The quality, clarity and brightness of amusement park attractions, video and image-intensive shows, and exhibitions and virtual design applications take a significant leap forward today with the introduction of the new Christie® D4K2560 and Christie D4K3560 projectors. The new D4K models are the first projectors to combine 4K resolution, high frame rates at 60 frames per second (fps) and 3-chip DLP® technology. Both the Christie D4K2560 (25,000 center lumens) and Christie D4K3560 (35,000 center lumens) provide razor-sharp image detail – and video with smoother motion and transitions – for unsurpassed image quality and a more vibrant and appealing visual experience. The new projectors replace the Christie D4K25 and D4K35, respectively, and are perfect for any application requiring 4K, 60 fps, 3-chip DLP® projectors with high brightness.

The New Christie D4K3560 4K Resolution 3-Chip DLP Projector

“Christie is the only manufacturer providing full 4K (4096 x 2160) resolution at 60 Hz and the reliability and image clarity of 3-chip DLP® all in one package. Both projectors are a quantum leap forward in video image processing and a breakthrough in high frame rate and high resolution video projection,� said Mike Garrido, senior product manager, Business Products, Christie.

The Christie D4K2560 and Christie D4K3560 projectors are the first of Christie’s new TruLife™ Electronics platform that offers customers superior image and video quality for the most comfortable and realistic viewing experience. Additionally, the units come equipped with 3G SDI, Display Port, and DVI/Dual Link DVI inputs, so Christie customers can update their existing sites for future projects without the constraints of SDVI inputs.

“Customers such as automotive designers and amusement park operators will love the increased dynamic range and the highest fidelity content with immaculate, deep, and vivid color transitions,� Garrido continued. “Amusement parks, for example, are open all day and well into the evening seven days a week and the combination of 4K, 60 Hz and DLP® reliability can manage the heavy workload with smooth, crystal-clear video content much longer than what has been available.

“With the launch of the Christie D4K2560 and D4K3560, Christie stands above the crowd in its ongoing commitment to providing the ultimate visual experience to its customers. Our new projectors continue to demonstrate our dedication to being the industry leader with incomparable solutions and customer service.�

The Christie D4K2560 and Christie D4K3560 have a three-year parts and labor warranty and ship in June 2013.

New TM7 Hardware Interface Supports SD, HD and 3G-SDI Formats

LAS VEGAS, APRIL 9, 2013 — RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is debuting its new TM7-HW20714 TouchMonitor, featuring a 3G-SDI interface, at the 2013 NAB Show (Booth C1844).

RTW developed the new TM7 interface in response to requests by audio engineers in the broadcast market for a seven-inch audio metering tool that is compatible with 3G interfacing. The seven-inch size is a perfect fit inside OB trucks and other smaller-scale installations where space is a major issue.

The TM7-HW20714 accepts all SD, HD and 3G formats that are currently available in the marketplace, allowing for seamless integration into TV studios, switching rooms and video post-production environments. It complements the existing custom input configuration of TouchMonitor units, which makes analog, AES3 and AES3-id formats available in various combinations, depending on the hardware version the customer chooses. The through-port of the 3G-SDI interface forwards the SDI input signal. De-embedded SDI signals may be routed to any existing AES output. This new model includes four AES3 (eight-channel) inputs and four AES3 (eight-channel) outputs that can be used as direct AES outputs either to buffer or reroute the AES signals or to send out a decoded 3G audio signal. In addition, now with the 3G-SDI interface, the TouchMonitor TM7 can display up to 32 channels of audio from any combination of inputs.

The TM7 has a 16:9 TFT display and can be delivered as a tabletop or as a half-19� 3U rack-mount unit. It has two USB 2.0 interfaces, a GPIO-interface, RJ-45 ethernet connection, VGA output, a connector for 24 V DC supply, as well as a wall plug power supply option. It includes basic functions such as the pre-installed Stereo PPM software for Peak-, TruePeak- and Correlation measurement, further software licenses providing other instruments can purchased just as the user needs.

ABOUT RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s ranges of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

Repeat48 and Repeat48CWDM Offer Point-to-Point 3G/HD/SD-SDI Video Conversion

LAS VEGAS, APRIL 8, 2013 – BroaMan, a leading German manufacturer of professional digital video, audio and data network solutions providing routing, format conversion and management for a variety of markets, including broadcast, post production and AV, will exhibit its affordable Repeat48 and Repeat48CWDM plug-and-play video conversion solutions at the 2013 NAB Show (Booth C8443).

BroaMan’s Repeat platform devices convert 3G/HD/SD-SDI (or MADI) signals from coaxial cables to fiber and back. The Repeat family includes the Repeat48 and Repeat48CWDM. These powerful, easy-to-use and cost-effective devices include built-in multiplexers for combining multiple signals onto a single fiber, which in turn can be interfaced to audio and data network systems, including Optocore, SANE, MADI and Ethernet. Both devices are capable of converting two to 24 channels in a single rack space with built-in power supplies, while the Repeat 48CWDM allows for optical channels to be multiplexed and demultiplexed.

“We are thrilled to share the Repeat series with the NAB community,� says Tine Helmle, director, BroaMan. “Whether a broadcast event is live or filmed, large or small, the ability to successfully transport professional high-bandwidth 3G/HD/SD-SDI video, audio and control signals reliably is an absolute must. BroaMan’s technology is based on this specific need and we are happy to offer the Repeat series as a cost-effective solution for scalable audio and video fiber transport.�

Additionally, the cost of the Repeat48 can be at or below the cost per channel of current brick-style solutions that do not include a built-in AC power supply or rack/installation mounting options.

Executives will be on hand at the BroaMan booth to demo the Repeat48 and Repeat48CWDM, as well as the Repeat66 and Repeat33, which are used for flexible applications, rather than in plug-in-play situations. The Route series, which includes the Route66 and Route33 devices, will also be on display. Both of these unique devices are based on an individual customer’s level of complexity and feature requirements.

About BroaMan
BroaMan, (Broadcast Manufactur GmbH) based in München-Gräfelfing, Germany, manufactures infrastructure solutions for broadcast applications such as studios, OB vans or sporting events. The turnkey solutions convert, transport and route all types of commonly used broadcast signals, including digital and analogue video, audio, intercom, and control data, over a high-bandwidth fiber infrastructure. If required, this includes format conversions, e.g. from copper to fiber or from analogue to digital, as well as routing of signals based on automatic or manual rules, up/downscalers, frame synchronizers, and many more features. The company offers customized solutions for every application that requires 3G/HD/SD-SDI video transport or routing—whether a big and complex system for broadcast studio or OB Van, or a simple point to point for a small church or conference hall. For more information visit: www.broaman.com.

April 9, 2013 — NAB Show, Las Vegas, Booth SL5624: Digital Rapids is showcasing the company’s strong industry partnerships and the ongoing expansion of the partner ecosystem for its highly-acclaimed Kayak dynamic workflow platform at the 2013 NAB Show. Digital Rapids’ innovative media transformation and workflow solutions are being highlighted in a variety of booths around the exhibition floor, while five new companies are announcing their participation in the Kayak ecosystem.

“We’re proud to be partnering with some of the industry’s biggest names and innovators to showcase the powerful benefits of our combined solutions, and we continue to be thrilled by the tremendous industry support and excitement for the Kayak platform,” said Brick Eksten, President and CEO of Digital Rapids Corporation. “We look forward to continuing to work closely with them as we bring the benefits of our collaboration to our mutual customers.”

Industry partners highlighting Digital Rapids solutions at the show include:

• Dell — The Kayak workflow platform is being demonstrated as part of the launch of the new Dell Create(tm) multi-vendor workflow solution being showcased at the ‘StudioXperience sponsored by Intel’ booth (SL9610). Dell Create combines Dell’s open media architecture, hardware, services, security and support with best-of-breed partner solutions to provide customized multi-vendor workflows for content creators.

more

New Four-Channel Metering Solution Offers Parallel Monitoring of On-Air Signals and Other Sources

LAS VEGAS, APRIL 8, 2013 — RTW, a leading vendor of visual audio meters for professional broadcast, production, post production and quality control, is proud to announce that its new TMR7 TouchMonitor is making its U.S. debut at the 2013 NAB Show (Booth C1844) and will begin shipping following the show. Specifically designed for radio broadcasting, the four-channel desktop unit features two AES3 digital (XLR) inputs that integrate all metering options required in radio broadcasting.

The latest introduction to RTW’s TouchMonitor series of cutting-edge metering and monitoring solutions, the TMR7 is based on the TM7 TouchMonitor, featuring a similar flexible, modular configuration. As with the TM7, the TMR7 also includes a seven-inch touch screen and is available as a desktop unit, fitted or as an OEM unit with 16 audio inputs. The versatile TM7 supports all professional audio metering applications.

“The TMR7 TouchMonitor is specifically targeted at users in radio broadcasting environments,� says Michael Kahsnitz, director of engineering at RTW. “It integrates all features required in radio production, two stereo inputs and extensive local configurability in an attractively priced package.�

Separate true peak and PPM instruments, as well as a vectorscope and correlator for evaluating stereo signals, are available on each TMR7 input channel. Licensing options include an extensive loudness-meter implementation (EBU R128, ITU BS.1770-3/1771, ATSC A/85, ARIB) with graphical and numerical single-channel and summing views, as well as loudness range (LRA), MagicLRA and SPL metering. Licenses are also available for an optional real-time analyzer (RTA) and the Premium PPM package with moving-coil instruments.

The intuitive operating concept of the TouchMonitor range offers maximum flexibility. Users can move freely the scalable instruments to any position on the graphical surface, allowing them to personalize the entire screen area. Views, scaling and metering standards are separately definable for each signal source. In addition, the convenient on-screen help function makes setting up the unit simple.

The four audio inputs provided by the two AES3 ports are configurable for mono, stereo or multichannel sources, providing separate instruments for each source. Plus, the GPIO interface for overall control, the Ethernet port and the VGA output for external display units offer further functionality.

RTW will also display its latest 3G version of the popular, compact TM3 meter, the TM3-3G. This unit has 16 audio channels of 3G-SDI and, as with every other TM unit, conforms to the latest loudness specifications. With its budget-friendly base price, 4.3-inch touch screen and stylish exterior allowing for horizontal and vertical placement, the TM3 is a highly appealing, compact alternative ideal for editorial offices, edit suites and small control rooms.

ABOUT RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s ranges of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

As part of its forward-thinking approach to bring the very latest solutions to its customers, leading systems integrator Media Group International has announced a new partnership with never.no – a world renowned company that specialises in social media integration technology for TV broadcasters and producers.

The new partnership represents MGI’s determination to expand its remit into areas such as new media, IPTV, OTT and streaming – all of which are becoming increasingly important to traditional broadcast operations.

“We recognise that today’s broadcast industry needs to incorporate a much wider range of technologies in order to give audiences the services they want,� says Paul Hennessy, CEO of MGI. “By forging exciting partnerships with best-of-breed technology partners like never.no, MGI is able to help customers embrace new technologies and install the most effective solution for their particular needs.�

never.no is a Social Television platform that gives broadcasters and advertising agencies the framework they need to support end-to-end Social TV, Synchronized Companion Apps and Participation TV.

Through its Interactive Suite, the company provides the middleware required to engage audiences, enable interaction and drive participation with a broadcast.
never.no already has a global customer base that includes many of the world’s top broadcasters such as ABC News Digital, BBC, CBC, ESPN and Voice of America. Thanks to the new partnership with MGI, broadcasters in the GCC region can also benefit from this innovative technology.

Scott Davies, never.no’s Vice President of Sales EMEA says: “Having a network of strong partners is a strategic priority for never.no and we are delighted that MGI, a company with such an impressive track record for delivering high-end broadcast and graphics solutions, is collaborating with us in the GCC. In future, broadcasters will be able to turn to MGI to deliver Social TV and audience participation in a visual and impactful way.�

Paul Hennessy adds: “Our partnership with never.no comes hot on the heels of similar arrangements we have signed with VidiGo, HoloVis International Ltd and Visual Unity. These are enabling MGI to enter new markets and deliver an even greater range of technology, solutions and services to our burgeoning client base in the Middle East and Europe.�

-ends-

Notes to the editor:
About Ghanim bin Saad Al Saad & Sons Group Holdings

Ghanim bin Saad Al Saad & Sons Group Holdings (GSSG) was founded by Ghanim bin Saad Al Saad in 1993 and incorporated in 2007. Today it is one of Qatar’s most successful private sector business groups, making a major contribution to the country’s economic growth.
GSSG has enjoyed steady growth and success in many fields and industries locally and internationally. GSSG’s diverse portfolio gives it strength and enables its companies within the group to maximise global business opportunities wherever and whenever they arise.
The founder, Mr. Ghanim bin Saad al Saad, has enabled the group to grow to over 40 companies around the world. As an inspirational business leader, he has steered the group to achieve its success in industries that include aviation, maritime, automobiles, oil & gas, real estate, manufacturing, contracting and trading, finance & asset management, engineering, education, fitness, hotels, hospitality and fashion, information technology and telecommunications.
In addition to its corporate headquarters in Doha, GSSG also has five international offices located in London, Zurich, Cairo, Singapore and Dubai.
info@gssg.com
www.gssg.com

Media Group International

Media Group International is a proven media broadcast and communications technologies systems integrator, serving the media, telecommunications, security, education, hospitality and advertising industries in the Gulf region for more than 40 years. Formerly known as Salam Media Cast (SMC), the company joined GSSG Holdings in 2010, with offices in Qatar, UAE, Oman, Bahrain, Saudi Arabia and the UK.

Media Group International is diversifying its business into new technologies. As well as equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, the company also equips whole multivendor

and multisensory environments. Media Group International provides solutions from safeguarding national security such as in government operations, creating the best venues for education such as museums and classrooms, enhancing sports environments and revolutionising health facilities and satellite telecommunications.

To support the workflow and innovation demands of our valued customers, the team has grown with new local and international talent. We use our expertise to help realise your goals and ambitions – we listen, advise, design and build great workflows that work for you. Our ambition is to be your trusted partner in the Gulf region.
Website: www.mgi.tv

SIOUX CITY, IOWA – APRIL 2013: Fed up with in-ear monitor signal dropouts, popular Christian rock band Bread of Stone’s lead guitarist Bill Kirstijanto set out to find the best IEM remote antenna to end his band’s wireless headaches once and for all. And with a packed schedule for The Promises Tour with Sanctus Real, JJ Heller, and Unspoken, those headaches were starting to feel like migraines.

“On our last tour, I was getting a lot of complaints from the guys about drop-outs on our ears monitors,� said Bill. “We were having trouble getting a consistent signal with our paddle antenna, so that led us to seek out a solution for our IEMs.�

Whenever Bill isn’t on tour with Bread of Stone, he’s at the helm of Sioux City, Iowa-based live production and consulting company BNY Productions. Equally at home configuring wireless systems for clients as he is on tour using IEMs in Bread of Stone, Bill follows a common routine for system setup. “We always perform an RF scan a couple times before setting up, and then walk the stage area to see if there are any dropouts,� explained Bill. “I also try and place the pack beside our belts, instead of on our backs, so that the signal has fewer objects to travel through and ideally has line of sight when the transmit antenna is positioned at the side of the stage. IEM antenna placement is important; side stage versus rear stage can make a big difference and influence where IEM packs should be positioned.�

Bill found time in between shows to transform the BNY shop back in Iowa into a wireless test range, comparing the leading directional antennas on the market to the CP Beam from RF Venue.

“We did a normal field test – where the CP Beam performed very well – and then we did something a little more rigorous. We tuned the IEMs to occupied frequencies, and recording each antenna’s performance from the same spot. This was to test the worst case scenario.â€� As a result of their extensive shootout, BNY Productions now recommends the CP Beam to its clients, and Bread of Stone relies on it for The Promises Tour.

“Under extreme conditions, using the paddle antenna, we got pretty spotty performance- like we’d experienced on tour. With other helical antennas it was much worse, dropping out for ten seconds or more at time. The CP Beam was hands down the best antenna we tested,� remarked Bill.

The circularly polarized CP Beam is designed for IEM systems as well as long range wireless microphone applications, providing high gain and consistent signal, all in a lightweight foldable design that fits in a 2RU rack drawer. RF Venue CEO Chris Regan commented, “We are encouraged to see live production companies and artist monitor teams adopting the CP Beam for their IEM systems. Last year was really the first full tour season for the CP Beam, and while performance is paramount for any wireless equipment, the portability and lightweight design of the CP Beam has made a big impression on monitor engineers who are used to hauling heavy flight cases.”

“Since we’ve been using the CP Beam no one has said anything about dropouts,� commented Bill. “And in fact we’ve noticed there isn’t as much background noise with the CP beam either, so audio quality in general has improved.�

ABOUT RF VENUE RF Venue manufactures wireless audio equipment including remote antennas, RF distribution equipment, and cable assemblies. The company’s primary antenna products include the interference mitigating RF Spotlight, the lightweight foldable helical antenna CP Beam, and the polarization diversity antenna dubbed Diversity Fin. For more information visit: www.RFvenue.com

ABOUT BNY PRODUCTIONS BNY Productions provides turnkey production services for an extensive list of worship, entertainment, and commercial clients in the Midwest. The company specializes in live audio systems, video projection and distribution, as well as staging and production consulting. For more information about BNY Productions, visit: www.bnypro.com

JONESVILLE, NEW YORK – APRIL 2013: For ninety years, the Jonesville Volunteer Fire Department (JVFD) has been protecting the people and property of what was once a farming community and is now a thriving suburb of Albany, New York. In response to the growing population and infrastructure for which it is responsible, the JVFD recently completed construction on a second firehouse. Pro Sound Associates (Guilderland, New York) and Live Sound, Inc. (Troy, New York) worked with electrical contractor Tech Electric (Waterford, New York) and electrical engineers M/E Engineering (Schenectady, New York) to design and install a forward-thinking, robust, sound reinforcement system centered on an Ashly ne4250.70pe combination four-channel amplifier and digital signal processor.

“Of course this was a public bid, and we had to stay very competitive,� said Dominick Campana, owner of Pro Sound Associates. “The two-rack space Ashly ne4250.70pe offered us all the functionality we needed at a very reasonable price. The control room is very small and there was no place for a wall rack. We had to fit all of our equipment in existing cabinetry. Moreover, we had to cover four zones, each with different types of loudspeakers and different acoustics. The Ashly ne4250.70pe has plenty of power to drive the system, and its DSP capabilities allowed us to effectively deal with the different acoustics.�

Two channels of amplification feed three customer-specified Bogen loudspeakers each in the apparatus bay, which is where the trucks are parked and ambient noise is often substantial. The third channel of amplification feeds four more Bogen loudspeakers in the gear room and flex bay, where ambient noise is less of a problem. Finally, the fourth channel of amplification feeds an extended string of eight contractor ceiling speakers in the radio, fitness and training rooms, and the office and corridors.

Inputs to a Shure SCM-262 mixer with priority ducking include a Tascam CD player with iPod input, a feed from the fire radio dispatch, and a desktop paging microphone. In every room, except the apparatus bay, simple wall attenuators provide adequate volume control. Because the apparatus bay loudspeakers were tapped at their highest setting and receiving 250W per string, a wall attenuator wasn’t a good choice. Instead, Campana installed an Ashly WR-1, which provides separate DSP-based control of the apparatus bay volumes via two rotary dials.

“We have a long history working with Ashly and have always found their products to be rock solid,� said Campana. “Moreover, Ashly’s Protea™ DSP software is one of – if not the – easiest to program. They’ve worked out the networking so that all we have to do is plug it and our computer into the network, scan for devices, and it comes right up. You’re right into it. It’s great to have that kind of consistently stable performance to rely on.�

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

THOUSAND OAKS, California April 8, 2013 – April is National Lawn and Garden month, so take the next step in living a true outdoor lifestyle by adding a SunBriteTV all-weather television to your outdoor living space. Ranging from 32- to 65- inches, Signature Series SunBriteTVs transform any outdoor space into a unique entertainment area.

“Social interaction is a huge part of outdoor viewing,� said Tom Dixon, Vice President of Marketing, SunBriteTV. “Indoor viewing typically means that everyone crowds around a small space and anchors themselves to a couch. When consumers place our TVs in their outdoor living spaces, the SunBriteTV inspires social interaction among friends and family. Game days and award shows become event days in your backyard.�

All SunBriteTV models withstand temperatures from -24°F to 122°F and completely resist rain, humidity, salt corrosion, dust, and insects. Anti-glare screens are specially designed to deliver bright high-definition images in any outdoor climate, any time of day or night.

Every SunBriteTV, one of the last U.S.-based television manufacturers, includes a two-year warranty, a weatherproof remote, and 20 watt built-in speakers. Optional accessories include a variety of wall-, ceiling- or pole-mount installation solutions, dust covers and FM Radio.

The SunBriteTV Signature Series is currently available at $1,495 (32�), $2,795 (46�), $3,995 (55�) and $6,995 (65�).

For more information on SunBriteTV please visit www.sunbritetv.com.

About SunBriteTV
SunBriteTV’s all-weather televisions have been time-tested in home installations, outdoor sports arena, restaurant and hotel patios and even on military vehicles participating in field operations. All models are available through SunBriteTV’s network of Authorized Dealers. To inquire about becoming an Authorized Dealer, contact SunBriteTV at 866.357.8688, or visit the Dealer Inquiry page at www.sunbritetv.com.

New Flagship Mixer Features an Unprecedented Amount of I/O Connectivity and Recording Flexibility

LAS VEGAS — Sound Devices, experts in portable audio and video products for field production, reports that its 664 Production Mixer has been well-received by the industry, achieving strong sales since its introduction less than a year ago. Having made its official debut at IBC 2012, the Sound Devices 664 will be exhibited at the 2013 NAB Show (Booth C2849). It builds upon the powerful features of the company’s best-selling line of field and production mixers, and offers expanded input/output connectivity and recording capabilities, along with greater flexibility and ease of use. more