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Press Releases For : April 9, 2014

D-Tools Adopts Standardization, Fully Integrates Security Industry Association Standard SIA/IAPSC Security Drawing Symbols into D-Tools System Integrator™ Software Platform

SIA/IAPSC Security Industry Standard Drawing Symbols are used for planning and integrating all facets of security system installation, are used for project designs, blueprints, or schematics, and are consistent with those used by Architects, Electronic Systems Contractors, Consultants, and others in the trade

D-Tools now features standardized security industry standard shapes

CONCORD, CA, USA – April 09, 2014 — D-Tools Inc., the worldwide leader in system integration software, today announced full integration of Industry Standard SIA/IAPSC Security Drawing Symbols into the D-Tools System Integrator™ electronic system estimation, design and documentation software platform. Straightforward and easily-recognized, SIA/IAPSC Security Drawing Symbols are used for planning security system installations and are used for system designs, blueprints, or schematics, and are consistent with symbols used by Builders, Architects, Consultants, Electronic Systems Contractors, and other professional trades to design and integrate all aspects of audio, video, networking and security installations in commercial and residential applications.

“By implementing SIA/IAPSC Security Symbols into D-Tools System Integrator™, D-Tools is better able to fulfill our commitment to providing electronic systems contractors a means for producing more professional-looking proposals and more accurate design documentation that allow them to compete at a higher level and ultimately, win more bids,” said Adam Stone, President and Founder of D-Tools. “We have been working towards adopting standardized symbols for some time because we recognize the value it provides to every entity involved in a given installation and know that in time, electronic systems contractors will be required to provide this service.”

Within the D-Tools System Integrator platform, SIA/IAPSC Security Symbol implementation consists of a grouping of Autodesk® AutoCAD symbols– including mount type and device options for each symbol– that D-Tools has converted into separate Microsoft® Visio stencil categories. In addition to Electronic Safety and Security stencils, D-Tools industry standard stencil categories include Audio Video, Communications, Control, Electrical, Furnishings, Generic, HVAC, and Vacuum Cleaning Systems.

The new SIA/IAPSC Security Symbols are available now for download and use by authorized D-Tools System Integrator users, who can access these and other D-Tools stencil updates by clicking on the Download Stencil update link in the SIX toolbar in Visio.

By adopting and utilizing the SIA/IAPSC Security Drawing Symbols into their system design and documentation practices, security systems integrators will more clearly communicate with project partners within the security market. Not only does this new standard provide needed clarity and consistency between project partners, it also provides security systems integrators an opportunity to compete for bids at a higher level, earn and maintain project access, streamline processes, and boost their bottom line.

More detailed information about the new D-Tools SIA/IAPSC Security Architectural Drawing symbols can be found on the D-Tools documentation D-Tools wiki, by visiting the D-Tools Blog Site, by calling 1-866-386-6571 ext. 1, or by emailing info@d-tools.com. Product updates and related information can be obtained by visiting www.d-tools.com and by following D-Tools on Twitter and on Facebook.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platform. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process.

Press Contacts:
Tim Bigoness, D-Tools, Inc., +1 (925) 270-4102, timb@d-tools.com, www.d-tools.com

Katye (McGregor) Bennett, KMB Communications, +1 (425) 328-8640, katye@kmbcomm.com, www.kmbcomm.com/press

Accompanying Images & References:
D-Tools Logos
D-Tools SIA/IAPSC Security Drawing Symbols
D-Tools Blog post on SIA/IAPSC Security symbols

*SIA is the Security Industry Association and IAPSC is the International Association of Professional Security Consultants.

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Barry Manilow and Bruce Sussman’s Harmony – A New Musical Captivates Los Angeles Audiences with Stellar Sound System from Masque Sound

Custom Audio Equipment Package Includes New Sennheiser Digital 9000 Wireless System

LOS ANGELES, APRIL 9, 2014 — When Sound Designers David Patridge and John Shivers returned for the second run of Barry Manilow and Bruce Sussman’s Harmony – A New Musical, they once again turned to Masque Sound, a leading theatrical sound reinforcement, installation and design company, to provide a new custom audio equipment package. The show’s Los Angeles production at the Center Theatre Group’s Ahmanson Theatre marks the second time the duo was personally chosen by Manilow and Sussman to create the sound design — and while the story remains the same, the sound design was completely different.

Harmony recounts the true story of the Comedian Harmonists, six talented young men who in 1920s Germany took the world by storm with their signature blend of sophisticated close harmonies and uproarious stage antics. The Comedian Harmonists sold millions of records, starred in dozens of films and packed the most prestigious concert halls around the globe until the world they knew forever changed with the commencement of World War II.

“After the Atlanta run [of Harmony] came to an end, the equipment we used went back into Masque Sound’s shop and we rebuilt the entire show for this second run in Los Angeles,” says Patridge. “Every theatre and venue is a challenge of its own. One of the obstacles was the theatre’s size, as the Ahmanson is a much bigger theatre than Atlanta. You can’t cookie cutter these things and they have to be morphed into whatever works for the architecture. Masque Sound did an excellent job accommodating our needs.”

Masque Sound provided the designers with a DiGiCo SD10T digital console, which not only provides the flexibility they were looking for but also comes complete with a software package that is designed specifically for the theatrical market. In addition, the show has a completely new PA design featuring L-Acoustics dv-DOSC speaker arrays built from scratch via Masque Sound’s inventory. The dv-DOSC delivers powerful, cost-effective coverage in a compact profile making it ideal for the designers’ needs.

Masque Sound also supplied a demo system of the Sennheiser Digital 9000 Wireless System featuring eight 9000 series radios. The Sennheiser Digital 9000 system was developed for all professional users who are unwilling to compromise on sound. Its unique uncompressed digital audio transmission offers artifact-free sound with great dynamics. The Sennheiser Digital 9000 wireless system not only delivers a unique sound quality but also lets its professional users experience a whole new kind of flexibility.

“With the Sennheiser 9000 series you can use a built-in software feature in the receiver rack, which will scan and allocate available frequencies,” adds Patridge. “Theoretically, you should no longer need the extra steps of doing an RF scan of the venue in advance or an intermodulation study. The 9000 series takes the hit or miss of pre-programming completely out of the equation. Masque Sound not only provided us with this impressive demo equipment, but they also set up an on-site visit with a Sennheiser tech who demonstrated the use and features of the new system. There is no question that the 9000 series will prove very valuable with a more and more crowded RF spectrum and sonically, they are great.”

Directed by Drama Desk Award-nominee Tony Speciale (Classic Stage Company’s Unnatural Acts, A Midsummer Night’s Dream), Harmony officially opened at the Center Theatre Group’s Ahmanson Theatre in Los Angeles on March 4 and is slated to run through April 13, 2014.

About Masque Sound

Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

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Middle Atlantic Expands SNE Options For Added Versatility

Middle Atlantic has expanded its SNE Series Security Network Enclosure offering with seismic certification and other innovative options to maximize its versatility over a wide breadth of security applications.

A purpose-built series designed to meet the specific requirements of IP, analog and hybrid security systems that incorporate elements of both, SNE is available in four configurations to fit system type, wiring needs, ventilation requirements and cabinet location.

Seismic Certification
SNE is the first seismic certified security-purposed cabinet exceeding a 1,000 lb. weight capacity when outfitted with new anchor brackets for concrete floors or seismic riser bases for raised floors.

Raised-Floor Compatibility
A new selection of standard and seismic riser bases positions the SNE ideally for raised floor applications including under-cabinet cable management and mission critical applications requiring strength and reliability.

Component & Cable Management
An innovative new adapter enables threaded rail, cage nut rail, or the use of both in the same rack, dramatically widening its usability across varying systems. The SNE cabinet was designed for integrating Middle Atlantic’s Lever Lock™ system that facilitates cabling and device mounting options within the rack using unique tool-free cable management bars and accessory mounting plates. It also allows smaller devices to be mounted in otherwise unused spaces.

Thermal Options
The SNE series is optimized for use with hybrid systems – those using digital and analog equipment – with active ventilation ideally suited for equipment rooms. The series also includes models optimized for use with digital systems – those using digital (IP) equipment – with passive ventilation ideally suited for data centers.

Each preconfigured SNE enclosure ships from stock for rapid deployment and includes front and rear doors, flush mount side panels, Lever Lock brackets, locking casters and leveling feet. SNE Series models are UL Listed with a 3,000 lb load capacity and are available in 3 racking heights, 3 widths and 3 depths for systems of varying sizes.

For technical specifications and in-depth information about Middle Atlantic Products, please, click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

Genelec Home Audio Names Big Apple Technology New Manufacturer’s Representative for the Metro New York Area

— Big Apple Technology is the latest rep in the Genelec Home Audio Systems sales force —

NATICK, MA, April 7. 2014 — Genelec Inc., U.S. distributor of Genelec Home Audio Systems, announces the appointment of a new manufacturer’s representative – Whitestone, New York-based Big Apple Technology – to serve the Metro New York City area. Bart LoPiccolo, Genelec National Sales Manager, made the announcement as part of Genelec’s ongoing expansion in the custom installation/home theater market sectors. Led by company president Joseph Frattasi and sales reps Doug Lee and John Frattasi, Big Apple Technology will help increase market share for Genelec in the custom/home installation arena throughout New York City and its suburbs.

The addition of a new, dedicated rep in this region underscores Genelec’s commitment to meeting the rising market demand with a network of experienced, knowledgeable representatives. Commenting on this appointment, LoPiccolo stated, “We are proud to have added Big Apple Technology to the Genelec family. They are a well-established presence in the market, and their experience and support make them an excellent fit for Genelec. Joseph, Doug, John and the rest of their team are very qualified, and they will assist us in increasing brand visibility and market penetration in greater NYC and also help build lasting relationships with high-end custom install dealers. We look forward to continuing growth as a result of this new partnership.”

For more information, please visit www.genelecusa.com.

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Genelec NAB 2014 Press Kit

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WorldStage Lighting Package Sparks Fred Bock’s design for “The Tonight Show Starring Jimmy Fallon”

When Jimmy Fallon assumed the role of host of the iconic “Tonight Show” it meant more than a change in the man behind the desk. “The Tonight Show Starring Jimmy Fallon” now originates from 30 Rockefeller Center where lighting designer Fred Bock, of Ferri Lighting Design & Associates (FLDA), has created a new look in NBC’s upgraded Studio 6B. WorldStage supported Bock’s design with an extensive studio and band lighting package featuring some of the latest fixtures on the market.

They include Clay Paky A.leda B-EYE K20, the innovative, LED-based moving lights, Clay Paky Alpha Profile 800 STs and Clay Paky Sharpy Washes for band lighting.

“One of the biggest challenges for WorldStage was managing the logistics of obtaining the newest technology our industry has to offer without disrupting the studio installation schedule,” says Drew DeCorleto, director of lighting production at WorldStage. “Many of the fixtures chosen by Fred were still on the assembly line when installation began. A very strong and steady line of communication with the manufacturing vendors was paramount to keeping us on schedule. Since we provided both the sale and rental packages every fixture in the studio passed through the WorldStage lighting shop en route to NBC.”

Bock found that “Drew, [sales project manager] Derek Abbott and everyone at WorldStage gave me complete and total attention every step of the way. I felt that they were my true partners. WorldStage was as invested in the success of ‘The Tonight Show’ moving back to New York as everyone else working on the project.”

Bock’s overall design goals for the show were “keeping the lights as unobtrusive as possible to both the design of the studio space and the camera. This was achieved by keeping lights as high to the grid as possible and backing them off to maintain a flattering angle to light the faces of the talent. Set lighting was approached in a very architectural manner integrating the fixtures into the beams and soffits that were a big part of the lighting design.”

But Bock followed a different mandate for the band lighting. “The Clay Paky B-EYEs are a contradiction to the main design edicts because they are meant to be seen and provide a look for music that was fresh and new,” he says. “The flexibility of the B-EYE makes it a perfect light for effects in the haze, but they can also be used as wash lights in the music set as well.”

The Alpha Profiles serve a similar purpose. “They’re a great light that can be used for effects and beams in the haze, but they can also be used to light talent and scenery thanks to their shutters,” Bock reports. He chose them for “their flat field, size, brightness, shutters and versatility” and positioned some in the grid to be used as back lights and for eye candy shooting into the camera for music. Six are also downstage of the music set where they are used as keys for music and to light scenery for comedy skits.

Bock says the Alpha Spots are “working very well. They transformed the music space for Lady Gaga’s performance giving a high-energy feel that enhanced the number tremendously. They also have been used to light the talent in the performance space and cue cards for sketches.”

DeCorleto says the B-EYEs have “turned out to be a ‘must-have’ light for the show. Using the built in macros, you can utilize all of the impressive effects while only tying up 32 channels per fixture. There is nothing out there like it.”

He calls the Alpha Profiles “probably Clay Paky’s best-kept secret. We demo’d this unit last year for NBC and they’re on the ‘Today Show,’ ‘Saturday Night Live’ and ‘Late Night with Seth Meyers.’ It’s a terrific arc light with shutters that’s quiet enough to be used in NBC’s smaller studios.”

DeCorleto notes that A.C.T Lighting, the exclusive distributor of Clay Paky lighting fixtures in North America, “was there every step of the way for us during ‘The Tonight Show’ and ‘Late Night’ process and delivered fixtures ahead of schedule. The B-EYE was actually on ‘The Tonight Show’ before they were in any vendor shops; that wouldn’t have been possible without the tremendous support from Brian Dowd and his colleagues at A.C.T Lighting.”

WorldStage also supplied Martin MAC Aura LED Washes for band lighting and an extensive array of fixtures for studio lighting, including ETC Source 4 LED Lustr+s; Prism Profile Juniors; numerous ETC D22, D40 and D60 Lustrs; Prism Studio 3 fresnels; dozens of Chroma-Q Color Force, Studio Force and Color Block fixtures; City Theatrical Beam Benders and ETC Source 4 Minis.

Bock says he “never viewed WorldStage as just the vendor that supplied the gear to us. Drew and everyone else really poured their hearts and souls into insuring a successful launch and load in. They were amazing to work with, and I can’t thank them enough for their support and efforts on our behalf.”

“Fred is consistently on the cutting edge of technology pushing the boundaries of the industry to new heights,” says DeCorleto. “The fixture choices he made are well deserving of their network debut on a stage as grand as ‘The Tonight Show.’ Every step of the way it was a real pleasure working with him.”

At the same time WorldStage was working with Bock, the company was awarded the sale and rental lighting packages for the new “Late Night with Seth Meyers” in NBC’s Studio 8G, which was slated to debut one week after Jimmy Fallon took over hosting duties on “The Tonight Show.”

“That meant delivering another lighting package for another major network late-night show – a lot of pressure, but challenge accepted!” says DeCorleto.

And WorldStage was up to the challenge of meeting the lighting needs of the new show, which rounds out NBC’s dominant late-night schedule. Few companies in the New York area are equipped with an inventory and personnel pool deep enough to service both shows simultaneously.

WorldStage Inc., the company created by the merger of Scharff Weisberg Inc and Video Applications Inc, continues a thirty-year legacy of providing clients the widest variety of entertainment technology coupled with conscientious and imaginative engineering services. WorldStage provides audio, video and lighting equipment and services to the event, theatrical, broadcast and brand experience markets nationally and internationally.

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Waves Audio NAB 2014 Press Kit

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D-Tools Furthers Standardization, Fully Integrates Industry Standard J-STD-710 Audio, Video and Control Architectural Drawing Symbols into System Integrator™ Software Platform

J-STD-710 Industry Standard Architectural Drawing Symbols are used to represent all facets of audio, video, and control pre-wire and installation for system designs, blueprints, or schematics, and are consistent with those used by Architects, Builders, Interior Designers, and other Professional trades

D-Tools System Integrator system design and proposal platform now features industry standard shapes for more seamless integration and better communication of project parameters with associated trades.

CONCORD, CA, USA – APRIL 09, 2014 D-Tools Inc., the worldwide leader in system integration software, today announced full integration of Industry Standard J-STD-710 Audio, Video and Control Architectural Drawing Symbols into the D-Tools System Integrator™ electronic system estimation, design and documentation software platform. Straightforward and easily-recognized, J-STD-710 Audio, Video and Control Architectural Drawing Symbols represent all facets of audio, video, and control pre-wire and installation for system designs, blueprints, or schematics, and are consistent with symbols used by Builders, Architects, Interior Designers, CE Manufacturers, Electronic Systems Contractors, and other professional trades.

“By implementing industry standard J-STD-710 Architectural Drawing Symbols into the D-Tools System Integrator™ platform, electronic systems integrators are provided an effective means for producing professional-looking, easily recognized proposals and design documentation that allows them to compete at a higher level and win more bids,” said Adam Stone, President and Founder of D-Tools. “Not only does standardization provide extensive value to every entity involved in a given installation, it will soon be a service that systems integrators will be required to provide. Essentially, we’re giving integrators a leg-up on their competition by encouraging the early adoption of industry standardized.”

Within the D-Tools System Integrator platform, J-STD-710 implementation consists of nine categories of Autodesk® AutoCAD symbols– including mount type and device options for each symbol–that D-Tools has converted into nine separate Microsoft® Visio stencils. The categories include Audio Video, Communications, Control, Electrical, Electronic Safety and Security, Furnishings, Generic, HVAC, and Vacuum Cleaning Systems.

The new D-Tools J-STD-710 stencils are available now for download and use by authorized System Integrator users, who can access these and other D-Tools stencil updates by clicking on the Download Stencil update link in the SIX toolbar in Visio.

By adopting and utilizing the J-STD-710 Audio, Video and Control Architectural Drawing Symbols into their system design and documentation practices, electronic systems integrators will more clearly communicate with project partners across different trades. Not only does this new standard provide needed clarity and consistency between project partners, it also provides systems integrators an opportunity to compete for bids at a higher level, earn and maintain project access, streamline processes, and boost their bottom line.

More detailed information about the new D-Tools J-STD-710 Audio, Video and Control Architectural Drawing symbols can be found on the D-Tools documentation D-Tools wiki, by visiting the D-Tools Blog Site, by calling 1-866-386-6571 ext. 1, or by emailing info@d-tools.com. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platform. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process.

Press Contacts: 
Tim Bigoness, D-Tools, Inc., +1 (925) 270-4102, timb@d-tools.com, www.d-tools.com
 
Katye (McGregor) Bennett, KMB Communications, +1 (425) 328-8640, katye@kmbcomm.com, www.kmbcomm.com/press
 
Accompanying Images:
D-Tools Logos
D-Tools Screen Shot of J-STD-710 Industry Standard Symbols

D-Tools Blog post on J-STD-710 symbols:
http://www.d-toolsblog.com/presidents-perspective/jstd710-symbols/

References:
The official J-STD-710 Audio, Video and Control Architectural Drawing Symbols Standard was created by members of the CEA/CEDIA/InfoComm R10WG7 Residential Systems Documentation Working Group who produced a joint White Paper post on J-STD-710 symbols:
http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/36035.htm
http://www.cedia.net/insights/cedia-blog-detail/blog/2013/12/09/method-to-the-madness-the-future-of-design-documents
https://standards.ce.org/apps/group_public/project/details.php?project_id=2

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Audio-Technica NAB 2014 Press Kit

Please click here or image below to view Audio-Technica NAB 2014 Press Kit

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Auralex® Supports Vintage King Audio Nashville and Carl Tatz Design™ at TEC Award Toast

— Auralex® President and Co-Founder Eric Smith was on hand along with other Auralex personnel to toast Vintage King’s recent TEC Award win for their innovative MixRoom™ —

INDIANAPOLIS, IN, April 3, 2014 – On Thursday, March 20, 2014, Vintage King Audio Nashville hosted an event to celebrate its recent TEC Award win with a champagne toast and keynote event. The award was initially presented in January at the NAMM Show in Anaheim, California, recognizing the Vintage King Audio Nashville MixRoom™ for outstanding creative achievement in the Studio Design Project category. The room employs the Carl Tatz Design™ (CTD™) MixRoom concept, which pairs a CTD PhantomFocus™ System with the Carl Tatz Signature Series™ acoustical treatment from Auralex® Acoustics, Inc.

On hand for the March 20th toast and keynote event were Eric Smith, President and Co-Founder of Auralex, accompanied by other members of Auralex’s management and sales team. Also in attendance were the following individuals: Mike Nehra, Vintage King Co-Founder; Chad Evans, Vintage King National Sales Rep; CTD Founder Carl Tatz; Todd Beeten, Sound Construction and Supply CEO; Mike Rhodes, SkinnyFish Studio Services owner; and a standing-room only crowd of some of Nashville’s top audio professionals.

Chad Evans addressed all assembled, recalling in detail the development of the Vintage King Nashville MixRoom and its significance as part of the larger Vintage King story. This room is the only facility of its kind in the world – a combination of a sales floor, an equipment demo room, and a working control/mixing room.

Eric Smith stated, “We are honored to be a part of the Vintage King MixRoom and this great celebration. Our ongoing relationship with Carl Tatz Design and Vintage King have fostered a spirit of teamwork and innovation, and thanks to the hard work of all involved, the result has been recognized by our peers at the TEC Awards. And we always love assembling with Nashville’s top engineers and audio minds and bonding over a drink to a job well done! A great experience from start to finish.”

“This was definitely a team effort among Auralex, Carl Tatz, Sound Construction and Vintage King,” stated Vintage King Audio’s Founder, Mike Nehra. “Everyone’s collaborative vision is what makes the Vintage King Nashville Control Room so special and sound so good. We took great care in properly tuning the room to accommodate a wide range of monitors and gear. When you walk into the room you sometimes forget that you are actually standing in a retail location.”

For more information, please visit www.auralex.com.

Photo Caption 1: Personnel from Auralex Acoustics, Vintage King Audio Nashville, Carl Tatz Design, Sound Construction and Supply, SkinnyFish Studio Services and others gather at Vintage King Nashville for a champagne toast and keynote event celebrating Vintage King Nashville’s recent TEC Award win.

Photo Caption 2: Pictured L-R: Mike Rhodes, SkinnyFish Studio Services owner; Eric Smith, President and Co-Founder of Auralex; Mike Nehra, Vintage King Audio Founder; Carl Tatz, Founder of Carl Tatz Design; Todd Beeten, Sound Construction and Supply CEO; and Chad Evans, Vintage King National Sales Rep.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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