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Press Releases For : November 5, 2014

WorxAudio Technologies Helps Inspire Worshippers At Northeast Worship Institute 2014

JKell_HiFairless Hills, Pennsylvania, November 2014… Each spring, Calvary Full Gospel Church hosts the Northeast Worship Institute (NWI), a gathering where highly experienced educators provide training for worship teams, worship leaders, and tech teams. Because the ability to hear clearly is crucial if one is to benefit from the classes, organizers wanted the best sound-reinforcement capabilities for this year’s event. They found it in a system from the TrueLine catalog of WorxAudio Technologies, a division of PreSonus Audio Electronics.

Full-service audio-visual integration firm Horizon AV of Pitman, New Jersey, was contracted to handle sound reinforcement for this year’s event. After meeting with NWI’s organizers, Horizon AV COO Joshua Kell elected to deploy two WorxAudio TrueLine XL5T-P line array systems and a pair of WorxAudio TL218SST-P subwoofers.

Reports Kell, “The WorxAudio system we deployed was for the main hall and as a result was used for larger gatherings. The two XL5T-Ps were flown on each side of the stage at a height of 20 feet using Genie towers. The distance between the left and right hangs was 50 feet. For low-frequency support, the two TL218SST-P subwoofers were positioned next to each other, directly in front of the stage.” (more…)

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PixelFLEX Builds on Innovation with LDI Release of FLEXUltra LED Tile

The 2mm FLEXUltra LED Tile

The 2mm FLEXUltra LED Tile

Nashville, Nov. 5th, 2014 — LED screen manufacturer PixelFLEX will release the FLEXUltra, a 2mm curveable LED display, at the LDI Convention 2014 in Las Vegas, November 17-23.

Capable of creating convex or concave curves up to +/- 10 degrees per tile, the FLEXUltra is designed to combine maximum design flexibility with ease of installation to make FLEXUltra one of the most dynamic LED display products on the market.

The FLEXUltra concept incorporates unique machined aluminum frames that are customized to the installation allowing the client complete and unlimited control over their design. Additionally, FLEXUltra is front-accessible and the panels can be quickly removed by utilizing two magnetic grip handles to remove the panel from the frame without disassembling the entire wall.

“As a company we are always thinking what makes our products different and how we can make the product easier for our customers to use on every level,” said David Venus, PixelFLEX’s director of marketing. “We feel the creation of the FLEXUltra is truly a one-of-a-kind pairing of both ultra-high resolution LED with a well-thought-out framing system that allows for precise installations and seamless deployment.”

With a cabinet made of special high tolerance, machined aluminum and the newest full black-face LED technology, the FLEXUltra can be utilized in many different types of install applications. With a brightness of 1200 Nit and a combined frame and tile weight of 25 lbs, the FLEXUltra keeps in line with the high quality and lightweight characteristics PixelFLEX LED products have become known for. In addition, a high refresh rate provides a static and flicker-free display, making it extremely friendly for both photo and video applications.

Ethercon data and Neutrik True One power connectors give the FLEXUltra rock-solid, dependable connections, and the magnetic guide ports allow for secure fixing of panels to frames.

For more information about PixelFLEX and its growing product lines, visit booth 2081 at LDI 2014, November 17-23 or at pixelflexled.com. To attend the LDI 2014 conference in Las Vegas and view the FLEXUltra and other products, find out more at ldishow.com.

Culture Club Kicks Off Reunion Tour with HARMAN’s Soundcraft Vi3000 Console and the Realtime Rack, Soundcraft’s UAD Plug-In Engine

Scraft_CultureClubLONDON, United Kingdom – More than 30 years since winning the world over with pop classics like “Karma Chameleon” and “Do You Really Want to Hurt Me”, Culture Club is reuniting for a string of concerts throughout North America, to be followed by a multi-arena tour in the United Kingdom. The band’s longtime front of house engineer, Jimmy Sarikas, aka “Mixologist”, recently purchased a HARMAN Soundcraft Vi3000 console, which he put to use for a private Culture Club performance at the Heaven nightclub in London. The console was sold through SSE Audio Group, Soundcraft Vi Select dealer.

Jimmy purchased the Vi3000 for multiple purposes, including live mixing as well as studio and mobile recording. “I’m a one-stop shop, so I needed a console that could perform multiple functions,” he said. “I can roll up to a festival and do live multi-track recording and broadcast, and I have multiple duplication systems in my truck, so I can give you 200 CDs in a half-hour after the show.”

The first task for Jimmy’s new desk – was a private performance from the group at the Heaven nightclub in London.

Alex Penn, Sales Director for SSE Audio Group commented, “As SSE Hire has been working with Culture Club on various recent events, and SSE Audio Group has been long term suppliers of Soundcraft Vi consoles for both Hire and Sales, Jimmy got in touch with SSE Sales when he decided that the Vi3000 was his console of choice. As Jimmy really wanted to use all of the available features of the console we had to develop some customised packaging solutions, housing two screens (record overview and Realtime Rack) in the case, as well as the Realtime Rack itself and a UPS.”

According to Jimmy, the Vi3000 offers multiple benefits compared to other consoles on the market. “For starters, the sound quality of the Vi3000 is just amazing,” he said. “Vi Series consoles have always had an amazing sound and that’s the case with the Vi3000. The second major factor is ease of use. I personally feel that manufacturers are making boards that are too small. I want some faders! My arms are more than capable to open as wide as 24 faders, so it’s Soundcraft all the way for me.”

For the Culture Club shows, Jimmy is running 53 channels to accommodate the multiple vocals and diverse instrumentation on stage, which includes two piano players, several guitars, a brass section and a variety of percussion. Jimmy is also utilizing the Soundcraft Realtime Rack, a 1RU box that features a library of Universal Audio plug-ins.

“I’m loving the Dante connectivity because I record 64 channels in and 64 channels out for virtual sound checks as well as my multi-track recordings,” Jimmy noted. “I’m working with two machines for that [Mac Minis with SSD hard drives]. Both computers fit in a 1RU rack located in the flight case of the Vi3000: one is my recording device and the other is the Realtime Rack.” The computer with the “Realtime Rack” software also records a redundant 64 channels of multi-track audio via the secondary Dante output. The two screens also slide into compartments in the case. Can you believe all this and the Vi3000 in one box on wheels?”

In addition, Jimmy’s positive experience with Soundcraft boards in the past played a factor in his decision to add the Vi3000 to his arsenal. “I’ve used Vi6 consoles at festivals before and they always felt a bit daunting at first, but the truth is that Vi consoles are probably the easiest control surfaces to use,” Jimmy said. “There aren’t any hidden pages—what you need is right in front of you.”

For more information on Jimmy Sarikas, please visit www.mixologist.co.uk or www.payperviewconcerts.co.uk

For more information on Culture Club, please visit www.culture-club.co.uk

For more information on SSE Audio Group, please visit www.sseaudiogroup.com

Soundcraft and Harman products are distributed in the UK and ROI by Sound Technology Ltd, for more information, please visit www.soundtech.co.uk

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

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Brand New Metropolitan West Space Debuts with Versace Event and Extensive WorldStage Installation

versace-party-web-preview-5-1252One of the most glittering events during New York’s Fashion Week was the Anthony Vaccarello x Versus Versace Spring/Summer 2015 runway show and after-party at the new Metropolitan West venue. Signaling the notoriety of the event, Naomi Campbell, Rihanna, Nicki Minaj, Lady Gaga, Bella Thorne, Rachel Zoe and Victoria Justice all made appearances. Metropolitan West is a new event facility designed and built by the Metropolitan Pavilion organization and is the sister facility of Metropolitan Chelsea. Both facilities utilize WorldStage as the exclusive provider of audio, video/staging and lighting services.

The x Versus Versace 8 pm runway show, spotlighting the young diffusion line of the Versace fashion house, and after-party marked the first event since the new space opened its doors. During the months prior to opening, WorldStage had installed a comprehensive audio, video and lighting system to meet the demands of prospective Metropolitan West clients. The systems represent provide state-of-the-art performance while being cost effective, providing clients a wide range of configurations and minimal visual interference as much of the hardware is finished in white to match the interior design.

x Versus Versace utilized both the first and second floors of Metropolitan West. “Since we were supporting not only a full runway show on the first floor but a large party and concert performance on the second floor, we augmented the installed system with additional gear from our warehouse inventory. However, for almost all events we’ll see at the space, the built-in system will be able to handle it.” says WorldStage account executive/project manager Frank Mejia. “Scenically, the client brought in additional walls for the party and we provided the AV package for the performance by St. Vincent.”

KCD partnered with Todo Productions on the creative for the evening. “Anthony (Vaccarello) wanted a clean, modern, white light venue for the show,” says Susan Schroeder with Todo Productions. “He used a lot of graphic patterns in his collection, which we adapted for the graphic design of the runway. Upstairs at the party we used lighting and projection to get that graphic look in the very modern, white space. We also played with the infinity of reflections of the models in a lot of mirrors.”

Frank Mejia notes that WorldStage met the twin challenges of readying Metropolitan West for its debut as well as ensuring it met the needs of KCD and Todo for x Versus Versace’s dual events. “John Ackerman, Vice President – Systems Integration, Barry Grossman, Chief Engineer and I worked hand in hand with the management and operations team of the venue to make sure everything was at 100 percent by the load-in day,” he says.

For the high-profile fashion event WorldStage was charged with implementing the creative visions of lighting designer Joe Saint of IMCD Lighting and audio designer Eric Bechtel of Audible Difference Inc. (ADI).

In all, nearly 100 moving lights, 150 conventional lights and various LED fixtures were used to light the fashion show, party and performance. For sound 40 Yamaha and 34 d&b speakers were used, running from Avid and newYamaha QL1 mixing desks.

“We were the first production at Met West, and WorldStage was great about working together with us to make everything happen for our show,” says Schroeder. “WorldStage really impressed me by putting our needs first.

WorldStage Inc., the company created by the merger of Scharff Weisberg Inc and Video Applications Inc, continues a thirty-year legacy of providing clients the widest variety of entertainment technology coupled with conscientious and imaginative engineering services. WorldStage provides audio, video and lighting equipment and services to the event, theatrical, broadcast and brand experience markets nationally and internationally.

Press Releases For : November 4, 2014

Millennia is Hardly Strictly Bluegrass The Devil is in the details

Millennia is Hardly Strictly Bluegrass The Devil is in the details

Forty-eight channels of Millennia HV-3R preamps were used to capture the main stage performances at the Hardly Strictly Bluegrass event in San Francisco’s Golden Gate Park http://www.hardlystrictlybluegrass.com/2014/ Diablo Digital http://www.diablodigital.com/ provided the live recording systems for the event. They choose Millennia HV-3R preamps as the front end.

48ch HV-3R 2014 Hardly Strictly Brad MadixBrad Madix, one of Diablo Digital’s principals and award winning live sound engineer said, “When you are recording and broadcasting a live event featuring nearly one hundred world class performers in front of over 650,000 people, there is no second chance.  We wanted to use the Millennia preamps to make sure that we captured every nuance with the greatest accuracy possible.”

“The headroom of the Millennias along with their extremely wide dynamic range allowed us to work without sound checks over the entire three days. Setting gain wasn’t critical. We could operate with levels a bit on the low side to prevent our digital converters from clipping and still got amazing sounds. Really great sounding and simple to use – perfect in a situation when you’re flying by the seat of your pants!”

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Sound Devices 970 Audio Recorder Earns NAMM TEC Award Nomination

Company’s First Dedicated Rack-Mounted Audio Recorder Features 64 Tracks of Dante and MADI

REEDSBURG, WI, NOVEMBER 4, 2014 – Sound Devices, specialists in professional audio and video products, is pleased to announce that its 970, the company’s first dedicated rack-mounted audio recorder, which boasts an impressive 64 channels of Dante and MADI with FileSafe™ technology, has been nominated for the 30th Annual NAMM TEC Awards in the category of Outstanding Technical Achievement, Recording Devices.Sound Devices 970 - front panel

Founded in 1985, and presented by the TEC Foundation for Excellence in Audio, the TEC Awards are the longest-running awards show specifically recognizing outstanding achievement in product innovation and sound production. The awards ceremony will take place on Saturday, January 24, during the 2015 NAMM Show, one of the world’s largest global music industry trade shows, held annually in Anaheim, CA.

“We are honored that the 970 has been nominated for the prestigious TEC Award,” says Paul Isaacs, VP Marketing and Product Design, Sound Devices. “It’s great to receive such recognition from the professional audio industry for our first dedicated rack-mounted audio recorder. For audio professionals requiring a significant number of audio channels, the 970 is an incredibly powerful and flexible tool, backed by Sound Devices’ reputation for high-quality audio and reliability.”

A half-rack, 2U audio recording device, the Sound Devices 970 simplifies any application requiring high-quality, high-track-count audio recording, including live musical productions, concert recordings, and drama- or reality-based productions. Incorporated into the 970, FileSafe recovers audio files if, during recording, drives are unintentionally removed or power is lost.

Sound Devices 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. These inputs include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported. The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying, and allows for continuous long-form, high-track count recordings.

With its built-in, rock-steady Ambient Recording Lockit time-code technology, the 970 is well-suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports word-clock synchronization from an external word clock, video sync, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

The Sound Devices 970 also features an embedded Web-based control panel for machine transport and setup control over Ethernet-based networks, as well as file transfer over the data network with SMB. File metadata editing of scene name, take name, notes, track names and reel folders can be performed during, before and after recording across all drives. In addition to RS-422 and GPIO control, the unit also operates as a bridging interface between analog, AES digital, MADI and Dante connectivity.

Additionally, the Sound Devices 970 features the company’s proprietary PowerSafe™ technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording. In addition, 970 features FileSafe, which automatically detects and repairs corrupted file headers when drives are mounted. Should this occur when a drive is inadvertently removed during recording, the user can simply reinsert the drive and FileSafe will automatically repair the files.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production.

Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Berlin-Adlershof, Germany. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.

Masque Sound Struts its Stuff for National Tour of Six-Time Tony Award®-Winning Musical, Kinky Boots

Kinky Boots Tour - Photo by Matthew Murphy

Kinky Boots Tour – Photo by Matthew Murphy

Kinky Boots, winner of six Tony Awards® including Best Musical, sings and dances its way across the United States for its year-long national tour with the help of Masque Sound, a leading theatrical sound reinforcement, installation and design company. Tony Award®-winning Sound Designer John Shivers, along with his long-time associate and collaborator, David Patridge, relied on Masque Sound to provide the custom audio equipment package for the tour.

In Kinky Boots, Charlie Price has reluctantly inherited his father’s shoe factory, which is on the verge of bankruptcy. Trying to live up to his father’s legacy and save his family business, Charlie finds inspiration in the form of Lola. A fabulous entertainer in need of some sturdy stilettos, Lola turns out to be the one person who can help Charlie become the man he’s meant to be. As they work to turn the factory around, this unlikely pair finds that they have more in common than they ever dreamed possible… and discovers that when you change your mind about someone, you can change your whole world.

Kinky Boots, directed and choreographed by the Tony Award-winning Jerry Mitchell, is brought to life by music and lyrics from Grammy® Award-winner and Tony Award-winner Cyndi Lauper and a book by Tony Award-winner Harvey Fierstein.

Shivers’ and Patridge’s goal of recreating and delivering the incredible sound that Broadway audiences are accustomed to, due in part to the custom audio equipment package that Masque Sound also supplied for the Broadway show, proved a daunting task. “When designing the audio we had to plan ahead for venues of vastly different sizes and shapes, as is typical when touring Broadway shows,” says Patridge. “One week, the production may run in a large civic auditorium with five levels of seating; the next week, it may be in a house more akin to a Broadway theatre with 1500 to 1800 seats. This tour really runs the full gamut as far as venues, including outdoor theaters and even hockey arenas.”

d&b audiotechnik V-Series line arrays in the speaker towers comprise the main sound system. “We first auditioned the V-Series when we worked on Holler If You Hear Me on Broadway, and we really liked the fact that the speaker was capable of clear, intelligible sound with a lot of impact, despite the compact size of the box,” adds Patridge. “We had a lot of assistance from Gary Stocker at Masque Sound, who created custom speaker tower designs for the tour. He was able to incorporate the V-Series into the towers, which is something that Masque Sound has never done before. Stocker took our ideas and turned them into reality, which saved us a lot of additional engineering, time and work.”

For the console, Masque Sound provided a DiGiCo SD7T, the same live digital console that is used on Kinky Boots’ Broadway production, as the designer wanted to keep the programming intact matching the Broadway show. “The SD7T’s channel count allows our engineers to incorporate all of the monitor inputs into the same console as front of house,” says Patridge. “The SD7T is the only console that would provide the 128 channels that were needed to handle our requirements along with the features that we were looking for. We are very happy that the Masque Sound crew was willing to go the extra mile to accommodate our requests.”

Masque Sound also supplied d&b audiotechnik D80 amplifiers. The amplifiers fit four channels of amplification into two rack spaces, which is an important space-saving feature for a touring production. In addition, the cast utilized a selection of DPA 4061 microphones, along with Sennheiser SK 5212 wireless packs and EM 3732-II receivers for the roughly 40 channels of wireless used on the show.

“As always, Masque Sound was able to provide us with everything that we needed for the tour,” concludes Patridge. “The challenge, with any tour, is making sure that the sound crew is able to translate the sound design that we envision. A lot of it is very subjective, with the team, at the end of the day, relying on the mixers to make the show work across all of the different venues. In this regard, Head Audio Mixer Ben Madden and Assistant Audio Mixer Brian Kallaher are the people who make this production happen from city-to-city and to them we are very grateful.”

Kinky Boots kicked off its national tour on September 4 at The Smith Center for the Performing Arts in Las Vegas. The tour is scheduled to play through most of 2015 and will make stops in 32 cities, including Portland, Seattle, Denver, Los Angeles, San Francisco, Detroit, Nashville, Houston, Dallas, St. Louis, Philadelphia, Chicago, Minneapolis and Boston.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Pro Sound Effects Releases Enhanced Hybrid Library + Expansion Program

100 Units Available for Freelance Sound Designers through Dec. 31

NEW YORK, NY – Pro Sound Effects®, the next level sound library company, has released its enhanced Hybrid Library™ and new Expansion Program for freelance sound designers and independent media creators worldwide.

Since 2012, Pro Sound Effects has supported freelancers by providing access to a big feature, big studio library ($10,000 value) at an affordable price ($1,500).

Now through December 31st, Pro Sound Effects is making 100 more Hybrid Library units available to qualified sound designers who apply and qualify for freelancer pricing. In addition, all Hybrid Library owners gain access to the Expansion Program, which ensures the Hybrid Library is continually updated.

“We really stepped up our features this year,” says Douglas Price, Founder & President of Pro Sound Effects. “Our goal is to continually improve our Hybrid Program so it lives up to its reputation as both the ‘Robin Hood of Sound Libraries’ and ‘the Sound Designers Secret Weapon.’”

Hybrid-Library-Sound-Effects-Hard-Drive-2014

Hybrid Library Key Features:
- 56,477 Sound Effects on Hard Drive: 338 GB of professional sound delivered on flashy Hybrid-branded USB 3.0 hard drive
- Spans the Sonic Spectrum A to Z: Categories include Ambiences, Animals, History, Nature, Science Fiction, Technology, Warfare and beyond
- World-Class Recordists : we curate sound effects content from the top recordists and sound designers including Blastwave FX, BBC, BOOM, Foundation, Sound Control SE, and beyond
- Online Access to 215,000+ sounds from any computer through the Pro Sound Effects Online Library
- Masterful Metadata for lightning fast, pinpoint searches
- Free Annual Updates: 2014 Update includes 400 new sounds (6.4 GB) from Blastwave FX plus enhanced metadata
- 100% Royalty-Free Lifetime License

View full Hybrid Library features, videos, audio demos & reviews here.

Hybrid-Library-Sound-Effects-Expansion-Flash-Drive-2014

Expansion Program Key Features:
The Expansion Program provides freelancers with a simple, cost-effective way to ensure that their sound effects selection and software toolset is continually refreshed. Developed with feedback from Hybrid Library owners and curated by the PSE Library Team, Expansions 1 and 2 are robust sound effects compilations available only to Hybrid Library owners.

- Expansion 1: New Room Tones, Ambiences, Footsteps, and Foley; 10,856 sounds (54 GB) on 64 GB USB Flash Drive.
- Expansion 2: 1,000 hand-picked BBC Ambiences, Outdoor Impulse Responses, and Production Elements; 2,721 sounds (62 GB) on 64 GB USB 3.0 Flash Drive.
- Soundminer Add-On: Search, Audition, Drag-n-Drop to application

View Expansion Program features & demos here.

Pricing & Availability:
Through December 31, 2014, 100 Hybrid Library units are available for $1,500 ($10,000 value). Expansions 1 and 2 are available $500 each ($2500 value each).

Existing Hybrid Library owners will be emailed the 2014 Free Update and this will also be posted in the Hybrid Library Owner Forum.

See http://www.prosoundeffects.com/pse-hybrid-library for more information.

About Pro Sound Effects:
Pro Sound Effects curates and delivers the Next Level sound effects library for media producers worldwide. The Pro Sound Effects Library is 220,000+ royalty-free sounds effects available both online and on hard drive. The Library spans the entire sonic spectrum and is continually updated. Founded in 2004, Pro Sound Effects is relied upon by top freelancers and big media production companies worldwide.

TNDV Produces CMA Backstage Pass Multi-Camera Streaming Media Experience for the 48th Annual CMA Awards

HD mobile production specialist to produce live real-time, interactive coverage of the CMA Awards Red Carpet and backstage activities

NASHVILLE, November 4, 2014
— At The 48th Annual CMA Awards—airing live on the ABC Television Network tomorrow, November 5, from the Bridgestone Arena in Nashville—mobile production specialist TNDV will take the reins on the production of CMA Backstage Pass. This live, multi-camera streaming media experience will give viewers the ability to use their tablets and mobile devices to get an exclusive look at what’s taking place behind the scenes before and during the live CMA Awards telecast.

With 13 HD cameras dedicated to CMA Backstage Pass, viewers will see many angles of activities off-stage, starting with the Red Carpet from 5pm to 7pm Central Time. From 7pm to 11pm, viewers can switch between cameras backstage, in the main broadcast truck and in the press room where the stars appear after receiving their awards.

“The main goal of CMA Backstage Pass is to give fans an in-depth view into what their favorite celebrities are up to during the show. It also provides an unprecedented look into the behind the scenes workings of a major international awards show,” said Lacey C. Devlin, producer for TNDV and Backstage Pass. “Watching the live broadcast is just one part of the experience fans are searching for. In the age of social media, fans want to know every detail—every inside joke, every off-camera event and other candid moments that make the stars more interesting and relatable.”

This innovative, unique live stream, which will unfold in real-time parallel to the main ABC-TV special, will give viewers additional content about the celebrities—whose fashions they’re wearing, accomplishments and personal moments caught on camera—and let viewers share the experience with others on social media. Viewers can experience CMA Awards Backstage Pass by downloading the WatchABC app, available on iOS, Android, Windows Phone and more.

CMA (Country Music Association) chose TNDV to handle this special national event based on its growing relationship over the past six years. “TNDV is by far the best live production company I have worked with,” said Ben Bennett, director of digital strategy at Country Music Association. “TNDV always brings tons of ideas to the table and, most importantly, always executes flawlessly. Our show has grown into a major national event due in large part to their tireless efforts and willingness to find a way to make things happen.

“The two- to three-hour window right before our TV special is the most critical time when viewers are making decisions about what to watch that night,” Bennett continued. “The live stream creates a ton of chatter online during those critical hours. The more fans we can get talking about the red carpet and thusly, the CMA Awards, the more chance we have at getting a bigger audience to tune in. The same goes for during the show. The live stream will help drive the social media conversation, and should drive more viewers to the ABC broadcast.”

TNDV will switch between 13 cameras from its 40-foot HD truck, Aspiration, which will park next to the main broadcast production truck producing the CMA Awards. The CMA Backstage Pass camera inside that main mobile unit will let viewers watch the CMA Awards from the perspective of the main truck producing the live show. Additionally, TNDV is also producing special, behind the scenes packages to give fans an exclusive look at how the stage was built, the stars’ dressing rooms and how the City of Nashville prepared for the CMA Awards, the biggest night in country music.

“This year’s Backstage Pass will be unlike anything ever done for the CMA Awards,” said Nic Dugger, owner and president of TNDV. “While TNDV was integrally involved in last year’s second-screen experience, called CMA 360, this year we plan to ‘kick it up a notch’ by adding more cameras, more talent and more unfettered access to the Red Carpet and candid backstage moments. Our multi-camera webcast, which takes place right alongside the main broadcast, includes a 20-member crew, an expanding side HD truck, and a complex single-mode fiber optic infrastructure dedicated solely to Backstage Pass.”

ABOUT TNDV: Television
Formed in 2004, TNDV: Television represents the culmination of over 22 years of broadcast and live production for Nic Dugger, owner and president; and his staff of full time engineers. TNDV produces events from small single-camera productions all the way up to multi-million dollar international TV events, and takes pride in building custom solutions for challenging productions of any size, in any situation. Recent projects include the opportunity to provide both remote audio and HD video facilities for the live season 3 premiere of ABC’s NASHVILLE, the live concert productions at the NCAA Final Four, and for the first time in broadcasting history TNDV produced the 2014 Hat Trick of Country Music Award show red carpet specials, including the CMA Awards, the CMT Awards, and the ACM Awards. Please call 615-585-6528 or visit www.tndv.com for more information.

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Extron Introduces Next Generation of Fiber Optic Audio Extractors

Extron foxiiaex_group_01r_mwgExtron Electronics is pleased to introduce two new fiber optic products for the FOX II Series, the FOX II AEX 108 eight-port and PowerCage FOX II AEX 104 four port audio extractors. They provide independent processing and routing of audio signals in a fiber optic AV distribution system. Each fiber optic input port extracts the two channel audio signal to provide analog balanced or unbalanced stereo audio. The audio extractors are available in multimode and singlemode models. The PowerCage FOX II AEX 104, designed to mount in the PowerCage 1600 enclosure, and the rack-mountable FOX II AEX 108 are ideal for use in FOX Matrix systems that require extraction of audio signals for local processing within the equipment room. (more…)

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