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Press Releases For : August 19, 2014

Revolabs to Show Comprehensive Unified Communications Solutions at InfoComm Mexico 2014

Executive Elite, FLX UC 500, and New Elite Wired Microphones on Display

SUDBURY, Mass. — Aug. 18, 2014 — Revolabs(R) today announced that at TecnoMultimedia InfoComm Mexico 2014, on Warehouses Audiovisuales’ booth 29/31, the company will feature its next-generation Executive Elite wireless microphone system and audio-enhancing FLX UC 500 USB conference phone, as well as introduce its new Elite Wired Microphones. Held at the World Trade Center in Mexico City, the show runs Aug. 20 to 22. (more…)

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Philadelphia Funk Authority Displays True Multitasking Skills With HARMAN Soundcraft Si Expression 2 Console

PHILADELPHIA, Pennsylvania – Catering to weddings, private events, festivals, clubs and concerts in and around the tri-state area, Philadelphia Funk Authority comprises hardworking individuals whose passion is playing funk, soul and R&B music from the ‘70s to today. Since the band’s members all maintain regular jobs during the day, it opted for a HARMAN Soundcraft Si Expression 2 console to mix its shows from the stage, foregoing the need for extensive technical training on a difficult-to-use console.

Heading up the technical department for the band is Andrew Kowal, a trumpet player who has been a musician for 30 years. While taking on the responsibilities of an onstage mixer, he needed an intuitive console that allowed him and the band members to simultaneously control the sound dynamics of the show and their own performances. The Si Expression 2 was chosen for its effortless workflow, flexible outputs, and the ability to mix on the fly.

“While onstage, I can operate the console and other band members can tweak their monitor mixes, meaning that we required an intuitive solution that could keep up with our dynamic pace,” said Kowal. “Having 24 channels is very comfortable for a 9-piece band with four lead singers and three horns, but having the flexibility to mix five discrete monitors at the same time while playing music is great!”

After acquiring the Si Expression 2, the band members noticed how much less gear they needed to transport to each show. With the Si Expression 2, no longer were they required to juggle additional racks and outboard equipment, resulting in a setup time of less than an hour. Even an extra feed into a house PA system only takes a couple of minutes to set up.

“I love everything about the console, especially the FaderGlowTM feature, because it’s so nice to light up only the faders that are in effect, so I don’t need to waste time on finding the right faders,” said Kowal. “I like having instant access to the graphic EQ, filters, compressors, as it makes everything so much easier and faster. Basically, everything improved for us overnight.”

For more information on Philadelphia Funk Authority, please visit http://www.phillyfunk.com/

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Sliq Media Technologies Wins Caribbean Legislature Contract

Automated recording and transcription workflows, cross-platform streaming help Parliament of Trinidad and Tobago accelerate public record creations, expand audience reach

MONTREAL, August 19, 2014Sliq Media Technologies announces that the Parliament of the Republic of Trinidad and Tobago has selected its Harmony Suite to automatically record, transcribe and stream parliamentary proceedings, minimizing labor costs and workflow errors associated with legacy transcription processes.

The Sliq solution transitions the Parliament to an automated workflow that reduces the time required to create official public records. The automated workflow will streamline their existing process, reducing the Legislature’s reliance on traditional stenography for transcriptions. The upgrade will also add cross-platform streaming capabilities for the first time, broadening the delivery of legislative content across multiple consumer devices, including web and mobile targets. Collectively, the marriage of Hansard workflow and cross-platform webcasting delivers a unified service to the public that to date has not existed for the Parliament of Trinidad and Tobago.

“The use of stenography technology in government meetings continues to diminish as more efficient tools become available to create public records,” said Sanjiv Menezes, president, Sliq Media Technologies. “Sliq provides an all-in-one, easy-to-use solution that combines transcription tools and cross-platform streaming to establish a far more efficient workflow with reliable results.”

The Sliq Harmony Suite enhances the user experience with cross-workflow indexing tools that deliver all relevant information from parliamentary proceedings alongside video and audio streams. While Sliq’s Razorback multi-channel encoders capture HD-quality (H.264) video and pristine audio streams, Harmony’s time stamped indexing tools ensure that content associated with parliamentary proceedings is uniformly presented alongside webcasts. This guarantees that all relevant legislative content, including speakers and orders of the day, is made available to constituents in one place, with simple access to specific points of interest.

The agreement includes video support at two venues and single-track audio support at three venues. Sliq Hawkeye tools will provide monitoring of all video and audio levels across the workflow, helping staff centrally monitor performance parameters for quality assurance—and quickly react to rare troubleshooting issues via diagnostics and alerting tools.

“This project advances our Caribbean presence to three countries, and we are in active discussions with several nearby countries that have recognized the efficiency and quality gains of neighboring nations that have transitioned to the Sliq platform,” said Nic Côté, VP, Business Development for Sliq. “The launch of the Harmony Suite for the Parliament of Trinidad and Tobago also gives us an opportunity to go back this winter and enjoy a warm meal with our customers at Husseins Restaurant!”

ABOUT Sliq Media Technologies

Sliq Media Technologies sells a simple yet scalable solution for high-quality media recording, streaming, annotation, indexing, transcription and closed-captioning, tailored to legislative environments. Its turnkey webcasting solution for government agencies is available in cloud-based, hybrid and self-hosting solutions and is easily accessible by a vast variety of mobile, desktop and consumer devices. Visit http://www.sliq.com for more information.

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NRJ TV Finds Versatile Solution in HARMAN Studer Vista 1 Digital Console

PARIS, France – NRJ TV has recently purchased a HARMAN Studer Vista 1 digital console for its television control room. NRJ TV has a television control room and two studios to manage the production of its NRJ 12 channels, Chérie 25 and NRJ Hits. Both channels broadcast news and live shows every day.

According to Cédric Drapeau, Technical Manager, it was important to upgrade to a console that could sustain the network’s production growth. “We have a variety of programming that takes place here at NRJ 12 and Chérie 25, so we need equipment that provides a high level of versatility to meet our varying needs,” he said.

To that end, NRJ chose the Studer Vista 1 digital console, which fits perfectly into the network’s technical environment.

The audio configuration of the two studios is based on an EtherSound network, allowing for easy routing and management of signals between the two TV studios and the control table. The Vista 1 has an EtherSound connection that can control over 32 inputs and 32 outputs to perfectly interface into the network.

The Vista 1 is highly suited to broadcast applications, with an integral DSP engine of 96 channels. The Vista 1 can handle mono, stereo and 5.1 inputs with ease, and is provided with 32 mic/line inputs, 16 line outputs and eight stereo AES inputs and outputs on rear panel connections.

The Vista 1 contains many of the same features as its larger brother, the Vista 5, including the patented Vistonics™ user interface plus features such as true broadcast monitoring, talkback, red light control, GPIO, N-x (Mix Minus) busses, snapshot automation and DAW control.

The Vista 1’s I/O can be expanded using the standard Studer D21m I/O controller’s card slot on the rear, to allow a wide range of protocols including MADI, AES, AoIP, ADAT, TDIF, CobraNet, Dolby E/Digital and SDI connections. A MADI link can connect to any of the Studer Stagebox range for XLR connectivity as well as other formats.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Patchwerk Recording Studios’ Nick Bassani Keeps On Track With HARMAN’s JBL LSR308 Studio Monitors

ATLANTA, Georgia – Patchwerk Recording Studios is one of the top recording and mastering facilities in the United States. The Atlanta studio has recorded more than 60 platinum and gold albums and worked with a who’s who of rap, hip-hop, R&B and pop artists including 50 Cent, Sean Combs, Pit Bull, Flo RIda, Jay-Z, Madonna, Nicki Minaj, Rihanna, Kanye West and dozens of others. It’s music based on bass, and producers, artists and listeners want more and more of it, notes Patchwerk’s tracking engineer Nick Bassani, which is why he relies on HARMAN’s JBL LSR308 powered studio monitors as his go-to near-field loudspeakers.

Bassani recognizes in the urban music scene “there’s an insatiable appetite for more low-end response in the music and this creates a challenge for urban market producers and mix engineers. Many monitors and even headphones out there cater to this appetite with low-end response that’s often misleading and just plain inaccurate.”

Bassani feels the JBL LSR308 is the perfect solution to the need for for bass-accurate near-field monitors. “Accuracy and clarity tend to be expensive – but not in the case of the LSR308. They’re not ‘boomy’ or exaggerated in the bass, yet have more low-end response along with far better high-frequency extension—all the way up to 24kHz—than any other near-field I’ve used.”

The powered-bi-amplified LSR308 employs a long-throw 8-inch woofer and a 1-inch woven-composite neodymium tweeter that is mated to JBL’s exclusive Image Control Waveguide™, developed for the company’s new flagship M2 Master Reference Monitor.

“The LSR308’s wider frequency response and clarity and ability to let me ‘hear into’ the mix at lower volumes has caused me to make huge improvements in my overall mixing technique,” said Bassani. “Thanks to the exceptional definition of the woofer and tweeter and the accurate on-and off- axis coverage pattern of the waveguide, the stereo image is deep and wide and the clarity is phenomenal. I can hear reverbs and delays extremely well.” Bassani also found the LSR308 “a godsend” when its improved resolution allowed him to begin experimenting with mid-side panning in his mixes.

Bassani asks: “Suppose an artist or producer wants to be sure that what they hear in their mixing environment translates accurately to the next studio they work in, or in their car or home?” “To be honest, that’s what really sold me on the LSR308. During a project, we were tracking in a studio that had a nice vocal booth but the control room was not the best. We replaced the existing control room speakers with a pair of LSR308 monitors and I noticed an instant improvement in the transferability of my rough mixes between the studio, my home and another professional studio where I work.”

After that experience, Bassani installed the LSR308 at Patchwerk’s Studio 9000 (one of Patchwerk’s main tracking and mixing rooms) and has never looked back, saying he is “unable to part with them.” He now takes a pair of LSR308 monitors to every room on any project he’s involved with, whether it’s a small project studio or a multi-million-dollar facility. He concluded, “I know that if I get my mix sounding great on the JBL LSR308 monitors, I’ll never have anything to be worried about.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Seymour-Screen Excellence Brings to Market Best-in-Class Ambient Light-Rejecting Film Screen Line

Available in 1.3, 2.1 and a black 1.2 gain version, the company’s proprietary technology prevents color shifting and sparkling in a manner that has already been declared best-in-class by reference calibrator
W. Jeff Meier in his June 2014 AccuCal Projection Screen Material Report

Ames, IA – August 19, 2014 – Seymour-Screen Excellence — the made-in-the-USA brand best known to date for its luxurious, reference-grade acoustically transparent 4K film screens — is rounding-out its offerings with Ambient-Visionaire™, a proprietary ambient light filtration technology that the company claims is the most advanced to ever reach the market.

The Ambient-Visionaire is a solid screen surface, comprised of billions of nano-mirrors, dithered at the desired viewing angle, and layered so that side light (from any direction) will be absorbed by carbon particles and the substrate.

Ambient-Visionaire screen surface close-up

”By shrinking the reflective elements down to less than 1/10th the smallest size visible by the human eye, the screen cannot create a discrete sparkle,” says Seymour-Screen Excellence Managing Director Chris Seymour. “They are so small and dense, that a 16K resolution pixel would have over 300 mirrors to itself; a 4K pixel would have nearly 5,000. With this more efficient method of selectively reflecting the projected image versus ambient light, the screen offers the reference quality color uniformity that Seymour-Screen Excellence is known for without exhibiting any color shift, sparkles or ringing – all issues that have plagued performance of ambient light-rejecting film screens.”

Chris Seymour putting the finishing touches on a film screen

Ambient-Visionaire Silver Series
To satisfy a wide range of installation applications, the Silver Series consists of both 2.1 and 1.3 gain versions. The Silver 1.3 was reviewed and declared best-in-class by W. Jeff Meier in his June 2014 AccuCal Projection Screen Material Report. Meier is considered by many in the industry to be a leading reference calibrator. The AccuCal report can be read here: http://bit.ly/1lWPgec

Ambient-Visionaire Black Series
Using the same aggressive combination of carbon particles and stacked, dithered nano-mirrors along with a deep black background that absorbs 90% of ambient light from any direction, the 1.2 gain Black produces a 12x improvement in contrast ratios in environments that are otherwise unsuited to front projection use, even outdoors.

The Ambient-Visionaire screens are available in sizes up to 130-inches wide (141-inches diagonal) in 2.37 aspect ratio and 100-inches wide (115-inches diagonal) in 16:9 aspect ratio. The surface of both the Silver and Black series feature a durable finish that can be wiped down and cleaned with common household cleaners including rubbing alcohol or mineral spirits.

While manufactured in Seymour-Screen Excellence’s Ames, Iowa production facility, the Ambient-Visionaire line is also available outside of The Americas through partner Screen Excellence, located in the UK.

”The response to Ambient-Visionaire from dealers, reps, calibrators and press has been extremely enthusiastic,” says Patrice Congard, Seymour-Screen Excellence partner. “Chris Seymour has done a phenomenal job – certainly his background as an engineer has been quite influential in the development of this special screen surface. I am quite confident that Ambient-Visionaire will be a catalyst in our joint-venture taking an even stronger foothold in the home theater channel.”

For more information on Ambient-Visionaire visit http://www.seymourscreenexcellence.com/materials.asp or call 515.450.5694.

For all Seymour-Screen Excellence media inquiries, please contact Paul Muto via paul@mutocomm.com or phone 631.849.4301.

About Seymour-Screen Excellence
Founded as a joint venture by US-based Seymour AV and UK-based Screen Excellence, SSE combined the leadership and innovation of their acoustically transparent projection screen materials for high-end custom installers and specialty AV retailers in North America. Using the latest in materials and design from Patrice Congard, originator of the modern acoustically transparent screen, the company’s state-of-the-art screens provide flawless picture quality and acoustic transparency, superior to traditional perforated screens or other less exacting woven screen materials. www.seymourscreenexcellence.com

About AccuCal
AccuCal was founded in 2005 by Jeff Meier to provide professional services and develop tools to support the installation of sound and video equipment. The services offered include audio calibration, design, performance measurements and video calibration. AccuCal is unique in this business segment. Jeff has developed proprietary software and methods that are combined with industry reference sensors and standards to deliver superior results. AccuCal also sells no products and receives no incentives to promote products. This provides clients the assurance that recommendations are not biased by equipment margins. Since 2005, Jeff has assisted with over 2,000 audio and video installations for home theater and commercial applications including movie post production, TV advertising, businesses, churches and schools.
Equipment that is supported ranges from reference quality to very modest in nature depending on the client’s budget and needs. www.accucalhd.com

Glendale Community College Chooses Hitachi Projectors For Low Total Cost of Ownership

Glendale, Arizona, August 19, 2014 – Arizona’s Glendale Community College media team has been implementing projector teaching technology ever since 2004 when Scott Kozakiewicz, Manager of Media and Help Desk, was put in charge of a data projector upgrade plan. After browsing several projector options based on their total cost of ownership, Mr. Kozakiewicz purchased a Hitachi projector and soon made the decision to convert the school to an all-Hitachi campus featuring over 300 Hitachi projectors.

“Hitachi is the one company that has a consistent design across its entire product line, so we have the ability to use the same bulbs with different models,” said Mr. Kozakiewicz. “Upgrades have been painless and affordable.”

Mr. Kozakiewicz needed a solution that was not only bright, affordable and dependable, but also user-friendly. He originally set up a testing area and invited faculty to experiment with several different projector companies and brands. Based on feedback from the teachers and media staff, Hitachi was the clear choice.

“The Hitachi projectors provide the necessary brightness to operate in a well-lit room and don’t overwhelm the faculty,” said Mr. Kozakiewicz. “Rather, the projectors supplement their teaching and presentations.”

Glendale Community College serves over 20,000 students between its two local campuses, with projectors frequently running from 7 a.m. to 10 p.m. Monday-Thursday and shorter days on Friday and Saturday. Mr. Kozakiewicz cited Hitachi’s customer support as an important factor as well—several times he’s gathered data from faculty, relayed it back to Hitachi, and seen his recommendations integrated into future projectors.

“My responsibility is to provide faculty and students with the latest technology that can enhance teaching and learning, but at the same time I have to be fiscally responsible to our taxpayers,” said Mr. Kozakiewicz. “We’ve been able to deploy and maintain more than 300 Hitachi projectors while satisfying both of these needs.”

When asked if he would recommend Hitachi projectors to similar institutions, Mr. Kozakiewicz replied that he would “without hesitation.”

“I was one of the first to invest in Hitachi and now many schools in our district have jumped on board as well,” said Mr. Kozakiewicz. “The best products are ones that you don’t need to think about being there—pure and simple, Hitachi’s projectors just work.”

For more information on Glendale Community College, visit http://www2.gccaz.edu/.

For more information on Hitachi projectors visit www.hitachi-america.us/projectors

Follow Hitachi on Facebook

About Hitachi America, Ltd.
Hitachi America, Ltd. headquartered in Tarrytown, New York, a subsidiary of Hitachi, Ltd., and its subsidiary companies offer a broad range of electronics, power and industrial equipment and services, automotive products and consumer electronics with operations throughout the Americas. For more information, visit www.hitachi-america.us. For information on other Hitachi Group companies in the United States, please visit www.hitachi.us.

About Hitachi, Ltd.
Hitachi, Ltd. (TSE: 6501), headquartered in Tokyo, Japan, delivers innovations that answer society’s challenges with our talented team and proven experience in global markets. The company’s consolidated revenues for fiscal 2013 (ended March 31, 2014) totaled 9,616 billion yen ($93.4 billion). Hitachi is focusing more than ever on the Social Innovation Business, which includes infrastructure systems, information & telecommunication systems, power systems, construction machinery, high functional materials & components, automotive systems, health care and others. For more information on Hitachi, please visit the company’s website at http://www.hitachi.com.

Sound Works Pro Gives HOW Kids Camp ‘Surge’ Protection

BUENA PARK, Calif.—Surge is a weeklong evening summer camp for children entering first through sixth grade held by the Westridge Church of Dallas, Georgia. The camp offers coaching in various sports and instruction in the arts, along with religious teachings.

Sound Works Productions of Frankfort, Ill. provided the audio gear for the camp, which took place at the Star Plaza Radison Hotel in Merrillville, Indiana, and included a NEXO GEO S12 line array consisting of four GEO S12s and two RS18 Ray Subs per side, two PS10s used for front fills, NEXO NX4x4 amplifiers, and Yamaha M7CL digital audio console with Aviom card used for front of house and monitors.

“When our clients are looking for a smooth implementation and excellent sound quality, we turn to our NEXO rig, ” states Daniel Nickleski, Co-owner at Sound Works Productions.

For more information on Surge, visit www.westridge.com.

For more information on Sound Works Productions, visit www.SoundWorksPro.com.

For more information on NEXO and Yamaha products, visit www.yamahaca.com.

-END-

Ohio’s Hamilton County Emergency Management Agency Adds Vista Phoenix for Street Camera System Display

When the Hamilton County (Ohio) Emergency Management Agency (EMA) had a complete technical renovation last year it acquired a Vista Phoenix system for use with its street camera system.

Based in Cincinnati, Ohio, the Hamilton County EMA runs a regional operations center for 12 counties in three states: eight in Ohio, three in Kentucky and one in Indiana. The agency is concerned with all natural and man-made hazards, including international and domestic acts of terrorism and homeland security functions.

Vista Phoenix is a network distributed open content management system for simultaneous encode, decode and display of AV data. “Our main use for Phoenix is to bring in our street camera system for viewing,” says Steven Siereveld, regional operations center manager. “We have approximately 100 street cameras in the Cincinnati area and river cameras in all three states. With Phoenix we can capture all the camera feeds, bring them in and view them in full HD quality on our new main display, a 14×35-foot videowall comprised of Christie Entero high-brightness 67-inch LED cubes.”

Prior to installing Vista Phoenix the Hamilton County EMA brought in the street cameras through a software web viewer and displayed multiple security camera-style views on monitors. “Now we can pull direct feeds from the camera with Phoenix. Our integrator, AVI in Cincinnati, recommended Vista Phoenix as a complement to our Christie videowall and Vista Spyder image processor. It’s a perfect fit,” Siereveld says.

The street and river camera displays are critical for emergency situations. “We need these camera feeds available for emergency viewing and for planned events like the annual River Fest, which draws half-a-million people, and next year’s MLB All Star Game,” Siereveld explains. “So far, we’ve only used Phoenix for testing and drills, but it works well and the quality of the camera feeds is just great.”

About Vista Systems
Vista Systems’ switchers have become the industry standard for live multiple-destination video and data mixed signal switching with real-time windowing and composition. For more information on Vista Systems, visit their website at www.vistasystems.net.

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D-Tools 2014 Design Awards Entry Deadline Extended Through Friday, August 29th

Winning submissions will be announced during Design Awards Ceremony taking place next month during CEDIA EXPO in Denver, Colo.

CONCORD, CA, USA — AUGUST 19, 2014 — D-Tools, Inc., the worldwide leader in system integration software, today announced the call for entries deadline for its annual contest, the Design Awards, has extended and will close on August 29, 2014. D-Tools is pursuing System

Integrator SIX software users’ success stories and project designs that best represent how the platform has positively affected their business and ROI, as a way to showcase not only their efforts but also to demonstrate the benefits of using system integration design-estimation-proposal platforms.

Sponsored by AtlonaAnthony Gallo AcousticsIC RealtimeKordzKramerStealth Acoustics, and Vaddio, Design Awards contest categories include Best Residential, Best Commercial, Most Unique, and Best Overall. Winners will be selected from a diverse group of D-Tools users and chosen by a group comprised of D-Tools product team members and select certified partners. Entries are being accepted from around the world and will be judged on a number of criteria, including; originality; depth and breadth of D-Tools’ software usage; overall system design; and demonstrated proficiency with the platform.

Winning submissions will be awarded prizes from the contest sponsors and D-Tools Manufacturer Vantage Point (MVP) partners. Winners will be announced during CEDIA EXPO during a ceremony being held at 3pm on Friday September 12, 2014 in D-Tools booth #526. D-Tools customers can submit their entries through August 29th by visiting http://d-tools.com/design-awards/ or by sending an email to Josh Carlson at joshc@d-tools.com.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platform. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.

Learn more about the D-Tools MVP Program, D-Tools System Integrator, or the undeniable benefits of using a streamlined system design, proposal, and estimation software platform at www.d-tools.com(866) 386-6571 ext. 1, or e-mail info@d-tools.com or mvp@d-tools.com.

Press Contacts
Tim Bigoness, D-Tools, Inc., (925) 270-4102timb@d-tools.comwww.d-tools.com

Katye (McGregor) Bennett, KMB Communications, Inc., (425) 328-8640katye@kmbcomm.comwww.kmbcomm.com

MVP Contact 
Josh Carlson, D-Tools, Inc., (925) 270-4105joshc@d-tools.com

Accompanying Images
Images for use in publication can be downloaded here.

 

 

### ENDS

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