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Archive of the Videos Category

Christie Display Technology Used at the Opening of Lusofonia Games 2014

The stunning visuals by award-winning projection designer and his team, BARTKRESA Design Inc., were displayed using Christie®’s compact, purpose-built projectors. This visual experience enthralled thousands of spectators who have gathered in Goa, India for the 3rd edition of the Lusofonia Games. The sporting event, which takes place January 18-29, features 40 Christie Roadster S+20K, Roadster S+22K-J and Roadster HD20K-J 3-chip DLP® projectors at the opening ceremony that includes an impressive projection mapping show.

Audio Design, Christie’s local partner that is fully responsible for the Games’ visual display, collaborated with world-renowned projection designer BARTKRESA Design Inc. to create the stunning and engaging visual spectacle. BARTKRESA is known for delivering one-of-a-kind projection designs by combining industry-leading projectors and timeless artistry through brilliantly executed immersive projections.

Photo Courtesy of Projection Design- BARTKRESA Design, Inc.

The Christie projectors are installed strategically in six towers around the 22,000-seat Pandit Jawaharlal Nehru Stadium – the venue of the opening ceremony – and they have been accurately calibrated for maximum projection coverage and seamless edge blending onto the field during the event.

“We’re thrilled that Christie’s high performance projectors are being deployed at the Lusofonia Games for the first time and we’re confident that the entire show will be a spectacular visual feast,” said Navneet Wadhwa, managing director, Audio Design.

Vijay Sabhlok, director, Video Design, added, “The opening ceremony of the Games will be the biggest projection event that has ever been staged in India. This beats our very own best of 30 projectors used previously for the Umaid Bhawan projection mapping project.”

“The Lusofonia Games is a prestigious international sporting event and we’re delighted to be in the beautiful city of Goa to create stunning visuals that immerse and transport viewers on a journey of sporting excellence,” said Kresa. “We’ve worked very closely with the show director of the opening ceremony to bring out the energy and vibrancy of this event to the whole world.”

The performances at the opening ceremony encompass the spirit of “unity and pride”, which are the key elements of the Games, as well as the rich history and heritage of Indian and Goan culture that are celebrated through the theme “Panchatattva” – the five elements of nature comprising fire, water, earth, air and ether.

Keshav Chandra, CEO, Lusofonia Games, said, “This spectacular launch is a fitting precursor to this international sporting event. Goa has geared up to host athletes from the participating countries and we are very happy and proud to host this exciting event.”

Widely referred to as the Portuguese version of the British Commonwealth Games, the Lusofonia Games is organized by the Association of the Portuguese Speaking Olympic Committee (ACOLOP). It involves athletes and officials from 12 Portuguese-speaking countries, formerly ruled by Portugal. Among the countries taking part in the 12-day tournament are Angola, Brazil, Cape Verde, East Timor, Guinea-Bissau, Macau (China), Mozambique, Portugal and Sao Tome and Principe. Equatorial Guinea, India and Sri Lanka are associate members of the Games.

“It’s a great honor for us to be part of this major sports event for the first time and we’re delighted and proud that our high performance projectors are used in the grand opening ceremony to kick-start the Games in a big way,” said Lin Yu, vice president, Christie Asia Pacific. “It’s also wonderful to see thousands of spectators wowed by the awesome visuals that have definitely made the event even more memorable.”

Technical Direction Company (TDC) provides the perfect video backdrop for 27th ARIA Awards

Video display experts, Technical Direction Company (TDC) supplied all video technology elements for the 27th ARIA Awards held at The Star, Sydney, Australia on 1 December 2013.

The ARIA Awards are the official awards of the Australian Record Industry Association attended by an audience of over 4,000. The event was broadcast live on Channel 9’s “GO!” with performances from many Australian artists including Birds of Tokyo, Bliss n Eso and Tame Impala as well as special guest appearances from Alicia Keys and Lorde.

The ceremony was produced by Michael Long and Vicki Gerrans. Set design was by Kim Buddee. Stunning screen graphics were produced and operated by Rod Morris.

TDC supplied custom automated rolling screens with ultra-bright 26K HD projectors, that not only provided a uniform, succinct and clean look according to the set design but also acted as a mask for set changeovers. TDC also supplied 200 square metres of high-resolution LED video display as well as video projections and creative and scenic LED elements along with switching, control and technical crew.

ARIA Event Producer, Michael Long said: “We’ve worked with TDC for a number of years because they have quality product, they always deliver on time and within budget meeting our set designer needs and music act requirements. TDC has an excellent logistical and creative team that can cope well with any last minute changes.

“For the Birds of Tokyo, Tame Impala, Jessica Mauboy performances and various DJ’s we used all 4 LED screens on stage along with two side screens. We created a specific look for act changeover where TDC’s two large projection screens came down and covered the stage. Because the venue didn’t have the ceiling height, we had to think of something different and thankfully TDC had some special screens available. TDC suggested early on that we use 6×6 metre screens with custom-built truss to roll them in and out creating a seamless image and transition.”

Olin Winton, Technical Manager at Technical Direction Company said: “Creating a seamless video and LED video technology elements was vital to this project. We were able to utilize some of our highest resolution LED stock for the 27th ARIA Awards which created the perfect backdrop to the Australian and international music performances.”

The TDC Crew working on this project included:
Olin Winton
Kain Jones
Karl Johnstone
Will Day
Anthony Pellizzari

“We really appreciate the support that TDC gives the ARIA Awards and the Australian music industry,” ended Long.

About Technical Direction Company – TDC

Established in 1981, TDC’s expertise is in providing video technology solutions for major TV shows, theatre, corporate events, concert touring, exhibitions and outdoor events. Holding one of the largest stocks of high-end video equipment including LED, projection, displays and HD camera systems, TDC is the preferred provider of technical solutions for the top designers, producers, and production companies across the Asia Pacific region.
www.tdc.com.au

See Pexip Infinity Simplify and Revolutionise Videoconferencing at ISE 2014

See Pexip® at Stand 12-B70, Unified Communications Zone at ISE 2014

Breaking the barriers to large-scale enterprise-wide videoconferencing, Pexip delivers personal virtual meeting rooms to everyone on video, voice and mobile.

Pexip will demonstrate their revolutionary Pexip Infinity multipoint videoconferencing software when the company exhibits for the first time at Integrated Systems Europe 2014. Pexip will host several partner focused events, participate in industry led discussions and announce new real-world deployments of Pexip Infinity.

Simen Teigre, CEO at Pexip said: “Coming from an IT background, Pexip will be demonstrating how AV companies can take advantage of conferencing in a virtualized world.”

Pexip Infinity is a ground-breaking concept in videoconferencing through its virtualized, scalable and distributed architecture. It simply enables corporations to deploy enterprise-wide HD videoconferencing in as little as ten minutes, and to any device.

Pexip Infinity virtualized software can be deployed on VMware or Microsoft Hyper-V and features generic hypervisor support. It runs on standard servers and does not require any custom hardware.

The subscription-based model ensures that users and administrators have instant access to updates and new features as they become available. Pexip Infinity supports nearly any communication standard, and integrates seamlessly with Microsoft® Lync, Google WebRTC and any standard video and voice protocol.

Partner focused events

Enabling partners to take advantage of the easiest to use software available, Pexip will be taking advantage of their presence at ISE and will host several partner events. Interested parties are encouraged to see details at www.pexip.com.

Education comes to the fore

Several initiatives throughout ISE will take advantage of Pexip’s unrivalled technological expertise and the experience of key Pexip personnel in the teleconferencing market.

Adding to the company’s presence at ISE, Simen Teigre, Pexip CEO will partake in the ‘Cloud Virtualization Value’ roundtable event hosted by the Video Conferencing and Telepresence Association (IMCCA) in room D407 at the Amsterdam RAI on Thursday, 5 February from 11:00am.

On Wednesday at 16:00, Pexip will host an open reception on their stand 12-B70, serving traditional Norwegian specialties and delicacies with a twist.

-ENDS-

Supporting Resources 


Learn about Pexip 


Read about Pexip Infinity 


Follow us on Twitter: @Pexipinc 

Follow us on LinkedIn
Watch the video: http://youtu.be/dA2oh-4A8Qg
Some further reading: http://www.pexip.com/article/blog/pigeons-pexip

About Pexip
Pexip overthrows conventional telepresence thinking by providing an affordable, virtualized, simple approach to video conferencing on any device. Pexip is built by world-leading innovators from the videoconferencing industry with over two hundred years of accumulated experience. Founded in 2012 by video conferencing and telepresence experts from Tandberg (acquired by Cisco Systems in 2010), Pexip is headquartered in Oslo, Norway and has offices in New York and London. For more information, visit www.pexip.com.

Christie is “Front and Center” With Launch of New Series of Front Access Christie Entero HB Rear Projection Cubes

It’s “eyes front” for Christie®, a world leader in control room display technology, with the introduction of a new front access video wall cube product that enables seamless high performance rear projection video wall displays with minimal installation and maintenance space required. All the benefits of Christie’s latest and brightest Entero™ HB DLP® LED-based technology display are available in a platform that allows video wall cubes to be positioned directly against a rear wall, removing the need for maintenance space behind. The first front access cube model, the Christie Entero HB 70-inch HD, will be joined by other front access models including 50 inch and 70 inch SXGA+, and 72 inch WUXGA.

Christie Entero HB Front Access Cube

Christie’s front access system design addresses space limitations with the ability to put the cubes up against a wall without compromising performance, image quality or reliability. Customers can gain valuable space in their control room design by placing cubes directly against a wall, while maintaining the narrowest screen gaps in the industry and utilizing a smart air flow design for superior system ventilation.

The front access system is designed to take advantage of the Christie Entero HB systems’ User and Web Interface to enable remote control release of the screen for front service access as well as remotely performing fine geometry alignment by the integrated 6-axis geometry alignment system. Screen and geometry control are provided via the remote control, computer or tablet. The screen is on a slide mechanism and opens up with reliable and consistent positioning, via remote activation of solenoids, providing full access to the internal electronics from the front of the cube array system, allowing for exceptionally quick servicing and minimal downtime during maintenance operations.

“With space at a premium at many installation sites, front access cubes make it possible to install them right up against a wall or a structure,” said Jim Gavloski, director, Product Management, Control Room and Video Wall Display Solutions. “It’s a significant design element that will greatly expand the installation flexibility and ease of maintenance within our entire Christie Entero HB line.”

Christie’s front access system with motorized six-axis adjuster provides precise alterations for perfect image quality. To access system internals, the installer simply engages the intuitive user interface on the chosen device -PC, tablet or even smart phone, and the system pops the screen away from the cube body, allowing the installer to easily move the screen out of the way for full front access. The internal electronics module has been adjusted to make the LED display viewable from the front. Since no space is required behind the display wall cube, it makes them ideal for control room environments where space is restricted.

The new and improved Christie Entero HB video wall projection solution is based on the company’s proven LED platform – introduced first by Christie – which today is found in thousands of installations worldwide. Launched in November 2012, the Christie Entero HB helped to strengthen the company’s dominance in the control room arena, with display cube solutions that are “bigger and better” and set new standards in power efficiency, visual performance and image brightness, with up to 1,350 lumens capability. They feature proprietary third generation ArraySync™ automatic color and brightness management technology that monitors and adjusts color and brightness levels across the video wall in real time for perfectly uniform display wall visuals for the lifetime of the installation. Designed for 24/7 environments, Entero HB products offer the best price, performance and efficiency on the market with a superior and intuitive modular design, easy upgradability, and flexible operation for the demands of power and utilities, government, security and surveillance, and public and emergency services.

“With more than 30 years of industry expertise, Christie is ready to provide its customers with the perfect control room solution, and now, with the new front access system, the fastest way to access the interior electronics of our popular Christie Entero line of display cubes,” said Gavloski.

Control Room Solutions for Mission-Critical Monitoring
Today’s control rooms go beyond traditional displaying and monitoring, and Christie’s collaborative visual solutions are removing boundaries and enabling expansive collaboration for the world’s most mission-critical operations. By integrating stunning zero-maintenance displays with the power of the network, Christie is completely redefining the control room space and setting the stage for an increasingly distributed control room environment. Across every sector in business, commerce and government, Christie is raising the bar to exceed today’s control room operational requirements.

Christie Lights Up TCL Chinese Theatres as Official 4K Digital Projection Partner, with Christie Duo Anchoring State-of-the-Art 932-Seat Auditorium

Christie®, a world leader in advanced cinema technologies and visual displays, announced that it is the official 4K digital projection partner of TCL Chinese Theatres for the renovated TCL Chinese Theatres in Hollywood, with the acclaimed 4K Christie® Duo™ two-projector system anchoring that theater’s 932-seat auditorium and lighting up its massive screen.

Christie digital cinema projectors have also been installed exclusively at the adjacent TCL Chinese 6 Theatres, making the famous Hollywood Walk of Fame a “walk with Christie.” TCL Chinese Theatres reopened to the public on September 15, following extensive renovations, with the world premiere of the remastered “The Wizard of Oz: An IMAX 3D Experience.”

Front of TCL Chinese Theatres


The installation of the 4K Christie Duo solution at TCL Chinese Theatres is among the highlights of the extensive, multi-million dollar renovation that have helped the famous landmark make the move to digital. The reopened theater features the brightest 2D and 3D 4K-resolution images in the industry, with the auditorium playing host to a wide range of high-profile events, from world premieres and gala performances, to some of the entertainment industry’s most glamorous celebrations and awards shows.

“The TCL Chinese Theatres is an iconic institution that has played a significant role in the legends and traditions of the entertainment history worldwide,” noted Alwyn Hight Kushner, president and chief operating officer for TCL Chinese Theatres. “The TCL Chinese Theatres’ multi-million renovation efforts included a respectful acknowledgement of the theater’s history, while bringing it into the digital age, thanks to our digital cinema partners, which include Christie. We are also pleased that Christie projection systems are lighting up our TCL Chinese 6 Theatres’ screens nearby. For us, Christie was the clear solution for our non-IMAX 2D and 3D showings.”

Craig Sholder, vice president of Entertainment Solutions at Christie, noted that “The TCL Chinese Theatres is part of American history, as is Christie, with our record of more than 80 years service to the cinema exhibition industry. As the official 4K digital projection partner, Christie is proud to ensure that all the content shown at the TCL Chinese Theatres is always thrilling, magical and memorable – the way movies are meant to be.”

The Christie Duo two-projection system, selected and installed through Christie integration partner Southern California Cinetech Services, offers twice the brightness of conventional systems for enhanced 3D, 4K resolution and High Frame Rate (HFR) screenings, enabling TCL Chinese Theatres to deliver an enhanced movie-viewing experience. It features an innovative design that perfectly aligns every pixel on the giant screen for optimal 2D and 3D screenings.

Jim Dukes, Christie senior product manager, noted that the massive screen at TCL Chinese Theatres is an excellent canvas for demonstrating the enormous power and brightness of the total solution that Christie Duo and two Christie Solaria® CP4230 projectors deliver.

“Large screens such as the one at the TCL Chinese Theatres present a challenge to most dual projection systems when it comes to the convergence of the image, which must be perfectly aligned to ensure the sharpest results possible. The Christie Duo’s configuration options solve that challenge by making image convergence quick, easy and consistent,” said Dukes. “Since its introduction, the Christie Duo has been highly acclaimed for addressing the biggest issue faced by exhibitors when screening 3D movies: that is, the delivery of ample brightness to the screen to make the experience memorable.”

Dukes also observed that the dominance of the Christie brand in theaters is also reflected in the exclusive use of Christie digital projection systems in the TCL Chinese 6 Theatres nearby.

“Christie digital projectors are used by leading exhibitors around the globe and are found in more digital cinema installations than any other brand,” he said.

HPA Tech Retreat Celebrates 20 Years of Inquiry and Illumination

Industry Thought Leaders and Technology Mavens Head Back to Palm Springs for Thoughtful Exploration of an Industry in Transition

(Los Angeles, CA) For the past twenty years, the Hollywood Post Alliance(r) (HPA) Tech Retreat(r) has gathered a veritable who’s who in engineering, technology, creativity, and strategic business together for a structured yet informal meeting of the minds; where top industry leaders engaged in all aspects of production, distribution, post production, film, television, web and related endeavors, gather in an environment conducive to the exchange of knowledge and information. This year’s 20th Anniversary confab promises all of that and more from February 17-21, 2014 at the Hyatt Regency in Indian Wells near Palm Springs, CA.

The Tech Retreat offers attendees the chance to explore the opportunities and the complexities facing an industry in transition, and to investigate new solutions and technologies that impact its many constituents.

The HPA Tech Retreat offers lively conference sessions, networking events and technology demonstrations to an engaged audience of participants and panelists that hail from a pool of the top technical, creative, business and hands-on experts. Topics will take the Tech Retreat audience from the nitty gritty to the very precipice.

For a full schedule, visit http://bit.ly/1cwt7B2. On Monday, February 17th, the event opens for early registration and a pre-Retreat course titled Physics, Psychophysics, and Vision for Advanced Motion Imaging from Charles Poynton and John Watkinson. Tuesday launches the HPA Tech Retreat, with the HPA Supersession: The New Normal is Anything But, focusing on the impact of new distribution platforms in production and post. Wednesday through Friday mornings feature breakfast roundtables where any industry relevant topic goes. The HPA Demo Room opens on Tuesday with demos and cocktails and is a hotbed of new products and technologies that feature curated and expert-demos which illustrate the latest developments. Wednesday focuses on the consumer experience and impact, and Thursday production and post. The Tech Retreat concludes Friday morning, with highlights and an emphasis on engineering. The entire event features many opportunities for one-on-one discussion with industry innovators, technology experts, business executives and other top professionals.

Mark Schubin, Multiple-Emmy-award-winning SMPTE Fellow has been working in television since 1967, writing about it since 1972, and chairing the HPA Tech Retreat program since 1997, commented on the engaging presentations set for next month. “We are dealing with fundamental changes in the very nature of our industry, from changing methodologies – broadcast, cable, DVD, DVR, for example- to the previously unthinkable, such as giving fans in a stadium access to their own instant replays, letting social media shape programming, and all of those things that lay beyond. This is a challenging but expansive time. For example, at the Tech Retreat, we’ll feature a presentation that may appear to be purely tech-focused and narrow (i.e., new display connections) but it will show how the consumer technology is powerfully driving the professional world. As always, we’ll be digging into important topics that are thought provoking, but are also important in terms of our businesses and careers, including two of the most critical issues in our industry: the change from video-specific technology to commodity information technology, and the question of what comes next on the screen, and what delivers the biggest bang for the buck?” Schubin notes, “Maybe it’s something a lot simpler than “4K.” He concludes, “And, we’re spending a day with a provocative dive into one of the most important topics there is – color.”

Leon Silverman President of the HPA noted, “This year is a significant milestone for the HPA Tech Retreat as we look back over the incredible effect that technology has had on our industry over the past 20 years. As the world of film and television became increasingly impacted by computer and digital technologies, the HPA Tech Retreat served as an important common ground for our industry to experience and drive transformative change together. Now more than ever, the Tech Retreat serves as an important bridge between so many of the rapidly changing aspects of our industry. As I do every year, I look forward to spending time with the most interesting people I know, and ones I hope to know, at the HPA Tech Retreat.”

Early bird registration pricing will end on January 10 and the Tech Retreat demo room still has a few remaining spaces left. For full information and registration visit www.hpaonline.com or call the HPA office at (213) 614-0860 or email Eileen Kramer – ekramer@hpaonline.com.

About the HPA Tech Retreat(r)
The HPA Tech Retreat(r) is an informal gathering, in the Palm Springs area, of the top industry engineering, technical, and creative talent, as well as strategic business leaders focused on technology, from all aspects of digital cinema, post-production, film, television, video, broadcast, and related technology areas, for the exchange of information.

The HPA Tech Retreat(r) will be presented with generous support from Foundation Members: Avid, Company 3, Deluxe, Dolby, EFILM, Encore; Gold Sponsor: Rohde & Schwarz and Brand Sponsor: Cloud Sigma.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content.

# # #

Media Contact:
Chris Purse, 818.303.8088
ignite strategic communications
chris@ignite.bz or mimi@ignite.bz

New Videos Detail Proper Way to Remove and Mount a FUJINON Digital Servo Drive and Unique Features of New PL 14-35MM Zoom

Wayne, N.J. – Two new videos from the Optical Devices Division of FUJIFILM North America Corporation – one describing the proper way to remove and mount a digital servo drive and the other on the benefits and features of the company’s new Premier PL 14-35mm Cabrio wide-angle zoom [ZK2.5x14] – are now available on Fujifilm’s YouTube Channel.

The FUJINON PL lenses feature an exclusive detachable servo drive unit, making them suitable for use as a standard Cine Style PL lens or as an ENG-Style lens. The digital servo featured on the PL 19-90, the PL 85-300, and the new PL 14-35mm has 16-bit encoding, so operators are assured of accurate lens data output. Removing a servo drive and mounting it are not difficult, but if done incorrectly, the user will not have access to the full range of the servo’s zoom or focus capabilities. The metadata output can also be compromised, if the servo is not installed properly.

“We’re very excited to bring the PL 14-35 Cabrio to market,” said Thom Calabro, director of marketing and product development for the Optical Devices Division of FUJIFILM North America Corporation, who is the featured spokesperson on both videos. “This wide angle addition to the Cabrio family gives cinematographers the ability to shoot with a full range of high-performance lenses – from 14mm wide to 300mm tele.”

With its detachable digital servo, the PL 14-35mm Cabrio lens can be used as a self-contained ENG-style lens or Cine Style lens. Without the drive, industry-standard cine motors can be fitted.

The Premier PL 14-35mm zoom is lightweight and comfortable to use with today’s smaller 4K cameras, and has an expanded focal length range to 14-35mm at T2.9, with 200-degree focus rotation. It’s ideal for shooters looking for a lightweight zoom that can be used as a handheld to capture wide angles in tight spaces.

Designed using the latest proprietary optical simulation software, the PL 14-35mm lens offers exceptional optical performance in the center of the image and in the corners of the frame. The digital servo’s 16-bit encoding assures operators that all lens data output—including the position of the zoom, iris, and focus—is extremely accurate. The PL 14-35mm lens supports Lens Data System (LDS) and /i metadata formats, and can be controlled using cinema industry standard wireless controllers as well as existing FUJINON wired and wireless units.

The link to the video detailing the proper way to remove and mount a servo drive can be found here:

http://www.youtube.com/watch?v=weizqXDKuP0

And below is the link to the video on the new PL14-35mm Cabrio:

http://www.youtube.com/watch?v=NGFF0Fhksys

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of four operating divisions and one subsidiary company. The Imaging Division provides consumer and commercial photographic products and services, including: photographic paper; digital printing equipment, along with service and support; personalized photo products; film; and one-time-use cameras; and also markets motion picture archival film and on-set color management solutions to the motion picture, broadcast and production industries. The Electronic Imaging Division markets consumer digital cameras, and the Graphic Systems Division supplies products and services to the graphic printing industry. The Optical Devices Division provides optical lenses for the broadcast, cinematography, closed circuit television, videography and industrial markets, and also markets binoculars. FUJIFILM Canada Inc. sells and markets a range of Fujifilm products and services in Canada. For more information, please visit http://www.fujifilmusa.com/northamerica, go to http://www.twitter.com/fujifilmus to follow Fujifilm on Twitter, or go to www.facebook.com/FujifilmNorthAmerica to Like Fujifilm on Facebook. To receive news and information direct from Fujifilm via RSS, subscribe at http://www.fujifilmusa.com/rss.

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Christie MicroTiles Showing the Dupont Story at Johnston Dupont Innovation Center

Christie® and AVI Systems have created a striking 10-unit wide by 5-units tall Christie® MicroTiles® digital display wall in Johnston, Iowa that impressed those attending the Center’s grand opening June 25. Also known as the Collaboratory, and the twelfth center DuPont has opened globally, the Johnston DuPont Innovation Center provides a unique environment for collaboration among more than 10,000 DuPont scientists and engineers with customers, government officials, academics, and business partners around the world.

DuPont Collaboratory - MicroTiles Display Wall


The 3,500 square foot space and adjoining collaboration room showcases the latest company technology, applications and products that are designed to meet the world’s biggest challenges, including food security, energy and protection.

AVI Systems and DuPont Choose Christie MicroTiles
The initial idea was to install flat panels but Les Hofland, System Sales Specialist, CTS, AVI Systems, had Christie MicroTiles in mind from the start.

“We showed the 5-high by 1-wide Christie MicroTiles tower we have to some people at the Center about two months before they brought us into this meeting,” said Hofland. “I brought in the DuPont people and one thing they really liked was that on each MicroTiles unit they could pull out the light engine and put a new one in within 15 minutes. They didn’t have to worry about replacing the entire wall.”

Christie and AVI Systems Meet Strict Deadline; Christie MicroTiles Overcome Substantial Ambient Light
Working with McCullough Creative, who produced the corporate videos and other content shown on the Christie MicroTiles, the installation team had a June 22 cutoff date for the opening three days later.

“The room was still under construction so we couldn’t get in there until the last week in May. They wanted the wall up and running a couple weeks ahead of the deadline to give the software designers some play time with the equipment,” said Hofland. “We met the deadline and I was very happy with the information we received for designing the wall. Everything showed up just days after we put the order in; things happened quickly and we were surprised about the fast delivery time. Christie really stepped up to the plate.”

Since they are located against one wall in a large, south facing room with glass windows running almost ceiling to floor, bright sunlight often bathes the Christie MicroTiles.

“Bright, ambient light is a factor but it doesn’t impact the MicroTiles at all,” said Hofland. “The display always looks nice and full without any problems seeing it. Everyone loves the MicroTiles and think it’s the best thing they have ever seen.”

With a much wider color palette than conventional LCD displays, Christie MicroTiles show pure, saturated, accurate colors. The modular display technology can be configured into nearly any shape and size to create a gorgeous digital canvas.

Christie Delivers Versatile Solutions for Government Installations at Govcomm 2013

Christie® is showcasing its visual display solutions at GOVCOMM 2013 in the Walter E. Washington Convention Center in Washington, D.C., Dec. 4-5. Renowned for exceptional products and expertise, Christie (GSA Schedule account #GS-03F-0003L) meets the premium performance requirements of today’s government agency display technology needs.

Christie Phoenix for Mission Critical Content Management
Christie Phoenix is the ideal solution for network-distributed content management, enabling secure access and control of information from one or multiple users in virtually any location. Users are able to synthesize information quickly and generate fast and accurate decisions in critical situations. It is the clear choice for fast-paced command and control centers with mobile and dispersed workforces such as public utilities, government, security and surveillance, transportation and telecommunications.

Christie Phoenix Content Management System


Displaying the capabilities of Christie Phoenix is a 2-by-2 Christie FHD551-X LCD flat panel array. Christie FHD551-X flat panels can be used to create efficient high-definition, virtually seamless video walls with crisp images at a low cost of ownership. Christie FHD551-X flat panels can be installed as a single panel or a full video wall application in government breakout rooms, command and control centers, and briefing rooms.

Christie Brio for Instant Collaboration Anywhere
Introduced earlier this year, Christie Brio will be showcased in a captivating multisite meeting environment designed to highlight how efficient and effective teamwork and collaboration can be – whether across the hall or across the world. Government departments will see how easily they can securely share video and audio content from laptops or mobile devices by connecting to the meeting room’s display through a Wi-Fi or Ethernet network. Without any dongles or special software to set up, Christie Brio allows any participant anywhere to see their colleagues’ presentations simultaneously.

Christie Brio also takes full advantage of interactive whiteboard technology by turning it into a bi-directional collaboration tool. Any participant in a Brio meeting can use touch-enabled displays to add to or edit whiteboard contents, regardless of geographic location.

Christie Projection Technology for Government Visual Display Needs
Ideal for use in government briefing rooms, classrooms and training environments, Christie offers LCD, 1-chip DLP® and 3-chip DLP® projection for every government visual display need and budget. At GOVCOMM, Christie is demonstrating the superior performance, reliability and low ownership cost of the Christie LW720 LCD, Christie DHD550-G 1-chip DLP® and Christie HD10K-M 3-chip DLP® projectors.

Rounding out the visual display solutions are Christie® MicroTiles®. The high resolution, high brightness solution is ideal in high ambient light environments and their small stackable footprint makes them perfect when real estate is at a premium while providing flexibility in display design. Christie MicroTiles’ combination of LED illumination and DLP® display technology provides low cost of ownership coupled with a long life span.

Christie Awarded Aero Simulation Contract to Deliver High Brightness, High Resolution Christie Matrix Simulation Projection Systems to U.S. Marine Corps’ AH-1W Weapons Systems Trainer

Christie® today announced that Aero Simulation Inc. (ASI) awarded Christie the contract to supply the U.S. Marine Corps with projection systems consisting of 12 Christie Matrix StIM™ WQ 1-chip DLP® solid state LED projectors for AH-1W Weapons Systems Trainer (WST) Device 2F136A upgrades. Six display system projectors will be installed at Marine Corps Base Camp Pendleton, Calif., and six at Marine Corps Air Station (MCAS), New River, N.C. in 2015.

Christie Matrix StIM WQ Projector

The U.S. Marine Corps’ project includes the modification and technical refresh of two existing AH-1W WST systems with the replacement of visual display projectors, image generators and visual databases. With the goal of upgrading the system displays and supportability, while reducing lifecycle costs, the modified trainers will help teach pilot and co-pilot cockpit familiarization, engine operation, tactical navigation, and emergency procedures. The trainer supports standalone tactical training, as well as integrated virtual training with other devices. These features let the students practice essential aircraft operations and tactics skills in an environment closely resembling real world scenarios.

The 2F136A WST device comprises several functional systems producing a simulated environment and emulating real world scenarios for AH-1W Super Cobra helicopter aircrews with each trainer consisting of two visual display domes. The training device’s computer systems control two separate training platforms, one housing a Pilot position and the other a Co-pilot/Gunner position. The system provides Pilot and Co-Pilot/Gunner transition weapon systems, integrated crew, and flight proficiency training.

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