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Press Releases For : August 4, 2014

SET Expo 2014: FOR-A to Showcase Range of Video Solutions

Cypress, CA – FOR-A Corporation of America announces it participation at the upcoming SET Expo 2014, taking place at the Expo Center Norte in São Paulo, Brazil from August 25-27. FOR-A will exhibit a variety of its popular solutions in booth E17, including its full 4K variable frame rate camera, video switchers, signal processors and multi viewers.

Among the highlights of FOR-A’s booth will be the highly regarded FT-ONE 4K super slow motion camera. Capable of recording up to 900 frames per second, the FT-ONE will be demonstrated alongside FOR-A’s ZE-ONE 4K extraction system. The ZE-ONE allows FT-ONE operators to zoom in on and extract specified HD scenes at any size from 4K sources.

FOR-A will also showcase a number of its popular video switchers, including the HVS-XT portable switcher series. Both the HVS-XT100, which comes with a separate main unit and control panel, and the HVS-XT110, which features a compact, integrated design, will be on display. FOR-A’s HVS-390HS video production switcher will also be shown. Offering unique capabilities that allow operators to deploy any aux bus transition with cuts, mixes, or wipes, and display a keyer complete with DVE functions, the cost-efficient switcher is widely used by broadcasters, houses of worship, education facilities and corporate video producers.

A variety of FOR-A’s signal processors will also be on display, including the award-winning FA-1010, which includes 10 video inputs and outputs and offers multi-channel routing between sources and effective video and audio signal processing for line, relay, reporting, production, editing and delivery applications. The FA-9520 and FA-9500 multi purpose signal processors will also be demoed at the show.

Other equipment to be shown by FOR-A includes the new MV-1620HSA multi viewer, a compact (1RU) but full-featured unit that includes the option to cascade it with other units to display up to 64 sources simultaneously.

“This region is so important to FOR-A, and the SET Expo 2014 is a premier Latin American industry event,” said Mario Rodriguez, FOR-A’s Latin American Sales Manager. “We look forward to exhibiting at this year’s show and displaying some of our newest and most in-demand solutions. A product I’m particularly looking forward to showcasing is our award-winning FA-1010 signal processor, which has proven itself to be a highly popular solution in the region.”

About FOR-A
FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

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DVEO Launches Real Time, End to End Pro-MPEG FEC SMPTE 2022 Stand Alone Error Correcting Router for UDP or RTP Traffic

FEC Box IP IP

FEC Box IP IP

San Diego, California — DVEO, the broadcast division of Computer Modules, Inc. (CMI), will soon start shipping their new FEC (Forward Error Correction) device that catches and corrects bit errors in Internet transmissions. DVEO will debut the new FEC Box IP IP at Stand 2.A34 at the International Broadcasting Convention (IBC) in Amsterdam, September 12-16.

The FEC Box IP IP increases the reliability of UDP or RTP IP streams over lossy network transports, and alleviates jitter and packet loss introduced on WiFi, satellite, microwave, cellular, Internet, and other networks sensitive to noise. It is designed for video over IP, streaming live IP camera views, or any application where UDP/RTP audio-visual traffic is used and data loss is possible.

Forward Error Correction (FEC) is a method for finding and correcting errors in data transmissions. Extra data, called checksum packets, are added to the outgoing video stream so that errors can be corrected at the receiving end. The Pro-MPEG Forum, an association of broadcasters and content developers, adopted open standards for implementing FEC when transporting video over IP networks. The FEC Box IP IP is compatible with SMPTE 2022-1, -2, and -3 standards. This ensures high video quality and interoperability with other devices.

“The FEC Box IP IP alleviates dropped or scrambled bits, and it fixes dropped pixels and lines when transmitting video over noisy IP connections,” stated Laszlo Zoltan, Vice President of DVEO. “It enables our customers to stream video or data with reliable delivery. It can also provide SMPTE 2022 based FEC compatibility to devices that don’t support it.”

The compact (4.5 inches/114 millimeters square) device is generally purchased in pairs — one at the transmitting end, and one at the receiving end. However, it also works with other Pro-MPEG compatible devices. To ensure compatibility with receivers that don’t support FEC, the internal structure of the transport stream itself is not modified.

The FEC Box IP IP supports IP UDP unicast and multicast, in or out, and supports both HD and SD H.264/MPEG-4 AVC or MPEG-2 encoded streams.

Supplemental Information for Press Release

Features — GNAT 1080p 60

  • Alleviates packet loss introduced on WiFi, satellite, microwave, cellular, Internet, and other networks sensitive to noise
  • Compatible with SMPTE 2022-1, -2, and -3 standards
  • Inputs/Outputs: UDP/RTP IP streams
  • Supports IP UDP unicast and multicast, in or out
  • Supports both HD and SD H.264/MPEG-4 AVC or MPEG-2 encoded streams
  • 10/100 Ethernet ports – switched for flexible use
  • Software updates can be performed via the Web GUI, or via the USB command stick
  • Will not alter the internal structure of the transport stream (PAT, PMT, etc.)
  • Tested for compatibility between other FEC equipped devices
  • Dimensions: 114 x 86 x 28 mm (4.48 x 3.38 x 1.12 inches)

Suggested Retail Price:
FEC Box IP IP (Usually sold in pairs): $1,195 U.S., each

DVEO and FEC Box IP IP are trademarks of Computer Modules, Inc.
All other trademarks and registered trademarks are the properties of their respective owners.

About CMI and DVEO
CMI, founded in 1982, is a privately held company headquartered in San Diego, California. DVEO, the Broadcast Division of Computer Modules, Inc., sells digital video and high definition television (HDTV) products to the top television broadcast companies throughout the world.

For more information on CMI and DVEO, please contact Rebecca Gray at +1 (858) 613-1818 or rebecca@dveo.com. To download DVEO’s press releases and product images, visit the news section at www.dveo.com.

DVEO, 11409 West Bernardo Court, San Diego, California, 92127
Web: www.dveo.com phone: +1 (858) 613-1818, fax: +1 (858) 613-1815

Biamp Systems Welcomes New Area Manager

Joshua Peterson joins growing global sales team as area manager for Northern Central North America

BEAVERTON, Oregon — Aug. 4, 2014 — Biamp Systems, a leading provider of innovative, networked media systems, today announced the appointment of Joshua Peterson as an Area Manager in North America. Based in Minneapolis, Peterson will be responsible for leading and accelerating the growth of the expanding Biamp(R) business for Northern Central North America. (more…)

Journey FOH Engineer on Meyer Sound LEO and LYON: “Music-In Translates to Music-Out”

Rock legends Journey and the Steve Miller Band are touring North America this summer with the Meyer Sound LEO™ Family of products, including the compact LYON™ linear line array loudspeakers launched this year. The equipment choice for the 40-city tour was driven in large part by Journey’s FOH engineer Jim Yakabuski, a former mixer for Avril Lavigne, Van Halen, and Matchbox Twenty. Tower of Power opens the show.

Yakabuski is especially impressed with the linear reproduction of the Meyer Sound system. “With LEO, I find that music-in translates to music-out,” he explains. “The tonality I heard from studio monitors during rehearsals is what I heard when I cranked up the full LEO system. What I find with other systems is a ‘coloring’ of the sound. You often have to adjust your system EQ or even your mixing style to compensate for the tonal quirks of the PA.”

Provided by VER Tour Sound, the system is based around dual main hangs of 12-each LEO-M line array loudspeakers with four LYON loudspeakers under each hang for down fill. Outfill hangs are 10 LYON loudspeakers each, while four MINA™ line array loudspeakers and four JM-1P arrayable loudspeakers are used for front fill. To maximize low-end impact for the audience and minimize undesired spill for the musicians on stage, dual flown cardioid arrays of nine-each 1100-LFC low-frequency control elements are supplemented by two cardioid ground stacks of three 1100-LFC loudspeakers each.

A Galileo® Callisto™ loudspeaker management system with six Galileo Callisto 616 and two Galileo Callisto 616 AES array processors supplies system delay and optimization. The system was designed by Yakabuski and VER’s Greg Mahler, who is system tech for the tour. Rob Kern is production manager.

“Journey’s music can get very busy in the midrange, and in some amphitheatres it can be hard to keep any space in the mix,” says Yakabuski. “With LEO’s amazing accuracy and clarity, I can create space that has a chance of making it through any muck the venue creates. It’s stunning how crystal clear the system sounds in outdoor venues.”

Although most shows take place outdoors, the tour has also included two arena shows. “It was a treat to hear this PA and Journey in my favorite concert conditions—arena rock,” continues Yakabuski. “The LEO system shines in arenas, with the top seats every bit as sonically pure as at the FOH position.”

Yakabuski mixes Journey on a DiGiCo SD5 digital console. The touring package also includes Sennheiser IEM systems and Shure UHF-R wireless microphone systems.

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Meyer Sound MINA Balances Strength & Flexibility on Wanderlust Yoga Tour

In choosing its touring sound reinforcement system, the Wanderlust Yoga Festival had very specific requirements: to provide both pristine vocal clarity for yoga instruction in the daytime and high-impact musical reinforcement for evening revelries. With the tour’s truck space and trussing constraints, the production also needed a system with an exceptional power-to-size ratio and versatility. All of this has led to the selection of a Meyer Sound MINA™ line array loudspeaker system, supplied by DBS Audio Systems of Coatesville, Penn.

“In prior years we had used four different systems from four different suppliers, with inconsistent results,” says Sage Anthony Plakosh, production manager for the tour. “This year we wanted to assure that the yoga teachers and musicians would get a consistent experience from venue to venue.”

The main Wanderlust system is anchored by dual arrays of 10 MINA loudspeakers per side, with low end provided by four-per-side 650-P subwoofers arranged in end-fire directional arrays. Two UPJunior VariO™ loudspeakers serve as lip fills, and a Galileo® loudspeaker management system with one Galileo 616 processor provides drive and optimization. The stage foldback system comprises eight UM-1P stage monitors plus two-each UPA-2P loudspeakers and USW-1P subwoofers for side and drum fills.

“Versatility was another key factor in opting for MINA,” continues Plakosh. “We needed a PA that could maintain full intelligibility for people listening at knee height while doing yoga, then provide the power and punch at night for rock bands and DJs playing electronica. At first I wasn’t sure a box MINA’s size could handle it all, but I’ve been pleasantly surprised.”

Midas PRO2 and PRO1 mixing consoles are used for main stage FOH and monitors, respectively. Two smaller reinforcement systems for breakout sessions and evening events are each powered by four MSL-4 loudspeakers and two 650-P subwoofers. All stages use Shure UHF-R wireless systems equipped with a mixture of handheld and headset microphones.

Dave Brotman of DBS Audio Systems adds: “The power-to-size ratio of MINA is just phenomenal, and with the tour’s limited trussing systems, MINA’s light weight was a key factor as well.”

First launched in Squaw Valley, Calif. in 2009, Wanderlust Yoga Festivals draw thousands of attendees by bringing together yoga students, world-renowned teachers, musicians, and inspirational speakers. This year’s tour includes stops at major ski resorts in Vermont, Colorado, California, and British Columbia.

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Yellow Hammer Nails It With Carl Tatz Design MixRoom™

- Carl Tatz Design proudly introduces the latest iteration of its TEC Award-winning MixRoom™ concept with film- and game-scoring composer Justin Ray Miller’s stunning new Nashville studio named Yellow Hammer -

Nashville, TN: “Every once in a while we have the opportunity to bump up our game to a new level as experience and technology allows us to. This has been the case with Justin Ray Miller and his Apella Music’s new Yellow Hammer studio,” stated TEC Award-Winning studio designer Carl Tatz. “And now these new performance advantages will trickle down across the board to all our future projects.”

Yellow Hammer is a comprehensive custom Carl Tatz Design (CTD) studio built from the ground up for film- and game-scoring composer/recording engineer Justin Ray Miller on the property of his East Nashville home. Opened in 2014, the studio encompasses a CTD MixRoom™, piano booth, restroom, computer closet and entry foyer. It features the acclaimed PhantomFocus™ System (PFS™) driving a Dynaudio Professional M1 monitor/Bryston 4B Pro SST Squared amplification combo that showcases the new Sound Anchor PhantomFocus™ Stand and a new custom application of the Carl Tatz Design Signature Series™ acoustic modules by Auralex – highlighted by the new Axial Mode Absorber Wall™ (AMAW)™ and the MixRoom Acoustic Lens™ system. The tracking room ceiling features the new Parabolic Acoustic Room Expander (PARE)™. And the MixRoom also features a new custom Carl Tatz Edition™ Dual 15-KL800 workstation by Argosy Console.

“I’ve been an audiophile for over a decade, but when I first heard Carl’s PhantomFocus System, I instantly knew that I never truly heard low end until that moment. Being able to hear a full frequency response accurately down to 20 Hz has allowed me to create fuller mixes and appreciate other producers’ work like never before,” states Miller. He goes on to explain, “The stereo imaging of the PhantomFocus System paired with the very powerful Dynaudio Professional M1 monitors and Bryston amplification is the most three-dimensional stereo playback out there. I saw a client recently trying to reach out and touch the sounds coming from the speakers as he listened to the mix we had just completed!”

Tatz states, “Poorly-placed video screens can be problematic for optimum audio imaging, and that’s why we spec large wall-mounted LCD screens for computer displays. However, in Justin’s case, being a film composer and needing multiple screens, we had to come up with a solution to allow for a total of three screens and not compromise the PFS performance. We were able to take Justin’s idea of how he wanted his Doepfer LMK2+ MIDI keyboard controller positioned in the desk and applied a deep-mount screen application for two video monitors with the help of Argosy Console CEO David Atkins and his design team. So successful was this collaboration that Argosy is now offering a new line of workstations inspired by it under the Carl Tatz Edition™ moniker.”

Miller adds, “From the incredible MixRoom to the unique tracking room design, to the best desk a composer could hope to work at, Carl had an eye and ear for what I wanted to accomplish and helped me achieve that within the budget we planned.

Photo Caption 1: Yellow Hammer MixRoom™ featuring the acclaimed PhantomFocus™ System (PFS™) driving Dynaudio Professional M1 Monitors and a Bryston 4B SST Squared amplifier and the Carl Tatz Signature Series™ acoustics modules by Auralex®.

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HARMAN’s Studer, JBL and AKG to Showcase World-Leading Broadcast Audio Technology at TAB Convention & Trade Show

AUSTIN, Texas — At the Texas Association of Broadcasters (TAB) 61st Annual Convention & Trade Show, HARMAN Professional will be showcasing an extensive array of world-class audio products for the broadcast industry, including Studer digital consoles, AKG microphones and JBL studio monitors.

Taking place at the Renaissance Austin Hotel, the TAB Convention & Trade Show is the largest state broadcast meeting in the United States, featuring one-and-a-half days of management, engineering and sales programs, plus a 127-booth trade show with industry vendors from around the country.

Studer will be showcasing its Vista 1 all-in-one digital mixing console, with integrated control surface, I/O system, DSP and power supplies consoling one compact footprint. This makes it the ideal choice when space is restricted, such as in OB and small control rooms or ENG vans. The Studer Vista 1 also features a redundant PSU for peace of mind, and RELINK integration with other Studer Vista and OnAir consoles which means the Vista 1 can easily share signals across an entire console network. Two expansion slots for standard Studer D21m I/O cards may be used for interfaces connecting to popular formats, including CobraNet or Aviom A-Net, Ethersound, Dante, Dolby E and MADI I/O.

AKG will feature a variety of microphones and headphones for broadcast applications, including the C4500 BC. This large-diaphragm condenser microphone in front-addressed format is specially designed for on-air broadcast work. It provides a cardioid pickup with voice-friendly tuning and a low proximity effect, as well as high RF/EMI insensitivity.

In addition, JBL Professional will show off its award-winning 3 Series studio monitors, which are now available with the LSR310S powered studio subwoofer. Driven by an integrated 200 Watt Class D power amplifier, a new 10-inch high excursion woofer works in concert with JBL’s patented Slip Stream Port™, delivering impressive low-frequency response below 27 Hz, with peak output of 113 dB SPL.

For more information on the TAB Convention & Trade Show, please visit www.tab.org

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Listen Technologies Provides Comprehensive Resources on Updates to California Building Code Requirements

— CBC guidelines for assistive listening go further than the ADA requirements, and Listen Technologies has gathered and clarified the information for contractors/system integrators and their clients in real-world terms —

— Company creates dedicated pages on its website with current information on recent changes to the CBC and Americans with Disabilities Act compliance —

BLUFFDALE, UT, July 29, 2014 — As part of its ongoing efforts to provide venues, contractors and system integrators with the latest resources, Listen Technologies Corporation, a leading designer, manufacturer and distributor of assistive listening products, has gathered and clarified updated information on the California Building Code (CBC). The state of California relies on the CBC to outline the compliance laws for facilities that serve people with hearing disabilities in California – with more specific guidelines than those offered by the Americans with Disabilities Act (ADA). The CBC is updated and published every three years, and the most recent revision took effect January 1, 2014. The new guidelines are particularly significant for houses of worship, which are now classified as “assembly areas” by the CBC and are not exempt from the laws for such spaces. In addition, meeting rooms and conference rooms are required to have assistive listening.

“We know that our channel partners and clients are often not aware of changes in compliance and how they affect AV projects,” stated Cory Schaeffer, Listen Technologies VP Business Development Worldwide. “At Listen Technologies we spend a great deal of time and effort to first understand the requirements as they relate to our category of products, then to communicate the changes and guidelines in brief so that they are understood and easy to follow. We hope these resources help the contractors and consultants working in the Golden State to communicate to the venue owners, as the venue owners can be held legally liable. Our approach is to talk about ‘why’ these requirements are in place, explain what is required to become compliant and inform the venue owners of the tax benefits available for becoming compliant. It’s a win-win.”

To access Listen Technologies’ resources regarding the current CBC revisions, please visit http://www.listentech.com/blog/california-building-code-requirements-2014/. General compliance standards outlined by the Americans with Disabilities Act can be found at http://www.listentech.com/legislative-compliance/. Additional information regarding training, as well as available courses that fulfill InfoComm CTS renewal credits, can be found by visiting www.listentech.com/loop-training/.

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AES Announces Free Exhibition Registration and Special Hotel Packages for Upcoming 137th AES Convention in Los Angeles

New York, NY, July 29, 2014 – If it’s about audio, it’s at AES!, and registration is now open to attend the biggest audio event of the year – the AES137 Convention in Los Angeles, California. The AES is gearing up to take over the Los Angeles Convention Center, October 9-12, 2014, located in the revitalized L.A. Live entertainment district. From an audio, entertainment and technology market standpoint, Los Angeles has much to draw upon including recording studios, post-production facilities, television and broadcast, film, live sound, international electronic and print media, gaming, tech/web development, and more – all in a city that boasts a large, diverse population of ages and demographics. The top professionals from the Professional Recording, Production, AV and Communications industries will descend upon the Los Angeles Convention Center for three days of exhibits and four days of workshops, technical papers and program content tailored to the current audio and communications landscape.

Registration
Two badge packages are available: the Exhibits-Plus Badge (free) and the All Access Badge.

Exhibits-Plus badges are your free ticket to attending the AES Exhibition – the nation’s largest collection of professional audio manufacturers showing off their latest products and technologies. Additionally, your Exhibits-Plus badge will give you access to Project Studio Expo, Live Sound Expo, Special Events and more. Best of all, Exhibits-Plus badges are completely free! (advance registration required.)

All Access badges are available to anyone looking to take their knowledge and professional career to the next level. AES will once again be the meeting place for the top names in audio engineering to deliver a diverse program of workshops, tutorials, papers and more on the latest developments in professional audio. All Access badge-holders may attend all on-site AES events. (Tickets for tech tours cost extra and can be purchased on-site.)

Hotels
Once again, the AES has made arrangements with several of the best hotels in the area to offer special pricing and reservations for AES attendees. For access to these special rates, visit the AES137 Convention Housing website and check out these exclusive deals available only through the AES. These deals offer the best price accommodations within easy reach of the Los Angeles Convention Center, L.A. Live, and a host of restaurant and entertainment options, and each has been chosen to work with us to accommodate you during your stay.

These reduced-rate rooms will not last long, and attendees can request hotel reservations here or contact the AES Housing Customer Contact Center: Monday through Friday, 9am to 9pm (Eastern Time); 1-800-483-2433 (Toll Free U.S. & Canada); 415-979-2269 (Outside U.S. & Canada); AESHousing@cmrus.com. Books today for best availability!

For further information on the AES137 International Convention, please visit http://www.aes.org/events/137/.

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Bose® L1® Model II Portable Line Array System Used for “Live from The River Music Hall”

Boston-area 92.5 FM The River’s “Live from The River Music Hall” thrills listeners over the airwaves, and the live audience gets an extra-special treat via the Bose® L1® Model II Portable Line Array System

Framingham, Massachusetts, July 29, 2014 – “Live from The River Music Hall” has been the on-air live-music feature for greater Boston’s WXRV 92.5 FM The River for nearly 20 years. Starting in 1995, the broadcaster has been among the Boston area’s leading independent FM music stations. The feature “Live from The River Music Hall” has brought listeners intimate original performances by some of the best local, regional and national artists, including The Pixies, Steve Earle, Aimee Mann, Neil Finn, The 1975, fun., Passenger, The Hold Steady, Ed Sheeran and others. Shows are recorded in one of three venues: the huge performance space at the station’s studio in Haverhill, MA, where more than half of the live shows take place; the Foundation Room at the Boston House of Blues; or The Sinclair Club in Cambridge. For the past two seasons, artists have been performing through an L1® Model II Portable Line Array System from Bose® Professional Systems – one of the ways in which Bose, based in Framingham, MA, supports live and broadcast music in its own backyard. The system consists of one L1 Model II system with two B1 bass modules.

“The artists who have used the Bose L1 system have absolutely loved playing through it,” says Dennis Carroll, Owner of Dennis Carroll AV in Boston. The firm acts as the media services provider who videotapes each performance and authors a finished video for uploading through the station’s website, making a visual recording of each performance available after the radio broadcast. “The performance space at the radio station is a wonderful place to play, hear and record music — it goes back to the 1940s and ‘50s, when it was used for live studio broadcasts; many performers signed their names on the wall and they’re still visible today, so it has a lot of history.”

Carroll, who worked for Aerosmith’s Joe Perry and Steven Tyler as their personal studio assistant from 1998 to 2004, and who was the videographer for the Dalai Lama’s visit to Boston in 2003, says at least two of the artists who have performed there eventually ended up buying their own Bose PAs. “At least one of them literally called me up and said he was going to Guitar Center and getting an L1 system for himself,” Carroll recalls. “The sound of that system and the fact that it has virtually eliminated feedback has made real fans out of many of the artists who have used it. It’s really been great that Bose is willing to support live music on the air with great sound.”

Carroll adds that the station’s L1 systems serve more than the show tapings. He notes, “The station also uses these systems at station events, such as VIP/backstage tents at large concerts they’re sponsoring. And on a personal note, I have used an L1 system in my side gig as a musician. The L1 system is so portable, setup is quick and easy, and it sounds great. It’s perfect for small events but powerful enough to use for just about anything we need it for.”

“Live From The River Music Hall” had 17 shows performed, broadcast and recorded last year, and Carroll says another 25 shows are expected to be produced this season. The show’s popularity online has recently translated into availability on Comcast’s on-demand video service. “We’re looking forward to another awesome-sounding season for the live shows, thanks to Bose,” he says.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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