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Jünger Audio Shows The D*AP4 VAP Voice Processor At NAB 2014

At NAB 2014 (Booth C2134), dynamics processing specialist Jünger Audio will be showing its recently introduced D*AP4 VAP Voice Processor – a unique unit that is designed to make life easier for engineers working in radio stations, TV production voice-over studios and feature film ADR facilities.

What makes this processor so special is the inclusion of Jünger Audio’s proprietary Spectral Signature™ dynamic EQ – a totally new creative tool that offers automatic and dynamic EQ control to balance spectral differences. By analyzing incoming audio and comparing its spectrum with individually predetermined voice ‘fingerprints’, this clever unit can automatically apply dynamic EQ corrections to give a consistent sound.

For people working in TV voice over and feature film ADR, this facility is a Godsend. Imagine, for example, that you have booked an expensive and well-known actress to voice the cute little rabbit in your new children’s TV series. Over the course of the recording sessions you notice that her voice sounds different at different times of the day – maybe because she is tired, or has developed a sore throat, or has had a heavy night and smoked a lot of cigarettes. If you want your rabbit to sound exactly the same every time, how do you overcome this?

Jünger Audio’s D*AP4 VAP Voice Processor is the answer. On day one you record the actress’ best rabbit voice, and then measure it using Spectral Signature. The voice’s tonal characteristics are analyzed and recorded as a curve on a graph, which is used as a template for all future recordings. The next time your actress does her rabbit voice, the unit compares the new recording to the saved version and automatically adjusts the frequency until both voices match. Voilà! A perfect rabbit voice every time, thus saving a fortune in repeated ADR and voice over sessions, not to mention a lot of frustration on all sides.

Jünger Audio’s D*AP4 VAP Voice Processor is equally interesting to radio broadcasters who want to create an aural identity for their radio stations. By using exactly the same spectral sound management principles, the unit measures specific voice recordings and then uses these sound fingerprints as a reference. The Spectral Signature algorithm matches all subsequent live recordings to these fingerprints, thus creating a dedicated ‘station sound’.

“The D*AP4 VAP draws on our extensive experience with previous Voice Processing devices such as our popular VO2, but adds new tools and algorithms to create an easier and more efficient approach to voice processing with no compromise in sound quality,” says Peter Pörs, CEO of Jünger Audio. “We have also included processing such as HP/LP filtering, versatile dynamics section, full parametric EQ and de-essing, and made the unit really easy to use – even for non-technical radio staff such as producers and journalists.”

Jünger Audio has also provided a dedicated voice leveler combined with an auto-mixer circuit to help mixed voice programs into loudness-based broadcasting on the fly. Using the optional SDI I/O card automated voice over for SDI embedded audio becomes an attractive feature of the D*AP4 VAP.

Available as either an insert into a mixing desk or as a stand-alone unit, D*AP4 VAP offers interfaces that allow integration in existing environments via an AES insert. The unit can also be used with an optional analogue board that adds two high quality mic-preamps.

For more information about Jünger Audio’s D*AP4 VAP, please visit NAB booth C2134 or visit the company’s website at www.jungeraudio.com

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

The Music Producers Guild Introduces Mastering Engineers To Broadcast WAV

As the music industry prepares to adopt the Broadcast WAV file format as the best means of embedding ISRC data into future recordings, the Music Producers Guild is hosting an event to highlight the importance of this initiative and give recording professionals the information they need to make it a success.

The event, which is primarily aimed at Mastering engineers, will take place at the Hospital Club in London on the evening of April 9th, 2014. It is sponsored by digital audio workstation manufacturers Magix/Sequioa, Merging/Pyramix and Prism Sound/SADiE, all of whom have recently announced their support for the initiative by backing file exchange between their systems.

Headed by Alchemy Mastering’s Barry Grint, the MPG has led a strident campaign to get Broadcast WAV accepted by the music industry in place of ordinary WAV files, which don’t contain a method for embedding ISRC information. Their efforts have been successful as the boards of both the BPI and AIM have now recommended to their members that this new format be adopted.

“Our event on April 9th is the only opportunity Mastering engineers will have to understand and prepare for this format change,” Barry Grint explains. “Each of our DAW sponsors will demonstrate how the ISRC embedding process fits within their workflow, and how they are working together to ensure seamless exchange of the data between all of the workstations. This is a massive step forward for the industry and we really hope that Mastering engineers and other recording professionals who are interested in ISRC will take the opportunity to come along and learn more.”

Grint adds that the importance of ISRC cannot be understated. ISRC, which stands for International Standard Recording Code, is uniquely allocated to every song recorded. These codes are then registered with royalty payment agencies, thus ensuring that recording artists and copyright holders are properly remunerated for their work when it is played on radio or TV.

Broadcast WAV, the professional WAV format created by the European Broadcasting Union, can carry ISRC information and this is why MPG is so keen to see is adopted by as the de-facto standard for music interchange in the production process.

“The inclusion of ISRC information will remove the need for it to be re-entered and reduce the opportunity for error,” Grint says. “The new system is simple to implement and, once adopted, it will allow ISRC to flow through the whole production chain.”

The MPG’s aim is to establish ISRC as the cornerstone of every aspect of digital asset management, from tracking and reporting through to royalty reporting and song identification. This will give the entire music industry a robust and secure system for identifying tracks, and who had input into their creation, so that it can safeguard the incomes of all artists and copyright owners.

Ultimately, the adoption of BWF as standard will provide a cornerstone for the MPG’s Credit Where Credit is Due campaign, which aims to highlight the woeful lack of credit information within the digital domain.

“Our overall goal is to ensure that all music creators receive proper credit and proper payment for their work, and having an industry-standard technical solution that allows credit information to be included in the metadata is a major step forward in achieving this ambition,” Barry Grint says.

To register for this event, please visit: http://www.mpg.org.uk/events/279

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About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

DK-Technologies Shows its New DK T7 Audio Meter at NAB 2014

Danish manufacturer DK-Technologies is using the NAB 2014 platform to highlight its new DK T7 Audio and Loudness meter, which will be on show for the first time in the USA (Booth N1201, in conjunction with Ward-Beck).

Launched to enormous critical acclaim at IBC 2013, the ‘everything included’ DK T7 is now shipping with the first units already installed into two Calrec consoles destined for Al Jazeera London.

Designed as a cost-effective, one-box solution for broadcast and post production engineers, the DK T7 incorporates as standard every Audio and Loudness meter function currently offered by the award winning DK Meter range. These functions include Bargraphs, Moving Coil Emulation, DK-technologies’ proprietary StarFish™ and JellyFish™ display technology, FFT spectrum analysis and, of course, industry compliant Loudness and Logging.

The new DK T7 also includes 3G SDI Picture Preview, as well as the ability to read and log against SMPTE time-code – a feature that has only recently been added to the DK Meter range. At just 20 x 135 x 180 mm (depth, height and width), its compact design also allows it to be highly portable and easy to position, while its intuitive multi touch interface makes it very straightforward to use.

“The DK T7 allows end-users to adapt to virtually any format including 3G SDI I/O,” says Uffe Kjems Hansen, Product Marketing Director at DK-Technologies. “The unit also offers 8 AES/EBU input/output channels, 2ch Analogue input channels, headphone output and HDMI monitor output. At just €3,495 and USD 6,390 MSRP, there is simply nothing else on the market in this price range that gives users access to so much functionality.”
At NAB 2014, DK-Technologies will show a new Theatrical Mixing 7.1 Surround display feature for the DK T7, which will have particular relevance to engineers working on big motion picture productions. Also on show is a new pause/resume function for Loudness Logging that will save engineers time when they are adjusting Loudness to hit targets on larger time spans.

“Essentially, this function allows engineers to work step-wise through the entire audio clip, rather than having to go back and measure loudness from the top for every tweak,” Kjems Hansen adds. “The DK T7 was already the most comprehensive audio meter on the market but with these new features it can deliver functionality that no other audio meter can offer.”

DK-Technologies will also be using the NAB 2014 platform to launch its new Matrix PC application, which allows complete audio routing, preset handling, backup and overall management of an audio meter from the end user’s computer. Designed to work with all DK meters including the new DK T7, the Matrix PC application gives users a much better graphical overview of their meters – and significantly easier setup and handling.

Also on show for the first time will be the new DK T7 Stereo – an entry level version of the DK T& meter that is designed for engineers working in stereo.

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About DK-Technologies
DK-Technologies develops and produces a wide range of audio meters, video sync and test signal generators and video waveform monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

DK-Technologies Appoints A New ‘Budee’ In China

Audio and video metering specialist DK-Technologies has expanded its sales potential in China by appointing Beijing-based Budee Technology Development Company as its new distribution partner.

Founded by Mao Yanjun in 2002, Budee is now one of the country’s fastest-growing professional audio companies with over 100 employees and two branch offices and five provincial offices in mainland China.

Mr. Cheng Zhongjun, vice president and head of Budee’s Technical Division, says Budee’s new cooperation with DK-Technologies will allow the company to offer customers technology-driven metering products that deliver the right solutions for the broadcast and pro audio industries.

“We are very impressed by the reliaility of DK-Tecnologies’ products and their long standing reputation within the broadcast and pro audio industries,” Mr Zhongjun says. “DK-Technologies’ products cover numerous applications, from video to audio, and from radio to TV and post production. Budee’s business also covers a wide range of installations and we are very interested in expanding into new markets. Our cooperation with DK-Technologies gives us our first core brand in the broadast industry, and it certainly won’t be the only one. Working with an advanced and well respected brand like DK will allow Budee to build its own reputation in the broadcast field.”

Mr. Zhongjun adds that DK-Technologies and Budee both share the same core values of respect for customers and professionalism.

“We believe in always putting customers first and only recommending products and systems that are best suited to their needs,” he says. “Trust and friendship are very important and are central to the way both Budee and DK-Technologies do business. We also believe in long term brand management and we look forward to developing a firm friendship and long relationship with DK-Technologies.”

Uffe Kjems Hansen, of Product Marketing Director at DK-Technologies, says: “Budee is already well established in the pro audio and post production markets and is now expanding its remit into the broadcast sector. This perfectly suits our product line, which includes high end audio and video monitoring and metering products that are renowned for their extreme accuracy and quality. We see China as a major new market for DK, particularly for our Award-winning portable and affordable Loudness metering solutions, and we are very excited to be working with a distribution partner that is so obviously technology-oriented.”

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About DK-Technologies
DK-Technologies develop and produce audio meters, video sync, test signal generators and video waveform monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

Junger Audio Helps Polish Broadcasters Get To Grips With Audio Loudness

The issues surrounding audio loudness control were highlighted recently as a training seminar and workshop organised by Polish broadcaster TVP.

Dynamics processing specialist, Jünger Audio, in conjunction with its local distributor, Profi Audio, helped TVP organise and deliver the content for the seminar, which took place at TVP’s headquarters in Warsaw. 60 delegates attended the day-long session, including many from TVP, Polish Radio and private Polish television stations. As well as seminars, there was also lively debate between the delegates and panellists.

“Loudness is obviously a topic that Polish broadcasters are very interested in and we were thrilled by the response to the seminar,” said Jünger Audio’s International Sales Manager Christoph Harm who chaired the event.

Speakers at the seminar included Barbara Turowska, Director of the Department of Monitoring KRRiTV (Poland’s National Broadcasting Countil), who explained the impact on Polish broadcasters of EBU R128-based Loudness regulations that were introduced in 2011. Turowska also stated that KRRiTV is keeping a close eye on the loudness situation in order to satisfy local viewers who complain if commercials are louder than programme material. She added that more restrictive loudness regulations are due to be implemented later in 2014 to combat this issue.

Also on the podium was Peter Pörs, CEO of Jünger Audio, who defined audio loudness and discussed applicable standards including EBU R128, and all versions of ITU 1770. Pörs also highlighted the practical solutions broadcasters can take to control, measure and record audio loudness so that they are prepared for any future legislation that might be introduced.

The seminar ended with a presentation by Christoph Harm who introduced specific Jünger Audio products that are relevant to this topic, including the Voice Processor D*AP4 VAP edition, a unique unit that includes Spectral Signature™ dynamic EQ. He also highlighted the D*AP 8 MAP Monitoring Processor – the only loudness processor that can act as a successor to the Dolby® DP570 tool, which was discontinued in 2013.

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

Anton/Bauer Introduces New Digital Battery and Performance Charger Series at NAB 2014

Anton/Bauer NAB Booth #C6025

Innovative Battery and Charger Lines are Designed to Power the Digital Age


Anton/Bauer®
, a Vitec Group brand and premier provider of battery, charging and monitoring technologies for the broadcast, film and video industries, will unveil its Digital Battery Series and Performance Charger Series at NAB 2014. Redefining the power standard for a new generation of cameras and auxiliary equipment, Anton/Bauer’s revolutionary Digital Battery Series is the first battery line designed specifically to power digital production for the professional broadcast, cinema and new media sectors. The Performance Charger Series utilizes new technology to deliver the fastest possible charging sequence, while exceeding the high-efficiency standards required by today’s rigorous shooting schedules. Anton/Bauer will showcase these ground-breaking innovations at their exhibit (booth #C6025) at NAB 2014 in Las Vegas, which runs April 7-10.

As cameras and technology have evolved, so have their power use profiles. The new Digital Battery Series meets the unique needs of 4K camera set-ups and other digital cameras in use today, while providing top-tier levels of safety, performance and reliability. Delivered with a modern, ergonomic, mold-breaking design, the battery contains a proprietary digital filter that increases run-time and lengthens life cycle, eliminating the negative effects incurred when running digital technology with traditional battery circuitry. The series will include three battery sizes (90 Wh, 150 Wh, and 190 Wh), all with Anton/Bauer’s signature Gold Mount connector and balanced, high-quality cells that deliver a long performance life.

The Digital Battery Series utilizes constant calibration to deliver a truly accurate power status and features a new, easy to read fuel gauge. When the battery is attached to a load, such as a camera or a light, it will conveniently report the remaining run-time in hours and minutes, allowing the user to effortlessly track usage. If the load varies, the run-time will update accordingly. When the battery is not attached to a load, it reflects the state of the battery charge as a percentage of capacity.

The innovative Performance Charger Series supports the Digital Battery Series and features a new, efficient charging algorithm for multi-chemistry, simultaneous charging. The new algorithm ensures rapid charging of up to four batteries at a time, all while conserving energy, eliminating waste, and reducing cost of ownership. Software constantly monitors the charging process and discharge curves to ensure that each battery is charged to its peak performance. The Performance Charger series is nearly 40% more efficient than traditional chargers, rendering large power supplies virtually obsolete.

The stylish design and LCD touch screen reflect a truly 21st century system. The ergonomic chargers are easy to carry, and the batteries are easily removed from the charger, enabling smooth operation in the field. The Performance Charger series automatically detects which battery has the strongest charge and prioritizes it, ensuring that a fully charged battery is always available in the shortest amount of time possible. The new charger series also has a regulated XLR output to power a camera.

“This is the most exciting thing that’s happened to batteries for our industry in over 30 years,” says Graham Sharp, Senior Vice President of Products for Vitec Videocom. “We’re very pleased to be debuting battery and charger systems at NAB that were truly conceived to power the digital age. The Digital Battery Series is uniquely optimized for today’s cameras, as well as all of the auxiliary equipment now being powered around a camera, and the Performance Charger series is both the ‘greenest’ and most efficient charger on the market. At Anton/Bauer, we pride ourselves on not only delivering the highest levels of quality and performance, but of safety as well. These batteries were extensively tested to meet the most demanding conditions and are specially engineered to encompass numerous safety features.”

Anton/Bauer’s Lithium-Ion Digital Batteries are the safest on the market. From an electrical viewpoint, the batteries contain sensors that consistently check temperature and current, shutting the battery off if any rise in temperature or increase in current is detected. From a physical perspective, the batteries are designed to ensure that every cell in a pack stands alone, with 2 millimeters of space in between and air circulation corridors to prevent overheating. This is achieved with a unique, plastic honeycomb that creates an individual housing for each cell. With a high-impact resistant plastic molding, a double skin, and no danger of cells touching each other, thermal transfer is minimized should a battery be dropped or crushed in any way.

The high performance, competitively priced Digital Battery Series and Performance Charger Series will be available to the marketplace in the second quarter of 2014.

For more information, visit www.antonbauer.com or call (800) 422-3473.

DVEO to Introduce 2-7 Channel IP Multiplexer/Demultiplexer at NAB 2014

T-Mux IP-IP Muxer-Demuxer

IP Transport Stream Multiplexer for Multiple Program Transport Stream Creation -- T-Mux IP/IP

San Diego, California — March 26, 2014 — DVEO, the broadcast division of Computer Modules, Inc. (CMI), will introduce their new IP multiplexer/demultiplexer at the NAB (National Association of Broadcasters) Show, April 7-10, in Las Vegas, Nevada, at booth SU2903.

Multiplexers combine several MPEG-2 and/or H.264 transport streams into a single multiplex transport stream, or “mux” for short. They also combine several multiplexes into a single remultiplex, or “remux”.

DVEO’s T-Mux IP/IP is a professional transport stream multiplexer and demultiplexer with GigE inputs and output. It combines or multiplexes 2 to 7 incoming MPEG-2 and/or H.264 IP Transport Streams, single program transport streams (SPTS) or multiple program transport streams (MPTS), to a single multiple program transport stream.

The muxed stream can be output to IP (UDP or RTP) or optional DVB-ASI. The system also de-muxes transport streams (SPTS/MPTS) to two to seven MPEG-2 and H.264 transport streams.

“This device is designed for cable companies, telcos, and IPTV operators who source their content via dedicated circuits or public internet,” commented Laszlo Zoltan, Vice President of DVEO. “The T-Mux IP/IP provides an affordable way to deliver multiplexed IP streams across broadband infrastructure. It features excellent PID (program identifier) manipulation, including PID filtering, addition, and mapping.”

The T-Mux IP/IP features LCD front panel controls plus web-based management, and front panel connectors for easy setup of the IP inputs.

The optional ASI system includes one ASI input, seven UDP/RTP inputs, one ASI output, and one UDP/RTP output.


Supplemental Information for Press Release

Features:

  • Multiplexes two to seven MPEG-2 and H.264 transport streams (SPTS/MPTS)

    • Inputs: 7 IP inputs (10/100/1000 Mbps, UDP, RTP)
    • Outputs: One multiplexed stream to IP (UDP, RTP, 10/100/1000 Mbps) or optional ASI

  • De-multiplexes single transport streams (SPTS/MPTS) to two to seven MPEG-2 and H.264 transport streams

    • Inputs: One IP input (10/100/1000 Mbps, UDP, RTP) or one optional DVB-ASI input
    • Outputs: 7 IP outputs (10/100/1000 Mbps, UDP, RTP)

  • Option for one ASI input, seven UDP/RTP inputs, one ASI output, and one UDP/RTP output
  • UDP Unicast and Multicast support
  • Supports all video layers and profiles including Multi-view and 4:2:2
  • Audio stream types supported: AC-3, Enhanced AC-3, MPEG Audio (Layers I, II, and III), AAC, DTS
  • SMPTE 302M 8 channel audio (pass through)
  • Transport packet size: 188 bytes
  • LCD front panel controls plus web-based management
  • Front panel connectors for IP inputs, for easy setup
  • Transport stream input rates up to 40 Mbps per channel
  • Transport stream output rates up to 400 Mbps
  • Program filter and mapping
  • PID filtering and mapping
  • PSI (PAT/PMT) signaling
  • PCR dejittering and restamping
  • TS CBR to VBR conversion
  • TS VBR to CBR conversion
  • Bit rate conversion CBR to CBR, VBR to VBR
  • Suggested Retail Prices:
    T-Mux IP/IP: $3,995 U.S.
    T-Mux IP/IP+ASI – Option for one ASI input, and one ASI output: $4,995 U.S.

    DVEO and T-Mux IP/IP are trademarks of Computer Modules, Inc. All other trademarks and registered trademarks are the properties of their respective owners.

    About CMI and DVEO
    CMI, founded in 1982, is a privately held company headquartered in San Diego, California. DVEO, the Broadcast Division of Computer Modules, Inc., sells digital video and high definition television (HDTV) products to the top television broadcast companies throughout the world.

    For more information on CMI and DVEO, please contact Rebecca Gray at +1 (858) 613-1818 or rebecca@dveo.com. To download DVEO’s press releases and product images, visit the news section at www.dveo.com.

    DVEO, 11409 West Bernardo Court, San Diego, California, 92127
    Web: www.dveo.com phone: +1 (858) 613-1818, fax: +1 (858) 613-1815

    Linear, Maker of #1 Best Selling Home Control Platform, Unveils Next Gen Smart and Internet-of-Things Technology at ISC West

    Demos to include breadth of new smart and IoT solutions spanning home control, security, access and health/wellness, plus adds CEU training session, premium giveaways and fun money booth events.

    Las Vegas, NV – ISC West – April 2-4, 2014 – Booth 20053 – Linear LLC, a leader in residential and commercial access control, health and wellness and security solutions, is leading the charge for smart home and Internet-of-Things offerings at ISC West show with several new product announcements, CEU certified trainings, and product demonstrations highlighting innovative new technologies. Linear will also be bringing a unique energy to the show floor with some premium giveaways and fun Money Booth events.

    Three of the most highly anticipated demos will include: the Linear GD00Z-1 Z-Wave Garage Door Controller, the latest iteration of 2GIG’s Go!Control Panel known as the “GC3”, and Linear’s Enterprise embedded network appliance and access control system. All three will be shown for the first time at ISC West and highlight Linear’s commitment to developing industry-leading connected technologies for the residential and commercial markets. Linear develops and manufacturers more Z-Wave products than any other company in the world, which is a testament to their smart control solutions.

    The company will also be showing the new e3 OneBox, which combines Linear’s award-winning, embedded browser IP-based access control platform with Digital Watchdog’s full feature DW-VMAX digital video recording capabilities, all within one enclosure. Lastly, two new PERS-4200 modules; the UMTS-3G Cellular module and the Wireless Remote Speaker/Microphone (RMS-1) will highlight Linear’s latest effort to serve the needs of dealers involved with health and wellness technology.

    ISC West 2014 is the first trade show where the 2GIG Technology brand is featured as part of Linear’s booth. To celebrate the winning combination, Linear is giving dealers a chance to step inside a money booth and walk away a little richer. Attendees simply visit Linear’s booth, receive two product demos, and they’ll be entered for a chance to test their reflexes in a Money Booth stocked with fives, twenties, fifties, hundreds and even an 1,000 dollar bill. They will also be given a t-shirt, and most importantly, learn about some of the most innovative and in-demand products launching at ISC.

    With new products and technologies on the horizon, Linear is investing in CEU certified trainings as well as intensive new product overviews and demos to better educate the growing dealer base about home automation, Z-Wave and its core business units. Dates and times for the trainings are as follows at the Titian, Room 2201B:

    Tuesday, April 1, 2014
    o 2pm – 4pm: IP Based Access Control with Jerome Bourassa
    Wednesday, April 2, 2014
    o 8am – 10am: Go!Control Security with Brian Gabrielson
    o 3pm – 5pm: Telephone Access with Jerome Bourassa
    Thursday, April 3, 2014
    o 8am – 10am: IP Bases Access Control with Jerome Bourassa
    o 3pm – 5pm: Go!Control Security with Brian Gabrielson

    About Linear LLC
    Headquartered in Carlsbad, California, Linear LLC is an innovator in the health and wellness, security and access control markets. Since 1961, the company has designed and manufactured more than 2,500 products for residential and commercial use. Today, Linear is focused on wired and wireless technology serving the access control, security and connected business and home needs of its dealers, customers and OEM partners. The GO!Control home management system and a growing range of Z-Wave automation, commercial entry and wellness products position Linear as a competitor in multiple growth industries for the long-term future.

    Linear is a subsidiary of Nortek, Inc. (Nasdaq: NTK) a global, diversified company whose many market-leading brands deliver broad capabilities and a wide array of innovative, technology-driven products and solutions for lifestyle improvement at home and at work. Please visit www.nortekinc.com for more information.

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    NAB 2014: Digital Nirvana’s Broadcast Monitoring System Streamlines Workflow with Powerful New Features

    Newark, CA – Digital Nirvana will introduce the latest release of its broadcast monitoring software, Monitor IQ 4.0, at the NAB 2014 convention being held from April 5-10th at the Las Vegas Convention Center. Digital Nirvana will exhibit in Booth #SU11017. Monitor IQ is an in-house logging and compliance monitoring solution for traditional broadcasting media.

    “We continue to add innovative functionality to Monitor IQ,” said Arco Groenenberg, director of sales and marketing for Broadcast Products, DigitalNirvana. “New features like transport stream recording, SmartSearch, editing, playback and advanced engineering alerts make Monitor IQ one of the smartest monitoring solutions in the industry while offering excellent price for performance.”

    Monitor IQ 4.0 Broadcast Monitoring System
    Monitor IQ combines signal-monitoring, loudness monitoring, aircheck-logging, ad verification, competitive analysis and content repurposing and runs on Digital Nirvana’s Open Media Appliance – a highly scalable, industrial-grade server. The Open Media Appliance accepts multiple inputs including SD/HD SDI, ASI, ASI-IP, ATSC, QAM, 50 Hz, 60 Hz and DVB-TC/S2. It exports content in a wide range of file formats for content repurposing, including Flash, MPEG-2, MPEG-4 and H.264, and XDCAM.

    Monitor IQ can record Multi-language Audio/Video and VANC Metadata. Designed with an efficient architecture and a simple Web interface, it integrates seamlessly with third party software. The resulting workflow is quick and easy, making the most of time and money.

    With Monitor IQ, there’s no need to install ActiveX. It’s compatible with all standards-compliant web browsers. Its extensive search function can use keywords, CC text, metadata, titles, descriptions, as-run and traffic logs, imported and discrepancy reports.

    Web Captioning ensures that programming complies with new FCC closed captioning mandates in the SMPTE Timed Text Format. Program Guide Extraction automatically extracts EIT data directly from the broadcast, enabling recording by program. Plus, an Infrastructure Self-Check performs more than 40 types of ongoing system checks to proactively monitor the total health of the Monitor IQ system.

    Available options for Monitor IQ include: an iPad/iPhone/Android interface, NAVE Watermark Decoding, Centralized Management, Director’s Audio Track and a REST API for 3rd party development.

    About Digital Nirvana
    Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s product portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ OTT monitoring solution, and the MediaPro content repurposing system. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Fremont, California with offices in Hyderabad and Coimbatore, India. For more information visit http://www.digital-nirvana.com.

    New Broadcast Pix Software Upgrades Include Next Generation Chromakey, Dual-Channel Clip Server

    Billerica, Massachusetts – Broadcast Pix™ will debut ClearKey, its next generation chromakey, as well as a dual-channel clip server and several other upgrades in its Version 4.0 software for Granite™ and Mica™ integrated production switchers. Available in May, the new software features will be demonstrated at the 2014 NAB Show (Booth SL6325), which runs April 7-10 in Las Vegas, Nev. The company also announced Version 3.0 software for its Flint™ end-to-end integrated production switchers, with most of the same upgrades.

    Part of Broadcast Pix’s Fluent™ workflow software, ClearKey features precise, highly adjustable keying that can handle challenging visuals, such as glass or fast-moving or out of focus objects. Robust color correction removes the most stubborn spill from chromakeyed objects, which is important for virtual set use where color contamination is almost unavoidable. A key crop function can be used to confine the keying effect to certain areas of the screen.

    ClearKey also creates more realistic shadow and lighting effects. Shine a spotlight on the background, for example, and it will shine on the virtual set as well. If a subject casts a shadow on the green or blue background, ClearKey can make the shadow appear on the virtual set, if desired. A simple eye dropper tool simplifies chromakey color selection, and intuitive controls make it easy to adjust lighting, shadow and spill correction effects.

    The V4 upgrade includes a dual-channel clip server for Granite and Mica, which handles playback of SD and HD footage in a variety of file formats. (Flint already includes a dual-channel clip server.) Both upgrades add new device controls for Blackmagic Design HyperDeck Studio and Studio Pro video recorders, as well as all AJA Ki Pro recorders, over a TCP/IP connection. Clips can be recorded and played back from the PixPad, and all controls can programmed into a macro for simplified control. The new upgrades also include device control for Lumens VC-G50 and VC-G30 HD PTZ cameras. Plus, Fluent-View, Broadcast Pix’s customizable multi-view, includes a new snap-to-grid feature to make it easier to build new screen layouts.

    “When Broadcast Pix has a major software release, you know we’ve listened to our customers and added some pretty significant improvements,” said Steve Ellis, general manager, Broadcast Pix. “ClearKey in particular represents a major step forward that will improve productions for customers who rely on virtual sets. It is highly adjustable but easy to operate – and it delivers outstanding results.”

    Flint V3 and Granite/Mica V4 are free upgrades for all respective systems under warranty and will be available in May.

    About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

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