A virtual press conference from Sound & Video Contractor

Press Releases For : September 11, 2014

THE API BOX BREAKS INTO AUSTRALIAN MUSIC SCENE THROUGH FAMED SONGWRITER/PRODUCER STUART CRICHTON

Crichton_Sloss_1VICTORIA, AUSTRALIA: As the API BOX makes its way to recording studios around the world, it has now found its first home in Australia through world-renowned songwriter/ producer, Stuart Crichton. Crichton has been a contributing factor in numerous top ten hits internationally, primarily in the U.K. He consulted Deb Sloss at Studio Connections Australia, API’s Australian distributor, when looking to make the addition to his home studio.

In just a short period of time, the BOX has already made a difference for Stuart. “The API BOX has totally changed the quality of my mixes, adding the warmth and width of a large room console,” Stuart shares. “The ease of set up and use is amazing – so straight-forward.”

Quality of sound is the most important feature for Stuart, who works with major artists including Kylie Minogue, Guy Sebastian, and Pet Shop Boys. “The mic pres and EQs are that beautiful API sound that many crave. The bus compressor is also now a major part of my mixes. Once I’m done mixing, I put it over the whole mix and BANG! There it is – a real vintage sound for what are usually digital-sounding mixes.”

Stuart relocated from the U.K. to Australia in late 2009, where he continues to make his footprint in the Australian recording scene, as well as work with top artists from around the world. He’s finding that his new console is the perfect tool to achieve a big studio sound in a relatively small space. “The BOX is an affordable way for a home studio to get that big room sound, which usually costs a lot of money per day.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com
(PHOTO CAPTION) Stuart Crichton with Deb Sloss of Studio Connections Australia. (PHOTO CREDIT: © 2014 SCA)

Press Releases For : September 10, 2014

The Hollywood Post Alliance Announces Nominees for the 2014 HPA Awards


(Los Angeles, CA) – The Hollywood Post Alliance has announced its nominees for the 2014 HPA Awards, the 9th annual unveiling of these honors. The Awards honor excellence in post production while bringing recognition to the creative achievements of individuals and companies as well as creative excellence and groundbreaking technologies within the post production industry. The HPA Awards are considered the standard bearer for excellence and innovation in the industry.

The nominees in the 12 craft categories were chosen from a field of talented and innovative entries in color grading, editing, sound and visual effects for motion pictures, commercials and television. Judging was completed by panels of category peers and other experts.

The winners of the 2014 HPA Awards will be announced during a gala evening, November 6, 2014 at the Skirball Cultural Center in Los Angeles, CA.

Nominees for the 2014 HPA Awards are:

Outstanding Color Grading – Feature Film

“The Grand Budapest Hotel”
Jill Bogdanowicz // Modern VideoFilm

“Gravity”
Steven J. Scott // Technicolor

“12 Years a Slave”
Tom Poole // Company 3

“Labor Day”
Natasha Leonnet // Modern VideoFilm

“Monuments Men”
Skip Kimball // Technicolor

Outstanding Color Grading – Television

“Game of Thrones – Mockingbird”
Joe Finley // Modern VideoFilm

“Outlander – Sassenach”
Steven Porter // MTI Film

“The Blacklist – Berlin: Conclusion”
Randall Starnes // ColorWorks, a Sony Pictures Digital Productions Company

“Reign – Pilot”
David Cole // Modern VideoFilm

“Castle – Veritas”
Anthony Smith // Encore

Outstanding Color Grading – Commercial

Citibank “Bright Lights”
Dave Hussey // Company 3

Maserati “Strike”
Siggy Ferstl // Company 3

Southern Comfort “Shark Bite”
Tim Masick // Company 3

GE “Childlike Imagination”
Stefan Sonnenfeld // Company 3

Doosan “Heavy Industries”
Siggy Ferstl // Company 3

Outstanding Editing – Feature Film

“12 Years a Slave”
Joe Walker, ACE

“Captain America: The Winter Soldier”
Jeff Ford, ACE and Matthew Schmidt

“Guardians of the Galaxy”
Fred Raskin and Craig Wood, ACE

“Captain Phillips”
Christopher Rouse, ACE

“American Hustle”
Jay Cassidy, ACE, Crispin Struthers, ACE and Alan Baumgarten, ACE

Outstanding Editing – Television

“House of Cards – Chapter 26″
Cindy Mollo, ACE // Netflix Inc.

“Breaking Bad – Felina”
Skip Macdonald, ACE

“The Sixties – The Assassination of President Kennedy”
Chris A. Peterson, ACE

“The Good Wife – Hitting the Fan”
Scott Vickrey, ACE

“House of Cards – Chapter 14″
Byron Smith // Netflix Inc.

Outstanding Editing – Commercial

NY Lottery “Toast”
Chris Franklin // Big Sky Edit

Pepsi “Rhythm of Now”
Steve Gandolfi // Cut+Run

American Express “What’s Your 20?”
Chris Franklin // Big Sky Edit

Nissan Juke “Trigger”
Doobie White // Therapy Studios

Santander Bank “Movie Marathon”
Chris Franklin // Big Sky Edit

Outstanding Sound – Feature Film

“The Hunger Games: Catching Fire”
Jeremy Peirson and Skip Lievsay // Warner Bros. Sound

“Godzilla”
Erik Aadahl and Ethan Van der Ryn
Tim Le Blanc, Gregg Landaker and Rick Kline // Warner Bros. Sound

“Frozen”
David Fluhr and Gabriel Guy // Walt Disney Studios Sound
Odin Benitez // Formosa Group

“Noah”
Craig Henighan and Jill Purdy // Subsonic Sound Service
Skip Lievsay // Warner Bros. Sound NY

“Gravity”
Glenn Fremantle // Sound 24
Skip Lievsay // Warner Bros. Sound
Christopher Benstead and Niv Adiri // Warner Bros. De Lane Lea

Outstanding Sound – Television

“Game of Thrones – The Children”
Tim Kimmel, Onnalee Blank, Mathew Waters, Paula Fairfield and Brad Katona // Todd – Soundelux

“Banshee – Homecoming”
Bradley North, Joe DeAngelis, Bill Freesh, David Werntz and Tiffany S. Griffith // NBC Universal StudioPost

“Toy Story OF TERROR!”
Axel Geddes // Pixar Animation Studios
Tom Myers, Gary Summers, Michael Silvers and Dustin Cawood // Skywalker Sound

“House of Cards – Chapter 14″
Jeremy Molod // Netflix Inc.

“The Good Wife – Dramatics, Your Honor”
Fredric Judkins, John Snider and Christian Buenaventura // Technicolor Sound
Larry Benjamin and Kevin Valentine // Smart Post Sound

Outstanding Sound – Commercial

Honda Europe “Inner Beauty”
Anthony Moore and Tom Joyce // Factory

Lurpak “Adventure Awaits”
Aaron Reynolds // Wave Studios

Nissan Juke “Trigger”
Doobie White // Therapy Studios

Save The Children “Most Shocking Second A Day Video”
Jon Clarke // Factory

Three “The Ride”
Jack Sedgwick // Wave Studios

Outstanding Visual Effects – Feature Film

“Gravity”
Tim Webber, Chris Lawrence, Max Solomon, Paul Beilby and Stuart Penn // Framestore

“The Hobbit: The Desolation of Smaug”
Joe Letteri, Eric Saindon, David Clayton, R. Christopher White and Eric Reynolds // Weta Digital

“Maleficent”
Adam Valdez, Seth Maury, Kevin Hahn, David Seager and Carey Villegas // MPC

“Captain America: The Winter Soldier”
Russell Earl, Steve Rawlins, Johan Thorngren, Francois Lambert and
Daniel Pearson // Industrial Light & Magic

“Dawn of the Planet of the Apes”
Joe Letteri, Dan Lemmon, Erik Winquist, Keith Miller and Paul Story // Weta Digital

Outstanding Visual Effects – Television

“House of Cards – Chapter 19″
James Pastorius, Andy Witkowski, Rusty Ippolito and Andrew Roberts // Savage Visual Effects

“Hawaii Five-0 – Ho’onani Makuakane”
Armen Kevorkian, Jane Sharvina, Andranik Taranyan, Steve Graves and Dan Lopez // Encore VFX

“Game of Thrones – The Children”
Joe Bauer // Fire and Blood Productions
Sven Martin // Pixomondo
Jörn Grosshans // Mackevision
Thomas Schelesny // Scanline VFX
Matthew Rouleau // Rodeo FX

“Silicon Valley – Articles of Incorporation”
Lawson Deming, Cory Jamieson, Bill Parker, Casi Blume and Seth Cobb // Barnstorm VFX

“Tyrant – Pilot”
Doug Ludwig, Lindsay Hoppe, Chad Schott, Gevork Babityan, Arutyan Arthur Sayan // Encore VFX

Outstanding Visual Effects – Commercial

Lipton “Be More Tea”
Ben Cronin, Charlie Bayliss and Russell Dodgson // Framestore

Qualcomm “Snapdragon – Unsung Hero”
Andy Rowan-Robinson, Euna Kho, Matt Pascuzzi and Shayne Ryan // Framestore

GE “Childlike Imagination”
Benjamin Walsh, Dominik Bauch and Brian Burke // Method Studios

Captain Morgan “Fireship”
Murray Butler, Raul Ortego, Mike Bain and Andy Rowan-Robinson // Framestore

Audi A3 eTon “Powerwalking’”
Simon French, William Bartlett, Alex Doyle and Kimon Matara // Framestore

In addition to the craft categories, winners of the highly regarded Engineering Excellence Award and the HPA Judges Award for Creativity and Innovation in Post Production will be announced shortly.

Tickets for the HPA Awards will be available in late September. They can be purchased online at www.hpaawards.net by calling the HPA at 213.614.0860 or by writing info@hpaawards.net. More information about the HPA Awards and the Hollywood Post Alliance can be found at www.hpaonline.com.

For information about the Awards or general HPA information, please contact Alicia Rock, arock@hpaonline.com or call+1(213) 614.0860. To learn more about sponsorship opportunities for the 2014 HPA Awards, please contact Garrett Randall, garrett@MESAlliance.org, or 310.882.9204.

# # #

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content.

About the HPA(r) Awards
The HPA Awards were created to foster awareness of post production, promote creative and technical excellence, recognize the achievements of post production talent, and build involvement in the Hollywood Post Alliance.

Media Contact:
ignite strategic communications
p: 818.980.3473
Christine Purse, chris@ignite.bz or
Mimi Rossi, mimi@ignite.bz

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Studio Prodigy Master Class Series Launches Session Six with Jim Scott

Studio_Prodigy_Session_6_Jim_Scott

The Studio Prodigy Master Class Series continues with Session Six:  Jim Scott | From the Ground Up, on November 8 and 9 at Jim’s notorious personal studio, PLYRZ Studios, in Valencia California.  This is a two-day advanced class encompassing recording, mixing and production techniques, along with special presentations from our sponsors throughout the event.

Renown for clean, vibey and impeccable sounding recordings, Jim Scott has brought his sense of style and his mid-western work ethic into the studio, making memorable records with remarkable artists for over three decades.  His techniques for capturing the essence of a band have been refined through the making of classic albums with the likes of Sting, Tom Petty, the Red Hot Chili Peppers, the Dixie Chicks, Wilco, and Whiskeytown.  Jim has won 7 Grammy awards, including Best Engineered Recording, Non-Classical, for Tom Petty’s Wildflowers.

Just up the freeway from Los Angeles, Jim’s studio is a veritable playground for musicians; an enormous warehouse space full of instruments, clad in tapestries and lights, always ready to rock.  PLYRZ studio is centered around a classic Neve 8048 and two BCM-10 sidecars, augmented by Jim’s collection of vintage outboard gear and sizeable mic collection.

Saturday begins with an overview of Jim’s recording setup at PLYRZ Studios, and a discussion of Jim’s philosophy of making records.  Through the course of the day, we will record a complete song with a fantastic band, and in the process, Jim will show you everything he does to capture a great performance, from micing techniques to production ideas to mentoring the artists and getting the best performances out of them.

Sunday’s session will start with wrapping up overdubs and continue with mixing the track.   Jim will walk you through his mix process, answering questions and demonstrating how he thinks about and feels a mix.  Combining the best of old school technique with a little bit of modern technology, this will prove to be a very hands-on experience for attendees, as Jim mixes everything by hand, with little help from automation!

At the end of day two, Studio Prodigy hosts a Gear and Beer fest in the stunning lounge area of PLYRZ Studios, with a view of the Santa Clarita Valley. Here you will be able to check out the great gear with representatives from our sponsors, and hang with Jim as he relates stories from his lengthy career of making records that we all know and love.

If you are interested in taking part in this intimate two-day record production seminar visit Studio Prodigy Master Class Series to learn more.

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Media Technology Expo 2014 Conference Program Addresses Lighting, Audio and 4K Production Issues

SEATAC, WA — Beyond its exhibit hall with hands-on product demonstrations from almost 40 exhibitors, Media Technology Expo 2014 will feature a full schedule of free educational seminars. Presented by professional video and audio systems integration firm Advanced Broadcast Solutions (ABS), MTE 2014 will be held Sept. 30 at Fremont Studios in Seattle and on Oct. 2 at Left Bank Annex in Portland, Ore.

“MTE offers more than just an exhibit hall. It’s an opportunity to learn about production techniques and technologies from industry experts,” said Mark Siegel, president of ABS. “We have a full conference schedule that will provide insight on a number of important topics for video professionals in the Pacific Northwest.”

Steve Strassberg of TC Group will lead an audio seminar at both locations at 11 a.m. “A common audio problem for broadcasters is loudness jumps at transitions of program and commercial material,” he said. “I will discuss loudness issues that still remain in broadcasting and focus on preparing material for different mediums of transmission. From TV to mobile to Web, the audio levels and the way to mix the final product differ and need to be taken into consideration.”

During his session, Joe Cervone, sales manager for Brightline, will discuss broadcast and video conferencing lighting. He said one of the most common problems he sees in broadcast productions is uneven lighting, while video conferencing rooms often rely on general lighting instead of a dedicated lighting system. “My workshop at MTE will cover the methods and acquisition of lighting in the digital age,” he added. “Most importantly, we’ll discuss creative ways to purchase new lighting through available energy management rebates, plant operation cost reductions, and amortization and ROI schedules.”

Other seminars include “Intercoms Moving to IP,” presented by RTS, “Virtual Set / Virtual Augmentation,” presented by Ross Video, and “VariCam and 4K,” presented by Panasonic. Each location will also feature a local “Broadcast Roundtable,” which will address broadcast news technologies and workflows.

MTE 2014 is open 11 a.m. to 7 p.m. in both locations and offers free valet parking for all attendees. Registration includes free food and beverages during the show, but space is limited. For registration, vendor information, and full seminar schedule, visit www.mediatechexpo.com.

About ABS:
Based in SeaTac, WA, ABS (Advanced Broadcast Solutions) delivers customized, technologically superior solutions for broadcast, corporate, house of worship, entertainment, government, and educational facilities – from design and integration to installation and support services. Since 1982, its experienced technical staff has installed more than 700 systems for clients including GOCOM Media, Cowles California Media, Cisco Systems, Meredith, and Time Warner Communications. For more information, call 206-870-0244 or visit www.advancedbroadcastsolutions.com.

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There’s Still Time to Trade-up to DPA Microphones’ d:fine Headsets

LONGMONT, CO, SEPTEMBER 10, 2014 – DPA, Inc., the U.S. arm of DPA Microphones, is urging everyone to take advantage of its trade-up rebate program for its d:fine™ Headset Microphones, which concludes Friday, October 3, 2014. Participants will receive a $100 mail-in rebate for every purchase of select d:fine Headset Microphones, provided they additionally trade-in a competitor headset. The promotion is only valid on purchases made from an authorized U.S. dealer.

The DPA d:fine Headset Microphones raise the bar for head-worn microphone solutions. Offering industry-leading sound quality, the mics are ideal for singers, public speakers, actors, musicians, house of worship leaders and broadcast professionals who insist on superior voice reproduction, comfort, ease of setup and a discreet look. They are available as both directional and omnidirectional mics, with single- and dual-ear mounts, to cover a broad range of applications. They are also available in black, brown and beige with a variety of boom lengths and adapters for every professional wireless system.

“This trade-in program is the perfect, cost-effective way to upgrade the tools that audio professionals need most,” says James Capparelle, Director of Marketing for DPA, Inc. “We’ve already seen a great response to the promotion from new and existing users, but there are only a few weeks left. We hope that all headset microphone customers continue take advantage of this opportunity.”

This special program is available to all U.S.-based microphone customers. In order to receive a rebate for each headset, customers must trade-in an equal number of competitor headset microphones. The following DPA and competitor microphones are included in the promotion:

Eligible d:fine Headset Mics:

d:fine Directional
d:fine Omnidirectional
d:fine 88 Directional
d:fine 66 Omnidirectional
Both single- and dual-ear mounts, as well as all colors, boom lengths and connector types are part of the campaign.

Offer excludes the classic d:fine 4066 and 4088 Headset Microphones.

Eligible Non-DPA Head-worn Mics:

Audiotechnica – MicroSet or Microearset Series
Countryman – ED, E6, H6 or Isomax Series
Crown – CM Series
Samson – SE50 or DE50
Sanken – HWM Series
Sennheiser – Ear Set, HS or HSP Series
Shure – MX, WBH or WCM Series

To claim the $100 rebate, customers must mail in a completed form, proof of purchase of the new DPA d:fine and the non-DPA headset that is being traded to DPA’s U.S. office, postmarked no later than October 31, 2014.

For more information about DPA, Inc.’s promotion, please visit the Trade Up to d:fine promotion info page or contact your local authorized dealer.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

Novant Health BMX Opens with Winning Sound

Novant Health BMX Supercross Track with RacersThe East Coast’s Only Olympic-Calibre BMX Supercross Track Hosts UCI Calibre Races and Training

As the East Coast’s first Olympic-calibre BMX track, Novant Health BMX in Rock Hill, South Carolina, offers national and world-level BMX racing events. In 2015, Novant will host the UCI BMX Supercross World Cup Finals. This race will serve as the main qualification event for the 2016 Summer Olympic Games. The track has both an amateur and an elite supercross start hill as well as a pump track and offers amateur events and training. These features are expected to help Novant attract a large sports-tourism crowd.

During the planning stages, the city of Rock Hill contacted Butch Bailey and Keith Ludlam of B&K Pro Audio and Lighting to design an audio system for the track. The city wanted clear voice paging and high-quality music covering the entire venue which extends over several acres.

To meet these needs, B&K designed a system using Community’s R SERIES loudspeakers powered by Ashly KLR amplifiers and managed by an Ashly Protea Speaker Processor. They completed the system with a Behringer Ultra-Zone mixer, a Tascam CD player and Audio Technica 3000 Series wireless microphones.

B&K installed the loudspeakers on the track’s welcome sign and in other supporting locations. They aimed a pair of Community R.5 loudspeakers at the BMX track, a second pair at the pump track and a single R.5 at the starting ramp. They added a pair of higher-power R2-94 loudspeakers to cover the bleachers and a single R2-77 for a large overflow area. Announcements are made from the starting ramp although the city plans to add an announcement booth on the bleachers.

Novant Health BMX celebrated its Grand Opening on Saturday, August 23, 2014 and Bailey says the new audio system exceeded the city’s expectations. The Rock Hill Herald reported that the event attracted an enthusiastic crowd of nearly 2000 people including seven top professional racers and a three-time national champion.

# # #

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Digital Vision Goes Back to the Future at IBC 2014

New Software Based Transcoding Technology, Revolutionary Automated Archive Workflows With Bifrost Archive Bridge, Golden Eye 4, and Latest Versions of Nucoda and Phoenix

IBC 2014, STAND 6.A14

(London, UK) – At IBC 2014 Digital Vision will unveil a revolutionary automated archive workflow, and return to its roots with new software based transcoding technology, the new Golden Eye 4 scanner, Thor 4K, and updates to both its grading and restoration platforms.

Digital Vision has been able to transition its business across both the broadcast and archive worlds due to its heritage and continued development of its technology in motion compensated standards conversion, automation, media management and monitoring.

The Golden Eye 4 archive scanner, unveiled for the first time in Europe, incorporates many new features and enhancements including universal optics – a single lens, motor driven, multi-axis optical system for precision image sizing, position and focus. Users can scan any film size from 8mm to 70mm without changing the optics.

In addition Digital Vision will present Bifrost Archive Bridge, a unique scalable solution, suitable for archives of any size, comprising various workflow components that can be utilized either as a complete end-to-end solution or integrated into existing infrastructures depending on individual requirements.

Digital Vision will also demonstrate the latest 2014 versions of the Nucoda color grading suite incorporating AJA Kona support. With AJA’s unparalleled interoperability with established editing products, traditional editing suites can now become grading suites without the requirement for additional hardware or investment.

There are also a range of enhancements to Phoenix, the world’s premier film restoration software, including enhanced Grain, Flicker and Paint tools. Digital Vision will also demonstrate real-time 4K image processing using THOR hardware.

Kelvin Bolah, Managing Director, Digital Vision


“Our new products like Loki, Thor and Bifrost offer advanced solutions for our traditional client base while also bringing exciting opportunities to take Digital Vision tools to new markets,” said Kelvin Bolah, Managing Director, Digital Vision. “We also remain committed to addressing the price pressure challenges in the Post Production market while rewarding loyal customers by providing the best color correction and image processing tools available.”

- END -

About Digital Vision
Digital Vision is the supplier of the world’s best colour grading, restoration and film scanning solutions for the broadcast, film, commercial and archive industries. Founded in 1988 in Stockholm, Sweden, Digital Vision has offices in London, Los Angeles, New Zealand, and Linköping in Sweden. Digital Vision’s Emmy award winning technology and products include Nucoda and Phoenix colour grading, finishing, mastering and restoration solutions that are used to create much of the worlds’ high profile television, film and commercials media broadcast and distributed today. In addition to the Nucoda and Phoenix ranges, Golden Eye film scanners and the Bifrost Archive Bridge solution provide innovative tools to create the industry recognised highest quality in scanning, film digitisation, preservation and archiving.

In April 2011, Digital Vision acquired Image Systems and is now a division of the Image Systems group of companies.

For more information, visit www.digitalvision.se

All trademarks used herein, whether recognized or not, are the properties of their respective companies.

# # #

Digital Vision Marketing Contact:
Patrick Morgan | patrick.morgan@digitalvision.se | Tel: +44 (0) 20 7734 8282 | Mobile +44 (0) 7917674711

Digital Vision PR Contacts:

EMEA/APAC
Dawn Egerton, Bubble & Squeak | dawn@bubblesqueak.co.uk | Tel: +44 (0)7887 627764

USA
Chris Purse, ignite | chris@ignite.bz | Tel: +1 818 980 3473

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R. L. Drake Simplifies Multipoint Distribution for Public Education and Government Channels With New Encoders

Featuring Advanced Video Processing and Network Capabilities, MPEG-2 and H.264 PEG-NE24-IP and PEG-NE24-IP-C Encoders Bring New Levels of Efficiency and Video Quality to Public Education, Government, and Sports Applications (more…)

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Pro Control Releases Two-Way Drivers Across a Spectrum of Devices

New Drivers Enable Integration With Sonos(R), Lutron(R) Caséta(TM), Wirepath(TM) IP Cameras, and More (more…)

RTW Showcases Latest TouchMonitor Updates at IBC 2014

Upgrades to Timecode Reader and Logging Data Server Licenses Add Loudness Recalculation and More Plus Chart Displays to TM7 and TM9 Meters

AMSTERDAM, 10 SEPTEMBER, 2014 – RTW, the market leader in visual audio meters and monitoring devices, is pleased to debut two major updates to its highly regarded TouchMonitor TM7 and TM9 audio meters at the 2014 IBC Show (Hall 8, Stand D92). The meters’ Timecode Reader License SW20008 now permits recalculation during loudness metering, while their Logging Data Server License SW20014 has gained expanded chart-display functionality.

The new Loud.Recal (Loudness Recalculation) instrument helps mix engineers and editors save valuable time during a broadcast sound editing session. Jumping back and forth in a program segment with continuous timecode, it automatically calculates loudness measurements for the complete runtime of a segment at the time the user performs corrections to the mix or sequence (wherever located in the program). Logging Data Server License SW20014, meanwhile, now offers graphs with up to four different loudness and TP values, as well as real-time relative-gate display.

“When it comes to loudness monitoring, anything that helps the operator work more efficiently makes a huge difference. We had this in mind when we developed these latest upgrades,” says Andreas Tweitmann, managing director, RTW. “Now, users can recalculate the loudness measurements for a segment without having to pass through the program after corrections on overdriven program spots have been completed, and they have more options than ever to view loudness values. It all adds up to a faster, easier user experience, which can save time when it really counts.”

The TM7 and TM9 series TouchMonitors, which include the innovative Magic LRA instrument, feature a seven- and nine-inch touch-sensitive display, respectively, and pair unparalleled flexibility and modularity with intuitive control. The software visualizes multiple sources simultaneously. Both support displaying the same signal on multiple instruments in parallel, each with dedicated defaults with both horizontal and vertical operation. TM7 visualizes up to 40 sources at the same time, while the TM9 visualizes up to 48.

Various audio interfaces and combinations are available i.e. analog, AES3, AES3id or 3G-SDI. RTW’s entire TouchMonitor range was created to help adhere to all major industry loudness standards, including EBU R128, ITU BS.1770-3/1771-1, ATSC A/85, ARIB, OP-59, AGCOM, and the CALM Act.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.com, www.facebook.com/rtw.de or call +49 221 709130.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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