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HARMAN’s BSS Audio Introduces Soundweb™ Contrio Wall Controllers Providing Enhanced System Functionality for End-Users in Variety of Applications

LAS VEGAS, Nevada — HARMAN’s BSS Audio today introduced its Soundweb Contrio family of wall controllers, designed to provide greater system control and flexibility for a variety of fixed install applications. The Soundweb Contrio wall controller lineup features four models that, in addition to advanced multiple zone control, can easily be employed in a room-combining and splitting environment. The Soundweb Contrio platform and its two initial products, the Contrio wall controller range and Contrio Server, are the first within the Soundweb Contrio family that will ultimately provide enhanced system control capability and audio routing flexibility for a variety of applications.

All Soundweb Contrio products will be backward compatible with existing BSS Audio Soundweb London devices, providing the widest and most comprehensive choice of audio processing, distribution and control devices available in a single system solution today.

Contrio wall controllers are powered via PoE (Power over Ethernet) and are compatible with HARMAN HiQnet™ products. Simple controls and multi-colored visual feedback and displays make the controllers approachable and straightforward for non-technical users. Multiple modes of operation allow system integrators to tailor the functionality of the controller to the requirements of the application and its users.

“The Soundweb Contrio Wall Controllers are designed to provide a simplistic, yet powerful interface that allows for greater control of audio for a variety of applications and venues. These controllers along with the other members of the Contrio family are designed to provide integrators and end-users alike with better control, management and ultimately, performance, of their audio systems,” stated Iain Gregory, Market Manager, Installed Sound at HARMAN Signal Processing.

Soundweb Contrio controllers are scheduled to be available in September 2014 in white or back finish and EU or US form factors.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

HARMAN’s AKG Offers License-Free Operation and 128-Bit Encryption with DMSTetrad Digital Wireless Microphone System

LAS VEGAS, Nevada – At InfoComm 2014, HARMAN’s AKG is introducing the DMSTetrad digital wireless microphone system. Ideal for a variety of applications ranging from concerts and clubs, to conferences, this license-free wireless system offers uncompressed audio transmission, superior RF performance and 128-bit AES standard encryption.

The AKG DMSTetrad digital wireless microphone system features an integrated 4-channel mixer, and an antenna front mount kit. With 24bit, 48kHz audio coding, it provides uncompressed studio-quality transmission and a linear frequency response, for uncompromising vocal and instrumental performances. The DMSTetrad’s 128-bit AES standard encryption prevents tapping of the audio signal, which makes it a perfect companion for high-security conferences.

The entire DMSTetrad system features the DSRTetrad Digital Stationary Receiver, the DPTTetrad Digital Pocket Transmitter and the DHTTetrad Digital Handheld Transmitter, available with AKG’s patented D5 acoustics or as DHTTetrad P5 with standard dynamic capsule. Two sets are available, the DMSTetrad Vocal Set including the DHTTetrad P5 and the DMSTetrad Performer Set including the DPTTetrad together with a C111 L earhook microphone and the MKG L instrument cable.

The DMSTetrad can be quickly assembled and ready to use. The DSRTetrad receiver can work with up to four channels of audio in parallel which can be mixed down directly to its balanced XLR sum output. The dynamic frequency selection (DFS) ensures that only the cleanest frequency bands are selected for the connection between receivers and transmitters automatically.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

LEMON JELLY MAKE MUSIC WITH METRIC HALO PLUG-INS

SAFETY HARBOR, FLORIDA: Nick Franglen is best known as founding member of the British electronica duo Lemon Jelly, releasing three albums on XL Recordings that sold half a million albums worldwide and earned Franglen and band mate Fred Deakin nominations for the Mercury Music Prize and the Brit Awards. “Lemon Jelly’s style is electronic music that doesn’t sound particularly electronic,” explained Franglen. “We’d pull together sounds from a wide range of genres to see what would happen when we mixed them up. They could be sampled or played – it really didn’t matter where they came from – the more diverse the better.” Although Lemon Jelly are currently on a happy hiatus, Franglen maintains an outrageously busy schedule – as he always has – that feeds his creative need to keep things fresh and interesting. “Creativity is all I’m interested in. I hate repeating myself (I get bored very quickly) so I’m constantly challenging myself into innovation. I like being out on a limb – that’s where the exciting things happen.”

Franglen’s talent, prolificacy, and affable nature have earned him a lot of friends and work in the music industry. He’s provided keyboard and beats programming for Björk, Hole, Primal Scream, Pulp, and Blur. In addition to all the Lemon Jelly records, he has produced albums for John Cale and Badly Drawn Boy and remixed Mark Mothersbaugh (Devo), the Pet Shop Boys, and Coldcut. He has written and produced tracks with artists as diverse as William Shatner and John Paul Jones (Led Zeppelin) and regularly plays live with John Cale. As musical director of the Nico tribute show, he has worked with Mark Linkous, Mark Lanegan, Kim Gordon, Mercury Rev, Yeasayer, and many others. Reflecting his unquenchable thirst for the novel and creative, Franglen has performed and recorded electronic gigs down mines, on submarines, and in abandoned government test facilities. As a composer, he has worked on films with Ralph Fiennes, written the music for BBC-TV series, and composed commercials for BMW, Cadillac, Ford, Coca-Cola, Caesar’s Palace, Nordstrom, and many others. “I like to keep busy,” he summarized simply.

In addition to myriad other side projects and jobs, Franglen’s current passion is a solo album that will be released under his own name. “I’ve been developing this material over the past couple of years,” he said. “It’s quite complicated stuff, both conceptually and sonically, and I’m enjoying the challenge.” Like everything else he’s touched (sonically) in the last decade, Franglen has made regular use of Metric Halo’s classic ChannelStrip plug-in in the development of the new material. “I was with ChannelStrip from the very beginning – I had the original version,” he said. “It was the EQ that first got me. It could do things that no other EQ could do, and that remains the case today.”

He continued with an example: “For a while I was really interested in mixing very different samples from very different sources, it could be jazz with punk with something orchestral, whatever. I had to capture the essence of a source and still preserve audio clarity when it was mixed with something else, and Metric Halo ChannelStrip let me do that without having the composition turn to mush. Basically, ChannelStrip’s Q is precise and perfect. I can nail a filter or EQ band to within a few Hertz, enhance the fundamentals and then cut out everything that doesn’t matter while preserving the sample’s character and life. That’s a critical part of what I do and it’s my secret for maintaining audio clarity even when I have a lot of different sources all playing at once. And shortly thereafter I learned the value of ChannelStrip’s dynamics section. It’s so versatile. I use it all the time in combination with the ChannelStrip gate to bring looped drums to life.”

For work on his solo album, Franglen is using Metric Halo’s Production Bundle of plug-ins, which includes all of Metric Halo’s plug-ins: ChannelStrip 3, Character, HaloVerb, Multiband Dynamics, Precision DeEsser, Transient Control, and Multiband Expander. “I’ve found that with Character and Transient Control, I can breathe life and soul into my studio recordings,” he said. “The effect is subtle, but undeniable. The reverb is also fabulous. It has a huge range of sounds, and the smoothness of the tail is beautiful and transparent. It just disappears into the background. When I apply it to individual instruments, it gives them their own space and surrounds them with warmth without ever overpowering them.”

To say that Franglen uses Metric Halo plug-ins would be an understatement. Just as ChannelStrip has been a critical component of his sound over the last decade, the broader Production Bundle palette is fast becoming indispensible. A peek inside one of his new sessions reveals Metric Halo plug-ins on nearly every channel, with many of those channels bursting with multiple Metric Halo plug-ins!

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

FOR MORE INFORMATION ON NICK FRANGLEN:
Website: www.franglen.net
Facebook: www.facebook.com/nickfranglen
Soundcloud: www.soundcloud.com/nickfranglen
Twitter: www.twitter.com/nickfranglen

SMPTE Extends Call for Papers Deadline for SMPTE 2014 Annual Technical Conference & Exhibition, Announces Registration Opening on June 16

WHITE PLAINS, N.Y. — June 17, 2014 – The Society of Motion Picture and Television Engineers(R) (SMPTE(R)), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, has extended the call for papers deadline to July 7 for the prestigious SMPTE 2014 Annual Technical Conference & Exhibition, which will take place Oct. 21-23 in Hollywood, California. Proposals may be submitted online at www.smpte.org/cfp2014. Registration for the conference has also opened at www.smpte2014.org will open on June 16.

“The presentation of technical papers is an important element of this event, and we strive to ensure that papers address a range of critical concepts and issues that influence the motion-imaging field,” said Paul Chapman, chair of the SMPTE ATC Program Committee. “Though we already have received an array of quality proposals, we are providing additional time for those who may have been considering submitting but have not yet done so.”

The SMPTE Annual Technical Conference & Exhibition is the premier annual technology event covering motion-imaging and media technology, production, operations, over-the-top content services, and the allied arts and sciences. Proposed papers must be informational and must address technical theory, research, innovation, application, or practice specific to any of the evolving technologies associated with the media technology industry.

Technical paper topics include, but are not limited to, 4K/8K UHDTV and beyond; postproduction; broadcast infrastructure, file-based workflow; cinematography and image acquisition; asset management, storage, and archiving; the “Internet of everything,” the second screen, and alternative content; audio/video processing and compression; content security; new techniques in audio; content distribution; display technology; advanced image processing; mobile, IP, and future distribution technologies; and restoration and preservation.

Student papers are strongly encouraged. Papers that have been published previously or that are commercial or promotional in nature will not be considered. A complete and more specific listing of possible topics, as well as instructions on submitting a topic heading, paper title, and one-page abstract, are available at www.smpte.org/cfp2014.

Further information about SMPTE and the SMPTE 2014 Annual Technical Conference & Exhibition is available at www.smpte.org.

# # #

About the Society of Motion Picture and Television Engineers(R) (SMPTE(R))
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a professional membership association, is the preeminent leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem, worldwide. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 650 standards, recommended practices, and engineering guidelines. The Society is sustained by more than 6,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections throughout the world. Information on joining SMPTE is available at www.smpte.org/join.

All trademarks appearing herein are the property of their respective owners.

Christie Unveils First Laser Phosphor Series of 1-Chip DLP Projectors at InfoComm 2014

The new Christie® GS Series of laser phosphor projectors debut at InfoComm 2014 this week. Using laser phosphor illumination, the Christie GS Series provides an astounding 20,000 hours of operation and eliminates the need for lamp and filter replacements.

The Christie GS Series of Laser Phosphor Projectors

The solid state illumination, high-resolution, 1-chip DLP® laser-diode projectors come in WXGA, HD and WUXGA resolutions and provide a cost-effective solution with outstanding color matching and optional blending and warping for curved surfaces. Christie GS Series is perfect for fixed installation applications including boardrooms and conference rooms, government facilities, higher education, houses of worship and selected location-based entertainment venues such as casinos and live event theaters.

With features including wireless connectivity and a suite of optional lenses for greater installation flexibility, the Christie GS Series delivers the needed requirements for today’s demanding visual display projects and is suitable for 24/7 environments without a loss of image quality. Easy to install and use with input options such as Display Port, HDMI, DVI and HDBaseT, Christie GS Series provides clean, radiant images with up to 5400 ANSI lumens with Picture-in-Picture functionality.

“The move to laser phosphor technology with Christie 1-chip GS Series means a better combination of brilliant images, high performance and durability, while improving on a low cost of ownership,” said Mike Garrido, senior product manager, Christie. “The new Christie GS Series has the image quality and innovation that only Christie can deliver.”

Benefits of using Christie GS Series

-SSI-based laser phosphor for longer illumination life.

-Long life DLP® technology for greater reliability and more lifelike colors.

-Up to 1200:1 contrast ratio.

-Optional blending, warping for curved surfaces, and color matching for multiple projectors setups.

-24/7 capability for monitoring and signage applications.

-HD, WUXGA and WXGA resolution available.

-Wireless connectivity for less clutter and no cable management.

-Suite of lenses and portrait or landscape setup.

-With a choice of black or white shell, Christie GS Series easily blends into background.

The Christie DWU555-GS, Christie DHD555-GS and Christie DWX555-GS ship in August 2014 with a three-year parts and labor warranty.

HARMAN’s Martin Professional Appoints SF SES vs ISIK as Exclusive Distributor of Martin Lighting Solutions in Turkey

ISTANBUL, Turkey — HARMAN’s Martin Professional today appointed SF SES vs ISIK Sistemleri A.S., also known as SF, as the exclusive distributor of Martin products in Turkey. Istanbul-based SF has been a valued member of the HARMAN distributor network for over 25 years and this partnership will enhance the sales, distribution, and support of Martin Professional lighting solutions throughout Turkey as well as Azerbaijan and Northern Cyprus.

“As distributors of top brands in audio, video and lighting systems, we are sure that Martin will be a valuable addition to our existing distribution lines, as our reseller and solution partners always look to offer more sophisticated and robust turnkey lighting solutions to present to their end-user customers. commented Samim Mutluer, CEO SF SES ve ISIK Sistemleri A.S. “We look forward to providing our resellers and partners with the value-added services in support of Martin’s complete lighting system solutions.”

Commenting on the partnership, Matt Hallard, Business Area Manager EMEA, Martin Professional, said, “SF are well-respected by the rental companies and end users and have an incredibly dynamic, proactive team. With this brand new partnership and SF’s market dominance, I am confident we will quickly increase awareness of Martin Professional’s product range across the territory.”

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

Sound Devices 970 Brings Rackmounted Audio to InfoComm 2014

64-Track Dante and MADI-Equipped Multi-Track Audio Recorder Makes AV Debut

LAS VEGAS, JUNE 18, 2014 – Sound Devices, specialists in audio and video production equipment, showcases the 970, its first-ever dedicated audio-only rack-mounted solution, which boasts an impressive 64 channels of Dante and MADI, at InfoComm 2014 (Booth C6443). The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording, including live events such as concerts and sports recording, corporate events, houses of worship (HOW), studio and mobile production, as well as theater and museum presentations.

Sound Devices 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. The 970 is a powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported.

The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

The Sound Devices 970 features an embedded Web-based control panel for machine transport and setup control over Ethernet-based networks as well as file transfer over the data network with SMB. In mission-critical audio-over-IP AV installations, where hundreds of audio channels are distributed between zones, setting up a redundant network to protect against loss of audio due to network failure provides peace of mind. The ability to have one drive transferring files over Ethernet, while another continues recording, offers significant production time savings. Corporate, HOW, theater and museum presentation videos that are created, edited and rendered remotely can be transferred directly to the venue.

File metadata editing of scene name, take name, notes, track names and reel folders can be done during, before and after recording across all drives. In addition to RS-422 and GPIO control, the unit also allows for format conversion between analog, AES digital, MADI and Dante, acting as a bridge and routing matrix between these types of audio I/O.

Sound Devices 970 is designed with a large five-inch screen for metering of up to 64 tracks and for fast and intuitive menu control. It also features the Sound Devices proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording. In addition, the 970 features FileSafe, which automatically detects and repairs corrupted file headers when drives are mounted. This occurs when a drive is inadvertently removed during recording, with the 970, simply reinsert the drive and it automatically repairs its files.

With its built-in, rock-steady Ambient Recording Lockit time-code technology, the 970 is well-suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports external synchronization from word clock, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production.

Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.

HARMAN’s Soundcraft Vi3000 Ushers in the Next Generation of Digital Consoles

LAS VEGAS, Nevada – At InfoComm 2014, HARMAN’s Soundcraft is spotlighting its new Vi3000 ’all-in-one’ digital live sound console, offering a host of state-of-the-art features including the groundbreaking internal DSP Soundcraft® SpiderCore, a new industrial design, 96 channels to mix, onboard Dante compatibility as standard and much more in a very compact footprint.

“The Vi3000 joins the successful Vi1, Vi4 and Vi6 models and represents a massive leap forward in digital console design and functionality, while also keeping the best elements of its sister Vi consoles,” said Andy Brown, Senior Product Manager Vi Series. “We have a totally new internal core based on the highly successful Studer Vista 1 and a completely new, more efficiently designed surface running updated operating software. Compared to other consoles in its price range, the Vi3000 offers more input channels, more busses, more faders, and a user interface like no other. We are proud to say the Vi3000 is simply unparalleled in its category.”

The Vi3000 utilizes the new internal DSP SpiderCore with Soundcraft’s Vi Version 4.8 operating software, offering the new 3D Vistonics user interface while adding a fourth 24-channel fader layer to improve access to the console’s 96 input channels. The surface operation and layout is similar to other Vi Series consoles, providing a familiar feel while offering expanded functionality. The Vi3000 features upgraded microphone preamps and 40-bit Floating Point DSP processing for superlative sound quality.

The Soundcraft Vi3000 features an all-new appearance with efficiency enhancements to the control surface, 36 faders, 24 mono/stereo busses and a sweeping black screen panel with four Vistonics II™ touch screens with sleek, updated 3D graphics. Because the Vi3000 has four touchscreens, it’s the only console in its class that can be used by two engineers simultaneously.

“Visibility of parameters and easy access to them are the most important features a console can have,” Brown noted. “When something unexpected happens—as it always does in live sound—being able to see a lot of settings quickly is a massive advantage.”

The Soundcraft Vi3000 offers extensive rear panel connectivity. In addition to a full complement of analogue and digital inputs and outputs, the console provides MIDI, USB, Ethernet, DVI out, Dante and MADI record feed outputs, redundant power supply and other connections. The Vi3000 has two expansion bays that can be fitted with MADI Stagebox cards to connect multiple Soundcraft Stagebox input expander modules. The Vi3000 can also accommodate the new Soundcraft® Realtime Rack, designed in collaboration with plug-in manufacturer Universal Audio that provides access to 74 industry-standard UAD plug-ins. The Vi3000 is the first Soundcraft console to incorporate a built-in Dante interface as standard, for seamless digital audio networking with Dante-enabled devices.

Along with its greatly expanded functionality, the Vi3000 retains all the features that have made the Soundcraft Vi Series the consoles of choice for live sound engineers worldwide, such as FaderGlow™ illuminated faders that display different colours according to function, the ability to store and recall snapshots and cues, compatibility with Soundcraft’s ViSi app that allows remote control from an iPad, built-in Lexicon reverb/delays, dbx compression, effects and more.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

HARMAN’s JBL Professional Adds to Groundbreaking EON600 Portable PA Series with EON610 and EON612 Loudspeakers

LAS VEGAS, Nevada – Featuring advanced waveguide technology and the latest in transducer design, HARMAN’s JBL Professional is adding two new models to its EON600 Series portable PA loudspeakers: the EON610 10-inch 2-way loudspeaker and the EON612 12-inch 2-way loudspeaker. Along with the previously introduced EON615 loudspeaker, the EON610 and EON612 deliver high-end studio monitor quality sound in a rugged, lightweight design.

“Since its introduction in January, the EON615 has been extremely well-received and the addition of the EON610 and EON612 give today’s working musicians and sound providers modern, compact options for a portable sound system that offers truly unmatched sound quality,” said Andy Flint, Senior Manager, Portable PA Marketing, JBL Professional. “The EON600 Series represents a complete rethinking of how truly good an affordable, self-contained, portable PA system can be.”

The EON610 and EON612 feature built-in, 1000-watt power amplification, providing exceptional headroom for a variety of applications, from fixed PA to gigging bands. Custom JBL high- and low-frequency transducers deliver massive sound pressure levels with lower distortion throughout the frequency range.

The foundation of the EON600′s performance is a breakthrough approach to waveguide design, solving the inherent beaminess of conventional speaker systems that causes them to have a different frequency response off-axis than on-axis. JBL engineers examined the radiation characteristics of the EON’s high- and low-frequency drivers at 36 different points employing JBL’s exclusive, state-of-the-art measurement techniques, then designed individual waveguides for both components that control the sound radiation at the high frequencies, the crossover point, and at the low frequencies.

Special fluting is designed into the structure that guides the frequencies through the full range of the system, resulting in consistent response throughout its entire coverage pattern. The quality and consistency between on-axis and off-axis response delivers uniform coverage and high intelligibility, which means the EON600′s smooth, transparent sound is the same for the entire audience. These characteristics are the foundation of high-end studio monitor sound and are now available for the first time in a portable, affordable system.

Knowing that fine-tuning sound requires sophisticated yet convenient control, JBL engineers developed an iOS and Android supported interface to be paired with the Bluetooth Smart Ready 4.0 for controlling master volume, adjusting the 5-way, user-definable parametric EQ, and saving and recalling user presets. The interface controls EON’s onboard best-in-class 32-bit, 130 mHz, ultra-low power, audio DSP subsystem, so it’s fast and efficient with superb audio quality. Four strategically placed handles allow easy handling, indexed feet allow secure stacking, transportation and storage, and extra-strong enclosures ensure rugged reliability, a hallmark of all JBL products.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

HARMAN’s JBL Professional AWC159 and AWC15LF Loudspeakers Offer World-Class, Weatherproof Sound

LAS VEGAS, Nevada –At InfoComm 2014, HARMAN’s JBL Professional is introducing the AWC159 and AWC15LF compact all-weather loudspeakers. Designed to deliver world-class sound quality and high sound level capability for outdoor applications, their wide-range, smooth frequency response and high sensitivity ensure high-fidelity music reproduction and superb projection of clear, intelligible speech.

The AWC159 is a compact, 15-inch, 2-way coaxial loudspeaker with compression-driver high frequency, wide 90 x 90-degree coverage and 500 Watts power handling. The AWC15LF, with 500 Watts power handling, is a 15-inch low-frequency loudspeaker designed for outdoor applications where additional low frequency is required. Both loudspeakers can be operated as direct low-impedance (8 ohms) or on a 70V or 100V distributed line via built-in 300 Watt low-saturation, multi-tap transformers.

Components feature Kevlar reinforced low-frequency drivers and high-frequency compression drivers with a unique patented design and high temperature polymer diaphragm for high output levels with low distortion. Enclosures come in light gray or black and are paintable to match the requirements of the application.

AWC components are highly weather-treated and a 3-layer grille with vapor-barrier backing minimizes direct rain contact with the system transducers. The recessed terminal compartment is protected by a panel cover and a water-tight gland nut fitting. A U-bracket is included. The system’s IP-56 outdoor rating and wide, smooth frequency response makes JBL’s AWC loudspeakers ideal for projects such as racetracks, school stadiums, theme parks, fairgrounds, skating rinks and swimming facilities, as well as for arenas, general public address and a variety of other indoor and outdoor applications.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

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