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ALTINEX ANNOUNCES MUSE™ POWER, HDMI®, AND IR DISTRIBUTION SYSTEM

**** Photo: Altinex Muse power, HDMI, and IR control distribution system ****

Brea, CA – June 2012… At this year’s InfoComm show in Las Vegas, NV, Altinex, a leading manufacturer of Signal Management Solutions®, introduced Muse, a revolutionary system for distributing power, HDMI, and IR control signals in AV systems. This new, disruptive technology dramatically changes the way integrators install AV systems—particularly in environments where multiple video displays are required, such as sports bars and digital signage applications. With the ability to distribute power, HDMI, and IR control signals up to 300 feet (90m) over a single, low voltage, shielded CAT-6 cable, Muse is an innovative system that enables AV Integrators to eliminate the worry of electrical outlet placement. Muse provides AV installers full control of their projects. more

Studio Technologies Showcases New 5100-Series Modules at InfoComm 2012

Units Include Support for SDI Video Generation and Intercom Interfacing

LAS VEGAS, JUNE 13, 2012 – Studio Technologies, the manufacturer of tailored, high-performance video, audio and fiber-optic products for the professional audio, installation and broadcast markets, showcases prototypes of four new products soon to be included in its 5100-Series of broadcast support modules at InfoComm 2012 (Booth C5950). These new units include the Model 5150 Video Generator, Model 5152 Video Generator with Audio Embedding, Model 5162 Video Generator with Audio De-Embedding and Model 5140 Intercom Interface. All units enhance production and delivery options for the education, corporate, worship and broadcast markets.

“The unique aspect of the new video-based products is the ability to store and output a custom high-definition video image at HD-SDI and 3G-SDI rates,” says Gordon Kapes, president of Studio Technologies. “The image, based on a bit-map (BMP) file typically created using a personal computer’s graphics program, is loaded into the modules via a standard USB flash drive memory stick. The image is automatically connected to electrical and optional optical SDI outputs whenever an SDI input signal is not present. This ensures that an SDI output signal is always sent to equipment further along the signal chain. This can be extremely useful, serving both as a ‘keep alive’ signal as well as providing a detailed graphics image for identification purposes.”

The Model 5152, in addition to the Model 5150’s video generation capability, allows four stereo digital audio signals to be embedded into the SDI signal. The eight channels of audio will always be embedded, whether or not an external SDI source is present. The Model 5162 includes video generation as well as de-embedding audio from an incoming SDI signal. The module also provides four stereo digital audio output signals.

The new Model 5140 Intercom Interface will also be displayed. Its unique capabilities provide a unified connection interface for both party-line (PL) and 4-wire (line level) intercom systems, offering a reliable and easy-to-use I/O panel for remote broadcast and infrastructure applications. The Model 5140 was specifically designed to allow “guest” users, including media crews, production or uplink trucks, and temporary equipment, to be quickly and efficiently linked to ports on a host intercom system.

Two input and two output signals, either analog or digital, are typically connected to ports on a facility’s matrix intercom or fiber-optic-based signal transport system. The Model 5140 contains a 4-wire to 2-wire converter and intercom power supply circuitry to provide a 2-channel broadcast-standard party-line intercom interface. This allows users to directly connect PL beltpack devices, as well as interconnection with existing party-line circuits. Two sophisticated auto-null circuits provide excellent audio performance. The Model 5140 also contains two analog 4-wire (line level) inputs and outputs on standard 3-pin XLR connectors. These are provided so that ports on a “guest” intercom system can be directly connected, as well as being compatible with a wide-variety of application-specific equipment. Status indicators and audio level meters help to ensure that optimal performance is maintained.

”All the 5100-Series modules require only a source of 12-volt power for operation and can be mounted in a variety of custom enclosures,” adds Kapes. “The modules should find use in applications including remote sports and entertainment broadcasting, stadium and arena input/output locations and corporate video infrastructure environments. They are designed for standalone use, as well as for connecting directly with other 5100-Series modules for video transport, audio input, audio output, IFB and intercom applications.”

About Studio Technologies, Inc.
Studio Technologies, Inc. provides tailored, high-performance video, audio, and fiber-optic products for the professional audio and broadcast markets. The company was founded in 1978 with a commitment to design and manufacture dependable, individualized solutions for broadcast studio, stadium, and corporate environments. Known for “designing for the way professionals work,” the company is recognized as an industry leader that has never wavered from its individualized design pledge. Product categories include fiber-optic transport, broadcast support, mobile broadcast, intercom and IFB, announcer consoles, loudspeaker monitor control systems, distribution amplifiers, cable testers, and sound pressure level monitor systems. For more information, please visit the Studio Technologies Web site at www.studio-tech.com or call 1-847-676-9177.

FIRST PRESBYTERIAN CHURCH DEPLOYS ALTINEX CONTROL SOLUTIONS

**** Photo: First Presbyterian Church's Altar / Stage Area ****

Baton Rouge, LA – June 2012… A member of the Evangelical Presbyterian Denomination, First Presbyterian Church is one of the area’s best known houses of worship with a storied history that dates back to 1827. As the church has grown, so too has its desire to remain cutting edge and relevant to its congregation. In keeping with this tradition, the church deployed both an impressive AV setup and a remote door locking control system during the past several months. In each case, the underlying technology behind the design and operation of both systems is dependent upon state-of-the-art equipment from Brea, CA-based Altinex. more

Brain Farm Digital Cinema Deploys Selection of FUJINON Lenses to Capture Detail from a Mountain Away for Latest Feature

Wayne, N.J. – FUJIFILM North America Corporation, Optical Devices Division, has announced that Jackson Hole, Wyoming-based Brain Farm Digital Cinema selected several FUJINON lenses for the company’s aerial cinematography and extreme sport shooting. The feature film, The Art of Flight, is Brain Farm’s latest feature film release using the FUJINON lenses. The death-defying film follows a team of professional snowboarders through remote backcountry terrain from Alaska to Jackson Hole to Patagonia as they conquer uncharted snowboarding territory.

Click here to see a trailer for the film:

http://www.youtube.com/watch?v=t4CUNVYxxZM&feature=relmfu

Links to stills from the making of the film can be found here:

http://artofflightmovie.com/

FUJINON lenses used for the film include the extreme telephoto HA42x9.7B zoom and the HA14x4.5B wide-angle ENG/EFP lens, incorporated into Brain Farm’s Cineflex stabilized HD aerial camera system. Brain Farm deploys this system primarily in helicopters for aerial cinematography, but also with land and boat based vehicle mounts in other productions.

“What stood out to me the first time I saw footage shot with the FUJINON lenses was the accurate color they produced and the sharpness of the lens,” saidChad Jackson, Executive Producer at Brain Farm. “We often film a subject from a very far distance, usually a mountain away. With the FUJINON lenses we captured extremely smooth, sharp images.”

In addition, other FUJINON lenses used in production of The Art of Flight included the HA25x16.5BERD, HA23x7.6BERM and HA14x4.5BERD zooms used on Panasonic VariCam 3700 camcorders. The FUJINON TS-P58A image stabilizer was used with their HA14x, HA25x and HA23x lenses on VariCams whenever they needed to stabilize ground-based images.

Brain Farm has used its FUJINON lenses in almost every project, including a current Visa Blackcard commercial, a series of World of Red Bull commercials, National Geographic’s critically acclaimed documentary program Great Migrations, and Nat Geo Wild’s adventure series Expedition Wild. “The FUJINON 42×9.7 we use in our Cineflex gimbal is very fast, with minimal fall off, and it has an incredible zoom range,” said Jackson. “We’ve never before been able to shoot so far away and keep the image so sharp.”

Curt Morgan, CEO/President/Owner of Brain Farm Digital Cinema, is the primary DP of the footage they shoot all over the world. “We’re thrilled to be involved with the breathtaking images that Curt and his team produce,” said Chuck Lee, technology manager, FUJIFILM North America Corporation, Optical Devices Division. “They really know how maximize the full visual potential of our lenses, and given the extreme weather and challenging conditions they are used in, Brain Farm’s work is a testament to the true durability and reliability of FUJINON lenses.”

The Art of Flight is now available on Blu-ray, DVD and iTunes. The film follows Travis Rice, John Jackson, and other extreme snowboarding daredevils as they dream up new global adventures and elevate the sport to unimaginable levels. For this film, Brain Farm gathered an arsenal of the most advanced and progressive filmmaking technology to capture a snowboarding adventure of epic proportions.

Click here to view Brain Farm’s promotional reel:

http://www.brainfarmcinema.com/video/video_1.aspx

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of five operating divisions and one subsidiary company. The Imaging Division sells consumer and commercial photographic products and services including film, one-time-use cameras, online photo services and fulfillment, digital printing equipment and service. The Electronic Imaging Division markets consumer digital cameras. The Motion Picture Division provides motion picture film, and the Graphic Systems Division supplies products and services to the printing industry. The Optical Devices Division provides binoculars, and optical lenses for closed circuit television, videography, cinematography, broadcast and industrial markets. FUJIFILM Canada Inc. markets a range of Fujifilm products and services. For more information, please visit www.fujifilmusa.com/northamerica, or go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

FUJIFILM Holdings Corporation, Tokyo, Japan, brings continuous innovation and leading-edge products to a broad spectrum of industries, including electronic imaging, digital printing equipment, medical systems, life sciences, graphic arts, flat panel display materials and office products, based on a vast portfolio of digital, optical, fine chemical and thin film coating technologies. The company was among the top 16 companies around the world granted U.S. patents in 2010, and in the year ended March 31, 2011, had global revenues of $25.8 billion*. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit www.fujifilmholdings.com.

* At an exchange rate of 86 yen to the dollar.

All product and company names herein may be trademarks of their registered owners.

FUJIFILM Optical Devices Division, 10 High Point Drive, Wayne, New Jersey 07470. Phone: 973-633-5600. Fax: 973-633-5216. Web site:www.FUJINON.com

Projecting Europeana archive data through the 3D ‘ECloud’

projectiondesign® sponsors Europeana initiative to drive creative use of open data

Norway’s projectiondesign® is delighted to announce that it has become a headline sponsor of the Europeana General Plenary, to be held in the Belgian city of Leuven from 13-15 June.

Adopting the theme ‘Connecting Society Through Culture’, the Europeana plenary aims to showcase innovative approaches to digitised content, inspire new ideas among its attendees, and to connect people and concepts so that those new ideas are realised. The event is expected to attract around 250 professionals from cultural heritage institutions, the open data community, and the software and technology development industries.

Caption: Vice President of the European Commission Neelie Kros explores Europeana

42113873 Watch the video at http://vimeo.com/42113873.

A key attraction at the Europeana plenary will be the ECloud – a unique visual experience featuring personal stories of World War I collected across Europe as part of Europeana’s 1914-18 family history roadshows. As part of its event sponsorship, projectiondesign will supply six F35 AS3D active stereoscopic 3D projectors to power the ECloud – creating a 9m x 3m interactive videowall that enables the browsing and display of multiple web pages simultaneously.

Pioneered by Dr Sarah Kenderdine and Prof Jeffrey Shaw, the ECloud is a collaboration between Europeana, City University Hong Kong’s Applied Laboratory for Interactive Visualization and Embodiment, and Australia’s Museum Victoria. The work builds on the large-screen 3D data visualizations being undertaken at City University Hong Kong’s ALiVE project, advancing the way that ALiVE re-uses archival databases coming directly from the internet.

“The purpose of this project is to provide both audiences and participating cultural organizations a renewed appreciation of the wealth of the Europeana datasets online,” comments Sarah Kenderdine.

“It focuses on World War I materials as a front-running project to the 2014 100th anniversary of the start of WWI. The project demonstrates that using the semantic relationships in existing metadata, ECloud can take advantage of Europeana APIs and the high-resolution content existing in Europeana partner repositories – in a public exhibition setting.

“3D allows us to re-define 2D data into a dynamic visualizations, increasing both appeal of the data and cognitive impact of the large format images distributed in 3D space. Such visualization strategies continue to hint at the endless permutations available to the user in a way that 2D designs cannot.

“We believe projectiondesign is the perfect partner for a project like the ECloud, because their 3D projector solutions, hardware architectures for edge-blending, and geometry correction for large-scale, multi-projector arrays are the most robust and reliable out there. We work exclusively with projetiondesign.”

Prior to the Europeana plenary, the ECloud made its public debut at a major event in Brussels on Wednesday 9 May. Hosted jointly by Europeana and the European Commission, the event is intended to raise awareness of Europeana’s rich resources and to demonstrate how Europe’s online cultural heritage can drive creativity and digital innovation. The event will be attended by around 100 stakeholders from cultural institutions and the creative industries.

“Europeana is a single access point to millions of books, paintings, films, museum objects and archival records that have been digitised throughout Europe,” explains Harry Verwayen, Business Development Manager, Europeana. “It is an authoritative source of information coming from European cultural and scientific institutions.

“What I like about the ECloud installation we’ve created is that it transforms flat representations of cultural artifacts into a real experience. It is truly innovative approach and we are very happy about how it worked out.”

“The cultural significance of 3D and interactive visualization technology have always been important for us at projectiondesign,” says the company’s Thierry Ollivier. “Supplying projectors to the ECloud is not just about putting our name in front of Europe’s creative community; it is about opening people’s eyes – quite literally – to the possibilities opened up by the digitisation of archive content, and by the public’s open access to that content.

“We are delighted to have this chance to be associated with the ECloud and with the Europeana project generally.”

www.projectiondesign.com

ALTINEX ISC2000 INTERA VGA + STEREO AUDIO INPUT MODULE PROVIDES AV SYSTEM WALL MOUNT CONVENIENCE

**** Photo: Altinex ISC2000 ****

Brea, CA – May 2012… Altinex, a leading manufacturer of Signal Management Solutions®, is pleased to announce the availability of the ISC2000 INTERA VGA + Stereo Audio Input Module. Designed for installation into a wall, the ISC2000 is a 1-In / 1-Out VGA + Audio line driver that provides a convenient method of transmitting video and audio signals to a remote display and audio receiver or amplifier. more

Brainstorm Introduces SR-112 Time Code Distripalyzer at InfoComm

New Version of Industrywide Favorite for Time Code Solutions

Brainstorm Electronics, the world leader in time code and clocking solutions, is introducing for the first time at InfoComm 2012 the new SR-112 Time Code Distripalyzer.  This new model of the industry favorite is designed for large A/V systems, theme park attractions, cruise ship entertainment, synchronized water fountains, and remote recording trucks, among many other applications.   http://www.brainstormtime.com

Brainstorm’s new SR-112 Time Code Distripalyzer, replaces the industry standard SR-15+. It is a time code reader, distributor, reshaper, analyzer and generator all in a 1U rack mount device. The analyzer indicates format, frame rate, errors and video phase, and outputs a comprehensive report; the 1×12 distributor reshapes the signal; the optional generator repairs drop-outs and generates new code. All SMPTE and EBU SD/HD rates are supported. Ethernet is included for reporting and to set parameters and update firmware.

About Brainstorm
Brainstorm products deliver complete solutions for all sync requirements in the post- production, recording and broadcast environments. Designed for operations ranging from audio recording studios to large post-production houses and major broadcast facilities or remotes, Brainstorm offers the most comprehensive package for all clocking needs, providing versatility in the widest range of applications.

Experience the new Brainstorm SR-112 at InfoComm in Las Vegas,
June 13 – 15, Booth # C11349

For more info, visit: http://www.brainstormtime.com
or phone 323.845.1171

 

 

Fender Center is Live with StudioLive

Corona, CA, May 2012…  Located in the heart of this bustling Southern California city, the Fender Center for Music Education is a busy place. The 33,000-square foot building is home to a music school, a museum, two performance venues, and a recording studio, and the Center is buzzing with activity throughout most of the year.

Run by the nonprofit Fender Museum of Music and the Arts Foundation, the Fender Center’s main focus is to provide music education to young people at low or no cost. As the Center’s audio engineer Kelly McGuire explains, the program has made an impact on a great many kids’ lives.

“Our program is called Kids Rock Free,” says McGuire. “It’s a low-cost lesson program for kids from 7 to 17 years old. We’ve been doing this for going on about 12 years now, and over 12,000 kids have been through the program.” The Center is also home to two live performance venues. “We have an outdoor concert venue where we do summer concerts like Steve Miller Band, and we also have a smaller nightclub venue,” says McGuire.

As a non-profit, the Center doesn’t rely on deep corporate pockets, counting instead on the support of donors. “Steve Miller and Paul Rogers have been really supportive,” says McGuire. “They’ve both put on benefit fundraisers for us, and companies like PreSonus have been there for us since the beginning.”

McGuire has been mixing a variety of projects on the Center’s StudioLive 24.4.2 console. “For one of our first projects, we put together a three-concert TV series starring Deana Carter.” The project was a collaboration with nearby Lucas Oil. “They’re our neighbors here in Corona,” says McGuire, “and they have a full TV production studio that turns out about 100 shows per year. There are lots of musicians working over there, and they’re huge supporters of our program, and they came up with the idea of doing a show with us, originating from our venue, and aired on their network.”

McGuire approached Carter and her band about the idea. “When I approached Deana, Max and David about doing this show, I just had a really good feeling about it,” he says. “I said, ‘Let’s try it out because I think you’re really going to like it. The audio’s going to be good, and the video’s going to look fantastic.’ And that’s exactly how it turned out.”

As McGuire points out, the StudioLive enabled him to wear multiple hats during the shows, handling the live mix, monitors, TV feeds, and live recording. “I was able to mix the show live, mix a couple of other sources for the TV track, and run five monitor mixes for the band, and at the same time I was tracking the show to a MacBook, using Studio One to edit it later. That’s what’s so cool about the StudioLive. There is really nothing else that I can think of that makes the whole process so effortless and streamlined.”

While the initial show with Deana Carter was put together as a showcase, the response both at the Center and at Lucas Oil has been so positive that plans are already in the works for several new productions. Upcoming shows will include members of Grand Funk Railroad, .38 Special, and Jack Mack and the Heart Attack.

But the StudioLive has been busy on more than just TV shows. “I’ve also been using the console for other stuff, including some shows, some studio recording, and some projects with the kids,” says McGuire. “It’s going to be in use all summer, pretty much all the time, including some of our outdoor concerts.”

###

Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording software, hardware, and related accessories. PreSonus software, microphone preamps, signal processors, digital audio interfaces, mixers, control surfaces and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

ALTINEX ANNOUNCES AVAILABILITY OF DA1907LX DITTO-AMP™ 1- IN / 2- OUT VGA DISTRIBUTION AMPLIFIER

**** Photo: Altinex DA1907LX ****

Brea, CA – May 2012… Altinex, a leading manufacturer of Signal Management Solutions®, is pleased to announce availability of the DA1907LX Ditto-Amp 1-In / 2-Out VGA Distribution Amplifier, another addition to the company’s popular line of dedicated AV solutions. The DA1907LX is a high resolution distribution amplifier designed to facilitate the connection of a single VGA-UXGA source to as many as two scan-rate compatible displays. With the ability to pass very high-resolution video signals without degradation to the image quality, the DA1907LX is an ideal tool that integrators and AV technology managers will find invaluable. more

Christie MicroTiles Welcome Dignitaries to the University of Toronto’s Munk School of Global Affairs

Thirty-six Christie® MicroTiles® are impressing dignitaries and staff with bright and vibrant images at the University of Toronto’s Munk School of Global Affairs. The school is an interdisciplinary academic center focusing on global issues and has hosted prime ministers, cabinet ministers and ambassadors.

Installed in the front wall of the Vivian and David Campbell conference facility, the 6 units wide by 6 units high Christie MicroTiles array displays Blu-ray videos, still images and PowerPoint presentations for foreign and domestic officials who present their research findings at the facility.

“We were upgrading our technology and wanted not only the newest and the best – but also something very functional,” said Sean Willett, IT manager for the school. “We have dignitaries from around the world visit so the technology not only has to be top of the line; it has to look and feel impressive. It made sense to use Christie MicroTiles because they really show off their flexibility and image quality for what we need.”

Willett said the center also wanted an aesthetically pleasing display in the customized architectural space that previously housed an older video wall. Christie MicroTiles complement their environment and are a unique proposition in display technology, offering video and data display building blocks to create presentations of varying size and shape.

“It was an amazing project because we had never worked in a space that is used in so many configurations,” added Bertine Jerry, director of sales, Global Unified Solutions Services, Inc., project integrator. “It worked out incredibly well and the Christie MicroTiles look great.”

Christie MicroTiles Deliver Brilliant Colors in High Ambient Light
“Not only are some of our guests interviewed in front of the MicroTiles under harsh media lights, we have huge windows at the back of the room that sweep around the side and there are also windows right near the MicroTiles wall itself,” explained Willett. “We also have lighting that goes all the way across the top of the room. This, traditionally, makes it very difficult to see the images – but this isn’t the case with the MicroTiles.

“People are stunned by the color, clarity, and vibrancy of the images displayed on the MicroTiles – and how it looks like a seamless wall. Everyone is also very happy with how well the MicroTiles integrated with the stone, wood and paneling of the room. In fact, the Christie MicroTiles are a showpiece.”

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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