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Archive of the Videos Category

In night vision: projectiondesign® 2nd generation FS33 IR NVG projector is now shipping

See projectiondesign at I/ITSEC 2012, 3-6 December, Booth #2448, Orange County Convention Center, Orlando, FL

2nd generation LED projector boasts brighter and even more realistic illumination levels for day and night-time vision, 24/7 operation and 100,000 hours of typical service life.

FS33 IR

FS33 IR

Designed for use with the industry’s leading Night Vision Goggles (NVG), the FS33 IR infrared ReaLED™ projector from projectiondesign® is now shipping.

The FS33 IR is already deployed in some of the world’s top training and simulation applications for critical night-time training as well as bright and full-daylight operations.

The 2nd generation solid-state ReaLED illumination engine used in the FS33 IR projector provides users with 50% more light than any other competing LED projector further enhancing eye-limiting resolution. Even in pitch black it’s possible to locate light points from various light sources in the image thanks to its 0-100% light adjustments on the visual RGB display device. The projector’s high quality optics further increases eye-limiting resolution.

“Optics plays an important part for this projector as they are purpose designed for IR transmission”, notes Øyvind Svensen, Optics Designer at projectiondesign. “Projection lenses and optical design from projectiondesign ensure high quality imaging, enables easy colour matching, and optical alignment between channels. Additionally, the projector’s user-adjustable SRP™ Smear Reduction Processing virtually eliminates any smear or jitter.

“The FS33 IR is an ideal product for night vision simulation where a long life time, low downtime, and low cost of ownership is important. The combination of LED illumination and reliable DLP® technology ensures a lifetime of up to 100,000 hours,” adds Maria Dahl Aagaard, Product Marketing Manager at projectiondesign.

“The FS33 IR has a wide colour gamut, which gives very saturated colour and it is optimised to stimulate the different generations of Night Vision Goggles.”

A fully scalable and systems compatible projector, the FS33 IR is available in HD (1,920 x 1,080) or WUXGA (1,920 x 1,200) resolutions.

All this is backed up by projectiondesign’s comprehensive warranty programme of up to five years.

The FS33 IR ReaLED projector is just one of the new product innovations to be demonstrated on booth #2448 at I/ITSEC 2012 between 3-6 December at Orange County Convention Center, Orlando, Florida, USA.

www.projectiondesign.com

WATCHOUT at Expogestión Caribe

See Omagica, the WATCHOUT Premium Partner in Mexico and Latin America on stand 71 at Tecnomultimedia-InfoComm 2012, Medellin, Colombia, November 8-9 2012.

Omagica supplies WATCHOUT to Big Video to discuss trade, economic, social and business issues affecting the Colombian Carribean region.

Dataton WATCHOUT™ multi-image and display software was supplied by WATCHOUT premium partner Omagica to Colombia-based multimedia experts Big Video to display content across three 7 by 5 meter screens at the Expogestión Caribe 2012.

Held in the industrial port city and municipality of Barranquilla in Northern Colombia, the annual event focuses on business development and prosperity of the Colombian Caribbean region, whereby the Chamber of Commerce of Barranquilla and the Center for Leadership and Management joined forces to be involved in the process of transformation that has been occurring in the region.
The event held in April 2012 brought together public and private leaders with world-class knowledge to contribute to the competitiveness of businesses in the region.

“Central to the workshop and presentations was the multi-screen display to communicate speakers notes and share knowledge,” says Diana Velilla at Big Video. “We’ve been working on this project for 2011 and 2012. The event brings world-class speakers to Colombia who require the best available video technology. Dataton WATCHOUT was used to combine content for display using Christie Digital projectors.”

Omagica is the WATCHOUT Premium Partner for Mexico and Latin America and offer local technical support and expertise. Adela Kriland, Managing Director at Omagica adds, “Corporate events in Mexico and Latin America are becoming increasingly popular. For this event, Omagica were on hand to support Big Video with their production which produced some stunning results.”

And the last word goes to Fredrik Svahnberg, Marketing Director at Dataton who says: “Dataton WATCHOUT software is perfectly designed to manage high-resolution presentation data over multiple outputs. At the same time it can be updated in real-time during a live presentation, which of course would have been an obvious benefit to Big Video and their client.”

A project video can be found here: Youtube video

See the latest version of WATCHOUT at Tecnomultimedia-InfoComm 2012, Medellin, Colombia, November 8-9 2012. Omagica, the WATCHOUT Premium Partner in Mexico, will be exhibiting at stand 71.

www.dataton.com

WATCHOUT brings Renault Megane III to life

Omagica supplies Dataton WATCHOUT for car launches

Dataton WATCHOUT™ multi-image display and presentation software was provided by Dataton Premium Partner, Omagica to Bolivia-based projection specialists Vinilo Lab for use in Bogota and Medellin city launches of the new Renault Mégane III family car.

Talking about this exciting project, Eduardo Ortega, Media Director, Vinilo Lab explains, “Our client wanted the look and feel of an action-packed and high drama film. To create the drama, we put WATCHOUT version 5.2 through its paces and took full advantage of the new corner pinning feature which allowed us to manipulate the corners of the desired projected image around curved surfaces such as the cars’ wheels. Here an extra projection layer was added to make the motion effect even more realistic and fast-paced. As the car was suspended and lowered into the stage area during the show, the result was perfectly synchronised.”

The event was attended by a packed audience of brand management, television and media as well as regional Renault dealers.

Adela Kriland, owner of Omagica adds, “Omagica are a trusted partner of Dataton and have worked with them for many years on projects with partners such as Vinilo Lab who are roadtesting the new features WATCHOUT on projects as exciting as the Renault Megane launch. Our technical support staff were on hand to offer valuable local advice during the setup of this project.”

“Dataton is no stranger to vehicle launches,” says Fredrik Svahnberg, Marketing Director at Dataton. “Having a system that is reliable, easy to use and as robust as WATCHOUT is testament to its succcess. We look forward to seeing more installations as impressive as the Renault Megane launch using new and enhanced features of WATCHOUT in the future.”

A movie of the event can be found here: http://vimeo.com/42644640.

www.dataton.com

Sound Devices Showcases PIX 260 Production Video Recorder at IBC 2012

AMSTERDAM, SEPTEMBER 8, 2012Sound Devices, experts in portable audio and video products for field production, showcases its new PIX 260 production audio/video recorder at IBC 2012 (Stand 8.D74). Based on Sound Devices’ field-proven PIX 220 and PIX 240 recorders, the rack-mounted PIX 260 is a file-based video/audio recorder/player that seamlessly replaces tape-based video decks in production and post-production environments.

“Our PIX line of production video recorders has been very well received by a wide range of production professionals,” says Jon Tatooles, managing director at Sound Devices. “We are excited to showcase our latest edition, the PIX 260, to the European market at IBC 2012.”

Using the Apple ProRes or Avid DNxHD codecs, the PIX 260 records and plays files up to 220 Mbps in high-quality 10-bit 4:2:2 video. It also records 32 tracks of 48 kHz audio. Files from the PIX 260 are ready for direct import into Avid and Final Cut editing platforms, eliminating time-consuming transferring and transcoding. Files can also play out of the PIX 260 for real-time applications.

Continuing the company’s deep heritage in production sound, Sound Devices has infused the PIX 260 with 32-track record/playback capability. In addition to 16 channels of embedded SDI audio and eight channels of HDMI audio, the PIX 260 also accepts eight channels of line-level analog I/O and eight channels of AES digital audio. Using Dante, the PIX 260 can accept and transmit up to 32 channels of audio over Ethernet.

The PIX 260 has a built-in five-inch 800 x 480-pixel IPS video display that allows users to view video and setup-menu selections. With its extensive control capabilities, the PIX 260 is a flexible video playback source that is compatible with Final Cut Pro 7, Final Cut Pro X and Avid sessions. The PIX 260 can be controlled by both external RS-422 and via Ethernet through its embedded Web server, allowing for machine transport control over Ethernet-based networks.

Up to four SATA drives can be connected to the PIX 260 simultaneously. All four drives can be recorded to simultaneously, for RAID-1 type redundancy and to eliminate the need for post-record copying when multiple copies are required.

The PIX 260 includes a built-in Ambient Clockit time-code generator/reader with genlock output for rock-steady multi-camera and double-system sound applications. In addition to generating ultra-stable time-code, time-codes can be read from the SDI stream, the HDMI stream or from an external source.

Like PIX 220 and PIX 240, the PIX 260 includes a sophisticated scaler and frame rate converter. Regardless of the incoming signal, the PIX recorders can record the signal after up, down or cross-conversion at the same rate or a different rate. Hardware-based 3:2 pull-down removal is included as well.

PIX 260’s convenient 1/2-rack, 2U chassis dimension allows it to be easily integrated into any existing environment. It is powered by 10-27 VDC through its four-pin XLR connector.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

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Solid State Logic Launches ‘ScreenSound ADR’ at IBC 2012

The World’s First Dedicated End-to-End Solution for ADR has Arrived

AMSTERDAM – Solid State Logic (IBC, Stand 8.D83), the world’s leading manufacturer of analogue and digital audio consoles, is proud to announce another ground breaking product release with the launch of ScreenSound ADR. Designed to optimize and standardize Automatic Dialogue Replacement for film, foley recording and local language replacement for film and television, ScreenSound ADR is the world’s first end-to-end solution designed to deliver faster and more efficient ADR workflow.

ScreenSound ADR is a turnkey system that combines a suite of integrated software applications providing dialogue spotting and session preparation, session control and management and streamlined audio recording, with an industrial-strength hardware platform including host computer, I/O and Nucleus hardware control surface. At each stage of the ADR process, ScreenSound ADR provides dedicated solutions to streamline preparation, management and production.

ScreenSound ADR is all about efficient workflow. The session preparation stage of the process is handled by SpotShot, a comprehensive take logging, dialogue spotting and session preparation tool. Imported scripts are automatically turned into take lists, and a dedicated interface streamlines the dialogue spotting process with an integrated HD capable video player with full script and annotation text overlay. Take lists can be filtered to show appearances by individual cast members or groups and to calculate word/line count to help plan studio and talent time. SpotShot is a standalone application enabling dialogue spotting to be done away from the ADR studio.

At the heart of ScreenSound ADR is SpotFire, which presents a dedicated session management and automated ADR interface that provides complete control of studio session workflow. SpotFire offers a unique interface that combines a ‘rehearse – record – review’ based transport control panel with a

versatile and customizable Take List that makes viewing, navigating and controlling the recording process simple and efficient. SpotFire relies on SSL’s Soundscape DAW as the underlying platform for recording, editing and mixing with all track arming, transport and recording functions controlled entirely by SpotFire’s dedicated ADR interface. Audio workflow with ScreenSound ADR integrates with how the industry works today. The system imports native .ptf format sessions from Pro Tools and can export finished sessions in native .ptf Pro Tools format.

SpotFire also feeds and controls VisionCue, Screensound ADR’s powerful artist cue system. VisionCue is a fully integrated multi-screen HD video player with a completely customizable scrolling script, annotation, graphic timeline cue and count in overlay. VisionCue can natively play a huge range of video formats all the way up to Pro Res and Avid dnxhd without the need for transcoding and the system supports BlackMagic Design video interfaces.

ScreenSound ADR is a turnkey hardware based system: The multi-award winning SSL Nucleus hardware control surface delivers uniquely customizable hands-on control for accelerated operation (Nucleus also provides 2 x SSL SuperAnalogue™ mic pre’s). SSL’s Alpha-Link audio converters offer versatile and scalable I/O options to cater for recording and monitoring with the SSL MX4 software mixer environment providing a standard mixer templates and open architecture routing flexibility. The assurance of a fully tested SSL certified PC system completes a truly unique end-to-end solution to speed up your production workflow.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

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PULA FILM FESTIVAL SETS OUTDOOR CINEMA RECORD WITH HARKNESS STAGELITE STEREO 3D SCREEN

PULA, CROATIA, AUGUST 30, 2012 — The 59th Pula Film Festival, held in the ancient Vespasian’s Amphitheatre (dating back to the 1st Century) set a new standard for outdoor 3D film presentation.

Given its extraordinary technical setup, an attendance in the thousands and results that had never been achieved before, the event will be remembered as an industry first in three categories.

Firstly, the 3D projection setup achieved the longest throw distance (using a Barco DP2K-32B projector) ever recorded at 73.6 metres (242ft) exceeding the recommended throw distance. Furthermore, the setup, which included an 18.70 x 8.45m Stagelite Stereo 3D Screen from Harkness Screens, achieved a wide-viewing angle of 60º allowing the 3D presentation to be viewed at suitable brightness levels throughout the entire seating area.

As a result of this, the film festival was able to set what is believed to be a new Guinness World Record for an outdoor 3D presentation with an official attendance of 5,920 visitors.

“We were delighted to supply the Stagelite Stereo surface for the festival and provide installation support. The setup achieved by LMT (Laboratory of Multimedia Technologies in Zagreb), the festival’s technical resource, was nothing short of remarkable and they deserve much praise,” says Tony Dilley, European Sales Manager at Harkness Screens.

Stagelite Stereo is a front projection surface specifically designed for non-cinema 3D applications. Silver aluminium flake based PVC fixed to a unique base material provides high gain characteristics, very low depolarisation level (extinction ratio) and excellent colour temperature. The surface type also supports conventional 2D pictures and is also cleanable.

About Harkness Screens
Harkness Screens™ is the world’s largest manufacturer of projection screen surfaces, specialising in the design and production of cinema screens and custom screens of virtually any shape and size. Harkness Screens is the world leader in cinema with screens in more cinemas worldwide than any other manufacturer. From single-screen independent theatres to large multiplexes to large format immersive theatre experiences or live events, Harkness supplies thousands of screens every year for cinema, film production, special effects, live events and custom AV applications.

Founded in 1929, Harkness’ corporate office is located in Ireland with other offices and factories located in the USA, UK, France and China. Harkness Screens combines unrivalled experience with the latest technology and production methods to provide innovative solutions to the company’s key markets worldwide. For more information, visit the Harkness Screens web page at www.harkness-screens.com.

# # #

CONTACT:
Richard Mitchell
Harkness Screens
Unit A, Norton Road
Stevenage, Hertfordshire SG1 2BB UK
Tel: +44 (0)1438 725200
Email: r.mitchell@harkness-screens.com
Web: www.harkness-screens.com

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Ventuz Technology Continues to Build Momentum in the Broadcast Market

a href=”http://blog.svconline.com/briefingroom/wp-content/uploads/2012/07/ventuz.jpg”>Ventuz Technology, provider of high-end interactive graphics software technologies for advanced 2D/3D real-time broadcast graphic and innovative interactive in-studio applications continues to build momentum worldwide for its software solutions.

Used throughout the broadcast, live presentation and digital signage markets, the Ventuz software suite is considered one of the most innovative solutions available today. It specifically addresses the challenges creative agencies are facing in keeping up with the technological and presentation needs of customers as well as helping broadcasters produce, manage and deliver high-end 2D / 3D on-air and in-studio graphics efficiently and economically. Regardless of the application, the openness of the Ventuz software allows for a variety of external control capabilities, such as multi-touch functionality enabling communication with any input device connected to a standard Windows PC.

Its easy to use authoring and animation environment offers an open framework of building blocks, which means users not only have a complete toolset for creating compelling content, but it also supports seamless integration with 3rd party applications. The unsurpassed flexibility of the Ventuz 3D engine provides unique possibilities to utilize designs for both broadcast on-air graphics and interactive in-studio applications.

The growing customer-base of Ventuz Technology speaks to the increasing awareness of this state-of-the-art software suite:

Broadcasters using Ventuz software for Television Programs:
• FOX USA: Next Generation FoxBox
Ventuz software drives all live sporting event clock and score graphics for Fox Sports Net (FSN) nationwide broadcasting of all major sports leagues and events.

• Who wants to be a Millionaire?
The British company Cat&Mouse, service provider for game show graphics and control, has used Ventuz for virtually all of their productions. Among their shows are renowned formats, such as Who wants to be a Millionaire, Power of 10, and Million Pound Drop.

• Political Programs
Ventuz software powered a touchscreen for the interactive TV presentation of graphs and analysis charts of coverage of several election broadcasts by WDR in Germany.

• Broadcast Sports
Swedish TV network Kanal 75 switched over to Ventuz software as its 3D graphics engine and character generator for live horse racing coverage in its off-track betting centers.

• TTR World Snowboard Tour:
Rayd and E.I.M. Solutions created a full sports on-air graphics and live-display solution with Ventuz software for the Ticket To Ride World Snowboard Tour.

Ventuz provides a powerful environment for the creation of 3D graphics regardless of how complex the on-air or presentation graphics requirements are. Its intuitive toolset offers real productivity & operational enhancements, a vast number of 2D and 3D design and text effects, as well as real-time 3D rendering. Ventuz is a versatile solution for creating rich and engaging content and designs efficiently and without being limited by the technology.

About Ventuz Technology:
Ventuz Technology offers hardware-agnostic, resolution-independent 2D/3D real-time software and technology for graphics design, authoring, and control of non-linear animation and interactive 2D/3D presentations, 3D rendering, as well as video wall and multi-display presentations.

Ventuz Broadcast:
Ventuz Technology’s Broadcast edition addresses on-air and in-studio broadcast applications, post production motion graphics and 2D/3D workflows. As a field-proven real-time graphics solutions, global broadcast stations currently utilize Ventuz for the 2D/3D authoring and graphic playback of sportscasts, second screen connected TV applications, and in-studio presentations.

Ventuz Pro:
Advertising agencies and the live events industry utilize Ventuz Professional edition for creating, staging and lighting large-scale multimedia client presentations and fully interactive product launches. Digital signage content designers use Ventuz software tools for the creation and display (including touch-screen) for POS. Regardless of the application, customers including Microsoft, Audi, Adidas, Avid, XBOX, D:SF, Skoda, and Porsche use Ventuz technology for unlimited creativity for real-time 3D design, authoring and presentation.

For more information about VENTUZ Technology’s products & services please visit: http://ventuz.com. For USA sales, please contact catrin.beck@ventuz.com.

View the Ventuz YouTube Channel for application examples: http://www.youtube.com/playlist?list=PL47C04DEBB7C43967&feature=plcp

Christie’s Technology on the World Stage in London

Christie® today announced its partnership with Canada’s Department of Foreign Affairs and International Trade’s (DFAIT) “Invest in Canada.” Christie has provided two striking digital displays featuring Christie® MicroTiles® and Christie Entero LED rear projection cubes at Canada Olympic House in Trafalgar Square. Operating from July 27 through August 12, in addition to being the Canadian Olympic Committee’s space for athletes, their friends and their families, Canada Olympic House hosts business leaders and government dignitaries and showcase Canada’s leading industries and businesses. Christie is among the select technology companies invited to participate.

As a world leader of visual display technologies and solutions, with manufacturing in Canada, Christie’s partnership with DFAIT at Canada Olympic House in London includes a large lobby display of up to 37 Christie MicroTiles and four 72” diagonal Entero cubes, the world’s first LED-based ultra-high resolution projection display system, for the Business Club, site of numerous networking events throughout the month. Both displays show a video and graphical montage highlighting Canada’s leading sectors and landscapes. Float4 Interactive is providing the interactivity kit to allow multiple users to interact with the displays.

Business leaders, government dignitaries, world-class athletes and executives from all over the world are expected to attend the various events to be presented at the facility. This includes a special Information Communications Technology (ICT) day on August 6, put on by Invest in Canada in association with the Financial Times, as well as a technology showcase organized by Invest Ottawa on behalf of the Consider Canada Alliance.

“From award-winning games and visual effects, to digital cinema and e-commerce, to wireless and mobile applications, Canada is an important player in the global economy,” noted Kathryn Cress, vice president of Global and Corporate Marketing at Christie. “As a major contributor to Canada’s technology revolution with manufacturing facilities in the Waterloo Region, Christie is proud to bring its expertise to Canada Olympic House to help further the country’s strategic expansion upon the world’s digital stage.”

According to the government of Canada, Canada’s digital industries are a robust and rapidly advancing sector, with 32,700 companies, more than half a million employees, annual revenues in excess of $162 billion and annual exports of $26 billion in 2010. Profiling these activities is part of the government’s economic strategy to create conditions for businesses in Canada to succeed on a global scale. At Canada Olympic House, senior policy-makers and global business leaders will inform potential investors about Canada’s ICT sector, its key areas of growth, as well as the challenges and emerging investment opportunities.

“As a leader in the ICT sector, Canada long ago recognized the importance of fostering innovation and creating the right business environment to attract world-class companies to our shores,” said International Trade Minister Ed Fast. “With our low taxes, strong and stable economy, significant research and development incentives, and highly-educated workforce, Canada continues to be a premier destination of choice for foreign investors. Christie’s revolutionary digital cinema technology and powerful visual displays highlight how Canada’s competitive strengths and economic vision benefit a global audience and drive economic growth here at home.”

Christie to Deliver Superior Visual Experiences at Toronto International Film Festival 2012

Entrusts Christie’s Powerful Digital Cinema Projectors With Over 600 Screenings.

Christie, a world leader in advanced cinema technologies, today announced its continued sponsorship of the Toronto International Film Festival by providing multiple Christie Solaria Series digital cinema projectors.

Recognized around the world for presenting the best of international and Canadian cinema to film lovers, the Festival screens more than 300 films from 60+ countries during its 11-day program September 6-16, in addition to offering year-long programming. This year represents Christie’s 12th year as the official projection sponsor, supporting The Festival’s mission of transforming the way people see the world through film. In 2011, The Festival selected Christie’s industry-leading Christie Solaria 4K DLP Cinema projector for screening filmmakers’ Ron Fricke’s and Mark Magidson’s 70mm movie Samsara –marking the first 4K screening at The Festival, while Francis Ford Coppola’s movie Twixt was shown in 3D on a Christie CP2230 4K-ready DLP Cinema projector.

General view of the atmosphere around town during the 2011 Toronto International Film Festival on September 14, 2011 in Toronto, Canada.

“The explosion of digital cinema technology has provided the industry with accessibility while meeting the rising demand of filmmakers around the world who want their films screened in the highest digital quality available,” said Diane Cappelletto, The Festival’s Director of Technical Production. Cappelleto adds: “Transforming many of our screens to digital format was made possible with the support of Christie, whose digital projectors are recognized worldwide for performance and reliability. We value Christie’s exceptional image quality and expert service to help make the Festival successful every year.”

“Throughout Christie’s long-standing partnership with The Festival, we have seen a growing use of digital projection technology for screenings. Last year, the sold-out documentary “Samsara” was screened in 4K,”said Kathryn Cress, vice president, Global and Corporate Marketing, Christie. “With its international flavor, The Festival truly transforms the way people see the world, and Christie is proud to support it as it transitions from what was once a film-only industry to one predominantly digital,” adds Cress.

Christie digital projectors are used by leading Festivals around the globe. This year, Christie renewed its official technical sponsorship of the Festival de Cannes for the next three years, a position it has held since 2006. In addition, Christie was the exclusive projection sponsor of the “Water for Elephants” screening at the opening gala of the 14th Shanghai International Film Festival last year. Today, Christie equipment is found in more than half of all digital projection rooms – about 33, 000 projectors in use.

Christie’s Commitment to HFR
The two main goals of Christie’s HFR activities are to help the industry develop the best HFR content and the best delivery system for HFR content. The first goal involves assisting leading-edge filmmakers and post-production companies in perfecting HFR movie creation, so the industry has the most engaging, entertaining content possible. The second goal is to assist exhibitors in showing these 3D HFR movies in all their glory. To these ends, Christie is helping create the standards for 3D HFR movies through formal and informal technology-development alliances with major producers and directors, post production facilities, studios and technology partners. On the exhibitor’s front, Christie provides one stop shopping for all the hardware, software and services that enable exhibitors to deliver a filmmaker’s vision in stunning 3D HFR quality. For more information visit http://www.higherframerates.com.

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BREVITY TO PROVIDE INTEGRATED TRANSCODE AND TRANSPORT SUPPORT OF GRAPHICS FILES FOR NBC OLYMPICS’ COVERAGE OF THE LONDON 2012 OLYMPIC GAMES

NEW YORK – July 24, 2012 – Brevity will provide integrated transcode and transport support of graphics files to NBC Olympics during its production of the London 2012 Olympic Games, from July 27 – August 12, 2012. The announcement was made today by Philip Paully, Director, Graphics Engineering and Operations, NBC Olympics, and Timothy O’Brien, CEO, Brevity.

“We have waited years for a company to address the bottlenecks we face in our complex graphic file workflows,” said Paully. “With Brevity, we can now render those graphics on the fly while seamlessly transferring those graphics files into the Avid® DNxHD® format for editing.”

In April, Brevity announced its breakthrough technology that for the first time delivers highly accelerated transport of high-resolution video files to multiple locations while simultaneously transcoding on the edge as a seamless process. Brevity delivers this capability through a cloud based enterprise media management and collaboration solution that utilizes automated project-driven workflows, metadata, advanced algorithms, virtual storage, and teraflops of computing power.

Brevity has been tested successfully on uncompressed, high bit rate video, 2k and 4k DPX files, as well as compressed HD and SD files, facilitating dramatic improvements in workflow efficiencies and Return-on Investment (ROI). Prior to the April launch, Brevity worked for months testing and refining the solution for NBC requirements.

Since Brevity can provide simultaneous transfer and transcoding of the RLE file into an Avid DNxHD file (with the Alpha channel retained), NBC Olympics is now able to move a one-minute RLE file to the Avid editing solution in under 30 seconds. In addition, Brevity’s parallel processing capability processes hundreds of RLE graphics files in an hour. Brevity also recently introduced encoding of Avid system files directly into EVS Broadcast formats, saving even more time for EVS playout of finished sports programming or segments.

At the London Olympic Games this summer, NBC Olympics will cover simultaneous sports events occurring each day across different venues. It will use Brevity to improve the transcoding of thousands of RLE graphics files into popular editing formats, driving efficiencies by automating critical workflows needed for production. The additional time saved by Brevity will give NBC Olympics more flexibility and time to make edits of production material.

“NBC Olympics will provide a record number of hours of Olympic Games coverage and Brevity is pleased to be able to provide our services,” said Timothy O’Brien, CEO, Brevity. “Brevity is transforming the way simultaneous transport and transcode will be handled in file-based workflows in the future.”

Brevity will be used at the International Broadcast Center and multiple venues in London to handle terabytes of video graphics.
NBCUniversal will provide 5,535 hours of coverage for the 2012 London Olympics across NBC, NBC Sports Network, MSNBC, CNBC, Bravo, Telemundo, NBCOlympics.com, two specialty channels, and the first-ever 3D platform, an unprecedented level that surpasses the coverage of the 2008 Beijing Olympics by nearly 2,000 hours. NBC will broadcast 272.5 hours of coverage, the most ever for an Olympic broadcast network.

About NBC Olympics:

A division of the NBC Sports Group, NBC Olympics is responsible for producing, programming and promoting NBCUniversal’s Olympic coverage. It is renowned for its unsurpassed Olympic heritage, award-winning production, and ability to aggregate the largest audiences in U.S. television history.

Having produced every Summer Olympics since Seoul in 1988 and every Winter Olympics since Salt Lake City in 2002, the networks of NBCUniversal are synonymous with the Games in the United States. In 2011, NBCUniversal acquired the U.S. media rights on all platforms to the 2014 Sochi Winter Olympics, the 2016 Rio Summer Olympics, the 2018 Pyeongchang Winter Olympics, and the 2020 Summer Olympics. At the conclusion of the 2020 Games, NBCUniversal will have presented 17 total Olympic Games and 11 consecutive, the most for a U.S. media company in both categories.

NBC has won an unprecedented 91 Emmy Awards for its Olympics coverage, as well as a prestigious Peabody Award for its presentation of the Beijing Opening Ceremony in 2008, which USA Today said was “the best overall Olympic experience ever provided by a U.S. network.”
In addition to its unsurpassed heritage and award-winning production, NBCUniversal is known for aggregating large Olympic audiences, as nine of the top 11 most-watched U.S. television events of all time are Olympic Games presented across the networks of NBCUniversal. The Beijing Summer Olympics rank No. 1 with 215 million viewers.

For more information on NBC Olympics’ coverage of the London Olympics, please visit: http://nbcsportsgrouppressbox.com/

About Brevity:

Brevity provides breakthrough technology that offers for the first time the ability to simultaneous transcode to multiple formats while transporting video files to multiple locations at highly accelerated speeds over any network. Founded in 2010, Brevity transforms media production and distribution workflows and redefines the time, cost, and efficiency required to support M&E operations. Brevity is working with leading networks, studios, content providers, sports teams, and production houses to redefine media production and distribution around the world. For more information please visit at www.brevityv.com or follow @BrevityV.

Avid and Avid DNxHD are trademarks or registered trademarks of Avid Technology, Inc. or its subsidiaries in the United States and/or other countries.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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