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Press Releases For : October 8, 2014

DPA Microphones Features d:facto™ Vocal Mic Grids and d:vote™ 4099 Touring Kits at AES 2014

LOS ANGELES, OCTOBER 8, 2014DPA Microphones presents the latest versions of its d:facto™ Vocal and d:vote™ 4099 Instrument Microphones at the 137th AES Convention (Booth 1109). Among the updates are the golden finish and nickel grids for the d:facto, which follow DPA’s continued commitment to providing the best vocal microphone on the market. Representatives will also discuss the d:vote 4099 Rock and Classic Touring Kits.

DPA Microphones_dfacto GridsThe d:facto Vocal Microphone golden and nickel grids are available as accessories to existing systems, complete with foam and mesh pop screens. The nickel option matches the finish available on the Sennheiser 2000, 5200 and 9000 wireless systems. Additionally, per special request, both grids are available as complete systems, which includes the d:facto’s 4018V capsule and wired handle or specified wireless adapters. Offering a true studio sound for the live stage, the d:facto line provides an amazingly natural sound with high separation and extreme SPL handling. In addition to use with the wired DPA handle, the d:facto Microphone provides singers and engineers with the added benefit of a state-of-the-art adapter system, which allows for seamless integration with many professional wireless systems.

dvote 4 touring kit X2With the choice between a four-piece or 10-piece Peli case package, the d:vote 4099 Instrument Microphone Rock and Classic Touring Kits are intended for the touring musical group Despite its tiny, discreet size and lightweight design, the DPA d:vote is rugged and stable as it features a versatile and extendable gooseneck, sturdy shock mount and a detachable heavy-duty cable, making it ideally suited to the rigors of touring and live performance. As it was intended for fast-paced settings, the mic can easily be unclipped and repositioned or moved to another instrument with one hand. Additionally, the d:vote’s mounting system is designed to be extremely gentle, never marring the finish of any instrument.

Included in the new 10-piece d:vote Touring Kits are 10 high SPL d:votes, 10 microdot-XLR adapters and 10 heavy-duty mic cables, as well as a variety of mic clips best suited for each musical style. The smaller four-piece kit includes four high SPL d:votes, four microdot-XLR adapters and four mini mic cables, as well as two universal mic clips and four additional mounts for instruments of varying styles.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

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D-Tools to Host Webinar with Manufacturer Vantage Point (MVP) Partner Noble Fidelity

Free “Dealer Opportunities with Noble Fidelity” webinar October 21 will give prospective Noble Fidelity dealers insight and training on the company and its product offerings

CONCORD, CA – October 8, 2014 — D-Tools Inc., the worldwide leader in system integration software, today announced that it will soon host a webinar for Manufacturer Vantage Point (MVP) partner Noble Fidelity, maker of high-performance in-wall and in-ceiling speakers. The free webinar, “Dealer DTLOGO_basic logo for online use_245x109Opportunities with Noble Fidelity,” will take place Tuesday, October 21 from 10:00 a.m. to 11:00 a.m. PDT. Attendees will learn how partnering with Noble Fidelity can provide a protected, high-margin line of business for custom and luxury audio/video integrators, as well as insight on the company’s award-winning line of architectural speakers.

“We encourage custom integrators interested in selling top-tier quality products from companies that understand the challenges integrators face in today’s ‘get-it-anywhere’ marketplace, to attend this webinar,” says Tim Bigoness, VP Sales and Marketing for D-Tools.” “This training will show dealers how to increase profits while the selling superior sounding Noble Fidelity product line, and punctuate key points as to Noble Fidelity’s superior business plan and clearly communicate their dedication to high quality dealer relationships.”

Because Noble Fidelity is a D-Tools MVP Partner, dealers, specifiers, installers, and integrators have complete access to the most up-to-date and detailed Noble Fidelity product information available, along with current stats, pricing, and special offers in a format that can be utilized cross-functionally for maximum workflow efficiency. Users of D-Tools System Integrator receive updated MVP partner product data free of charge as part of the platform’s offering. The MVP program in turn gives manufacturer partners a direct connection with the D-Tools user database, building customer loyalty by ensuring that existing dealers have the important information they need to recommend, specify, and install its products. It also makes it clear to any MVP program participant’s dealers that they are committed to the very best in customer support. More than 4,500 MVP users are now streamlining the design process with the D-Tools System Integrator platform.

For more information on how to register for the webinar, please visit: https://www1.gotomeeting.com/register/74640862

About Noble Fidelity
Performance-wise, Noble Fidelity Loudspeakers are without peer in their dealer and consumer price ranges. The Noble Fidelity Business Model embodies the classic limited distribution business model. Only genuine, licensed, Installing Dealers of Audio/Video products are eligible for Authorized Dealership. Noble Fidelity products are not available through or left to the marketing practices of wholesale distributors. Noble Fidelity products are not sold online. Noble Fidelity will set Authorized Dealers apart from others. Dealers enjoy geographic territories free of profit-eroding conflicts. There are no “Show Rooming” perils with Noble Fidelity.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platform. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.

Learn more about the D-Tools MVP Program, D-Tools System Integrator, or the undeniable benefits of using a streamlined system design, proposal, and estimation software platform at www.d-tools.com(866) 386-6571 ext. 1, or e-mail info@d-tools.com or mvp@d-tools.com.

Press Contacts: 
Tim Bigoness, D-Tools, Inc., (925) 270-4102timb@d-tools.comwww.d-tools.com

Katye (McGregor) Bennett, KMB Communications, (425) 328-8640katye@kmbcomm.com

MVP Contact: 
Josh Carlson, D-Tools, Inc., (925) 270-4105joshc@d-tools.com

 

XXX ENDS

SMPTE to Put Spotlight on Student Filmmakers During Inaugural Student Film Showcase at SMPTE 2014

Event Highlights Students’ Technical and Creative Contributions in Motion-Imaging Field (more…)

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iZotope Announces New Version of Mastering Software

Ozone 6, a complete mastering platform featuring an elegant and modern interface, will preview to the public at AES 137

Cambridge, MA (October 8, 2014) — iZotope, Inc., a leading audio technology company, has announced an update to its critically acclaimed line of mastering software, Ozone.

iZotope-Ozone-6-box

Launching this fall, Ozone 6 is the latest version of iZotope’s complete mastering system. For the first time, the mastering workflow is centered around creativity: Ozone 6’s modern visual paradigm guides and inspires users of all experience levels at every step, so they can freely experiment with ease—or dial in their signature sound in just a few clicks.

Whether they are mastering engineers or home studio producers, Ozone 6 gives users everything they need to effortlessly produce professional-sounding masters in one elegant standalone application.

iZotope at AES 137
iZotope product specialists will preview Ozone 6 to the general public at AES (Booth 1100) in Los Angeles from October 9 – 12. AES attendees can view a demo of Ozone 6, hear from top audio industry figures, and learn the latest research and technology information. iZotope plans to release further information about Ozone 6’s features throughout the coming weeks.

Pricing
Ozone 6 - $199 USD Promotional Price ($249 USD Regular Price)
Ozone 6 Advanced – $599 USD Promotional Price ($999 USD Regular Price)
Upgrade from Ozone 1-5 to Ozone 6 – Always available at a special price of $99 USD
Upgrade from Ozone 1-5 to Ozone 6 Advanced – $399 USD Promotional Price ($750 USD Regular Price)
Upgrade from Ozone 1-5 Adv. to Ozone 6 Adv. – Always available at a special price of $299 USD

For international customers, check with your local dealer for Ozone 6 pricing.

Grace Period Purchases
Customers who purchase Ozone 5 after September 1, 2014, will receive a free upgrade to Ozone 6 upon release.
Customers who purchase Ozone 5 Advanced after September 1, 2014, will receive a free upgrade to Ozone 6 Advanced upon release.

Availability
Be among the first to hear when Ozone 6 and Ozone 6 Advanced become available. Sign up for the iZotope newsletter and learn more at www.izotope.com/ozone6.

Learn more about AES 137 at www.aes.org.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®.

For more information on iZotope products, please visit www.izotope.com.

StrandVision Digital Signage Introduces Dynamic Electronic Signage Page Sharing

Digital Signage Content Sharing capability allows easy, efficient distribution of dynamic digital sign content across multi-site corporate and franchise electronic signage networks…

MENOMONIE, Wis. – Oct. 08, 2014 – StrandVision Digital Signage today introduced a new way for electronic signage administrators to share specific electronic signage content over multiple digital signage players across their network. The feature is especially handy for multiple site installations, corporations and franchises that want to share single or multiple content pages that can optionally be displayed on their local networks.

For instance, a fast food chain that is offering an opt-in price promotion to its franchisees can distribute optional StrandVision Digital Signage promotion pages for local management to use for its in-store advertising; a company with multiple sites can offer a selection of employee benefit, safety, motivational or other employee communication digital signage messaging to its divisions for addition to local digital signage networks at the discretion of local management. Once the page is copied as designed by the sender, it can be further customized to the individual location, as desired.

“StrandVision has long offered the ability for top-level administrators to automatically distribute pages, including videos directly to sub-networks across their corporate and local networks,” explained StrandVision founder and CEO, Mike Strand. “This new level of local control and flexibility provides a quick and easy way for local administrators to optionally add customized corporate content to their digital signage networks with a single click. And it’s not just for what is shown on the digital signage player. The page sharing feature includes all background settings so dynamic information is displayed and scheduled to play exactly as designed on the original.”

Here’s How It Works

Now, when StrandVision Digital Signage administrators create any type of page on the StrandVision Content Management System (CMS) portal a unique URL is automatically created and placed in the ”Share Page Link” field on the page creation form. The administrator simply copies the URL and sends it to recipients in an email, phone message, Tweet or through other social media.

The recipients simply click on the URL. That takes them to the StrandVision cloud server where they log into their account on the StrandVision CMS portal and the new page is automatically copied to the local mix where it can be further edited or reordered, as desired. Shared pages support dynamic visitor or employee communication information such as changing images and scrolling text, and can include RSS feeds, audio, video, animation, Web feeds, Quick Response (QR) codes and other dynamic information sources such as automatic birthday and anniversary people displays and live corporate database access.

The shared page also includes all other metadata, including background media, scheduling (frequency, automatic removal date) and other administrative instructions.

The Share Pages feature is available immediately to all StrandVision Digital Signage subscribers, as well as StrandVision Free Digital Signage Test Drive participants. Learn more by checking out the introductory YouTube video at http://www.strandvision.com/video_digital_signage_content_sharing.html or calling 715-235-7446 or emailing sales at StrandVision.com.

About StrandVision

StrandVision LLC, based in Menomonie, Wis., delivers low-cost, cloud-based digital signage software content to subscribers’ digital media player displays, as well as computer screens, websites and mobile devices. StrandVision’s patented approach distributes customer-created text, graphics, videos and RSS/social media feeds along with pre-packaged worldwide, national and local weather and news. It is ideal for many business marketing applications for waiting rooms (patient and customer information); banks and retailers (video merchandising); education (student, staff and visitor information); business and industry (employee communication and operational/performance information); as well as nonprofit and religious organizations (member and supporter communication).

StrandVision also offers digital signage support hardware including PC-2-TV.net, a fully digital, high-definition (HD) video extender for long distance multi-screen distribution; Linux digital media players to ease and optimize electronic signage network installation and administration; and several large-format displays including freestanding pedestal displays. StrandVision Digital Signage services, installation and equipment are available directly from StrandVision and through registered affiliates and system integrators. Additional information about StrandVision Digital Signage is available at StrandVision.com, 715-235-7446 or by email.

###

EDITORS – for further information:

Mike Strand
StrandVision
715-235-7446 X100
mjstrand@strandvision.com

Greg Soucy
Soucy Communications Group
603-682-7162
gsoucy@scg-pr.com

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Avenview Teams with High Resolution Systems to Offer Branded Avenview ControlPro Universal Device Control Software

Entertainment Tonight's New Set CelebrationAvenview has partnered with High Resolution Systems to offer Avenview ControlPro Universal Device Control Software, a branded product featuring HRS UDC software, designed to control Avenview devices, including matrix audio video switchers, video walls and video processors.

Avenview enables companies to install multifunctional video walls and control room equipment, use signal extenders to help personnel communicate remotely and even digitize an entire infrastructure. The company, headquartered in Kenmore, New York, offers customers the most advanced components available to achieve their objectives of cutting-edge visual displays.

Avenview identified HRS as a company it could do business with to enhance its technology offerings to customers. “High Resolution Systems is an upcoming company with similar culture and beliefs as Avenview,” says Jefferson Thomas, chief technology specialist at Avenview. “They are very smart and client driven and offer products that customers really want – and are easy to use and easy to customize to any product on the market. That’s the kind of functionality that customers want.”

Avenview’s ControlPro Universal Device Control Software integrates its products to work with UDC control. “Once a customer buys one of our products, like the HDM-SwitchPro-VW4 HDMI 4×4 matrix switcher, we use ControlPro Universal Device Control Software to build a static page with buttons and layouts for the user,” Thomas explains. “With UDC software we can create one-touch and customized commands – commands that would otherwise take users numerous steps to implement.”

Avenview can “customize the ControlPro interface to whatever the user needs the box for,” he says. “The build pages can also be added to and re-customized by the user as they work with other products.”

ControlPro Universal Device Control Software offers fast programming with open-structured software that’s configured with no coding. It enables custom control of what users create, is easily updateable and saves time and money on every project.

“It’s a win-win for Avenview, High Resolution Systems and customers,” Thomas declares.

About High Resolution Systems

High Resolution Systems known as HRS Control is a company with a strong systems engineering and applications background. Its founders have decades of experience in the audio visual rental and staging industry, broadcast applications, A/V installations and system design. This combined experience allows them to provide the highest possible quality solutions to its customers in the most efficient manner. For more information, visit www.hrscontrol.com.

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Press Releases For : October 7, 2014

Expanded Project Studio Expo at AES137 Hosts Sunday Sponsor Events

— Presented in association with leading recording technology publication Sound On Sound, the Project Studio Expo is intended to give home recordists a new perspective on how they can better use their tools and their ears —

New York, NY, October 7, 2014 — A wide range of on-stage sessions have been announced for Sunday’s Project Studio Expo Sponsor Day at the upcoming 137th Audio Engineering Society Convention, scheduled for Thursday, October 9, through Sunday, October 12, 2014, at the Los Angeles Convention Center in Los Angeles, California. The PSE offers 3 days of events covering such topics as getting big-studio results on a tight budget; audio separation; recording and songwriting; and studio/live networking.

Project Studio Expo, Sunday Sponsor Events:

Session PSE14 – Mixing Perspectives: Tales of achieving big studio results on a project studio budget (led by Focal Press)
Sunday, October 12, 11:00 am — 11:45 am

Session PSE15 – Audio Separation (led by Audionamix)
Sunday, October 12, 12:00 pm — 12:45 pm

Session PSE16 – Recording and Songwriting with Focusrite Novation
Sunday, October 12, 1:00 pm — 1:45 pm

Session PSE17 – Real-World AVB Networking in the Studio and on Stage Using MOTU AVB Audio Interfaces
Sunday, October 12, 2:00 pm — 2:45 pm

Full PSE sessions, including events for Friday and Saturday, can be found here: http://www.aes.org/events/137/projectstudioexpo/.

“There has been tremendous response to our Project Studio Expo over the past three Conventions, and the addition of Sunday sessions offers even more resources for Convention attendees,” states Bob Moses, AES Executive Director. “With the help of our partners and sponsors we have seen the PSE grow into a program that really offers something for everyone in the audio community. I feel this serves as a real incubator and inspiration for seasoned professionals as well as those who are attending an AES event for the first time. These are top-notch educators and engineers who are giving as close to a one-on-one dialog as you can get. And to have this included as part of our free Exhibits-Plus badge offerings is really a great way to expand the mission of the AES – to educate and provide support to those audio engineers that play a large part in our audible world.”

The AES gives Special Thanks to presenting PSE Sponsors; Audionamix, Focal Press, Focusrite Novation, and MOTU along with additional sponsors; AVID, Sennheiser, TC Electronic, and Universal Audio.

For information on the Project Studio Expo, as well as further Registration, Hotel, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

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Session Info Announced for Upcoming High Resolution Audio Program at 137th Audio Engineering Society Convention

— High Resolution Audio program, taking place Friday, October 10, at AES137 in Los Angeles, will feature four different sessions throughout the day, addressing the current and future direction of High Resolution Audio from various perspectives —

— Representatives from leading consumer audio brands set to participate in High Resolution Audio program, as well as display high-performance audio products on the AES convention’s exhibition floor —

New York, NY, October 7, 2014 — Detailed session information has been announced for the AES137 High Resolution Audio (HRA) program, taking place Friday, October 10, 2014, in Room 304 AB at the 137th Audio Engineering Society Convention (October 9-12, 2014, at the Los Angeles Convention Center in downtown Los Angeles). The direct result of a collaborative effort between the Audio Engineering Society (AES) and DEG: The Digital Entertainment Group, the HRA program will include a number of panels and sessions that address the current and future direction of HRA from various perspectives, including content creation, digital distribution, licensing of hi-res music files, archiving, subscription models, marketing/promotion of hi-res music, compatibility of playback devices and more.

“Taken as a whole, these panel sessions will provide AES attendees a much greater understanding of the key issues that are currently impacting the High Resolution Audio market,” said Marc Finer, Senior Director, DEG: The Digital Entertainment Group. “Working in cooperation with The Recording Academy® Producers & Engineers Wing®, we’ve developed a comprehensive program that fully addresses virtually every aspect of the HRA workflow – from the studio to the home.”

These panels and sessions will feature some of the brightest minds in the business as they discuss some of the most current and controversial issues concerning the rapid adoption of high-resolution audio across the industry.

Individual session info:

Hi-Res Audio Devices for Every Lifestyle (10:00 am – 10:50 am): Learn more details about the growing number of hi-res compatible devices available today from some of the biggest names in hi-res devices including Astell & Kern, dCS, DTS, Kimber Kable, Meridian, Mytek, and Sony. Subjects will include how to demonstrate hi-res audio at retail; the latest options for enjoying hi-res music on-the-go; and how to educate and engage young music enthusiasts. Moderated by Marc Finer (Digital Entertainment Group), the panel includes Owen Kwon (Astell & Kern), John Quick (dCS Ltd.), Fred Maher (DTS Inc.), Ray Kimber (Kimber Kable), J. Robert (Bob) Stuart (Meridian Audio Ltd.), Michal Jurewicz (Mytek Digital) and Aaron Levine (Sony Electronics).

The New Business of Hi-Res Music (11:30 am – 12:20 pm): Get an inside look at the opportunities and challenges associated with hi-res music from Mark Piibe at Sony Music, Howie Singer at Warner Music, and Jim Belcher at Universal Music. Moderated by Marc Finer. Topics will include licensing hi-res files; the latest distribution partners; ingesting and archiving digital assets; new subscription models; and the best ways to promote hi-res music.

Hi-Res Audio Production Workshop (1:00 pm – 1:50 pm): [co-sponsored by the Recording Academy P&E Wing] Join top producers and engineers as they discuss the music creation process and best practices when recording, mixing and mastering in high resolution. The panel, moderated by Leslie Ann Jones (Skywalker Sound), features Chuck Ainlay (Producer/engineer, METAlliance), John Burk (Concord-Telarc Label Group), Ryan Ulyate (Producer/engineer) and Bob Clearmountain (Producer, engineer and mixer), who will review the key aspects of various audio formats in context with their latest music projects.

High Resolution Audio—Super Session (3:00 pm – 3:50 pm): Meet and mix with some of the brightest minds in the business including Bruce Botnick (Music producer, recording and mastering engineer, VP Content Acquisition for Pono Music), George Massenburg (Producer/engineer/inventor, McGill University), Andrew Scheps (Producer/engineer/mixer) and Bill Schnee (Producer/engineer, Schnee Studio), as they explore a number of the most challenging issues facing the recording industry today concerning the adoption of high resolution audio. Moderated by Maureen Droney (former recording engineer/music journalist, currently Managing Director of The Recording Academy® Producers & Engineers Wing®) Don’t miss this rare opportunity to hear from these opinion makers!

The High Resolution Audio program will be a major focus at AES137, part of a long tradition of the AES and its conventions serving as the forum for the discussion and advancement of state-of-the-art audio technologies. For over 65 years, nearly every seminal audio development has been incubated and promoted within the AES community, beginning with stereo LPs in the 1950s and continuing with magnetic tape in the 60s, digital audio and the Compact Disc in the 70s, perceptual coding (e.g. MP3) over the past 25 years, all the way to today’s digital streaming formats. It’s no wonder that the DEG and the AES have decided to partner to bring to AES137 Convention attendees the most current and comprehensive information on the state of High Resolution Audio, which is defined as “lossless audio that is capable of reproducing the full range of sound from recordings that have been mastered from better than CD quality music sources.”

For Registration and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

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The 24th Annual Conference of the Association of Moving Image Archivists Opens Wednesday

Featuring Ian Mackaye, The Reel Thing, Screenings, and Dozens of Expert-Led Sessions
AMIA-2014-5-5-logo-300x221
Savannah, GA – The 24th Annual Association of Moving Image Archivists Conference begins Wednesday in Savannah, Georgia, bringing leaders and practitioners together in the number one event for the archiving, preservation, and content communities. This year’s Conference presents an extensive schedule to attendees, which is available at www.amiaconference.com. The Annual Conference runs from October 8th, to October 11th, 2014 at the Hyatt Regency in Savannah.

Over the course of four days, more than 50 sessions, section meetings, screenings, and workshops will be available to attendees. Keynotes and the daily plenaries feature speakers who will present a big picture perspective as well as opportunities to follow up those offerings with specific, technical, and targeted sessions. The Conference includes experts from the leading institutions around the world, including Library of Congress, Universidad de la República, HBO, Sony Pictures, WGBH, Indiana University, MOMA, and EYE Film Institute, as well as Iron Mountain, Deluxe, FotoKem, Kodak and other leading companies in the field. There will also be demos and vendors on hand during the Conference to showcase crucial technological developments.

At the end of the week, AMIA is offering a public screening for the Savannah community. Open free to families all over Savannah, the Lucas Theatre will screen Peter Pan at 3pm on Saturday, October 11th. The film will be introduced by a Disney preservationist.

A brief highlight of the extensive session lineup includes:

Ian MacKaye, Keynote
Currently the front man of The Evens and formerly of the influential punk bands Minor Threat and Fugazi, MacKaye is also founder of the Dischord Records music label and the mastermind behind the Fugazi Live Series project. The Fugazi Live Series is in the process of digitizing and publishing over 800 of the band’s nearly 20 years of shows performed and recorded internationally. MacKaye is a sought after speaker bringing a unique perspective and appreciation on archival practice and managing collections.

Curated Streams of Programs
The conference will offer a curated stream of programming each day. Topics include Global Exchange, Film in Transition, and Open Source Digital Preservation and Access. The streams will feature invited speakers from around the world.

Preserving Eyes on the Prize
Regarded as the definitive work on the Civil Rights Movement. There are more than 75 hours of additional, invaluable resources available for scholars, teachers, students, and filmmakers alike through its Eyes on the Prize Preservation Project.

Play It Again: Creating a Playable History of Australasian Digital Games from the Australian Centre for the Moving Image
The ‘Play It Again’ project is collaboration between cultural and academic institutions to preserve the largely unknown histories of 1980s game development in Australia and New Zealand.

Bing Crosby’s Dictaphone: Recovering the Lost Voice
In 1945, Bing Crosby acquired a piece of cutting edge technology, the Dictabelt,
two years before it was publicly available. For over twenty years, he spent hours every day recording letters and more, generating thousands of recordings.

Film, Feet and the Photochemical: The Next Three Years
As Motion Picture labs are shutting with regularity; existing labs that intend to continue photochemical preservation are purchasing equipment. The panel will address the challenges and future of film based preservation.

Surveillance and Security in the Archive: Managing Sensitive Multimedia Collections
In an increasingly technologically dependent world where access to information is a click away, society faces a growing reliance on digital tools and infrastructure that are easily surveilled, produce seemingly limitless records and data, and require security precautions to maintain basic privacy.

Juliette Gordon Low and the Girl Scouts
Savannah is the birthplace of both Girl Scouts and the organization’s founder Juliette
Gordon Low. Screening and panel discussion, that offers an inside glimpse.

Global Exchange Screening: Pan Si Dong
Pan Si Dong was regarded as lost until 2011 when a copy was found in the vaults of
The Norwegian National Library. The news about the find made headlines all over China. It is regarded as one of the most important films in the history of Chinese cinema.

During the Conference, AMIA will recognize important significant contributions to the field. This year’s Award recipients are:

* The Silver Light Award: Robert J. Heiber
* The O’Farrell Volunteer Award: Rick Utley
* The Alan Stark Award: Grover Crisp and Michael Friend for The Reel Thing
* AMIA Spotlight: Pam Wintle

AMIA, a non-profit international association, is dedicated to the preservation and use of the moving image. To that end, the organization sponsors a number of events and tools to its community in cities around the US. In October, AMIA will present the Digital Projection Workshop, in collaboration with The Alamo Draft House in Austin Texas. The Workshop is the first of a series of training seminars for film projectionists, to keep an important skill in place for film-based venues.

For information about the Conference or any AMIA activity, please call +1.323.463.1500, or visit amianet.org.

ABOUT AMIA
AMIA is a nonprofit international association dedicated to the preservation and use of moving image media. AMIA supports public and professional education and fosters cooperation and communication among the individuals and organizations concerned with the acquisition, preservation, description, exhibition, and use of moving image materials.

The annual AMIA Conference is the largest gathering of motion picture and recorded sound archivists and interested professionals. More than 550 annual attendees include members and colleagues from the world’s major media, library, university, military and other institutions.

The AMIA annual conference provides an opportunity for colleagues and those interested in the field to meet, share information and work together. For newcomers to this vibrant, dynamic and committed community, networking with other AMIA members and industry professionals is invaluable for professional development. AMIA conference registration includes participation in all regular sessions and screenings and some special events.

For more information about AMIA, events and membership, go to www.AMIAnet.org.

# # #

Media Contact:
ignite strategic communications
p: 818.980.3473
Christine Purse, chris@ignite.bz

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Live Sound Expo Takes Center Stage at 137th Audio Engineering Society Convention

LiveSound

— Inaugural Live Sound Expo, presented in association with Pro Sound News, Sound & Video Contractor, Pro Audio Review and MIX, offers expert, real-world advice for attendees from leading figures in the live and installed sound market sectors —

New York, NY, October 6, 2014 — Extensive session information has been announced for the inaugural Live Sound Expo (presented in association with Pro Sound News, Sound & Video Contractor, Pro Audio Review and MIX) at the 137th Audio Engineering Society Convention (October 9-12, 2014, at the Los Angeles Convention Center in downtown Los Angeles). From a stage centrally located in the 137th AES Convention’s exhibition hall, the Live Sound Expo presents live and installed sound professionals sharing their knowledge and experience across a wide range of audio topics. Engineer and industry journalist Mark Frink (k.d. lang, Zac Brown Band, Tony Bennett) will manage the stage as the LSE host. With the Live Sound Expo, the 137th Convention offers expert advice for the broad spectrum of live and installed sound engineers (some 25% of Convention attendees) with an emphasis on the practical, bringing professionals with decades of experience to the stage to inspire and educate attendees.

Michael MacDonald, AES137 Co-Chair and ATK Audiotek President, stated, “Live Sound is a key element in the pro audio industry, and one that warrants the spotlight provided by the new Live Sound Expo. I am pleased that Mark Frink, along with Frank Wells, has assembled such a powerful LSE program that will feature both technical and practical aspects of live sound benefiting attendees and exhibitors alike. The panelists include top professionals from the installed and live sound worlds, and their participation at this AES Convention gives attendees access to a knowledge pool available nowhere else, and provides insights into current and future trends.”

A wide array of topics will be addressed at the Live Sound Expo. Select topics include: “Loudspeaker Setup and Configuration”; “Miking Fundamentals for the Stage”; “Networks and IT”; “The Small Venue Monitor Mix”; “RF Systems”; “Installed Sound”; “Touring System Optimization”; “Digital Consoles” and more.

The panelists and presenters read like a who’s-who in the worlds of live and installed sound. Sam Berkow (Principal/Founding Partner, SIA Acoustics); Derek Brener (Bruno Mars); Chap Cooper (Sound Engineer/Educator); Jason Decter (FOH, Blink-182, Weezer); J. Mark King (Production & Music Mixer, Primetime EMMY® Awards, Dancing with the Stars, ACM & CMA Awards); Tom Pesa (Super Bowl, GRAMMY®s, OSCAR®s); Dave Rat (Red Hot Chili Peppers, Soundgarden, Founder of Rat Sound); Marcus Ross (Head of Audio, Blue Man Group); Robert Scovill (FOH, Prince, Rush, Tom Petty); Dave Shadoan (President, Sound Image); Jason Spence (Monitor Engineer, Keith Urban, Megadeth, CMT & CMA Awards); Ken “Pooch” Van Druten (FOH, Linkin Park); Fred Vogler (FOH, L.A. Philharmonic / Systems Engineer, Hollywood Bowl); and Vic Wagner (FOH Systems Engineer, Linkin Park).

A highlight of Live Sound Expo will be a panel titled “Stump the Panel,” where attendees will be able to ask any question to Dave Rat, Robert Scovill and Dave Shadoan, as they cover the gamut of sound reinforcement topics while imparting entertaining tales from the road.

The Live Sound Expo was made possible by the sponsorship of Audinate, DiGiCo, EAW, L-Acoustics, Shure and Yamaha Commercial Audio, with wireless headphone system support from Sennheiser USA.

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