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Mission 26 Accomplished For Christie and Endeavour at the California Science Center

The Space Shuttle Endeavour’s final journey is captured in a compelling nine-minute video being shown on a Christie Roadster HD10K-M 3-chip DLP® projector at the California Science Center in the Mission 26: The Big Endeavour exhibit. The film follows the shuttle as it flies over Los Angeles – transported on top of a NASA Boeing 747 shuttle carrier aircraft – before landing at Los Angeles International Airport and taken on its 12-mile, three-day voyage to the Science Center with a cheering crowd of over 1.5 million who lined the route. The Space Shuttle Endeavour flew 25 missions into space, deployed three satellites and orbited Earth 4,671 times. Mission 26 refers to its final journey through the streets of Inglewood and Los Angeles to its permanent home at the Science Center’s Samuel Oschin Space Shuttle Endeavour Display Pavilion where it will inspire future generations of scientists, innovators and engineers.

David Knight and Christie HD10K-M Follow the Voyage to the California Science Center

At the Science Center, guests visit the Mission 26 exhibit, which features more than 80 large-scale photographs depicting Endeavour’s journey. Inside the gallery is the Mission 26 Theater where the new film is running continually throughout the day. Following the movie, visitors can walk downstairs, visit various exhibits and then enter a large pavilion where the Shuttle is displayed.

“We did the film because people love to visually relive this moment in history. It was the first and last time ever something like this would happen on urban city streets and it brought all kinds of people together from all over the world. This commemorates that and gives those who didn’t get to see it a chance to experience it as well,” said David Knight, producer, Endeavour Project.

Knight led a large filming project that documented the entire move-process, beginning with Endeavour being mounted atop the 747 at Kennedy Space Center in Florida, and culminating with her installation inside the Shuttle Pavilion. He pursued the project as a labor of love and the response was overwhelming. The 150-person film crew, equipment and everything involved in the project were all donated.

“For the movie that plays on a nearly 30-foot wide silver screen on the wall – people enter from one side, sit down and watch the movie, and then walk out the other side,” said Knight. “The walls don’t go all the way to the ceiling and hanging above the back wall is the HD10K-M. It is front-projecting and shows the movie in 2D with the plan to make a 3D rendering of the movie, and then we’ll switch over to 3D.”

The most compact in its class, the Christie HD10K-M provides true HD native resolution (1920 x 1080) with up to 10,000:1 contrast ratio, dual mercury lamps, embedded Christie Twist™ image warping and edge-blending, built-in portrait capabilities and is 3D upgradable.

“I appreciate the brightness and color depth of the Christie projector: the Mission 26 Theater installation utilizes a wall-painted screen, thus the demands for output power are extremely critical. Two other projector-brands were tried and the Christie difference is stunning,” said Knight.

California Science Center Foundation executive William Harris explained the success of the Shuttle’s final trip and the movie capturing the entire event.

“No Shuttle has ever been available for up close viewing like Endeavour here; you can walk right under and around it. Other shuttles have been available for viewing such as in the Smithsonian in Washington, D.C. but they are roped off and you can’t go underneath,” he said. “Endeavour is mounted low to the ground, you can actually walk right under it and can read the numbers on the individual thermal tiles, of which there are over 20,000.

“There has always been a lot of pride in the Shuttle program and what mankind can do when we set our minds to it,” continued Harris. “We flew Endeavour throughout California atop the 747 before landing at Los Angeles Airport (LAX). An estimated almost four million people saw it fly over. The number of people who have seen all this is absolutely staggering.

“We are all very pleased – and with up to 25,000 visitors per day it’s important that we have a highly reliable, extended-duty-cycle solution. Christie has delivered that.”

The Mission 26 exhibition runs through Labor Day, September 2, 2013.

Belkin Releases USB 3.0 Dual Video Docking Stands for Ultrabooks and Windows 8 Tablets

Designed for Mixed Platforms and Multiple Users, Two New Docking Stands Bring
Enterprise-level Productivity to Mobile Computing

COMPUTEX TAIPEI, Taipei, Taiwan Belkin, a trusted leader of technology solutions for office, classroom, IT infrastructure and mobile environments, today announced the release of two new docking stands: a Dual Video Docking Stand for Windows 8 tablets and Dual Video Docking Stand for Ultrabooks, making mobile computing easier and more productive for business users. The stands, which leverage DisplayLink® technology, allow users to turn an Ultrabook or Windows 8 tablet into a full-function desktop with a single plug-and-display USB 3.0 cable. Belkin will showcase the docking stands and other mobile computing solutions at COMPUTEX TAIPEI in Taiwan, June 4-8. 

“Greater mobility and the need for an improved user experience are increasingly important to organizations that care about worker productivity and its impact on overall efficiency,” said J. Gerry Purdy, Ph.D., principal analyst, Mobile Trax. “Belkin has developed an interesting set of docking stands that really optimize the functionality of Ultrabooks, and particularly Windows8 Tablets, in the business  environment. This is a great step forward for mobile computing at the enterprise level.”

The new docking stands are designed to provide versatility to accommodate mixed platforms and multiple users, including visiting professionals, contractors and ‘hot desk’ environments. Because it allows easy access to multiple peripherals, users can configure their workstations based on their preferences.

Key features of the USB 3.0 Dual Video Docking Stands include:

  • Extra ports to deliver multiplied connectivity to keyboard, mouse, printer, network and more
  • Improved productivity with the ability to connect to one or two external high resolution displays
  • Optimized workspace with built-in Ethernet, display and USB ports as well as integrated cable management to keep clutter and desktop accessories organized 

The Windows 8 docking stand is compatible with all Windows 8 tablets based on Atom and Intel core-i based mobile processors. The Ultrabook stand supports Windows XP, Windows Vista, Windows 7, and Windows 8. Neither stand is compatible with Windows 8 RT.

“Laptop and tablet users often do without the advantages of external monitors, full-size keyboards and other desktop peripherals because of the hassle involved in connecting, disconnecting and reconnecting every device, every time they leave their desk or return to it,” said, Timothy North, global product manager of Belkin Business, a division of Belkin International. “These docking stands offer the best of two worlds—the freedom and convenience of mobility with the comfort and functionality of a fully equipped office, finally enabling mobile computing with enterprise-level productivity.”

Resources

COMPUTEX TAIPEI

Belkin USB 3.0 docking stands are available immediately, and will be demonstrated at COMPUTEX TAIPEI in Taiwan, June 4-8. To arrange a meeting with Belkin contact denise.nelson@ventanapr.com. 

Belkin delivers products and customer-driven solutions to support the technology needs of business and mobile computing, as well as every essential accessory and peripheral device to provide a complete, efficient, productive workstation that meets the demands of business use. For more information visit: Belkin Business.

Tweet this: @belkinbusiness Releases USB 3.0 Dual Video Docking Stands for #Ultrabooks and #Windows8Tablets, Making #MobileComputing More Productive 

About Belkin Business

Belkin Business, a division of Belkin International, offers technology solutions for office, classroom, IT infrastructure, and mobile environments. A proven technology leader for more than 30 years, organizations worldwide trust Belkin for its unwavering commitment to product quality, and expertise in creating solutions designed to address customer requirements in business, government, and education. With a global supply chain and broad provider network, Belkin commands a purchasing power that delivers greater value and unparalleled execution advantages to customers. The company’s line of commercial products are available through Belkin’s global network of distributors and resellers. Headquartered in Playa Vista, California, the company is represented in more than 25 countries and can be found on the Web at http://www.belkinbusiness.com. 

Tags: Ultrabook, Windows 8 tablet, tablet PCs, docking stations, USB 3.0, connectivity, mobile computing, mobile computing solutions

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Christie Helps Engage Participants at T.I.N.Y – An Interactive Multimedia Public Art Installation by Artist Garson Yu at New York’s Pier 57

At the Marina at Pier 57, Christie® M-Series HD projectors are helping visitors “travel” through New York City by creating a multi-sensory experience for The Interactive New York (T.I.N.Y) exhibition, an interactive multimedia art installation by video artist Garson Yu. The exhibit is inspired by New York City as a living organism, and will let visitors interact with video and sound reminiscent of traveling in the city.

The Interactive New York (T.I.N.Y.) Exhibit at Pier 57


The interim art space, created at the entryway to Pier 57, features a “magic carpet” sculptural installation of 36 hanging shipping containers designed by Madrid-based architecture firm CH+QS Arquitectos. Eight Christie HD10K-M 1080 HD 3-chip DLP® projectors create a special interactive experience within the space, projecting moving images onto the containers of everyday life in New York, including subway scenes and scenes of childhood memories. Displayed in brilliant HD and using the projectors’ embedded warping, blending and color matching capabilities, the images help to simulate a virtual subway train – with visitors traveling from end to end, passing through the containers as one would walk through the different cars of the train. There is an ambient audio track built around the rhythmic rumble of a subway train and layered with city sounds. Walking further into the installation, visitors become participants, and are encouraged to yell and make different vocal sounds into microphones that trigger motion of the visuals.

“We are thrilled that the versatility, brightness, and interactive qualities of the Christie M- Series projectors have provided Garson Yu with an ideal medium for expressing and realizing his artistic vision,” said Kathryn Cress, vice president of global and corporate marketing for Christie. “His exhibit has brought to life a unique and creative idea that can now be enjoyed by many, with each visitor engaging with the experience in their own personal way.”

Garson Yu said, “As a student, I always wanted to design children’s playgrounds, and this is an opportunity to create something almost like an interactive carnival for families and people of all ages to come play and have fun. My hope is for this to evoke the richness of a full range of memories and emotions. I’m bringing the kind of thinking behind the film projects that I work on in Hollywood, and the Christie projectors are essential to helping me create an immersive, interactive experience that affects everyone based on their personal memories. New York is an important part of my artistic life, and it is great to come back here with this show.”

The Christie HD10K-M is a flexible, high performance 3-chip 1080 HD DLP® digital projector featuring high efficiency and brightness, drawing a maximum power of 1320W. Embedded warping, blending and color matching, along with built-in portrait capabilities provide ideal installation flexibility.

Renewed Vision Unveils ProVideoServer at InfoComm 2013

Popular and reliable ProVideoSync media server rebranded and upgraded with significant improvements

ORLANDO, Florida – InfoComm 2013 booth #4211 — Renewed Vision is taking advantage of InfoComm 2013 to officially debut ProVideoServer (PVS), the company’s new four-channel HD video server with synchronization.

Eight years ago, Renewed Vision introduced ProVideoSync, a dual-channel media server currently used by many organizations around the world for the synchronized playback of two channels of broadcast-quality video with select video codecs. Since that time, codecs like H.264 that were originally suitable for web video became of a better quality, distribution of content over the web became more desirable, remote control capabilities in video switchers became more widespread, and the appetite for even more video channels has grown.

With all of that in mind, Renewed Vision’s engineering team set out to address these modern requirements, re-imagining and extending the original scope of PVS. The result is essentially a brand new product with a slightly updated name better suited for its purpose. more

iZotope Presents 10 Tips from an RX Pro with Mike Thornton

Learn how to “RX it” like a pro with audio guru and Sound On Sound columnist Mike Thornton

Mike Thornton is a sound designer, audio producer and a Pro Tools specialist who works in radio, TV sound & digital media. He is also Deputy Editor of Pro Tools Expert and a Sound on Sound columnist. Chances are he’s encountered a noisy situation like the one you’re facing, and he’s ready to show us how to fix the problem with RX 2.

Please check out these comprehensive, free video tutorials and share the following link in your social media, e-newsletters, on your blogs and websites:

http://www.izotope.com/products/audio/rx/protips.asp (videos available in English and German!)

This series features real-world examples of audio rescue, including:

  • Reducing hiss caused by a bad microphone cable
  • Repairing clipping in a poorly recorded interview
  • Reducing hum from a one-time-only recording
  • Removing camera sounds from wedding vows
  • Eliminating feedback from a bad PA system
  • Tackling mobile phone interference and buzz
  • Removing mobile phone text alert sounds
  • Cleaning up recordings from a drama performance
  • Reducing noise from a trade show floor
  • Removing clicks and crackles from old recordings

For more information about RX 2, please visit http://www.izotope.com/products/audio/rx/

Christie CTO Paul Salvini Keynote Speaker at New High Performance Displays Conference in Vancouver

Christie®, a world leader in visual display technology, is pleased to announce that Dr. Paul Salvini, its Chief Technology Officer, will be a keynote speaker and a panelist at the High Performance Displays Conference taking place in Vancouver, B.C., on May 23.

High Performance per se is a new topic for the Society for Information Displays (SID) Market Focus Conference Series this year, as part of Display Week 2013, located at the Vancouver Convention Centre from May 19 to 24. Dr. Salvini will deliver the 10.00 a.m. keynote address for the morning session on the 23rd at the one-day High Displays Conference, where the focus will be on the “visual interface” – the performance characteristics of displays that enable differentiable improvements for the user’s visual experience.

Following his keynote address, Dr. Salvini will be one of four display sector leaders taking part in a moderated panel called ‘Great Thinkers.’ The four panelists will be challenged to identify the display performance parameters that “truly enable enhanced human interaction with display devices.”

Dr. Salvini is eminently qualified to discuss the future of high performance displays. At Christie he is CTO and leads the company’s research and innovation activities. He is passionate about the creation of compelling shared visual experiences across multiple domains including cinema, visualization and simulation. Prior to his appointment with Christie in June 2011, Dr. Salvini was CTO at Side Effects Software. He has led a 3-time academy award winning team of engineers and software developers in advancing the art and science of visual effect in feature films.

Dr. Salvini is President of the University of Waterloo Alumni Council and holds an appointment as an Adjunct Professor in the graduate school of computer science at the University of Toronto. He serves on a number of boards relating to digital media research in the areas of graphics, information visualization and 3D film innovation.

In conjunction with Display Week 2013, the May-June issue of SID’s official publication, Information Display Magazine, will feature an exclusive article by Terry Schmidt, Christie Digital’s recently retired Chief Scientist, on how Christie projected the world’s first High Frame Rate (HFR) movie with the world premiere of “The Hobbit: An Unexpected Journey” at the historic Embassy Theatre in Wellington, New Zealand.

In the bylined article, Schmidt documents how he led the Christie team that planned and installed Christie CP2230 projectors, complete with integrated media blocks, at the circa 1924 theater last November. This in-depth, four-page article summarizes the effort required to enable the first showing of a major motion picture in vibrant, bright High Frame Rate 3D, which involved Christie’s leading DLP Cinema® projection technology, advanced sound and screen equipment, and earthquake and wind projection.

Light Iron Chooses Christie Solaria Projection For Postproduction Needs

Light Iron, a leading postproduction house based in Los Angeles, has expanded its use of Christie Solaria® Series digital cinema projectors offering rich, saturated color, high brightness and sharp, 4K resolution to its ever growing clientele.

A Christie CP4230 digital cinema projector was installed at Light Iron's new facility in New York City


“We’ve used other manufacturer’s 4K projectors when 4K projectors first hit the streets, but the fact of the matter is it’s more important to be the best at something than the first. And the best 4K solution is exactly what Christie brings to the market. With its reliable and proven name, it was an easy decision to make Christie the standard for our screening rooms in both Los Angeles and New York City, with Christie Solaria 2K and 4K projectors in operation at both locations, including a Christie Solaria CP4230, which will be highlighted at the official unveiling of our new facility in New York City tonight,” said Michael Cioni, CEO, Light Iron.

“Christie’s all-in-one design allows us to view 4K content without an external cinema server. This allows us to stream uncompressed 4K content from our DI color systems directly to Christie projectors in our LA and New York facilities. This makes the integration of 4K into our technical pipeline nearly identical to our 2K pipeline, and that’s one of the reasons it’s the best projection solution on the market,” added Cioni.

Christie DLP Cinema® Projectors a Hit with Postproduction Houses
“Our product flexibility is gaining us a lot of converts in the postproduction space. One of our key differentiators here is that the user doesn’t have to swap input cards when switching between uncompressed and packaged cinema content, as two slots are standard on the Solaria 4K projectors,” said Don Shaw, senior director, Product Management with Christie’s Entertainment Solutions group. “And as one of these connections is a professional-grade quad 3G-SDI connect, Christie can ensure that post facilities have a robust and convenient digital interface for flawless viewing of 4K digital cinema or alternative content.”

After four years in Los Angeles, Light Iron has expanded into New York to help serve the postproduction community there. A pioneer in 4K postproduction projection, Light Iron hopes to demonstrate to the NYC cinema and postproduction community the solid workflows that 4K enables and how easy, cost-effective and quick it is to implement a 4K workflow as an alternative to 2K workflows, which don’t facilitate 4K digital content as well. Light Iron’s New York screening room has a 35-foot throw and a Microperf screen 16 feet wide by 9 feet. The 4K content is played out of a Quantel Pablo Rio with AJA Corvid Ultra video card, while 4K content is fed via 4 by 3G-SDI. The facility at 580 Broadway will be unveiled to a broad cross-section of the industry at its grand opening tonight.

“Ours is the only post facility designed for 4K from the ground up. While working with 4K files is becoming common, viewing pixel-for-pixel results is not. The Christie CP4230 expands Light Iron’s creative freedom by enabling real-time 4K monitoring in a calibrated DCI space. Since that’s where the cinema is headed, that’s where Light Iron needs to be. There’s really no one else on either coast that feels as strongly about this as we do,” said Cioni.

About Light Iron
Light Iron is a postproduction company specializing in on-site dailies, digital intermediate, archival, and data services for projects originated on file-based motion cameras. With facilities in Hollywood and New York City, Light Iron serves feature film, episodic television, commercial, and web-bound projects at both the independent and studio level. The company distinguishes itself by providing clients state-of-the-art hardware and software solutions configured to enhance the creative process. More specifically, Light Iron delivers post production workflows that minimize time, maximize image fidelity, and increase filmmakers’ creative control over their projects.

DPA Microphones Spends A Night At The Opera

The sound team at the Parco Della Musica Auditorium in Rome recently turned to DPA Microphones’ Reference Standard 4017 Shotgun Microphones to record the audio for a specially commissioned double DVD of two operas that were being performed as part of the Santa Cecilia Opera Studio, a master programme devoted to Bel Canto.

With high quality audio a prerequisite – and with strict instructions from the director that no microphones were to be seen anywhere in the video footage – sound engineer Giacomo De Caterini was initially struggling to work out how he could comply with the director’s brief.

“The director wanted to avoid any microphones that could be visible because he was determined to maintain strict focus on the performers,” De Caterini explains. “Due to bad experiences in the past, especially on video productions where close-up shots revealed poorly concealed microphones dangling from the singers’ wigs, he was very keen not to have any microphones on the singers’ heads. This ruled out the use of miniature microphones such as the DPA 4061s, which we had initially been considering.”

To add to De Caterini’s difficulties, some of the backgrounds were being video projected, which meant that microphones hanging from the ceiling were also out of the question.

“I was quite worried as the only option left was to use shotgun microphones positioned on the edge of the proscenium,” De Caterini says. “I realized this would only be OK if we had a sufficient quantity and if they were strategically placed to capture the audio properly.”

Luckily, Salvatore Zocco, product manager at DPA’s Italian distributor M. Casale Bauer, was able to come up with a solution. He gave Giacomo De Caterini some DPA Reference Standard 4017 Shotgun Microphones and suggested he tried them out as an option.

“Although I expected the high quality sound and trustworthiness that invariably comes with DPA microphones, what I did not expect was the ability of these microphones to deliver a sound unlike any other shotgun I have ever tried,” De Caterini explains. “They were much more akin to a pair of traditional cardioids, and with the amazing ability to behave more like ‘wide cannons’ than strict shotguns. In other words, instead of the typically coloured audio that becomes almost unusable as soon as the pickup is slightly off-axis, these microphones delivered great audio that required minimal tweaks and remained readable and clean even when picking up vocalists who were right as the back of the stage. Thanks to their new, dedicated preamps, they also delivered lower noise than any other shotgun microphone I have tried. Ultimately, what set them apart was something you certainly don’t expect from shotguns: sheer musicality.”

The two operas being recorded for this DVD project were Ravel’s “L’Heure Espagnole” and Puccini’s “Gianni Schicchi”. Both were performed in the Petrassi Hall, which has roughly 700 seats and is the smallest of the three halls that form the Parco Della Musica Auditorium complex. The double DVD production was co-produced by the Accademia Nazionale di Santa Cecilia and Infocamere, the IT company for the Italian Chamber of Commerce, and distributed as a special gift to major Chambers of Commerce clients.

After completing the recordings for the DVDs, Giacomo De Caterini was so impressed with the performance of the DPA 4017 Shotgun Microphones that he refused to return them to M. Casale Bauer.

“They were definitely a keeper,” he says, “and they have now joined the Auditorium’s stock of DPAs. I’ve used a lot of DPA in the past – and B&K before them. I love all the classics like the 4006, 4015, 4011 etc., and I also use the DPA miniature microphones for live work, especially the brilliant d:vote™ 4099 Instrument Microphones and the compact cardioid 4021 microphones, which I consider to be the most treasured tools of my trade.”

Recently, De Caterini had the opportunity to use a pair of DPA 4041s (running at 130V with the dedicated preamp) and was completely blown away by their performance.

“They combine the best features of DPA’s classic omnis with the low/mid ability that has previously been the trademark of DPA’s competitors. Using them for the first time provided me with a rare moment of illumination – not to mention an almost irrepressible urge to reach for my wallet!”

Since completing the opera DVD project, Giacomo De Caterini has been working on a number of other high profile recordings including engineering and post-producing a CD of Verdi’s music for EMI Classics, which features the Orchestra di Santa Cecilia with Sir Antonio Pappano.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Christie Solaria Series Projectors Light Up the Warner Bros. World Premiere of “The Great Gatsby” in 3D at Avery Fisher Hall in New York City

The highly anticipated world premiere of Warner Bros. “The Great Gatsby” lit up the screen in brilliant 3D, thanks to Christie Solaria® Series digital cinema projectors, which brought to life the splendor of the roaring twenties in rich, saturated colors and sharp, 4K-resolution. The star-studded event took place at Avery Fisher Hall, an iconic New York City venue at Lincoln Center for the Performing Arts.

The Great Gatsby (Courtesy Warner Bros.)

Directed by Baz Luhrmann, the film is based on the classic novel by F. Scott Fitzgerald, and will be distributed worldwide by Warner Bros. on May 10. The event was a glamorous evening worthy of the film’s 1920s setting, featuring an audience filled with the film’s stars—Leonardo DiCaprio, Tobey Maguire, Isla Fisher, Joel Edgerton, and Carey Mulligan. A host of other A-list celebrities, including Jay-Z and Jake Gyllenhaal, also made appearances at the red carpet event.

“Christie is thrilled to have projected the world premiere of ‘The Great Gatsby’, a long-awaited movie based on one of the most beloved literary classics,” said Craig Sholder, vice president, Entertainment Solutions, Christie. “As a trusted leader in digital cinema projection, we were pleased that that our projectors displayed all the splendor and opulence of ‘The Great Gatsby,’ fully realized in 3D!”

Preferred Christie® dealer Digital Media Systems selected two top-of-the-line Christie CP4230 DLP® digital cinema projectors for the screening, which converged the light from two projectors to create a seamless image projected onto a silver screen. Gregg Paliotta, president and owner of Digital Media Systems, said that this 4K Christie solution was the only choice for providing the brilliant 3D images needed.

Avery Fisher Hall - Ready for Great Gatsby Premiere (Photo Courtesy Gregg Paliotta)

“We have done other major premieres at Avery Fisher Hall in the past, such as ‘Hugo’ and ‘War Horse,’ so Warner Bros. and Lincoln Center trusted us and Christie to deliver the high brightness and absolutely flawless picture quality needed to screen this major studio event,” said Paliotta. “The Christie projectors always perform to our expectations, and ‘The Great Gatsby’ premiere was no exception. We are proud to be an exclusive Christie dealer for that reason.”

Christie Projects Tribute to Barbra Streisand For 40th Anniversary Chaplin Award Gala at Avery Fisher Hall

A Christie® digital projector was chosen to honor Barbra Streisand at the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall in Lincoln Center on April 22, 2013. Former President Bill Clinton presented the pop culture icon with the prestigious Chaplin Award for her lifetime of achievements and contributions to the art of film. The Christie projection system screened a tribute montage of Streisand’s illustrious career, which includes her Academy Award®-winning performance in “Funny Girl” and her role as director, co-producer, co-writer, and star of the film “Yentl.”

A 40-year tradition, the Chaplin Award Gala is The Film Society of Lincoln Center’s major fundraising event, which helps support the organization’s “ongoing work in education, artist development, and cross-cultural film outreach,” according to the Film Society. Special guests included actors Pierce Brosnan, Blythe Danner, Amy Irving, and Kris Kristofferson, with musical performances by Tony Bennett, Wynton Marsalis, and Liza Minnelli.

“We were thrilled that Christie technology was chosen to deliver the visual experience that honored Barbra Streisand with this deserving award at Lincoln Center,” said Kathryn Cress, vice president, Global & Corporate Marketing, Christie. “We recognize that, with a sold-out audience filled with distinguished guests, a visual solution worthy of showcasing Ms. Streisand’s legendary performances was needed. And that we delivered, as our projectors are recognized for delivering the most brilliant, high-definition images in the industry today and with the reliability expected from the Christie brand.”

The Film Society of Lincoln Center chose Digital Media Systems to install a powerful and reliable projection solution for the gala at Avery Fisher Hall, one of Lincoln Center’s largest venues with a capacity of over 2,700 people. Digital Media Systems in turn selected a Christie Roadster HD18K 1080 HD DLP® Projector to light up a 32ft. screen throughout the event, confident that it would deliver an image that was bright and powerful enough to meet the demanding needs of the high-profile evening.

According to Gregg Paliotta, president and owner of Digital Media Systems, “We have done other projects for various Lincoln Center venues and events, and we always ensure that any projection and sound solution we use is world premiere standard. Quality and reliability are paramount. Absolutely nothing can go wrong once the curtains go up, which is why we choose Christie to deliver at these prestigious events. The Christie HD18K projector was the perfect solution for the challenging distance, angle, and space limitations of the projection booth.”

“This is an incredibly important event for us each year, as it helps support our organization through the celebration of those who have advanced the art and culture of film,” said Lesli Klainberg, managing director, The Film Society of Lincoln Center. “For the 40th Anniversary Chaplin Award Gala, we really wanted the clips from Barbra Streisand’s career to pop with bright, sharp images. We have worked with Gregg Paliotta of Digital Media Systems in the past, and are always impressed with the quality of the Christie projectors and the exceptional services he provides in setting them up for our most important functions.”

Part of the Christie HD Series, the Christie Roadster HD18K features full 1920 x 1080 resolution, proven 3-chip DLP® technology with Xenon® illumination, high quality optics and 10-bit image processing for the brightest, clearest HD imaging available in the industry today.

About The Film Society of Lincoln Center
Founded in 1969 to celebrate American and international cinema, the Film Society of Lincoln Center works to recognize and support new directors, and to enhance the awareness, accessibility and understanding of film. Among its yearly programming of film festivals, film series and special events, the Film Society presents two film festivals in particular that annually attract global attention: the New York Film Festival which just celebrated its 50th edition, and New Directors/New Films which, since its founding in 1972, has been produced in collaboration with MoMA. The Film Society also publishes the award-winning Film Comment Magazine and a year-round calendar of programming, panels, lectures, educational and transmedia programs and specialty film releases at the famous Walter Reade Theater and the new state-of-the-art Elinor Bunin Munroe Film Center. For more information, visit www.filmlinc.com.

About Digital Media Systems
Digital Media Systems, Inc. represents the motion picture post production, distribution and exhibition communities for complete projection and sound services. It specializes in equipment and engineering support for world premieres and event screenings. It also provides multiplex and screening room installation service and maintenance. For more information, visit www.dmediainc.com.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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