A virtual press conference from Sound & Video Contractor

Archive of the Videos Category

Point Source Audio will Demonstrate Digigram’s New Lower Cost AQILIM *FIT/LE Live Video Streaming Encoder to the Worship Market

Visitors at this year’s WFX Expo in Dallas, Texas, will get a first-hand look at how to use AQILIM for Live Streaming in a growing array of applications.

Point Source Audio (PSA), Digigram’s Master Distributor for the Americas, announced that the AQILIM *FIT/LE professional video encoder will be on display from October 1 – 2 at this year’s Worship Facilities Expo (WFX) 2014 Expo (booth #844) in Dallas, Texas.

The AQILIM *FIT/LE is an intuitive and cost-effective solution for high-quality live event broadcasting over an IPTV network or multiscreen video distribution over the Internet. With flexible input options and compatibility with leading web streaming providers, this latest addition to Digigram’s encoder line is ideal for increasingly popular streaming applications for live video, live distribution of religious services, corporate, sporting, or news events; the creation of WebTV; and live education via e-learning.

“AQILIM *FIT/LE is an affordable professional encoder that makes it easy to connect to most major web streaming providers and stream live broadcast-quality video to PC, Mac, smartphone, and tablet users around the world,” said Laurent Gros, video product manager at Digigram. “Built on proven technology and ready to use, right out of the box, the AQILIM *FIT/LE provides reliable, straightforward operation for the user while assuring exceptional video quality. By making live streaming both simple and affordable, the AQILIM *FIT/LE opens up new and valuable opportunities for a broad variety of businesses, institutions, and organizations.”

The AQILIM *FIT/LE connects directly to the camera or video mixer, capturing live video and streaming encoded video either to an IP network or to the CDN responsible for Internet distribution of live video. A Web-based interface gives users convenient access to simple configuration parameters for video streaming, eliminating the need for specialized training or dedicated operators.

Occupying just one rack unit, the robust hardware system is available with analog, SDI, and/or HDMI video inputs. Quiet operation enables use of the encoder even in a meeting or conference room.

The AQILIM *FIT/LE is now available for purchase at select Point Source Audio resellers. More information about Point Source Audio’s various audio solutions can be found by visiting www.point-sourceaudio.com

About Point Source Audio
Point Source Audio (PSA) manufactures and distributes worldwide their SERIES8 miniature microphones—a unique line of headset and earworn microphones known for their robust bendable boom and waterproof features. As a result of PSA’s pro-audio expertise and its admired reputation for sales and service support, the company was also named Digigram’s Master Distributor for the Americas. The world renowned brand of Digigram sound cards, IP audio and video codecs, and Ethersound audio networking technology are now available from Point Source Audio. Founded in 2004, Point Source Audio is headquartered in Petaluma, Calif. For more information call (415) 226-1122 or visit www.point-sourceaudio.com.

Simple. Robust. Intelligent: Kramer Launches RC-43T Control Panel

Audio, video and computer signal processing specialists, Kramer Electronics introduces the RC-43T, a 6−button auxiliary control panel that works as a remote control panel for master room controllers such as the Kramer SL−1 in classrooms, meeting rooms, boardrooms or auditoriums.

The RC-43T uses proprietary KNET™ protocol to power and communicate over a single cable and between Kramer products. Easy to use front panel buttons are touch−sensitive and give press confirmation using LED lights. The slimline unit measures 6.9cm x 1.6cm x 11.4cm (2.72″ x 0.63″ x 4.5″ W, D, H – US) and matches 1-gang US wall plates. Rugged and robust, the RC-43T is made for extensive use and brings significant return on investment.

Speaking about the new innovation, Ezra Ozer, Vice President, Marketing at Kramer Electronics said: “Created with the end user in mind, the RC-43T is simple to use, reliable, functional and intelligent. It forms part of Kramer’s comprehensive range of media and wall controllers. All products are expertly designed to be future-proof, manufactured at our factory in Jerusalem and marketed globally.”

The RC-43T will make its official international debut at InfoComm India 2014 at Booth D1, Mumbai Exhibition Center from 17-19 September 2014.

Some useful links:
Website: www.kramerelectronics.com
Twitter: KramerElec
Facebook: kramerelectronics
Linkedin: https://www.linkedin.com/company/895692

NEUTRIK ANNOUNCES opticamSWITCH® FIBER OPTIC CAMERA SWITCH

**** Photo: Neutrik’s opticamSWITCH ****

Charlotte, NC – August 2014… Neutrik USA, the leading supplier of robust and reliable professional connectivity solutions for audio, video, and data, is pleased to introduce opticamSWITCH, the ultimate solution for fiber optic camera routing within broadcast studios. opticamSWITCH eliminates the need for high-maintenance, risky SMPTE matrix patch fields by automating camera-to-CCU connections, routing both fiber and power. more

Seymour-Screen Excellence Brings to Market Best-in-Class Ambient Light-Rejecting Film Screen Line

Available in 1.3, 2.1 and a black 1.2 gain version, the company’s proprietary technology prevents color shifting and sparkling in a manner that has already been declared best-in-class by reference calibrator
W. Jeff Meier in his June 2014 AccuCal Projection Screen Material Report

Ames, IA – August 19, 2014 – Seymour-Screen Excellence — the made-in-the-USA brand best known to date for its luxurious, reference-grade acoustically transparent 4K film screens — is rounding-out its offerings with Ambient-Visionaire™, a proprietary ambient light filtration technology that the company claims is the most advanced to ever reach the market.

The Ambient-Visionaire is a solid screen surface, comprised of billions of nano-mirrors, dithered at the desired viewing angle, and layered so that side light (from any direction) will be absorbed by carbon particles and the substrate.

Ambient-Visionaire screen surface close-up

”By shrinking the reflective elements down to less than 1/10th the smallest size visible by the human eye, the screen cannot create a discrete sparkle,” says Seymour-Screen Excellence Managing Director Chris Seymour. “They are so small and dense, that a 16K resolution pixel would have over 300 mirrors to itself; a 4K pixel would have nearly 5,000. With this more efficient method of selectively reflecting the projected image versus ambient light, the screen offers the reference quality color uniformity that Seymour-Screen Excellence is known for without exhibiting any color shift, sparkles or ringing – all issues that have plagued performance of ambient light-rejecting film screens.”

Chris Seymour putting the finishing touches on a film screen

Ambient-Visionaire Silver Series
To satisfy a wide range of installation applications, the Silver Series consists of both 2.1 and 1.3 gain versions. The Silver 1.3 was reviewed and declared best-in-class by W. Jeff Meier in his June 2014 AccuCal Projection Screen Material Report. Meier is considered by many in the industry to be a leading reference calibrator. The AccuCal report can be read here: http://bit.ly/1lWPgec

Ambient-Visionaire Black Series
Using the same aggressive combination of carbon particles and stacked, dithered nano-mirrors along with a deep black background that absorbs 90% of ambient light from any direction, the 1.2 gain Black produces a 12x improvement in contrast ratios in environments that are otherwise unsuited to front projection use, even outdoors.

The Ambient-Visionaire screens are available in sizes up to 130-inches wide (141-inches diagonal) in 2.37 aspect ratio and 100-inches wide (115-inches diagonal) in 16:9 aspect ratio. The surface of both the Silver and Black series feature a durable finish that can be wiped down and cleaned with common household cleaners including rubbing alcohol or mineral spirits.

While manufactured in Seymour-Screen Excellence’s Ames, Iowa production facility, the Ambient-Visionaire line is also available outside of The Americas through partner Screen Excellence, located in the UK.

”The response to Ambient-Visionaire from dealers, reps, calibrators and press has been extremely enthusiastic,” says Patrice Congard, Seymour-Screen Excellence partner. “Chris Seymour has done a phenomenal job – certainly his background as an engineer has been quite influential in the development of this special screen surface. I am quite confident that Ambient-Visionaire will be a catalyst in our joint-venture taking an even stronger foothold in the home theater channel.”

For more information on Ambient-Visionaire visit http://www.seymourscreenexcellence.com/materials.asp or call 515.450.5694.

For all Seymour-Screen Excellence media inquiries, please contact Paul Muto via paul@mutocomm.com or phone 631.849.4301.

About Seymour-Screen Excellence
Founded as a joint venture by US-based Seymour AV and UK-based Screen Excellence, SSE combined the leadership and innovation of their acoustically transparent projection screen materials for high-end custom installers and specialty AV retailers in North America. Using the latest in materials and design from Patrice Congard, originator of the modern acoustically transparent screen, the company’s state-of-the-art screens provide flawless picture quality and acoustic transparency, superior to traditional perforated screens or other less exacting woven screen materials. www.seymourscreenexcellence.com

About AccuCal
AccuCal was founded in 2005 by Jeff Meier to provide professional services and develop tools to support the installation of sound and video equipment. The services offered include audio calibration, design, performance measurements and video calibration. AccuCal is unique in this business segment. Jeff has developed proprietary software and methods that are combined with industry reference sensors and standards to deliver superior results. AccuCal also sells no products and receives no incentives to promote products. This provides clients the assurance that recommendations are not biased by equipment margins. Since 2005, Jeff has assisted with over 2,000 audio and video installations for home theater and commercial applications including movie post production, TV advertising, businesses, churches and schools.
Equipment that is supported ranges from reference quality to very modest in nature depending on the client’s budget and needs. www.accucalhd.com

Early Registration for GameSoundCon Conference Ends Soon

Register for the 10th Conference on Video Game Music and Sound Design in Los Angeles by September 1 at early bird discounted price

Seattle, WA (August 14, 2014) GameSoundCon 2014, the leading conference on video game music and sound design, has announced early bird discounts on all registrations until September 1, 2014. The organization’s 10th conference will be held October 7-8 at the Millennium Biltmore Hotel in Los Angeles and feature two days of sessions, panel discussions and hands-on workshops from over twenty of the game industry’s leading composers, sound designers and audio directors.

“The video game industry has been changing rapidly,” said Brian Schmidt, Executive Director of GameSoundCon. “New consoles have been launched, casual and social games have exploded onto the scene. We’ve put together speakers and sessions this year that reflect the changing challenges of working in videogames for both aspiring and professional composers and sound designers. GameSoundCon continues to be the premier audio event for people who want to understand the creative, technical and business challenges of working in sound for games.”

GameSoundCon comprises four concurrent session tracks. Game Audio Essentials features presentations and panels on essential topics in game audio, specifically designed for professional composers and sound designers who want to expand into games. Game Audio Pro features talks and roundtables for seasoned game audio professionals, while separate sessions providing Hands-on FMOD Studio training and Hands-on WWise training allow attendees to bring their laptops and receive training on creating interactive music and sound effects using the industry’s leading game audio design tools.

This year’s featured keynote speaker will be Marty O’Donnell, creator of perhaps the most iconic game soundtrack of the recent era with his work on HALO. O’Donnell, formerly audio director at Bungie, now with his own studio, will talk about stimulating creativity, the video game business, and what it was like to collaborate with Sir Paul McCartney on the upcoming game Destiny.

GameSoundCon 2014 Los Angeles will be held on October 7-8 at the Millennium Biltmore Hotel in Los Angeles, California.

For a complete list of speakers, sessions and more information or to register for GameSoundCon, visit www.GameSoundCon.com.

About SoundCon LLC
SoundCon LLC is dedicated to education on the art, technology and business of composing for video games and video game sound design. With award-winning speakers and panelists from throughout the game and traditional audio industries, GameSoundCon is the leading music and sound conference specifically for the professional audio community. GameSoundCon creator and speaker Brian Schmidt received the Game Audio Network Guild’s 2008 Lifetime Achievement Award, and is a 27 year veteran in the game audio industry, having composed award-winning game music and created sound effects for over 130 interactive games.

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wysiwyg Lighting Design Video Challenge 2014

‘Be Smart, Be Creative’. Lighting Designers can enter their own unique Imagination into the wysiwyg Lighting Design Video Challenge by CAST Software! – a challenge open to all current wysiwyg R33 users and Members and to those who become so before the deadline of 26 September 2014.

“As in previous years, we’re looking to discover the next lighting design talent through previsualization, but this year’s participants will be challenged by having a “budget” just like they would in a real world project. This “budget” will be represented by an equipment limitation list,” explains, Igor Silva, marketing manager at CAST Group.

“Entrants can be pros or amateurs – all you need to do is be a registered wysiwyg Member, follow the equipment limitation list and guidelines, create a 2-minute video of your lighting design using wysiwyg version R33 then post it to your YouTube account and share it on CAST’s Facebook page. That’s the challenge!”

The best three entries will be handpicked by an expert panel of judges assessing entries on creativity in lighting rigs, programming and overall lighting design.

Winning entries will be showcased at the CAST Booth P10 at PLASA London on October 5th, 2014 then promoted online and in social media.

Additionally winners will take home:

1st place 1 year free wysiwyg membership
2nd place 9 month free wysiwyg membership
3rd place 6 month free wysiwyg membership

There will also be a People’s Choice award voted for on CAST Software’s Facebook page by industry peers, where the winner will receive a year’s wysiwyg membership or option to upgrade to ‘wysiwyg Perform’.

And the last word goes to Silva who says: “Show us what ‘Be Smart, Be Creative’ means to you!”

Raring to go?

The full terms and video requirements can be found here. Entry submissions start from 7 August to 26 September 2014.

Purchase wysiwyg and join the challenge. Go to https://cast-soft.com/cast/store/index.php.

Some Useful Links:

Twitter & Facebook: @CASTSoftware

CAST Forum: http://forum.cast-soft.com

About CAST Software

Established in 1994, Toronto Canadian-based software and hardware developer, CAST Software celebrates its 20th year in business in 2014. CAST Software serves its core markets in entertainment production, special events and meetings. Its award winning flagship software products are wysiwyg design and previsualization suite, and Vivien — Event Designer. All products are designed and created in-house and supported by an established global distribution and reseller network.

CAST Software Ltd. is a member of the CAST Group of Companies Inc.

www.cast-soft.com

Industry-Leading Harmonic Spectrum Server Line Offers Richer Functionality, Higher Density, and Lower Cost Per Channel

Spectrum Version 7.6 Release Boosts MediaCenter Channel Count and Capabilities, Enriches ChannelPort and MediaDeck Tools and Feature Sets

SAN JOSE, Calif. — Aug. 6, 2014 – Harmonic (NASDAQ: HLIT), the worldwide leader in video delivery infrastructure and market share leader in broadcast playout servers, today announced the release of version 7.6 of the company’s Spectrum(TM) media server product line. With this release, the Spectrum MediaCenter(TM) (MCP-2200A) media server system now supports 20 channels — eight more than previous models — and up to 32TB of integrated SAS storage in a compact 2-RU enclosure. The company also introduced a series of enhancements to the Spectrum ChannelPort(TM) integrated channel playout system and Spectrum MediaDeck(TM) server system that improve caption support, monitoring and scheduling capabilities, and integrated management tools.

“The MediaCenter platform has always been the best value for customers with moderate channel counts of four to 12 channels, and the MCP-2200A significantly increases that value, making an even more powerful Spectrum system available in a compact footprint and at a compelling price point,” said Andy Warman, director, product management, production and playout, Harmonic. “When combined with our Spectrum MediaPort and/or ChannelPort video I/O modules, this new addition to the MediaCenter family serves as a versatile yet straightforward solution for ingest, media prep, and playout.”

Ideally suited for transmission, studio production, news and sports highlights, and distributed broadcast workflows, the MediaCenter system allows users to simplify operation and maintenance while reducing overall rack space, power, and cost requirements. The high channel count (20 video channels at 50 Mbps or 10 channels at 100 Mbps) and increased SAS storage (approximately 1,200 hours at 50 Mbps) of the MCP-2200A are complemented by file transfer support for the ingest and export of clips, audio, and subtitle files. In addition to being easy to install and maintain, the system offers the rock-solid reliability for which the Spectrum product line is renowned.

The MediaCenter system supports conventional ingest and playout operations when combined with MediaPort I/O systems. When combined with ChannelPort systems for integrated channel playout (ICP) applications, it provides robust functionality including graphic branding, DVE, key and fill, video and audio switching, and much more. The ChannelPort system itself has been augmented with open caption support, which enables caption files that have been imported into a Spectrum server to be played out frame-accurately with the caption text burned into the video as a graphic. This capability is ideal for play-to-air scenarios in which captioning is required for multilingual viewers or the hearing impaired, and its integration into the ChannelPort system reduces the need for costly downstream insertion equipment.

A new Monitor Mode for the ChannelPort system enables each simulcast port to be used as a master control/gallery monitor wall output of the primary output, with timecode, clip status, and clip names burned into the video output. Operators thus gain at-a-glance access to on-air clips. The addition of a Schedule Tool application enables multiple users to create playlists that can later be played to air by Harmonic’s Onboard Playlist Control (OPC) automation.

In refining the company’s MediaDeck server system, Harmonic has embedded all configuration, maintenance, and monitoring tools within the system chassis. The user is presented with a Web page showing alarms and messages, configuration tools, status configuration, and licensing information and maintenance tasks in an easy-to-use interface.

At stand 1.B20 during IBC2014, Sept. 12-16 in Amsterdam, Harmonic will showcase its comprehensive line of market-leading solutions that optimize the production and delivery of high-value video services in the broadcast, pay-TV, and new media environments. Further information about Harmonic and the company’s products is available at www.harmonicinc.com.

# # #

About Harmonic
Harmonic (NASDAQ: HLIT) is the worldwide leader in video delivery infrastructure for emerging television and video services. The company’s production-ready innovation enables content and service providers to efficiently create, prepare, and deliver differentiated services for television and new media video platforms. More information is available at www.harmonicinc.com.

This press release contains forward-looking statements within the meaning of Section 27A of the Securities Act of 1933 and Section 21E of the Securities Exchange Act of 1934, including statements related to the anticipated capabilities and benefits of Harmonic’s, ChannelPort(TM), MediaDeck(TM), MediaCenter(TM), Spectrum(TM) products. Our expectations and beliefs regarding these products may not materialize and are subject to risks and uncertainties, including the possibility that the products may not meet some or all of their anticipated capabilities or provide some or all of their anticipated benefits, such as reliability, versatility, cost savings, robust functionality, and simplification of operations.

The forward-looking statements contained in this press release are also subject to other risks and uncertainties, such as those more fully described in Harmonic’s filings with the Securities and Exchange Commission, including its Annual Report on Form 10-K for the year ended Dec.31, 2013, its Quarterly Reports on Form 10-Q and its Current Reports on Form 8-K. The forward-looking statements in this press release are based on information available to Harmonic as of the date hereof, and Harmonic disclaims any obligation to update any forward-looking statements.

EDITOR’S NOTE - Product and company names used herein are trademarks or registered trademarks of their respective owners.

Visit Harmonic at IBC2014, Stand 1.B20

Photo Links:
www.wallstcom.com/Harmonic/Harmonic-SpectrumFacility.jpg
www.wallstcom.com/Harmonic/Harmonic-SpectrumFamily.jpg
www.wallstcom.com/Harmonic/Harmonic-SpectrumMediaCenter-Front.jpg

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Studio Lambert Uses Forscene to Help Speed Up Post-Production Process of ‘Gogglebox’

LONDON — Aug. 5, 2014 — Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, announced today that London-based production company Studio Lambert is using Forscene for the quick-turn production of Channel 4′s “Gogglebox.” Part of all3media, which is the U.K.’s largest independent television, film, and digital production and distribution company, Studio Lambert uses Forscene to search and select clips from the rushes while editing is in progress on the observational documentary.

“With less than a week to turn around a show like ‘Gogglebox,’ Forscene doubles the efficiency of the editing process. For example, whilst an editor is pulling material on the Avid editing system, the producer can pull different material and even create sequences simultaneously on Forscene,” said Chantal Boyle, series producer of Studio Lambert.

For “Gogglebox,” Studio Lambert shoots about 150 hours of material a week and logs the footage live during filming. As soon as filming wraps each night, the footage is driven straight back to Studio Lambert’s post-production house in central London, where it is ingested into the Avid nonlinear editing system and uploaded to Forscene so that it is ready for the edit team to start work the next morning. Edit producers and senior producers use a combination of shoot logs and Forscene to locate the best clips to weave into the show.

“The way Studio Lambert uses Forscene is a great example of the software’s value as a search tool,” said Greg Hirst, business development director, Forbidden Technologies plc. “Every second counts on this production, and Forscene makes it possible for the show’s many producers to search through a considerable amount of footage quickly without disrupting the editors.”

More information about Forscene can be found at www.forscene.co.uk. More information about Forbidden Technologies can be found at www.forbidden.co.uk.

# # #

About Forbidden Technologies plc
Forbidden develops advanced technologies that enable media makers and broadcasters to create and distribute compelling viewing experiences to demanding worldwide audiences. Forbidden’s flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform. It allows post-production professionals to make and deliver stories with high quality and production value in demanding, fast-paced landscapes. Quoted on the London Stock Exchange Alternative Investment Market, Forbidden partners with high-profile media and technology organisations, including Atos, BIM, deltatre, EVS, and Key Code Media. More information about Forbidden can be found at www.forbidden.co.uk. More information about Forscene can be found at www.forscene.co.uk.

Visit Forbidden at IBC2014, Stand 8.B38e

Photo Link: www.wallstcom.com/Forbidden/Forbidden-Gogglebox-LeonandJune.jpg
Photo Caption: Leon and June of “Gogglebox”

Westlake Pro Hosts Mixing Master Class with Andrew Scheps

First videos in series now available on YouTube

Los Angeles, CA – Westlake Pro, a leading retailer of professional audio, video, broadcast equipment, recording, and live sound equipment, technical services and musical instruments, recently hosted a Mixing Master Class with legendary audio engineer Andrew Scheps. The seminar, which took place at The Village Studios in Los Angeles, was filmed and edited into a video series, with the first of 13 now available for viewing on Westlake Pro’s YouTube channel.

Known for his distinctive mixing style and ability to bring the emotion out of songs, Scheps has engineered and mixed for some of the biggest rock bands in music: Metallica, Red Hot Chili Peppers, Weezer, Audioslave, Linkin Park, Green Day and U2. He’s also worked with icons such as Johnny Cash, Neil Diamond and Iggy Pop, as well as many independent artists.

Having successfully mixed with computers and software, or “in the box”, and on large format analog consoles, Scheps brings a unique perspective to mixing workflow, which he demonstrates by deconstructing some of his current work using Avid Pro Tools and S6 Control Surface.

The Mixing Master Class video series is divided into 13 videos of five to eight minutes in length and cover a wide variety of mixing topics as well as a Q&A session with the audience of around 150 people, most of which are working audio professionals. New videos in the series will be posted on Westlake Pro’s YouTube channel over the next several weeks. Please visit https://www.youtube.com/user/WestlakePro1.

About Westlake Pro
Based I Los Angeles, Westlake Pro specializes in business-to-business and retail sales of professional audio and video equipment, broadcast equipment, video editing software, recording software, computers, musical instruments and live sound application products. The company also provides technical services from complete studio design to live sound system design. Westlake Pro serves the Post Production, Broadcast, Music Production, Educational, House of Worship and Government markets.
For more information, visit www.westlakepro.com.

AV Stumpfl gives Norwegian rock ‘Wings’ for Pink Floyd tribute concerts

YouTube video: watch?v=BeOmGmiHa-s&feature=youtu.be © Blank

Unique projection mapping, blending and warping in spectacular setting

Everyone is familiar with the idea of a rock concert, but few events take the word ‘rock’ as literally as the recent series of outdoor gigs staged in Norway by the Pink Floyd tribute band Puls. Against the dramatic backdrop of the Kilden-Fjæreheia quarry in Grimstad, the band played six sold-out nights to audiences who were wowed not just by the music but by the spectacular projection-mapped backdrop that was created courtesy of AV Stumpfl’s Wings AV multi-image control technology.

Event design and production for the Puls concerts was the responsibility of Norwegian company Blank. Tomas Håvik, CEO of AV Stumpfl’s Scandinavian distributor Preqbi AB, recalls the project’s technical origins:

“Blank were searching for a solution that could deliver edge-blending and warping of multiple projected images, automated according to a timeline and with built-in media serving capability. We advised them that Wings AV could deliver exactly what they needed, and once the decision had been taken, we helped them with education and support.”

Kent Bakke, General Manager at Blank, explains: “Our challenge was that we wanted to map the actual face of the quarry that provides a backdrop to the band’s stage set. The face of this ‘mountain’ measures about 55 metres wide by 20 metres high, and our render size for the project was 3120 x 1200 pixels, with a 256 pixel overlap between the two halves of the image.

“The Vioso module of Wings split the image into a multi-display, blending and warping the output of six high-output HD projectors with ease. We also used Vioso to create and edit the video content, building up an exact replica of the ‘mountain’ in 3D.

“The content was stored and played back using the Wings Engine media server, with the Wings Avio control protocol allowing secure and perfectly synchronised connection via MIDI to the show’s lighting-control desk. This meant that the video timeline was perfectly sync’d to the music and associated lighting cues, every step of the way.”

With an audience of around 950 people per night seated in a U-shaped amphitheatre exactly opposite the quarry wall, each show culminated in a spectacular climax that echoed the finale of Pink Floyd’s ‘The Wall’, with pieces of rock from the quarry appearing to break up and fall towards the stage and theatre.

Tobias Stumpfl, Commercial Director, AV Stumpfl, concludes: “From video editing to large-scale projection, interactivity and show control, our Wings platform does it all. With the support of local partners such as Preqbi AB and the superb creativity of customers like Blank, our technologies are delivering spectacular results that wow audiences all over the world.

“We congratulate everyone involved with the Puls concerts in Norway and look forward to many more exciting applications of Wings to come!”

Some useful links:

Facebook:
@AV.Stumpfl.Pro
@blank.no
@Preqbi-AB

More information about Preqbi AB can be found at www.preqbi.se.

About AV Stumpfl
AV Stumpfl is an award-winning Austrian company that designs, manufactures and markets a range of high-performance mobile and installation projection screens and multi-display and show control systems for professional and business applications. As a family business, its founders started the company out of a passion for the advancement of presentation and installation technologies. The product range is warranted for 24/7 usage. AV Stumpfl is located in Wallern, Austria, and is supported by a global network of distribution and service partners.
www.avstumpfl.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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