Max and Mitch Dancik were so eager to start using their 32-channel 1608 that it’s already been used to record several local projects. Mitch said the studio is already booked solid through the year with musicians from a variety of genres anxious to record. Among others, the studio is looking forward to sessions with a young jazz/rock band working on their debut album, a quartet of Mexican classical guitarists, and a quartet of classical sax players. Mitch believes the 1608 has been a huge part of Pie Man’s early success: “My standard setup allows me to switch from record to mix mode instantly. In a ‘mix as you go’ world, this capability is critical, and a very good reason for 1608 users to consider that extra sixteen tracks.”

Pie Man was designed and built from the ground up by Wes Lachot, who told the Danciks that the 1608 would take the studio from ‘great to WOW!’ “I visited various studios,” Mitch Dancik added, “including Manifold, and my ears said it was worth it. Another important consideration was reliability and maintenance. My friend Neil Steingart was an engineer at the Record Plant in NYC and he always spoke about the indestructible API console on their mobile studio truck.” While practical elements like these helped Dancik make his decision, he said, “The most important feature is the magic that the API imparts to the sound. API is one of only a few companies keeping the best of the analog technology alive and I hope consoles like the 1608 will always be available.”

The console has not only been used on a variety of projects, but also for a wide variety of technical processes. Dancik was excited to explain how multi-faceted he has found his new gear: “The 1608 is integrated with my DAW solutions, with everything going through the API on the way in and the way out. I do hybrid mixing, with fine adjustments in the box, and broad moves on the API.” His experience with API gear is not limited to his own console, though. He attended a session with producer Joe Chiccarelli at Studio La Fabrique, “and every time he got frustrated with a piece of malfunctioning outboard gear, he’d switch to an equivalent piece of 500 series gear in an API lunchbox he had brought along. The API gear always worked as expected. I told Joe I was considering a 1608 for a new studio, and he said ‘go for it!’”

ABOUT API (AUTOMATED PROCESSES, INC.) Established 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608, and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

METRIC HALO LAUNCHES DIRTY DELAY

MH_Dirty_Delay_webSAFETY HARBOR, FLORIDA – OCTOBER 2014: Metric Halo is pleased to announce the immediate availability of its brand new MH Dirty Delay plug-in.

Dirty Delay is a visceral, gritty, fantastic-sounding musical feedback delay processor with integrated Character and filters in the delay path. It can create awesome vintage echo and tape-delay style sounds as well as lush and subtle spaces in a mix. New users are already finding that it is more “real” sounding than alternative in-the-box delay processors.

Not just a musical feedback delay, MH Dirty Delay is something special. With the integrated filters and Character in the feedback path you can make it clean or dirty, vintage or futuristic, subtle or nasty.

With dual delay lines, cross-feed, feedback and distortion control, Dirty Delay is capable of creating extraordinarily rich and complex textures and patterns from your audio. Dirty Delay adds texture and movement without the veiling and darkening of the sound that is often associated with other feedback delays.

Dirty Delay is equally at home in production and performance.

One License, All Formats
The license for Dirty Delay covers the Native version for VST, AU, and Pro Tools AAX on both Mac and Windows. Dirty Delay is available individually or as part of the Production Bundle. MH Dirty Delay supports both computer-based licensing and optional iLok dongle-based licensing.

A Lot of Performance, Not A Lot of Price
Dirty Delay is available from dealers or directly from http://mhlabs.com. New software licenses for Dirty Delay are available for a MSRP of $179 each, with an introductory price of only $75 each (until 10/31/2014). New Production Bundle licenses (which includes Dirty Delay) are available with a MSRP of $699, and are currently on sale for only $299 (until 10/31/2014).

A free 30-day trial of Dirty Delay is included in the Production Bundle trial and is available from https://mhsecure.com/DemoCentral/

ABOUT METRIC HALO Based on the Gulf Coast of Florida, Metric Halo provides the world with award-winning software and hardware recording, processing, metering and analysis solutions.

https://www.mhsecure.com

PANORAMIC HOUSE CELEBRATES ITS FIRST YEAR WITH GREAT OCEAN VIEWS AND AN API 1608

Baccigaluppi_PanoramicHouseWEST MARIN, CALIFORNIA – OCTOBER 2014: Panoramic House is a personal recording studio and vacation home owned by John Baccigaluppi and Bobby Lurie, located on the western Marin coast north of San Francisco. The duo, who own and operate studios on both the east and west coasts (The Dock in Sacramento, CA and Mavericks in NYC), renovated the historic 1960s structure, which was built entirely from recycled architectural materials salvaged from the Bay Area. Now, Panoramic House is celebrating its first year of operation with equipment relocated from Baccigaluppi’s former recording studio, The Hangar, which includes his recently-expanded API 1608.

When the five-year-old 1608 moved to Panoramic House, it was expanded to 32 channels to accommodate the studio’s 16- and 24-track analog tape decks. “With more analog tracks, we needed more console real estate,” said Baccigaluppi. “The 1608 has served me very well. I love that it has the same API circuitry that runs its large-format consoles. Eight aux sends and eight groups paired with the modular 500-series slots make it a very versatile board. We have a lot of EQ flavors, including a handful of API 550A’s, 550b’s, and 560′s.”

Baccigaluppi’s familiarity with API equipment is a contributing factor to what has made the 1608 the heart of the new studio. “Panoramic House is definitely analog-centric,” he said. “The first console I ever worked on was an API 2488 at The Evergreen State College in Olympia, Washington, and I love that the 1608 continues in that tradition. Moreover, clients are always impressed. API is a trusted name in the industry.”

Panoramic House has already been host to several big-name indie bands, including My Morning Jacket, Band of Horses, and Thee Oh Sees. With the first year behind them, Baccigaluppi and Lurie are looking forward to the fall and winter in Stinson Beach and Bolinas. “It’s funny,” Baccigaluppi said, “that most of the vacation renters come to town during the summer when it’s foggy to the point that you feel like you’re in a cloud. But that’s when people take vacations, I guess. Conveniently, most musicians are touring during the summer. The other three seasons are lovely, and that’s when most musicians want to settle in and create. Plus, that’s when the surfing is the best!”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Websites to include:
https://www.vrbo.com/505782
http://www.singlefinstudiogroup.com/

Rogue Element Embraces an Open Source Philosophy

Dan Mulligan

Rogue Element has become one of the first digital cinematography companies in the UK to adopt an Open Source policy for its rental division by providing Open Source Digital Camera Solutions.

In a move designed to unleash and encourage creativity, the Soho-based company is ensuring that 4K cinema is fully open to everyone by making AXIOM Beta Open Digital Cinema Cameras available to its rental customers.

AXIOM Beta cameras are the first products to be developed by apertus°, an Open Source cinema organisation founded by film makers and financed through crowd funding. The people behind apertus° were galvanised into action when they became concerned with the expensive and limited tools they were forced to work with every day. Instead, they wanted access to affordable devices and technology that delivered the highest possible image quality and could be customised to exactly suit their needs.

Since its formation in 2007, the apertus° project has applied an Open Source philosophy to everything it has developed. As no patents have been filed, anyone can access the technology behind its cameras and people are actively encouraged to adapt, modify, repair and even replicate them. To date, reaction has been very positive. Not only has the company achieved – and exceeded – its initial crowd funding target but it also has the backing of some very important film makers and cinematographers.

ASC and AIC Cinematographer Roberto Schaefer, who was responsible for films such as Quantum of Solace, Finding Neverland and Stranger Than Fiction, says: “I believe than an Open Source camera will allow us to customize the digital camera to our personal liking. That should include ergonomics and hopefully give the ability to get rid of the shoebox, front heavy trend of current designs. I look forward to using custom elements to create the new Digital Aaton, even though they are no longer in business. The design possibilities that I’ve seen from the apertus° project are exciting, as are the image creation possibilities. Not being locked in to any one company’s idea of what the images should look like is a breath of fresh (film) air. Currently in order to switch film stocks we have to change camera systems. The AXIOM will hopefully change all of that and allow us to change stocks with a physical switch.”

His views are shared by Emmy and Academy Award-winning DOP and Visual Effects Supervisor David Stump, who says: “The spirit of Open Source frees up the creative spirit to do something that no one else thought of,” while IMAX cinematographer Lee Ford Parker adds: “Open Source cameras are a step back toward the dark room, in which making the tools is part of the joy of making the art.”

The AXIOM Beta camera has just been released and is currently only available at cost to the community that backed the initial crowd funding campaign. Rogue Element was one of those backers and Managing Director Dan Mulligan says: “Open Source is a fantastic concept and we are delighted to be supporting apertus° by making this format available to the UK rental market. In taking on the Open Source philosophy, we hope to facilitate unfettered access to the technology and free up the creative spirit so that the cinema industry can engage in practices that encourage freedom of expression and is no longer limited by who can contribute.”

Established by Mulligan in 2001 firstly with camera rentals, Rogue Element then pioneered tapeless and file-based digital workflows and onset correction with 3D LUTs, S.two & Codex data recorders and Filmlight colour timing suites until 2011.
Now starting an Open Source operation for 2014 onwards Rogue will offer new camera solutions and options for the Broadcast & Features markets.

Rogue Element can also provide dailies and workflows for Arriraw (Alexa 16:9/4:3 sensors) RED RAW (RED Epic & Dragon 6K),Sony S-Log3 (Sony F65), Canon RAW (Canon C100/300/500), Cinema DNG (Blackmagic), GoPro and many other of today’s professional and niche camera systems. With this new operation for 2014 we want to pursue new avenues for the market.

Dan Mulligan, who has recently returned to Rogue Element after a three year stint at Technicolor, says: “The Arriraw format is now well established and there are a raft of high-end products catering for this market. We are still providing our customers with access to these workflows as they continue to develop, but thanks to our investment in the apertus° project we can now bring a very high quality Open Source 4K camera to the market at a much lower entry cost.”

Mulligan adds that for many film makers, cost can be an ongoing issue and the price of using high end equipment does bar many talented people from entering the market.

“This is why it is good to see the appearance of an Open Source camera system that has a much lower entry point,” he says. “The ability to create your own 4K camera and your own workflow is hugely beneficial for the film and broadcast industry because it will encourage content creation and allow people to get involved at much less cost.”

Rogue Element is not initially consider charging for the rental of its AXIOM Beta cameras. Instead, it will make its income through consultancy and through supplying additional new sensors, lenses, tripods etc., and add on services such as storage and workflow.

“We want people to try them so we are making them as easily available as possible,” Mulligan says. “With the Axiom Open Source we now have a camera solution coming from an opposing end of the release spectrum with a differing approach to its target audience. There should be more than enough room for both this and the higher end systems.”

-ends-

About Rogue Element:
Rogue Element provides digital cinematography filming services plus data and dailies, to the Film and Broadcast industries. A pioneer in tapeless and file-based digital workflows and on-set colour correction, the company’s growing rental division also supplies and supports a wide range of professional Digital Cameras including RAW camera systems and workflows, apertus° AXIOM Beta Open Source cameras and new solutions for RAW workflows.
www.rogueelementdigital.com

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

November 2014
M T W T F S S
« Oct    
 12
3456789
10111213141516
17181920212223
24252627282930

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication