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Press Releases For : July 14, 2014

DK-Technologies Steps Up The DK T7 Game At IBC 2014

DK-Technologies has once again upped the functionality of its competitively priced DK T7 audio, loudness and logging meter by adding Loudness Automation, a software update that is free of charge to existing and future DK T7 users.

On show at DK-Technologies’ IBC 2014 stand (8.E60), this latest upgrade is based on SMPTE timecode and allows the DK T7 to instantly recalculate the Integrated Loudness value up to four hours back in time. For audio engineers, this exceptionally useful time saving function is a major improvement as it means they no longer have to re-run programme material to hit their Loudness target value.

Uffe Kjems, Product Marketing Director for DK-Technologies, says: “Every engineer working with broadcast audio knows that hitting the Loudness measure Bulls Eye can be a very tedious and time consuming process. For this reason, we know they will really appreciate our new Loudness Automation feature because it will save them so much time. Loudness Automation adds yet another cool and practical feature to the DK T7 – and at no additional cost – making it the strongest, most competitive and most affordable Loudness meter on the market today.”

DK-Technologies has also added USB mouse operation to the Multi touch screen DK T7, allowing for fast and easy on screen access or operation using the HDMI external monitor output. A number of other improvements have also been incorporated, including headphone volume control and more screen setup functions.

The DK T7 allows end-users to adapt to virtually any format including 3G SDI I/O. The unit also offers 8 AES/EBU input/output channels, 2ch Analogue input channels, headphone output and HDMI monitor output.

At just 20 x 135 x 180 mm (depth, height and width), the DK T7’s compact design allows it to be highly portable and easy to position, while its intuitive multi touch interface makes it very straightforward to use.

The meter is currently available in two different models – the DK T7 costing €3495 and the entry level DK T7 Stereo, costing €2895. Both models are available with or without balanced digital AES inputs as well as in 19” rack mountable versions.

For a demo and more information please visit DK-Technologies at IBC 2014 (8:E60) or visit www.dk-technologies.com.

-ends-

About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany and USA.

Extron CableCover Improves Conference Room Cable Management

Extron Electronics is pleased to introduce CableCover, a durable, fitted bag that mounts below most Extron Cable Cubby, Cable Cubby Series/2, and TouchLink Cable Cubby enclosures. When installed, CableCover improves under-table cable management and aesthetics, minimizing cable tangles and preventing accidental disconnections. CableCover is 19″ (48 cm) deep, providing ample room for up to eight AV cables or three Extron Retractor Series cable retraction modules. Three pass-through openings at the top and bottom of the bag facilitate cable installation and connection with both surface- and floor-mounted AV products. CableCover is constructed of flame-retardant, black polyester fabric and includes a roll of self-adhesive, hook-and-loop tape for mounting to the enclosure. (more…)

Meyer Sound LEO Powers 200,000-Strong CfaN Gospel Crusade in Burundi

Christ for All Nations (CfaN) recently debuted its new Meyer Sound LEO™ linear large-scale sound reinforcement system at a four-day gospel crusade on the outskirts of Bujumbura, Burundi. Set up in an open field without delay towers, the LEO system performed flawlessly for the musical and speech programs in front of 200,000 visitors, and replaces CfaN’s Meyer Sound MSL-3A conventionally powered loudspeaker system that has served the ministry for 26 years.

Unassisted by giant video screens, lighting effects, or pyrotechnics, CfaN events rely heavily on exceptional audio reinforcement. “Clarity of speech is our primary concern at these events,” says Derek Murray, head of sound operations for the ministry. “The LEO system is able to cover very large areas with high intelligibility, as proven by positive reports from the perimeter of the field.”

The system’s dual main hangs in Bujumbura comprised nine LEO-M and three MICA® line array loudspeakers each. Side hangs were eight MICA loudspeakers per side, and four 1100-LFC low-frequency control elements per side provided low-end reinforcement. In addition, 10 UPA-1C conventionally powered loudspeakers supplied in and out fill. Control and optimization was handled by a Galileo® Callisto™ loudspeaker management system with one Galileo AES processor and three Galileo Callisto 616 array processors.

“LEO gives us more power in a smaller package, so we now have the space to carry subs without having to leave behind other critical material,” reports Murray. “With the addition of the 1100-LFCs in Bujumbura, we were able to improve the quality of the music presentation—to the obvious delight of the crowd.”

CfaN maintains two Meyer Sound systems for its African ministries: an M3D line array loudspeaker system is used in West Africa, and the new LEO system, based in Kenya, is used for East Africa.

CfaN’s East Africa system also travels with three DiGiCo SD9 consoles linked by optical fiber to a DiGiCo SD-Rack, Shure UHF-R wireless microphone systems with Beta 58 capsules, and a Sennheiser IEM system.

“The fact that we’ve used our MSL-3As for so long, under grueling conditions, is a testament to the longevity and reliability of a system that is still supported almost 30 years after it was first produced,” observes Murray. “Just as the MSL-3A was a game-changer back in the 1980s, LEO is a great product that perfectly fits our needs.”

The event in Bujumbura, attended by Burundi’s President and First Lady, was led by evangelist Daniel Kolenda, who succeeds CfaN founder Rev. Reinhard Bonnke as principal leader of ministries in Africa. The German-born Bonnke first launched his African ministries in 1967.

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With Meyer Sound MINA, Every Seat is a Great Seat at Canada’s Vernon and District Performing Arts Centre

The Vernon and District Performing Arts Centre in British Columbia has installed a Meyer Sound MINA™ line array loudspeaker system to reinforce its theatrical and music productions. Together with its existing Meyer Sound mono center cluster, the 750-seat theatre now provides an exceptional listening experience to every guest. The MINA loudspeaker arrays were specified and installed by James Dreyer of Kamloops, BC-based Dreyer Bros. Sound.

“It’s a wonderful improvement,” says Eric Pells, technical director for the venue. “The clarity of MINA is excellent, and there’s very little difference now in levels from front to back. Even on shows when we have to mix from the booth in the back balcony, we still get a true representation of the sound.”

Nine MINA loudspeakers each flank the existing overhead center cluster, comprised of two each CQ-1 and CQ-2 loudspeakers and one 650-P subwoofer. Four UPM-1P loudspeakers provide front fill, while two 1100-LFC low-frequency control elements have been added for low-end reinforcement. A Galileo® loudspeaker management system with one Galileo 616 processor provides system drive and alignment.

“The MINA arrays work very well in the room, and have a profile that literally disappears into the proscenium wall,” notes Dreyer. “And their performance is just unbelievable. We walked the room top to bottom and side to side, and there wasn’t a dead seat anywhere.”

Artists and productions heard through the new MINA system include Bryan Adams, Jesse Cook, Great Big Sea, and the Catalyst Theatre’s musical, Nevermore.

“We’ve yet to bring in an outside rental or have a tour take their rig off the truck,” adds Pells. “Regular touring techs told me they love the MINAs, both because they don’t have to hang their own arrays and because they now have a great system to mix on.

“It’s been a great experience all around,” continues Pells. “The installation was easy, and we didn’t have to compromise any lighting positions with the slender profile of the MINAs. So we now have the best of both worlds, for audio and for lighting.”

The upgrade also included a new DiGiCo SD9 mixing console with LCR panning capabilities for musical theatre productions. The venue uses Audio-Technica and Shure wireless systems, along with microphones from AKG, Countryman, Shure, Sennheiser, and Clockaudio.

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Meyer Sound Adds Oskar Meijer to European Technical Support Team

Meyer Sound has strengthened its European technical services with the appointment of Oskar Meijer as Senior Technical Support Specialist. Meijer brings a wealth of field experience working with Meyer Sound products, including the newest LEO™ Family of line array systems.

In his new position, Meijer will support Meyer Sound’s European customers in the design and optimization of loudspeaker and digital audio systems, on-site project commissioning, and after-sale customer training. He will work closely with the technical support teams in Europe and at the company’s Berkeley, Calif. headquarters.

Meijer has more than 20 years of experience in the design, configuration, and commissioning of complex audio systems, and has worked as a stage technician, ground rigger, and project manager. He has served as a lead systems technician at major European festivals such as Way Out West, Stockholm Music & Arts, and Kollenfest, as well as concerts by Ozzy Osbourne, Andrea Bocelli, John Fogerty, and Metallica.

“I have enjoyed using Meyer Sound equipment in my career, and have been a beneficiary of the company’s amazing technical support,” says Meijer. “From my experience working with LEO in the past two years, it is my honest opinion that there is no better tool in the market today when it comes to large-scale reinforcement. I look forward to bringing what I have learned to help other Meyer Sound users get the most out of their systems.”

Meijer will be based in Lund, Sweden, and can be reached at oskarm@meyersound.com.

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George Relles Sound’s New Meyer Sound LYON System Gets Stamp of Approval at Lee Brice Arena Concert

At a recent Lee Brice concert at the University of Oregon, George Relles Sound of Eugene, Ore. showcased its brand new Meyer Sound LYON™ linear sound reinforcement system. LYON gave a convincing performance that left an impression on Brice’s FOH engineer, Wayne Pauley, and affirmed owner George Relles’s investment decision.

“The LYON system was a real eye-opening experience,” says Pauley, who mixed Brice on a LYON system at the University of Oregon’s Matthew Knight Arena. “It has remarkable clarity and projection, and it seemed like everything was jumping out of the arrays right at you.”

Pauley also noticed how the linear performance of LYON changed his mixing approach. “I found I could get a well-defined mix that sounded louder than its true SPL. Everything came together so well that I was surprised when I looked over at the SPL meter.”

Relles’s purchase includes 14 LYON-M main and six LYON-W wide-coverage line array loudspeakers, adding to an arsenal that includes six 1100-LFC low-frequency control elements and a Galileo® Callisto™ loudspeaker management system.

One of the traits that first drew George Relles to LYON was its evenness of front-to-back coverage. “With some line arrays, as you get into the near field it doesn’t sound as good, so you have to cover it with front fills,” says Relles. “But with LYON, I was struck by how smooth it sounded when you got close. It was a marked difference from what I’ve heard from other systems.”

In addition to LYON’s sonic qualities, Relles adds that the system’s cost- and time-saving logistical benefits also contributed to his investment decision. “With LYON I can squeeze a lot more power into my limited truck space,” says Relles. “And when I get to the gig, flying is a breeze. I can put the LYONs in place in groups of four, lift them up, and they expand out to the preset angles, ready to lock into place. Everything goes up so quickly, it’s amazing.”

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Dennis Sands Selects Meyer Sound for Dolby Atmos Film Music Mixing Stage

Award-winning film sound engineer Dennis S. Sands has upgraded his Sound Waves SB studio with a Meyer Sound cinema loudspeaker system for mixing in Dolby Atmos. Located in Santa Barbara, Calif., Sands’s private studio is the first Dolby Atmos dubbing stage dedicated exclusively to native mixing of film music.

“I’d heard Meyer Sound systems at several well-known post-production studios,” says Sands. “I was immediately impressed with the quality of the sound, the accuracy, and the depth and richness of the entire soundtrack. It was obvious Meyer Sound was the direction to go for the studio.”

Sands’s monitoring system is anchored by three Acheron® 80 screen channel loudspeakers and two X-800C high-power and X-400C cinema subwoofers each. Perimeter and overhead reinforcement comprises 14 HMS-10 and 10 HMS-12 surround loudspeakers with IntelligentDC technology, while a Galileo® loudspeaker management system with one Galileo 408 processor supplies drive and equalization. The system was designed and installed by Ron Lagerlof of Los Angeles-based Visioneering Design Company in consultation with Andy Potvin of Dolby Laboratories.

“It’s easy to see why Dennis was pre-sold on Meyer Sound,” says Lagerlof. “The loudspeakers have extremely low distortion and accurate phase response. You hear exactly what’s there, and nothing else.”

Since installation, Sands has finished native Atmos film score mixes for “Mr. Peabody & Sherman” and the 2014 “Godzilla” reboot. He has also completed a 7.1 mix of “Maze Runner” and television mixes for the “Cosmos: A Spacetime Odyssey” series.

Originally built as a private dubbing stage for director Andrew Davis, Sands’s studio was designed by film sound legend Tomlinson Holman. The room features a 12-by-20-foot screen, a Euphonix System 5-MC DAW controller, a Euphonix CS3000 digitally controlled analog console, and four linked Pro Tools systems. A Focusrite RedNet 6 MADI bridge connects the Dolby Atmos RMU (Rendering and Mastering Unit) to a BSS SoundWeb London DSP system, which is used primarily for signal routing when switching from Atmos to 5.1 or 7.1 monitoring.

“People who have worked with me in the room before are very impressed with the improvement,” reports Sands. “Reactions have been uniformly positive. For me, the monitoring decision was a no-brainer. Everything I do here translates beautifully onto the dubbing stage.”

Dennis Sands has credits on nearly 300 feature films as a score mixer or re-recording mixer, earning four Academy Award nominations and winning two Cinema Audio Society Awards, including one for Lifetime Achievement.

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Cross Pointe Church in Georgia Upgrades to Meyer Sound MICA & 1100-LFC

Located inside a former Boeing missile factory building in Duluth, Ga., Cross Pointe Church has taken its worship experience to a new level with its recent upgrade to Meyer Sound MICA® line array loudspeakers and 1100-LFC low-frequency control elements. The new system replaces its trusty nine-year-old Meyer Sound CQ-2 loudspeaker system, which will continue to serve in a second Cross Pointe campus that will open in late 2014.

Alfred Burgess, pastor of worship and creative arts, reports that the MICA loudspeakers’ power and clarity was immediately noticeable. “After the first Sunday, our lead pastor Dr. James Merritt came up to me and said, ‘I’ve just had the best speaking experience of my life,’” says Burgess. “MICA has the coverage and the clarity we want, and now it’s really enjoyable to sit out here and listen.”

The new system includes main hangs of seven-each MICA loudspeakers, which provide uniform coverage for most of the 1,700-seat worship auditorium. Four UPM-1P loudspeakers and a single UPA-1P loudspeaker provide front and center fill, respectively, while four 1100-LFC loudspeakers arranged in left and right cardioid pairs supply low end. A Galileo® Callisto™ loudspeaker management system with two Galileo Callisto 616 array processors supplies drive and optimization.

System design and installation was handled by Tom Larrison of Norcross, Ga.-based Blue Hat Design, with assistance by Scott Clark and Joe Kimsey.

Burgess is also impressed by the 1100-LFC loudspeakers. “The low end is really amazing. It doesn’t just rumble at you like some other subwoofers. The sound is powerful, yet tight and clear.”

The new MICA installation is complemented by Avid Profile and D-Show consoles at FOH and montiors, respectively, Waves and McDSP processing plug-ins, and Shure PSM 1000 in-ear monitoring systems.

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RTW Announces Legacy Trade-In Program

Initiative Offers Exchange of Used RTW Devices at Exclusive Pricing

COLOGNE, JULY 14, 2014 – RTW, the market leader in visual audio meters and monitoring devices, has announced an extensive trade-in program. Customers will have the opportunity to exchange their existing inventory of legacy RTW devices for latest-generation products, which provide loudness metering in compliance with worldwide standards, at attractive pricing.

Through October 31, 2014, customers can return any number of functioning devices from the RTW Peakmeter, PortaMonitor, DigitalMonitor or SurroundMonitor ranges and purchase the same amount of new devices in any configuration at an extra discount of 10 percent. For additional details, customers are encouraged to call their dealers or systems vendors. They can also contact RTW directly.

“With the recent release of the new TM3-Primus, as well as our continuous license offerings for our TouchMonitors, we felt this was a good way to give customers the opportunity to upgrade to our latest products and innovations,” says Andreas Tweitmann, CEO, RTW. “The RTW trade-in program will help our customers experience new tools at a cost-effective price point.”

For more information about RTW’s trade-in/trade-up program, please visit www.rtw.de.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130.

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MPR System Brings Series Surge Protection to Vertical Power Strips


Fairfield, NJ–– Middle Atlantic is expanding its Modular Power Raceway system to include surge protection capabilities with two exclusive benefits. The introduction of Series Protection™ modules for the MPR Series marks the industry’s first vertical power strip to offer series type non-degrading surge protection and its first fully configurable power solution to do the same.

The new Series Protection™ modules will also provide series type surge protection to all cascading modules in each circuit. A patent-pending technology, Series Protection™ is the fastest-responding series type surge suppression currently available.

The Modular Power Raceway system allows integrators to configure their own ETL-listed vertical power solution using off-the-shelf parts. Integrators now have the option of incorporating reliable surge protection into their custom power design. When installed as the first circuit within the power strip, these modules will extend that series type surge protection to all connected units that follow. In addition, the module sits on top of raceway channel, which allows circuit wiring between modules and unimpeded connection to the termination.

The new MPR modules join the Middle Atlantic family of rackmount and RackLink™ power products leveraging Series Protection™ technology. Modules are available in 15 or 20 amp configurations with outlet options being controlled or on when connected.

For technical specifications and in-depth information about Middle Atlantic Products, please see click to www.middleatlantic.com, or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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