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Press Releases For : September 4, 2014

Mohegan Sun Casino in New England Installs Its Second Meyer Sound M’elodie System

Building on the success of its first Meyer Sound M’elodie® line array loudspeaker system installed seven years ago, Mohegan Sun Casino in Uncasville, Conn. has implemented a second M’elodie system in its 300-seat Wolf Den showroom.

“We bought 16 M’elodies to use as main arrays in our Cabaret Theatre, and that experience made me a big fan of Meyer Sound,” says Mat Diamond, head of audio at Mohegan Sun. “So when it came time to upgrade the Wolf Den, choosing M’elodie again was an easy decision.”

To cover the 300-degree audience area, the new system features two main arrays of six M’elodie loudspeakers each, two side arrays of four each, and four for front fill. Four 700-HP subwoofers provide low end, with system drive and alignment provided by a Galileo® Callisto™ loudspeaker management system. The system was supplied by HB Communications of North Haven, Conn.

The architecture of the Casino of the Earth, the building housing Wolf Den, has strict weight limitations. “The structure couldn’t really support much more weight for the speaker hangs,” says Diamond. “But when I looked at the numbers, I was pleased to find that the self-powered M’elodies actually weigh 20 pounds less per box than the conventional boxes we were replacing.

“I love the fact that M’elodie is plug-and-play, with power and processing on board. It’s a great-sounding box that you don’t have to mess with,” continues Diamond. “Versatility is one of the things I like about Meyer Sound systems, and that’s why I’m pushing for more of them here. The same rig really works for anything we do, from heavy metal to country to hip-hop and pop.”

Acts that have played in the Wolf Den since the audio renovation include heavy metal bands Queensrÿche and Slaughter, rock bands Eddie Money and Starship featuring Mickey Thomas, doo-wop group Little Anthony and the Imperials, and hip-hop group Salt-N-Pepa.

The upgrade also includes 12 UM-1P stage monitors in addition to a UPA-1P loudspeaker and a USW-1P subwoofer for drum monitors.  Yamaha CL5 digital mixing consoles are installed for FOH and monitor positions.

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With Meyer Sound, AIDA Cruises Ensures Accurate Translation from Rehearsals to Stage

With nearly 500 Meyer Sound loudspeakers already installed aboard its ships, AIDA Cruises of Rostock, Germany has recently added Meyer Sound UPA-1P loudspeaker systems in four performance rehearsal spaces in Hamburg. In addition to exceptional sound quality and reliability, the design team has named accurate sonic translation as a primary reason for the system choice.

“Since Meyer Sound’s goal with all products is neutrality, performers will hear the same sound on the shipboard stage as they hear in rehearsals,” says system designer Malte Polli-Holstein of Hamburg-based Three-in-One Entertainment & Consulting. “Also, all of AIDA’s ships have Meyer Sound systems in their theatres, so it only makes sense to build the rehearsal systems to offer the same high level of sound quality.”

The largest rehearsal room, AIDA 1, features four UPA-1P loudspeakers, two CQ-1 and four UPM-1P loudspeakers, two 600-HP subwoofers, and four UM-100P stage monitors. The AIDA 2 and 3 rooms each feature four UPA-1P loudspeakers, while the lofty, 10-meter high AIDA 4 space uses eight UPA-1P loudspeakers. All rooms have Galileo® loudspeaker management systems, with one Galileo 616 processor in AIDA 1 and one Galileo 408 processor in each of the other rooms. Hamburg-based Amptown System Company supplied and installed the systems.

Logistics and reliability also played a role in loudspeaker selection, according to Polli-Holstein. “The self-powered Meyer systems eliminated the need to place equipment racks in the rehearsal spaces, since there was no available equipment room,” he says. “The robustness and reliability of the systems was critical as well. The loudspeakers are running 10 hours per day, six days a week, and any downtime would disrupt the tight rehearsal schedules.”

Meyer Sound systems are used throughout AIDA Cruises’ new Sphinx class ships, most notably in the extravagant “Theatriums.” These theatre atriums feature main systems of M1D line array loudspeakers and 700-HP subwoofers, extended by MM-4 and UPM-1P loudspeakers and M1D-Sub subwoofers for fills and delays on the various deck levels. Theatres in the Cara class ships feature CQ-1 and UPM-1P loudspeakers along with 500-HP subwoofers. The AIDAcara ship uses the legacy UPA-1C conventionally powered loudspeakers installed in 1996.

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Digigram to Showcase OTT-Focused Enhancements to AQILIM *SERV/FIT Video-Over-IP Codec at IBC2014

Reduction in Cost per Output Stream Yields Direct Return on Investment for Broadcasters and Telcos With High-Density Encoding Requirements

MONTBONNOT, France — Sept. 2, 2014 — Digigram today announced that, at IBC2014, it will demonstrate the enhanced encoding capabilities of the company’s AQILIM *SERV/FIT IP video codec, including the ability to encode multiple streams at multiple resolutions simultaneously. With this single solution, users can quickly, easily, and cost-effectively publish content in multiple containers to multiple content delivery networks (CDNs) at once.

“Due to the high volume of content they process and distribute, large broadcasters and telecom operators require high-density encoding capabilities, and the AQILIM *SERV/FIT IP video codec meets this demand,” said Laurent Gros, video product manager at Digigram. “We’ve made a major upgrade that equips this AQILIM codec with a multiple-container output feature, in turn enabling users to output more streams in a greater variety of resolutions and streaming protocols. This capability not only improves operational efficiency, but also simplifies and streamlines delivery of content to consumers on virtually any type of screen.”

In addition to increasing encoding density and reducing the cost per output stream, the AQILIM *SERV/FIT streamlines provisioning of content to a variety of display devices — computers, smartphones, tablets, and connected TVs — via over-the-top services. To ensure reliable distribution of video to each of these target devices, Digigram has also incorporated Octoshape’s Infinite HD technology into the newly enhanced AQILIM IP video codec in addition to existing MPEG-TS, HLS, and RTMP streaming protocols.

Digigram’s close relationship with popular CDNs assures that the company’s products maintain compatibility with those distribution outlets. By choosing to work with the AQILIM codec, broadcasters and telcos can ensure ongoing compatibility with major CDNs, including Limelight, Level3, Akamai, Octoshape, Dailymotion, Arkena, Infomaniak, and Flumotion.

The AQILIM *SERV/FIT IP video codec will be on display at Digigram’s IBC2014 stand 8.C51, and will be available for shipping immediately following the exhibition.

More information about Digigram and the company’s products is available at www.digigram.com or by phone at +33 4 76 52 47 47.

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About Digigram
Positioned at the convergence of professional audio and video with IT, Digigram offers IP-based solutions that enable users worldwide to increase their competitiveness through change.

The company’s products enable the reliable capture, production, and delivery of high-quality audio and video over IP networks. Its innovative IP audio codecs, professional sound cards, and audio processing software are used by thousands of journalists, broadcasters, and audio engineers worldwide. Digigram’s all-IP video product line provides advanced contribution and distribution solutions to broadcast, IPTV, Web TV, and OTT operators. The company also delivers key audio/video technologies and OEM solutions to software vendors and manufacturers.

For more than 25 years, through constant innovation and the development of fruitful partnerships, Digigram has been influential in energizing the industry, raising standards, and pushing forward technological development.

Further information on Digigram and its product portfolio is available at www.digigram.com.

All trademarks appearing herein are the property of their respective owners.

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Extron Now Shipping Compact Four Input Scaler

Extron Electronics is pleased to announce the immediate availability of the Extron IN1604 HD, an HDCP-compliant four input scaler that features three HDMI inputs, a universal analog video input, and an HDMI output. It is ideal for installation beneath conference tables and in lecterns to provide localized switching support for sources such as presenter devices. The IN1604 HD provides the convenience of fast and reliable switching, along with a high performance scaling engine for HDMI and analog video sources. Also included are a host of audio processing features and many versatile options for control. The IN1604 HD joins the recently available IN1604 DTP, which features an Extron DTP twisted pair output. (more…)

GRUND AUDIO DESIGN ANNOUNCES THE ADDITION OF ACTIVE MODELS TO ACX SERIES LOUDSPEAKERS

Council Bluffs, IA – September 2014… Grund Audio Design, a pioneering manufacturer of loudspeaker and signal processing products for the audio professional, is pleased to announce the expansion of the ACX Series loudspeaker line with the addition of four new active models: the ACX-2A, ACX-5A, ACX-2MA, and ACX-5MA. Designed as a budget friendly sound reinforcement solution for the 200 – 400 seat House of Worship market, smaller meeting / presentation facilities, and similar applications, the new active ACX Series loudspeakers carry the benefit of power amplification that is optimized for the enclosure along with streamlined system cabling.

All ACX Series loudspeakers utilize MDF (medium-density fiberboard) enclosures and provide component concealing grilles for visual aesthetics and protection. Color options include black and white for all models. (more…)

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Severtson Screens Adds Microperf Option to Folded Cinema Screen Line for International Shipping

Mesa, Arizona, USA, Sept. 4, 2014 – Severtson Screens (www.severtsonscreens.com), a global leader in innovative and quality projection screens for the cinema, commercial, pro AV, and home theater markets, is pleased to announce the new folded SēVision 3D GX line of cinema projection screens now includes Severtson’s acclaimed microperf screen as an option for international shipment. Severtson Screens will introduce the updated line at ShowEast, held in Hollywood, Fla. from Oct. 27-30 at the Westin Diplomat Resort & Spa, booth #106. Severtson Screens personnel will also be on hand to discuss the new microperf folded cinema screen options at Kino Expo in St. Petersburg, Russia from Sept. 23-26.

“Launched at the recent CinemaCon 2014 event to rave reviews and popularity worldwide, our new folded shipping method now makes international distribution of our industry-acclaimed SēVision 3D GX highly affordable, reducing international shipping costs by up to 70 percent,” explained Toby Severtson, president and CEO of Severtson Corp. “Besides standard white and sliver screens, we are proud to introduce the immensely popular microperf option to our folded SēVision 3D GX line of cinema projection screens for international shipment.”

Micro-perforation (microperf) screens are the screen of choice for high-end, premier theatres. The Severtson microperf viewing surface eliminates moiré which is often problematic of screens with larger perforation, yet continues to provide a more realistic soundstage allowing speakers to be placed directly behind the screen. The practically invisible pinpoint holes in the material allow sound to be smoothly transmitted through the material while preserving audio quality. The Folded SēVision 3D GX line of cinema projection screens offer up to 15 percent better sound transfer over standard perforated screens, while providing optimum visual performance at the same time, resulting in the ultimate audio and video experience for theater customers.

Added Dan Maxwell, Severtson Corp. V.P. & Chief Operating Officer, “Since we introduced the folded SēVision 3D GX line earlier this year, we have had to increase production in our Mesa, Arizona facilities to keep up with the international demand. Now, with the addition of the microperf option, we are excited to offer this top of the line product to our customers located around the globe who have been looking for such a screen, but shipping costs associated with such large packages as this were out-of-reach for so many up until now.”

Now, Severtson Screens’ microperf 3D screens can be folded and packed into a much smaller crate without any loss in structural integrity or performance abilities. Severtson’s new folded screen process not only reduces international shipping fees, the smaller packaging simplifies delivery to theaters and is more convenient for installers, as well.

The new folded line of SēVision 3D GX and Ultra Wide cinema screens are now available for delivery to international destinations, having numerous advantages, including:
• available in standard (white and silver) or micro perforation
• coated surface that is harder to bruise and scuff
• small micron flake coating produces a sharper image that eliminates graininess in bright scenes
• viewing angles range from 30 to 40 degree half-gain depending on the specific screen gain requested
• use of a proprietary non-leafing flake vs. a leafing flake promotes longevity by eliminating degradation of the optical properties over time
• perfect for all large cinema applications, such as movie houses, museums, universities, etc.

According to Severtson, in the past, the idea of folding a screen for shipment, delivery, and installation has been deemed impossible because there was no method of doing it without degrading the quality and performance of the screen, or ruining it altogether.

Today, the cost offset on shipping as well as the screen’s performance and longevity increases savings for the customer. This is huge news for the international market that desires a state-of-the-art silver 3D cinema screen, but, up until now, simply could not afford the shipment and installation cost because of how such a large screen had to be prepared, packed, and shipped.

Severtson Corporation is a member of the Giant Screen Cinema Association. They have manufactured cinema screens for theaters in countries all over the world, including the United States, Mexico, Canada, Korea, Japan, Brazil, Indonesia, Singapore, Spain, Germany, France, New Zealand, Australia, Netherlands, Thailand, Scotland, China, Russia, and many more. To meet the challenge of creating extremely large screens, Severtson Corporation designed a robotic spray-arm application system to paint its high-performance optical coating in-house on screens as large as 67.75ft. x 150ft. (20.7m x 45.8m). It is currently the largest in-house cinema screen optical coating system in the world.

Approaching its 30th anniversary in 2016, Severtson Corporation continues to be a global leader in innovation and quality. The Severtson family’s extensive experience in manufacturing small home theater screens and large cinema screens has given Severtson Corporation the expertise to meet the needs of the professional and consumer AV markets for both indoor applications as well as large outdoor venues.

With its three Arizona-based production facilities and its state-of-the-art robotic application system, Severtson has massive production capabilities and an unusually wide array of screens. The screens range in size from massive movie theaters, comfortable home theaters, and everything in between.

For more information, please visit www.severtsonscreens.com, call 480-610-5155, or email sales@severtsonscreens.com.

About Severtson Screens
Mesa, Ariz.-based Severtson Screens, which celebrated its 25th anniversary in 2011, is an award-winning global leader in innovative and quality projection screens in the home theater, pro AV, and cinema markets. Its low rejection rate coupled with the high quality of all its products has made Severtson Corporation the industry standard for quality and customer service worldwide.

From its unlikely origins in the family kitchen to today’s three modern production facilities, Severtson Corporation has remained committed to the principles of innovation and uncompromising quality that have made them who they are today.

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Professional Wireless Systems Keeps the Music Playing for Telemundo’s Premios Tu Mundo

RF Equipment and On-Site Technical Expertise Ensures Exceptional Coverage for Latin Pop Culture Awards

MIAMI, SEPTEMBER 4, 2014 – When Telemundo’s third annual Premios Tu Mundo awards show took to the stage at the American Airlines Arena in Miami, Professional Wireless Systems (PWS) was on-hand to support the star-studded spectacular, providing RF equipment and on-site expertise for the red carpet, morning show and live broadcast of the pop culture awards program.

Premios Tu Mundo is an awards show that celebrates Latin pop culture and combines the power of television, web, mobile and social media platforms to give fans the final say in what’s hot in everything that moves and inspires them, including novelas, music, fashion, movies and sports. The red carpet pre-show featured celebrities such as Yandel, Juanes and David Bisbal, to name a few.

“Since the show’s inception three years ago, the PWS team has been providing a range of wireless equipment along with its expert frequency coordination services, and we are excited to be back once again,” says Jim Van Winkle, general manager of PWS. “Live broadcasts always present their own unique set of challenges, but, we are incredibly familiar with the American Airlines Arena and the Miami RF market, which offers us a significant advantage, as we can anticipate the general causes for concern during the show and remain on-guard and ready to solve any issues that may arise within the spectrum.”

During the Premios Tu Mundo festivities, PWS supplied the network with microphones, IFBs and wireless communications for the red carpet event and Telemundo’s morning show, Un Nuevo Día, which built up excitement for the show by broadcasting enticing promotional segments in the days leading up to the awards. The PWS team, including Evan Hall and Frankie Castro, offered their onsite support to Telemundo’s morning show. PWS also worked closely with Brooks Schroeder, the main RF coordinator during the event, and Chad Meise, along with John Garrido, handled frequency coordination for the red carpet.

For the live broadcast itself, PWS provided Shure Axient systems, Shure PSM 1000s, Shure UHFRs, Sennheiser 5200 Is, Telex BTR 800 wireless intercoms and IFBs, as well as a range of PWS’ Domed and Helical Antennas. PWS worked with Brooks Schroeder, who handled frequency coordination for the show, in addition to Acoutech, which provided the show with PA and monitor systems, microphones and in-ear monitors.

Throughout the duration of the live broadcast, PWS worked with Schroeder to monitor the event, continuously searching for unregistered wireless devices that posed the potential of frequency interference. “It is important to stay on top of who is using the spectrum and to ensure that everyone is in compliance so that there are no unexpected signal issues, especially since this is a live broadcast,” adds Van Winkle. “With our experience and expertise, the services we provide, along with the gear we select, allow us to find, isolate and minimize any potential problems that may arise, ensuring a smooth broadcast for the awards show’s multitude of listeners tuning in from their homes.”

For more information about Professional Wireless Systems, visit http://www.professionalwireless.com.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “MAMMA MIA!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

H-P Products Spider Fighter Removes Insects without the Crunch

A slim crevice tool and three extension wands reach the highest ceiling fans and distant corners where insects and dust reside.

Louisville, OH – September 3, 2014 – H-P Products, a leading manufacturer of central vacuums, is proud to announce the launch of the Spider Fighter accessory kit for capturing insects and vacuuming crown moldings, ceiling fans, vaulted ceiling corners, cabinet tops and more.

The Spider Fighter consists of three extension wands and a crevice tool that reaches up to 57 inches. Insect phobia sufferers will appreciate removing insects from afar and not having to feel the crunch of exoskeletons inside a paper towel. Spider Fighter can be easily used with any central vacuum system. Users simply attach the Spider Fighter wands to their vacuum hose, aim it at the arachnid, moth, housefly or other targeted insect, and let the power of the central vacuum system whisk them to a sealed dirt canister. The Spider Fighter also includes a sheet of eye-catching stickers to decorate your wands. Who said you can’t have a little fun while cleaning?

“Bugs will find a way into your home if they want to, Spider Fighter makes it easy to remove them,” said Amy Wesely, H-P Products marketing manager. “It’s also a great tool for homes with architectural effects such as crown moldings, vaulted ceilings and built-in shelves, since it extends your reach by nearly five feet.”

H-P Products makes central vacuum solutions for homes, condos, RVs, light commercial settings and more. The company sells a range of products through its Dirt Devil®, Element, Vacuflo® and Vroom® brands, most of which are manufactured in its North Canton, Ohio, plant.

For more information about Spider Fighter and other H-P Products, please visit
www.h-pproducts.com.

About H-P Products
Since 1945, H-P Products, Inc., premier manufacturer of central vacuums and tubing-related products, has been internationally recognized for its operations developed on the genuine principles of producing high-quality products, while servicing the needs of a wide customer base. Superior service and performance practices have positioned H-P as a leader in the tubular products and central vacuum industries. With more than 60 years of manufacturing success, H-P continues to grow as a result of its diversified product line and flexible fabrication capabilities, and is committed to researching and formulating technologies while pioneering the industry.

Press Contact: Caster Communications, Inc. at 401.792.7080
Kalyn Schieffer kalyn@castercomm.com
Nick Brown nbrown@castercomm.com
Images available upon request

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Clay Paky Sharpys Light Up Drake vs. Lil Wayne Tour of Dueling Rappers

Photo: Todd Kaplan

Grammy-winning rappers Drake and Lil Wayne may be duking it out onstage this summer but behind the scenes it was no contest choosing Clay Paky Sharpys for their tour’s lighting rig.

Lighting designer/show design Guy Pavelo, of GP Design, is using 180 Sharpys provided by PRG for the Drake vs. Lil Wayne Tour, which kicked off at the beginning of August and runs through September. The show is also known as the Shed Tour for playing amphitheaters in 31 US cities, including New York, Chicago, Atlanta, San Francisco, Houston, Dallas and Los Angeles. The Grammy-winning rappers co-headline the tour performing dueling 10-minute sets, trading barbs and encouraging fans to use a special downloadable app to vote for one or the other of them. Drake and Lil Wayne ultimately make peace and perform together before the result of the poll is announced.

“We’re taking an arena-size rig and putting it in small outdoor venues pushing everything to the limit,” says Pavelo, who was lighting designer for Drake’s world tour. He has also lit Kanye West, Bon Jovi, Rihanna, Beck and Pharrell Williams. “A lot of the venues are literally wall-to-wall with trussing and lights.”

All 180 Sharpys are up in the air on two main sticks. “They are my gag trusses – and Sharpys in that quantity are crazy,” he says. “We can change the angles of the trusses, but we always see the Sharpys on the high line. They make really good visuals.”

Pavelo believes that Sharpys “help define the look of the show,” and he uses them on every show he builds. “They are definitely a staple for me these days,” he admits. “I’m always looking for new ways to do a different trick with them. I don’t have to use them for every single number, but Sharpys really help to highlight, make a statement and bring variety to a show.”

Pavelo notes that the tour is getting good reviews for its unique approach to showcasing the co-headliners. “Drake and everyone involved loves the show,” he says. “And I’m really happy with the Sharpys. The fact that we had to build the rig from stock-size elements and take it to all these places coast to coast is great.”

Francesco Romagnoli, Clay Paky Area Manager for North and Latin America, commented, “The Sharpy lights look amazing in those venues on that rig. We’re proud that Mr. Pavelo has chosen to use them on his tours.”

A.C.T Lighting is the exclusive North American distributor for Clay Paky.

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Renkus-Heinz Appoints Roscoe Anthony to President’s Post

Orange County, CA – September 2014…  Renkus-Heinz has announced the appointment of Roscoe Anthony to the position of President.

Anthony joins Renkus-Heinz after a lengthy and successful tenure as President of Califone, a leading provider of audio and multimedia solutions for education. His twelve years at Califone saw the company through a period of record growth, including a dramatic transition of the company’s product lines from analog to digital.

His resume also includes stints as Division Manager for pro audio manufacturer Tascam, as well as executive positions at JBL Professional and SKB. Also an experienced advertising executive, Anthony presided over award-winning ad agency Reeds & Farris, and was named one of the “Top 100 People in Advertising” by Advertising Age magazine.

Anthony joins Renkus-Heinz during a period of unprecedented growth for the company. Throughout the recent economic downturns, Renkus-Heinz has seen a continued surge in sales, and has made significant additions to its engineering staff. Anthony’s new position will see him spearheading the company’s continued evolution, working closely with company founder and Chairman Harro Heinz.

“Roscoe brings with him an extraordinarily wide-ranging skillset, with deep expertise in business, marketing, and manufacturing, along with a powerful grasp of today’s complex technologies,” remarks Harro Heinz. “We are truly pleased to welcome him, and are looking forward to working together.”

“Renkus-Heinz is one of a handful legendary companies that has paved the foundations of professional audio,” adds Anthony, “I’m honored to be joining the organization at such an auspicious time, and I look forward to helping guide the company to a path of even greater growth and success.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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