A virtual press conference from Sound & Video Contractor

Press Releases For : October 21, 2014

GETRMR.COM IS THE NEW GO-TO RESOURCE FOR TECHNOLOGY PROFESSIONALS LOOKING FOR EDUCATION AND SUPPORT ON RECURRING REVENUE AND MANAGED SERVICES

GetRMR.com, sponsored by ihiji, provides technology professionals with resources and an online community to assist with managed services and recurring revenue

AUSTIN, TX – October 21, 2014 – ihiji, global leader in remote network management solutions, announced today that it is sponsoring and launching a new industry resource, GetRMR.com. The online resource center is devoted to the pursuit of knowledge and education on recurring monthly revenue (RMR) and managed services.

“ihiji wanted to bring dealers, manufacturers and industry experts together to provide centralized resources and a support community for technology ihiji_GetRMR.com Home page screen shot_Oct2014professionals who are adding new recurring revenue services to their business,” says Michael Maniscalco, ihiji VP of technology. “As the industry continues to evolve it is clear that recurring revenue and managed services are very important to long term success.”

The GetRMR.com website will feature sales and marketing collateral, templates, expert advice and technical content from managed service trade professionals and industry bloggers, as well as educational white papers, success stories, and much more. Those visiting GetRMR.com can also access community discussion forums to obtain and share insight and best practices on the ever-expanding world of recurring revenue and managed services.

In addition to the new GetRMR.com initiative, ihiji has significantly reduced prices for the company’s invision remote network management tool by offering annual licenses versus tiered service plans, a move that simplifies and better supports the sale of recurring revenue services that drive recurring monthly revenue. Additionally, ihiji invision has been further enhanced with new features such as cross-VLAN network scanning and extended reporting capabilities that improve both network visibility and overall performance. Remote network management solutions such as ihiji invision provide the digital backbone that RMR programs need to succeed by delivering the intelligence and insight necessary to manage and maintain systems remotely, in the most effective and efficient manner possible.

Technology professionals interested in learning more about recurring monthly revenue, commonly accepted best practices, and proven methodologies are encouraged to visit GetRMR.com. For additional information about GetRMR.com or ihiji invision, please contact ihiji at info@ihiji.com, call (512) 538-0520, or view this video.

About ihiji
ihiji is the only zero-maintenance, cloud-based, remote network management solution for IT professionals and technology integrators. The award-winning ihiji invision solution is easy to set up, uses a low-cost, palm-sized appliance as the only onsite hardware, and gives service providers a centralized, web-based dashboard with visibility into multiple client networks at once. Subsequently, ihiji’s customers become more proactive and efficient, eliminating up to 50% of service calls while simultaneously increasing recurring revenue and protecting profits. A global solutions provider, the privately held company is based in Austin, Texas. To learn more, visit www.ihiji.com or follow ihiji on twitter @ihiji.

ihiji Media contact
Katye (McGregor) Bennett, KMB Communications Inc., (406) 446-1283Katye@KMBComm.com

 

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Acoustic Light Turns New Page With HARMAN Soundcraft Vi3000 Console

Scraft_AcousticLightASSISI, Italy – Catering to large-scale musical events, orchestras and choirs, Italian systems integrator Acoustic Light recently added a HARMAN Soundcraft Vi3000 console to its HARMAN-dominated inventory. This decision not only signifies the growth of the company’s services, but also denotes a significant leap towards leading the sound and lighting market in the province of Perugia. The console was sold through HARMAN’s regional distributor, Leading Technologies.

The owner of Acoustic Light, Stephan Lüthi, explained that 70 percent of his inventory consists of HARMAN gear, including JBL loudspeakers, AKG microphones, Crown amplifiers and other Soundcraft consoles. Having owned HARMAN equipment since the company’s inception in 2002, Lüthi has plenty of experience with the Soundcraft Vi Series.

“I was excited when the Vi4 and Vi6 were launched, and the Vi1 has also been perfect for a lot of my needs,” said Lüthi. “They are delightful consoles to work with, leading to great successes at major festivals. Now that we’ve grown as a company, we want to continue our reliance on the HARMAN gear that helped us get to this stage, and so we did not hesitate in ordering the new Vi3000.”

Lüthi greatly appreciates the distinct ease of use that Soundcraft consoles grant sound engineers at any venue. Thanks to the onboard inputs and outputs of the Vi3000, communication across the signal chain is seamless, which is convenient for projects taking place in conference rooms and theaters.

“I just love Soundcraft, and that’s why I have always used their consoles,” said Lüthi. “Even though the market is full of other brands, none of them satisfy me as much as Soundcraft, in terms of convenience and sound quality. Now that we are equipped with the Vi3000, we will be able to tackle any show with ease.”

For more information on Acoustic Light, please visit www.acousticlight.it

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Extra! Extra! Masque Sound Delivers High-Energy Sonic Explosion to Touring Production of Tony Award-Winning Hit Musical, Newsies

Custom Audio Equipment Package Hits the Road to Take Broadway Sound from Coast to Coast

PHILADELPHIA, PA, OCTOBER 21, 2014 – When the Tony® Award-winning Broadway musical NEWSIES flies off the rack to begin its North American tour on October 11, Sound Designer Ken Travis relies on Masque Sound, a leading theatrical sound reinforcement, installation and design company, to deliver a dynamic custom audio equipment package for the smash hit.Liana Hunt and Company. Broadway company of NEWSIES. CDisney. Photo by Matthew Murphy

NEWSIES, the new American musical, features a Tony® Award-winning score with music by eight-time Academy Award® winner Alan Menken and lyrics by Jack Feldman, a book by four-time Tony® Award winner Harvey Fierstein and is produced by Disney Theatrical Productions. NEWSIES is directed by Tony® nominee Jeff Calhoun and choreographed by Christopher Gattelli, who won a 2012 Tony Award® for his work. The entire creative team is reuniting to bring the break-out smash musical to audiences across North America.

Having designed the sound for NEWSIES’ Broadway run, Travis has a deep understanding of the show’s audio requirements. His goal for the tour was to replicate the remarkable Broadway sound in each of the different venues and theatres, all of which have their own unique characteristics and challenges. In order to accomplish this, flexibility in the sound system was a key component.
Newsies, the musical
To achieve the all-encompassing range that Travis was looking for, Masque Sound provided a DiGiCo SD10 Live Digital Console. “The SD10 is a much smaller console than the SD7 that was initially used on Broadway, which makes it easier to travel with throughout the tour,” says Travis. “Its footprint in the front of house is half the size; yet, it still provides us with incredible flexibility without compromising any of the show’s audio capabilities.”

One of the biggest challenges that Travis faced in preparing for the tour were the varying sizes and shapes of the theatres. While the Nederlander Theatre on Broadway is a small house with a relatively smooth soundscape to navigate, a majority of the theatres throughout the tour are much larger and deeper, with wider prosceniums, and require greater amplification from the sound system.

“Since we cannot block the seats with sound towers, we had to alter our delays and add some extra fill speakers to accommodate the wider venues,” Travis continues. “In some locations, we specifically aimed the audio toward a section that was extremely left or right. We needed to make sure the system was as comprehensive as possible, and with Masque Sound’s vast equipment expertise, we were able to create a system that worked in multiple locations.”
Kara Lindsay as -Katherine Plumber- and Jeremy Jordan as -Jack Kelly- and the Broadway company of NEWSIES. CDisney. Photo by Deen Van Meer
Travis utilized a d&b audiotechnik Q-Series speaker system for the tour for its compact size, articulate sound quality and superior sound pressure level. “I am very familiar with the Q-Series and know how it plays in 2,500-seat rooms versus 4,000-seat rooms,” he says. “NEWSIES is a pop tour, so there are moments throughout the production in which the stage gets really loud and full of dynamic dialogue and movement. I feel comfortable knowing that the Q-Series speaker system can handle the workload.”

Masque Sound also provided Travis with a custom microphone package, featuring a selection of DPA microphones as well as a Sennheiser radio microphone package for the more than 20 channels of wireless that will be used for the show.
NEWSIES Ensemble. Broadway company of NEWSIES. CDisney. Photo by Deen Van Meer
“The team at Masque Sound has once again been great to work with,” Travis concludes. “As soon as we found out about the tour, we sat down with the crew and started to plan. The team at Masque Sound knows what I like to use, and they were able to quickly and efficiently help me to purchase the orchestra audio equipment package, ensuring that each piece of equipment would perfectly address my needs in creating this sound vision. The collaboration with Masque Sound and Alex Hawthorn, my associate sound designer, allowed us to create a wonderful audio package that sounds amazing.”

The NEWSIES North American tour’s scheduled stops include Cleveland, Louisville, Baltimore, Chicago, Atlanta, Miami, San Francisco, Las Vegas, Los Angeles, Dallas, Boston, Washington, D.C. and Toronto. It makes its official opening in Philadelphia in late October. For more information and to purchase tickets, please visit www.NewsiesTheMusical.com.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

TNDV Mobile Production Fleet Grows with Elevation

TNDV’s sixth truck integrates the production capabilities of the industry’s largest trucks into a more manageable, customer-friendly footprint

NASHVILLE, October 21, 2014 — Mobile production specialist TNDV has added a sixth truck to its fleet, allowing the company and its growing staff to meet increasing demand for its live production services around the country. Dubbed Elevation, the 40-foot truck delivers all the power of the industry’s largest trucks in a more manageable, energy-efficient footprint.

Elevation offers a similar video and audio infrastructure to TNDV’s other medium-sized, multi-format mobile production trucks, flexibly integrated to accommodate live and recorded shoots of any size. The architecture adopts TNDV’s strategy of flexibly customizing the workflow to meet any client’s demands, rather than forcing broadcasters, venues and other customers to work within a strict, fixed system.

Elevation also adds unique energy-efficient flourishes to differentiate it from other mobile production trucks, including an on-board 25kW generator to power air conditioners and the entire Elevation production infrastructure. This makes Elevation an ideal choice for isolated remote shoots—a common task for the TNDV team—by eliminating the costs and headaches of finding power in more secluded locations.

“Elevation becomes self-powered with the flip of an onboard switch, eliminating the costs of expensive generator rentals,” said Nic Dugger, TNDV Owner and President. “TNDV specializes in challenging shoots in unusual locations, from private outdoor concerts to high-intensity athletic events in temporary venues. This helps us reduce costs for our clients, and is especially helpful for tight production budgets.”

The medium-sized footprint also aligns with TNDV’s strategy of keeping trucks manageable for clients working within limited spaces, including arenas and temporary outdoor venues. This strategy accelerates load-in and load-out times while taking up less real estate on location. At 40 feet long, Elevation is the same size as TNDV’s flagship Aspiration truck, a vehicle that TNDV clients appreciate for its features-to-size ratio. Like Aspiration, Elevation includes a Ross Vision 3 switcher, an Imagine Communications Platinum integrated router, and Aja Ki-Pro recorders on the video side, along with multiple Hitachi SK-HD1000 cameras for multi-standard, multi-format field production at premium quality. The audio infrastructure is also similar, with a redundant ProTools system, JoeCo MADI recorders and an 80-port RTS ADAM intercom system—but adds a Soundcraft VI-3000 audio console for expanded functionality.

“The VI-3000 moves us into the 96-input world from the 64-input world of our other video-centric trucks, and adds an integrated I/O infrastructure located physically on the desk itself,” said Dugger. “This not only increases our channel count for larger audio productions, but simplifies our setup and configuration process for signal processing and source equipment across the audio infrastructure.”

Elevation has been used for several successful productions since taking to the highways in early September, including the 2014 Re/Max Long Drive Challenge golf tournament in Nevada; and the Celebrate Freedom Atlanta concert, hosted by local radio station 104.7 in Jim Miller Park. Elevation has also visited the Governor’s Mansion in Kentucky to produce a free private concert.

With TNDV’s fleet at six mobile production trucks, Elevation joins the previously mentioned Aspiration truck alongside Inspiration, another 40-foot truck for medium-sized productions; Vibration, a 53-foot specialized audio production truck with remote recording facilities; and two additional trucks, Origination and Blackjack, designed for smaller-sized productions.

ABOUT TNDV: Television

Formed in 2004, TNDV: Television represents the culmination of over 22 years of broadcast and live production for Nic Dugger, owner and president; and his staff of full time engineers. TNDV produces events from small single-camera productions all the way up to multi-million dollar international TV events, and takes pride in building custom solutions for challenging productions of any size, in any situation. Recent projects include the live concert productions at the NCAA Final Four, the Re/Max Long Drive Challenge on ESPN, and for the first time in broadcasting history TNDV produced the 2014 Hat Trick of Country Music Award show red carpet specials, including the CMA Awards, the CMT Awards, and the ACM Awards. Please call 615-585-6528 or visit www.tndv.com for more information.

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Visual Unity Strengthens Its Marketing Team

James Mazur

Leading OTT solutions provider Visual Unity has strengthened its marketing team by appointing James Mazur to the position of Chief Marketing Officer.
Formerly co-founder and leader of a start-up software company and Award winning GoStickman animation studio, James Mazur has extensive experience in online business and digital marketing. As Chief Marketing Officer, he will head the marketing team and take responsibility for company messaging, lead generation, online marketing, and communication. His position is also strategic as he will build and implement a complete digital product strategy for Visual Unity over coming months, and oversee current and future product marketing.
Visual Unity has also promoted Kristyna Sonkova to the position of Marketing Director, with responsibility for the development and delivery of a fully integrated marketing strategy for the company.
A graduate of the University of Economics,. Prague, Kristyna Sonkova has extensive marketing and events experience. Since joining Visual Unity two years ago as marketing manager, Sonkova has played a major role in driving the company’s corporate marketing strategy.
The final appointment to Visual Unity’s marketing team is Barbora Kubickov, who has extensive experience in international marketing gained while working for Czech Airlines.
Tomas Petru, CEO of Visual Unity, says: “Visual Unity is an outstanding company with great broadcast and multiscreen products and services, therefore it is imperative that we have a strong, professional marketing team that can boost our activities, particularly in new digital arenas. With his worldwide experience in the field of digital marketing James Mazur is the ideal person to lead this initiative. I have full confidence in James, and in Kristyna and Barbora who are supporting him.”
Visual Unity has over 20 years’ experience and expertise in the design and delivery of linear broadcast and multiscreen solutions. Its Award winning vuMedia™ integrated content management and delivery platform helps broadcasters and content owners control how their brand and assets are managed and monetized in the multiscreen environment by delivering a cutting-edge viewing experience on any screen or connected device. Among the many national and regional broadcasters and media companies that have adopted vuMedia™ are Al Aan in the Middle East, TV Nova, Czech TV and TopFun.

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About Visual Unity

Visual Unity is a global provider of video and digital media solutions, enabling our clients to deliver premium quality video content. Our clients can measure, analyze and optimize their libraries over time and achieve optimal business success. Our platform capabilities inspire our clients to deploy their assets across multiple devices, screens, and media formats. Visual Unity helps clients manage, deliver and monetize their digital content.

Visual Unity is a Multiscreen Solution Provider, bridging the gap between linear broadcast, IT and IPTV to help clients reach and engage audiences on any screen. Since 1991, the team has been designing and delivering turnkey broadcast and complex multiscreen solutions worldwide – from HD outside Broadcast (OB) vehicles and major playout facilities to live internet streaming and Video on Demand services. Visual Unity’s award-winning vuMediaTM platform helps broadcasters and content owners control how their brand and assets are managed and monetized in the multiscreen environment. vuMediaTM is a highly scalable and a modular architecture, delivering a cutting-edge live viewing experience on the web or any mobile or connected device – all of which can be deployed into existing workflows and business processes.

Visual Unity is based in Prague, London, Cologne, Moscow, Bratislava, Belgrade, Nairobi and Dubai. For further information, please visit www.visualunity.com

Visual Unity: Na hrebenech II 1718/8, Prague 4, 147 00, Czech Republic
T: +420 271 742 111 F: +420 271 742 112 E: info@visualunity.com

Yamaha NUAGE Ignites Post Market in Spokane

BBB-Nuage 1

BUENA PARK, Calif.—Bing Bang Boom! In Spokane, WA specializes in integrated music and sound design for film, television, advertising, video games, and the Internet. Their award-winning work can be heard on projects for CBS, ABC, NBC, Spike TV, HBO, Warner Bros. Films, and many blockbuster theatrical trailers.

The company recently added a new Yamaha NUAGE Advanced Production DAW System to their production arsenal. CEO Bill Byrne said that up until the purchase of the NUAGE system, he had been recording and mixing using multiple Mackie consoles, until Mackie was no longer providing the unlock
codes for their software, making it impossible to work on them.

“I have been a long time Cubase user and wanted to upgrade for at least the past five years having so many legacy projects in Cubase for Bing Bang
Boom Music and Sound Design Libraries, states Byrne. Even though stereo is still the main delivery format for the libraries, I still get calls to customize tracks, and to switch to ProTools or any other system with thousand of tracks would not have been cost or time effective. There really wasn’t any other system available that was completely integrated like NUAGE, plus it sounds amazingly good!”

Byrne said he’s been doing more and more mixing “in the box” but with most projects having 100+ tracks, navigating with a mouse was becoming impractical. “I had been working with Ron Cheney from RSPE for at least three or four years trying to come up with a suitable system. Every year, we would meet up at NAB in Las Vegas and look at new systems along with trips I would take to the RSPE office every three or four months. While there are a lot of systems out there, I really needed total integration with Cubase, and no other system really offered that but NUAGE.” Last April, Byrne and Cheney met up again at NAB and were given at great run through on NUAGE, heading back to the Yamaha Commercial Audio booth over the course of the show with more questions for the NUAGE team who he said were quite helpful.
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“Ron Cheney was extremely patient and helpful; his goal was to make sure I had the right system for my needs and not to just sell me something, Byrne says. I am very impressed by how hard he worked to make this happen for me. At around the same time, I saw a NUAGE system on a magazine cover with Hans Zimmer and other film industry notables. They were discussing surround sound in headphone mixes, which was quite interesting. So RSPE arranged a private demo with the NUAGE team, and I was impressed to see their level of commitment, a good sign that they would be there to support the product.”

After a basic run through using the RSPE Mac and installing the tools for NUAGE on his Mac Book Pro and hook up the system, Byrne was able to run one of his projects off his laptop. “We spent several hours going through the system and the “what ifs” needed to integrate a large I/O system into the setup. We discussed the Yamaha NIO and RIO boxes and how they could be integrated. At the end of the demo, I knew the NUAGE system was perfect for me. I was also quite excited (for the first time in many years) about all the new creative and productive possibilities.”

One of Byrne’s biggest issues was the need to have at least 32 live inputs and multiple cue mixes for his tracking room as he still records with a lot of real instruments. “I needed something that wouldn’t tax the main CPU as I always have lots of virtual instruments playing in every project that hit the CPU hard. The NIO and RIO boxes totally solved that problem for me, and having remote control over the mic pre-amps through the RIO is fabulous! I’m able to work with a 128 buffer on the main CPU and that makes tracking live players while all my VSTi’s are running too a snap.”

Of course having total integration with Cubase made it a no brainer notes Byrne. “Having the knobs and buttons labeled and dedicated to Cubase/Nuendo functions meant I wouldn’t have to spend any time at all mapping functions like I would have had to do had I purchased a third party system. Getting around my projects is so fast now. When I was mixing “in the box” with a mouse and also my iPad remote, because of the time factor in navigating around or even just automating fader moves, I tended not to try and experiment with different mix options. Now, with the NUAGE and the touch sensitive faders, if I want to try something different, it’s so easy to do and I can instantly get back to where I was if I don’t like it. For Cubase, it’s brilliant!”

“For old school guys that have worked a lot on analog consoles like Tridents, APIs, and Neves,, the seamless integration of the live input NIO and RIO I/Os, channel control, master, and DAW functions really does make it feel like you are working on a console, adds Byrne. The way the knobs and buttons light up to give you hands-on access to the functions and being able to program lots of Quick Controls for the functions I use all the time is great too. The jog wheel
feels great and the transport functions make it a snap to navigate and edit very quickly.”

Byrne said he’s owned a lot of Yamaha products over the years that are still in use, “The fact that they are providing the hardware and also own Steinberg gave me great confidence that the product would continue to develop and be supported. I had been waiting a long time for the NUAGE system and Yamaha/Steinberg have delivered way beyond my expectations!

Bing Bang Boom! recent projects using NUAGE include a music track for the home video release of How To Train Your Dragon 2 and a new BBB trailer sound design library called Arsenal of Awesome.

For more information on Bing Bang Boom! visit www.bingbangboom.net.

For more information on the Yamaha NUAGE Advanced Production System, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Press Releases For : October 20, 2014

Technical Productions Inc. Quarterbacks the NFL’s St. Louis Rams Pre-Game Show With HARMAN’s Soundcraft and BSS Audio

HARMAN_RamsPregameST. LOUIS, Missouri – Having delivered audio services for all pre-game NFL events for the St. Louis Rams for the last two years, as well as other productions for over a decade, Technical Productions Inc. (TPI) again provided the audio system for the festivities prior to the team’s first game for the third season. While maintaining a low budget just outside the Edward Jones Dome in St. Louis, engineers Stephen Jones and Marshall Stacy of TPI took advantage of the HARMAN Soundcraft Si Expression 3 console’s mixing power and BSS Audio signal processors to achieve the most compelling sound for the audience.

As is typical for the Rams’ live pregame events, TPI supplies a 20×26-foot stage to complement the space. Featured in this particular event were a Si Expression 3 console with two 32×12 stage boxes and three Dante cards, plus five BSS Audio FCS-960 graphic EQ units and four BSS Audio FDS-366T loudspeaker management processor, of which two were used for the main PA’s and two for the monitors.

“We’re trying to get the highest-quality sound for the best price,” said Stephen Jones of TPI. “Because we have to maintain a low budget, we are always trying to keep up with modern technology. That’s why we switched to the Si Expression lately, because it’s affordable and allows us to add more loudspeakers to the mix. Also, with the ViSi Remote iPad functionality, I can be at front of house while the monitor tech is onstage when syncing up all our equipment; it’s just easy.”

Despite the Si Expression’s affordability, Jones is confident it can stand up to other, more expensive brands. “The EQ on the Si Expression sounds very nice compared to our previous boards,” he said. “I also like the fact that I can make every mix stereo or mono, because I use a lot of parallel compression in my mixing. I like to break up the instruments and vocals into different subgroups and compress them individually.”

Having the Si Expression allowed Jones, who is very detail-oriented, to maximize his abilities during a show, and with the onboard memory, no intricate setting is left unsaved. When combined with technologies from BSS Audio, Jones has everything he needs without going over the budget.

“I like the immediate response from the BSS Audio technologies inside the console, which are very sensitive, so that whenever I make a move I can hear it instantly,” said Jones. “Overall, it’s a really great-sounding system.”

For more information on Technical Productions Inc., please visit www.technicalproductions.com

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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ProdyTel and Media Vision’s Alliance Shakes Up Conferencing Systems Offering

October 20, 2014 –

Andreas Martin of Media Vision with Jan Wintersberg and Christian Carrero of prodyTel

Andreas Martin of Media Vision with Jan Wintersberg and Christian Carrero of prodyTel

ProdyTel, lead distributor for the audiovisual market in Europe, and Media Vision, the expert group on conference and interpretation systems, have recently entered into a strategic partnership to supply and support TAIDEN conferencing solutions in Germany and Austria. In addition, Media Vision has announced the appointment of Andreas Martin, industry expert, to work by ProdyTel’s side in support of the German-speaking clientele.

The synergistic partnership aims at creating the strongest pool of technical expertise in the field of conferencing systems. “Our global team of 30 members is exclusively focused on this product range, giving us a unique know-how to respond to complex technical requirements and manage large-size projects” says Fardad Zabetian, CEO of Media Vision, “We have over 10 years of successful track record in supplying TAIDEN equipment”.

With Andreas Martin on board as Media Vision’s Director of Sales for Germany, Austria and Switzerland, the German-speaking network is now armed with even more TAIDEN product expertise and an additional point of contact for local and immediate support. With over 14 years of experience in the conference and interpretation industry, Mr Martin has been involved in the design and management of numerous high profile projects across Europe and beyond.

Jan Wintersberg and Christian Carrero, Managing Directors at ProdyTel, are welcoming the collaboration with Media Vision and its expanded team as a way to set foot more firmly into an area of specialty within the AV industry. “TAIDEN solutions are always a step ahead, offering more flexibility and features to users than any others” says Jan Wintersberg, looking at the newly released Video Monitor Conferencing Unit now in ProdyTel showroom “We have the right technology, and now we also have the additional expertise to take it to the next level and support all size projects”.

“With the new partnership, our network of systems integrators will experience even more resources in design while choosing the right technology for flexible meeting spaces” adds Christian Carrero, “We remain focus on support and training tools in the conferencing field”.

The two companies joining forces is sure to be a driving force for TAIDEN in Europe. The manufacturer already stands out with innovative product lines such as the all-in-one Multimedia Conference System that it was first to bring to market, high-profile references like the United Nations Headquarters or the Council of Europe, very fast response times on complex projects, and a superior 5-year warranty.

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About Media Vision
Media Vision is a leading provider of professional wired and wireless conferencing solutions for multipurpose meeting rooms, VTC boardrooms, training centers, council chambers and auditoriums. Supported by feature-rich, flexible technologies, powerful software, and a dedicated product engineering team, we work with system integrators and consultants to design conferencing solutions that improve the audio intelligibility in the room and on the far end for distance communication. Additional information can be found at www.media-vision.com

About ProdyTel
ProdyTel Distribution GmbH is an audio-visual distributor based in Stein, Germany. Co-founded in 2005 by Jan Wintersberg and Christian Carrero, ProdyTel provides design, consultation, sales, and logistics services to its domestic and international manufacturers in support of dealers and consultants in Germany and Austria. Market segments include sound reinforcement, audio and video conferencing, signal management and remote control, and presentation technologies. For more information, visit the corporate website at www.ProdyTel.de, telephone +49-911-988189-0, or email us at info@prodytel.de

BenQ Cares Program Launches Breast Cancer Awareness Campaign

Company to Donate $10 to Breast Cancer Research for Every Colorific HT1075 Projector Sold in October (more…)

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Trumpeter Farnell Newton is “Ready to Roll” with HARMAN’s AKG Microphones

AKG_FarnellNewton copyPORTLAND, Oregon – As a globetrotting trumpeter for such renowned artists as Bootsy Collins, Jill Scott and Jarrod Lawson, it’s hard to imagine Farnell Newton having any time to focus on his own solo career. However, his new album, Ready to Roll, is a testament to his non-stop commitment to his craft, while the songs within the album showcase Newton’s musical versatility. Whether it’s in the studio or on the road, Newton is a committed user of HARMAN’s AKG microphones.

Recorded in his home base of Portland, Oregon, Ready to Roll is a slight departure from Newton’s previous albums. “This album is all funk, soul and R&B,” Newton said. “Although I play a lot of jazz—and will be recording with a jazz label in December—I’m keeping those worlds separate. I want people to be able to let go and groove to this record.”

While Ready to Roll is comprised of original compositions, Newton’s touring experience with other big-name acts has played an influential role in his writing. “Playing with Bootsy has inspired me to play funkier, while my shows with Jill have definitely helped me write more soul-based music as well,” he said.

Newton recorded all of his horn parts on Ready to Roll with an AKG C214 large-diaphragm condenser microphone, which offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise.

“The C214 is terrific, I used it for my last album as well, and it’s clear, not tinny-sounding, and it’s easy to use,” Newton said. “When I’m recording my horn parts, I know how they should sound to the listener. The C214 gets me to that sound very quickly and easily. Even if I have to go back and tweak the EQs after the fact, I still know it was recorded correctly and has that flavor I’m looking for.”

In addition to his own live performances, Newton employs his AKG WMS4500 wireless microphone system while on tour with Bootsy Collins and Jill Scott (and will do so on Jarrod Lawson’s upcoming European tour). The WMS4500 includes an SR4500 true-diversity receiver and a D7 Vocal Set.

“I’ve never had any problems with the WMS4500, I just plug in and start playing,” Newton said. “I’ve never had to worry about any RF-related issues and it sounds great. I’m always ready to go.”

For more information on Farnell Newton, please visit www.farnellnewton.com

For more information on AKG, please visit www.akg.com/pro

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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