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Press Releases For : November 17, 2014

Leading Edge Audio System Provides Quality and Reliability for Bialystok’s World Class Stadium

BialystokCityStadium

BialystokcityStadium2Białystok City Stadium is located in the largest city in Northeastern Poland and the capital of the Podlaskie Voivodeship. The stadium has undergone major redevelopment and substantial new construction and now meets the highest world standards for modern sports facilities. The new 360 degree grandstand boasts a capacity of 22,400 and the venue also incorporates conference rooms, a VIP room, a restaurant area and a shop for fans of the local football team.

The sound system was designed by Tommex Żebrowscy Sp. J. and installed by Zeto S.A.. The system is based on Community loudspeakers and Dynacord electronics. Białystok-based integrator Zeto S.A. completed the installation in time for the opening of the modernized venue which took place in July 2014. Zeto’s Zbigniew Kaczmarczyk was project manager for the installation.

The main system is housed in the commentary room and linked to four separate amplifier rooms. The audio signal is transmitted over the stadium’s network using the DANTE protocol and is triple redundant, with two fiber rings and a turbo function ring. It is the largest system based on the DANTE protocol operating in any stadium in Poland.

The system uses a Dynacord CMS 2200-3 audio mixer, 16 x 16 DSP equipped digital control matrix and a DPM 8016 digital matrix manager. The audio matrix is 32 × 32 and handled by Dynacord’s P 64 digital audio matrix units. By using the IRIS-Net network, each element of the system is continuously monitored and all operations are controlled via a Dell all-in-one touch-screen PC.

A DPC 8015 microphone, located on the Events Security Commander desk, has full priority over other audio signals, enabling the effective communication of voice messages in the event of non-standard events.

The main loudspeaker system comprises forty-eight Community R2-474’s and three R2-52’s. The combination provides the dispersion patterns required for complete coverage of the stadium’s 360-degree grandstand. In addition, thirty-eight R.25-94’s and forty-one R.5-99’s provide audio for the stadium’s internal promenades and public areas around the building.

Twenty Dynacord DSA 8410 4-channel amplifiers provide a total of 80kW to power the Community loudspeaker systems.

Marcin Zimny of Tommex commented, “Visitors to Białystok City Stadium will not only enjoy their sports with great audio quality, but they can also be assured that their safety is our primary concern with reliability being a fundamental consideration in the design and every component of the system.”

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Club Red Patrons Enjoy Live Hockey and Great AV

ClubRedArenaView

ClubRedBarandLoungeElegant Club Features Center-Ice Seats for Panthers Games and Community D SERIES Loudspeakers

Described as “South Florida’s hottest club”, Club Red by Stoli is an elegant nightclub located at center ice inside the BB&T Arena, home of the Florida Panthers hockey team.

Club Red’s fashionable environment, its excellent cuisine and its premium event seating are complemented by a club-wide, multi-purpose AV system designed and installed by ICOR International Systems of Doral, Florida. Club Red’s AV system provides live Panthers play-by-play hockey coverage, six news and sports channels and video playback and sound reinforcement for press conferences, presentations and private meetings in the club’s large multi-purpose room. The BB&T Arena also hosts concerts and audio and video from these events may be routed through the club’s AV system.

To provide coverage throughout the club’s 12,000 square foot space, ICOR installed twenty-five large screen video displays, a 2-wide by 4-tall video wall and sixty-six Community D5 ceiling loudspeakers. Bill Craig, ICOR Vice President, says “we prefer the Community D Series ceiling speakers for projects like Club Red. They have wide, smooth dispersion, plenty of output power, clear voice for the sports feeds and great musical sound quality for concerts and private events.”

Club Red’s loudspeakers are powered by QSC amplifiers and a Symetrix DSP provides signal processing and audio mixing. Video sources are routed by a Crestron system and the entire AV system is controlled from a 17-inch Crestron touch-panel display. ICOR also provided an assistive listening system and wireless microphones for press conferences and private presentations.

Club RED is now more than 80-percent sold out and continues to receive rave reviews for its elegant design and ambiance, its 4-star cuisine and its exclusive center-ice seating for sports and concerts. The club’s great AV system brings the live experience of Panthers hockey and concert events into the club and provides great audio and video for press conferences and private meetings.

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CAD Expands Studio Line With MH210 Headphones

MH210 web
Solon OH––CAD Audio is expanding its comprehensive studio headphone line with the new, precision-built MH210’s.

Featuring a closed-back, circumaural design, the MH210’s are equipped with high output 40mm neodymium drivers for a powerful sound and an extended frequency response with exceptional detail, clarity and articulation.

Available in black (MH210) and white (MH210W), the MH210’s feature ultra-soft leather earpads outfitted with high density memory foam to ensure hours of fatigue free listening comfort and effective isolation from external noise.

Based on its sophisticated performance and wealth of practical features, the MH210’s are an ideal choice for project and studio recording, DJs and general-purpose playback for anyone who appreciates sonic accuracy, musicality and comfort.

Specifications
Frequency Response: 15Hz – 22kHz
Sensitivity: 100dB
Driver: 40mm Neodymium
Impedance: 38ohm
Power Handling: 1000mW

For more information about CAD Audio, please call 800.762.9266 or visit cadaudio.com

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New York Festival of Light Makes a Hit in DUMBO with Clay Paky Supersharpys in U.S. Debut in Dazzling Beacon Installation

New York Festival of Lights, Dumbo/Brooklyn New YorkThe first annual New York Festival of Light (NYFOL) came alive November 6, 7 and 8 after dark in DUMBO, Brooklyn attracting crowds so large that the family event had to turn away people Saturday night. NYFOL utilized numerous Clay Paky fixtures on the main stage under the Archway of the Manhattan Bridge, and Clay Paky’s new Supersharpys, controlled by a grandMA2 onPC Command Wing, created the spectacular Beacon installation at The Pearl Street Triangle. A.C.T Lighting, Inc. is the exclusive distributor of Clay Paky lighting and grandMA products in North America.

NYFOL offered visitors a curated collection of lighting installations created by local and international lighting designers, performance artists and technologists – all working with the medium of light. The event was presented by The New York Festival of Light Organization, a non-profit art group. Its vision is to create and provide a unique and delightful experience for residents and tourists by enhancing New York City’s architecture through interactive, static and projected lighting installations.

NYFOL marked the U.S. debut of Clay Paky’s Supersharpy fixture. Clay Paky was also represented at the festival by a dozen each of Sharpys, Alpha Spot HPE 700s and A.leda B-EYE K10s.

Lighting designer Ira Levy, who heads lighting production company Levy Lighting NYC, cofounded NYFOL with Liam O’Braion and serves as its creative director. Four years in the making, NYFOL finally gives New York the kind of impressive festival of light found in other major cities.

“We have such an active lighting industry and were the only city without a festival of light,” says Levy. When prospective sponsors and others asked for a proof of concept, The NYFOL Organization staged last year’s First Light in lower Manhattan as a launch event to raise awareness and generate excitement for a festival of light. A.C.T Lighting supported First Light and was eager to jump on board for NYFOL, which was planned for DUMBO.

“Ira is a long-time friend, so we offered to provide the new Supersharpys and create a powerful statement for the festival,” says Brian Dowd, vice president of sales at A.C.T Lighting. Collaborating with Levy, he mounted eight Supersharpys on a 6-foot tall platform and pointed the lights up at the sky to form a the Beacon, a stunning tapering column of blue light that could be seen from midtown Manhattan. A big mirror ball hung in the center of the platform spilling shards of light over the area when the beams focused on it.

“We have been demo’ing Supersharpys to customers here for several months but this was believed to be the first use of Supersharpys in the U.S.,” says Dowd. “Supersharpys were just used to commemorate the 25th anniversary of the fall of the Berlin Wall. Each Supersharpy is only 470 watts but their power is mind-numbing: Nothing in lighting history comes close to it.”

Clay Paky builds on the Sharpy’s worldwide success with Supersharpy, an ACL beam-type moving head featuring a 470-watt, 7,800K lamp. Its light beam is three times brighter than Sharpy and packs an even bigger impact than the numbers suggest. Supersharpy’s light can reach incredible mid-air distances, making it the first low-wattage beam light that can really challenge a searchlight.

“The Beacon became an iconic part of the festival,” says Levy. “It reached up higher than the 20-story buildings in the neighborhood, and you could see the rotating pattern in the clouds.”

Dowd provided a grandMA2 onPC Command Wing to run the Beacon. “Its small footprint adapted well to the location,” he says. “It’s small but has all the power of the grandMA2 light in a package that was easily transportable to DUMBO.”

Levy Lighting provided the Clay Paky fixtures that played key roles on the main stage under the Archway of the Manhattan Bridge lighting the performers and highlighting the architecture of the structure. The stage hosted an array of DJs as well as singer and light performer Nicole Renaud; the sonic cinema group Zero Times Everything, which provided the live soundtrack for the laser show; and iLuminate.

“We lined the tunnel with two lines of stick truss, which housed the moving lights and laser system,” Levy explains. Twelve Sharpys accentuated the laser effects shooting beams “that were safe enough to light people,” he says. Twelve Alpha Spot HPE 700s “gave texture and depth to the ceiling architecture” while twelve B-EYE K10s “washed the stage and highlighted the performers.”

The NYFOL Organization was “really elated with the response” to the festival, which quickly went viral via social media and the local press, Levy says. “We felt it was a real opportunity for our industry to branch out from what people expect us to do – light for New York theater and concerts – and also capitalize on the general public’s fascination with light. It opened the door for more than B-to-B relationships. We were gratified to see so many young people and hope kids will remember it and students will think of light as a career path. NYFOL can also be a hatching ground for manufacturers to think about different – maybe unintended – ways to use their lights. It opens up the industry to more creativity by more people.”

About A.C.T Lighting

A leading importer and distributor of lighting products, A.C.T Lighting, Inc. strives to identify future trends and cutting-edge products, and stock, sell and support their inventory. The company provides superior customer service and value for money to all of its clients.

For more information call 818-707-0884.

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District Six Fine Arts Center – Versatile Sound for a Versatile Auditorium

 Roebuck, SC – November 2014…  The newly-built District Six Fine Arts Center in Roebuck, South Carolina is a multi-use auditorium that serves all the schools in the area, as well as the community overall. Located on the Dorman High School Campus, the Center’s 1,500 seat auditorium hosts a diverse roster of events year round, from theatrical productions and concerts, to movies, recitals, lectures, and convocations.

In designing the sound system for the new facility, Raleigh, NC-based Theater Consultants Collaborative specified Renkus-Heinz VARIA modular point source line array loudspeakers. The main front of house system comprises left and right flown arrays of eight VARIA VA101-7 7.5 degree cabinets and one VA101-15 15 degree cabinet.

“VARIA was an ideal choice for this venue because its variable coverage pattern enabled us to use fewer boxes to achieve the same coverage,” explains David Clyburn of Roebuck, SC-based Musicraft, the company handling the installation. “The result was a reduction in both cost and weight, as well as improved sightlines. And the directional capabilities of the VARIA arrays eliminated the need for separate under balcony coverage.”

 VARIA’s modular design enables cabinets to be easily configured as flown vertical arrays, horizontal arrays, or ground stacked. Self-powered and networkable, VARIA’s range of vertical and horizontal dispersion angles and Renkus-Heinz’s unique Transitional Waveguides make it easy to configure systems to cover even the most challenging spaces.

For low frequency reinforcement, six DR18-2 Direct Radiating Subwoofers are ground stacked in concrete reinforced chambers to the left and right of the stage. “The subwoofers are installed three to each side in cardioid configuration, 16 feet above the stage floor,” adds Clyburn.

To address coverage in the balcony, four PN121 two-way Complex Conic systems were installed. Finally, 20 PNX81 two-way systems were installed around the auditorium for surround sound reinforcement, creating a true 7.1 surround sound environment in the auditorium.

Despite a tight timeline and other logistical challenges that accompanied the construction project, Clyburn reports the system has been well received. “The VARIA system is easy to configure, which helped us meet some very short deadlines. Ultimately, the system sounds great, and school and community officials are very pleased with the results.”

 

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About Renkus-Heinz - Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

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Press Releases For : November 14, 2014

Calrec Installation in South Africa Marks Milestone Success for Summa Audio Console

South Africa’s SuperSport Outside Broadcast Purchases 19th and 20th Summa Consoles

HEBDEN BRIDGE, U.K. — Nov. 13, 2014 — Calrec Audio today announced that it has sold its 20th Summa audio console, the newest in its lineup of advanced digital audio consoles. Since July, Calrec has been delivering Summa desks into the U.S., China, Taiwan, Hong Kong, Turkey, Italy, South Africa, South Korea, and Kuwait. The most recent two Summa sales were made to SuperSport Outside Broadcast in South Africa.

Having standardized its fleet of large OB trucks on Calrec, SuperSport is installing the two Summa consoles to replace the other audio desks in its smaller OB-7 and OB-8 units. The small OB trucks will be used for sports coverage throughout South Africa.

“OB vans are becoming more and more sophisticated, and space is always an issue, but perhaps even more so in small units. They must be able to deliver the same level of quality as their larger counterparts in a smaller footprint,” said Johan van Tonder, technical operations manager at SuperSport Outside Broadcast. “We trust our entire fleet of large trucks to Calrec, and now that the Summa desk is available, we can take advantage of the Calrec benefits in our small OB vans as well.”

“Our customers and other broadcasters were asking for a console that was every bit as robust as our Apollo and Artemis consoles, but with a smaller surface, fewer resources, and an intuitive GUI with a small learning curve. That was the motivation behind the Summa console,” said Calrec’s international sales manager, Anthony Harrison. “The fact that we’ve delivered 20 of them since July tells us that demand is high for a more compact alternative to our other popular consoles. Progressive broadcasters like SuperSport, our first Summa customer in South Africa, are helping Calrec to gain a foothold in the market for small OB units.”

Launched in September 2013 with a 180-channel capacity, Summa is now also available in a 128-channel version as an alternative for broadcasters who do not require the larger channel count of the original Summa console. Both versions offer broadcast-focused facilities presented on a straightforward control surface with a highly intuitive GUI, making it suitable for a broad range of operator levels. Operators control the console via a 17-inch multitouch screen inspired by familiar tablet technology using established finger gestures. Summa 128 has been designed for live broadcast applications with a clear focus on ease of operation, allowing fast and easy access to controls to make it easy to create engrossing broadcast audio. On Summa, even complex workflow tasks such as creating mix-minus feeds are simplified.

The console uses Calrec’s award-winning Bluefin2 technology at its core, along with the same Hydra2 router technology that is integral to Calrec’s other Bluefin2 consoles — technologies that are in use 24 hours a day at hundreds of facilities around the globe.

Information about Calrec and its products is available at calrec.com.

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About Calrec Audio Ltd.
Calrec Audio is exclusively dedicated to excellence in audio mixing for on-air and live production. A broadcast specialist for 50 years, Calrec has developed a range of digital consoles relied on by the world’s most successful broadcasters. For putting sound in the picture, broadcasters put their trust in Calrec. More information is available at calrec.com.

All trademarks appearing herein are the property of their respective owners.

Visit Calrec at CCW, Stand #1056

Photo Link: www.wallstcom.com/Calrec/Calrec-SuperSport-Summa.jpg
Photo Caption: The Calrec Summa console installed in one of SuperSport’s OB trucks.

Photo Link: www.wallstcom.com/Calrec/Calrec-SuperSportAudioEngineer-Summa.jpg
Photo Caption: Thembinkosi Nala of SuperSport assigns DSP channels to faders on the Summa audio console.

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InfoComm Announces University Days in Cardiff & London

InfoComm International®, the leading trade association representing the audiovisual and information communications industries worldwide announces two InfoComm University™ Days to 18th November at the Thistle Cardiff City Center and 20 November onboard the HMS Belfast, London.

Cardiff and London University Days are supported by Canon Europe. The London University Day is supported by Audio-Technica.

Chris Lavelle, Regional Director, UK & Ireland at InfoComm International said: “We’ve got an amazing line up of expert speakers who will present informative and topical issues. Interested parties are encouraged to sign up as early as possible.”

Each day will be a full day of education covering topics including networked microphones to the behavior of light in projection, LED video wall displays, cloud computing, big data and a look at InfoComm’s new AV Systems Performance Verification Guide. Each event will be followed by a networking reception to reflect on the day.

Certified Technology Specialist holders can earn CTS® renewal points. Each event is free to InfoComm members and includes lunch.

There will be prize giveaways for delegates including a compact digital camera from Canon at both events and pair of Audio-Technica headphones at the London University Day.

Viewing the full schedule is highly recommended. Please visit:

Cardiff – http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/40438.htm
London – http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/40532.htm

NUGEN Audio Donates VisLM Licenses to 41 NaSTA Student Stations

Loudness Metering Plug-Ins Help Prepare Members of U.K.’s Student Television Association for Demands of Professional Audio Editing

LEEDS, U.K. — Nov. 13, 2014 — NUGEN Audio today announced that it has supplied licenses of VisLM, the company’s industry-leading loudness metering plug-in, to 41 student television stations throughout the U.K. All members of the National Student Television Association (NaSTA), the student stations will use the plug-ins to help them comply with the European Broadcasting Union’s EBUR128 loudness recommendations, and also as a training tool for students to gain loudness monitoring experience in preparation for professional careers.

“People usually think of television as a visual medium, but they are more likely to notice flawed audio. Therefore, it’s critical that broadcast sound be flawless, not only to meet regulations but also to provide the best possible experience for viewers,” said Mitchell Perry, NaSTA marketing officer. “With its generous sponsorship, NUGEN Audio is giving our student members an opportunity that is simply not available in most of the U.K.’s television production courses: a chance to learn about loudness management and how to edit sound according to industry standards. After working with VisLM, students will be able to add another valuable skill to their CVs and increase their employability.”

VisLM is an intuitive, standard-compliant tool for measuring, comparing, and contrasting loudness during production, broadcast, post-production, and quality assurance, on the fly or after the fact, for entire sections of audio. With detailed, objective loudness measurement, history, and logging facilities, VisLM supports ITU, ATSC, EBU, and Game Audio standards to ensure loudness compliance for titles to be distributed virtually anywhere in the world.

NaSTA distributed the VisLM licenses to student stations throughout its network in Scotland, England, and Wales. VisLM is in use daily by on-campus television stations to create and edit programs ranging from major events and sports matches to coverage of student elections.

“For more than 40 years, NaSTA has played a lead role in supporting, promoting, and representing student television in the U.K.,” said Jon Schorah, founder and creative director, NUGEN Audio. “It is our pleasure to assist NaSTA in this effort, and it’s gratifying to know that our technology is helping these future television professionals develop the skills they need to be successful.”

Information about VisLM and other NUGEN Audio products is available at www.nugenaudio.com.

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About NaSTA
The National Student Television Association (NaSTA) is the representative body for student television in the U.K. since 1973. NaSTA exists to draw new and existing student television stations together, to form a network of like-minded individuals who all aim to be involved with the media industry, and to help build connections not only in the student community, but with industry professionals. In addition, workshops and conferences are created to help NaSTA members progress into the media industry.

About NUGEN Audio
NUGEN Audio’s award-winning tools for audio analysis, loudness metering, mixing/mastering, and tracking are used by the world’s top names in music production, broadcast, and post-production. For audio professionals, NUGEN Audio’s mix and mastering products offer market-leading fidelity and unrestricted creativity in every situation, providing an easy, direct, and natural way to work with sound. NUGEN Audio tools have become critical for some of the biggest names in the industry including Michael Brauer (Coldplay, The Rolling Stones), Robbie Bronnimann (Chicane, Paul Van Dyk), and Mr. Mig (Beyonce, Akon). For more information, visit www.nugenaudio.com.

All trademarks appearing herein are the property of their respective owners.

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Expanded Riedel Artist Intercom System Enables Robust VOIP Communications for Scottish Referendum Broadcast

Artist System at Pacific Quay Broadcast Center Augmented to Facilitate Cost-Effective Communications Among OB Sites Across the United Kingdom

WUPPERTAL, Germany — Nov. 13, 2014 — Riedel Communications, provider of pioneering real-time video, audio, data, and communications networks, today announced that BBC Scotland used a Riedel Artist digital matrix intercom system along with the broadcaster’s most extensive IP deployment to date to support communications for its Scottish Referendum broadcast. By augmenting and expanding the building-wide Riedel system used for day-to-day business at its Pacific Quay facilities in Glasgow, the broadcaster was able to establish effective VOIP communications among outside broadcast venues across the United Kingdom.

The Riedel Artist deployment allowed BBC Scotland to employ VOIP panels from London to Shetland, all connected to its Glasgow facilities, in a versatile alternative to using ISDN lines. A preassembled and pretested integrated kit provided straightforward plug-and-play operation at each OB site. This reduced the time and complexity of on-site set up and configuration. This approach provided much greater functionality at each OB location, where the dual-channel panel made it easy for users to speak to key technical staff back at Pacific Quay.

The Artist system included 32 Riedel Artist panels for VOIP communications to OB locations in Scotland and another eight connecting a remote switching hub in London; a pair of four-wires converted to IP for a VOIP connection to an OB at Holyrood, home to the Scottish Parliament; nine commentator panels for radio reports; and two virtual panels for communications with the IT support team. With support from Riedel engineers, the BBC was able to integrate extra panels and cards and perform the necessary programming to increase the capacity and functionality of the Pacific Quay Artist system without disrupting its ongoing broadcast operations. The fully integrated kits used at each OB site featured a modem, router, Riedel Connect IPx audio-over-IP interface, desktop panel, headset, and input and output leads, all packaged in a flight case optimized for field deployment.

“The BBC has relied on our Artist system for daily operations for quite some time now, and we worked closely with the Pacific Quay IT and technology team to ensure a smooth extension of this system to accommodate comprehensive coverage of the Scottish Referendum,” said Paul Rivens, U.K. general manager at Riedel. “The resulting communications system supported a rich and dynamic broadcast program for this historic event.”

Further information about Riedel and the company’s products is available at www.riedel.net.

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About Riedel Communications
Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 350 people at 12 locations in Europe, Asia, Australia, and the Americas.

Photo Link: www.wallstcom.com/Riedel/Riedel-ControlatGlasgowHub.jpg

GC Pro Helps Engineer/Producer Mark Lienhart Outfit His Dream Studio

OneLouder_ControlRoom

— The latest upgrade to Lienhart’s One Louder Studio features state-of-the-art Slate Pro Audio RAVEN MTX console and tons of other gear sourced through GC Pro —

WESTLAKE VILLAGE, CA, November 12, 2014 — Cincinnati’s One Louder Studio represents the fulfilled dreams of owner and engineer/producer Mark Lienhart. The studio has grown organically since its origins in its first location in Hamilton, Ohio, with Lienhart upgrading gear along the way, remodeling his space and finally moving to a larger permanent space, where he has achieved sonic nirvana with a workflow that results in the sound he’s always strived for but could never quite attain. “I always wondered how the major-label engineers got that last 10% or so of sound quality. I worked and worked, studying the science and art of recording, but I just couldn’t quite get there. As much as people say that the gear doesn’t matter, they’re wrong – the gear is that last 10%! Nothing I did would make the sound perfect until I found the gear that complemented what I was doing.” And this gear has been assembled in Lienhart’s new space thanks to a close relationship with Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users – specifically with GC Pro Sales rep Jim Kinney, who has worked with Lienhart at every step of the way in outfitting the new facility.

Lienhart’s tenure as a studio owner has humble beginnings – a few mics and an interface, purchased at the grand re-opening of Cincinnati’s Guitar Center in 2007 or so. As he recorded more and more in his band’s rehearsal space, he started to get calls from other acts in the area. Word was spreading, and the records were getting better and better. Before long, Lienhart and his wife made the decision to take the studio to the next level. After moving to a space near the University of Cincinnati, he made a significant upgrade to his setup, working with Kinney to set the facility apart from other mid-sized studios in the area. But the biggest shift was yet to come – moving into and outfitting yet another space, his current one. It’s been an inarguably fast rise, and GC Pro has been his number-one resource for the right gear and service.

The centerpiece of the new facility, in operation since June 2014, is the Slate Pro Audio RAVEN MTX console, an acclaimed, state-of-the-art multi-touch touchscreen interface. “We were considering several great options for consoles, but Jim was wise enough to take the conversation in another direction – ‘Have you ever considered the RAVEN?’ – and he set up a demo for me at GC Pro’s Hollywood showroom with some sessions I had tracked. I got behind that console, and it was absolutely the most intuitive way to mix. I immediately understood how it worked. The tactile response is extraordinary. I was able to edit and mix right there at the demo session. Saying that I was sold on the idea right away is an understatement. It was a revelation.” Kinney and Lienhart interfaced the RAVEN MTX, running Pro Tools HDX, with a custom analog board that they designed themselves with all of Lienhart’s favorite outboard gear – pre-amps, EQs, compressors and the like. Lienhart adds, “We created a setup that blends analog outboard gear, Pro Tools and the RAVEN MTX interface. I have so many flavors to choose from, and all these elements work together marvelously.” The setup is complemented by Genelec 8050 Active Monitors, also sourced through GC Pro, and the classic Yamaha NS10’s, which Lienhart acquired from a retiring prominent voice actress who had used them for years in her home recording space – but uniquely, never for music.

A final touch was acoustical treatment. Lienhart recalls, “Jim arranged for Jay Porter from Radial and Prime Acoustics to do a 3D rendering of the room, based on the architects drawings and our specs, and he recommended several pieces of Prime Acoustics treatment, strategically placed in just the right spots. It was the perfect solution for controlling the sound in the control room and the tracking room.”

Lienhart is thrilled with the results: “The undertaking of rebuilding my studio and workflow from the ground up was hard work, but the records we’re making now – the sound is incredible. I listen to them and literally can’t believe we made that happen at our facility. I definitely could not have done it without the help of Jim and GC Pro, because at every turn, if I had a question, Jim had the answer, or knew how to get it. The last high-profile client I had, he got choked up and said that we brought to life the sound in his head, which is the biggest compliment you can get as an engineer or producer.”

For more information, please visit www.gcpro.com.

Photo Caption: The control room of the new space of One Louder Studio in Hamilton, Ohio, with gear sourced through GC Pro. Photo credit: Rudy Harris Photography (http://rudyharrisphotography.com).

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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