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Christie to Demo Breakthrough 3D Cinema Technology For Premium Cinema Experiences with Latest ‘6-Primary’ 4K Laser Projector

Christie® today announced upcoming demonstrations of the world’s most advanced laser projection architecture and Dolby® 3D, to be held in the Christie Innovation Theaters throughout CinemaCon 2014 (Caesars Palace, March 24-27) and the National Association of Broadcasters NAB Show® (Las Vegas Convention Center, April 5-10). Christie DLP Cinema® laser projectors using 6-Primary (6P) color laser modules, earmarked for mass production in early 2015, will show how 3D light levels, image uniformity, viewing comfort, and a sense of immersion can be vastly improved, especially when combined with advanced separation technology like Dolby 3D, versus conventional 3D systems found in cinemas around the world today.

“Recent declines in domestic 3D movie attendance are a sign that the novelty is wearing off, with audiences less willing to pay a premium for what is all too often a mediocre experience. The lackluster quality of this experience results from a number of technical limitations with current 3D system architectures, the most serious one being restricted light levels that amount to only 10-30 percent of those levels achieved for 2D presentations,” said Don Shaw, senior director, Product Management, Christie Entertainment Solutions. “Simply put, the movies are too dark, leaving audiences struggling to discern critical details that make up the image in front of them.”

“Christie’s latest laser projection technology, using 6 specific primary colors rather than filtered or polarized broad-spectrum white light, brings dramatically improved 3D efficiency to projection systems, regardless of the size of screen in premium movie theaters,” added Shaw. “We believe that this is the future of 3D cinema projection, that it is right around the corner, and that it will be a key element in boosting 3D box office revenues around the world. Our CinemaCon and NAB Show demonstrations will be the first 6P laser events available to the broad cinema community, from filmmakers to exhibitors, and reaffirms Christie’s 80-year commitment to cinema innovation, rather than ‘moving beyond digital cinema’ as some other industry players have promised.”

At least twice as efficient as today’s best 3D systems, Christie’s 6P laser projectors generate a proprietary mix of photoptically-optimized light wavelengths for each eye directly from the source, in effect eliminating the need for a highly inefficient stage of filtering or polarizing the light as it leaves the projector. The Christie demos will use Dolby® 3D glasses specifically engineered to exactly match the 6 primary laser light wavelengths to yield nearly 90 percent light efficiency. “Their color separation based technique for 3D is well regarded as the gold standard among industry professionals, especially for its true color reproduction, compatibility with low-gain white screens, and superior crosstalk performance – only now it can be part of a system that is tremendously more light efficient,” said Shaw.

“Dolby 3D’s advanced color separation technology is ideally suited for next generation laser projectors,” said Doug Darrow, Senior Vice President, Cinema, Dolby Laboratories. “With extremely high light efficiency, nearly no crosstalk and crisp images with vibrant colors, we believe Dolby 3D combined with laser projection produces the best possible 3D viewing experience for audiences.”

“Having had the opportunity to witness an early 6P laser demo at Christie’s worldwide center for engineering, research and development in Canada, I can confidently state that this is an exciting and important innovation in 3D cinema,“ said Matt Cowan, Co-founder & Senior Technical Advisor at Entertainment Technology Consultants. “I look forward to further refinement of this technology and upcoming installation in premiere theaters around the world.”

Consistent with efforts so far in developing 3-Primary (3P) laser projectors, which Christie sees filling important needs in several, non-cinema industries, Christie laser projectors will provide industry-leading brightness (up to 72,000 Lumens per projector head), wider color gamut capabilities, higher contrast, and dramatically reduced maintenance requirements, resulting in a better experience for all applications. As part of its largest research and development program ever, Christie will continue to develop superior 6P and 3P laser projection solutions for all of its global customers.

Specific to the development of cinema laser projectors, Christie leads the industry in this area, having announced last year that it would supply and install the world’s first commercial laser projection solution for the Seattle Cinerama Theatre, and that it was the first to receive a US FDA approval of variance allowing the sale and installation of laser projectors in movie theaters and other high performance projection venues.

Hoyts Chile Chooses Christie for their Conversion to Digital Cinema

Christie®, a world leader in digital cinema projection, is pleased to announce that it has been chosen by Hoyts Chile, the leading screening chain belonging to Grupo Chilefilms, to digitize its 127 35mm theaters distributed across 23 complexes throughout the country. The agreement includes the installation of digital cinema projectors from the Christie Solaria™ Series, the Christie Avias-TMS™ Theatre Management System and select Christie Vive Audio™ cinema sound systems.

To carry out the digital theater conversion process, Hoyts Chile released a private technology tender in which it invited the most distinguished suppliers in the industry to bid. “In the end we chose Christie because their business proposal was the most complete, attractive and aggressive,” stated Juan Carlos Arriagada Mons, General Manager of Cinecolor Chile, Grupo Chilefilms division that provides technology services for all business units of the group.

“Christie knew how to interpret our planning, appreciated our apprehension with technological changes and financing needs and they pledged their commitment to a close, long-term relationship. Their offer was not limited to supplying projection equipment only, but they also guaranteed immediate access to spare parts, lamps, new technologies and financing in a long-term contract,” added Juan Carlos Arriagada Mons, Cinecolor Chile.

Hoyts Chile has a long business relationship with Christie. In fact, in mid-June of 2012, the color correction/projection theaters of Cinecolor –the post-production division for images, sound and cinematographic laboratory of Grupo Chilefilms with presence in Mexico, Colombia, Brazil, Argentina and Chile – was equipped with Christie CP2220 projectors.

Craig Sholder, VP, Entertainment Solutions at Christie, said “We are delighted that Hoyts Chile has once again put their trust in our projectors for their digital theater roll out, which is proof of the confidence and respect that theater professionals have for Christie. Today the digital cinema projectors that Christie manufactures have the largest worldwide market share because exhibitors recognize that our projectors, in addition to having exceptional image quality, offer the best light efficiency and the lowest operating costs”.

Christie will supply Hoyts Chile with a variety of DLP Cinema® projectors, such as Christie CP2215, Christie CP2220 and Christie CP2230, as well as the Christie Avias-TMS™ Theatre Management System (TMS), which allows the screen operators to centrally control and organize all projection operations from a multi-screen theater.

Furthermore, Hoyts Chile will equip three of their theaters with the innovative Christie Vive Audio™ cinema sound solution, which they will use along with a leading immersive audio platform, Dolby® Atmos™.

“Christie invited us to several demonstrations of the Vive Audio technology, where we were able to witness and systematically measure the extraordinary distribution of the sound pressure throughout the audience, which substantially improves the intelligibility of the dialogue (with respect to cone-based speaker systems) and the uniform distribution of sound in the theater, greatly decreasing the rebounding that causes interference,” said Juan Carlos Arriagada Mons.

Hoyts Chile’s roll out, which will take place through a Virtual Print Fee (VPF) agreement with GDC Technology, began in January of 2014 and it is expected to be completed by November of this year, including the digitalization by Christie of the new theaters that Hoyts Chile plans on opening in 2015 and 2016, which could number as many as 30 screens.

Christie 3D Visualization Solutions Chosen for Virtual Construction Simulation at Toronto’s George Brown College BIM Lab

One of Canada’s largest and most diverse colleges, Toronto’s George Brown College, chose Christie’s visualization solutions for its Building Information Modeling (BIM) Lab in the Centre for Construction and Engineering Technologies (CCET), at the Casa Loma campus. Students, industry professionals and business partners can use the BIM Lab to create digital 3D models and view them on a custom Christie-designed display solution, powered by three 120Hz stereoscopic 3D DLP® Christie Mirage WU7K-M projectors. The new immersive simulation space supports the College’s mission for continued innovation, enhanced practical and theoretical teaching and learning, as well as staying ahead of trends and technology in the construction industry.

Christie-designed Immersive Space at George Brown BIM Lab


BIM is a global term referring to a technology process where collaboration and knowledge sharing takes place, but when the creation of a simulated virtual reality exists, stakeholders can visualize facilities, operational issues, designs and construction. George Brown College understands that using the latest technology can facilitate learning and prepare their students for the future. Clint Kissoon, chair of CCET’s School of Architectural Studies and the Angelo Del Zotto Construction Management, said, “After detailed benchmarking, several meetings and seeing firsthand the Christie CAVE™ installed at Pennsylvania State University, we knew that a BIM lab was the way of the future, and that the Christie solution was the direction we wanted to take to create a fully immersive environment. The lab will advance skills today and in the future and fill a skills gap in the construction industry.”

Kissoon added: “Christie’s proposal came in within scope, budget and procedural requirements to enable us to conform to the Federal Economic Development Agency’s procurement processes and receive the grant for the project. The help we got from Christie really put us in the position to get what we wanted.”

Christie’s advanced stereoscopic Mirage WU7K-M projector, with WUXGA resolution at 6,300 ANSI lumens from dual lamps delivers crisp images, vibrant colors, uniform brightness, and with Christie Twist™, the user can control warping and blending so that the image fits any dimension or shape.

Christie 3D visualisation at George Brown College BIM Lab


“The Christie Mirage M series projectors are compact, highly efficient, and provide a low cost of ownership,” said Zoran Veselic, vice president of Visual Environments, at Christie. “They are the ideal solution for immersive simulation displays like George Brown College’s BIM Lab and other post-secondary institutions that are considering an enhanced learning and training environment through 3D visualization.”

Thought to be a first of its kind at a community college or university in Canada, the state-of-the-art facility provides learning opportunities that will cover all aspects of virtual design and construction — from project procurement to building processes and facility management. According to Pietro Ferrari, professor and coordinator, School of Architectural Studies at George Brown College, “What we’ve done with this screen in the BIM Lab is to position GBC to offer a program of BIM-related courses, including a post-graduate BIM Certificate program, that’s extremely deep and much more extensive than what other institutions are offering across Canada.”

Vinten Radamec now shipping the game-changing Absolute Positioning System


Bury, St Edmunds, England – Vinten Radamec®, a Vitec Group Company and world leader in robotic camera support systems, announces the availability of its ground-breaking Absolute Positioning System (APS) navigation system.

The APS, which was awarded the coveted “Best of IBC2012″ award when its beta model debuted at IBC, was praised for being a game changing, smart and valuable product. It also received the TV Technology Star Award at NAB 2013.

The revolutionary APS integrates seamlessly with Vinten Radamec’s Fusion robotic pedestals and delivers unrivalled positional accuracy and operational flexibility never before possible with robotic camera support pedestals. A Fusion pedestal equipped with APS no longer relies on a floor target or tile for navigation and positioning, even when switching from manual to robotic mode.

Instead, it detects unobtrusive, passive retro-reflective targets placed in the studio environment using a scanning laser-based measurement system. This frees up the whole studio floor for the pedestal while removing the need to go through time-consuming retargeting routines.

“We’re delighted the system is now available to all of our key markets,” said Karen Walker, robotics commercial manager for Vinten Radamec. “We have already received orders from broadcasters around the world, and anticipate a high demand, as APS is one of the most advanced products on the market.”

The APS removes all of the operational challenges associated with targeting pedestals using a floor target. It is available as both a factory-fit option on the Fusion FP-188 pedestal, or as an upgrade for existing FP-188 or FP-145 pedestals.

APS system is now available from Vinten Radamec and its partners.

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About Vinten Radamec
Vinten Radamec is a leading provider of robotic camera support systems offering engineering excellence and globally supported solutions for a wide range of technologies and markets. Its extensive range of products includes robotic heads, pedestals and controllers suitable for studio, OB and legislative environments.

Recognized for some of the most innovative broadcast robotics in the world, Vinten Radamec has a worldwide customer support network and distribution infrastructure, and an industry leading research and development program.

Vinten Radamec solutions take a seamless role in the broader automated environment and thereby increase the flexibility of systems to take advantage of the economic and operational benefits of robotic cameras. ®Vinten Radamec Broadcast Robotics is a registered trademark of The Vitec Group plc.

For more information on Vinten Radamec, visit www.vintenenradamec.com or follow them on YouTube.

About Vitec Videocom
Vitec Videocom brings together some of the most respected, most innovative and most sought-after brands in the industry: Anton/Bauer, Autoscript, Litepanels, OConnor, Petrol Bags, Sachtler, Vinten and Vinten Radamec. It acts as an endorsing brand for these market-leading broadcast, film and pro video products, encouraging multi-brand system sales and simplifying the way that customers worldwide do business.

Vitec Videocom is an operating division within the Vitec Group, an international business serving customers in the broadcast, photographic and military aerospace and government markets. Vitec is based on strong, well known, premium brands on which its customers rely worldwide.

Vitec Videocom – innovative products around the camera. Follow Vitec Videocom on Twitter, Facebook, and LinkedIn.

Media Contacts:
ignite strategic communications
818.980.3473
Lisa Muldowney, lisa@ignite.bz
Jared Gay, jared@ignite.bz

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MassAV Creates ‘Ultimate Production Snake’ by FiberPlex

It’s lights, cameras and a whole lot more action for massAV as a result of a new FiberPlex Technologies optical snake recently added to its linecard.

The live event AV staging and production company in Billerica, Massachusetts, purchased FiberPlex’s WDM optical multiplexer to create what massAV Director of Operations Aaron Raymond calls the ultimate production snake. “We build a lot of very high end video systems, and when you start adding multiple lines of HD video along with audio, data, lighting and control for an event, it really has to be fiber,” he said, adding, “We’d been limited in our use of fiber until now because it meant having to set up an optical transmitter and receiver on every single channel, and that got expensive.”

Now, with FiberPlex’s WDM-8 active wave division multiplexer, massAV can multiplex eight discrete signals at 3 Gb/s each for transporting video, audio, lighting and control feeds onto one fiber pair.

The FiberPlex WDM multiplexer comes in 16-channel and 8-channel models and are on a cost parity with copper and copper’s associated installation and handling expenses. As the cost of copper cabling continues to rise, companies like massAV are going the fiber optic route to transport large volumes of content. Optical fiber has ten times the transference rate of copper at the high end and can transmit data error-free over greater distances by a 400:1 ratio.

“The FiberPlex multiplexer makes it so that we can run eight channels on the same fiber pair as opposed to dealing with the different types and sizes of copper cabling as well as the need to re-clock signals every couple hundred feet for longer runs,” explained Raymond.

As a result, massAV is able to replace 2,000 pounds of copper cabling with a 25-pound spool of fiber optics for large events, a savings that is realized by its corporate and other live event customers in reduced labor, setup time and transportation costs to truck in and set up copper cabling at events.

Multiplexing media and control signals onto one, 1/4-inch optical cable is also ideal for events that require running cables down hallways, across doorways or through public areas where bulky copper cabling is not practical, said Raymond.

massAV recently tried out the new multiplexer for a 1,500-person event with a main stage, two control areas, and 26 video projectors in the air – all tied together via the ultimate production snake consisting of little more than a spool of fiber optic cabling and a pair of WDM multiplexers. The setup involved multiple lines of data, video, audio, lighting control, intercom communications, and serial communications between equipment.

FiberPlex’s eight-channel WDM-8 and sixteen-channel WDM-16 multiplexers use interchangeable SFP/SFP+ modules for interfacing to a variety of gear and environments, including converting between media formats SD-SDI, HD-SDI, 3G-SDI, and 6G-SDI and for HDMI/DVI, 10/100/1G Ethernet and MADI, as well as full duplex and BiDi optical. massAV’s new multiplexer provides the flexibility now and into the immediate future as new media requirements change, noted Raymond.

FiberPlex recently took to the road to conduct a 25-city demo tour of its active wave division multiplexers as the ultimate production snake (check with a local FiberPlex representative for details). FiberPlex makes fiber optic products and systems for government agencies as well as for houses of worship, corporate facilities, broadcast applications, and K-12 and higher education.

ALTINEX ANNOUNCES AVAILABILITY OF NEW CNK-IP SERIES INSERT PLATES FOR CABLE-NOOK JR™ INTERCONNECT UNITS

**** Photo: New CNK-IP Series Insert Plates ****

Brea, CA – February 2014… Altinex, a leading manufacturer of Signal Management Solutions®, is pleased to announce the availability of three new insert plates for the company’s popular Cable-Nook Jr. interconnect boxes: the CNK-IP-111, the CNK-IP-112, and the CNK-IP-113. Designed for use with the Altinex CNK221 and CNK321 Cable-Nook Jr. interconnect boxes, the three new insert plates are manufactured from black anodized aluminum, are RoHS compliant, and provide connectivity for the most popular types of boardroom / meeting facility spaces—facilitating one’s choice of digital sound and picture (HDMI), analog video (VGA), and audio (3.5 mm to Terminal Block). more

Christie Delivers the Intuitive Touch and Affordability in Commercial Grade Full HD Flat Panels

Christie® is debuting its new 65-inch flat panel digital display solutions at the Integrated Systems Europe (ISE) show in Amsterdam Feb. 4-6. The affordably priced, LED edge-lit Christie FHD651-T and Christie FHD651-P have a thin profile – just 2.7-inches deep for the touch (T) and 2.1-inches deep for the non-touch (P) version – making for easy installation and complementing any setting with their elegant design. Both commercial-grade LCD flat panels have the reliability and image quality needed for meeting rooms, classrooms and digital signage in corporate spaces, museums, education facilities, houses of worship, theaters, and hospitality and retail environments where conveying the message with bright, brilliant images for long time periods without interruption is essential.

Featuring up to four simultaneous touches, the Christie FHD651-T has high-accuracy infrared touch technology with superior touchscreen performance in a fully integrated package.

“Whether it’s touch or non-touch LCD flat panels, Christie has what end users are looking for: high quality, durable and easy to integrate visual display solutions at a low cost of ownership, backed by Christie’s unbeatable customer service and technical support,” said Richard Heslett, senior product manager, Christie. “With the Christie commercial-grade 65-inch flat panels, end users can count on professional AV performance with brilliant visuals and greater functionality all at an affordable price tag. They can relax in the knowledge that they have a display designed for long run times each day and years of use with the added assurance of a full commercial warranty. And with their small bezels and super slim profile, the sleek and elegant Christie FHD651-T and Christie FHD651-P easily and seamlessly fit any space, while meeting U.S. ADA requirements.”

Mountable in portrait or landscape mode, both flat panels have built-in speakers, offer a wide range of inputs to easily connect any source and support RS232 commands for ease of automation and control, while displaying up to 1.07 billion colors and 4000:1 contrast ratio for true-to-life images.

Both flat panels seamlessly combine with the Christie Brio multi-site presentation and collaboration solution. With long-lasting LED backlighting, the new flat panels are energy efficient and consume minimal power for maximum sustainability and a reduced environmental footprint.

Christie FHD651-T and Christie FHD651-P Flat Panels Deliver:

− Up to four simultaneous touches for the Christie FHD651-T.
− Commercial-grade LCD with anti-glare coating.
− Landscape or portrait orientation.
− Wide range of inputs including DP, DVI, HDMI.
− Support for RS232 commands.
− Seamless integration with Christie Brio presentation and collaboration solution.
− Built-in 10W speakers.
− HD resolution, 360 nit brightness, 1.07 billion colors, 4000:1 contrast ratio.
− An aesthetically pleasing, small bezel and thin profile design, complementing existing architecture.
− Compliance with U.S. Americans with Disabilities Act (ADA) regulations and barrier-free environment standards in other countries (installed depth of under four inches/100 mm).
− Energy-efficient, long lasting edge-lit LED backlighting.
− Less than 0.5W standby power consumption, meeting the most stringent regulations.

The new Christie FHD651-T and Christie FHD651-P ship in March with a three-year parts and labor warranty.

Christie Commands Attention at DistribuTECH 2014 with Broad Range of Affordable High Performance Video Wall Solutions

Christie® is showcasing its broad range of high performance video wall and content processing solutions at DistribuTECH in San Antonio, Texas, January 28-30. A leading player in command and control markets that include utility, government, traffic control, and network operations, Christie will have on display a 2 by 2 video wall composed of Christie Entero™ HB 80 inch SXGA+ high brightness display cubes, the only LED control room solution to offer wireless control through Wi-Fi. The wall will feature the Christie TVC-700™ controller, which handles a wide variety of digital sources and displays, and Christie MASTERSuite™ content management software, which enables tiled video wall displays to respond as a single, ultra-high resolution Windows desktop with convenient and intuitive control from nearly anywhere. Also on display will be a 2 by 2 array of Christie FHD551-X tiled LCD flat panels featuring super-narrow bezels, using Christie Phoenix™ network-distributed processing, which enables seamless display, access and control of audio-visual data, regardless of the user’s location.

Christie video wall solution at EirGrid, Ireland's Electricity Transmission System

With more than 30 years of industry expertise and a global footprint in control rooms, Christie’s innovative solutions are among the first to address the ever-increasing mobile workforce, enabling multiple users from almost anywhere in the world to collaborate, share and interact with information from virtually any device. Christie’s large format, high-resolution displays easily install in the most challenging spaces, while its content processing and management solutions enable control of a wide range of content from almost any digital source. These powerful 24/7 solutions facilitate accurate monitoring and fast decision making while also being flexible, easy to install, and affordable.

The Christie Entero HB series of high performance, stackable, LED-illuminated rear-screen and front-accessprojection display cubes, are available in a variety of sizes from 50 inch up to 80 inch, with larger and custom sizes also available for specific user requirements. Christie also recently introduced a new series of front-access Christie Entero HB display cubes that feature a remote screen release system and more efficient airflow that allow for placement against a rear wall, expanding installation options and ease of maintenance. Christie’s series of LCD flat panels enable high-definition, nearly seamless tiled display walls that don’t compromise on quality, and keep operating costs low.

Control Room Solutions for Mission-Critical Monitoring
Today’s control rooms go beyond traditional displaying and monitoring, and Christie’s collaborative visual solutions are removing boundaries and enabling expansive collaboration for the world’s most mission-critical operations. By integrating stunning, zero-maintenance displays with the power of the network, Christie is completely redefining the control room space and setting the stage for an increasingly distributed control room environment. Across every sector in business, commerce and government, Christie is raising the bar to exceed today’s control room operational requirements.

Renewed Vision Unveils New Version of ProVideoPlayer™ Media Server and Digital Signage Software

PVP 2 expands upon original release with huge list of improvements

ATLANTA — Since its original release eight years ago, Renewed Vision’s ProVideoPlayer™ (PVP) software has been used to create exciting video walls, dynamic staging, engaging digital signage and more for countless live events and permanent installs. Now, the company is proud to announce the product’s next generation, known as PVP 2, which offers an all-new user interface and significant number of improvements over the highly successful initial release. more

Shaping a Better World: Arup Deploys Pexip Globally

Large-scale enterprise-wide videoconferencing connects professionals

Independent professional services firm of designers, planners, engineers, consultants and technical specialists, Arup have deployed the Pexip® Infinity scalable software platform worldwide. The deployment will enable Arup’s 11,000 staff across 38 countries to use high definition video, voice and data collaboration and will also be used to connect to Arup’s clients.

“In Arup, we aim to introduce new, forward thinking, innovative and simple to operate technologies into our business. The deployment of Pexip Infinity will not only reinvent how our company communicates internally but will also change how we communicate with our external clients,” explained Roy Salfarlie, Head of AV, UKMEA AV Media Services at Arup.

Simen Teigre, CEO at Pexip said: “The way in which Arup have deployed our technology is testament to the simplified, interoperable and virtualized way in which our Infinity software helps people to collaborate. We look forward to enjoying a partnership with Arup for many years to come.”

Pexip ensures simplicity meets functionality

“Initially, within our proof of concept for next generation virtual meeting rooms, we were evaluating bridging solutions from three different vendors. However, we found these to be more complex than needed – they also required proprietary hardware and could not achieve satisfactory interoperability and HD video integration with Microsoft® Lync. Pexip Infinity was brought in through a revised vendor list. It met our requirements for a software-only solution and we had it working globally in less than two hours. We were really impressed,” explained Chris Ellen, Unified Messaging Team Lead at Arup.

Arup were traditionally using Cisco Jabber™ but wanted to extend their mobile video portfolio by introducing Microsoft Lync. “Using Pexip Infinity means you can dial in and use the same PC or device for a video call but at increased quality. We don’t have to license additional software clients either which is an attractive value proposition,” explained Ellen.

Video conferencing for today and beyond

Arup staff are issued with a personal Virtual Meeting Room with a PIN number for security. Individual users can control their conferences and view presentations from their own mobile phone or tablet.

“Our existing video infrastructure was physically restricted by the number of hardware boxes in our network. With Pexip Infinity, there’s no restriction on the number of people that can use the system. The platform is always on and always available, which enables the team to connect instantly whenever collaboration is required in their workflow,” said Ellen.

“Unlike traditional DSP-based MCU’s, Pexip’s conferencing nodes are virtual machines that can sit on either a VMware® or Microsoft Hyper-V infrastructure making use of standard server architecture. For Arup, minimal to no investment is required to start deploying the solution as we can utilize existing infrastructure. Being virtual also means conferencing capacity can be increased within minutes and the platform is inherently redundant.”

Arup intend to extend the solution to incorporate client meetings. “We can now use the Pexip WebRTC functionality for external meeting participants. In the past we had to ship a copy of Cisco Jabber™ and provision a user account. This was cumbersome for everyone involved, it introduced a delay and had a cost attached to it. With Pexip Infinity we now just email a URL and external callers can experience professional quality video via their web browser,” explained Ellen.

“As an early adopter of Infinity, we have been involved in beta testing and providing feedback directly to the Pexip development team. The openness we enjoy with Pexip is refreshing and it helps us to plan for the future. Pexip Infinity is a good strategic fit for Arup.”

Supporting Resources 


Learn about Pexip 

Read about Pexip Infinity 

Follow us on Twitter: @Pexipinc 

Follow us on LinkedIn
Watch the video: http://youtu.be/dA2oh-4A8Qg
Some further reading: http://www.pexip.com/article/blog/pigeons-pexip

About Pexip
Pexip overthrows conventional telepresence thinking by providing an affordable, virtualized, interoperable approach to videoconferencing on any device. For Pexip, simplicity for the end user is a guiding principle in the design of Pexip Infinity, a scalable software platform that provides personal meeting rooms for any number of users on video, voice and mobile. Pexip’s virtualized solution can be deployed quickly and easily, with flexibility to scale as required. Pexip offers a flexible enterprise licensing model and the ability to run on a cloud platform – with no allegiance to any current manufacturer or standard. Founded in 2012, Pexip was created by world-leading innovators from the videoconferencing industry. Pexip is headquartered in Oslo, Norway and has global offices in New York and London. For more information, visit www.pexip.com.

About Arup

Arup is the creative force at the heart of many of the world’s most prominent projects in the built environment and across industry. From 90 offices in 38 countries worldwide our 11,000 planners, designers, engineers and consultants deliver innovative projects across the world.
www.arup.com

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