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Press Releases For : September 2, 2014

SVS Expands Retail Presence with Electronics Expo

The complete award-winning line up of SVS subwoofers will now be available via the New Jersey-based home theater retailer.

Girard, OH – September 2, 2014SVS, a worldwide leader in high performance home audio products, announces that New Jersey-based Electronics Expo is the latest retailer to carry the high-performance audio brand.

Meticulously constructed and sonically designed in-store demonstration rooms outfitted with the latest and greatest in in-home audio products has solidified Electronics Expo as the premiere destination for New Jersey-based home theater enthusiasts. Experts in home theater design and installation, customers in the tri-state area looking to elevate their system’s performance with the hard-hitting and accurate low frequency reproduction only a dedicated subwoofer can provide will be able to demo and purchase the full line up of legendary SVS subwoofers through Electronics Expo, a New Jersey-based specialty audio products and audio/video accessories retailer.

“Not only does Electronics Expo share our passion for great audio experiences, their mastery of customer service and prowess in the online market space make them a retailer we’re very excited to be partnering with,” said Gary Yacoubian, SVS President. “In a space where other specialty retailers may be experiencing difficulties, Electronics Expo understands the needs of their customers and has played their part in the resurgence of high performance audio.”

“The level of attention SVS pays to every single sonic detail of the products coupled with the remarkable advancements they make with each newly launched product is just one of the reasons why we’re excited for what the future of this partnership holds,” said Leon Temiz, CEO at Electronics Expo. “It’s always been our goal to offer customers the best of the best when it comes to in-home entertainment choices. With the unparalleled performance SVS subwoofers are renowned for, we know our customers will be thrilled with this incredible addition to our product line.”

SVS products are sold internationally, both direct and at retail, depending on regional preferences. The company’s hybrid go-to market approach and unilateral resale policy have proven to be a profitable model that helps raise the average selling price of audio products for dealers with real margins backed by expert service, when it’s needed.

For more information, please visit www.svsound.com  or like them on Facebook or Twitter.

For more information about Electronics Expo, please visit www.electronicsexpo.com

About SVS

SVS is a global leader in high performance home audio products; designing, manufacturing and selling subwoofers and speakers through its Internet direct business. Founded in 1998 by a group of audio enthusiasts seeking to develop an alternative to traditional audio manufacturers, SVS was forged out of a passion for the science of sound married to a disruptive, forward-facing go-to-market strategy. Today, SVS takes a radical approach to how audio products are developed. Built on collective decades of experience, SVS is redefining performance and value for people who love music and sound.

Press Contact:  Caster Communications, Inc. at 401.792.7080

Nicholas Brown: nbrown@castercomm.com

Peter Girard: pgirard@castercomm.com

For digital images log on to: www.castercomm.com

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AVnu Alliance Continues to Expand Global Membership

Membership growth leads to more AVB products in the AVnu certification pipeline.

 Beaverton, OR – September 2, 2014AVnu Alliance, the only industry consortium driving open standards-based time sensitive networking through certification, welcomes new technology industry leaders to its membership roster. Each is a frontrunner in its space, dedicated to driving AVB and creating a new ecosystem of interoperable AVnu-certified devices. The eight new member companies include:

  • Coveloz, a technology provider of embedded and fully programmable media transport solutions;
  • Imagination Technologies, a global leader in multimedia, processor, communication and cloud technologies;
  • intoPIX, who provide compression, cryptographic, and video transport FPGA IP-cores, reference design and software tools to build smarter, networked and future-proof media workflows;
  • Ixia, a networking company with a passion for developing products that allow their customers to be connected to the world around them;
  • MIPRO, a manufacturer of wireless microphone and wireless PA systems;
  • NXP Semiconductors, a global market leader in car entertainment, car, access, and in-vehicle communication networks for the automotive industry, as well as solutions for the RF identification, mobile, lighting, healthcare, industrial, consumer and computing industries;
  • Pivitec, a producer of personal audio mixers and professional networked audio solutions;
  • Xavtel, the makers of modern high definition video, audio, conference and VoIP applications and products.

As AVnu Alliance grows to nearly 80 members, these new members represent continued momentum for the alliance. This year, the Alliance has added more than a dozen members across multiple market segments. This progression speaks to the industry’s increasing recognition of the benefits of open standards and AVnu certification.

“AVB standards are the future of the A/V networking industry and we are excited to be a part of this strong alliance to bring solutions to our customers,” said Eugene Chen, vice president of international sales for MIPRO.

“It’s important that Imagination supports the standards that enable our customers to build high-quality products utilizing our broad range of multimedia processor IP including our PowerVR video, MIPS-based audio and Ensigma Wi-Fi & Bluetooth,” said Tony King-Smith, EVP marketing, Imagination. “As the audio and video markets continue to expand, AVnu-certified solutions will become an important driver in ensuring the best possible consumer experiences in global markets. We believe that our expertise in all forms of multimedia and networking will ensure we play a valuable role in the AVnu Alliance.”

“Pivitec has a four-year track record in AVB development and after a successful launch of its e64i/o-MADI 64-channel AVB network interface at InfoComm 2014, has chosen to join AVnu Alliance with the express intention of pursuing AVnu certification,” said Pivitec’s Co-Founder Tom Knesel.

Xavtel is also entering products into certification testing. “We are in the process of starting our certification testing and hope to have AVnu-certified hardware very soon,” said Romano M. Cunsolo, director of marketing and business development at Xavtel, who just recently launched an AVB-enabled Senator Networked DSP Conference and Interpretation System.

“Coveloz demonstrated a customizable and scalable solution based on FPGA technology at InfoComm 2014,” said Nestor Amaya, president of Coveloz. “We’ve begun interoperability testing of our system-on-chip product in our Ottawa lab and have plans to go through AVnu-certification testing of the embeddable solution this year. Coveloz is fostering AVB interoperability by offering engineering and certification-support services to adopters of AVB technology.”

In the automotive industry, NXP Semiconductors has their sights set securely on connected cars. “As Ethernet becomes a key enabling technology for automotive applications, NXP is very pleased to join the AVnu Alliance which is building substantial momentum in the marketplace,” said Guenter Sporer, Ethernet segment director for NXP Semiconductors. “Our membership with AVnu will enable the quick deployment of the NXP Ethernet switch and PHY solutions as well as the development of new and advanced products targeted to anticipate future requests of our customers.”

In addition to certification, Alliance members have access to compliance tools, testing plans, and test suites enabling early internal testing. Members may also benefit from participating in member-only plug fests, offering a unique hands-on opportunity for engineers to test connectivity and interoperability.
“We are extremely excited by the addition of these new members to the Alliance, and by the overall growth we’ve experienced within the last year. With each new member added, we all benefit from a valuable mix of innovation and experience,” says AVnu Alliance President Rick Kreifeldt.

About AVnu Alliance

The AVnu Alliance is dedicated to the advancement of streaming audio video by promoting the adoption of IEEE 802.1 Audio Video Bridging (AVB) standards over the network infrastructure. The organization strives to create an open path to AVB standards, define AVB compliance test procedures, and an AVnu certification program that ensures AVB interoperability of networked AV devices to provide the highest quality streaming experience in professional AV, automotive, and consumer applications to deliver a compelling end user experience.

Press Contact

Caster Communications, Inc. 401-792-7080

Alex Crabb alex@castercomm.com mobile: +1-401-318-2229

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HARMAN’s Martin Professional Provides Energy Efficient Lighting Solution for Danish Power Plant

ROSKILDE, Denmark — In 2011, Danish waste management company KARA/NOVEREN set out to replace two furnaces with a state-of-the-art waste-to-energy incineration line. Three years later the incineration line, or more popularly referred to as The Energy Tower, stands tall on the skyline of the Danish City of Roskilde, ready for its opening today, September 2nd 2014 with HARMAN’s Martin Professional lighting fixtures.

Increasing demands to reduce Co2 emissions from fossil fuels calls for alternative energy production, and implementing a modern facility will allow KARA/NOVEREN to utilize the energy resources from residual waste that cannot otherwise be recycled. In line with KARA/NOVEREN’s vision was for The Energy Tower to become a new Danish landmark. Naturally they wanted an energy efficient lighting solution to go with it so 112 Martin Exterior 410 fixtures and 78 Tripix 1200 LED strips were installed, controlled by Martin’s M-PC software.

KARA/NOVEREN envisioned a structure with the ability to communicate and relay messages of sustainable energy to the public. Located only a few hundred meters from one of the major inroads to the Danish Capital of Copenhagen, it has a huge reach and potentially thousands of spectators on a daily basis.

The Energy Tower was designed by Dutch Architect and expert in sustainable design Erick Van Egeraat, who brought in Danish Lighting Architect Gunver Hansen to identify and implement the most optimal lighting solution. An extensive testing phase began to determine the best choice of fixtures. The requirements for these fixtures were very specific. First of all the lighting solution had to be able to reproduce the lighting concept created by Van Egeraat (described below). All fixtures should be individually controllable to give the building a dynamic expression. It was also crucial that the fixtures would be able to illuminate the relatively difficult projection surface, which was dark and very diverse. At the same time the lighting should be bright and powerful enough to be seen from a distance. Finally, of course there was also a desire for low power consumption.

Even before the construction process had started, various forms of testing were performed on surfaces that resembled the projection surface of The Energy Tower. Ultimately, Martin Professional’s Exterior range fixtures were chosen for the project due to their size, durability, and color reproduction capabilities.

Van Egeraat’s vision for the lighting was for it to be an aesthetic contribution to The Energy Tower as a new landmark, and that it should signal the processes that take place inside of the tower and portray the combustion and energy making process. “At night the backlight perforated façade transforms the incinerator into a gently glowing beacon – a symbol of the plant’s energy production,” said Erick van Egeraat. “Several times an hour a spark of light will gradually grow into a burning flame that lights up the entire building. When the metaphorical fire ceases, the building falls back into a state of burning embers.”

Van Egeraat’s vision for the lighting was for it to be an aesthetic contribution to The Energy Tower as a new landmark, and that it should signal the processes that take place inside of the tower. The lighting scenario that is in place for the opening starts with a white flickering at the bottom that spreads to the whole tower. For a few minutes every hour the spark gradually grows into a blazing flame that encases the whole building. The array of warm colors resembling flames and glowing coals are meant to portray the combustion and energy making process.

“When I designed the tower I wanted the lighting design to complement the building and express what type of building it is and what it does,” said Van Egeraat. “The lighting solution has proven to have many more options than we originally anticipated, and therefore we are now working on additional lighting designs for special occasions such as the Danish Constitution Day, cultural and sporting events etc. Citizens of Roskilde and the surrounding areas will be in for a treat.”

According to Gunver Hansen this was one of the more challenging projects of her career. The structure itself consists of a framing grid built around the new chimney. An amber-colored aluminum plating is mounted onto the grid to form the exterior facade of the tower. The fixtures are mounted inside on the grid between the outer facade and the facade of the inner building, and the fixtures project onto the inner facade, which is visible at night through the laser-cut circular openings of the outer facade. Many factors had to be taken into consideration, e.g. the distance between the exterior facade and the interior projection surface varies across the entire structure. Therefore each individual fixture had to be placed carefully so the colors would mix correctly and the output would be even. Also, as the direct view into the LEDs in the fixtures had to be avoided, a number of the projectors had to be screened off with a specially designed grid.

The next challenge that presented itself was how to mount the fixtures. A lift was not an option as the fixtures had to be mounted between the inner surface and the new exterior facade. As the space was not accessible to any kind of machinery, a team of professional climbers from Danclimb was hired to mount the fixtures via rope access.

Today, on its opening day, the tower is already a well-known landmark and the object of admiration for passers-by. “We’ve already received an overwhelming public support for this project,” said Thorkil Jørgensen, CEO of KARA/NOVEREN. “People respond very well to the idea and the concept, and they really like what it adds to the area in terms of architecture and beautiful lighting. This is extremely valuable to us for branding purposes and to secure a future leading position in waste management. We see it as a great investment on several levels. We’re happy to combine an investment in modern waste management methods with an extraordinarily beautiful structure and landmark for the area.”

“We’re very pleased with the end result,” Lighting Architect, Gunver Hansen added. “The many creative possibilities for changing light color and light patterns on the Energy Tower’s facades work amazingly. I think we have succeeded in creating a shining Energy Tower, that is a fascinating and magical landmark on the dark Roskilde night sky.“

Even though not officially open till today, spectators have already had glimpses of the building in lit condition. For example during the famous Roskilde Festival, The Energy Tower shone orange to mirror the official color of the festival and its main stage. Part of the magic of KARA/NOVEREN’s new Energy Tower is its ability to alter its appearance with future lighting designs for special events, and that the lighting concept sends the message of waste-to-energy to spectators. It is an important message with global relevance.

The Energy Tower has been submitted for the Danish Lighting Award 2014.

Martin Professional Equipment
Exterior 410, 112 pcs.
Tripix 1200, 78 pcs.
Control system: Martin M-PC, RDM 5.5 splitter, Ether 2DMX

Facade Design:
(designed by) Erick van Egeraat
Facade Lighting:
Architectural Concept: (designed by) Erick van Egeraat
Lighting Project: Gunver Hansen Tegnestue
Fixtures, light control, programming, and installation: Martin Professional

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Prism Sound Releases SADiE Version 6.1

Prism Sound has announced the release of SADiE Version 6.1, an update to its highly acclaimed SADiE Version 6.0.0 recording and editing software.

With no dedicated proprietary hardware requirements the SADiE v 6.1 software packs are application based and focus on the core SADiE expertise of Mastering, Radio Production, TV/Film Post, Archiving and Restoration, and high level Sound Design.

Prism Sound has also announced a new and exceptionally competitive pricing structure for its SADiE software packs. With the entry level SADiE PRO now starting at UK £445.00 (plus VAT), the product range is even more cost effective, taking the SADiE brand, reputation and advantages into new markets. The extended compatibility will also significantly reinforce its appeal to professional users around the world.

New SADiE Features

WAV Master
With many more consumers now choosing to buy their music via a download, record labels are increasingly asking mastering engineers to deliver mastered audio as digital WAV files so they can be easily supplied to audio download sites such as iTunes, Spotify and Amazon.
SADiE’s newly introduced WAV Master feature allows users to create WAV files for an entire album, using PQ marks to define the start and end of the WAV file for each album track. Track Titles, Artist Name and other information is automatically incorporated into these files. As a further extension of its WAV Master feature, SADiE has also introduced a new high quality Sample Rate conversion algorithm. This brings the sample rate conversion process in-line with the high quality processing standards for which SADiE’s parent company, Prism Sound, is famous.

This ultra-efficient workflow allows SADiE’s PQ list to be used as a single source to create the WAVs, DDP and CDs that are required by today’s mastering engineers.

ISRC in BWF Files
Prism Sound has also incorporated ISRC in BWF into SADiE’s new WAV Master option. This feature is included as part of the Mastering Suite and Sound Suite packs.

Created and standardised by the European Broadcasting Union, Broadcast WAV (BWF) is an extended WAV format that allows ISRC data to be embedded in the file. ISRC stands for International Standard Recording Code. Every song released, and every version of that song, is allocated a unique ISRC by the record label. ISRC is then used to ensure that the correct files are used for playback and replication. It also ensures that artists and recording professionals who stand to benefit financially from any playback or replication are identified and compensated.

The UK Music Producer’s Guild has led the initiative to get BWF adopted as standard, and in conjunction with the EBU it has produced a Recommended Practice document that lays out methods by which an ISRC can be embedded into a BWF.

Other updates

These include an extension to SADiE’s Wav Master functionality with support for reading and writing a WAV file’s LIST-INFO chunk, and for Track Name and Artist metadata (included in Mastering Suite and Sound Suite packs). Prism Sound has also incorporated 32bit floating point format for recording or bouncing to WAV or BWF, thus allowing engineers to work at the highest possible resolution throughout. There is also the option of creating a profile when making a DDP Image or importing one.
In addition to these upgrades, Prism Sound is now including SADIE MTR (Multi-Track Recorder) software in the SADIE6 installer. This will run without license when using an LRX2 or Prism Sound Lyra, Titan, and Atlas, interfaces, and requires a license for native operation.
Looking to the future, SADiE will soon be offering enhanced video support for BlackMagic Design Decklink cards, as well as timecode support on SADiE Native systems (where the ASIO audio hardware supports timecode functionality). These extended new features will be included in an imminent service update. The software element of this update will be available to all 6.1 users, although some users may require additional hardware.

To try out the software, please visit http://www.sadie.com/support/download_v6.php

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.sadie.com or www.prismsound.com

Lightware Matrix Router Gets Kudos for Performance at Sochi Winter Olympics

Well before the start of the 2014 Winter Olympics in Sochi, Russia the Main Operations Center was installed inside the International Olympic Committee (IOC) building to run the day-to-day operations of various elements of the Olympic Village and venues, including transportation systems. Russia-based Live Sound Ltd. and its head of broadcast technologies, Andrei Mazurov, designed and installed central switching for the Center’s large videowall using a Lightware 65×65 MX-FR65R multifunctional matrix router. The company’s California-based arm, BBRS, Inc. handled procurement and part of the design work, including vendor communication. Lightware USA is the US distributor for Budapest-based Lightware Visual Engineering products.

The Main Operations Center was a powerful complex consisting of dozens of computers, monitors, a large multiscreen videowall, numerous management systems and many kilometers of wire. The big videowall, which displayed one continuous image or multiple views, showed operations personnel feeds of the sports competitions and the press room where Russian President Vladimir Putin, IOC members, heads of state and other VIPs held press conferences.

Lightware scored points for many of its features, which met the demanding applications of the Main Operations Center. “The most important requirements for all internal systems were superior reliability and intuitive, easy management despite the complexity of the systems. Operators did not have time to study all the details of the systems,” Mazurov recalls. “Based on these parameters the best solution for switching the videowall was the Lightware 65x matrix router.”

He notes that the modular design of the matrix allowed the technical team to configure the system to meet the objectives of the application. “The router offers more than 30 different modular I/O cards, which allowed us to interconnect many devices with different interfaces,” Mazurov explains. “The high quality of the both the main unit and each module, as well as the dual hot-swappable power supplies, raised the reliability of the device to the highest level.”

The router’s simplicity and ease of use meant “there were no problems even for users unfamiliar with the system and without prior experience with Lightware,” he adds.

Also scoring points for ease of use was High Resolution Systems’ UDC Raptor, which controlled the Lightware matrix. Raptor is a Linux-embedded server that significantly lowers costs to users compared to full-blown Windows servers; it supports the same user-friendly interfaces as popular UDC (Universal Device Control) software.

Mazurov says that the IOC “praised the work of all the organizational services working during the games and chief among them was the great job performed by the Main Operations Center where the multifunctional and extremely reliable Lightware matrix router was at the heart of the system.”

About Lightware USA

Lightware USA is the US distributor of professional AV products manufactured by Lightware Visual Engineering in Budapest, Hungary. With the flexibility of the Lightware product line, the Lightware USA team is able to assist with the design for some of the highest performance systems in the world. Router sizes ranging from the robust UMX4x4-Pro up to the impressive 160×160 25G Hybrid give Lightware USA the edge over the competition when it comes to routing multiple video sources to the ever changing variety of displays in the industry. Their array of solutions for extending the highest resolution video formats including 4K and 3D over Cat or Fiber put Lightware USA on the forefront of cutting edge technology.

For more information on these products, visit www.LightwareUSA.com.

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Extron Introduces Single-Gang DTP Wallplate Transmitters for HDMI

Extron Electronics is pleased to introduce the DTP T HWP 231 D and DTP T HWP 331 D, single-gang Decora®-style transmitters for sending HDMI, audio, and bidirectional RS-232 and IR signals over a shielded CATx cable to Extron DTP-enabled products. The DTP T HWP 231 D extends signals up to 230 feet (70 meters), while the DTP T HWP 331 D extends signals up to 330 feet (100 meters). The one-gang form factor provides maximum space efficiency in wall mount, floor box, and furniture mount applications. The transmitters support computer video up to 2560×1600, HDTV 1080p/60 Deep Color, and 4K resolutions. Both models also accept analog stereo audio signals for simultaneous transmission over the same shielded twisted pair cable. They feature remote power capability, plus bidirectional RS-232 and IR pass-through for remote AV device control. The single-gang wall-mountable design of the DTP T HWP 231 D and DTP T HWP 331 D provides the convenience of placing input connections precisely where they are needed. (more…)

Satin Sound Deploys Martin Audio For Lady Antebellum Concert

Satin Sound Systems, Inc. recently supported a sold out concert by Lady Antebellum with Martin Audio at the First Niagara Pavilion outdoor amphitheater in Burgettstown, PA during the band’s “Take Me Downtown” tour in support of their album, Golden.

Formed eight years ago in Nashville, Lady Antebellum is made up of Hillary Scott (lead and background vocals), Charles Kelley (lead and background vocals, guitar) and Dave Haywood (lead and background vocals, guitar, piano, mandolin).

The successful country trio has recorded five albums (Lady Antebellum, Need You Now, Own the Night, On This Winter’s Night and Golden), winning a substantial number of Grammy, CMT, CMA and Billboard Awards along the way.

For the show at Niagara Pavilion which has a 23,000 seat capacity, Satin Sound rigged a Martin Sound system consisting of 24 W8L Longbow enclosures for the main hangs, 24 W8LC speakers for the outfills, and 20 WSXA subs. Amplification included Lab Gruppen FP 7000 for the Longbows, PLM 10000Q for the W8LCs and Powersoft K10s for the WSXA subs.

The crew for the show consisted of Brett “Scoop” Blanden (FOH Engineer), Peter Bowman (Monitor Engineer), and John A Durisko and Bill Lowery (Systems Techs).

Asked why they chose Martin Audio, Satin Sound’s Durisko said, “The Martin Audio W8L Longbow/W8LC system gave us great coverage with seamless transition between the main and outfill cabinets. The Longbow rig is incredibly powerful and very musical, and we received many compliments throughout the evening.”

For more about Martin Audio, please click www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Yamaha Commercial Audio Donates Live System To Nashville HS

Pearl-Cohn Entertainment Magnet High School in Nashville, Tennessee offers students the opportunity to learn through the lens of the entertainment industry with pathways in audio engineering, broadcasting, record industry, marketing, and image consulting. It is the only entertainment magnet high school in the country. The vision of Pearl-Cohn is to equip its students to realize and achieve their potential while committed to educate the whole person.

Bryan Lenox of Lenox Productions facilitated the arrangement with Yamaha, who in turn, enlisted the services of J Sound Services (Nashville) to add a new Yamaha CL1 Digital Audio Console and Rio 3208-D input/out box to its 413-seat auditorium. Yamaha IS and DXR speakers, and TXn amplifiers were also installed. J Sound Services specified the system for its easy operation by student volunteers. Auditorium productions at Pearl-Cohn can be anything from assemblies with announcements and presentations that include video to full-on theatrical events.

J Sound Services has had a lot of experience installing Yamaha Installation Series Speakers, so they were the obvious choice for the installation. “Once we understood the scope of the project, we determined a Yamaha MTX5D processor and DCPS wall-mount controller would also be required,” states Jason Spence, owner, J Sound Services. The design approach was based on the fact that there is limited acoustic treatment in the school auditorium. “It was important to minimize the amount of energy on the walls, says Spence.

Time was spent using Yamaha’s YS3 Sound System Simulator and EASE acoustic modeling software to focus the mid-high and subwoofer-arrays. Deployed end-fire arrays both in L-R and Center allow pattern control on how wide the throw would be in the room and also provides a Cardiod pattern measuring 12db down on stage behind the arrays. “By deploying the subs this way we have significantly reduced the low-end energy on the stage and what would have reflected off the walls in a typical Omni pattern, Spence adds. The room can easily handle and extends below 40Hz without the low-end building up, leaving the room also very articulate and musical. The house is nice and big with lots of sub. The design is very unique and it clearly looks different. The staff and Bryan Lenox were quite impressed with the results of the end-firing arrays.”

Lenox assisted in the set up and adjustments of the CL1. “The system sounds really good. The school had a unique need for a system that can handle intimate speaking all the way to low-end thumping Hip Hop music. And, this system definitely delivers. The CL1 is a great sounding console and one that the students can learn on in order to prepare for the real world so they can jump into any situation with confidence.”

The new auditorium’s multi-purpose system is all Dante connected with the Yamaha CL1 taking control of presets for theatrical productions using the consoles Nuendo Live software. Pearl-Cohn ran cat5 cable to their multi-track room to record the events taking place in auditorium. A.Cisco switch is used to network and import multi-tracking in studio. An old projection booth above the auditorium now has the capability of adding a Nuendo recording suite with infrastructure and cables already in place.

“Our students needed professional-class live production facilities in order to complete our vision to equip our students with real-world skills that will transfer to the marketplace or college when they graduate, states Sam Lorber, Instructional Designer at Pearl-Cohn. Thanks to Yamaha’s generous donation, these students will now be able to walk into any venue: club, church, college auditorium, or arena with a skill set advantage no other school can provide.” The principal commented on how she loves that she can touch one button and it just works.

J Sound Services also installed a Vivitek High-Definition 6K lumen projector with remote HDMI interface. To update the theatrical lighting system, JSS enlisted the consulting services of Chris Lisle Lighting Design and installed Elektralite LED PAR fixtures, Watson raceway and ElektraHazer, an Altman spotlight, and Chauvet Datastream; all of which integrated with the existing ETC dimmers. As part of the lighting system update the existing Fresnels and Lekos were reconditioned and focused.

J Sound Services also installed four Yamaha C115VA and two C112VA Club Series Speakers using a MTX3 processor and the same DCPS wall-mounted controller as in the auditorium. Spence said the system installed could be operated in the same manner, with a touch of a button, making it extremely simple and consistent for staff and students to operate the systems in either location.

For more information on Pearl-Cohn Entertainment Magnet High School, visit www.pearlcohnhs.mnps.org.

For more information on J Sound Services, visit www.jss.net.

For more information on Yamaha Commercial Audio products visit, www.yamahaca.com.

-END-

One Direction on tour with Milab Microphones

Helsingborg, Sweden – One Direction has arguably been the most successful band in the world this decade. They are the first act to have all their first three albums debut at number one on the Billboard Hot 200 list and their latest album Midnight Memories was the best selling album of 2013 according to IFPI.

For the 2014 Where We Are Tour, FOH engineer Mark Littlewood and Monitor engineer Ant Carr decided to add four Milab DC-96B’s to the lineup.

Ant: “I’d never used Milab before we started rehearsals. Mark had put them on the input list for overheads and I was willing to give them a try. I like to build drum mixes in in-ears starting with the overheads, it’s important to me to get a balanced mix of cymbals and drums without too much ambience outside of the kit and then mix in the direct mics. The DC-96B has such a smooth response and accurate pick up pattern, it gives me exactly the sound I need.”

Josh Devine (drummer for One Direction): “These overhead mics are insane, I can pick everything out. The devil is in the detail!”

DC-96B’s are also used for the guitar amps.

Ant: “While going through the input list with Mark I said I really wanted a dynamic and condenser combination on the main guitar amp. We tried several combinations but always came back to a pairing that used the DC-96B, Mark only uses this mic in the PA mix. We use them on both Dan Richard’s amp and 1D member Niall Horan’s amp.”

The microphones were delivered by Milab’s UK distributor Autograph Sales – www.autographsales.co.uk.

One Direction is currently in the USA for the third and last leg of the tour which will end with a final show in Miami on October 5th.

About Milab Microphones
Milab’s heritage goes all the way back to 1939 when founder Rune Rosander started building microphones. Today, 75 years later, all Milab microphones are still built entirely by hand in Sweden. Every microphone is measured independently and shipped with an individual frequency chart. All new Milab microphones come with a lifetime warranty.

Visit www.milabmic.com for more information.

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Press Releases For : September 1, 2014

100 Free DPA Microphones – How Do You Wear Yours?

As part of an exciting competition that begins today (September 1 2014), DPA is giving 100 lucky people the chance to win its d:screet™ Necklace Microphones, which were launched earlier this year.

The competition, running on DPA’s Facebook page and website, asks contestants to come up with ingenious ideas for how and where to use the d:screet™ Necklace Microphone. Five microphones will be awarded to the five most liked submissions on Facebook, while the remaining 95 will be given to the people who, in DPA’s opinion, come up with the best, most creative and most original ideas. An example can be found at this YouTube video, created by DPA Microphones: http://bit.ly/1ll1KBQ

This unique plug-and-play microphone solution from DPA is ideally suited to situations where mounting and consistent audio output are the primary requirements. By housing a legendary d:screet 4061 Omnidirectional Miniature Capsule in a soft rubber necklace, DPA has created a microphone that anyone can use. There is no need to worry about attaching it to clothing because the only fitting skill this microphone requires is the ability to do up a necklace catch.

“We are extremely excited about this product and want to share our excitement with the rest of the world,” says DPA’s CEO Christian Poulsen. “These new microphones are clearly meeting a need because they can be mounted and removed quickly, and several times, by untrained talent without a sound expert nearby. We are well aware that they are perfect for reality show settings as they have already been used for the Danish adaptation of Big Brother. But we think there are plenty of other situations where their simplicity, audio quality and size make them ideal. We hope that people entering our competition will use their imagination to come up with some really ingenious ideas to surprise and amuse us.”

DPA’s competition also has a second phase, which will be open to those who win one of the initial 100 necklace microphones. Once winners get their microphones, all they have to do is document their idea by sending the company a picture or a video. The two best entries will win a grand prize – a choice of DPA Microphones up to a value of 1,000 EUR (list price).

Entry to this competition is via the DPA website or DPA’s Facebook page. All ideas need to be submitted by September 28, 2014 and the 100 initial winners will be announced on October 1, 2014. Contestants can win multiple necklace microphones, but only one microphone will be awarded per idea.

Entry to phase two of the competition will open after October 1, with the two ultimate winners announced on November 10, 2014. The first grand prize will go to the most liked picture or video on Facebook, while the second will go to the application idea that DPA perceives to be the best and most well documented.

To enter and for more information please follow these links:
Website http://www.dpamicrophones.com/100freemics
Facebook https://www.facebook.com/dpamicrophones

For inspiration of what you might do with your microphone, watch this clip:

https://www.youtube.com/watch?v=9IJFpGwWfcQ&feature=youtu.be

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

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