A virtual press conference from Sound & Video Contractor

Archive of the Videos Category

wysiwyg Lighting Design Video Challenge 2014

‘Be Smart, Be Creative’. Lighting Designers can enter their own unique Imagination into the wysiwyg Lighting Design Video Challenge by CAST Software! – a challenge open to all current wysiwyg R33 users and Members and to those who become so before the deadline of 26 September 2014.

“As in previous years, we’re looking to discover the next lighting design talent through previsualization, but this year’s participants will be challenged by having a “budget” just like they would in a real world project. This “budget” will be represented by an equipment limitation list,” explains, Igor Silva, marketing manager at CAST Group.

“Entrants can be pros or amateurs – all you need to do is be a registered wysiwyg Member, follow the equipment limitation list and guidelines, create a 2-minute video of your lighting design using wysiwyg version R33 then post it to your YouTube account and share it on CAST’s Facebook page. That’s the challenge!”

The best three entries will be handpicked by an expert panel of judges assessing entries on creativity in lighting rigs, programming and overall lighting design.

Winning entries will be showcased at the CAST Booth P10 at PLASA London on October 5th, 2014 then promoted online and in social media.

Additionally winners will take home:

1st place 1 year free wysiwyg membership
2nd place 9 month free wysiwyg membership
3rd place 6 month free wysiwyg membership

There will also be a People’s Choice award voted for on CAST Software’s Facebook page by industry peers, where the winner will receive a year’s wysiwyg membership or option to upgrade to ‘wysiwyg Perform’.

And the last word goes to Silva who says: “Show us what ‘Be Smart, Be Creative’ means to you!”

Raring to go?

The full terms and video requirements can be found here. Entry submissions start from 7 August to 26 September 2014.

Purchase wysiwyg and join the challenge. Go to https://cast-soft.com/cast/store/index.php.

Some Useful Links:

Twitter & Facebook: @CASTSoftware

CAST Forum: http://forum.cast-soft.com

About CAST Software

Established in 1994, Toronto Canadian-based software and hardware developer, CAST Software celebrates its 20th year in business in 2014. CAST Software serves its core markets in entertainment production, special events and meetings. Its award winning flagship software products are wysiwyg design and previsualization suite, and Vivien — Event Designer. All products are designed and created in-house and supported by an established global distribution and reseller network.

CAST Software Ltd. is a member of the CAST Group of Companies Inc.

www.cast-soft.com

Industry-Leading Harmonic Spectrum Server Line Offers Richer Functionality, Higher Density, and Lower Cost Per Channel

Spectrum Version 7.6 Release Boosts MediaCenter Channel Count and Capabilities, Enriches ChannelPort and MediaDeck Tools and Feature Sets

SAN JOSE, Calif. — Aug. 6, 2014 – Harmonic (NASDAQ: HLIT), the worldwide leader in video delivery infrastructure and market share leader in broadcast playout servers, today announced the release of version 7.6 of the company’s Spectrum(TM) media server product line. With this release, the Spectrum MediaCenter(TM) (MCP-2200A) media server system now supports 20 channels — eight more than previous models — and up to 32TB of integrated SAS storage in a compact 2-RU enclosure. The company also introduced a series of enhancements to the Spectrum ChannelPort(TM) integrated channel playout system and Spectrum MediaDeck(TM) server system that improve caption support, monitoring and scheduling capabilities, and integrated management tools.

“The MediaCenter platform has always been the best value for customers with moderate channel counts of four to 12 channels, and the MCP-2200A significantly increases that value, making an even more powerful Spectrum system available in a compact footprint and at a compelling price point,” said Andy Warman, director, product management, production and playout, Harmonic. “When combined with our Spectrum MediaPort and/or ChannelPort video I/O modules, this new addition to the MediaCenter family serves as a versatile yet straightforward solution for ingest, media prep, and playout.”

Ideally suited for transmission, studio production, news and sports highlights, and distributed broadcast workflows, the MediaCenter system allows users to simplify operation and maintenance while reducing overall rack space, power, and cost requirements. The high channel count (20 video channels at 50 Mbps or 10 channels at 100 Mbps) and increased SAS storage (approximately 1,200 hours at 50 Mbps) of the MCP-2200A are complemented by file transfer support for the ingest and export of clips, audio, and subtitle files. In addition to being easy to install and maintain, the system offers the rock-solid reliability for which the Spectrum product line is renowned.

The MediaCenter system supports conventional ingest and playout operations when combined with MediaPort I/O systems. When combined with ChannelPort systems for integrated channel playout (ICP) applications, it provides robust functionality including graphic branding, DVE, key and fill, video and audio switching, and much more. The ChannelPort system itself has been augmented with open caption support, which enables caption files that have been imported into a Spectrum server to be played out frame-accurately with the caption text burned into the video as a graphic. This capability is ideal for play-to-air scenarios in which captioning is required for multilingual viewers or the hearing impaired, and its integration into the ChannelPort system reduces the need for costly downstream insertion equipment.

A new Monitor Mode for the ChannelPort system enables each simulcast port to be used as a master control/gallery monitor wall output of the primary output, with timecode, clip status, and clip names burned into the video output. Operators thus gain at-a-glance access to on-air clips. The addition of a Schedule Tool application enables multiple users to create playlists that can later be played to air by Harmonic’s Onboard Playlist Control (OPC) automation.

In refining the company’s MediaDeck server system, Harmonic has embedded all configuration, maintenance, and monitoring tools within the system chassis. The user is presented with a Web page showing alarms and messages, configuration tools, status configuration, and licensing information and maintenance tasks in an easy-to-use interface.

At stand 1.B20 during IBC2014, Sept. 12-16 in Amsterdam, Harmonic will showcase its comprehensive line of market-leading solutions that optimize the production and delivery of high-value video services in the broadcast, pay-TV, and new media environments. Further information about Harmonic and the company’s products is available at www.harmonicinc.com.

# # #

About Harmonic
Harmonic (NASDAQ: HLIT) is the worldwide leader in video delivery infrastructure for emerging television and video services. The company’s production-ready innovation enables content and service providers to efficiently create, prepare, and deliver differentiated services for television and new media video platforms. More information is available at www.harmonicinc.com.

This press release contains forward-looking statements within the meaning of Section 27A of the Securities Act of 1933 and Section 21E of the Securities Exchange Act of 1934, including statements related to the anticipated capabilities and benefits of Harmonic’s, ChannelPort(TM), MediaDeck(TM), MediaCenter(TM), Spectrum(TM) products. Our expectations and beliefs regarding these products may not materialize and are subject to risks and uncertainties, including the possibility that the products may not meet some or all of their anticipated capabilities or provide some or all of their anticipated benefits, such as reliability, versatility, cost savings, robust functionality, and simplification of operations.

The forward-looking statements contained in this press release are also subject to other risks and uncertainties, such as those more fully described in Harmonic’s filings with the Securities and Exchange Commission, including its Annual Report on Form 10-K for the year ended Dec.31, 2013, its Quarterly Reports on Form 10-Q and its Current Reports on Form 8-K. The forward-looking statements in this press release are based on information available to Harmonic as of the date hereof, and Harmonic disclaims any obligation to update any forward-looking statements.

EDITOR’S NOTE - Product and company names used herein are trademarks or registered trademarks of their respective owners.

Visit Harmonic at IBC2014, Stand 1.B20

Photo Links:
www.wallstcom.com/Harmonic/Harmonic-SpectrumFacility.jpg
www.wallstcom.com/Harmonic/Harmonic-SpectrumFamily.jpg
www.wallstcom.com/Harmonic/Harmonic-SpectrumMediaCenter-Front.jpg

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News, Product Applications, Videos |

Studio Lambert Uses Forscene to Help Speed Up Post-Production Process of ‘Gogglebox’

LONDON — Aug. 5, 2014 — Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, announced today that London-based production company Studio Lambert is using Forscene for the quick-turn production of Channel 4′s “Gogglebox.” Part of all3media, which is the U.K.’s largest independent television, film, and digital production and distribution company, Studio Lambert uses Forscene to search and select clips from the rushes while editing is in progress on the observational documentary.

“With less than a week to turn around a show like ‘Gogglebox,’ Forscene doubles the efficiency of the editing process. For example, whilst an editor is pulling material on the Avid editing system, the producer can pull different material and even create sequences simultaneously on Forscene,” said Chantal Boyle, series producer of Studio Lambert.

For “Gogglebox,” Studio Lambert shoots about 150 hours of material a week and logs the footage live during filming. As soon as filming wraps each night, the footage is driven straight back to Studio Lambert’s post-production house in central London, where it is ingested into the Avid nonlinear editing system and uploaded to Forscene so that it is ready for the edit team to start work the next morning. Edit producers and senior producers use a combination of shoot logs and Forscene to locate the best clips to weave into the show.

“The way Studio Lambert uses Forscene is a great example of the software’s value as a search tool,” said Greg Hirst, business development director, Forbidden Technologies plc. “Every second counts on this production, and Forscene makes it possible for the show’s many producers to search through a considerable amount of footage quickly without disrupting the editors.”

More information about Forscene can be found at www.forscene.co.uk. More information about Forbidden Technologies can be found at www.forbidden.co.uk.

# # #

About Forbidden Technologies plc
Forbidden develops advanced technologies that enable media makers and broadcasters to create and distribute compelling viewing experiences to demanding worldwide audiences. Forbidden’s flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform. It allows post-production professionals to make and deliver stories with high quality and production value in demanding, fast-paced landscapes. Quoted on the London Stock Exchange Alternative Investment Market, Forbidden partners with high-profile media and technology organisations, including Atos, BIM, deltatre, EVS, and Key Code Media. More information about Forbidden can be found at www.forbidden.co.uk. More information about Forscene can be found at www.forscene.co.uk.

Visit Forbidden at IBC2014, Stand 8.B38e

Photo Link: www.wallstcom.com/Forbidden/Forbidden-Gogglebox-LeonandJune.jpg
Photo Caption: Leon and June of “Gogglebox”

Westlake Pro Hosts Mixing Master Class with Andrew Scheps

First videos in series now available on YouTube

Los Angeles, CA – Westlake Pro, a leading retailer of professional audio, video, broadcast equipment, recording, and live sound equipment, technical services and musical instruments, recently hosted a Mixing Master Class with legendary audio engineer Andrew Scheps. The seminar, which took place at The Village Studios in Los Angeles, was filmed and edited into a video series, with the first of 13 now available for viewing on Westlake Pro’s YouTube channel.

Known for his distinctive mixing style and ability to bring the emotion out of songs, Scheps has engineered and mixed for some of the biggest rock bands in music: Metallica, Red Hot Chili Peppers, Weezer, Audioslave, Linkin Park, Green Day and U2. He’s also worked with icons such as Johnny Cash, Neil Diamond and Iggy Pop, as well as many independent artists.

Having successfully mixed with computers and software, or “in the box”, and on large format analog consoles, Scheps brings a unique perspective to mixing workflow, which he demonstrates by deconstructing some of his current work using Avid Pro Tools and S6 Control Surface.

The Mixing Master Class video series is divided into 13 videos of five to eight minutes in length and cover a wide variety of mixing topics as well as a Q&A session with the audience of around 150 people, most of which are working audio professionals. New videos in the series will be posted on Westlake Pro’s YouTube channel over the next several weeks. Please visit https://www.youtube.com/user/WestlakePro1.

About Westlake Pro
Based I Los Angeles, Westlake Pro specializes in business-to-business and retail sales of professional audio and video equipment, broadcast equipment, video editing software, recording software, computers, musical instruments and live sound application products. The company also provides technical services from complete studio design to live sound system design. Westlake Pro serves the Post Production, Broadcast, Music Production, Educational, House of Worship and Government markets.
For more information, visit www.westlakepro.com.

AV Stumpfl gives Norwegian rock ‘Wings’ for Pink Floyd tribute concerts

YouTube video: watch?v=BeOmGmiHa-s&feature=youtu.be © Blank

Unique projection mapping, blending and warping in spectacular setting

Everyone is familiar with the idea of a rock concert, but few events take the word ‘rock’ as literally as the recent series of outdoor gigs staged in Norway by the Pink Floyd tribute band Puls. Against the dramatic backdrop of the Kilden-Fjæreheia quarry in Grimstad, the band played six sold-out nights to audiences who were wowed not just by the music but by the spectacular projection-mapped backdrop that was created courtesy of AV Stumpfl’s Wings AV multi-image control technology.

Event design and production for the Puls concerts was the responsibility of Norwegian company Blank. Tomas Håvik, CEO of AV Stumpfl’s Scandinavian distributor Preqbi AB, recalls the project’s technical origins:

“Blank were searching for a solution that could deliver edge-blending and warping of multiple projected images, automated according to a timeline and with built-in media serving capability. We advised them that Wings AV could deliver exactly what they needed, and once the decision had been taken, we helped them with education and support.”

Kent Bakke, General Manager at Blank, explains: “Our challenge was that we wanted to map the actual face of the quarry that provides a backdrop to the band’s stage set. The face of this ‘mountain’ measures about 55 metres wide by 20 metres high, and our render size for the project was 3120 x 1200 pixels, with a 256 pixel overlap between the two halves of the image.

“The Vioso module of Wings split the image into a multi-display, blending and warping the output of six high-output HD projectors with ease. We also used Vioso to create and edit the video content, building up an exact replica of the ‘mountain’ in 3D.

“The content was stored and played back using the Wings Engine media server, with the Wings Avio control protocol allowing secure and perfectly synchronised connection via MIDI to the show’s lighting-control desk. This meant that the video timeline was perfectly sync’d to the music and associated lighting cues, every step of the way.”

With an audience of around 950 people per night seated in a U-shaped amphitheatre exactly opposite the quarry wall, each show culminated in a spectacular climax that echoed the finale of Pink Floyd’s ‘The Wall’, with pieces of rock from the quarry appearing to break up and fall towards the stage and theatre.

Tobias Stumpfl, Commercial Director, AV Stumpfl, concludes: “From video editing to large-scale projection, interactivity and show control, our Wings platform does it all. With the support of local partners such as Preqbi AB and the superb creativity of customers like Blank, our technologies are delivering spectacular results that wow audiences all over the world.

“We congratulate everyone involved with the Puls concerts in Norway and look forward to many more exciting applications of Wings to come!”

Some useful links:

Facebook:
@AV.Stumpfl.Pro
@blank.no
@Preqbi-AB

More information about Preqbi AB can be found at www.preqbi.se.

About AV Stumpfl
AV Stumpfl is an award-winning Austrian company that designs, manufactures and markets a range of high-performance mobile and installation projection screens and multi-display and show control systems for professional and business applications. As a family business, its founders started the company out of a passion for the advancement of presentation and installation technologies. The product range is warranted for 24/7 usage. AV Stumpfl is located in Wallern, Austria, and is supported by a global network of distribution and service partners.
www.avstumpfl.com

Visual Unity Confirms its Worldwide Ambitions at IBC 2014

Leading OTT solutions provider Visual Unity will use the IBC 2014 platform (14.F34) to unveil the latest versions of its Award-winning vuMedia™ multiscreen platform and vuEasy™ Online Video Platform.

One of the most important changes will be the introduction of a raft of new languages to vuEasy™’s administrator user interface, including Chinese, Arabic, Spanish and Russian. This significant upgrade broadens vuEasy™’s international appeal and reinforces Visual Unity’s plans to expand sales into new geographic territories.

“Having recently secured an investment of 7.2 million US$ (5.2 million Euros) from 3TS Capital Partners, we are now able to support the growth of an international customer base for both vuMedia™ and vuEasy™,” says Visual Unity’s CEO Tomas Petru. “Our goal is to be the leading provider of OTT and multiscreen solutions and 3TS’s investment is already helping us to achieve this ambition by enabling us focus on product development and reach previously untapped markets.”

Introduced in 2011 and the winner of the 2012 ConnectedWorld.TV Award for the Best Use of Online Video by a Non-Broadcaster, Visual Unity’s flagship vuMedia™ is an end-to-end OTT platform that allows broadcasters and content owners to control how their brand and assets are managed, delivered and monetized in the multiscreen environment. Highly scalable and flexible, vuMedia™ delivers a cutting-edge live viewing experience on the web or any mobile or connected device. vuMedia™ also enables comprehensive Video on Demand services, social network integration and secures the distribution of content – all of which can be deployed into existing workflows and business processes.

In recent months, Visual Unity has upgraded vuMedia™ so that it now features an improved modular architecture and enhanced API integration for faster OTT integration into existing infrastructures. There is also support for Live Time-Shifting so that subscribers can rewind while watching live broadcasts. This user experience is enhanced with the inclusion of a Timeline Thumbnail Preview (vuMedia™ TTP), which makes it faster and easier for consumers to navigate within streamed content.

vuMedia™ is now fully integrated with Visual Unity’s vuEasy™Cloud-based service that allows Enterprise and Media companies to manage and monetize their audio, video and image libraries. vuEasy™ supports live streaming of up to 4K video and allows graphics and other audio and visual material to be associated with video or audio files, for brand promotion or to generate advertising revenue. Quick and easy to use, vuEasy™ alleviates the need for businesses to build an expensive, in-house and resource-intensive media library, by allowing them to publish their content online.

At IBC 2014, Visual Unity will show a new, white label version of vuEasy™ that gives partners the opportunity to sell the product under their own brand by changing the colours and logos on the user interface. Also new is Multi-level account administration, which allows Visual Unity customers to collaborate on OTT projects, share resources or limit access to specific parts of vuEasy™ to dedicated groups. It also allows vuEasy™ to support different re-seller and seller models and relationships.

Alongside support of live streams that can easily be added into an OTT trough, vuEasy™ also allows customers to record their own live events, include them in their content management systems and automatically published them on VoD portals.

Since first launching its vuMedia platform, Visual Unity has supported video delivery to iOS and Android devices. At IBC 2014, the comany will show a new, native application for iOS devices that enables delivery of VoDs that are DRM protected. This upgrade, which supports Widevine DRM in iOS applications, will give end users and even better experience.

-ends-

About Visual Unity

Visual Unity is a global provider of video and digital media solutions, enabling our clients to deliver premium quality video content. Our clients can measure, analyze and optimize their libraries over time and achieve optimal business success. Our platform capabilities inspire our clients to deploy their assets across multiple devices, screens, and media formats. Visual Unity helps clients manage, deliver and monetize their digital content.

Visual Unity is a Multiscreen Solution Provider, bridging the gap between linear broadcast, IT and IPTV to help clients reach and engage audiences on any screen. Since 1991, the team has been designing and delivering turnkey broadcast and complex multiscreen solutions worldwide – from HD outside Broadcast (OB) vehicles and major playout facilities to live internet streaming and Video on Demand services. Visual Unity’s award-winning vuMediaTM platform helps broadcasters and content owners control how their brand and assets are managed and monetized in the multiscreen environment. vuMediaTM is a highly scalable and a modular architecture, delivering a cutting-edge live viewing experience on the web or any mobile or connected device – all of which can be deployed into existing workflows and business processes.

Visual Unity is based in Prague, London, Cologne, Moscow, Bratislava, Belgrade, Nairobi and Dubai. For further information, please visit www.visualunity.com

Getting crowds closer to the action of ‘Le Tour de France’

Calibre LEDView scalers power big screens for Yorkshire’s fabulous ‘Grand Depart’

While more than 5 million fans lined the roads of Yorkshire for the opening weekend of the 2014 Tour de France, relatively few got close to the action itself. For those who could not, help was at hand in the form of large LED screens powered by LEDView image-scaling technology from Calibre UK.

The key screens were supplied by two companies – Lightmedia and Big TV – both of which specified Calibre’s LEDView530 as their large-display image scaler of choice for the Grand Depart.

LEDView530

Lightmedia supply screens from Leeds to Harrogate and from York to Sheffield

Lightmedia. Harrogate, 5 July, © Photography by David Lindsey, www.photosbydavid.co.uk.

Lightmedia supplied 19 LED screens along the route of the two opening stages from Leeds to Harrogate and from York to Sheffield, with many of them acting as the visual centrepiece for official Tour de France fan parks.

Eddie Elliot-Smith, Managing Director at Lightmedia, comments: “We use the Calibre LEDView530s as a key part of our rental-and-staging operation, to scale live broadcast content from TV cameras around the course for display on each and every one of the LED screens we supplied.

“We use Calibre because, quite simply, they are the most reliable solution in the world. Not only have we used them for this year’s Grand Depart, we also relied on them for other high-profile international events such as the Queen’s Diamond Jubilee, the wedding of Charles and Camilla, the launch of Xbox ONE and, indeed, Calibre’s previous generation of product at the Tour de France the last time it came to Britain in 2007.”

LED screens from Big TV for Skipton, York and Leeds

‘SkyFly’ mobile LED screen from Big TV at Tour de France © Big TV, York, Friday, 4 July:

‘SkyFly’ mobile LED screen from Big TV at Tour de France © Big TV. York, Friday, 4 July.

‘SkyFly’ mobile LED screen from Big TV at Tour de France © Big TV. Skipton, Saturday, 5 July

‘SkyFly’ mobile LED screen from Big TV at Tour de France © Big TV. York, Sunday, 6 July

‘SkyFly’ mobile LED screen from Big TV at Tour de France © Big TV. York, Sunday, 6 July

Big TV head technician Simon Woodcock says: “We went down to Yorkshire fresh from Edinburgh Festival and provided LED screens to various areas on the opening weekend, including Skipton, York and Leeds. The new ‘SkyFly’ mobile LED screen wowed crowds and we also provided screens for a number of private events and parties in Yorkshire as well.

“Calibre quality is central to our LED fleet for managing live feeds. The LEDView530 can take anything you throw at it!”

A high-quality LED-optimised scaler-switcher and universal interface for LED screens, the LEDView530 provides best-in-class professional image processing in a compact, affordable 1U format. It features a jog-wheel and LCD display on its for front panel for fast and easy set-up in the field, and boasts a plethora of useful features including colour adjustment of all source types, powerful picture resizing with simple pixel-accurate edge drag-and-drop, and superior scaling, de-interlacing and noise reduction to reduce image flicker and artefacts.

For mixed rental fleet use the scaler also has a Projection mode in which it supports warp mapping and edge blending, as well as geometry correction and general projection scaling functionality as well as a Scaler-Switcher mode for general purpose scaling and scan conversion making it a truly universal device. The LEDView530 also boasts genlock and I/O lock, making it suitable for on-stage or in-camera use at live events.

Pauline Brooksbank, MD at Calibre UK

Pauline Brooksbank, Managing Director, Calibre UK, comments: “As a Yorkshire company ourselves, we were delighted and extremely proud to have supplied LEDView530 units to power so many LED screens along the route of our county’s “Grand Depart”. This unforgettable weekend was not just a celebration of cycling but a unique opportunity for local people to experience a sporting event they had never come so close to before.

“The crowds who lined the route were 20-deep in places but, thanks to Calibre’s Yorkshire-manufactured technology’s ability to take live broadcast feeds and process them for large-screen display simply, reliably and with absolutely no sacrifice in quality, everybody felt that they were part of the action.”

About Calibre
Multi-award winning British company, Calibre has over the past 26 years achieved world recognition providing image scaling and processing technologies for use in broadcast/television, digital cinema, large venue projection, LED videowalls and surgical medical applications. Calibre manufactures products under its own brand-names as well as providing products and technology to several market leaders in the Pro-AV market worldwide. Calibre is a market leader in innovation, utilizing its own, UK & Germany-based in-house hardware and software design teams for all its product developments and its own UK manufacturing.

Some useful links:

Twitter: @CalibreProAV

Website: www.calibreuk.com

Red TX Joins The Remote Recording Network

Broadcast audio specialist Red TX has joined Europe’s leading live recording initiative Remote Recording Network. Whilst contributing to managing and engineering music and broadcast assignments on a global and cost-effective basis, RRN offers bespoke solutions that cater for all kinds of transmission, recording, mixing, mastering, duplication and publishing.

Remote Recording Network GmbH had last year joined forces with Dutch mobile recording company Eurosound bv and had integrated the German ‘RemoteTaxi’ enterprise to establish the initial ‘Network’.

Peter Brandt, head of Remote Recording Network and a man with over 30 years’ experience of recording and mixing international rock, pop, jazz, and classical artists, says: “Bringing Red TX into RRN will benefit our European customers by giving them access to a fully digital truck based in Europe that can handle high-end surround sound projects, particularly for broadcast.”

Tim Summerhayes, CEO of Red TX, adds: “I have known Peter Brandt for many years and we have worked together on numerous projects in the past. I am very excited by this collaboration because it allows us to utilize our combined technical resources in a very effective way. There is a huge requirement for mobile digital recording facilities in Europe and by joining forces with the Remote Recording Network we can now provide the necessary human and technical resources to meet this demand.”

Red TX has two state of the art recording units, RED 1 and RED 2. Both are equipped with Studer Vista 8 Digital Mixers, PMC 5.1 surround sound monitoring and Pyramix, Pro Tools and Reaper recording systems. They also have extensive racks of outboard equipment and digital effects, and are internally designed to very high acoustic specifications. RED 2, which is the larger of the two units, will be located as required, between the RRN HQ in Germany and Eurosound bv’s base in The Netherlands, while RED 1 will remain at Red TX’s premises in the UK.

“Our model of using international partners to combine resources and equipment is very valid, especially in a world where businesses need to reduce their carbon footprint as much as they can,” Peter Brandt adds: “By tapping into facilities that are already stationed on different continents, we don’t need to transport huge trucks around the globe. Instead we can ‘travel lite’, frequently only needing to transport an engineer, which minimizes travel costs and keeps our carbon footprint to a healthy low. It also means that we can keep our rates very competitive, too.”

Red TX’s RED 2 unit will make its Remote Recording Network debut in June at the Tuckerville Festival in Enschede, The Netherlands. From there it has a busy summer ahead, working at live events and festivals in various countries.

-ends-

About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD www.remoterecording.net
www.red-tx.com

About Remote Recording Network:
Remote Recording Network is a new initiative that brings together the market-leading live recording companies Peter Brandt Remote Recording and Eurosound GmbH. Years of experience, knowledge and network are now combined to supply an unrivaled, world-class, world-wide recording service.
www.remoterecording.net
For more information, please contact Tony Andrews – tony@awandrews.com

Videomakers at VidCon to Receive Behind-the-Scenes Insight on Production Gear for Content Creation

Highlights of Conference include an All-Star Lineup of Speakers

ANAHEIM, Calif. - Anton/Bauer, Litepanels, Sachtler, and Teradek - all Vitec Group brands - will support the independent, online videomaking community at the 5th Annual VidCon, which takes place at the Anaheim Convention Center in Anaheim, Calif., from June 26-28. As a sponsor of the conference, content creators at the show will receive insight into the innovative tools available from these brands, which help them get the shots they need to capture the eyeballs of "Generation Like."

Anton/Bauer, Litepanels, Sachtler, and Teradek are also backing some of the conference panel sessions, including:

    Intentional Virality (Friday, June 27, 12:30pm in Room 209AB): This panel explores how some creators and brands manage to continually create content that people share until 10 or even hundreds of millions of people have watched? Moderated by CEO / Founder, Digital LA Kevin Winston. Panelists include Niko Pueringer and Sam Gorski of Corridor Digital; Michael Gregory of Gregory Brothers; Evan Hadsfield; Henry Reich of MinutePhysics; Will Pearson, President, co-Founder of Mental Floss, Inc.; Mangesh Hattikudur, Chief Creative Officer, co-Founder, Mental Floss, Inc.

    Special Effects: How and Why (Friday, June 28, 3:30pm in Room 202AB): Experts will discuss why special effects aren't so special anymore. With the right tools, teenagers in their bedrooms are creating better effects than whole teams could just a few years ago. But that means it's even harder to differentiate yourself. What's next in effects, and what opportunities are available to those who have the skills. Moderated by CDS Director of Network Development John Carle. Panelists include Pueringer and Gorski of Corridor Digital, Zach King of FinalCutKing, Andrew McMurry of AndrewMFilms, and Clinton Jones of Pwnisher.

The Vitec brands will also make sure the conference's special guests are taken care of by lending support to VidCon's VIP Lounge. In addition to community and industry panels, there will be signings, live performances, and movie screenings. Other speakers include DreamWorks Animation CEO Jeffrey Katzenberg; YouTube CEO Susan Wojcicki; Maker Studios CEO Ynon Kreiz; John Green; Lauren Zelaznick; Fullscreen founder George Strompolos; Burnie Burns; Brian Robbins; Big Frame's Sarah Penna; Grace Helbig; Freddie Wong; Ingrid Nilsen; BrandonJLA; Josh Sundquist; The Gregory Brothers; Philp deFranco; Lisa Schwartz; and Amanda Steele, among others.

VidCon is the largest industry conference and fan event in the world for online video. This year's conference is expected to draw more than 18,000 fans, content creators and industry executives. More information is available at www.VidCon.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Events, Videos |

wysiwyg makes light of Macao’s ‘Rhythm of Life’ celebration

The ability of CAST Software’s wysiwyg pre-visualization solution to enable unique creative event ideas – while saving time and money – has been perfectly showcased by The Rhythm Of Life, a majestically colourful multimedia show held in Macao’s ancient city centre.

Commissioned by the Macao Cultural Institute and under the artistic direction of Lebigre & Roger, ‘The Rhythm of Life’ celebrated the Latin heritage of Macao – today a separately administered part of China, but until 1999 a colony of Portugal. Featuring dozens of performers wearing traditional painted faces, the parade was inspired by the great carnival of Viareggio in Tuscany.

“In total this was a three-hour show with around 2,500 cues, all of them controlled by SMPTE, and 1,300 lighting fixtures,” says Alessio de Simone, Lighting and Show Designer at Italy’s Trussdesign.it, which was contracted by Lebigre & Roger to produce the lighting and staging concept for ‘The Rhythm of Life’.

“We used wysiwyg in all phases of the project,” continues de Simone. “We began with the CAD function for our own internal brain-storming, then used the Design function to develop renderings that could be presented to our customers.

“Once the main structure had been approved, we created a Lighting Plot, and finally, once we had received the soundtrack of the show and the choreography, we literally locked ourselves in the blue room in our office where, for about six weeks, we pre-programmed the whole event scene-by-scene.”

De Simone says that wysiwyg’s ability to create moving ‘points of view’ from virtual cameras was invaluable in assessing the detail of light-fixture positioning and programming, as well as the effectiveness of the design as a whole. The final setup, complete with four spectacular automated ‘marionettes’ dancing and soaring up to 9m into the air, was realised in remarkably short order once the Trussdesign.it team had arrived in Macao.

“We placed all the projectors as called-for in our wysiwyg documentation, turned on all the moving heads – and every scene position was exactly as it had been in our pre-visualization. With small adjustments for pan and tilt, gobos and beams were perfect – just like they had appeared in our designs, 10,000km away.”

‘The Rhythm of Life’ was performed in front of 20,000 people and shown on three different Chinese TV channels, to ecstatic ratings and reviews. Yet without wysiwyg, the show might not have gone ahead at all, as monsoon rain swept through Macao in the days prior to the production, effectively halting all on-site programming.

“The rain stopped the job completely,” recalls de Simone. “As every lighting designer knows, when you have outside fixtures you can’t program during the day – only at night. And the rain just didn’t stop. Fortunately, thanks to our pre-visualization with wysiwyg, we had already fixed everything in our control panel.

“On the night of the performance, the sound manager pressed ‘Play’ on his Mac, we watched the SMPTE on our Hogs, sat back, relaxed…and enjoyed the show!”

Bruce Freeman, Chairman, CAST Group, concludes: “wysiwyg users are independent professionals. Whether you design for live theatre, special events, TV/film or Macao, you compete and you must deliver globally. Previz that does not cheat is vital – you must have confidence. This story is a great example of how pros used wysiwyg and the significance of previz as well as the rich graphics that make renderings really virtually real. Another reason wysiwyg’s previz often plays such a big role in special events is that it is “green” – it can save up to 60% of electricity costs because you don’t need to take over the space and run the lighting for the design phase.”

### ENDS ###

All images should be credited to: Images courtesy of Trussdesign Italy.

Follow Trussdesign.it on Facebook: https://www.facebook.com/LIGHTING.DESIGN.STUDIO

Some useful links:

Twitter & Facebook: CASTsoftware

Video: Entire previsualization using wyswiyg: https://www.youtube.com/watch?v=HTwg0dYmhA8&list=UUuJgUv67JRWDLN06MBEwAGA

Previsualization video in 3-parts:
Part 1: https://www.youtube.com/watch?v=d8SuDg9_s-E
Part II: https://www.youtube.com/watch?v=ROF1M3BqCPc
Part III: https://www.youtube.com/watch?v=4AfW4KcGZFo

About CAST Software
Established in 1994, Toronto Canadian-based software and hardware developer, CAST Software celebrates its 20th year in business in 2014. CAST Software serves its core markets in entertainment production, special events and meetings. Its award winning flagship software products are wysiwyg design and previsualization suite, and Vivien — Virtual Event Designer. All products are designed and created in-house and supported by an established global distribution and reseller network.
www.cast-soft.com

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

November 2014
M T W T F S S
« Oct    
 12
3456789
10111213141516
17181920212223
24252627282930

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication