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Press Releases For : February 24, 2015

StoreStreams to Offer Turnkey In-Store Radio to Businesses

Integrated solution removes the headaches of procuring content and licensing, while simplifying deployments and operation through a fully networked system

ST. PAUL, MINNESOTA, February 24, 2015 — The in-store radio architecture is typically a patchwork of systems and components from different sources to deliver music and advertising to businesses, with challenging scenarios for licensing music and audio content. The formation of StoreStreams aims to simplify the launch and management of a multi-site in-store radio system, cleanly integrating IT network infrastructure with audio players—and providing the content, licensing and user interface to ensure a unified and profitable service.

StoreStreams Data Center

StoreStreams brings together the music catalog and network intelligence of XYZ Stream Hosting, a specialist in live, multiplatform content delivery; with end point hardware supplied through LineQ, a distributor specializing in networked AV equipment. LineQ will supply Ecler Sound amplifiers, Cornered Sound loudspeakers and media players from Barix, an IP audio pioneer with hundreds of thousands of hardware players in deployment worldwide. Furthermore, the service operates on a contract-free, month-to-month basis for maximum operational flexibility.

The StoreStreams service will focus specifically on streaming content to network operators and retail businesses that want a wide selection of music channels, without the headaches of procuring and licensing content. A clean and intuitive interface will allow curators and program managers to build playlists and manage content with ease. Included within the management application is the ability to structure and schedule ad placement, station ID’s and promotional material. For resellers and integrators, the complete integrated package minimizes components and eliminates installation headaches, further accelerating deployments.

Perhaps above all, the reliability of the cloud-based, redundant streaming architecture will ensure a live, branded streaming service with high availability for networks of any scale—ensuring a dynamic, high-quality and uninterrupted in-store radio experience.

“Utilizing 21 data centers, StoreStreams serves retail businesses nationwide with hyper-regionalized content and customized services directly from the data center closest to each business location,” said Charles Odom, vice president of marketing, StoreStreams. “And through our multichannel music library and licensing agreements, our customers will have access to the most up-to-date content with full legality.”

Will Schmidt, vice president of sales for LineQ, adds that packaging the content and licensing into an integrated solution with streaming, content management, and end point tools also makes StoreStreams an ideal platform for content curators. By including content and licensing, curators can manage audio programming for retail businesses without getting involved in the legal aspects of the in-store media business.

“By aligning everything under one management system and offering comfortable month-to-month contracts, StoreStreams and LineQ have a recipe for anyone to succeed at in-store radio,” said Schmidt, adding that the entire solution is engineered to deliver an absorbing retail customer experience. “The placement of the servers and optimization of end points for consistency in live streaming is all designed to provide superior performance. This is a service that is built to satisfy customers for the long haul.”

LineQ is currently offering six months of free service with the purchase of an endpoint device, such as the Barix Exstreamer—the device that receives, decodes and plays out audio content inside stores. The complete solution will be available by end of February.

About StoreStreams
StoreStreams is the turnkey in-store audio solution that integrates seamlessly within retail environments, providing access to a wide-ranging music catalog that complements the atmosphere of any business. Founded by musicians and music lovers, StoreStreams creates customized, branded radio channels that remove the elevator music stigma, and is driven by technology that ensures the highest quality sound. StoreStreams also ensures the highest possible uptime for live streaming services without interruption through its regionalized, redundant server environments, offering reliable and scalable services for both the single retail storefront and large business networks with thousands of locations.

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Press Releases For : February 23, 2015

Audinate Announces “Audio over IP in Broadcast with Dante” Event in London

Audinate, developers of acclaimed Dante™ Audio over IP technology, are partnering with leading audio manufacturers to present a day-long workshop dedicated to Audio over IP in the broadcast market on Friday, 20 March 2015. The event will take place at the Royal Festival Hall in London and will feature the largest demonstration of interoperable AoIP Broadcast products available and shipping today.

Be present for this unique opportunity to participate in high-level discussions about AoIP, and specific successful deployments of Dante in Broadcast. Experience the future of AoIP technology directly from professionals on the front lines.

Representatives from Aaton, AEQ, Audinate, DAD/NTP, Delec, DHD, Focusrite, Ghielmetti, Glensound, Junger, Quicklink, Roland, Salzbrenner Stagetec, Sennheiser, Shure, Solid State Logic, Sound Devices, Studer and Yamaha will be demonstrating over 50 Dante-enabled products at this free, all-day event.

The event will run from 10:00 to 15:30 with refreshments served at the end of the day. Space for this event is extremely limited, so early registration is highly encouraged.

Click here to register: www.audinate.com/aoip-20mar2015AoIP in Broadcast with Dante

About Audinate
Audinate revolutionizes AV systems to enable our customers to thrive in a networked world. Audinate’s Dante media networking technology has been adopted by the leading OEM manufacturers and has become the standard and dominant networking technology in the professional audio/visual industry. Dante is used extensively for live performance events, commercial installation, broadcast, recording and production, and communications systems. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd, Audinate is a registered trademark of Audinate Pty Ltd.

Renkus-Heinz Helps Conquer Audio Challenges in Canadian Museum for Human Rights

 Winnipeg, Manitoba – February 2015… With a portfolio that includes high-profile museums, performing arts centers, corporate settings, and high-end residential theaters, Milford, CT-based SH Acoustics has gained a well-earned reputation in the rarefied world of sound design for some of the world’s most challenging acoustical spaces. For the new Canadian Museum for Human Rights in Winnipeg, Manitoba, the combination of open architecture, reflective surfaces, and a plethora of multimedia-based exhibits made the firm the preferred choice as acoustic and audio design consultant.

SH Acoustics President and Principal Consultant Steve Haas was invigorated by the challenges the museum presented. “What makes this building unique is the open nature of the architecture,” he explains. “The walls and ceilings rarely meet, and there are few if any right angles. There are literally no doors in the galleries. Even the glass exhibit walls are unique, with open, overlapping ‘shards’ instead of a flat surface. To achieve focused sound in the exhibits and galleries and, more importantly, to control it, required a lot of specific audio gear, acoustical treatments, and careful planning and calibration.”

Renkus-Heinz loudspeakers and steerable array systems proved to be a key tool in realizing the promise and goals of the museum space. “I have had great success with Renkus-Heinz in similarly challenging spaces, especially their Iconyx arrays,” says Haas. “The pattern control and fidelity they offer are ideal for applications like this, which require working closely with architects, engineers and AV designers to deliver the intended sound without bleeding throughout the exhibit galleries.”

Haas cited the Canadian Museum for Human Rights as among the Company’s more challenging recent projects. While the ten main galleries are spread throughout the building’s seven levels, each floor is acoustically coupled to at least several others, with open architecture, reflective glass walls, and oddly-placed criss-crossing ramps connecting and passing through all the galleries. SH Acoustics worked with Electrosonic, a US-based international AV integration firm, and over a dozen media producers from all around the world, to ensure its sound designs would translate accurately to the museum space.

“We used a lot of different techniques to coordinate between the acoustics and audio,” says Haas. “Some were very localized and focused, while other spaces needed a widespread soundscape. In the mini-theater settings, Renkus-Heinz gear was involved in a big way. We used the TRX and CF Series speakers, some with PN112 subwoofers, as primary front delivery speakers behind the screen, because we’ve come to know the preciseness of their radiation pattern.”

For some of the wider theaters, off-axis response naturally became an issue, again with a Renkus-Heinz solution. On the upper level, the “Canadian Journey” gallery utilizes two IC16-R-II digitally steerable line arrays, augmented by PN Series subwoofers. “The Canadian Journey contains dozens of local media experiences, but comes alive each hour with a sound and light show projected on large screens, plus a powerful presentation with live actors,” explains Haas. “The Iconyx digital beam steering makes it easy to transition between the two programs.”

 The mechanically steerable Iconyx IC7 series also found a unique use in the museum’s primary gallery for the multimedia presentation, “What are Human Rights?” Haas explains the challenge: “The screen and seating area are roughly 90 feet wide, with multiple video projectors. We needed low-level localization of sound to cover that very wide bench in a very precise way.” The solution was to use four IC7-II mechanically steered arrays, aimed from above complemented with compact subwoofers embedded in the bench itself and a series of seven TRX speakers behind the large scrim. This provided full-range, focused sound to listeners, while still localizing back to the images on the screen. Strategies like this also helped to avoid interfering with the building’s ceiling speakers, which are required for paging.

Designed by acclaimed architect Antoine Predock and Exhibit Designer, Ralph Appelbaum, the Canadian Museum for Human Rights opened on September 19, 2014 to outstanding reviews. For SH Acoustics, it was another in a long line of acoustical challenges met and conquered. “It’s quite an ingenious design – one of the most fascinating buildings I’ve ever been in,” says Steve Haas. “With both large theaters and small interactive displays in an open acoustic environment, you really have to play with the laws of physics to make it all work together. But with tools like the Renkus-Heinz speakers we’ve come to rely on, it really came together nicely. Everyone is extremely pleased.”

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About Renkus-Heinz - Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

Press Releases For : February 20, 2015

Additional Danley Speakers Handle Seating Expansion at Life Pentecostal Church

LifeChurch_RockRun_Interior_1JOLIET, ILLINOIS – FEBRUARY 2015: Life Church of Rock Run is a Pentecostal church in Joliet, Illinois with an unabashed flair for engaging, contemporary services. Outfit with drums, bass, guitar, keyboards, and plenty of spirit, Life Church rocks its message every Sunday. Knowledgeable in technical matters, the church had acquired a high-performance Danley Sound Labs sound reinforcement system but for budgetary reasons had omitted low-end from the system. Understandably, the church was keen to shore up that omission, and it timed subwoofer installation to correspond with the addition of new seating that would require additional system coverage. The church hired Chicago-based Advanced Systems & Technologies (AST) to design and install the additional coverage and to overhaul the existing system. To Life Church’s existing Danley SH-60 and SH-DFA, AST added two Danley SH-mini loudspeakers for fill, four Danley SM-100M loudspeakers for on-stage monitors, and two thundering Danley TH-115 subwoofers.

“With the new added seating, Life Church can now accommodate approximately four hundred,” said Terry McCarthy, partner and systems specialist with AST. “The church knew they had good speakers but the installation was greatly lacking in proper coverage and tuning. In addition, there was no low end. For our part, we knew we’d be able to get the existing Danley speakers tuned up nicely – the bigger issue was extending coverage and frequency response. Based on their exceptional fidelity and pattern control, it made sense to stick with Danley boxes for the new fills and subwoofers.”

LifeChurch_RockRun_Interior_2The original system is comprised of a single Danley SH-60 for main coverage with a Danley SH-DFA for down-fill, both flown from the main beam of the sanctuary’s A-Frame architecture. In addition to the new coverage the church’s sound system had been pieced together over the years and was in great need of a professional up fit. AST removed all the inadequate cable and outdated components, installed proper wiring, new amplification and several new Danley boxes. Two Danley SH-mini loudspeakers were installed stage left and right. This gives great coverage to the new seating, as well as to areas that were lacking proper coverage from the original install. Two new Danley TH-115 subwoofers were also added providing Life Church with the low-end, fidelity and thump that it was missing. Four new Danley SM-100M loudspeakers give the Pastor, vocalists and musicians the same transcendent experience that was formerly reserved for the house.

AST installed QSC PLX-series amplifiers to provide clean, reliable power. They also installed a Juice Goose power sequencing system to protect the loudspeakers and minimize unnecessary hands turning things on and off. AST also re-tasked an existing Symetrix Jupiter 8×8 DSP and tuned the system to perfection.

“Once all the new gear was installed and tuned we worked closely with the Pastor and worship team to dial everything in. This is a critical element to make an installation complete,” explains McCarthy. “It allows us to see how the system is being used, provide essential training, and it adds an element of personal service that we’ve become known for. The final tuning is done “Live.” This way we can make discreet adjustments during a normal Sunday morning experience. The church leaders, worship team and church members alike all expressed how excellent the system sounds. It was a total win!”

Pastor, Brent A Brosam added, “Life Church of Rock Run purchased our current facility five years ago. After moving in we struggled with some major challenges with our sound. The existing church building was built in the 1960s and not conducive for good sound. After failed attempts to fix the problems, we contacted Terry McCarthy of AST – Advanced Systems & Technologies, to install a Danley system, and I am so glad that we did. With the help provided by the folks at AST & Danley Sound Labs they were able to detect and find proper applications to meet our unique sound challenges. Finally our sound is exactly what we have been looking for to enhance our weekly services. The sound is incredible now. Problems solved!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Landmark Manhattan Center Studios Upgrades To Dual Yamaha CL5 Digital Audio Consoles

Roy,Robert, Peter, CL-5

NEW YORK—Manhattan Center Studios, a staple in the New York City entertainment, corporate, and cultural event markets, recently upgraded from two Yamaha M7CL Digital Audio Consoles in the 1,200-seat Grand Ballroom to dual Yamaha CL5 Digital Audio Consoles along with two Rio-3224-D input/output boxes. The Rios are providing the CLs with an additional 72 inputs and 48 outputs.

“We’ve had our Yamaha M7CLs for a number of years now, and they’ve served us well; no down time at all, states Roy Clark, Head of Audio at the Manhattan Center. It was time to upgrade, and the CLs have a great reputation. We had worked on them as freelancers and had good experiences. And, Yamaha Commercial Audio Systems as a Company is very helpful in not only support of their products but in training engineers on how to use them. There are also becoming more of a standard these days, appearing on rider requests.”

Regarding the Dante networking, Clark said they are running a single cat6 cable connecting the CL console to the Rio running a simple daisy chain network. They also have an Auvitran MY16-ES64 card installed in the front of house CL console that feeds their NEXO 242 processors for the main PA (a previously installed NEXO GEO S12 line array).

“Sometimes, we need to send digital audio to the TV studio in the building next door, so we’ve integrated our Auvitran AM-500 that sends (and returns) audio to their core, where a Yamaha NAI-48 decodes the Auvitran stream into an AES format, Clark says. There are media converters in between that convert Ethernet to fiber and back. That negates any 60hz hum that originates from differing electrical sources of the two different buildings—a nice feature.”

Clark notes that they always keep the Rupert Neve Designs Portico 5043 inserted on the mix bus. “It’s not always compressing, possibly barely hitting (depending on the program material), but it has a really nice sound to it. We also like to use the Opt.2A on vocals, the U76 on guitars, and the Dynamic EQ on podium mics to solve problems there, too.”

Since the CLs have been installed, they have been used for a Dalai Lama presentation (speaking in Tibetan to the Chinese community). Manhattan Center also used the consoles for a TNA wrestling event for live broadcast and taping with audience and a TNT fashion show. The Grand Ballroom also entertains corporate presentations, receptions (dinner seating 550), DJ gigs, bands, string quartets, etc.

“The response to our new Yamaha CLs has been excellent, Clark adds. Most noticeably has been the sound quality improvement. It’s analogous to the difference between 16-bit and 24-bit where the depth and impact of the sound shows up. Even on a Lavalier mic and podium, it’s noticeable. The CL is a very solid sounding console.”

For more information on The Grand Ballroom at Manhattan Center Studios, visit www.mcstudios.com.

For more information on the Yamaha CL Digital Audio Console, visit www.yamahaca.com.

-END-

PHOTO ID: L to R: Roy Clark, Chief Live Sound Engineer; Robert Carvell, Director of Technical Services, Peter Auslan, Production Manager

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

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Press Releases For : February 19, 2015

Hybrid Studios Upgrades Sound Stage Power

Installs camlok 16 power distribution system to accommodate large-scale projects
(more…)

Biamp Systems to Present Session on Audio Design Innovations at BICSI 2015

Presentation to outline trends, technologies, and best-practices for successful audio in AV integration projects (more…)

Press Releases For : February 18, 2015

Ashly Audio Appoints Sound Directions Ltd as Its Exclusive Distributor in the United Kingdom

Ashly_SoundDirectionsWEBSTER, NEW YORK – FEBRUARY 2015: Ashly Audio, manufacturer of high-value, high-performance amplifiers, signal processors, and user-interfaces for the installed sound market, announces the appointment of Sound Directions, Ltd. as its exclusive distributor in the United Kingdom. Closing in on two decades at the forefront of the education, hospitality, house of worship, theater, government building, and museum sectors for installed sound, Sound Directions caters to consultants and A/V integrators with peerless systems knowledge and a free system designing and programming service. The Chessington, Surrey-based company will distribute Ashly’s entire line of products, including Ashly’s networked multi-channel amplifiers, Protea DSP-equipped amplifiers, and customizable user interfaces, such as Ashly’s client-dazzling iPad app.

Stanislas Boivin-Champeaux founded Sound Directions in 1998. “From the very start, we’ve worked closely with our customers to demystify the vast array of technologies that are available in the installed A/V market,” he said. “When it benefits our clients, we happily design and program systems that work flawlessly under the pressures and challenges of the real world. We’ve seen countless systems designed by others that left end-users with a system that they did not understand and could not operate. We go the extra mile to ensure that this is never the case for the systems we design. A job is never complete until everyone is perfectly satisfied.”

The effort Sound Directions puts into system design and programming for its audio professional clients is unique among distributors,” said Mike van der Logt, EMEA sales manager with Ashly Audio. They have a strong technical team that has depth of experience in the markets their customers operate in. They understand the pressures their customers face and work alongside them to create on-time solutions, within budget. That ultimately wins more projects for everyone involved. We’re pleased to partner with such a well-respected and forward-thinking distributor. Our existing UK customers will be pleased, and we expect Sound Directions’ reach to win legions of new Ashly fans.”

“We have travelled the world to pull together a portfolio of products that work flawlessly together, and Ashly Audio has a well-deserved reputation for building reliable, well-engineered solutions at exceptionally competitive prices,” said Boivin-Champeaux. “Ashly’s hardware, software, and user interfaces complement our existing partner brands perfectly, and their products are very flexible and Dante- and CobraNet-compatible, allowing us to leverage Ashly solutions in a huge range of designs.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Christie wins top technology awards at ISE 2015

Christie® earned two highly prestigious awards for technical innovation at this year’s ISE Show in Amsterdam last week. Christie’s 6P laser technology was voted the “AV Innovation of the Year” by leading British based trade journal, “AV News.” The award recognizes the contribution made by individuals and teams to the development of the AV business, and marks the arrival of new technologies that will have a significant effect on the AV industry.
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The mission set out by Christie 6P laser projection was to redefine the 3D cinema experience by delivering the optimum 14 fl to 3D along with no motion artifacts. It provides unprecedented brightness and smooth, natural viewing with stunning uniformity and detail.
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“Christie’s decision to use the dual headed projection system for providing the most comfortable 3D viewing experience and delivering the brightest picture is reinforced by this award,” said Don Shaw, senior director, product management for Christie. “It is also a testament to our engineering capability and our knowledge of what the market truly needs. As a result, Christie’s 6P laser projection is setting the standard for cinemas and other 3D projection applications by providing the ultimate viewing experience.”
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Christie GS Series wins prestigious InAVation Award
Christie’s GS Series of laser phosphor projectors picked up a major global award for “Most InAVative Projector” at the highly prestigious annual “InAVation Awards.”
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Sponsored by InAVate Magazine and held at the Gashouder, Amsterdam during the annual ISE Show, this category recognizes a remarkable technology that avoids the downtime, cost of lamp and filter replacements, and the maintenance associated with lamp-based projectors. It further acknowledges that laser phosphor illumination provides an impressive 20,000 hours of low-cost operation, with wireless connectivity, a small footprint, low-weight, quiet operation and a full suite of lenses.
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“We deliver what our customers want and this award demonstrates our ongoing commitment to developing high quality products,” said Curtis Lingard, product manager, Christie. “With our GS Series, I think we are seeing the start of a new technology in the market  and I hope we will see a lot more  with Christie leading the way.”
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Christie GS Series - Laser Phosphor Projector

Christie GS Series – Laser Phosphor Projector

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Professional Wireless Systems Teams Up With ATK Audiotek And The NFL To Tackle Frequency Interference At The Pro Bowl And Super Bowl XLIX

L to R - The PWS team, including Jim Van Winkle, PWS general manager, James Stoffo, PWS RF lead, Evan Hall and Richard StocktonPHOENIX, AZ, FEBRUARY 18, 2015Professional Wireless Systems (PWS) teamed up with ATK Audiotek and Versacom for the 19th consecutive year to deliver fumble free RF management of the assigned frequencies for several of the entertainment portions surrounding Super Bowl XLIX. Working directly with the NFL Game Day Frequency Coordinators (GDC) and Karl Voss, the NFL’s lead frequency coordinator, PWS offered its on-site frequency management support not only for the Super Bowl pre-game and half time entertainment segments, but also for the referee mics and the big game’s Pro Bowl predecessor.

Preparations began back in mid-October when James Stoffo, PWS RF lead, and Jim Van Winkle, PWS general manager, worked closely with ATK Audiotek’s Paul Liszewski and Versacom’s Matt Campisi to conduct site surveys. Once initial plans were in place, PWS submitted a list of frequency requirements to the GDC, who handled the frequency coordination for the entire event, including coaches’ intercoms, referee mics, network broadcasters, media and entertainment. Karl Voss then allocated the frequencies that PWS needed to integrate the entertainment needs with the other users at the Pro Bowl and Super Bowl.

PWS at the Pro BowlThe two games had very different set ups for their entertainment shows, each which presented its own unique set of challenges. For the Pro Bowl, PWS, led by Stoffo, handled frequency management for both the live national anthem, sung on the field by Jordin Sparks, and the half time show, featuring Nico & Vinz. Distance posed a potential problem, as the PWS team, including Evan Hall and Richard Stockton, needed to configure an equipment setup that would allow both the national anthem, sung on the field, and the half time show, on a bridge behind the end zone, to operate seamlessly.

“We had to remote all of ATK’s mic racks and in-ear monitor racks up to the bridge so that we had a local presence next to the stage,” says Stoffo. “It was additionally challenging for the wireless intercom setup, because we now had to cover a much greater distance, requiring more antennas and zones, so that the intercom could work seamlessly across several locations. It ended up working out perfectly, and it was a terrific show all around.”

PWS at the Super Bowl XLIX - 1

The Super Bowl half time show, during which Katy Perry belted out an array of her hits on stage at the 50-yard line, had its own set of challenges. “Katy Perry used five live Sennheiser microphones throughout her performance, switching microphones every time she went from one location to another,” says Stoffo. “The microphones were all sharing frequencies, which meant that each time she switched to a different microphone, we had to turn off all previously utilized microphones to prevent interference. Thanks to the hard work from Evan and Richard, this whole process was carried out successfully.”

Included in the equipment lineup supplied by PWS and ATK for both the Pro Bowl and Super Bowl were the Shure Axient® wireless system, Shure UHF-Rs and PSM-1000 Series in-ear microphones, as well as PWS Domed and Helical Antennas utilized for the ATK wireless systems on the field. The team also employed Sennheiser 3732 receivers with 5200 transmitters. Versacom provided a mixture of wireless intercoms, including HME PRO850 and BTR800s from Telex for the event. “In addition, the team utilized 24 Radio Active Designs UV-1G VHF Narrow Band™ Beltpacks for the first time, which made frequency management easier than any other time in the past five years. In utilizing VHF, we were able to free up a lot of the spectrum in the UHF band for other uses,” adds Van Winkle.

PWS at the Super Bowl XLIX - 2In total, the PWS team handled more than 70 frequencies in a backdrop of more than 1,000 to ensure that spectrum users were not interfering with one another during the Pro Bowl and the Super Bowl’s entertainment segments. “The PWS team did a great job at anticipating any potential problems and working together to quickly ensure a smooth show,” concludes Van Winkle. “A special thanks to Karl Voss, as well as the ATK and Versacom crew, who were all fantastic to work with and made for another successful year.”

For more information about Professional Wireless Systems, visit http://www.professionalwireless.com.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is led by President Stephanie Hansen and the firm’s third generation owner, Geoff Shearing. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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