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Press Releases For : November 25, 2014

Clay Paky Fixtures and grandMA2 Hit the Road with Fleetwood Mac

SF8A5210The iconic rock band Fleetwood Mac never stops thinking about tomorrow – and planning their next tour to delight fans. For their current “On With the Show” tour a complement of Clay Paky A.leda B-EYE K20 LED-based moving lights, Sharpy Wash lights and a grandMA2 console have been specified by lighting designer/production designer Paul “Arlo” Guthrie. A.C.T Lighting, Inc. is the exclusive distributor of Clay Paky fixtures and MA products in North America.

The band launched the 40-city North American tour September 30 and, after playing to packed houses, added at least 28 more dates in a second leg, which will begin in January 2015. “On With the Show” marks the first full-member tour for Fleetwood Mac since 1997.

“Designing for Fleetwood Mac is always a challenge since you’re dealing with five different personalities,” says Guthrie. He began by giving them “the biggest, cleanest, most open stage set up I could, so every single seat in the house gets a clear view of the stage. I made sure to remove clutter so everyone can see the band members.”

Guthrie added a big upstage videowall, three above-the-head ribbon videowalls and 12 lighting pods.

A dozen B-EYE K20s are on the audience side of the pods to light the fans. “They do pixel effects and perform very quick, easy and huge washes from 12 watts – they can light the entire audience,” Guthrie says. “We don’t use smoke or haze so we don’t really use beam effects. But we do use a lot of pixel animation. For some songs the fixtures replicate what’s happening on the videowall.”

Guthrie was introduced to B-EYE K20s at LDI last year. “This is the first time I’m using them. The colors, dimming and patterns are great. The idea that we have 12 lights we can switch on and then light up the entire arena is great!”

Lighting Director Chris Lose adds, “The things that impressed me the most about the B-EYEs was their ability to act like an LED fixture and then with a simple flip of a channel behave just like an incandescent fixture. Most LED fixtures on the market are missing that warmth and glow. 

Three Sharpy Washes are mounted on each pod for a total of 36 fixtures. “They serve as the workhorse overhead wash light,” Guthrie explains. “Because of their brightness we get a little bit of a beam effect even with no smoke. That’s a real bonus.”

Guthrie first used Sharpy Washes for Fleetwood Mac last year then subsequently deployed them for Nine Inch Nails. “I like the fact that they don’t dim like an LED: Their mechanical dimmer is fantastic.  I like the size, speed and colors – it’s a great little workhorse light. There’s still room in my shows for lights that actually light stuff, and with Fleetwood Mac, we have to see the band and the stage, not just millions of pixels in your eyes.”

Guthrie opted for a grandMA2 console to run all the lights, media servers– even a heater for drummer Mick Fleetwood. “The whole show is cue-to-cue, no timecode,” he reports. “The grandMA2 is a nice stable and familiar work surface. It’s great to have something you can trust. While this is a straightforward show, it’s still important to have a system you can rely on. The grandMA2’s networking capabilities are also awesome; they enabled me and lighting director Chris Lose, who is touring with the band, to program simultaneously.”

Lose adds, “Simultaneously programming with Arlo on the grandMA2 is very easy. His vision was made very clear when he could dial up a look he wanted on his desk and then I could implement his looks into the show in a way that worked with the cue stack.”

PRG supplied the Clay Paky fixtures and grandMA2 for the tour.

George Masek, A.C.T Lighting Vice President – Automated Lighting, commented “We really enjoy working with Arlo on his projects, and I’m very proud that he has chosen Clay Paky and MA products to support his visions.”

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Press Releases For : November 24, 2014

Sennheiser Helps Inspirational ‘Skid Row Marathon’ Documentary Come to Life with Pristine Audio

MKH Shotgun Microphones Serve as a Key Storytelling Tool as a Superior Court Judge Leads Homeless Citizens on The Road to Recovery

judgeOld Lyme, Conn. – November 24, 2014 – In early 2013, Director Mark Hayes read a story about a Los Angeles Superior Court Judge, Craig Mitchell, who started the Midnight Mission running club consisting of former substance abusers, ex-convicts, homeless people and others who fell on hard times — either by making the wrong choices at earlier points in their lives, or by simple misfortune. Immediately sensing the emotional gravity and compelling human dimension of the story, Hayes and his partner, producer Gabriele Hayes, requested a meeting with Judge and began the journey towards creating their feature documentary, Skid Row Marathon.

From their earliest conversations in the Judge’s chambers to the finish line of the Accra International Marathon in Ghana, Africa last year, Sennheiser microphones were there to capture every last detail of the journey — including all the challenges, struggles, dreams and successes each of the runners experienced. The struggles were almost overbearing — but the successes were overwhelming: After completing the International marathon in Ghana, some of the runners went on to complete the 29th Los Angeles Marathon last March, while others are now training to compete in the Marathon of Rome this spring.

benshirleyAmong the characters in the film are Ben Shirley, a former heavy metal musician whose career was destroyed by drug and alcohol addiction; Rafael Cabrera, who was sentenced to life in prison after shooting a rival gang member; and Brian Langston, whose family lived out of a car after his father became ill with diabetes and was no longer able to work. Each of these club members have their own heart wrenching stories of how they fell on hard times, yet were able to pick themselves up by overcoming the immense physical and emotional challenge of a marathon.

“The sweet spot of this story is the Judge, who is also a big runner,” explains Mark Hayes. “Here is a guy whose job it is to rule on legal matters and hands out sentences to people, mostly involving prison terms. But when he is not working, he is helping people who fell into hard times get a fresh outlook on life by training for and running marathons.” The Midnight Mission running club — named after the century-old human services organization — began after a defendant finished his prison term, came back to visit the judge and subsequently invited him to Skid Row to meet some of his friends. “He went down and spoke to a few of them, and realized that starting this running club was something positive he could do,” Mark explains.

Sennheiser Shotgun Mics: The Ultimate Storyteller’s Tool
boomAt the earliest stages of the production, Mark and Gabriele both knew that the audio production would play a key role in the storytelling; and based on the unpredictable nature of the content and dialog, there would often be no ‘second chance’ to get it right. They contacted Christopher Currier of Sennheiser, who was eager to help and recommended a microphone package consisting of the MKH 416 shotgun microphone, HD 25-II headphones for monitoring and EW 112-PG3 G3 wireless systems. “Mark and Gabriele were already very familiar with our gear and had been using the older MKH 415 for their past work. Adding the MKH 416 and a few other tools just rounded out their equipment list for this amazing project,” Currier said.

Once the project began, Mark and Gabriele were told by the Judge that they would have to run with the club. “Thankfully Gabi is a runner, so she would run alongside them with a camera and an MKH 415 microphone mounted on top to capture all the action,” Mark says. Twice a week, the group would complete a seven mile run and then gather on a street corner to check on how everyone was progressing — both with the running and in their personal lives. “To capture these important conversations, Gabi would have an MKH 415 on a boom pole connected wirelessly, and I would be shooting with a camera with an MKH 416 on a shoe mount,” Mark explains.

One of the most important audio segments the team captured was an early interview with the Judge in his chambers at the Superior Court of Los Angeles, during which he explained why he started the club. “Once again, we used the boom pole with the MKH 416, and also a lavalier microphone (the MKE2-EW Gold) on the Judge’s collar, connected to a G3 wireless transmitter,” Mark recalls. “After we finished the shoot, we took the audio back for editing and it just sounded fantastic. When the audio is perfect, it can make up for a shaky camera or other visual imperfections that may occur.”

equipmentAfter the marathon training phase was completed, the running club and production crew flew to Ghana, West Africa, where the environmental conditions became harsh and challenging: “When we got there, it was like 100 degrees and very dusty,” Mark recalls. “A lot of the roads were not paved, and we were right by the ocean. It was probably the worst situation for equipment you can imagine.” Gabriele and Mark began to notice rusting and wear on the camera equipment. “I was really worried because we were under the most extreme circumstances of heat, dust, humidity and salty air. Despite all this, the audio performed flawlessly, and the Sennheiser gear we had was no worse for the wear.”

While recording location audio on the streets of Los Angeles and Ghana, the Mark and Gabriele appreciated the super cardioid pickup pattern of the MKH 416, which enabled them to focus more narrowly on the subjects they were trying to capture — without unwanted ambient noise. Audio was fed into a Sony FS700 camera, and the pair monitored on Sennheiser HD 25-1 II headphones.

“The HD 25 headphones provided an incredible amount of isolation so we could hear every detail of the dialog, just as we were capturing it,” Mark says. “Also, since there was a lot going on around us including other members of the production crew speaking, we appreciated being able to rotate the earcup so we could listen to outside activity when we were not shooting.”

With production to be wrapped up next March, the film is now scheduled to be released in September of 2015. Looking back on the production phase, Mark appreciates having had Sennheiser at his side: “We never had to worry about the audio — this enabled us to put our focus where it needed to be: on the content and storytelling.”

The Sennheiser Group based in Wedemark near Hanover, Germany, was founded in 1945 and has gone on to become a leading manufacturer of microphones, headphones and wireless transmission systems. Sales in 2013 totaled 590.4 million euros. Sennheiser employs more than 2,500 staff worldwide and operates plants in Germany, Ireland and the USA. The company has a worldwide network of subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hongkong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico, and the USA. It also has long-established trading partners in other countries. Georg Neumann GmbH, Berlin, a maker of studio microphones and monitor speakers, and Sennheiser Communications A/S, a joint venture making headsets for PCs, offices and call centers, are also part of the Sennheiser Group.

More up-to-date information about Sennheiser is available on the Internet at www.sennheiser.com.

Captions:
1) The crew sets up the Sennheiser G3 wireless system on Superior Court Judge Craig Mitchell during filming of Skid Row Marathon.

2) A member of the Midnight Mission running club, Ben Shirley, speaks on camera during filming of Skid Row Marathon.

3) The Skid Row Marathon crew filming on location in Ghana, West Africa.

4) The Sennheiser audio equipment performed flawlessly despite challenging environmental conditions on location in Ghana, West Africa.

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Antelope Audio Offers Black Friday Discounts on Selected Top Sellers

Award-Winning Multi Channel Audio Interfaces, Orion32 and Zen Studio to Be Discounted Through December 7th; Free Rack Mounting Kit is Included with Purchase of a Zen Studio

Santa Monica, CA, November 24, 2014: For the third year in a row, Antelope Audio announces an attractive package of Black Friday discounts in North America, effective from November 24th until December 7th. During this period, customers can purchase an Antelope Audio Orion32 Multi-Channel AD/DA converter at a promotional price of $2,795 [discounted from a regular price of $2.995], or a Zen Studio portable pro audio interface at a promotional price of $2,295 [regular price of $2,495]. In addition, Antelope is offering a free Zen Studio Rack Mounting Kit with any purchase of a Zen Studio audio interface.

1The new, custom rack mounting kit – Z-Rack – combines both form and function in an aesthetic 2U design with dedicated vents. Sold separately, Z-Rack is valued at $79.

“Each year during Black Friday, we provide more customers the chance to experience the premium quality of our products through special discounts,” said Marcel James, Director of Sales and Marketing for Antelope Audio USA. “The Orion32 and the Zen Studio bring the finest audio quality to just about any application, whether you are a touring musician, recording engineer, mobile producer or broadcast professional. The Black Friday special is a great opportunity to get gear from Antelope Audio into your rack.”

Both the Orion32 and the Zen Studio have been recognized with Outstanding Technical Achievement nominations by the TEC Foundation — in 2013 and 2014 respectively. More recently, the Zen Studio won an Innovative Product Award in Mix/PAR’s first Reader’s Choice awards and Orion32 was nominated for a Sound on Sound 2015 Award.

To learn more about Orion32 or Zen Studio, please visit Antelope Audio’s Professional AD/DA Converters and Interfaces.

About Antelope Audio
Antelope Audio is a leading manufacturer of high-end professional audio equipment and the pioneer in the adoption of Atomic clock generators.

The company utilizes Igor Levin’s more than 20 years’ experience in digital audio to develop professional and consumer high-end products with the signature Antelope Audio sound. The company employs proprietary clocking and jitter management technologies as well as custom-designed digital and analog circuits to provide both professional audio engineers and music aficionados with unprecedented musicality, sound stage and clarity.

Antelope is the first to design a 1U 32-channel audio interface and a multi-channel portable interface with 12 mic pres. Antelope’s breakthrough technologies are offering both studio and live audio engineers great productivity and flexibility.

The company’s customers include many Grammy award-winning sound engineers and some of the most renowned recording, mastering and post-production facilities around the globe.

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Advanced Systems Group Explores Real-Time 4K Production During Free Annual Workshop

EMERYVILLE, CALIF. – Advanced Systems Group (ASG), a leading West Coast video and film integration firm, will explore the expanding use of 4K for professional video applications at its annual workshop, “Initiatives in 4K,” on Wednesday, Dec. 3, 2014, at the New People Cinema at the New People building in San Francisco. Free presentations begin at 10 a.m., and the workshop includes lunch sponsored by Quantum Corp.

“Interest in 4K has been growing for years in our industry,” said Dave Van Hoy, ASG president, “and now it’s no longer limited to digital cinema and episodic television. Real-time 4K production is gaining momentum for live events, high-end video conferencing applications, and more. With 4K branching out, it is more important than ever for video professionals to learn about the challenges of 4K file-based workflows.”

While the 4K world gets larger, many of the same questions and concerns regarding equipment and file management remain. Initiatives in 4K will feature five presentations discussing a number of 4K topics, including acquisition, post production, display, delivery, and real-time 4K live event production.
Registration is free for Initiatives in 4K, but space is limited. Please visit www.asgllc.com/events/asg4k2014 for registration and more information.

About ASG:
Based in Northern California with offices in the Pacific Northwest, Southern California and New York City, Advanced Systems Group LLC of Emeryville, Calif., has provided engineering, systems, integration, support and training to the broadcast, film, creative and corporate video markets since 1997. With unmatched experience in high-speed shared storage, media asset management, archiving, editing, color and VFX systems, ASG has become one of largest installers of post-production and shared storage systems on the West Coast. The ASG team is highly focused on customer success, and has installed and supported more than 350 SANs, production and post-production systems. For more information, visit www.asgllc.com or call 510-654-8300.

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Professional Wireless Systems Says Adios to Signal Interference at NBA Global Games Mexico City 2014

MEXICO CITY, NOVEMBER 24, 2014 — As the Houston Rockets and Minnesota Timberwolves tipped off at the Mexico City Arena on November 12, as part of NBA Global Games Mexico City 2014, Professional Wireless Systems (PWS) was courtside to manage all wireless frequencies throughout the game.

PWS’s overall goal was to provide frequency coordination for all wireless communications, enabling multiple wireless frequencies to be used in conjunction with one another without interference. PWS’ presence reaffirmed that the NBA would have clear communications throughout the event, without worry of dropped signals or unwanted interference during the live show. In all, the PWS team coordinated approximately 110 frequencies.

Two challenges that the PWS team faced in managing frequencies while on-site centered on combating potential signal interference from several active TVBDs in the area and successfully coordinating frequencies with the influx of international media. “There were many more frequencies in use in the area than initially anticipated, which meant that our team had to be prepared and on-guard for unexpected challenges and potential interference during the game,” says John Garrido, PWS’ main RF coordinator for the event.

PWS utilized a selection of equipment, including multiple Telex BTR-800s with wireless intercom beltpacks for extended coverage and range, the Shure UHF-R wireless system, and an assortment of Shure handheld microphones and Lectrosonics IFB kits. In addition, PWS set up a main intercom master station for the game’s courtside lead director, which enabled her to utilize multiple channels at one time and effectively coordinate the game entertainment with all parties involved. For this event, PWS also supplied all the hardware for the hard-wired communications using a Telex RTS-BP325 for all technical positions, which amounted to 25 drops.

“The intercoms proved essential during the event and kept the production running smoothly, allowing crew members to seamlessly coordinate the timing of all talent acts,” adds Garrido. “At one point, one of the team mascots acted out physically eating the game floor host! It seems a crazy act in and of itself, but it is one that was only possible because she was working with wireless equipment.”

In addition, PWS used several of its own proprietary equipment. This includes two Domed Helical Antenna kits, one PWS GX-4 combiner and one PWS DB-IC Custom Intercom Antenna Distribution System.

“We have enjoyed a long relationship with the NBA and were very excited to be a part of the NBA’s Global Games initiative in Mexico City,” says Jim Van Winkle, general manager, PWS. “It is difficult to know what to expect when working an event outside of the United States, especially a live one, but our extensive experience and expert team once again did a great job and the broadcast went off without any issues.”

Along with the on-court action, NBA Global Games 2014-15 will feature a variety of off-the-court activities, including NBA Cares community programs and interactive fan events in each city. The games will also be supported by a variety of marketing and merchandising partners, and fans will be able to receive real-time updates through the NBA Game Time App, on NBA.com, and NBA social media channels, as well as watch globally on television and digital media, including NBA LEAGUE PASS International.

For more information about Professional Wireless Systems, visit http://www.professionalwireless.com.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

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ICE Cable Systems Appoints EMI Sales to Rep Michigan Market

Los Angeles, CA – November 24, 2014 – ICE Cable Systems, a leading manufacturer of premium low-voltage wire and cable products, has appointed independent sales representative firm EMI Sales to rep the line in Michigan.

Established in 1968, with headquarters in Sterling Heights, Michigan that includes a 20,000 square foot warehouse — and a satellite sales office in Grand Rapids — EMI Sales serves the custom residential and light commercial channels in the Michigan area.

ICE Cable's Big Mouth Payout Bulk Wire Carton

ICE Cable’s Big Mouth Payout Bulk Wire Carton

“We are pleased to represent ICE Cable to fill a gap in our market,” says principal Kevin Weber. “Our dealers and distributors are excited about ICE Cable’s product quality, packaging and professional attitude and the great customer service they’ll receive. We will stock a small amount here in Sterling Heights as a convenience for our loyal customers.”

EMI Sales Contact info:
44262 Phoenix Drive
Sterling Heights, MI 48314
Phone: 586-254-0770
www.electricalmaterialsinc.com

About ICE Cable Systems
Founded in 2004 by president Brian Rizzo, ICE Cable Systems is a leading manufacturer of premium low-voltage wire and cable products serving the Audio Video, Alarm and Security, Commercial, Electrical Contracting and Data Center channels. The company’s products are available to integrators both directly and through more than 50 distributors in North America and internationally. ICE Cable’s success is driven by ingenuity and its desire to make superior products that offer more value to installers. www.icecable.com

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Quantum to Present on Managing Video Content at Government Video Expo 2014

Geoff Stedman, SVP for StorNext Solutions, Will Discuss “Seven Things the Beltway Can Learn From Hollywood About Video Workflows”

SAN JOSE, Calif. — Nov. 24, 2014 — Quantum Corp. (NYSE: QTM) today announced that Geoff Stedman, senior vice president for StorNext(R) Solutions, will present a session at Government Video Expo 2014 on proven strategies for effective management of video content. This topic has become increasingly important as more and more government organizations use video to transform how they communicate with their employees and external stakeholders, from providing information to training teams to highlighting the value they provide.

Geoff Stedman Presentation
Title: Seven Things the Beltway Can Learn From Hollywood About Video Workflows
Date: Wednesday, Dec. 3, 2014
Time: 11 a.m. to noon EST
Location: Presentation Theater, Walter E. Washington Convention Center, Washington, D.C.

Drawing on lessons from Quantum’s leadership enabling complex video workflows in the media and entertainment industry, Stedman will offer seven strategies for managing video in government initiatives and the challenges this entails. These challenges include demanding deadlines, increased collaboration, longer retention periods and tight budgets — all within an environment of massive content growth.

Quantum’s GV Expo Booth
Quantum will be exhibiting at booth 536, Dec. 3-4.

Additional Resources
* Read about the transformative power of video in government: http://qntm.co/GovVideoBrief
* For information on Quantum’s StorNext Pro(TM) Solutions for video workflows: www.stornext.com/solutions/stornextpro
* Learn how StorNext delivers intelligent data management for complex workflows: www.quantum.com/stornext

Photo Link: www.wallstcom.com/Quantum/Quantum-GeoffStedman.jpg
Photo Caption: Geoff Stedman, senior vice president, StorNext Solutions

About Quantum
Quantum is a leading expert in scale-out storage, archive and data protection. The company’s StorNext 5 platform powers modern high-performance workflows, enabling fluid, real-time collaboration and keeping content readily accessible for future use and re-monetization. More than 100,000 customers have trusted Quantum to address their most demanding content workflow challenges. With Quantum, customers can Be Certain(TM) they have the end-to-end storage foundation they need to manage their digital assets.

###

Quantum, the Quantum logo, Be Certain, StorNext and StorNext Pro are either registered trademarks or trademarks of Quantum Corporation and its affiliates in the United States and/or other countries. All other trademarks are the property of their respective owners.

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Electrosonic Provides Audio-Visual Systems Expertise For Trio of Thea Award-Winning Projects

The Themed Entertainment Association (TEA) has announced the winners of the prestigious 21st annual Thea Awards, honoring creative excellence in theme parks, museums and other attractions. Electrosonic has once again taken part in several of the winning projects playing key roles in the National September 11 Memorial & Museum in New York City (cited for Extraordinary Cultural Achievement), Harry Potter & The Escape from Gringotts at Universal Studios Florida (Outstanding Attraction), and The StoryGarden at the Amorepacific Beauty Campus in South Korea (Outstanding Corporate Brand-land).

The Thea Awards were created by TEA to help realize a key mission of the association: bringing recognition to achievement, talent and personal excellence within the themed entertainment industry. From a modest beginning in 1994, the Thea Awards have become internationally recognized as a symbol of excellence. Winners will be honored at a black-tie gala on March 21, 2015, at the Disneyland Hotel, Disneyland Resort, Anaheim, California.

“Electrosonic is honored to have participated in three projects named as 2015 Thea Award winners,” says Bryan Hinckley, Entertainment Solutions Director at Electrosonic. “For a number of years we have contributed to multiple projects honored by TEA as outstanding examples of their craft. That honor continues with the trio of Thea Award winners just cited for outstanding achievement in their categories. Our congratulations to the winners!”

Electrosonic provided the audio-visual systems for the National September 11 Memorial & Museum, which opened in the footprints of The World Trade Center in Lower Manhattan. The museum is primarily located about 70 feet (21 meters) below ground offering a unique and moving visitor experience.

Honored by TEA for its Extraordinary Cultural Achievement, the National September 11 Memorial & Museum “thoroughly integrates the site of the event itself into the experience, displays artifacts of every scale in compelling ways, and provides detailed context and historical record in juxtaposition with emotional witness and testimony,” TEA stated. “The audio visual media and interactives are powerfully dynamic but sensitively engaging, giving visitors many alternate ways to connect to the story.”

TEA also said, “this Museum fulfills its mission, conveying its important story with eloquence and emotional power while allowing for thoughtful reflection, learning and tribute by every visitor.”

Electrosonic provided the projection system design and integration for Universal for Harry Potter & The Escape from Gringotts, a new ride attraction at Universal Studios Florida. TEA cited the ride for its overall excellence and emotionally engaging quality saying, “in the themed entertainment industry, this attraction seems clearly to be the new yardstick by which all will be measured.” TEA noted that, “using what must be the largest screen images ever employed in a ride-through attraction, combined with extremely sharp-filmed imagery, [the ride] delivers the convincing illusion of absolute reality.”

In addition, Electrosonic handled the design and systems integration for BRC Imaginations Arts, and maintains a service contract for Amore Pacific at The StoryGarden on the Amorepacific Beauty Campus in Gyeonggi-do, South Korea. Situated at the corporate headquarters of the cosmetics and beauty products company, The StoryGarden was singled out by TEA for transforming the concept of a factory tour, “elevating the experience of a brand visitor center to the highest artistic and emotional standard…The arrival, interior design, media installations, interactives and galleries all deliver on the essence of Amorepacific’s brand while also delivering a distinctive experience.”

About Electrosonic
Electrosonic, celebrating its 50th anniversary, is an international audio-visual company that creates tailored, state-of-the-art solutions for a wide range of markets including theme parks, museums, control rooms, and corporate meeting rooms. Since its founding in 1964, Electrosonic has built a strong reputation for working on complex projects, both large and small, and has developed lasting partnerships with customers and suppliers. Beyond complete integrated systems, Electrosonic provides a comprehensive scope of services including technical design, projector lamp sales, maintenance and operational support.

Learn more about Electrosonic. Visit http://www.electrosonic.com

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Outline GTO C-12 Line Source Sound System Rocks the House at Summit Music Hall

System Provides Power, Clarity and Headroom for 1,100-Seat Venue

DENVER, NOVEMBER 24, 2014 — An Outline GTO C-12-based line source sound system, recently installed in the Summit Music Hall by DSI Event Group (formerly Dowlen Sound), rocks the house for such high-power musical groups as Anberlin, Andrew McMahon and GWAR, to name a few. The 1,100-seat venue, purchased by Soda Jerk Presents in 2010, needed the sonic adrenaline provided by the Outline GTO C-12 system to bring it to the next level. While this system could easily handle a larger outdoor audience of several thousand attendees, the GTO C-12 fit the bill perfectly for this venue, providing the clarity and power necessary for the performances without exceeding the flying-rig weight limits of the building’s ceiling. Outline C-12 at Summit Music Hall small (more…)

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Zylight Debuts Long Throw Black Light Version of F8 LED Fresnel at LDI 2014

LOS ANGELES – Zylight, a leading manufacturer of innovative LED lighting solutions, will unveil the F8-B, a black light version of its popular LED Fresnel, at Live Design International (LDI) 2014, which runs Nov. 21-23 in Las Vegas, Nev. The new light, which offers a continuously adjustable beam angle (16-70 degrees), will be demonstrated in the USHIO America booth (1451) during the show.

The F8-B features a proprietary ultraviolet chip for true black light applications, such as specialized lighting requirements for amusements park attractions or theatrical productions. It provides four times the fluorescentF8-B brightness of a traditional 400-watt Fresnel black light at the same distance, but onlyF8-B draws about one quarter of the electrical power. With its patented flat focusing system and eight-inch SCHOTT glass lens, the F8-B is one of the only dedicated LED UV instruments on the market that delivers variable zoom control.

“Black lights are a popular choice for artistic effects, and the F8-B is one of the most versatile professional UV lights on the market,” said Joe Arnao, Zylight president. “The ability to throw the source further with a Fresnel is different than most typical LED black light fixtures. Our proprietary chip was specifically designed to take advantage of our F8 platform, so lighting designers get all the features and performance they’ve come to expect from Zylight. It’s a great choice for both permanent installations and traveling theater troupes where a powerful black light is required.”

The compact F8-B collapses to four inches thick for easy transport and storage. It is also water resistant (IP54) for use in challenging environments, and can be powered by a worldwide AC adapter or even standard 14.4V camera battery. Like other Zylight models, the F8-B features ZyLink wireless technology, which makes it easy to link multiple Zylights for simultaneous remote control, and full DMX operation.

ABOUT ZYLIGHT LLC
Founded in 2003, Zylight LLC is the leading manufacturer of intelligent LED lighting instruments for the film and video production industry. Every model in its easy-to-use lighting system produces fully calibrated bright white light, while some also provide a spectrum of adjustable colors without gels. Full wireless control and DMX integration are included, and AC or DC power options are available. The Zylight state-of-the-art LED system is truly the most unique and flexible lighting system on the market today. With more than 50 dealers worldwide, Zylight continues to develop innovative LED lighting solutions to help make your job easier. More Than Bright–Zylight. Find out more at www.zylight.com.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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