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TDC Shortlisted for Studio LIVE Design Awards

Technical Direction Company

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Video projection specialists, Technical Direction Company, are shortlisted for an International Award at the Studio LIVE Design Awards. The shortlist recognizes TDC’s achievement in the very first double-sided projection onto the epic proportions of Australia’s iconic Sydney Opera House as well as onto the pylons of Sydney Harbour Bridge. This was by no means a small challenge for any technology company!

Vote for TDC in Category 1 – ‘Architainment’, The Royal Australian Navy’s International Fleet Review Spectacular

VOTE HERE: http://www.livedesignonline.com/2014-excellence-awards-voting

Winners of each awards category will be featured in the June issue of Live Design, as well as honored at the Broadway Master Classes.

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WATCH THE VIDEO: http://youtu.be/cMvcxMIlrNg

www.tdc.com.au

Christie is Front and Center at NAB 2014 with the Authoritative Visual Display Technology Line-Up

Christie® continues its leadership in the visual display technology market at the National Association of Broadcasters (NAB) Show in Las Vegas April 5-10. The exhibits open April 7, showcasing two connecting Christie booths featuring the latest 4K solutions including laser projection. The benefits of Christie Q Series, Christie Brio, large format LCD displays, 1-chip DLP® and 3-chip DLP® projectors, and more will be featured.

Laser Projection Summit Kicks off NAB
Don Shaw, Ph.D. and senior director of product management, Entertainment Solutions, Christie, will participate in the “Technology Summit” on Cinema at 5:00 p.m. April 5 as part of the ‘Laser Illuminated Projectors’ panel discussion. The presentation will show how 3D light levels, color fidelity, image uniformity, viewing comfort, and a sense of immersion can be vastly improved using a 6P laser projection system, especially when combined with advanced color separation technology like Dolby 3D®, versus the conventional 3D systems found in cinemas today.

6P Laser Presentation at Christie Innovation Theater
The Christie Innovation Theater will demonstrate a 4K Christie Solaria 6P laser system using the world’s most efficient 3D technology and the industry-preferred image quality that doesn’t require a silver screen. Sure to be a show highlight, the 6P laser presentation provides a glimpse into the future of projection technology. Utilizing six specific primary colors, Christie laser projection technology brings dramatically improved 3D efficiency to projection systems and is ideal for any 3D display system.

The demonstration will use Dolby® 3D glasses specifically engineered to match the six primary laser light wavelengths and viewers will experience 3D Cinema as it was meant to be seen.

4K Solutions, Large Format LCD Display, New HD Christie Q Series and more
The Christie D4K2560 3-chip DLP® projector with the Christie TrueLife™ 4K platform will be showcased. When uncompromising image fidelity, brightness and resolution are needed in cinematic settings, amusement parks, casinos, or 3D visualization systems, the Christie D4K2560 is the clear choice; providing four times the resolution of 2K along with 60Hz.

A Christie broadcast set complete with Christie® MicroTiles® and content driven by the Christie Spyder X20 video processor will also be featured along with the North American debut of the Christie FHD651-T intuitive touch flat panels. With up to four simultaneous touches, the Christie FHD651-T provides superior touchscreen performance in a fully integrated package for meeting and classrooms, corporate spaces, museums, education, hospitality and retail, and more.

The Christie FHD551-W outdoor flat panel and the Christie FHD551-XG complete the large format LCD display solutions.

Christie Q Series Makes North American Debut at NAB

NAB also marks the North American debut of Christie Q Series, including the new Christie DHD951-Q HD that complements the existing, highly successful line. Similar to the rest of Christie Q Series, the HD version introduces 3G-SDI and includes eClarity™ – advanced image processing that significantly enhances images by providing greater control over image sharpness, gloss and shading. With its sleek overall style and high-performance features, the Christie DHD951-Q provides superior image processing, versatility and affordability.

Also debuting in North America is the Christie DHD600-G. Part of the upgraded Christie G Series, it is suitable for demanding environments such as signage and museums – delivering multi-projector blends onto curved surfaces seamlessly for a perfect image every time.

Christie Brio – Share More, Accomplish More
The Christie FHD651-T flat panel seamlessly combines with the Christie Brio multi-site presentation and collaboration solution. Christie Brio – featured in separate meeting rooms at the booth – allows users to virtually meet, share information and collaborate effortlessly, overcome geographical distances, and eliminate the challenge of single and multi-site workplace meetings.

On the second floor of the Christie booth, the advantages of the 3-chip DLP® Christie Roadster HD20K-J and Christie HD14K-M projectors will be presented. Rugged and ideal for rental staging, both provide significantly higher return on investment and provide superior image quality compared to others in their class.

The benefits of Christie Entero HB 70-inch HD cubes will also featured along with a Christie® Phoenix™. With HD resolution and built on proven LED technology for long life, reliability and low cost of ownership, the front access design of the Entero cubes allows them to be positioned against a wall without compromising space limitations, performance or image quality in 24/7 control room environments.

Christie Solutions throughout NAB 2014
Christie is pleased to collaborate with several vendors. Quantel is using a Christie D4K2560 while AutoDesk will be using a Christie Mirage 4K25. At the Red Digital Cinema Camera booth, a Christie Mirage 4K35 will be featured. In addition, Vizrt is pleased to use the Christie 84-inch Quad HD at its booth and Ross Video is featuring 50 Christie MicroTiles. Finally, Da-Lite will display its solutions with a Christie D4K2560.

Cinemagic to Digitize National Chain with Christie Cinema Solutions

Cinemagic, a cinema chain focused on building cinemas in towns between 50 and 70 thousand inhabitants of Mexico, and Christie®, the dominant brand in the global digital cinema projection market, today announced the joint digitization of 70 screens currently operated by Cinemagic in Mexico.

Christie will supply an assortment of Christie Solaria® One+ and Christie CP2220 projectors to the Cinemagic complexes, facilitated by Scrabble Entertainment, an international deployment entity whose financing of DCI-compliant digital cinema projector conversions helps all manner of cinemas make the move to digital technology.

“With Christie supplying the highest quality of digital cinema equipment and technical support, Cinemagic will be able to offer to our audience the best quality in cinema projection in each of the cities we serve,” said Roberto Quintero, CEO, Cinemagic.

“Cinemagic is to be commended on its mission to bring cinema to the small communities without entertainment options in Mexico,” said Ernesto Armus, general manager for Christie Mexico. “We are honored to be part of its mission and are committed to supplying Cinemagic with the world’s leading digital projection hardware, software and services.”

Roberto Quintero said, “We are confident that with dedication, effort and together with our strategic partners, we will ensure the growth and consolidation of our project to successfully bring cinema to the small communities of our country.”

Christie to Demo Breakthrough 3D Cinema Technology For Premium Cinema Experiences with Latest ‘6-Primary’ 4K Laser Projector

Christie® today announced upcoming demonstrations of the world’s most advanced laser projection architecture and Dolby® 3D, to be held in the Christie Innovation Theaters throughout CinemaCon 2014 (Caesars Palace, March 24-27) and the National Association of Broadcasters NAB Show® (Las Vegas Convention Center, April 5-10). Christie DLP Cinema® laser projectors using 6-Primary (6P) color laser modules, earmarked for mass production in early 2015, will show how 3D light levels, image uniformity, viewing comfort, and a sense of immersion can be vastly improved, especially when combined with advanced separation technology like Dolby 3D, versus conventional 3D systems found in cinemas around the world today.

“Recent declines in domestic 3D movie attendance are a sign that the novelty is wearing off, with audiences less willing to pay a premium for what is all too often a mediocre experience. The lackluster quality of this experience results from a number of technical limitations with current 3D system architectures, the most serious one being restricted light levels that amount to only 10-30 percent of those levels achieved for 2D presentations,” said Don Shaw, senior director, Product Management, Christie Entertainment Solutions. “Simply put, the movies are too dark, leaving audiences struggling to discern critical details that make up the image in front of them.”

“Christie’s latest laser projection technology, using 6 specific primary colors rather than filtered or polarized broad-spectrum white light, brings dramatically improved 3D efficiency to projection systems, regardless of the size of screen in premium movie theaters,” added Shaw. “We believe that this is the future of 3D cinema projection, that it is right around the corner, and that it will be a key element in boosting 3D box office revenues around the world. Our CinemaCon and NAB Show demonstrations will be the first 6P laser events available to the broad cinema community, from filmmakers to exhibitors, and reaffirms Christie’s 80-year commitment to cinema innovation, rather than ‘moving beyond digital cinema’ as some other industry players have promised.”

At least twice as efficient as today’s best 3D systems, Christie’s 6P laser projectors generate a proprietary mix of photoptically-optimized light wavelengths for each eye directly from the source, in effect eliminating the need for a highly inefficient stage of filtering or polarizing the light as it leaves the projector. The Christie demos will use Dolby® 3D glasses specifically engineered to exactly match the 6 primary laser light wavelengths to yield nearly 90 percent light efficiency. “Their color separation based technique for 3D is well regarded as the gold standard among industry professionals, especially for its true color reproduction, compatibility with low-gain white screens, and superior crosstalk performance – only now it can be part of a system that is tremendously more light efficient,” said Shaw.

“Dolby 3D’s advanced color separation technology is ideally suited for next generation laser projectors,” said Doug Darrow, Senior Vice President, Cinema, Dolby Laboratories. “With extremely high light efficiency, nearly no crosstalk and crisp images with vibrant colors, we believe Dolby 3D combined with laser projection produces the best possible 3D viewing experience for audiences.”

“Having had the opportunity to witness an early 6P laser demo at Christie’s worldwide center for engineering, research and development in Canada, I can confidently state that this is an exciting and important innovation in 3D cinema,“ said Matt Cowan, Co-founder & Senior Technical Advisor at Entertainment Technology Consultants. “I look forward to further refinement of this technology and upcoming installation in premiere theaters around the world.”

Consistent with efforts so far in developing 3-Primary (3P) laser projectors, which Christie sees filling important needs in several, non-cinema industries, Christie laser projectors will provide industry-leading brightness (up to 72,000 Lumens per projector head), wider color gamut capabilities, higher contrast, and dramatically reduced maintenance requirements, resulting in a better experience for all applications. As part of its largest research and development program ever, Christie will continue to develop superior 6P and 3P laser projection solutions for all of its global customers.

Specific to the development of cinema laser projectors, Christie leads the industry in this area, having announced last year that it would supply and install the world’s first commercial laser projection solution for the Seattle Cinerama Theatre, and that it was the first to receive a US FDA approval of variance allowing the sale and installation of laser projectors in movie theaters and other high performance projection venues.

Hoyts Chile Chooses Christie for their Conversion to Digital Cinema

Christie®, a world leader in digital cinema projection, is pleased to announce that it has been chosen by Hoyts Chile, the leading screening chain belonging to Grupo Chilefilms, to digitize its 127 35mm theaters distributed across 23 complexes throughout the country. The agreement includes the installation of digital cinema projectors from the Christie Solaria™ Series, the Christie Avias-TMS™ Theatre Management System and select Christie Vive Audio™ cinema sound systems.

To carry out the digital theater conversion process, Hoyts Chile released a private technology tender in which it invited the most distinguished suppliers in the industry to bid. “In the end we chose Christie because their business proposal was the most complete, attractive and aggressive,” stated Juan Carlos Arriagada Mons, General Manager of Cinecolor Chile, Grupo Chilefilms division that provides technology services for all business units of the group.

“Christie knew how to interpret our planning, appreciated our apprehension with technological changes and financing needs and they pledged their commitment to a close, long-term relationship. Their offer was not limited to supplying projection equipment only, but they also guaranteed immediate access to spare parts, lamps, new technologies and financing in a long-term contract,” added Juan Carlos Arriagada Mons, Cinecolor Chile.

Hoyts Chile has a long business relationship with Christie. In fact, in mid-June of 2012, the color correction/projection theaters of Cinecolor –the post-production division for images, sound and cinematographic laboratory of Grupo Chilefilms with presence in Mexico, Colombia, Brazil, Argentina and Chile – was equipped with Christie CP2220 projectors.

Craig Sholder, VP, Entertainment Solutions at Christie, said “We are delighted that Hoyts Chile has once again put their trust in our projectors for their digital theater roll out, which is proof of the confidence and respect that theater professionals have for Christie. Today the digital cinema projectors that Christie manufactures have the largest worldwide market share because exhibitors recognize that our projectors, in addition to having exceptional image quality, offer the best light efficiency and the lowest operating costs”.

Christie will supply Hoyts Chile with a variety of DLP Cinema® projectors, such as Christie CP2215, Christie CP2220 and Christie CP2230, as well as the Christie Avias-TMS™ Theatre Management System (TMS), which allows the screen operators to centrally control and organize all projection operations from a multi-screen theater.

Furthermore, Hoyts Chile will equip three of their theaters with the innovative Christie Vive Audio™ cinema sound solution, which they will use along with a leading immersive audio platform, Dolby® Atmos™.

“Christie invited us to several demonstrations of the Vive Audio technology, where we were able to witness and systematically measure the extraordinary distribution of the sound pressure throughout the audience, which substantially improves the intelligibility of the dialogue (with respect to cone-based speaker systems) and the uniform distribution of sound in the theater, greatly decreasing the rebounding that causes interference,” said Juan Carlos Arriagada Mons.

Hoyts Chile’s roll out, which will take place through a Virtual Print Fee (VPF) agreement with GDC Technology, began in January of 2014 and it is expected to be completed by November of this year, including the digitalization by Christie of the new theaters that Hoyts Chile plans on opening in 2015 and 2016, which could number as many as 30 screens.

Christie 3D Visualization Solutions Chosen for Virtual Construction Simulation at Toronto’s George Brown College BIM Lab

One of Canada’s largest and most diverse colleges, Toronto’s George Brown College, chose Christie’s visualization solutions for its Building Information Modeling (BIM) Lab in the Centre for Construction and Engineering Technologies (CCET), at the Casa Loma campus. Students, industry professionals and business partners can use the BIM Lab to create digital 3D models and view them on a custom Christie-designed display solution, powered by three 120Hz stereoscopic 3D DLP® Christie Mirage WU7K-M projectors. The new immersive simulation space supports the College’s mission for continued innovation, enhanced practical and theoretical teaching and learning, as well as staying ahead of trends and technology in the construction industry.

Christie-designed Immersive Space at George Brown BIM Lab


BIM is a global term referring to a technology process where collaboration and knowledge sharing takes place, but when the creation of a simulated virtual reality exists, stakeholders can visualize facilities, operational issues, designs and construction. George Brown College understands that using the latest technology can facilitate learning and prepare their students for the future. Clint Kissoon, chair of CCET’s School of Architectural Studies and the Angelo Del Zotto Construction Management, said, “After detailed benchmarking, several meetings and seeing firsthand the Christie CAVE™ installed at Pennsylvania State University, we knew that a BIM lab was the way of the future, and that the Christie solution was the direction we wanted to take to create a fully immersive environment. The lab will advance skills today and in the future and fill a skills gap in the construction industry.”

Kissoon added: “Christie’s proposal came in within scope, budget and procedural requirements to enable us to conform to the Federal Economic Development Agency’s procurement processes and receive the grant for the project. The help we got from Christie really put us in the position to get what we wanted.”

Christie’s advanced stereoscopic Mirage WU7K-M projector, with WUXGA resolution at 6,300 ANSI lumens from dual lamps delivers crisp images, vibrant colors, uniform brightness, and with Christie Twist™, the user can control warping and blending so that the image fits any dimension or shape.

Christie 3D visualisation at George Brown College BIM Lab


“The Christie Mirage M series projectors are compact, highly efficient, and provide a low cost of ownership,” said Zoran Veselic, vice president of Visual Environments, at Christie. “They are the ideal solution for immersive simulation displays like George Brown College’s BIM Lab and other post-secondary institutions that are considering an enhanced learning and training environment through 3D visualization.”

Thought to be a first of its kind at a community college or university in Canada, the state-of-the-art facility provides learning opportunities that will cover all aspects of virtual design and construction — from project procurement to building processes and facility management. According to Pietro Ferrari, professor and coordinator, School of Architectural Studies at George Brown College, “What we’ve done with this screen in the BIM Lab is to position GBC to offer a program of BIM-related courses, including a post-graduate BIM Certificate program, that’s extremely deep and much more extensive than what other institutions are offering across Canada.”

Vinten Radamec now shipping the game-changing Absolute Positioning System


Bury, St Edmunds, England – Vinten Radamec®, a Vitec Group Company and world leader in robotic camera support systems, announces the availability of its ground-breaking Absolute Positioning System (APS) navigation system.

The APS, which was awarded the coveted “Best of IBC2012″ award when its beta model debuted at IBC, was praised for being a game changing, smart and valuable product. It also received the TV Technology Star Award at NAB 2013.

The revolutionary APS integrates seamlessly with Vinten Radamec’s Fusion robotic pedestals and delivers unrivalled positional accuracy and operational flexibility never before possible with robotic camera support pedestals. A Fusion pedestal equipped with APS no longer relies on a floor target or tile for navigation and positioning, even when switching from manual to robotic mode.

Instead, it detects unobtrusive, passive retro-reflective targets placed in the studio environment using a scanning laser-based measurement system. This frees up the whole studio floor for the pedestal while removing the need to go through time-consuming retargeting routines.

“We’re delighted the system is now available to all of our key markets,” said Karen Walker, robotics commercial manager for Vinten Radamec. “We have already received orders from broadcasters around the world, and anticipate a high demand, as APS is one of the most advanced products on the market.”

The APS removes all of the operational challenges associated with targeting pedestals using a floor target. It is available as both a factory-fit option on the Fusion FP-188 pedestal, or as an upgrade for existing FP-188 or FP-145 pedestals.

APS system is now available from Vinten Radamec and its partners.

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About Vinten Radamec
Vinten Radamec is a leading provider of robotic camera support systems offering engineering excellence and globally supported solutions for a wide range of technologies and markets. Its extensive range of products includes robotic heads, pedestals and controllers suitable for studio, OB and legislative environments.

Recognized for some of the most innovative broadcast robotics in the world, Vinten Radamec has a worldwide customer support network and distribution infrastructure, and an industry leading research and development program.

Vinten Radamec solutions take a seamless role in the broader automated environment and thereby increase the flexibility of systems to take advantage of the economic and operational benefits of robotic cameras. ®Vinten Radamec Broadcast Robotics is a registered trademark of The Vitec Group plc.

For more information on Vinten Radamec, visit www.vintenenradamec.com or follow them on YouTube.

About Vitec Videocom
Vitec Videocom brings together some of the most respected, most innovative and most sought-after brands in the industry: Anton/Bauer, Autoscript, Litepanels, OConnor, Petrol Bags, Sachtler, Vinten and Vinten Radamec. It acts as an endorsing brand for these market-leading broadcast, film and pro video products, encouraging multi-brand system sales and simplifying the way that customers worldwide do business.

Vitec Videocom is an operating division within the Vitec Group, an international business serving customers in the broadcast, photographic and military aerospace and government markets. Vitec is based on strong, well known, premium brands on which its customers rely worldwide.

Vitec Videocom – innovative products around the camera. Follow Vitec Videocom on Twitter, Facebook, and LinkedIn.

Media Contacts:
ignite strategic communications
818.980.3473
Lisa Muldowney, lisa@ignite.bz
Jared Gay, jared@ignite.bz

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Related Topics: AV Control Systems, Videos |

MassAV Creates ‘Ultimate Production Snake’ by FiberPlex

It’s lights, cameras and a whole lot more action for massAV as a result of a new FiberPlex Technologies optical snake recently added to its linecard.

The live event AV staging and production company in Billerica, Massachusetts, purchased FiberPlex’s WDM optical multiplexer to create what massAV Director of Operations Aaron Raymond calls the ultimate production snake. “We build a lot of very high end video systems, and when you start adding multiple lines of HD video along with audio, data, lighting and control for an event, it really has to be fiber,” he said, adding, “We’d been limited in our use of fiber until now because it meant having to set up an optical transmitter and receiver on every single channel, and that got expensive.”

Now, with FiberPlex’s WDM-8 active wave division multiplexer, massAV can multiplex eight discrete signals at 3 Gb/s each for transporting video, audio, lighting and control feeds onto one fiber pair.

The FiberPlex WDM multiplexer comes in 16-channel and 8-channel models and are on a cost parity with copper and copper’s associated installation and handling expenses. As the cost of copper cabling continues to rise, companies like massAV are going the fiber optic route to transport large volumes of content. Optical fiber has ten times the transference rate of copper at the high end and can transmit data error-free over greater distances by a 400:1 ratio.

“The FiberPlex multiplexer makes it so that we can run eight channels on the same fiber pair as opposed to dealing with the different types and sizes of copper cabling as well as the need to re-clock signals every couple hundred feet for longer runs,” explained Raymond.

As a result, massAV is able to replace 2,000 pounds of copper cabling with a 25-pound spool of fiber optics for large events, a savings that is realized by its corporate and other live event customers in reduced labor, setup time and transportation costs to truck in and set up copper cabling at events.

Multiplexing media and control signals onto one, 1/4-inch optical cable is also ideal for events that require running cables down hallways, across doorways or through public areas where bulky copper cabling is not practical, said Raymond.

massAV recently tried out the new multiplexer for a 1,500-person event with a main stage, two control areas, and 26 video projectors in the air – all tied together via the ultimate production snake consisting of little more than a spool of fiber optic cabling and a pair of WDM multiplexers. The setup involved multiple lines of data, video, audio, lighting control, intercom communications, and serial communications between equipment.

FiberPlex’s eight-channel WDM-8 and sixteen-channel WDM-16 multiplexers use interchangeable SFP/SFP+ modules for interfacing to a variety of gear and environments, including converting between media formats SD-SDI, HD-SDI, 3G-SDI, and 6G-SDI and for HDMI/DVI, 10/100/1G Ethernet and MADI, as well as full duplex and BiDi optical. massAV’s new multiplexer provides the flexibility now and into the immediate future as new media requirements change, noted Raymond.

FiberPlex recently took to the road to conduct a 25-city demo tour of its active wave division multiplexers as the ultimate production snake (check with a local FiberPlex representative for details). FiberPlex makes fiber optic products and systems for government agencies as well as for houses of worship, corporate facilities, broadcast applications, and K-12 and higher education.

ALTINEX ANNOUNCES AVAILABILITY OF NEW CNK-IP SERIES INSERT PLATES FOR CABLE-NOOK JR™ INTERCONNECT UNITS

**** Photo: New CNK-IP Series Insert Plates ****

Brea, CA – February 2014… Altinex, a leading manufacturer of Signal Management Solutions®, is pleased to announce the availability of three new insert plates for the company’s popular Cable-Nook Jr. interconnect boxes: the CNK-IP-111, the CNK-IP-112, and the CNK-IP-113. Designed for use with the Altinex CNK221 and CNK321 Cable-Nook Jr. interconnect boxes, the three new insert plates are manufactured from black anodized aluminum, are RoHS compliant, and provide connectivity for the most popular types of boardroom / meeting facility spaces—facilitating one’s choice of digital sound and picture (HDMI), analog video (VGA), and audio (3.5 mm to Terminal Block). more

Christie Delivers the Intuitive Touch and Affordability in Commercial Grade Full HD Flat Panels

Christie® is debuting its new 65-inch flat panel digital display solutions at the Integrated Systems Europe (ISE) show in Amsterdam Feb. 4-6. The affordably priced, LED edge-lit Christie FHD651-T and Christie FHD651-P have a thin profile – just 2.7-inches deep for the touch (T) and 2.1-inches deep for the non-touch (P) version – making for easy installation and complementing any setting with their elegant design. Both commercial-grade LCD flat panels have the reliability and image quality needed for meeting rooms, classrooms and digital signage in corporate spaces, museums, education facilities, houses of worship, theaters, and hospitality and retail environments where conveying the message with bright, brilliant images for long time periods without interruption is essential.

Featuring up to four simultaneous touches, the Christie FHD651-T has high-accuracy infrared touch technology with superior touchscreen performance in a fully integrated package.

“Whether it’s touch or non-touch LCD flat panels, Christie has what end users are looking for: high quality, durable and easy to integrate visual display solutions at a low cost of ownership, backed by Christie’s unbeatable customer service and technical support,” said Richard Heslett, senior product manager, Christie. “With the Christie commercial-grade 65-inch flat panels, end users can count on professional AV performance with brilliant visuals and greater functionality all at an affordable price tag. They can relax in the knowledge that they have a display designed for long run times each day and years of use with the added assurance of a full commercial warranty. And with their small bezels and super slim profile, the sleek and elegant Christie FHD651-T and Christie FHD651-P easily and seamlessly fit any space, while meeting U.S. ADA requirements.”

Mountable in portrait or landscape mode, both flat panels have built-in speakers, offer a wide range of inputs to easily connect any source and support RS232 commands for ease of automation and control, while displaying up to 1.07 billion colors and 4000:1 contrast ratio for true-to-life images.

Both flat panels seamlessly combine with the Christie Brio multi-site presentation and collaboration solution. With long-lasting LED backlighting, the new flat panels are energy efficient and consume minimal power for maximum sustainability and a reduced environmental footprint.

Christie FHD651-T and Christie FHD651-P Flat Panels Deliver:

− Up to four simultaneous touches for the Christie FHD651-T.
− Commercial-grade LCD with anti-glare coating.
− Landscape or portrait orientation.
− Wide range of inputs including DP, DVI, HDMI.
− Support for RS232 commands.
− Seamless integration with Christie Brio presentation and collaboration solution.
− Built-in 10W speakers.
− HD resolution, 360 nit brightness, 1.07 billion colors, 4000:1 contrast ratio.
− An aesthetically pleasing, small bezel and thin profile design, complementing existing architecture.
− Compliance with U.S. Americans with Disabilities Act (ADA) regulations and barrier-free environment standards in other countries (installed depth of under four inches/100 mm).
− Energy-efficient, long lasting edge-lit LED backlighting.
− Less than 0.5W standby power consumption, meeting the most stringent regulations.

The new Christie FHD651-T and Christie FHD651-P ship in March with a three-year parts and labor warranty.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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