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Archive of the Videowall Category

At full speed: The Art of Light uses wysiwyg for Armin Only – Intense world tour

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wysiwyg enables a spectacle for each and every visitor

The Art of Light, a Netherlands-based creative light designing, programming and operating company, used wysiwyg version R33 to previsualize lighting design and effects for DJ Armin van Buuren and his ‘Armin Only – Intense’ worldwide tour.

“A completely original lighting design was designed by Marc Heinz. The Art of Light was in charge for all the programming and used wysiwyg R33 to previsualize the tour,” said André Beekmans, founder of The Art of Light.

“Because the design includes 388 moving lights, 67 strobes, 100 LED fixtures and some conventional lighting, we needed to pre-program the lighting design in our studio before we started the rehearsals. The 6 hour show includes 25 timecode tracks including live performances and dancers.

“wysiwyg is realistic and reliable. When used in combination with all paperwork and drawings, it proved to be a really powerful previsualization tool for Armin Only – Intense,” enthused André Beekmans.

The Art of Light was established by André Beekmans in 2011. Today, a highly skilled design and engineering team works on the biggest, brightest and technically complex high profile events around the world. Their scope includes a number of world firsts including all shows for Hardwell, Afrojack and Armin van Buuren. Festivals such as Dance Valley, Tomorrowland, Amsterdam Music Festival and tours including A State of Trance, Revealed and Fusion Cube.

“The projects that we work on are inspired by creativity and we are always pushing the boundaries of what can be achieved with lighting. In saying this, we rely on wysiwyg previsualization to see, to tweak, to test, to cue as well as to provide to clients and the contractors, technicians and musicians we work with. Watch this space as there are many more spectacular events on the horizon.”

Images: © The Art of Light.

http://theartoflight.nl/

About CAST Software
Established in 1994, Toronto Canadian-based software and hardware developer, CAST Software celebrates its 20th year in business in 2014. CAST Software serves its core markets in entertainment production, special events and meetings. Its award winning flagship software products are wysiwyg design and previsualization suite, and Vivien — Event Designer. All products are designed and created in-house and supported by an established global distribution and reseller network.

CAST Software Ltd. is a member of the CAST Group of Companies Inc.

www.cast-soft.com

wysiwyg Lighting Design Video Challenge 2014

video-challenge2

Make sure you register your vote at the People’s Choice Awards

The Challenge is not yet over.

Entries judged by the panel now flow to the second part of the wysiwyg Lighting Design Video Challenge 2014. So to register your vote for BEST Lighting Design, go to CAST Software’s Blog — http://tinyurl.com/o7bn2nw — and vote by noon Wednesday, 8 October 2014 (EST – Toronto, Canada).

www.cast-soft.com

Stanford University Using Christie Microtiles as Valuable Learning Tool

Christie® MicroTiles® are serving as a valuable learning tool at Stanford University in Stanford, California. Using a frame designed by rp Visuals, the approximately 1,440 square foot (32-units wide by 6-units tall) Christie MicroTiles wall is installed two feet off the ground in a Wallenberg Hall classroom and spans nearly the entire width of the room. The teaching space hosts journalism and social sciences, among other classes – as well as special events such as Election Night.

Christie MicroTiles at Stanford University

Christie MicroTiles at Stanford University

Moving from three projectors to multiple presentation possibilities using Christie MicroTiles
Opened in 2002, the Wallenberg Foundation decided it was time for a refresh, which included replacing the old projectors in the 60-seat theater with Christie MicroTiles. According to Bob Smith, Director of Technology Services, Office of the Registrar, the front row was often vacant because it provided a poor view and if the seats were filled, those audience members cast shadows on the screen.

This isn’t Stanford’s first experience with the technology: two years ago, a Christie MicroTiles video wall was installed in the Visitors Center. “From that installation, I knew the MicroTiles were gorgeous; they’re so rich, and they’re linear all the way down into the blacks. They’re just really beautiful things,” said Smith.

For this room, they needed the highest possible resolution combined with the ability to have multiple presentations running simultaneously in a variety of configurations.

Smith said the MicroTiles also allow people to sit closer to the screen and “allow us to flexibly adjust the visual rhetoric of the screen, making important things bigger, less critical things smaller, bringing things to the center, and moving other things to the side.”

Using Christie MicroTiles during 2012 American Presidential election
An early use of the MicroTiles was November 6, 2012 when the space served as a working newsroom for journalism students covering the 2012 election with the MicroTiles displaying multiple feeds simultaneously.

“What you saw there was a sort of mission control application where there were seven different screens up there – including CNN – two local channels with picture-in-picture and closed captioning, the New York Times webpage, a Google© analytics page, one person editing video and another sorting still images,” said Smith.

“It was the apotheosis of a group work scenario. There was information that was common to everyone in the room spread across the top of the screen. And, at the same time, people who needed some smaller group sharing the space or just a larger display area were working in very close to the screen but down low and using the MicroTiles as an extension of their laptop. That was a really fun, early use of the space.”

Christie MicroTiles expand teaching possibilities
Smith said each class uses the wall in a different way, adding, “The result is that the MicroTiles have basically allowed us to take classroom visualization to a much higher level, with a much higher level of flexibility.

“You’ve got something (Christie MicroTiles) that is tremendously capable and very exciting with what the possibilities are. That would largely go to waste if you have to go to a 2-day seminar to learn how to operate them and become certified. The whole name of the game was to make it so anyone can walk in and operate it quickly.”

With a much wider color palette than conventional LCD displays, Christie MicroTiles display clean, saturated, lifelike colors. The modular display technology can be configured into nearly any shape and size to create a gorgeous digital canvas.

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Related Topics: Education, Videowall |

Zeo Productions Acquires Chauvet MVP-Ta8 Video Wall

zeoproductionstitle

Zeo Productions, in Hatboro, PA. recently added the Chauvet MVP-Ta8 Curve video wall to its in-house video production inventory. The MVP-Ta8 is a modular video panel that, with its 8.33 mm tight pixel pitch and innovative rigging hardware (and unlike a large amount of video wall offerings), allows the ability to be built in straight, concave or convex displays configurations. This makes it ideal for short or long distance viewing. Intensely bright tri-colored SMD (surface mount device) LEDs make this wall perfectly suitable for temporary outdoor applications. In addition, due to its solid construction and flexibility in hanging options it is perfect for extended touring use.

MVP™ Ta8 Curve1

For information on rental or tour availability, please call:
Kyle Pennypacker or Jason Spatz at 215-9560328
or email @ Kyle.p@zeobrothers.com or Jason.s@zeobrothers.com

For additional specs and photos click below to go to Chauvet’s web site page

http://www.chauvetlighting.com/mvp-ta8-curve.html

Christie is the New Face of Security and Surveillance for the Control Room at ASIS 2014

Christie®, a world leader in creating and sharing the world’s best visual and audio experiences, brings a generation of leadership experience to designing and implementing high-performance mission critical control room solutions to ASIS 2014 in Atlanta, Georgia, September 29 – October 2. From high resolution flat panel displays, to video processors and the Christie Phoenix™ open content management platform, Christie will showcase versatile and cost-effective solutions for the ultimate in mission-critical communications, performance, and reliability.

Christie Entero™ HB Front Access Cube, Front Screen Extended

Christie Entero™ HB Front Access Cube, Front Screen Extended

Among the products on display will be a 2×2 ultra-narrow bezel Christie FHD552X HD LCD-based flat panel video wall featuring ultra-sharp HD resolution, high pixel density, and superior image sharpness and brightness. Significantly thinner than conventional panels, Christie flat panels automatically map in any array configuration, either in portrait or landscape mode. They are quick and easy to set up and use less than one watt of power in standby mode for low-cost operation. Also on display will be a 2×2 set-up of the 70-inch Christie Entero™ HB front access display cube the first and only LED display cube to offer wireless control through Wi-Fi® capability. Christie’s video wall displays will be fed by the Christie Phoenix™ open content management platform.

“Christie brings more than 80 years of leadership in visual displays and generations of experience in designing and implementing 24/7 mission-critical operations for some of the world’s largest organizations,” noted Dave Muscat, senior director, Americas Region, Visualization, Simulation and Control Room Solutions, at Christie. “Whether for government, law enforcement, power, utility or telecommunications, Christie offers customized, end-to-end control room solutions specifically tailored to the customer’s needs and budget.”

Collaborative visual solutions for mission-critical monitoring
Today’s control rooms go beyond traditional displaying and monitoring and Christie’s collaborative visual solutions are removing boundaries and enabling expansive collaboration for many of the world’s most mission-critical operations. By integrating stunning zero-maintenance displays with the power of the network, Christie is completely redefining the control room space, and setting the stage for an increasingly distributed control room environment. Across every sector in business, commerce and government, Christie is raising the bar beyond today’s stringent control room requirements.

Matrox Unveils Quad and Six-Head PCI Express Graphics Cards

C-Series includes the world’s fastest fanless quad card and a high-performance six-head card with board-to-board framelock

Matrox® Graphics Inc. today announced the first two cards in the eagerly anticipated Matrox C-Series™ —the Matrox C420 quad-output and the Matrox C680 six-output PCI Express® graphics cards—engineered for stability, reliability and advanced multi-display capabilities. Both cards feature 2GB of on-board memory and mini DisplayPort connectivity. They deliver outstanding performance for control room, digital signage, enterprise, industrial, security, A/V, and embedded system applications.

Matrox C-Series Graphics Cards

The low-profile Matrox C420 quad card features passive cooling for increased reliability and silent operation. Its low power consumption makes it a perfect fit for small-form-factor and embedded systems. The single-slot Matrox C680 supports up to six displays or projectors. Compatibility with the latest Ultra-HD and 4K panels makes C680 a versatile solution for multi-screen workstation setups. More displays can be supported by inserting two C680 cards into a system. The board-to-board framelock feature ensures synchronization of all displays to reduce tearing on digital signage and video walls.

Both new video cards work with the robust Matrox PowerDesk™ desktop management software for Windows® that lets users easily configure and manage multi-display setups. PowerDesk gives professionals a comprehensive set of tools to control a variety of display configurations including stretched or independent desktops, clone mode, pivot, bezel management, and edge overlap. Matrox advanced desktop management features also let users determine where and how program windows are displayed on the desktop—a productivity tool designed to enhance multi-display experiences.

“This introduction of C-Series expands our line of multi-display graphics card to offer our customers higher performance, higher display density solutions,” said Caroline Injoyan, business development manager, Matrox Graphics Inc. “We will continue to support our professional users with the premium technical assistance, long product life cycles and easy-to-use PowerDesk desktop management software that Matrox is known for.”

Key features of Matrox C-Series
Matrox C-Series PCI Express x16 graphics cards are designed with AMD™ GPUs featuring DirectX® 11.2, OpenGL® 4.4 and OpenCL™ 1.2 compliance. Secure mini DisplayPort connectors prevent loose cabling. The low-profile Matrox C420 supports up to four displays with a maximum resolution of 2560 x 1600. Matrox C680 supports up to six displays with a maximum resolution of 4096 x 2160. Bundled with Matrox PowerDesk for Windows, Matrox C-Series is compatible with Microsoft® Windows 7, 8.1 and Linux® operating systems.

See Matrox C-Series demonstrated live at Security Essen 2014 (hall 2.0, stand 428) and InfoComm MEA 2014 (stand TA-F35).

Availability
Matrox C-Series cards will be available in Q4 2014. Register at www.matrox.com/c-series/notification to be notified of the latest C-Series updates.

About Matrox Graphics Inc.
Matrox Graphics is a global manufacturer of reliable, high-quality ASICs, boards, appliances, and software. Backed by in-house design expertise and dedicated customer support, Matrox products deliver stellar capture, extension, distribution, and display. Engineering high-quality products since 1976, Matrox technology is trusted by professionals and partners worldwide. Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/graphics.

Simple. Robust. Intelligent: Kramer Launches RC-43T Control Panel

Audio, video and computer signal processing specialists, Kramer Electronics introduces the RC-43T, a 6−button auxiliary control panel that works as a remote control panel for master room controllers such as the Kramer SL−1 in classrooms, meeting rooms, boardrooms or auditoriums.

The RC-43T uses proprietary KNET™ protocol to power and communicate over a single cable and between Kramer products. Easy to use front panel buttons are touch−sensitive and give press confirmation using LED lights. The slimline unit measures 6.9cm x 1.6cm x 11.4cm (2.72″ x 0.63″ x 4.5″ W, D, H – US) and matches 1-gang US wall plates. Rugged and robust, the RC-43T is made for extensive use and brings significant return on investment.

Speaking about the new innovation, Ezra Ozer, Vice President, Marketing at Kramer Electronics said: “Created with the end user in mind, the RC-43T is simple to use, reliable, functional and intelligent. It forms part of Kramer’s comprehensive range of media and wall controllers. All products are expertly designed to be future-proof, manufactured at our factory in Jerusalem and marketed globally.”

The RC-43T will make its official international debut at InfoComm India 2014 at Booth D1, Mumbai Exhibition Center from 17-19 September 2014.

Some useful links:
Website: www.kramerelectronics.com
Twitter: KramerElec
Facebook: kramerelectronics
Linkedin: https://www.linkedin.com/company/895692

You Say You Want More Resolution – Renault’s CAVE Raises the Bar for Virtual Reality Design

Paris, France – August 2014…Virtual Reality (VR) technology first appeared on the virtual horizon several decades ago, but it’s safe to say that the past few years have seen a quantum leap in its evolution. With ever-increasing processing power and ultra-high resolution display technologies, the cartoon-ish, low bitrate virtual worlds of yesterday have given way to stunningly realistic environments shockingly close to the real thing. And VR technology has become an integral aspect of so many of our most prolific industries, from military and pilot training, architecture, and medical research, to aerospace and automobile design.

French automobile manufacturer Renault has long been ahead of the curve in embracing new technologies. Most recently, the company has implemented a new CAVE (Cave Automatic Virtual Environment) facility at the Paris headquarters. While other auto manufacturers have also implemented CAVE technology, Renault’s facility boasts the highest resolution ever realized in a VR environment, with five sides of Sony-based imaging that can deliver up to 16k resolution.

Renault partnered with Mechdyne, a leader in VR and visual technologies, to design and implement the new CAVE facility. “Renault approached us to bid on the project, because we had already built a six-sided CAVE of that resolution, and we understood the challenges,” explains Mechdyne’s Richard Cashmore. “They had a very clear concept of what they wanted to do.”

“We wanted to work with a company who could provide us with a holistic, integrated system, including structure, projection, and computers,” explains Andras Kemeny, founder and head of Renault’s Virtual Reality and Immersive Simulation Technologies Group. “While many of the leading manufacturers have provided exceptionally good support and advice, we found that Mechdyne was not bound to a specific technology. They were able to look at the entire technological landscape, and consider combinations of different brands and products. Their approach was very focused on our specific goals, rather than on whatever technology they favored.”

The system includes five sides of Sony SXRD 4k projectors at 5.5k lumens, scalable to 16k — the first 16k VR environment anywhere in the world. “While there were some other options using newer DLP projection, ultimately, the Sony system delivered the fastest performance and the highest resolution, both of which were critical factors,” observes Cashmore.

Kemeny adds, “In this case, the Sony projector Mechdyne specified was originally designed for cinema-based solutions. Calibrating multiple projectors was not something Sony had addressed. Sony provided us some data, and then our engineers at Renault and Mechdyne collaborated for several months to design a calibration protocol. We’ve been quite happy with the results.”

Indeed, the collaboration between Renault and Mechdyne created a powerful synergy. “Originally, the relationship was that of client and provider, but over time it really evolved to where we were all really part of the same team,” says Kemeny.

“I think that’s one thing that’s unique about our approach,” observes Cashmore. “We really try and look at the project through the eyes of the end user. We’re not trying to sell whatever technology we’ve got in stock. We can recommend what we feel is best for them, given their goals and the technologies available.”

Though Renault’s CAVE was initially created for interior ergonomic design, Kemeny reports that the technology has become popular with other departments within the organization.

“One thing that was very exciting for us was the fact that the CAVE was being embraced by various departments within Renault,” he says. “Ultimately, this is enabling us to build a better vehicle.”

In fact, the Renault CAVE has led to discussions with Daimler (parent company of Mercedes Benz) on a new collaborative project. “There has long been a strong working relationship between Renault and Daimler,” says Kemeny.

“The collaboration with Mechdyne has given us the most state-of-the-art facility in the automotive industry,” Kemeny concludes. “It’s a system we can be very proud of.”

###

About Mechdyne 
Mechdyne is one of the world’s leading providers of innovative visual information technologies.  We bend technology to our will in ways that transform complex data into insights and ideas.  To ensure our customers succeed, we provide comprehensive, customized solutions that include consulting, software, technical services, and hardware integration.
With offices around the world, Mechdyne serves a global customer base.  Our customers include: leading government laboratories, energy companies, universities, manufacturing and design firms, U.S. armed forces, and other users of visual information technologies.

Seymour-Screen Excellence Brings to Market Best-in-Class Ambient Light-Rejecting Film Screen Line

Available in 1.3, 2.1 and a black 1.2 gain version, the company’s proprietary technology prevents color shifting and sparkling in a manner that has already been declared best-in-class by reference calibrator
W. Jeff Meier in his June 2014 AccuCal Projection Screen Material Report

Ames, IA – August 19, 2014 – Seymour-Screen Excellence — the made-in-the-USA brand best known to date for its luxurious, reference-grade acoustically transparent 4K film screens — is rounding-out its offerings with Ambient-Visionaire™, a proprietary ambient light filtration technology that the company claims is the most advanced to ever reach the market.

The Ambient-Visionaire is a solid screen surface, comprised of billions of nano-mirrors, dithered at the desired viewing angle, and layered so that side light (from any direction) will be absorbed by carbon particles and the substrate.

Ambient-Visionaire screen surface close-up

”By shrinking the reflective elements down to less than 1/10th the smallest size visible by the human eye, the screen cannot create a discrete sparkle,” says Seymour-Screen Excellence Managing Director Chris Seymour. “They are so small and dense, that a 16K resolution pixel would have over 300 mirrors to itself; a 4K pixel would have nearly 5,000. With this more efficient method of selectively reflecting the projected image versus ambient light, the screen offers the reference quality color uniformity that Seymour-Screen Excellence is known for without exhibiting any color shift, sparkles or ringing – all issues that have plagued performance of ambient light-rejecting film screens.”

Chris Seymour putting the finishing touches on a film screen

Ambient-Visionaire Silver Series
To satisfy a wide range of installation applications, the Silver Series consists of both 2.1 and 1.3 gain versions. The Silver 1.3 was reviewed and declared best-in-class by W. Jeff Meier in his June 2014 AccuCal Projection Screen Material Report. Meier is considered by many in the industry to be a leading reference calibrator. The AccuCal report can be read here: http://bit.ly/1lWPgec

Ambient-Visionaire Black Series
Using the same aggressive combination of carbon particles and stacked, dithered nano-mirrors along with a deep black background that absorbs 90% of ambient light from any direction, the 1.2 gain Black produces a 12x improvement in contrast ratios in environments that are otherwise unsuited to front projection use, even outdoors.

The Ambient-Visionaire screens are available in sizes up to 130-inches wide (141-inches diagonal) in 2.37 aspect ratio and 100-inches wide (115-inches diagonal) in 16:9 aspect ratio. The surface of both the Silver and Black series feature a durable finish that can be wiped down and cleaned with common household cleaners including rubbing alcohol or mineral spirits.

While manufactured in Seymour-Screen Excellence’s Ames, Iowa production facility, the Ambient-Visionaire line is also available outside of The Americas through partner Screen Excellence, located in the UK.

”The response to Ambient-Visionaire from dealers, reps, calibrators and press has been extremely enthusiastic,” says Patrice Congard, Seymour-Screen Excellence partner. “Chris Seymour has done a phenomenal job – certainly his background as an engineer has been quite influential in the development of this special screen surface. I am quite confident that Ambient-Visionaire will be a catalyst in our joint-venture taking an even stronger foothold in the home theater channel.”

For more information on Ambient-Visionaire visit http://www.seymourscreenexcellence.com/materials.asp or call 515.450.5694.

For all Seymour-Screen Excellence media inquiries, please contact Paul Muto via paul@mutocomm.com or phone 631.849.4301.

About Seymour-Screen Excellence
Founded as a joint venture by US-based Seymour AV and UK-based Screen Excellence, SSE combined the leadership and innovation of their acoustically transparent projection screen materials for high-end custom installers and specialty AV retailers in North America. Using the latest in materials and design from Patrice Congard, originator of the modern acoustically transparent screen, the company’s state-of-the-art screens provide flawless picture quality and acoustic transparency, superior to traditional perforated screens or other less exacting woven screen materials. www.seymourscreenexcellence.com

About AccuCal
AccuCal was founded in 2005 by Jeff Meier to provide professional services and develop tools to support the installation of sound and video equipment. The services offered include audio calibration, design, performance measurements and video calibration. AccuCal is unique in this business segment. Jeff has developed proprietary software and methods that are combined with industry reference sensors and standards to deliver superior results. AccuCal also sells no products and receives no incentives to promote products. This provides clients the assurance that recommendations are not biased by equipment margins. Since 2005, Jeff has assisted with over 2,000 audio and video installations for home theater and commercial applications including movie post production, TV advertising, businesses, churches and schools.
Equipment that is supported ranges from reference quality to very modest in nature depending on the client’s budget and needs. www.accucalhd.com

AV Stumpfl gives Norwegian rock ‘Wings’ for Pink Floyd tribute concerts

YouTube video: watch?v=BeOmGmiHa-s&feature=youtu.be © Blank

Unique projection mapping, blending and warping in spectacular setting

Everyone is familiar with the idea of a rock concert, but few events take the word ‘rock’ as literally as the recent series of outdoor gigs staged in Norway by the Pink Floyd tribute band Puls. Against the dramatic backdrop of the Kilden-Fjæreheia quarry in Grimstad, the band played six sold-out nights to audiences who were wowed not just by the music but by the spectacular projection-mapped backdrop that was created courtesy of AV Stumpfl’s Wings AV multi-image control technology.

Event design and production for the Puls concerts was the responsibility of Norwegian company Blank. Tomas Håvik, CEO of AV Stumpfl’s Scandinavian distributor Preqbi AB, recalls the project’s technical origins:

“Blank were searching for a solution that could deliver edge-blending and warping of multiple projected images, automated according to a timeline and with built-in media serving capability. We advised them that Wings AV could deliver exactly what they needed, and once the decision had been taken, we helped them with education and support.”

Kent Bakke, General Manager at Blank, explains: “Our challenge was that we wanted to map the actual face of the quarry that provides a backdrop to the band’s stage set. The face of this ‘mountain’ measures about 55 metres wide by 20 metres high, and our render size for the project was 3120 x 1200 pixels, with a 256 pixel overlap between the two halves of the image.

“The Vioso module of Wings split the image into a multi-display, blending and warping the output of six high-output HD projectors with ease. We also used Vioso to create and edit the video content, building up an exact replica of the ‘mountain’ in 3D.

“The content was stored and played back using the Wings Engine media server, with the Wings Avio control protocol allowing secure and perfectly synchronised connection via MIDI to the show’s lighting-control desk. This meant that the video timeline was perfectly sync’d to the music and associated lighting cues, every step of the way.”

With an audience of around 950 people per night seated in a U-shaped amphitheatre exactly opposite the quarry wall, each show culminated in a spectacular climax that echoed the finale of Pink Floyd’s ‘The Wall’, with pieces of rock from the quarry appearing to break up and fall towards the stage and theatre.

Tobias Stumpfl, Commercial Director, AV Stumpfl, concludes: “From video editing to large-scale projection, interactivity and show control, our Wings platform does it all. With the support of local partners such as Preqbi AB and the superb creativity of customers like Blank, our technologies are delivering spectacular results that wow audiences all over the world.

“We congratulate everyone involved with the Puls concerts in Norway and look forward to many more exciting applications of Wings to come!”

Some useful links:

Facebook:
@AV.Stumpfl.Pro
@blank.no
@Preqbi-AB

More information about Preqbi AB can be found at www.preqbi.se.

About AV Stumpfl
AV Stumpfl is an award-winning Austrian company that designs, manufactures and markets a range of high-performance mobile and installation projection screens and multi-display and show control systems for professional and business applications. As a family business, its founders started the company out of a passion for the advancement of presentation and installation technologies. The product range is warranted for 24/7 usage. AV Stumpfl is located in Wallern, Austria, and is supported by a global network of distribution and service partners.
www.avstumpfl.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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