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Press Releases For : December 8, 2014

Tightrope Media Systems and University of Massachusetts Bring Interactive Digital Signage to Campus

Touchscreen-enabled kiosk at new Football Performance Center engages visitors with 130 years of historical data about the UMass Minutemen football program

ST. PAUL, MINNESOTA, December 8, 2014
– The University of Massachusetts in Amherst recently opened its Football Performance Center, a 55,000 square foot facility representing the UMass Minutemen football program. Visitors are greeted by a hall of fame showcasing the university’s 130-year football program as they enter the facility, located at the north end of Warren P. McGuirk Alumni Stadium. As part of the experience, the university sought an interactive kiosk to compile and present detailed information about the football program. A Carousel digital signage solution from Tightrope Media Systems was selected to address the challenge, featuring custom software-defined programming to bring decades of historical and current data together.

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The interactive kiosk catalogues an impressive array of details and statistics related to the storied football program, showcasing players, teams, coaches, seasons and accomplishments. The system reaches beyond the realm of football action, generating information about the bands, mascots and other entries supporting the teams over the years. In casting a wide net, it’s assured that every visitor engaged with the kiosk will discover something of interest while controlling the touchscreen.

“We wanted a searchable system that delivered an interactive experience for current players, students, alumni, fans and visitors,” said John Sinnett, assistant athletic director, University of Massachusetts. “We faced the significant challenge of finding a system that could centralize 130 years of information, make it interactive, and intelligently display a large amount of content in a sortable manner on demand. This is a homegrown system and we’re not aware of another university that offers anything similar. There’s no question that this was a steep hill to climb.”

Sinnett and his team soon engaged with Tightrope to generate a custom program for pulling historical and recent content from various online sources. Driven by intelligent, automated software-defined triggers and a central content management system, the Carousel solution manages a giant block of XML data, extensively programmed to ensure the right information correlates with the right targets.

However, Carousel’s trademark ease of use also provides staff with an intuitive interface to manually upload content, ensuring that missing details from player numbers and headshots to game stats and team descriptions can be effortlessly edited or added on the fly.

Most importantly, the varied and dynamically updating information gives everyone something to enjoy, increasing dwell times and generating a deeper connection between the user and the football program. Current Minutemen players and their families can follow seasonal statistics, while visiting alumni can look back at past achievements. Sinnett also views the interactive kiosk as an intriguing recruitment tool, allowing prospective players to search which Minutemen have made NFL rosters, and which teams have made collegiate football history over the years.

“The touchscreen is emblematic of the overall mission of the Football Performance Center,” said Sinnett. “This venue ties in a large part of the program’s history into a modern home that will be a future cornerstone of the program. Carousel is efficiently driving and disseminating information about the historical past and success of the program, while keeping visitors up to the date on the latest activities. Tightrope is helping us push that history forward, drawing in anyone with interest in our football program.”

The system is based on a scalable architecture powered by a single Carousel 330 server, capable of supporting 15 channels should the university choose to add more kiosks or displays in the future.

About Tightrope Media Systems
Founded in 1997, Tightrope Media Systems is the pioneer of web-centric digital signage and broadcast automation systems. It provides station automation, video servers, Internet video on demand, live streaming, the Carousel Digital Signage system, and ZEPLAY, a multi-channel instant replay machine for stadiums, arenas and Outside Broadcast vehicles. Tightrope’s award winning systems are used throughout the world. You can reach Tightrope Media Systems at (866) 866-4118 or visit them on the web at http://www.trms.com.

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Munich Airport: Inonet Selects Matrox M-Series Graphics Cards to Drive One of the World’s Largest Flight Information Display Walls

Matrox M-Series quad and octal-monitor graphics cards drive an expansive 72-monitor FIDS video wall showcasing crisp, high-quality flight arrival and departure content

Matrox® Graphics Inc. today announced that Munich Airport has leveraged Matrox M-Series multi-display graphics cards to power a 72-monitor flight information display system (FIDS). Recommended and installed by local system integrator InoNet, Matrox M9148 quad-monitor and M9188 octal-monitor boards reliably drive high-definition flight and departure information on a 19-meter-wide by 2.30-meter-high FIDS video wall—one of the largest of its kind.

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To run the unique installation, InoNet uses an M9148 and M9188 board pairing within six of their Magnius-2 video wall controller systems. Each workstation’s 12 displays have been combined to form an 18×4 matrix, outputting an astonishing 72 NEC X463UN displays at individual resolutions of 1920×1080. With the NEC display’s slim 5.7mm bezel design, the resulting video wall enables a nearly 180° viewing platform on which all 72 displays are completely visible from any front-viewing position. A configured fail-safe mechanism on the displays also ensures continuous operation with minimal downtime and IT intervention.

“The aim of the installation was to present razor-sharp content across the entire display. There is no scaling via daisy chaining on the 72 displays, where each monitor is individually supplied with Full HD content,” said Susanne Gomez, Key Account Manager Digital Signage at InoNet. “Using Matrox M-Series, we were able to realise the requirements quickly and easily.”

To read the complete story and view pictures, visit One of the World’s Largest Flight Information Displays Powered by Matrox M-Series Cards.

See Matrox demonstrate its latest multi-display graphics cards live at ISE (Amsterdam RAI, NL, February 10-12, stand 11-F68) and DSE (Las Vegas, March 11–12, booth 1645).

About Matrox Graphics Inc.
Matrox Graphics is a global manufacturer of reliable, high-quality ASICs, boards, appliances, and software. Backed by in-house design expertise and dedicated customer support, Matrox products deliver stellar capture, extension, distribution, and display. Engineering high-quality products since 1976, Matrox technology is trusted by professionals and partners worldwide. Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/graphics.

The Iconic Rainbow Room Officially Reopens with a PBS Primetime Special Featuring Michael Feinstein and DPA Microphones

A range of the company’s microphones used on national broadcast

Friday, August 22nd Taping of Michael Feinstein at the Rainbow Room, Airing  October 31st as part of PBS’ Arts Fall FestivalNEW YORK, DECEMBER 8, 2014 – Coinciding with the reopening of an iconic Manhattan venue, PBS recently broadcast a 60-minute primetime special, Michael Feinstein at The Rainbow Room, as part of its Fall Arts Festival programming. As a loyal DPA Microphones user, Feinstein’s long-time Production Manager and FOH Engineer Andy Brattain ensured that the performer’s microphone of choice was used for the taping, which included a variety show and a series of big band performances. Several DPA microphones were used for the production, including the d:facto™ Vocal, d:vote™ 4099 Instrument, d:dicate™ 4011 Cardioid and d:screet™ Miniature mics.

The PBS-special featured Michael Feinstein and a 17-piece big band, along with June Squibb, Christine Ebersole, Cheyenne Jackson, American Idol Season 11 runner up Jessica Sanchez and the noteworthy tap duo, the Manzari Brothers, all using DPA microphones. Working with the show’s esteemed producer Marc Cherry, DPA was chosen due to its wide variety of d:vote 4099 clip-on mics for the multitude of instruments in the band.

DPA ddicate 2011C_Michael Feinstein Rainbow Room“With this show, we knew we would only get one chance at this, mainly because of time and budgetary restrictions, both with the room and the band,” says Brattain. “The main goal for the microphones was to make sure that we got not only the best quality sound out of the performers, but also the most isolated sounds. The d:vote 4099’s ability to reject unwanted noise ensured that there wasn’t any bleed from the other mics and instruments in case something had to be re-mixed later. In addition, the d:dicate 4011’s proved to be the perfect choice to isolate the band as a whole and capture a perfect stereo mix that would later be blended with the spot miking of the 4099s.”

The piano was center stage within the Rainbow Room, with the band just off stage right. DPA helped to eliminate extra clutter on set, as the d:vote 4099’s mounting capability reduced the amount of mic stands and cables on stage. Since the mics were unobtrusive and out of the way, the musicians were happy as well.

DPA dvote 4099_Michael Feinstein Rainbow RoomIn addition to miking the instruments, deciding how to mic the Manzari Brothers presented an interesting challenge on set, as the team needed to amplify the sounds coming off their tap shoes. Each brother was outfitted with two d:screet 4061 microphones, one on each leg in order to capture the unique audio tones of their shoes, removing any SPL challenges for the audio team.

“We also used the d:screet 4061 as an audio solution for miking June during her comedy skit at a cabaret table,” adds Brattain. “Instead of using a handheld mic, we used a wig kit to hide the 4061 in her hair. As for Michael and the rest of the performers, they all used the wireless d:facto handheld microphone for their vocal performances and they sounded really great.”

Brattain credits DPA’s customer service for a seamless production. “Not only were we able to use DPA’s microphones for the entire production, but a representative came on set to assist with mic placement for each instrument, assuring that we got the best sound possible for both the live mix and the recording.”

Feinstein is a multi-platinum-selling, two-time Emmy and five-time Grammy® Award-nominated entertainer dubbed “The Ambassador of the Great American Songbook.” The Rainbow Room is an art deco-style restaurant and nightclub that in its heyday hosted the elite and influential including royalty and A-list celebrities. The Rainbow Room has officially reopened after being closed for nearly five years while it underwent a multi-million dollar renovation.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

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Story Sound Takes HARMAN’s JBL VTX Line Arrays and Crown I-Tech HD Amplifiers on a Wide Tour of Duty

HARMAN_StorySoundALPHEN, The Netherlands – Dutch audio rental provider Story Sound has recently completed what has unquestionably been the most diverse range of projects in the company’s history, all with a rig of HARMAN’s JBL VTX line arrays and Crown I-Tech HD amplifiers.

“Since this summer’s festival season, our work roster has covered an unbelievable program—ranging from reinforcing illusionists, undertaking royal events, supporting the Four Day Marches [Vierdaagsefeesten] in Nijmegen and assisting with the pan-European launch of new industrial machinery,” said director Michael Story.

“We have also worked with the Rotterdam Philharmonic Orchestra for the first time—in a free concert at the new Rotterdam Central Railway Station,” Story added. This has enabled the company to deploy its full range of front-line JBL line array systems, as appropriate, for each event.

Over a period spanning more than 15 years, Story Sound has systematically adopted most generations of JBL’s large-format enclosures, dating back to the HLA; today, the company’s expanding new-generation VTX rig is complemented by its existing VERTEC® VT4887A, VT4886 and VRX rigs, which are rarely found in the warehouse.

Of the shows that have given Story most satisfaction is the recent concert of the Rotterdam Philharmonic, where he used JBL’s revolutionary VRX system, ranks highest—the more so because a production manager, for whom they had successfully delivered a major project, had recommended them.

Unusually, the concert, staged in the station’s entrance hall, was to honor 10 years of the Metro Rotterdam and was attended by at least 4000 curious passengers and passers-by. The Rotterdam Philharmonic played five classical pieces under the direction of conductor Jurjen Hempel, and Story Sound provided light, sound and staging.

“The location was perfect for VRX,” said Story, adding that they rigged five VRX932LAP per side on each tower (using Genie lifts) with four VRX918S subs ground-stacked on the floor at each wing. The loudspeakers were powered by Crown I-Tech 5000HD and the sound was mixed on a Soundcraft Vi4 by Story Sound’s Wibo Vermeulen.

This show came on the back of a successful summer festival season during which Story Sound’s VTX system was again pushed to the max—and the company also continued to carry out environmental noise control on behalf of the local authorities. “We always use VTX where sound containment is an issue, and as the environmental pressures increase, we carry out calculations in LAC (HARMAN’s Line Array Calculator) and this data is then implemented in EASE modeling,” he said. “All this we report to the authorities.”

The 98th International Four Days Marches in Nijmegen, where soldiers march through the town, saw the company working for promoters Matrixx, for whom they also annually reinforce the Emporium Festival (Nijmegen) and Dreamfields Festival (near Arnhem). Story said that due to their calculations and predictions Matrixx were able to secure an additional contract for a new stage this year—and locations were set at Matrixx in the Park, Matrixx live at the Quay, the Festival Palace and the Stevens Church.

For the main stage, Story Sound fielded 24 VTX V25 line array elements (12 per side) and 16 VTX S28 subs, set in a reverse cardioid pattern across the front. To this they added two delay towers, each containing six VTX V20 line array elements—with the entire system powered with Crown I-Tech 12000HD amplifiers.

As for Emporium and Dreamfields, Story Sound provided a large number of systems—no fewer than 160 V25 tops and 122 S28 subs at Emporium alone.

While Story Sound has its JBL VERTEC VT4886 on almost permanent hire with the Royal Netherlands Airforce Orchestra (Wibo Vermeulen again mixing on a Studer Vista 5SR, along with Remko Luijten), the production company has also deployed its VT4886 rig on the touring version of “Dreamgirls”, running from September 2014 through April 2015. “Again the sound has been perfect, with our VT4887A also delivering great results,” Story noted.

Other events undertaken by Story Sound include shows in Germany for illusionist Hans Klok, where coverage for the larger shows is provided by a VTX system. Sound effects play a major role in this production and Story Sound’s system is fully backed up, with the whole show computer controlled.

Meanwhile, at the other extreme, Story Sound has fielded its VERTEC VT4887A and VTX at events in both The Hague and Maastricht in commemoration of the 200 years celebration for the Dutch monarchy.

Finally, another challenging tour of duty which saw Story Sound handle full technical production, including a complete video mapping exercise, was the pan-European introduction of NACCO Materials Handling Group’s new Hyster and Yale lines of lift trucks, where four clusters of four JBL VRX932LA-1 and VRX918S subs were used.

All HARMAN Professional equipment is supplied in the Netherlands by Audio XL, headed by general manager, William Van Druten.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

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DVIGear Launches Single-Fiber 4K Optical Extenders

Compact Extenders Deliver Immense Value for System Integrators

Marietta, Georgia    December 8, 2014  –  DVIGear, a leading manufacturer of digital connectivity products, has launched its models DVI-7313 and DVI-7314, the highest value single-fiber optical extenders on the market.  These powerful, yet compact extenders support 4K / 30p resolution signals up to 1.2 miles and are targeted for professional AV system installations and rental & staging applications.

DVI-7313 and DVI-7314  4K Fiber Optic Extenders, 1x LC

Extends 4K Signals Over Extreme Distances

DVIGear’s DVI-7313 and DVI-7314 are high performance 4K Optical Extenders that transmit high resolution DVI / HDMI signals over extreme distances using a single fiber optic cable. These extenders support HDMI v1.4 (non-HDCP) signals with resolutions up to 4K (4096×2160 / 30p) over cable distances up to 1640 ft. (DVI-7313) and up to 1.2 miles (DVI-7314).

These extenders are similarly priced as other extension technologies (such as HDBaseT™) while providing flawless optical performance at much greater distances. The DVI-7313 supports Multi-Mode optical fiber, while the DVI-7314 supports both Multi-Mode and Single-Mode fiber optic cable.

Cutting-Edge Fiber Optic Technology

Most single-fiber optical extenders transmit signals over multiple optical wavelengths, which can suffer from chromatic dispersion over long cable runs.  To avoid this issue, these extenders employ a cutting-edge, high-speed SerDes that combines the DVI / HDMI signal channels into a single uncompressed 10.3 Gbps bit stream.  This enables the optical transmission of the signal over a single optical wavelength, which provides increased signal fidelity, stability and flawless image quality, regardless of cable length.

Custom Fiber Optic Cable

DVIGear’s custom length fiber optic cables may be used with these extenders to maximize extension distance and system performance. Integrators and designers can select from a wide range of options including: Single-Mode, Multi-Mode (OM3), or Multi-Mode (OM4) at any cable length up to 10 km. Other options such as multiple terminated strands, breakout length, and pulling eye are also available.

These features make the DVI-7313 and DVI-7314 ideal choices for forward-looking system designers and integrators who want to future-proof their AV systems with robust 4K capable optical extension. They can be used in a wide range of digital display applications including rental & staging events, auditoriums, hotels, churches and other demanding environments. The suggested list price for the DVI-7313 is $698.00/pair, whereas the DVI-7314 is $798.00/pair. Both extender sets are available now for immediate delivery.

About DVIGear

Founded in 1999, DVIGear (www.dvigear.com) is a leading supplier of Digital Connectivity Solutions for a wide range of professional display applications.  Located in Marietta, Georgia, DVIGear offers an extensive portfolio of high performance digital video distribution products including:  Digital Matrix Routing Switchers, Splitters, Extenders, Converters, Scalers, as well as long-length copper and optical cables.

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Contact: Joseph Barbier  /  770.421.6699  /  joseph@dvigear.com
High Resolution Product Photos: DVI-7313 and DVI-7314

HDBaseT™ and the HDBaseT Alliance logo are trademarks of the HDBaseT Alliance.

HARMAN’s Soundcraft at the Double for La Citrouille

Scraft_LaCitrouilleBRITTANY, France – Based in Saint-Brieuc, Brittany, contemporary musical theatre La Citrouille has upgraded its technical infrastructure with the purchase of two new Soundcraft digital desks from HARMAN distributor Eurolive. The newly released Vi3000 will principally be used for mixing the wide range of performances and events hosted at the venue, while the smaller Si Expression will handle monitors.

Prior to purchase, Eurolive had also arranged various console demos to enable the theatre to make the correct decision.

The purchases were authorised by General Manager Benjamin Bouet, who has worked at La Citrouille since 2003 (initially in the studios). When the theatre itself opened in 2009, he became General Manager, and has remained the only house technician since January 2012 when the theatre received a ‘SMAC’ designation (certifying it as a live contemporary music room).

The theatre itself has a capacity of 420 (200 seated) and Bouet explained that, while they were ready to upgrade their old Soundcraft analogue MH3 house desk and move into the digital world, the theatre’s returns desk had equally been starting to show signs of weakness, costing valuable time — particularly when making preset recalls on evenings where there were three or four groups participating. In addition, the monitor desk didn’t have the required adjustable low cut filter — and so La Citrouille sensed that this, too, needed to be replaced.

Helping to fund the new Vi3000 was the local community itself — notably the City of Saint Brieuc, Brittany Region and the CNV (National Centre for Variety). When it was used for the first time with the group Miossec, their sound engineer arrived with his show on a USB stick (from a Vi4), Bouet recalls. “They just had to repatch a few effects in the console and it was perfect — and a big time saver.”

He said that Soundcraft’s release of the Vi3000 was perfect in terms of timing as it sits in the portfolio between the Vi1 (“very popular with technicians but insufficient faders for us”) and the more expensive Vi4 and Vi6.

“Technicians are already experiencing great results,” he says. “The Dante capability of this console also attracted me and it will enable us to make multi-track recordings of some concerts. It opens up new perspectives.”

He adds that with the space saved at FOH, it is easier to accommodate a second console when incoming engineers carry their own production. “We welcome artists in residence, and it’s great that they can walk away with their show on a USB key.”

For monitors, Benjamin Bouet had wanted a console with at least 30 inputs on the same fader to avoid losing time by constantly changing layers on the menu. Soundcraft’s Si Expression 3 exactly met the requirement and everything on the desk was easily accessible. Essentially, I was looking for a simple console that all the technicians could use, at an affordable price.”

Featuring 32 recallable mic pre amps, the Si Expression 3 is a powerful cost effective digital console — and one that can expect to endure a heavy-duty life cycle. “Soundcraft has a reputation for building robust, reliable desks, and this was another important factor — in fact their consoles have been in use for 20 years in our studios and are still working.”

After mixing monitors for three groups on the recent Transmusicales tour, he confirms that the Si Expression functioned extremely well and certainly met all expectations.

These two new desks will take care of all eventualities. For aside from running concerts throughout the year, La Citrouille hosts meetings, as well as housing a ‘rock school’ where musicians can learn their craft, stages workshops in the performing arts and encourages youth theatre. ”And when we have residences, groups can prepare their shows and just plug in their file via USB stick.”

Soundcraft products are distributed in France, as part of the Harman Professional portfolio, by SCV Audio.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

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Iconyx Tames Bank of China’s Auditorium

 Hong Kong – December 2014… Hong Kong has long been known for its breathtaking skyline, and the compelling geometric profile of the I.M. Pei-designed Bank of China Tower is a prominent jewel of the city’s glimmering urban landscape. Occupying the top floor of this 70-story masterpiece is a large multi-use auditorium and meeting space, used for a variety of banquets, meetings, and other special events.

The space has recently been outfitted with a new sound system centered around Renkus-Heinz Iconyx IC Live digitally steered arrays. The system includes four IC16-R-II columns, providing eight steerable beams to cover even the room’s most problematic spaces.

“It’s a very live acoustical space, with an open overlook and high glass windows, and achieving good spoken word intelligibility has been a challenge,” explains a spokesperson from Audio System Consultants (Asia) Ltd., the company behind the system design and installation. “The Iconyx steered beam technology enabled us to focus the sound directly on the areas where the audience is seated, and away from the windows and reflective surfaces.”

 A pair of IC215S-R subwoofers provides low frequency reinforcement, creating a powerful and portable full-range system for musical performances as well as spoken presentations. A Rane HAL3 multiprocessor is used as a front end for connecting microphone and line inputs. The system is easily controlled via tablet, laptop, or other external devices.

The new sound system has been in use for several months, and has received high marks from both client and guests alike.

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Press Releases For : December 5, 2014

Forbidden to Offer Webinar Focused on Video Editing in the New Forscene Environment

LONDON — Dec. 5, 2014 — Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, announced today that it will offer a free webinar to introduce the new Forscene environment to editors, producers, directors, and others involved in video creation. The webinar, slated for Tuesday, Dec. 9, at 10 a.m. PST, will be run by renowned craft editor Jeff Krebs, who recently became Forbidden’s regional manager for Canada and the Eastern U.S.

“Forscene has long been a powerful professional-grade editing platform, but we unveiled a redesigned interface and some new functionality at IBC2014 that makes it even better, and those improvements have sparked interest from a new wave of users,” said Stephen Streater, CEO at Forbidden Technologies plc. “Editors in North America and elsewhere who were not able to attend our in-person training sessions in November have another chance to learn from a post-production pro, Jeff Krebs, our in-house expert who was already an accomplished video editor long before he joined us at Forbidden. People will see clearly that Forscene is a lot more powerful than they ever would have expected.”

Titled “Edit Like a God,” the webinar will give an overview of the system and focus on how to get the most from Forscene’s editing functions. Krebs will cover topics such as the importance of keyboard assignments, multicam editing, storytelling-based effects, and Advanced Authoring Format versus Avid log exchange.

More information and registration is available at http://bit.ly/1yjAV18.

More information about Forscene can be found at www.forscene.com. More information about Forbidden Technologies can be found at www.forbidden.co.uk.

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About Forbidden Technologies plc
Forbidden delivers high-performance cloud video services for media makers and broadcasters. Its flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform, powering entirely new workflows from creation to delivery. Quoted on the London Stock Exchange, Forbidden partners with high-profile media and technology companies to complement its cloud infrastructure and provide greater value and efficiency to its clients.

More information about Forbidden can be found at www.forbidden.co.uk. More information about Forscene can be found at www.forscene.com.

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Powerful New Forscene Goes Live Along With New Forbidden and Forscene Websites

LONDON — Dec. 4, 2014 — Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, announced today it has released the new version of Forscene with a completely redesigned interface befitting Forscene’s professional capabilities. In addition, they have revamped both the company website and the Forscene product website in order to give visitors more relevant, in-depth information about each and to bring the company’s complete digital presence up to date.

“2014 is the year we have transformed from an engineering solution to a creative solution,” said Stephen Streater, CEO at Forbidden Technologies plc. “Simplicity is not the mere absence of complexity, it is the mastery of complexity — and we have carried this ethos from Forscene across our new digital presence.”

The new Forscene interface combines professionally designed graphics with an elegant colour scheme and updated functionality to provide an efficient and enjoyable experience. Forbidden is also giving Forscene a new infusion of functionality by adding a Media Asset Management (MAM) system. Through the Forscene MAM, users will have the full potential of the platform — from acquisition to publishing — at their fingertips. Other new Forscene features include the ability to publish with burnt-in timecode or any other metadata; expanded multicam logging to support up to 18 cameras simultaneously; and increased support for different formats that enables functions such as editing MXF files during ingest.

The new Forscene website, www.forscene.com, launched in mid-November and offers two avenues of exploration: use cases and features. Visitors can search by use case to discover how Forscene solves issues specific to their industry or operation, with multiple scenarios listed within each category that address different operational challenges. They can also search by specific features within the platform, such as logging or publishing, and, once there, can drill down to learn more about how that feature can be used for different purposes. The site makes extensive use of case studies, presentations, videos, client experiences, FAQs, and “how-to” documents and other downloadable resources, all of which help visitors delve deep into the details that are most relevant to their situation. People can also request a free trial from the site.

The new Forbidden corporate site, launched at the end of November, includes a new blog that focusses on five main topics: broadcast, cloud technology, consumer, reactive commentary, and video platform. Blog entries will be funnelled along with press releases, RNS communications, and daily news items into one feed to keep investors up to date. The site will also provide introductory information on Forscene and eva, Forbidden’s new cloud-based video social network app.

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About Forbidden Technologies plc
Forbidden delivers high-performance cloud video services for media makers and broadcasters. Its flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform, powering entirely new workflows from creation to delivery. Quoted on the London Stock Exchange, Forbidden partners with high-profile media and technology companies to complement its cloud infrastructure and provide greater value and efficiency to its clients.

More information about Forbidden can be found at www.forbidden.co.uk. More information about Forscene can be found at www.forscene.com.

Photo Links:
www.wallstcom.com/Forbidden/Forbidden-ForsceneHomepage.jpg
www.wallstcom.com/Forbidden/Forbidden-ForsceneNewReleaseInterface.jpg

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Digital Alert Systems and Hardata Partner to Reduce Cost and Complexity of EAS Compliance

Integration of Company’s DASDEC EAS Platform With Hardata Video Server Line Simplifies Playout of EAS Messages Over Multiple Channels

LYNDONVILLE, N.Y. — Dec. 3, 2014 — Digital Alert Systems today announced a technology partnership with workflow solutions developer Hardata that enables direct Emergency Alert System (EAS) playout over multiple channels. By integrating the Digital Alert Systems DASDEC(TM) emergency messaging platform with Hardata video server products, the companies have created a solution that reduces the cost and complexity of complying with EAS requirements across multiple channels.

“Integrated solutions are more robust, less complex, and more cost-effective than a series of discrete systems, and our technology partnership with Digital Alert Systems brings these benefits to the growing number of broadcast stations that work with the DASDEC system and our own video server products,” said Gustavo Pesci, chairman and founder of Hardata. “As more and more countries establish EAS requirements, this joint solution offers television broadcasters an attractive approach to establishing and maintaining EAS compliance.”

Founded in 1997, Hardata is a premier developer of workflow solutions that streamline audio, video, and text asset management for radio stations, TV stations, and entertainment enterprises. In the radio market alone, more than 3,000 stations rely on Hardata technology to manage digital content distribution. The company’s innovative products for the television market include an array of playout solutions engineered to match the applications and budgets of broadcasters and corporate users worldwide.

Hardata manufactures a line of video server products capable of supplying multiple streams of TV playout over multiple channels. Digital Alert Systems’ DASDEC offers comprehensive and powerful features that are optimized for current requirements and easily upgradable for the future through simple software upgrades. Packaged in a flexible, proven hardware design, the DASDEC platform provides support for a wide range of interfaces and communication standards. Together, using the Digital Alert Systems EAS-Net(TM) communications protocol to integrate Hardata video servers with the DASDEC system, Hardata and Digital Alert Systems have made it possible for users to play out EAS messaging directly from the video server platform.

“Our technology partnership with Hardata extends the use of our EAS-Net communications suite within the broadcast television realm, which in turn allows a greater number of stations and groups to take advantage of our industry-leading DASDEC platform while enjoying the benefits of Hardata’s robust server systems,” said Bill Robertson, V.P. of business development at Digital Alert Systems.

Further information about the DASDEC emergency messaging platform from Digital Alert Systems is available at www.digitalalertsystems.com, and more information about Hardata can be found at www.hardata.com.

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About Hardata
Founded in 1997, HARDATA is a premier developer of workflow solutions that streamline audio, video, and text asset management for radio stations, TV stations, and entertainment enterprises. Our mantra is “simple, elegant, and always reliable.”

HARDATA solutions are always designed to “play well with others,” and are highly compatible with standard IT hardware used in broadcast and Pro/AV operations. Our company has formed strategic alliances with many of the most recognized companies in the technology industry — including Microsoft, Grass Valley, Leitch, Antex, AudioScience, Matrox, Mayah, Orban, 360 Systems, and other international firms.

HARDATA’s commitment to total quality and management excellence is reflected in our ongoing investment in R&D, which drives the company’s philosophy of continuous improvement in all areas. HARDATA’s processes and quality management system are ISO 9001:2008 accredited.

Digital Alert Systems
Digital Alert Systems is a leading innovator of next-generation Common Alerting Protocol (CAP) and Emergency Alert Systems (EAS). The company was formed in October 2003 to increase the effectiveness of emergency communications and merged with Monroe Electronics in October 2009. Based in Lyndonville, New York, Monroe Electronics provides R&D, manufacturing, sales, and customer service for the Digital Alert Systems brand. The company continues to retain its hard-earned reputation for quality, reliability, innovation, and service to valued customers around the world. More information is available at www.digitalalertsystems.com.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/Monroe/DigitalAlertSystems-Hardata-DASDEC-II.jpg
Photo Caption: Hardata and Digital Alert Systems DASDEC link together to streamline EAS operations.

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