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Analog Way offers new optimized Remote Control Software for intuitive show control

Web RCS

Analog Way is pleased to deliver brand new Web-based Remote Control Software for its new LiveCoreTM platform-based systems. By offering advanced monitoring resources as well as Remote Maintenance opportunities, this intuitive and user-friendly Remote Control Software (Web RCS) will help users create sophisticated presentations easily.

At ISE 2013, Analog Way introduced a brand new generation of high-end AV Processors. Based on the new LiveCore platform, the NeXtage 16 and SmartMatriX Ultra include a new optimized User Interface for improved creativity and control. Being web-based, the new Remote Control Software (Web RCS) can be run virtually anywhere on any computing system connected to the Internet: PC, Mac or tablet.

The Web RCS offers a user-friendly graphic interface consisting of 3 independent sections: Setup, Edition and Live.
A Wizard mode leads operators in the setup of the device and the preparation of the show.
With updating snapshots of the connected sources available in the interface, the intuitive dashboard allows operators to fully prepare their shows, and control them live during their events. An innovative Sequences mode in the Live menu allows easy organization of presets through drag and drop. To save time and increase creativity, up to 5 operators per device can connect on the Web RCS and work from different computing systems on different tasks simultaneously. Any operation is seen in real time by all the Web RCS users, thus ensuring effective preparation and monitoring.

The Web RCS allows the NeXtage 16 and SmartMatriX Ultra to support multiple Remote Services. Among the advantages offered, users can quickly clone a set-up if needed. Important data related to the use of the machine is also stored (working hours per show, in total,…). Remote Support and Assistance is also available. Analog Way’s Technical Support team can remotely connect to the machine to support users whenever requested.

Franck Facon, MarCom Director at Analog Way, comments: “With our new LiveCore based systems, we intend to deliver powerful live processing capabilities, but also peace of mind. Our new processors were designed to ensure easy utilization and monitoring in the field. Our brand new Web Remote Control Software is key in this process: intuitive and user-friendly, it makes our processors easy to configure, easy to use and easy to maintain whenever needed.”

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Analog Way unveils the NeXtage 16, a powerful true-seamless AV Processor

Analog Way is pleased to introduce the NeXtage 16 (Ref.NXT1604), a brand new powerful high-end AV Processor. Based on Analog Way’s new LiveCoreTM platform, the NeXtage 16 offers state-of-the-art live processing and Soft Edge Blend capabilities for top-notch presentations.

NeXtage 16 (Ref.NXT1604) is a high-end Seamless Switcher with dedicated live processing, designed with a rugged reinforced chassis and hardware for demanding live events. Equipped with 16 Scalers, 8 seamless inputs and 2 main outputs, NeXtage 16 offers 28 input plugs: 4 x HDMI, 6 x DVI-D, 2 x DisplayPort, 8 x 3G-SDI and 8 x Universal Analog. With 4 independent true seamless layers per output, as well as an independent Native Background layer included for Soft Edge Blending or individual screen modes, NeXtage 16 is an exciting tool to create impressive shows.

Versatile connectivity and extensive set of formats
The switch between any of the 28 input plugs can be operated in instant Clean Cut. The NeXtage 16 also offers unique connectivity through a SFP Cage to receive a large choice of Optical SFP modules per output. The device can handle any source from composite video, up to 2560×1600 (DVI Dual-Link available). It also outputs a variety of formats, including HD-TV and Computer format up to 2560×1600. NeXtage 16 features a Full Preview with all PIPs available, as well as a customizable Live Source Mosaic Monitoring on an independent output. All sources and layers can be displayed in real time on the Program, the Preview and the Live Source Mosaic Monitoring output.

A powerful new platform
The new LiveCore platform was designed by Analog Way to deliver powerful live processing and true Seamless Switching. The 16 Scalers ensure an easy, intuitive, and powerful use of the NeXtage 16. The 4 true Seamless scaled layers per output can be controlled individually in time and transition. All layers are uniformly considered, meaning any source can be fully resized, resulting in higher creativity. Up to 50 frames and 50 logos can be easily stored in the NeXtage 16 memory via a USB plug. They are all fully resizable and support all settings and transitions of the layers. A Native Background allows creative customization and addition of a fifth layer on either or both outputs. The NeXtage 16 offers associative modularity: up to 4 units can be used to produce multiple widescreen solutions with Soft Edge Blending or Hard Edge (horizontal and/or vertical).

User-friendliness and comfort of operation
The NeXtage 16 can be controlled directly from its front panel or using a Web Remote Control Software. The front panel offers a large TFT color display with a new graphic user interface allowing monitoring of sources directly on the front panel’s screen.
In order to help users prepare sophisticated shows quickly, Analog Way designed a new optimized web-based Remote Control Software (Web RCS). The Web RCS offers a user-friendly graphic interface that can be run virtually anywhere on any computing device. An intuitive dashboard allows operators to fully prepare any show with the support of a Wizard mode indicating all steps to follow for a perfect setup of the machine. Through the Web RCS, the NeXtage 16 supports Remote Services and quick setup cloning via a USB plug. Remote Support and Assistance is also available: Analog Way’s Technical Support team can connect remotely to the machine (web access necessary) to support users upon request.

Franck Facon, MarCom Director at Analog Way, states: “The NeXtage 16 demonstrates Analog Way’s ambition to offer premium systems beyond the well-established Di-VentiX series. Thanks to the new LiveCore platform and its Web User Interface, the NeXtage 16 brilliantly combines high performance and user-friendliness”.

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Red TX Records The Audio For Jeff Wayne’s Musical Version of The War of The Worlds – The New Generation – Alive On Stage!

Broadcast audio specialist Red TX has recorded the audio for a new DVD of Jeff Wayne’s iconic musical version of The War of The Worlds.

Based on the book by HG Wells, Wayne’s classic 1978 musical work has sold over 3.6 million copies in the UK alone and over 15 million worldwide, and has been performed as a musical on some of the largest stages in the world.

For this version, Wayne incorporated new interpretations of the original tracks and a new cast starring internationally renowned Irish actor Liam Neeson as George Herbet, the journalist – a role originally performed by Richard Burton.

Other stars included Jason Donovan, Kaiser Chiefs’ Ricky Wilson, Marti Pellow, West End’s Kerri Ellis and Jettblack’s lead singer Will Stapleton. The show was performed by the Black Smoke Band and 36-piece ULLAdubULLA strings, conducted by Jeff Wayne.

Red TX was commissioned to handle the audio recording during a performance at London’s O2 Arena by Universal Visual Programming.

Producer Dione Orrom says: “We chose Red TX because we have worked with them many times in the past and they have always delivered great results. Also, Red TX understood the history of this project, having recorded Jeff Wayne’s Musical version of The War of The Worlds before in 2006, so Tim Summerhayes and his team were fully aware of the complexities of the show. There were a large number of tracks involved and complex time code issues that required the skills of an experienced audio team.”

Red TX Director Tim Summerhayes, who manned the controls on the company’s main Red II truck, says: “The secret to getting this project right was close collaboration between ourselves, Visions OBs, which was handling the video recording, and the artists’ sound crew, which was headed by Front of House sound engineer Simon Honywill and systems technician James Breward (Brew). We knew we didn’t have much time to rehearse or sound check in the O2 Arena as we had to be in and out in a day and could not interface with the show until about 1.30 pm, so a lot of preparation was done in advance.”

Some weeks prior to the O2 show, Summerhayes went to see rehearsals at LH2 Studios and the show at the NIA in Birmingham and held lengthy discussions with producer Dione Orrom, director Nick Morris, Visions unit manager Dave O’Carroll and Simon Honywill to devise a secure plan for the recording.

“We agreed to interface with Simon’s PA and took his gain structure via three MADI feeds, which we combined with analogue click tracks, time codes and the audio from the 14 ambient microphones that were covering the Arena,” Summerhayes explains. “We used three different Pryamix recording systems to distribute the tracks evenly and we also had back-up systems as a failsafe. As with any project of this scale, Red TX’s Ian Dyckhoff and Ollie Nesham were key to ensuring that all the right red lights were on.

“Timecode was the main issue we had to overcome. Normally we would lock to the video truck’s timecode, but because we were using Honywill’s MADI feeds we had to lock to his sync and show code as this was also being used to trigger the lights, live screen and special effects. There was always the possibility of a timecode drift between the two systems, which could have created serious problems in post-production, but we resolved this by very careful monitoring during the day and by recording both the show and time of day timecodes so that they could easily be tracked in post-production.”

Summerhayes adds that collaboration between the audio truck, the video truck and the Front of House sound crew is becoming increasingly common on large productions because of their complexity.
“Had we just ‘turned up’ on the day, I really don’t think that the job could have been done,” he says. “We’ve been doing this long enough and fortunately we know most of the main players, so it’s now easy for us to work alongside people like Simon Honywill and to liaise with confidence with the production company. It is with shows like this that experience really counts and we were delighted that Universal Visual Programming recognised our expertise and trusted us to do the job properly.”

The new version of Jeff Wayne’s Music Version of The War of The Worlds is an extraordinary stage production that unites conventional settings with modern technology. Highlights of the multimedia show include a three-legged, ten meter high Mars robot, a 95 minute animated movie shown on a 240 square meter screen and the use of 3D holography that allows the absent Liam Neeson to interact with the live actors on stage.

The audio recorded by Red TX is now being mixed by Jeff Wayne at his OllieWood Recording Studios. The DVD of the show will be available later this year and it will also be screened at digital cinemas around the world, starting in approximately 100 cinemas in the UK from April 11, 2013.

-ends-

About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD. It is headed by Ian Dyckhoff and Tim Summerhayes, both of whom have extensive experience in delivering high-quality audio for broadcast. www.red-tx.com

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Christie Conquers the Elements with Introduction of New WeatherAll Series of Weatherproof LCD Flat Panels

The new Christie® WeatherAll Series of LCD outdoor flat panels makes its global debut at the Integrated Systems Europe (ISE) show in Amsterdam, Netherlands on January 29, setting the standard for outdoor LED-backlit LCD technology. Rugged and versatile, the first of the WeatherAll Series is the 55-inch Christie FHD551-W, a professional grade full HD (1920 x 1080 resolution) solution designed to perform in a wide range of applications including outdoor sporting venues, outdoor live events, architectural applications, entertainment parks, public displays, the hospitality and resort industry, transportation services, and numerous other outdoor environments not typically applicable with standard LCD panels.

Christie FHD551-W WeatherAll Flat Panel

“Christie is at the forefront in offering what customers need and the WeatherAll Series is designed to be the clear choice in an outdoor weatherproof display solution,” said Frank Anzures, senior product manager, Christie. “First in our WeatherAll Series, the Christie FHD551-W is easy to maintain while providing robustness and the vivid picture quality needed when presenting your message outdoors.”

The Christie FHD551-W features optically bonded glass for increased protection against harsh impacts and scratches in public display environments while enhancing viewability in outdoor venues by reducing reflection. It is designed to provide high contrast ratio, rich vibrant colors, and superior brightness to overcome high ambient light — making it perfect for outdoor use.

The ability to use the Christie FHD551-W in landscape or portrait mode is ideal for rental staging applications, resorts, hotels and restaurants, to provide impactful content in public areas, while being rugged and durable to withstand rain, sleet, snow, and human interaction. The Christie FHD551-W’s integrated speakers and sleek design makes this a visually appealing solution compared to traditional LCD products that would require enclosures when used in outdoor environments.

“The typical flat panel displays are not designed for outdoor use and the risk of damage when exposed to the elements is very high. However, the high definition Christie FHD551-W is designed to be IP56 rated / NEMA4 and has a DACS filtration system to protect it and allow for it to be used in harsh weather conditions and withstand the abuse of public display areas,” said Anzures. “With the addition of optically bonded glass it increases sunlight readability by up to 400 percent when compared with standard flat panels and increases scratch and impact resistance by up to 300 percent.”

For superior dependability in the most challenging outdoor environments, the DACS cooling & filtration system provides a thermostatically-controlled active system that protects sensitive electronics from temperature extremes, moisture, and dust. The advanced easy-clean solution eliminates the need for core filter replacement. The FHD551-W features a weather rating of IP56/NEMA4, providing protection against solid foreign objects such as falling dirt or windblown dust in addition to rain, sleet, snow, ice and splashing or hosed water.

“The Christie FHD551-W can easily manage temperatures ranging from a scorching 45 degrees Celsius (114 degrees Fahrenheit) all the way down to a bone chilling minus 20 degrees Celsius (minus 4 degrees Fahrenheit), as well as rain, snow, dust and high humidity, without those factors affecting performance. This new outdoor flat panel also boasts integrated weatherproof speakers to provide a full solution for outdoor use,” added Anzures.

Benefits of Christie FHD551-W with Optical Bonding
- Improves sunlight readability up to 400 percent.
- Increases impact and scratch resistance up to 300 percent.
- Eliminates parallax: the apparent displacement or the difference in apparent direction of an object as seen from two different points not on a straight line with the object.
- Prevents condensation on LCD Panel.
- Significantly improves durability against vibration, extreme temperatures, altitudes, water and dust.
- Vastly improves contrast and color saturation readability.

The Christie FHD551-W is now shipping with a two-year parts and labor warranty, backed by Christie’s renowned customer service and support.

Christie Technology Brought Audiences Inside the Brain at California Institute of Technology’s TEDxCaltech 2013

Christie® technology took audiences inside the human brain at TEDxCaltech 2013 with its award-winning projection display solutions under the show’s theme, “The Brain.” Digital artist Jon 9, owner of Holonyne Corporation, produced immersive and stimulating backdrops and content related to the brain experts’ presentations that made the audience feel they were “inside” the brain of the conference itself. He also provided improvisational video mixing as accompaniment to musical performers David Torn and Moira Smiley.

Christie solutions included the Christie HD10K-M and Christie Roadster HD20K-J 3-chip DLP® projectors, as well as the multiple award-winning Christie® MicroTiles®, all controlled by the Christie Spyder video processor. Christie MicroTiles were featured on-stage as a free-standing “brick” configuration, its content synchronized with the projected images on three screens behind the performers, utilizing the curved walls of the auditorium to provide a fully immersive experience.

“Throughout my long career in the display industry, I have always looked up to Christie as a market leader that combines technical innovation with robust engineering and an expansive line of products,” said Jon 9. “I was extremely happy to be working with them on this project.”

Jon 9 said he is very grateful for the support from Christie. “Christie enabled us to bring professional display technology into the academic arena at a level that demonstrated the effectiveness of immersive, interactive digital environments within a scientific conference setting. By combining Christie’s high-powered 10K and 20K projectors with an on-stage MicroTiles video wall, and with the flexibility and power of the Christie Spyder, we created an environment that was both highly functional and visually stunning.”

Dr. Michael Roukes, Robert M. Abbey Professor of Physics, Applied Physics, and Bioengineering, and co-director of the Kavli Nanoscience Institute at Caltech, who was co-organizer of the event, added, “We were very pleased to have Christie as a sponsor of TEDxCaltech. Their visual display products produced absolutely gorgeous visualizations and were vital to helping us provide a fully immersive experience for our audiences.”

Recognized worldwide for its exceptional programs, the Caltech faculty, members of which spoke at the event, have won hundreds of awards over the years, including multiple Nobel Prizes as well as medals of science and technologies.

Acoustics First releases video on Vibration Isolation

Acoustics First has conjured up yet another video demonstration. As the fourth in a series designed to help explain common acoustic principles, this video briefly reveals what is necessary to provide vibration isolation.

VIBRATION ISOLATION DEMONSTRATION: Controlling Mechanical Sound Transmission

As the quandary of vibration isolation can quickly prove to be obtuse and relatively difficult to understand. Common problems like footfall from upstairs neighbors, industrial noise from machinery and HVAC equipment or isolating speakers and scientific devices can require completely different approaches. Most often, an on site assessment should be completed by a qualified engineering professional to determine an appropriate acoustic solution. In many cases the solution will require a modification to the structure and implement more than a single strategy.

This simple vibration demonstration challenges to provide a basic understanding of how acoustical materials may be used to prevent the spread of mechanical noise and vibration through existing structures like walls, floors and ceilings.

In this acoustic demonstration, a surface mounted piezo transducer connected to an analog meter will register levels of sound vibrations transmitted to the table. A vibrating device placed directly on the surface will transmit sound vibrations and resonate loudly throughout the table. These vibrations will register on the analog meter. By inserting isolation materials between the device and the surface, the mechanical sound transmission is reduced and sound no longer registers on the meter.

VIBRATION ISOLATION DEMONSTRATION: Controlling Mechanical Sound Transmission


Acoustics First Corporation supplies acoustical panels and soundproofing materials to control sound and eliminate noise in commercial, residential, government, and institutional applications worldwide. Products include the patented Art Diffusor®, sound absorbers, noise barriers, acoustical fabrics and accessories. Acoustics First® products are sold for O.E.M applications, direct, and through dealers. For more information on acoustical materials and their application, please visit www.AcousticsFirst.com or call Toll Free 1-888-765-2900 (US & Canada).

Christie Showcasing “Solutions That Rock” Display Technologies in Atlanta, Georgia January 15-17, 2013

Christie®, along with Draper Inc, Alcorn McBride, CyberTouch and Tannoy, is presenting the latest Solutions that Rock show , a free event introducing several of its new display solutions to organizations involved with professional AV rental staging, fixed installs and corporate AV environments. The event takes place January 15 – 17 at GPB (Georgia Public Broadcasting) Media in Atlanta.

“Solutions that Rock” provides a single opportunity for consultants, architects, service planners and designers to get hands-on experience with some of the best audio and visual systems available and discover inspiring ways for projection to turn their ideas into reality. Attendees will also enjoy complimentary refreshments and gifts, and a chance to win an Apple iPad. There will be an Open House for all end-users, consultants and integrators/dealers on January 15 from 4 p.m. to 8 p.m., sponsored by JB & A.

January 16th and 17th are sponsored by top local integrator Technical Innovation with January 16th open only to end-users invited by Technical Innovations while January 17th is open to all end-users and consultants. Draper will be holding AIA certified classes from 10:00 – 11:00 a.m. on both Jan. 16 and Jan. 17 when the doors open.

“Solutions that Rock” is also an informal opportunity for dealers, integrators, distributors and end users to see how the showcased products offer leading edge and fully workable solutions for their customers. Attendees will participate in technology demonstrations and get hands-on experience of the capabilities for each solution, making them more confident when demonstrating and selling to customers and prospects.

Products on Display
Highlighting the exhibits will be an eye-catching tower display of Christie® MicroTiles®, the industry’s most flexible, high-resolution modular design concept. Christie MicroTiles are built on proven DLP® technology and specifically designed for maximum image quality in demanding indoor, high ambient light environments.

Both the Christie E Series and Christie G Series of projectors will be on display as will multiple solutions, ranging from HD and 2K LCD to Xenon 3-chip DLP® images, displaying on a 30-foot wide screen and two 11-foot screens in portrait mode. The displays, including stereoscopic 3D demonstrations, will be managed using the Christie Spyder X20 multi-image processor.

The Christie Vista URS will also be on display. The Christie Vista URS is an all-in-one matrix switcher that accepts multiple sources in any format (analog composite to digital 4K) and seamlessly routes any of these sources to any of eight user-configurable outputs, each of which can be configured independently for any analog or digital output format.

The Christie FHD551-X 55-inch flat panel LCD with a CyberTouch overlay demonstrating interactivity will also be at the booth. CyberTouch designs, manufactures and markets standard and custom touch products and integrated touch monitors; specializing in resistive single-touch and two-touch as well as advance- infrared multi-touch technologies.

To fulfill the need to interface with IT systems, Christie will demonstrate its network solutions with all projection and multi-image systems connected to, and managed through, the IP network – including wireless control of all devices. Christie AutoStack™ – a camera-based, software driven solution, used for maintaining projector alignment in multiple blend and stacked designs – will operate across the network, offering a solution that manages both fixed installs and rental staging designs for both flat and curved screens.

Founded in 1902, Draper Inc. provides a range of products for the rental staging and fixed installation market including electric, manual, rear, portable and fixed screens, as well as a variety of projector lifts and mounts.

GPB Media is located at 260 14th Street N.W. in Atlanta. To register, please visit http://www.christiedigital.com/solutionsthatrock.

KanexPro Releases HDBaseT Scaler for Presentation Systems

Introducing the next-generation in ultimate presentation scaling and switching, KanexPro announced today the HDSC12D scaler to its pro-line of high-resolution scalers.
This 12-input high resolution scaler boasts a twisted pair output based on HDBaseT® technology that will compensate for long runs up to 230 feet (70m) while switching and scaling up to 12-inputs. It includes an independent receiver, which extends the HDMI output. Fully HDCP and EDID compliant, this professional scaler can be used anywhere from lecture halls, conference rooms to health care facilities and control centers.

Features:
• Switch & Scale 12-inputs to 2-high-resolution displays
• 4 HDMI + 4 VGA Inputs with 3.5mm Audio
• 1 YPbPr + 1 Composite / S-Video Input with L/R Stereo Audio
• 1 Microphone Input
• 1 HDMI +1 VGA Output with L/R Stereo Audio (For non-HDCP encrypted content)
• 1 HDMI HDBaseT CAT6 STP receiver included
• Extender supports distance up to 230ft [70m]
• Supports scaling input up to 1080p
• 2 x 10 Watt Amplifier
• IR remote control included
• RS-232 & TCP/IP control with third party control systems
• Backed by KanexPro 3 -Year Parts & Labor Warranty

For more information, please visit: http://www.kanexpro.com/item/?id=HDSC12D

Ultimate in Presentation Switching Environments

New Christie TVC-700 Video Wall Processor Controls Complex Data Simultaneously From Multiple Sources

Addressing today’s most challenging control room environments that demand cutting-edge performance and lower costs of ownership, Christie® has introduced the new Christie TVC-700 display wall processor, a powerful manager of the most complex information sources. At the heart of Christie’s control room solutions, the Christie TVC-700 is PC-based and easy-to-use, purpose-built for the rigors of 24/7 control room environments. Using the PCIe bus architecture and state-of-the-art GPU technology, it provides ample graphics and processing power to support multiple inputs and outputs. With simultaneous support for hardware accelerated 3D applications and ultra-high resolution outputs, it can handle 3D content such as CAD/CAM modeling and data visualization.

Christie TVC-700 Video Wall Processor

The Christie TVC-700 joins the company’s family of controllers and video processors that features a full range of solutions to match any control room application. Whether the source is analog or digital, direct connected or over the network, RGB or video, like all Christie video processors, it can manage hundreds of sources simultaneously and display them in high resolution anywhere, at any size, and in any number of windows across the video wall, with content that can be controlled either at the wall or over a networked remote client. It comes bundled with exclusive Christie MASTERSuite™ software, with WallManager™ and MediaManager™ programs to help make tiled video wall displays respond as a single, ultra-high-resolution Windows desktop.

“The world is becoming increasingly complex, with information that can come from any source, at any time, and from any place, making the need for the highest grade control room solutions more critical than ever before,” noted John Stark, Christie’s Director of Collaborative Visual Solutions. “Christie brings a solid foundation of expertise, with proven solutions for a 24/7 world. The Christie TVC-700 expands our family of trusted, reliable solutions for every environment and every budget.”

Christie display wall processors can be found in applications ranging from the Ontario Ministry of Transportation (MTO) COMPASS control room, to the NASDAQ’s MarketSite in New York City, to the Massachusetts Bay Transportation Authority.

ENTASYS Delivers Low Profile, Big Sound for Legendary San Francisco Theater

communityproSan Francisco, CA – December 2012….. The Lincoln Highway was the first automobile road across the United States, stretching from New York’s Times Square to San Francisco. Marking the road’s western end, high on a hill overlooking the Pacific and the Golden Gate Bridge, is the California Palace of the Legion of Honor. The building, a magnificent three-quarter-scale reproduction of Paris’ Palais de la Légion d’Honneur, is home to a wide and varied collection of ancient and European art spanning more than 6,000 years.

The Palace is also home to the Florence Gould Theater, an ornate 333-seat jewel box auditorium designed by museum architect George Applegarth. Opened in 1924 as the Little Theater, the venue hosts a regular calendar of concerts, lectures and theater performances.

The theater’s massive columns, rounded walls, and domed ceilings create a breathtaking environment, as well as some legendary challenging acoustics. “The room has no acoustic treatment whatsoever, and an abundance of hard surfaces,” offers Joe Orlando of Atwater, CA-based Commercial Media Systems. “It’s highly reverberant, and spoken word intelligibility is pretty much non-existent.” Commercial Media created the system design and assisted the Museum’s production department with the installation.

“The room works great if you’re onstage and you have a good, theatrical speaking voice,” observes John Anaya, Production Manager for the Fine Arts Museums of San Francisco. “But for amplified sound, the room has some very problematic reflections. In fact, we found that the best seats in the house for sound were in the very back of the theater, while the front rows had terrible sound.”

Over the years, a succession of audio systems has failed to make a significant impact on the problem, until CMS recommended an upgrade to four Community ENTASYS high-performance column line arrays. A pair of ENTASYS full-range columns are mounted on either side of the proscenium, powered by the museum’s existing Hafler amps.

“Due to the room’s architecture we had to mount the speakers much higher than what would have been the optimal height,” Orlando explains. “But the ENTASYS columns enabled us to angle the arrays and focus the sound downward to the seating area, and off the walls and domed ceiling. ENTASYS is really the only system that would have worked in that space.”

“Of course, we were not going to put anything in here that affected the aesthetics of the room,” adds Anaya. “The ENTASYS speakers blend into the space perfectly; they match the walls so well, we find we have to point out to people where the speakers are.”

Anaya sums it up: “It has been like night and day. The clarity in the room is phenomenal.”

Click here to view the video.

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Community Professional Loudspeakers is a manufacturer and supplier of professional audio equipment. Since 1968, Community has led the pro-audio industry with technological innovations which have become industry standards. Today, Community offers over 150 professional loudspeaker products, including installed loudspeaker systems, weather-resistant outdoor loudspeaker systems, ceiling loudspeakers, high level voice paging systems, and portable entertainment systems. Visit www.communitypro.com for more information.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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