A virtual press conference from Sound & Video Contractor

Press Releases For : September 14, 2014

NEW YORK CITY’S EXCLUSIVE UNION LEAGUE CLUB UPGRADES TO ASHLY

Union_League_Club_NYCNEW YORK, NEW YORK: The Union League Club of New York City was founded by Union loyalists during the Civil War and has grown since then to become one of the city’s most exclusive clubs, where the public-minded members of New York’s upper class meet away from the bustle of urban life. Its elegant clubhouse on East 32nd Street and Park Avenue in Manhattan thus serves as an oasis, and the Union League recently refurbished many of its rooms to add modern audio/visual technology where appropriate. Based on its functionality and rock-solid reliability, A/V integration firm Audio Production Services (Amawalk, New York) specified an Ashly ne24.24M Protea™ DSP Matrix Processor and an Ashly ne4250.70 Network Four-Channel Amplifier for the Union League Club’s new system.

Although most of the clubhouse areas provide a refuge from technology, club members requested video and audio in one of the large lounge spaces, the nearby coffee bar, and some ancillary lounge spaces. Inputs to the new system are many and include all manner of video feeds, wireless microphones for events, and iPod® connectivity. Those inputs feed into an Ashly ne24.24M matrix processor, which handles all of the routing, mixing and equalization. Audio Production Services biased the modular I/O of the ne24.24M to accommodate the huge number of inputs, reserving just four outputs to feed a four-channel Ashly ne4250.70 amplifier. Those four amplifier channels power 70-volt RCF ceiling speakers in four separate zones.

“I’ve used Ashly products on many previous installations,” said Simon Nathan, president of Audio Production Services. “They are very flexible and easy to work with. In addition, they are reliable, which was critical for the Union League clubhouse. Ashly’s Protea processing worked well with Key Digital’s user interface technology and allowed us to give the staff an iPad that could control the new A/V system. In all, it was a straightforward design and an easy installation, and the client is happy with its sound and performance.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

HARMAN’s Studer Infinity Series and Vista Digital Consoles get Lexicon PCM96 and UAD Plug-Ins Support and Significant Feature Upgrade

AMSTERDAM, The Netherlands – At IBC 2014, HARMAN’s Studer is introducing the version 5.2 software upgrade to its Vista X, Vista V, Vista 1 and Vista 5 M3 digital consoles. This new software provides Vista operators with even greater versatility and ease of use, creating a more efficient mixing experience.

New to the 5.2 software are: the ability to assign Strip Setups as CUE events; support of the Soundcraft Realtime Rack (UAD plug-ins); support of Lexicon PCM96 Surround reverbs with Infinity Core; Input Gain unfold for multi-format channels; Spill Zone for contributing channels; GUI enhancements and new patch groups; A-Line embedded Ethernet; and contribution PAN in stereo channels to mono Aux busses.

With the 5.2 software, saved Strip Setups can be assigned as CUE Events in the CUE List. Recalling CUEs that have these events assigned, will automatically load the specified Strip Setup onto the desk’s surface. This feature is a great help for users who are mixing in a “scene”-based workflow like in application such as theatres and pre-programmed shows. Loading the CUEs for the next scene will also bring the currently needed channels onto the surface.

Up to four Soundcraft Realtime Racks, loaded with high quality Universal Audio (UAD) Plug-Ins, can now be connected to every Vista system. All plug-in parameters are saved and recalled by CUE events. The CUE events are also organized in a library and can be re-used for other CUE events. The individual CUE events can be enabled and disabled, and can be updated at any time.

Vista FX quality reverb is now also available for Vista X and Vista V running on Infinity Cores. Up to six (in pairs of two) original Lexicon PCM96 Surround reverb units can be connected over AES/EBU. Parameter control works over HARMAN HiQnet™ directly from the mixer’s Vistonics™ user interface.

In addition, stereo and 5.1 input channels will have individual digital input gain parameters for each channel leg. Pressing the button next to the ‘Main’ digital input gain Vistonics rotary will flip the input page into a view, where the individual digital input gain parameters (L, R, C, LFE, Ls, Rs) are accessible.

Channels contributing to any type of busses can immediately be brought up within a user-definable ‘Spill Zone’, on top of the desk’s active fader layer. Pressing the Contribution button of any bus channel in the control bay will line up all channels in the predefined Spill Zone, which are contributing to this bus, allowing full processing parameter access of these member channels. The user can quickly define the size, position and spill direction of the Spill Zone at any time from the Strip Setup page.

The 5.2 software’s User GUI is also enhanced with the well-known Ribbon Bar, giving a better overview and easier access for the operator. With the Infinity Core’s power, a huge amount of channels can be organized and controlled. To simplify this task, new user-definable Patch Groups, comprising easy-to-handle filtering options as well as customizable Source and Target views have been added.

For Infinity Core with D23m, the Ethernet control signal can be tunnelled together with the audio stream from the CoreLink card through the A-Link ports to the D23m’s HD cards. This means that no additional Ethernet cable has to be connected to the D23m’s Ethernet card anymore (although this option is still available).

Finally, in stereo channels, all contribution paths to mono Aux busses now have a PAN control before the mix-down to mono. This not only enables assignment of the channel’s left or right leg to the Aux bus, but also sends a user-defined mix of the stereo channel to the mono Aux bus. This dramatically expands the possibilities of signal contribution to loudspeakers, especially in theatres

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Press Releases For : September 13, 2014

New Infinity Core 200 Processing Engine Drives HARMAN’s Studer Vista V Digital Console

AMSTERDAM, The Netherlands – With the introduction of its Vista V digital console, HARMAN’s Studer is also unveiling the new Infinity 200 processing engine that drives the console. The Infinity 200 is designed for smaller facilities that require lower channel counts and full system redundancy.

The Infinity 200 offers the same benefits of the original Infinity DSP Core, which is found in the Vista X console, introduced earlier this year. The Infinity 200 enables up to 200 audio channels to be processed in a single CPU-based board.

The Infinity 200 features Studer A-Link high-capacity fiber digital audio interfaces, and D23m I/O frames are used to break out these A-Link connections to standard analog, digital, Audio over IP (AoIP) and video interfaces. The A-Link interface also provides direct connection to the Riedel MediorNet distributed router, allowing many Infinity systems to be connected together with router capacities of 10,000 square or more.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Technology preview at IBC: Ball Chaser from HARMAN’s Studer Enables Sports Broadcasters to Bring Viewers Closer to the Action

AMSTERDAM, The Netherlands – Addressing a specific need in the sports broadcast market, HARMAN’s Studer is unveiling a prototype unit designed to provide a more rewarding audio experience for television viewers. Known as the Studer Ball Chaser, this unique product allows broadcast engineers to use a joystick to open the shotgun microphone closest to the action on the playing area, while keeping the other microphones closed.

In efforts to bring the game closer to the viewer, sports broadcasters often place 12 or more shotgun microphones around the playing area to pick up as much of the action as possible. However, leaving all 12 microphones fully or partially open for the whole match results in a lack of detail in the audio mix. Manually opening the microphone closest to the action and closing all the rest for the length of a game is virtually impossible, but the Studer Ball Chaser simplifies this complex task.

Ball Chaser connects directly to any Vista console and is a simple joystick mounted on a small, portable box. The operator configures
the unit with a simple web GUI interface, setting the layout of the physical microphones around the pitch (up to 24 microphones may be used) and linking these to the faders on the desk (mono and stereo faders may be controlled). During the game, simply moving the joystick opens and closes the relevant faders with smooth cross fades. The operator can simply watch the pitch events and open the necessary microphone without looking down at the joystick. Desk faders will respond in real time to the joystick movement and open only the microphone fader nearest to where the action is taking place. In fact, the faders do not even have to be on the active layer of the desk, freeing up valuable fader space.

The Ball Chaser link to the desk is a simple Ethernet connection, so the operator can be some distance from the Vista desk, even watching the action from the stand rather than taking space in the OB truck.

A key advantage of this unit is that it allows more gain to be given to the on-field FX microphones, as the unit always has the equivalent of one open microphone to air. This “single” microphone can have higher gain without the crowd pickup swamping the overall mix.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

SunBriteTV’s HD Transceiver is First of Its Kind: Universal, Weatherproof and Wireless

DENVER, Colorado, September 13, 2014— SunBriteTV has broken the wireless HD barrier with a universal outdoor transmitter module for both residential and commercial applications. Completely weatherproof and wireless, the SunBriteTV HD Wireless Transceiver (SB-HDWT) is capable of transmitting full 1080p content up to 100 feet (30 meters) and will be on display at SunBriteTV’s booth at CEDIA EXPO 2014 (booth #664).

The point-to-point device features an HDMI-in and HDMI-out transceiver, making it compatible with all SunBriteTV models as well as other HDMI-featured products. The SunBriteTV HD Wireless Transceiver eliminates the need for expensive cable installations and creates new revenue opportunities for dealers by bringing the total cost of outdoor television within reach of more consumers.

“Consumers don’t want to fuss over wiring and connectivity,” said Jonathan Johnson, Director of Brand Marketing, SunBriteTV. “The HD Wireless Transceiver simplifies the installation process for both homeowners and professional installers seeking to send an HD signal to an outdoor TV anywhere in the outdoor living area.”

“Running hard wire can be difficult, time consuming, and costly to the homeowner. The HD Wireless Transceiver is a cost-effective solution that reduces overall cost for both the consumer and the integrator,” said Johnson. “In this way, outdoor TV will become even more accessible to thousands of homeowners.”

The SB-HDWT carries an MSRP of $595 and is available through SunBriteTV’s Authorized Dealer Network or online at www.SunBriteTV.com. To see the HD Wireless Transceiver and SunBriteTV’s complete line of outdoor televisions, please visit SunBriteTV at booth #664 at CEDIA EXPO 2014.

For more information on SunBriteTV please visit www.SunBriteTV.com or call the sales department directly at 866.357.8688.

Follow SunBriteTV on Facebook at https://www.facebook.com/SunBriteTV

About SunBriteTV

SunBriteTV engineers and manufactures award-winning televisions and displays built specifically for outdoor use. SunBriteTV developed the industry’s first all-weather TV in 2004 and its products have been time-tested in home installations, outdoor sports arenas, restaurants, hotels, amusement parks, colleges, and airports. All models are available through SunBriteTV’s network of Authorized Dealers. To inquire about becoming an Authorized Dealer, contact SunBriteTV at 866.357.8688, or visit the Dealer Inquiry page at www.SunBriteTV.com.

Press Releases For : September 12, 2014

ProSiebenSat.1 Produktion Selects Xytech’s MediaPulse Transmission to Power Innovation in Operations

IBC, Stand #6.C22

(UNTERFÖHRING, DE /MISSION HILLS, CA) – ProSiebenSat.1 Produktion, a subsidiary company of ProSiebenSat.1 Media AG, one of the largest independent media corporations in Europe, has chosen Xytech’s MediaPulse platform to support transmission operations, scheduling and personnel management for its operations. Xytech is the market leader in facility management software for the broadcast and media industries. The process of integrating of MediaPulse into the broadcaster’s operations is expected to begin imminently.

MediaPulse is a scalable solution automating workflows, managing assets, scheduling resources and offering an end-to-end order and billing system. Xytech’s MediaPulse Transmission module, the first to be deployed by ProSiebenSat.1 Produktion, delivers operational automation, order management and resource scheduling to satellite and fiber transmission companies. MediaPulse Transmission stores all technical parameters, creates end-to-end signal paths, performs parameter-based technical evaluations and conflict management, and manages complex satellite and fiber inventories.

ProSiebenSat.1 Produktion offers technical broadcast solutions for more than 15 TV channels in German speaking countries. .Frank Stephan, The ProSiebenSat.1 Produktion Head of Production Systems, commented, “At ProSiebenSat.1 Produktion, we pride ourselves on approaching every aspect of our business in the most technologically advanced and efficient manner. We take care providing technical solutions to our customers that will match their business needs. We looked closely at what we planned to accomplish and whom we wanted as long-term collaborators in this process. After careful evaluation of what we needed and who would support us with strong service as well as a state of the art platform, it was clear that Xytech is the best option for us. We are looking forward to working closely with their team.”

Greg Dolan, COO of Xytech, noted, “Working hand in hand with an organization of the magnitude of The ProSiebenSat.1 Produktion is a great honor. We are looking forward to working closely with them in Germany to put MediaPulse into operation. We created MediaPulse Transmission to specifically support companies like this one, and we see it as a perfect fit for ProSiebenSat.1 Produktion growing enterprise.”

See Xytech at IBC in Amsterdam, Stand #6.C22.

About Xytech
Xytech is the leading global provider of facility management software for the media and broadcast industries. For over 25 years, the world’s best media services companies, broadcasters, and transmission facilities have depended on Xytech to run their businesses. Xytech’s collaborative MediaPulse platform is the only end-to-end solution for the complete content lifecycle, providing scheduling, automation, asset management, billing, and cost recovery in a scalable, platform-independent application. Xytech has over 450 software deployments in more than 20 countries around the world, and the company is headquartered in Mission Hills, California, with regional offices in New York and London.

For more information, please visit www.XytechSystems.com or call +1.818.698.4900 (US) or +44 (0)20.7903.5170 (UK).

About ProSieben Sat.1 Produktion
ProSiebenSat.1 Produktion is a complete subsidiary company of the ProSiebenSat.1 Media AG. It offers internal and external customers technical innovations and up-to-date services for the production, storage and multimedia broadcasting of TV-content. The portfolio includes, amongst others, studio and post-production, content management and the Broadcasting Service for more than 15 TV channels.

Furthermore the company provides the complete IT-infrastructure for the ProSiebenSat.1 Group. In all its’ areas of operation, ProSiebenSat.1 Produktion supplies customized solutions with the highest safety standards.

With this service, the ProSiebenSat.1 Produktion belongs to one of the state-of-the-art production- & media technology companies in Germany.

# # #

Media Contact:
Chris Purse, 818.908.3473
ignite strategic communications
chris@ignite.bz or mimi@ignite.bz

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Company Announcements, News

Meyer Sound LEO Brings the Quality of a Studio Recording to Germany’s Largest EDM Festival

Nature One Festival, Germany’s largest electronic dance music (EDM) event celebrated its 20th year this summer on the site of a former U.S. missile base near Kastellaun. To support DJs such as Danny Ávila, Markus Schulz, Paul van Dyk, ATB, Axwell, and Moguai, a four-point Meyer Sound LEO™ linear large-scale sound reinforcement system filled the dance floor with visceral impact combined with the definition of a music recording.

“The linearity of the LEO system is well suited to techno music,” says Sebastian Geissler, schokopro’s technical director for the festival’s main stage. “It has powerful and punchy bass, ample headroom, and tons of dynamic range with no system distortion. It’s so perfect you’d think you were hearing the original recording in a studio—complex, crisp, and fully present.”

Dubbed the Open Air Floor, the LEO-equipped stage was erected under trusswork arches laden with cutting-edge lighting effects. Located at the four anchor points were identical arrays of eight-each LEO-M line array loudspeakers, together creating an all-enveloping sound field. Thirty-eight precisely spaced and delayed 1100-LFC low-frequency control elements formed a horizontal line array that propelled energy evenly across the dance floor.

“LEO does not ‘scream’ at you, as can happen with other systems at higher volumes,” says FOH engineer Hendrik Fabri. “When combined with the 1100-LFC, the system is surprisingly linear, from the highest frequency range to the lowest bass, with no apparent over-emphasis or holes.”

Dirk Maron, systems tech, adds: “I’ve been working with LEO for about a year and a half, and basically what goes into the back of the array is what comes out the front, only much louder. You don’t get the coloration that happens when a high-frequency or low-frequency driver reaches its limits. This just does not happen with LEO.”

Completing the Meyer Sound system were six UPQ-1P loudspeakers for near fills, six UPA-1P loudspeakers for out fills, and a Galileo® Callisto™ loudspeaker management system with four Galileo Callisto 616 array processors and one Galileo 616 AES processor. DJs augmented their headphones with two JM-1P arrayable loudspeakers and two 600-HP subwoofers per side. All technology elements including sound, lighting, video, and kinetics were designed and coordinated by Wiesbaden-based schokopro, with additional audio equipment support from POOLgroup of Emsdetten, Germany and Bazelmans AVR of Veldhoven, the Netherlands.

Nature One was produced by i-Motion GmbH, an SFX Entertainment company. i-Motion also produces the Mayday EDM festival, which this year featured a Meyer Sound LYON™ linear sound reinforcement system on its main stage.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News

Theatre DeVille Management Impressed with Meyer Sound JM-1P: “There’s Not a Bad Seat for Sound Anywhere”

To entertain each of its patrons with world-class sonic clarity, Theatre DeVille in Vacaville, Calif. has installed a Meyer Sound JM-1P arrayable loudspeaker system. Occupying an 88-year-old building that was formerly a movie house and a church, the theatre is now transformed to what a guest described as “our jewel of the downtown.”

“The JM-1P system really has exceeded all expectations,” says Royce Farris, CEO of DeVille Enterprises, Inc., the venue’s management firm. “There’s not a bad seat for sound anywhere. I usually stand by the front door after the show, and I’m surprised by how many people stop, shake my hand, say how great it sounded, and tell me they’ll be back again.”

Designed and installed by One Way Media Solutions of Benicia, the system comprises 10 JM-1P loudspeakers, two 1100-LFC low-frequency control elements, and two 600-HP subwoofers. Five UPJunior-XP VariO™ and two UPA-1P loudspeakers provide stage lip and balcony fill, respectively, while system drive and alignment is provided by a Galileo® loudspeaker management system with one Galileo 616 processor. Artist foldback comprises eight UM-1P stage monitors, while an MJF-212A stage monitor and a USW-1P subwoofer are used for drum fill.

“The room here is narrow and deep, and the JM-1P configuration is ideal for filling this space,” says Ryan Snyder, production manager for Theatre DeVille.

Masaki Liu of One Way Media Solutions adds: “A Meyer Sound solution was chosen both because it was rider-friendly, and the company’s quality and support are unrivalled. We chose the JM-1P largely because the balconies sit right in line with where line array long throw boxes would sit. The JM-1P allows us to distribute the audio while still retaining the clarity and punch that touring engineers demand.”

The sound system also includes Yamaha CL5 and CL3 digital mixing consoles for FOH and monitors, respectively, and Shure ULX-D digital wireless systems.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News

Meyer Sound Transforms NYC Tunnel into Underwater Sound Installation

This summer, undersea sounds captured by artist Jana Winderen temporarily transformed New York City’s seven-block-long Park Avenue Tunnel in the immersive sound installation DIVE. The soundscape was heard through more than 60 Meyer Sound self-powered loudspeakers configured by Tony Myatt, a professor at the University of Surrey.

The installation was deployed along the 1,394-foot-long tunnel that became a temporary pedestrian zone for New York’s annual Summer Streets celebration. Greeted at the tunnel entrance by sounds of waves crashing along the seashore, visitors were pulled further into the ocean depths by sounds that included cod, toadfish, seaborne insects, boat noises, and more.

“I make multi-layered mixes of the material, which requires exceptional clarity from the loudspeakers,” says Winderen. “Using Meyer Sound allows me to deliver the detailed dynamics that immerse participants.”

Myatt, who programmed DIVE’s three-dimensional sound design using Ambisonic surround software, adds: “There are a number of factors that led us to use Meyer Sound loudspeakers, including their construction, size, and weather resilience. However, most significant is the high quality design and sonic consistency, which means we can understand how a system design will perform wherever we take it.”

The audio system was divided into eight Ambisonic surround zones, each featuring eight UPM-1P loudspeakers split into upper and lower levels and two 500-HP subwoofers. Winderen captured the recordings using DPA hydrophones, DPA d:screet 4060 omni microphones, and a Sound Devices 744T four-track recorder. The Meyer Sound components were supplied by New York City-based WorldStage. Terry Jackson was project manager, and Kate Brown engineered the system integration specifics.

Jana Winderen is an award-winning artist, producer, and curator based in Norway. She has created immersive multichannel installations and performed concerts all over the world. Winderen received the Golden Nica prize for Digital Musics & Sound Art at Ars Electronica in Austria in 2011. DIVE was produced in partnership with LeadDog Marketing Group, the New York City Department of Transportation, and the City of New York.

Meyer Sound is the system of choice among artists who require high-quality audio in their immersive multimedia exhibits. Recent projects include Bill Fontana’s Vertical Echoes in the UK and Robert Henke’s Ritual in New York.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News

Mix Magazine’s Sound-for-Film Event “Immersive Sound: From Production to Playback” Sponsored by GC Pro

SoundForFilm_Slate

— Event featured appearances from Steven Slate and other friends of GC Pro —

WESTLAKE VILLAGE, CA, September 10, 2014 — Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, served as a sponsor for Mix Magazine’s Sound-for-Film event “Immersive Sound: From Production to Playback,” which took place Saturday, September 6, 2014, in the Anthony Quinn Theater at Sony Pictures Studios in Culver City, California. GC Pro displayed the latest in high-technology products, including the new RAVEN MTX consoles as well as ADAM Audio monitors in a surround sound configuration at the event. Pictured is Steven Slate, CEO, Slate Pro Audio, the manufacturer of the RAVEN MTX console, at GC Pro’s booth. Photo courtesy of GC Pro.

About Guitar Center Professional/Guitar Center
Guitar Center Professional is the outside sales division of Guitar Center that focuses on the needs of professional users. Its clientele includes recording studios, audio engineers, producers, recording and touring musicians, live sound venues, post production facilities and more. Emphasizing extraordinary individualized service via local account managers, GC Pro offers expert consultation and a comprehensive selection of the world’s finest equipment for music and audio professionals. More information on GC Pro can be found by visiting www.gcpro.com.

Guitar Center is the world’s largest retailer of guitars, amplifiers, drums, keyboards, recording, live sound, DJ and lighting equipment, with more than 260 stores across the U.S. 2014 marks the milestone 50th anniversary of the Guitar Center Brand as we continue to help people make music from coast to coast. In addition, the Music & Arts division operates more than 120 stores specializing in band & orchestral instruments for sale and rental, serving teachers, band directors, college professors, and students since 1952. With an unrivaled in-store experience and passionate commitment to making gear easy-to-buy, Guitar Center is all about enabling musicians and non-musicians alike to experience the almost indescribable joy that comes from playing an instrument. All we sell is the greatest feeling on earth. For more information about Guitar Center, please visit www.guitarcenter.com, contact media@guitarcenter.com, or visit our Press Room at http://gc.guitarcenter.com/pressroom/. Subscribe to our RSS newsfeed at http://feeds.feedburner.com/GuitarCenterPressroom.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

September 2014
M T W T F S S
« Aug    
1234567
891011121314
15161718192021
22232425262728
2930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication