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Brainstorm Introduces SR-112 Time Code Distripalyzer at InfoComm

New Version of Industrywide Favorite for Time Code Solutions

Brainstorm Electronics, the world leader in time code and clocking solutions, is introducing for the first time at InfoComm 2012 the new SR-112 Time Code Distripalyzer.  This new model of the industry favorite is designed for large A/V systems, theme park attractions, cruise ship entertainment, synchronized water fountains, and remote recording trucks, among many other applications.   http://www.brainstormtime.com

Brainstorm’s new SR-112 Time Code Distripalyzer, replaces the industry standard SR-15+. It is a time code reader, distributor, reshaper, analyzer and generator all in a 1U rack mount device. The analyzer indicates format, frame rate, errors and video phase, and outputs a comprehensive report; the 1×12 distributor reshapes the signal; the optional generator repairs drop-outs and generates new code. All SMPTE and EBU SD/HD rates are supported. Ethernet is included for reporting and to set parameters and update firmware.

About Brainstorm
Brainstorm products deliver complete solutions for all sync requirements in the post- production, recording and broadcast environments. Designed for operations ranging from audio recording studios to large post-production houses and major broadcast facilities or remotes, Brainstorm offers the most comprehensive package for all clocking needs, providing versatility in the widest range of applications.

Experience the new Brainstorm SR-112 at InfoComm in Las Vegas,
June 13 – 15, Booth # C11349

For more info, visit: http://www.brainstormtime.com
or phone 323.845.1171

 

 

Fender Center is Live with StudioLive

Corona, CA, May 2012…  Located in the heart of this bustling Southern California city, the Fender Center for Music Education is a busy place. The 33,000-square foot building is home to a music school, a museum, two performance venues, and a recording studio, and the Center is buzzing with activity throughout most of the year.

Run by the nonprofit Fender Museum of Music and the Arts Foundation, the Fender Center’s main focus is to provide music education to young people at low or no cost. As the Center’s audio engineer Kelly McGuire explains, the program has made an impact on a great many kids’ lives.

“Our program is called Kids Rock Free,” says McGuire. “It’s a low-cost lesson program for kids from 7 to 17 years old. We’ve been doing this for going on about 12 years now, and over 12,000 kids have been through the program.” The Center is also home to two live performance venues. “We have an outdoor concert venue where we do summer concerts like Steve Miller Band, and we also have a smaller nightclub venue,” says McGuire.

As a non-profit, the Center doesn’t rely on deep corporate pockets, counting instead on the support of donors. “Steve Miller and Paul Rogers have been really supportive,” says McGuire. “They’ve both put on benefit fundraisers for us, and companies like PreSonus have been there for us since the beginning.”

McGuire has been mixing a variety of projects on the Center’s StudioLive 24.4.2 console. “For one of our first projects, we put together a three-concert TV series starring Deana Carter.” The project was a collaboration with nearby Lucas Oil. “They’re our neighbors here in Corona,” says McGuire, “and they have a full TV production studio that turns out about 100 shows per year. There are lots of musicians working over there, and they’re huge supporters of our program, and they came up with the idea of doing a show with us, originating from our venue, and aired on their network.”

McGuire approached Carter and her band about the idea. “When I approached Deana, Max and David about doing this show, I just had a really good feeling about it,” he says. “I said, ‘Let’s try it out because I think you’re really going to like it. The audio’s going to be good, and the video’s going to look fantastic.’ And that’s exactly how it turned out.”

As McGuire points out, the StudioLive enabled him to wear multiple hats during the shows, handling the live mix, monitors, TV feeds, and live recording. “I was able to mix the show live, mix a couple of other sources for the TV track, and run five monitor mixes for the band, and at the same time I was tracking the show to a MacBook, using Studio One to edit it later. That’s what’s so cool about the StudioLive. There is really nothing else that I can think of that makes the whole process so effortless and streamlined.”

While the initial show with Deana Carter was put together as a showcase, the response both at the Center and at Lucas Oil has been so positive that plans are already in the works for several new productions. Upcoming shows will include members of Grand Funk Railroad, .38 Special, and Jack Mack and the Heart Attack.

But the StudioLive has been busy on more than just TV shows. “I’ve also been using the console for other stuff, including some shows, some studio recording, and some projects with the kids,” says McGuire. “It’s going to be in use all summer, pretty much all the time, including some of our outdoor concerts.”

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Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording software, hardware, and related accessories. PreSonus software, microphone preamps, signal processors, digital audio interfaces, mixers, control surfaces and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

ALTINEX ANNOUNCES AVAILABILITY OF DA1907LX DITTO-AMP™ 1- IN / 2- OUT VGA DISTRIBUTION AMPLIFIER

**** Photo: Altinex DA1907LX ****

Brea, CA – May 2012… Altinex, a leading manufacturer of Signal Management Solutions®, is pleased to announce availability of the DA1907LX Ditto-Amp 1-In / 2-Out VGA Distribution Amplifier, another addition to the company’s popular line of dedicated AV solutions. The DA1907LX is a high resolution distribution amplifier designed to facilitate the connection of a single VGA-UXGA source to as many as two scan-rate compatible displays. With the ability to pass very high-resolution video signals without degradation to the image quality, the DA1907LX is an ideal tool that integrators and AV technology managers will find invaluable. more

Christie MicroTiles Welcome Dignitaries to the University of Toronto’s Munk School of Global Affairs

Thirty-six Christie® MicroTiles® are impressing dignitaries and staff with bright and vibrant images at the University of Toronto’s Munk School of Global Affairs. The school is an interdisciplinary academic center focusing on global issues and has hosted prime ministers, cabinet ministers and ambassadors.

Installed in the front wall of the Vivian and David Campbell conference facility, the 6 units wide by 6 units high Christie MicroTiles array displays Blu-ray videos, still images and PowerPoint presentations for foreign and domestic officials who present their research findings at the facility.

“We were upgrading our technology and wanted not only the newest and the best – but also something very functional,” said Sean Willett, IT manager for the school. “We have dignitaries from around the world visit so the technology not only has to be top of the line; it has to look and feel impressive. It made sense to use Christie MicroTiles because they really show off their flexibility and image quality for what we need.”

Willett said the center also wanted an aesthetically pleasing display in the customized architectural space that previously housed an older video wall. Christie MicroTiles complement their environment and are a unique proposition in display technology, offering video and data display building blocks to create presentations of varying size and shape.

“It was an amazing project because we had never worked in a space that is used in so many configurations,” added Bertine Jerry, director of sales, Global Unified Solutions Services, Inc., project integrator. “It worked out incredibly well and the Christie MicroTiles look great.”

Christie MicroTiles Deliver Brilliant Colors in High Ambient Light
“Not only are some of our guests interviewed in front of the MicroTiles under harsh media lights, we have huge windows at the back of the room that sweep around the side and there are also windows right near the MicroTiles wall itself,” explained Willett. “We also have lighting that goes all the way across the top of the room. This, traditionally, makes it very difficult to see the images – but this isn’t the case with the MicroTiles.

“People are stunned by the color, clarity, and vibrancy of the images displayed on the MicroTiles – and how it looks like a seamless wall. Everyone is also very happy with how well the MicroTiles integrated with the stone, wood and paneling of the room. In fact, the Christie MicroTiles are a showpiece.”

SmithsonMartin Inc. Announces New Retail Pricing Structure for Entire Product Line, Including Emulator, Kontrol Surface 1974

TORONTO, 26 April 2012— SmithsonMartin Inc., the company that brought musicians and producers Emulator and which released the Kontrol Surface 1974 last December, announced significant price reductions to its entire product line. Effective immediately, retailers can now access the Emulator, Kontrol Surface 1974 and a range of accessories at a fraction of the previous cost. Among the most notable price reductions is the Emulator Lifetime License, which last month was reduced from $499 to $99.

The price reductions, which have been made possible as a result of SmithsonMartin’s increased purchasing leverage and the elimination of its two-tier distribution model, represents an outstanding opportunity for retailers to capture additional margin on the most innovative DJ and MIDI control products currently available on the market.

New Opportunities for Retailers
Now that SmithsonMartin has extended its market recognition well beyond the DJ market into areas such as lighting, broadcast, houses of worship and other areas, our company has significantly increased its purchasing power,” observes CEO Alan Smithson. “This has in turn enabled us to reward our network of international resellers with greater pricing flexibility — and the opportunity to earn very generous margins on if they choose to stock our products.” Following is a summary of new prices for SmithsonMartin’s product line (effective April 1, 2012):

By selling its products direct to retailers and bypassing traditional distribution, SmithsonMartin is able to offer its retailer partners who keep stock attractive sales margins, while offering generously increased margins for its entire retailer base. The company will also continue to offer products through its state of the art eCommerce site, which provides outstanding product support and shipping / logistics capabilities. SmithsonMartin has also become a vendor through www.XchangeMarket.com, a new service that allows retailers to sell software without carrying stock. “Resellers are moving more towards an on-demand purchasing model and XchangeMarket is the ultimate in instant delivery of software serial codes for our customers. Guitar Center has lead the way by adopting this technology early, thus making it the industry standard for software sales moving forward.” Commented Mr. Smithson.

The MIDI software of choice for a broad range of professionals
Recently, SmithsonMartin has significantly extended its user base as its Emulator multi-touch MIDI control software has become the go-to software for lighting designers, video artists, clubs, broadcast professionals and houses of worship. This month, SmithsonMartin will release its Emulator Modular 1.2, which ships with a range of specialized buttons, knobs and sliders, while offering bi-directional MIDI support for the most widely used software platforms.

For a full description of the new pricing, including accessories, please visit www.SmithsonMartin.com or contact Julie Smithson at 1-416-219-8749 or Julie@smithsonmartin.com

Caption:
Kontrol Surface 1974 controlling GrandMA 2 software to light Skrillex at Ultrafest 2012.

Park Road and Weta Join Christie to Improve High Frame Rate (HFR) Digital Cinema Presentations Through Technology Co-Operation

Christie® has signed a technology co-operation agreement with Park Road Post Production Ltd. (“Park Road”) and Weta Digital Ltd. (“Weta”) to work together to advance the state of the art of digital cinema production and projection, with an emphasis on high frame rate (HFR) delivery – the industry’s most exciting new technology. For its part, Christie will supply a combination of ‘direct to engineering’ technical support, Christie Solaria® Series DLP Cinema® projectors and early access to prototype projection technologies, including laser projectors, that Christie is developing.

As part of the agreement, Park Road and Weta will upgrade their current facilities with Christie projectors and provide Christie with review, testing and feedback on new hardware and software developments related to high-bandwidth interfaces and HFR technology, as well as sample movie content (consistent with the content owner’s permission) for Christie to use in testing its projectors and integrated media block (IMB) units.

“The team at Park Road has a strong and long-standing relationship with Christie and we are delighted that this will continue into the future,” said Cameron Harland, General Manager, Park Road. “We hope that our joint research and knowledge exchange on high frame rates in particular will benefit filmmakers, studios, exhibitors and most importantly the movie-going audience.”

Kathy Gruzas, Chief Information Officer, Weta Digital Ltd said, “Christie shares a common vision with our facility and Park Road – that is, to be on the leading-edge of world-class developments in digital cinema – and we look forward to combining the sum total of our collective experience and knowledge to thrill cinema audiences in the upcoming, new world of 3D and HFR.”

“We are delighted to be teaming up with these two legends in the post production and visual effects world,” said Don Shaw, senior director, Product Management, Christie Entertainment Solutions, “and look forward to pushing the envelope with Park Road and Weta on this exciting endeavor.”

Park Road
Park Road is a premier post production facility located in Wellington, New Zealand. Visit http://www.parkroadpost.co.nz/.

Weta Digital
Weta Digital is a five-time Academy Award® winning visual effects facility based in Wellington, New Zealand. Visit http://www.wetafx.co.nz/.

Christie’s Commitment to HFR
The two main goals of Christie’s HFR activities are to help the industry develop the best HFR content and the best delivery system for HFR content. The first goal involves assisting leading-edge filmmakers and post-production companies in perfecting HFR movie creation, so the industry has the most engaging, entertaining content possible. The second goal is to assist exhibitors in showing these 3D HFR movies in all their glory. To these ends, Christie is helping create the standards for 3D HFR movies through formal and informal technology-development alliances with major producers and directors, post production facilities, studios and technology partners. On the exhibitor’s front, Christie provides one stop shopping for all the hardware, software and services that enable exhibitors to deliver a filmmaker’s vision in stunning 3D HFR quality. For more information visit http://info.christiedigital.com/lp/higher-frame-rates

Christie Hosts Cinema Industry Heavyweights at First-Ever High Frame Rate (HFR) Laser Projection Demo

Christie® hosted a high frame rate (HFR) Summit yesterday at Christie’s worldwide center for engineering, research and development in Kitchener, Ontario, touring cinema-industry luminaries through its manufacturing facility and providing the first-ever laser projection of high frame rate cinema and alternative content on to a 30-foot white screen.

Recent Gordon E. Sawyer Academy Award winner Douglas Trumbull, Ian Bidgood, Technical Director, Park Road Post Production; Matt Cowan, Chief Scientific Officer, RealD; John Helliker and Bert Dunk, Directors at the Screen Industries Research and Training Centre and Demetri Portelli, Stereographer met with Christie engineering and product development staff for a vibrant information sharing session and discussion on high frame rates, laser projection, and the future of 3D and 4K projection.

“Our guests were very impressed with our demonstration of high-frame rate content using one of our prototype laser projectors,” said Don Shaw, senior director, Product Management, Christie Entertainment Solutions, “as well as the laser projector development roadmap we shared in these frank discussions.”

Big, Bright and Crystal Clear Will Spark Cinema Industry Renaissance
The consensus of the assembled industry experts was that the industry needs to differentiate itself from the plethora of varied viewing options, from tablets to home theaters and all manner of exhibitor setups, to raise itself out of its current malaise.

Doug Trumbull said “Spectacular movies delivered at high-frame rates, on to big and vividly bright screens, will enable the production and exhibition of amazingly immersive cinema experiences that will be far more powerful than any other medium.”

Echoing Mr. Trumbull’s sentiments, Ian Bidgood suggested that “…3D images must be awe-inspiring to bring back the crowds to theaters worldwide, and the higher brightness levels that are required to do justice to these images, along with higher frame rate material, will be delivered by Christie’s technology in the laser field, with new projector and cinema solutions for today and the future.”

Christie plans on incorporating laser projection technology into its cinema product line, business products line and visualization and simulation solutions where it benefits its customer base.

The Kitchener facility for projection, visualization/simulation, DLP Cinema and LED-based products and solutions is Registered to ISO14001 (Environmental Management System) and Registered to ISO9001 (Quality Management System).

Christie’s Commitment to HFR
The two main goals of Christie’s HFR activities are to help the industry develop the best HFR content and the best delivery system for HFR content. The first goal involves assisting leading-edge filmmakers and post-production companies in perfecting HFR movie creation, so the industry has the most engaging, entertaining content possible. The second goal is to assist exhibitors in showing these 3D HFR movies in all their glory. To these ends, Christie is helping create the standards for 3D HFR movies through formal and informal technology-development alliances with major producers and directors, post production facilities, studios and technology partners. On the exhibitor’s front, Christie provides one stop shopping for all the hardware, software and services that enable exhibitors to deliver a filmmaker’s vision in stunning 3D HFR quality.

Christie Hosts Industry Heavyweights at First-Ever High Frame Rate (HFR) Laser Projection Demo

Cinema Leaders at Christie HFR Summit and Laser Demo

Cinema industry leaders including (left to right) Matt Cowan (RealD Inc), Doug Trumbull (Trumbull Ventures LLC), Ian Bidgood (Park Road), Bert Dunk (Screen Industries Research & Training Centre), Demetri Portelli (3D Stereography) and John Helliker (Screen Industries Research & Training Centre) frame Christie’s laser projector prototype at Christie’s Kitchener manufacturing plant. Following a demonstration of high frame rate (HFR) content projected by the laser unit, the industry luminaries shared information and opinions on high frame rates, laser projection, and the future of 3D and 4K projection at Christie’s one-day HFR Summit.

Xite TV Brings ToolsOnAir’s “TV Station in a Mac Mini” Online

Vienna, Austria – March 2012….  Dutch broadcasters Xite (www.xite.nl) have joined the growing ranks of users to implement ToolsOnAir’s just: Broadcast Suite into their online video playout service.

The Amsterdam-based music TV and on demand platform for cable and IPTV networks is one of several early adopters of ToolsOnAir’s  “TV Station in a Mac Mini” broadcast server solution. The company uses just two Apple Mac Mini computers to run their 24/7 video playout service.

“We replaced our entire proprietary hardware system with a pair of Mac Minis, with two spares for backup,” says Luc Vleugels, Xite’s Product Manager. “With the ToolsOnAir solution, we have a far more flexible and more future-proof solution than we had before, for a fraction of the cost.”

Xite presently runs two channels – one covering most of Holland, the other covering the Flanders (Dutch-speaking) region of Belgium. Each channel utilizes a single Mac Mini, with AJA’s Video IoXT device connected via Thunderbolt technology.

Utilizing the latest Apple Mac Mini hardware, ToolsOnAir is helping to drive the next generation of cost effective “Channel in a Box” broadcast solutions. Using ToolsOnAir’s just:play software, an Apple Mac Mini becomes an HD broadcast quality playout, automation and real time graphics server, consuming a mere 85 Watts of power and housed in only one broadcast rack unit (1RU).

“Prior to using ToolsOnAir, we were using a large black box system, and no matter how we tried to make it future proof, it was never really possible,” says Vleugels. “We finally got to the point where we couldn’t go on. Now, with the ToolsOnAir system running on a Mac, we feel like the sky’s the limit. It just works.”

Presently, Xite broadcasts a 24/7 mix of music videos, as well as a video-on-demand service, and will soon launch it’s new product myXite, a personalized TV channel. ”We also have plans to schedule in commercials and promotional spots, as well as developing more graphics,” says Vleugels. “ToolsOnAir is all we need to schedule everything, and it will even allow us to implement real-time graphics. It really allows us to do everything we want.”

  ###

Visit ToolsOnAir at the NAB Show, Booth SL8108

About ToolsOnAir

ToolsOnAir provides powerful, intuitive QuickTime-based applications designed to create a professional, fully functional broadcast production facility using Mac OS X and low-cost, off-the-shelf hardware components. The ToolsOnAir just:  suite is designed with live broadcast production in mind, integrating video, audio and graphics, along with automation, asset management and multiple format capabilities. Full QuickTime and Final Cut compatibility eliminates time-intensive file conversion, and a powerful, intuitive GUI streamlines the workflow from ingest to playout. 

About Xite:

Xite is a fast growing company delivering a complete linear and music video-on-demand (VOD) service on cable and IPTV networks to millions of viewers. With a unique combination of content, technology and cable distribution, Xite is in pole position in the fast growing vod market. Xite started broadcasting in The Netherlands in 2008 and in Belgium in 2011. Its headquarters is located in Amsterdam, The Netherlands.

Integrated Media Technologies, Inc. Announces Sports Digital Asset Management Service

Essential for the Successful Future of Teams, Leagues, Universities & Associations

Integrated Media Technologies, Inc. (IMT) has announced a new Sports Digital Asset Management Service specifically designed for the athletics industry.  For sports content owners and producers, having a digital asset management strategy has become an essential part of doing business and affects virtually every aspect of the organization’s operations and future multi-media ROI opportunities.

“A well designed digital asset management strategy gives a sports organization the ability to properly manage rich media assets” explained Mike Braico, EVP of Sales at IMT.  “Think life cycle of the production process, including acquisition, editing and distribution for all digital media files and the underlying metadata.”

IMT worked with the Tennis Channel to design and build a new state-of-the-art file-based workflow, which allows their broadcast operations, editorial, graphics, and post-production teams to share and archive content.

“Growth at our network required an expanded approach to production workflow and storage,” remarked Dean Hadaegh, Senior Vice President of Broadcast Operations and CTO, Tennis Channel.  “IMT quickly targeted our specific needs and came up with an across-the-board strategy that allowed us to re-design our operation without any downtime.”

IMT’s Sports Digital Asset Management Service takes advantage of new technologies and distribution outlets through a centralized efficient digital workflow. It also enables real time collaboration and coordination throughout the organization, capitalizing on video assets through increased output, accelerated operations, and optimum utilization of staff.

“Our new Sports Digital Asset Management Service focuses on protecting video assets for the long term,” emphasized Tom McGowan, IMT VP of Business Development, “and provides our clients with the ability to create new marketing capabilities and revenue streams through increased advertising inventory, sponsorship opportunities, in-venue promotions, social media exposure and e-commerce platforms across broadcast, web and mobile distribution platforms.”

IMT’s Sports Digital Asset Management Service drives new branding opportunities and significantly increases the ability to reach fans on any platform, and anywhere they want to enjoy content.   As an internal competitive benefit, Sports Digital Asset Management Service also enables management to provide the coaching staff and players with the latest tools and innovations for video capture and display in the locker rooms, coaches’ offices, team meeting rooms/theaters, family lounges and with minor league and remote scouting operations.

IMT at NAB 2012, April 16-18, Las Vegas
IMT will be hosting a number of technology briefings in their hospitality suite on the second floor of the Renaissance Hotel located at 3400 Paradise Road. The hotel is conveniently located across the street from the Las Vegas Convention Center.
Please contact IMT’s Marketing Coordinator, Kate Metzger, for more information – kate@imtglobalinc.com.

ABOUT INTEGRATED MEDIA TECHNOLOGIES, INC. (IMT)
IMT is a consulting, design, construction, and systems integration company providing scalable technology systems for business operations.  IMT addresses three major market sectors: Communications Media & Entertainment (CME), Information Technologies (IT), and Healthcare. Through an active engagement process, IMT consultants and engineers collect, interpret, refine, design, build and maintain technology systems that deliver optimum results for clients.
Learn more at: http://www.imtglobalinc.com    tel:  877.761.9770

 

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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