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Press Releases For : August 4, 2014

Meyer Sound MINA Balances Strength & Flexibility on Wanderlust Yoga Tour

In choosing its touring sound reinforcement system, the Wanderlust Yoga Festival had very specific requirements: to provide both pristine vocal clarity for yoga instruction in the daytime and high-impact musical reinforcement for evening revelries. With the tour’s truck space and trussing constraints, the production also needed a system with an exceptional power-to-size ratio and versatility. All of this has led to the selection of a Meyer Sound MINA™ line array loudspeaker system, supplied by DBS Audio Systems of Coatesville, Penn.

“In prior years we had used four different systems from four different suppliers, with inconsistent results,” says Sage Anthony Plakosh, production manager for the tour. “This year we wanted to assure that the yoga teachers and musicians would get a consistent experience from venue to venue.”

The main Wanderlust system is anchored by dual arrays of 10 MINA loudspeakers per side, with low end provided by four-per-side 650-P subwoofers arranged in end-fire directional arrays. Two UPJunior VariO™ loudspeakers serve as lip fills, and a Galileo® loudspeaker management system with one Galileo 616 processor provides drive and optimization. The stage foldback system comprises eight UM-1P stage monitors plus two-each UPA-2P loudspeakers and USW-1P subwoofers for side and drum fills.

“Versatility was another key factor in opting for MINA,” continues Plakosh. “We needed a PA that could maintain full intelligibility for people listening at knee height while doing yoga, then provide the power and punch at night for rock bands and DJs playing electronica. At first I wasn’t sure a box MINA’s size could handle it all, but I’ve been pleasantly surprised.”

Midas PRO2 and PRO1 mixing consoles are used for main stage FOH and monitors, respectively. Two smaller reinforcement systems for breakout sessions and evening events are each powered by four MSL-4 loudspeakers and two 650-P subwoofers. All stages use Shure UHF-R wireless systems equipped with a mixture of handheld and headset microphones.

Dave Brotman of DBS Audio Systems adds: “The power-to-size ratio of MINA is just phenomenal, and with the tour’s limited trussing systems, MINA’s light weight was a key factor as well.”

First launched in Squaw Valley, Calif. in 2009, Wanderlust Yoga Festivals draw thousands of attendees by bringing together yoga students, world-renowned teachers, musicians, and inspirational speakers. This year’s tour includes stops at major ski resorts in Vermont, Colorado, California, and British Columbia.

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Yellow Hammer Nails It With Carl Tatz Design MixRoom™

- Carl Tatz Design proudly introduces the latest iteration of its TEC Award-winning MixRoom™ concept with film- and game-scoring composer Justin Ray Miller’s stunning new Nashville studio named Yellow Hammer -

Nashville, TN: “Every once in a while we have the opportunity to bump up our game to a new level as experience and technology allows us to. This has been the case with Justin Ray Miller and his Apella Music’s new Yellow Hammer studio,” stated TEC Award-Winning studio designer Carl Tatz. “And now these new performance advantages will trickle down across the board to all our future projects.”

Yellow Hammer is a comprehensive custom Carl Tatz Design (CTD) studio built from the ground up for film- and game-scoring composer/recording engineer Justin Ray Miller on the property of his East Nashville home. Opened in 2014, the studio encompasses a CTD MixRoom™, piano booth, restroom, computer closet and entry foyer. It features the acclaimed PhantomFocus™ System (PFS™) driving a Dynaudio Professional M1 monitor/Bryston 4B Pro SST Squared amplification combo that showcases the new Sound Anchor PhantomFocus™ Stand and a new custom application of the Carl Tatz Design Signature Series™ acoustic modules by Auralex – highlighted by the new Axial Mode Absorber Wall™ (AMAW)™ and the MixRoom Acoustic Lens™ system. The tracking room ceiling features the new Parabolic Acoustic Room Expander (PARE)™. And the MixRoom also features a new custom Carl Tatz Edition™ Dual 15-KL800 workstation by Argosy Console.

“I’ve been an audiophile for over a decade, but when I first heard Carl’s PhantomFocus System, I instantly knew that I never truly heard low end until that moment. Being able to hear a full frequency response accurately down to 20 Hz has allowed me to create fuller mixes and appreciate other producers’ work like never before,” states Miller. He goes on to explain, “The stereo imaging of the PhantomFocus System paired with the very powerful Dynaudio Professional M1 monitors and Bryston amplification is the most three-dimensional stereo playback out there. I saw a client recently trying to reach out and touch the sounds coming from the speakers as he listened to the mix we had just completed!”

Tatz states, “Poorly-placed video screens can be problematic for optimum audio imaging, and that’s why we spec large wall-mounted LCD screens for computer displays. However, in Justin’s case, being a film composer and needing multiple screens, we had to come up with a solution to allow for a total of three screens and not compromise the PFS performance. We were able to take Justin’s idea of how he wanted his Doepfer LMK2+ MIDI keyboard controller positioned in the desk and applied a deep-mount screen application for two video monitors with the help of Argosy Console CEO David Atkins and his design team. So successful was this collaboration that Argosy is now offering a new line of workstations inspired by it under the Carl Tatz Edition™ moniker.”

Miller adds, “From the incredible MixRoom to the unique tracking room design, to the best desk a composer could hope to work at, Carl had an eye and ear for what I wanted to accomplish and helped me achieve that within the budget we planned.

Photo Caption 1: Yellow Hammer MixRoom™ featuring the acclaimed PhantomFocus™ System (PFS™) driving Dynaudio Professional M1 Monitors and a Bryston 4B SST Squared amplifier and the Carl Tatz Signature Series™ acoustics modules by Auralex®.

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HARMAN’s Studer, JBL and AKG to Showcase World-Leading Broadcast Audio Technology at TAB Convention & Trade Show

AUSTIN, Texas — At the Texas Association of Broadcasters (TAB) 61st Annual Convention & Trade Show, HARMAN Professional will be showcasing an extensive array of world-class audio products for the broadcast industry, including Studer digital consoles, AKG microphones and JBL studio monitors.

Taking place at the Renaissance Austin Hotel, the TAB Convention & Trade Show is the largest state broadcast meeting in the United States, featuring one-and-a-half days of management, engineering and sales programs, plus a 127-booth trade show with industry vendors from around the country.

Studer will be showcasing its Vista 1 all-in-one digital mixing console, with integrated control surface, I/O system, DSP and power supplies consoling one compact footprint. This makes it the ideal choice when space is restricted, such as in OB and small control rooms or ENG vans. The Studer Vista 1 also features a redundant PSU for peace of mind, and RELINK integration with other Studer Vista and OnAir consoles which means the Vista 1 can easily share signals across an entire console network. Two expansion slots for standard Studer D21m I/O cards may be used for interfaces connecting to popular formats, including CobraNet or Aviom A-Net, Ethersound, Dante, Dolby E and MADI I/O.

AKG will feature a variety of microphones and headphones for broadcast applications, including the C4500 BC. This large-diaphragm condenser microphone in front-addressed format is specially designed for on-air broadcast work. It provides a cardioid pickup with voice-friendly tuning and a low proximity effect, as well as high RF/EMI insensitivity.

In addition, JBL Professional will show off its award-winning 3 Series studio monitors, which are now available with the LSR310S powered studio subwoofer. Driven by an integrated 200 Watt Class D power amplifier, a new 10-inch high excursion woofer works in concert with JBL’s patented Slip Stream Port™, delivering impressive low-frequency response below 27 Hz, with peak output of 113 dB SPL.

For more information on the TAB Convention & Trade Show, please visit www.tab.org

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Listen Technologies Provides Comprehensive Resources on Updates to California Building Code Requirements

— CBC guidelines for assistive listening go further than the ADA requirements, and Listen Technologies has gathered and clarified the information for contractors/system integrators and their clients in real-world terms —

— Company creates dedicated pages on its website with current information on recent changes to the CBC and Americans with Disabilities Act compliance —

BLUFFDALE, UT, July 29, 2014 — As part of its ongoing efforts to provide venues, contractors and system integrators with the latest resources, Listen Technologies Corporation, a leading designer, manufacturer and distributor of assistive listening products, has gathered and clarified updated information on the California Building Code (CBC). The state of California relies on the CBC to outline the compliance laws for facilities that serve people with hearing disabilities in California – with more specific guidelines than those offered by the Americans with Disabilities Act (ADA). The CBC is updated and published every three years, and the most recent revision took effect January 1, 2014. The new guidelines are particularly significant for houses of worship, which are now classified as “assembly areas” by the CBC and are not exempt from the laws for such spaces. In addition, meeting rooms and conference rooms are required to have assistive listening.

“We know that our channel partners and clients are often not aware of changes in compliance and how they affect AV projects,” stated Cory Schaeffer, Listen Technologies VP Business Development Worldwide. “At Listen Technologies we spend a great deal of time and effort to first understand the requirements as they relate to our category of products, then to communicate the changes and guidelines in brief so that they are understood and easy to follow. We hope these resources help the contractors and consultants working in the Golden State to communicate to the venue owners, as the venue owners can be held legally liable. Our approach is to talk about ‘why’ these requirements are in place, explain what is required to become compliant and inform the venue owners of the tax benefits available for becoming compliant. It’s a win-win.”

To access Listen Technologies’ resources regarding the current CBC revisions, please visit http://www.listentech.com/blog/california-building-code-requirements-2014/. General compliance standards outlined by the Americans with Disabilities Act can be found at http://www.listentech.com/legislative-compliance/. Additional information regarding training, as well as available courses that fulfill InfoComm CTS renewal credits, can be found by visiting www.listentech.com/loop-training/.

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AES Announces Free Exhibition Registration and Special Hotel Packages for Upcoming 137th AES Convention in Los Angeles

New York, NY, July 29, 2014 – If it’s about audio, it’s at AES!, and registration is now open to attend the biggest audio event of the year – the AES137 Convention in Los Angeles, California. The AES is gearing up to take over the Los Angeles Convention Center, October 9-12, 2014, located in the revitalized L.A. Live entertainment district. From an audio, entertainment and technology market standpoint, Los Angeles has much to draw upon including recording studios, post-production facilities, television and broadcast, film, live sound, international electronic and print media, gaming, tech/web development, and more – all in a city that boasts a large, diverse population of ages and demographics. The top professionals from the Professional Recording, Production, AV and Communications industries will descend upon the Los Angeles Convention Center for three days of exhibits and four days of workshops, technical papers and program content tailored to the current audio and communications landscape.

Registration
Two badge packages are available: the Exhibits-Plus Badge (free) and the All Access Badge.

Exhibits-Plus badges are your free ticket to attending the AES Exhibition – the nation’s largest collection of professional audio manufacturers showing off their latest products and technologies. Additionally, your Exhibits-Plus badge will give you access to Project Studio Expo, Live Sound Expo, Special Events and more. Best of all, Exhibits-Plus badges are completely free! (advance registration required.)

All Access badges are available to anyone looking to take their knowledge and professional career to the next level. AES will once again be the meeting place for the top names in audio engineering to deliver a diverse program of workshops, tutorials, papers and more on the latest developments in professional audio. All Access badge-holders may attend all on-site AES events. (Tickets for tech tours cost extra and can be purchased on-site.)

Hotels
Once again, the AES has made arrangements with several of the best hotels in the area to offer special pricing and reservations for AES attendees. For access to these special rates, visit the AES137 Convention Housing website and check out these exclusive deals available only through the AES. These deals offer the best price accommodations within easy reach of the Los Angeles Convention Center, L.A. Live, and a host of restaurant and entertainment options, and each has been chosen to work with us to accommodate you during your stay.

These reduced-rate rooms will not last long, and attendees can request hotel reservations here or contact the AES Housing Customer Contact Center: Monday through Friday, 9am to 9pm (Eastern Time); 1-800-483-2433 (Toll Free U.S. & Canada); 415-979-2269 (Outside U.S. & Canada); AESHousing@cmrus.com. Books today for best availability!

For further information on the AES137 International Convention, please visit http://www.aes.org/events/137/.

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Bose® L1® Model II Portable Line Array System Used for “Live from The River Music Hall”

Boston-area 92.5 FM The River’s “Live from The River Music Hall” thrills listeners over the airwaves, and the live audience gets an extra-special treat via the Bose® L1® Model II Portable Line Array System

Framingham, Massachusetts, July 29, 2014 – “Live from The River Music Hall” has been the on-air live-music feature for greater Boston’s WXRV 92.5 FM The River for nearly 20 years. Starting in 1995, the broadcaster has been among the Boston area’s leading independent FM music stations. The feature “Live from The River Music Hall” has brought listeners intimate original performances by some of the best local, regional and national artists, including The Pixies, Steve Earle, Aimee Mann, Neil Finn, The 1975, fun., Passenger, The Hold Steady, Ed Sheeran and others. Shows are recorded in one of three venues: the huge performance space at the station’s studio in Haverhill, MA, where more than half of the live shows take place; the Foundation Room at the Boston House of Blues; or The Sinclair Club in Cambridge. For the past two seasons, artists have been performing through an L1® Model II Portable Line Array System from Bose® Professional Systems – one of the ways in which Bose, based in Framingham, MA, supports live and broadcast music in its own backyard. The system consists of one L1 Model II system with two B1 bass modules.

“The artists who have used the Bose L1 system have absolutely loved playing through it,” says Dennis Carroll, Owner of Dennis Carroll AV in Boston. The firm acts as the media services provider who videotapes each performance and authors a finished video for uploading through the station’s website, making a visual recording of each performance available after the radio broadcast. “The performance space at the radio station is a wonderful place to play, hear and record music — it goes back to the 1940s and ‘50s, when it was used for live studio broadcasts; many performers signed their names on the wall and they’re still visible today, so it has a lot of history.”

Carroll, who worked for Aerosmith’s Joe Perry and Steven Tyler as their personal studio assistant from 1998 to 2004, and who was the videographer for the Dalai Lama’s visit to Boston in 2003, says at least two of the artists who have performed there eventually ended up buying their own Bose PAs. “At least one of them literally called me up and said he was going to Guitar Center and getting an L1 system for himself,” Carroll recalls. “The sound of that system and the fact that it has virtually eliminated feedback has made real fans out of many of the artists who have used it. It’s really been great that Bose is willing to support live music on the air with great sound.”

Carroll adds that the station’s L1 systems serve more than the show tapings. He notes, “The station also uses these systems at station events, such as VIP/backstage tents at large concerts they’re sponsoring. And on a personal note, I have used an L1 system in my side gig as a musician. The L1 system is so portable, setup is quick and easy, and it sounds great. It’s perfect for small events but powerful enough to use for just about anything we need it for.”

“Live From The River Music Hall” had 17 shows performed, broadcast and recorded last year, and Carroll says another 25 shows are expected to be produced this season. The show’s popularity online has recently translated into availability on Comcast’s on-demand video service. “We’re looking forward to another awesome-sounding season for the live shows, thanks to Bose,” he says.

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Kramer’s VIA Collage™ Wins Big at InfoComm 2014

Kramer Electronics is pleased to announce the new Kramer VIA Collage wireless collaboration product won Best in Show Awards from both Government Video Magazine and Sound & Video Contractor Magazine at InfoComm 2014. The Best in Show Awards, presented during the InfoComm show, honored outstanding products exhibited at the show.
The award−winning VIA Collage is a wireless collaboration device that allows people to “Meet Smarter.” The VIA Collage solves BYOD challenges and allows for the effective integration of PC, Mac, iOS and Android devices, allowing users to wirelessly collaborate in any meeting. With the VIA Collage, files can be shared quickly and easily between participants or with all participants at once. The VIA Collage also allows for full 1080p/60 HD video streaming and the main unit even has an HDMI input to allow the integration of an external video source. Up to 6 presenters’ screens can be dynamically displayed on a single display device and up to 12 can be shown simultaneously when two display devices are used.
The VIA Collage also supports third party applications such as Skype®, Go To Meeting®, Lync®, WebEx® and more. VIA Collage also has built in 1024 bit Encryption for information sent between the Collage and the meeting participants as well as a dynamic room code to prevent unauthorized participation in the meeting. The digital canvas created by the VIA Collage allows meeting participants to all work on the same document in real time and save the results to their device.
“VIA Collage works seamlessly in an almost spooky way. Everyone in the room can help create and edit a common document through their individual devices, then share it with others and save it to take with you. The system automatically recognizes attendees and makes connection―and collaboration―easy,” explained Government Video Magazine.
Having received two Best in Show Awards, as well as receiving a great deal of positive feedback from show attendees, Kramer is excited about the introduction of the VIA Collage and the “Infinite Ways to Collaborate” the VIA Collage presents for users.

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Delicate Teams With Martin Audio MLA For Latin Radio Concert

Delicate Productions recently provided a Martin Audio MLA system for the Reventon Super Estrella 2014 concert at the Staples Arena in Los Angeles.

Put on by L.A.’s leading Latin FM radio station La Super Estrella 107.1, the show featured an impressive lineup of artists including La Santa Cecilia, La Union, Fobia, Roco Pachukote, Bunbury, La Ley, Caifanes and Victimas for a capacity crowd of over 18,000.

Asked about the show, Delicate Production Manager Meegan Holmes explained, “Our challenge with any concert style event in an arena is integrating our PA hangs with the lighting truss and the flown LED elements. We worked closely with the LED vendor Global Trends to ensure the best positioning of the PA versus the LED wall. The walls were all solid, so our concern was areas of the audience that would be affected in terms of being able to hear the audio. We took care to lay out our PA points so we could get past the LED but still not block the view of the screen.

“Staples Center is taller than the average arena,” Meegan continued. “The back wall has decorative metal above the top level of seating. The MLA’s versatility and output control enabled us to get to the last row without hitting that highly reflective metal.”

The system Delicate rigged for the show included 28 Martin Audio MLA and 4 MLD (downfill) for the main hangs; 16 MLA Compact for outer fills; 16 MLA Mini under 4 MSX power plant/subwoofers for sidefills, and 12 MLX subs. Other elements included Avid Profile consoles for Front of House, a DiGiCo SD11 as production console and a Yamaha DME matrix for system control.

In addition to Holmes, the Delicate crew was made up of Brennan Houser (System Engineer), Craig Robertson and Tony Luna (FOH Technicians), George Squiers and Mark Ramos (Monitor Technicians), and Russ Cunningham and Billy Flores (Stage Technicians).

Asked about reactions to the sound system, Meegan explained, “Each band in the show seemed a little louder than the previous and the PA kept up without issue. All eight engineers had fun mixing on the system, which resulted in great sounding shows. They all commented on how they were able to get so much power from so few MLX subs and how efficient they are.

“Our client came to me after the show amazed at how the rig sounded the same everywhere, how smooth and even the MLA sounds.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

New Farm Cinemas Chooses Christie’s Complete Cinema Solutions for Brisbane Cineplex

Christie®, the global leader in visual displays and audio technologies, today announced that its complete cinema solutions comprising the Christie Solaria™ Series projectors and Christie Vive Audio™ cinema systems have been installed in a newly opened cineplex located in New Farm, a trendy inner-city suburb of Brisbane.

Known as New Farm Cinemas, the complex houses six state-of-the-art auditoriums that are color-themed with each theater catered for different purposes and clientele. Meticulously rebuilt over a period of 18 months on the site of a former two-screen cinema known as the Village Twin, the 205-seat Purple Room and the premium Bronze Room with 70 seats are to open to the public on August 1. In particular, the Purple Room is the first theater in Australia to be furnished with Christie Vive Audio solution, which provides an impressive cinematic experience for movie-goers. The installation of this extensive range of cinema solutions was undertaken by Christie and its Australian partner EDGE Digital Technology.

“We applaud New Farm Cinemas for their decision to install Christie’s projection technologies and Christie Vive Audio solution in their refurbished auditoriums situated at this historically and culturally iconic location in Brisbane,” said Lin Yu, vice president, Christie Asia Pacific. “We believe that the performance of our projection and line array speaker technologies provides a great visual and audio experience to every movie-goer and makes New Farm Cinemas one of the hottest destinations in the city.”

The innovative Christie Vive Audio, which offers truly rich, dynamic and detailed sound, unlocks the full potential of the DCI digital cinema audio format and supports leading formats such as Dolby® Atmos™, 7.1 and 5.1 surround sound. Combining the superior audio qualities of ribbon driver technology with the proven high quality performance of a line array speaker design – matched with powerful Class D amplification – Christie Vive Audio is the complete solution that envelopes audiences with dynamic, detailed and captivating sound.

The installation in the Purple Room comprises Christie Vive Audio speakers of varying combinations, including LA1 screen channel speakers, S215 subwoofers (for full range frequency response), S218 for Low Frequency Effects (subwoofers) channels, as well as LA1 and S115 for corner surrounds. Unlike most global Vive Audio installs to date, where surround speakers are mounted on the wall of the auditorium, a corner surround system is specially-designed for the Purple Room as its ceiling has been accorded local and state heritage protection due to its significance as an ongoing cinema since the 1920s.

New Farm Cinemas Chooses Christie’s Complete Cinema Solutions for Brisbane Cineplex

“We are committed in providing our patrons with the best movie-viewing experience by investing in the finest technologies such as Christie’s cinema technologies and equipping our theatres with the most modern facilities at this landmark cinema complex on Brunswick Street,” said Peter Sourris, owner of New Farm Cinemas. “On top of that, we want to extend the experience beyond just watching a film. It’s actually going to be a pretty trendy place to visit, even if you’re not watching a movie. People will come here just for a cocktail. It’ll be like a slice of Hollywood, in Brisbane.”

Besides the immersive aural experience brought about by Christie Vive Audio, audiences can expect nothing but the best visuals from the Christie Solaria CP2215 (equipped with Christie Integrated Media Block solution for seamless conversion and delivery of feature-film and alternative content) and the Christie Solaria One+ installed in the Purple Room and Bronze Room respectively, which utilize the latest generation DLP® Cinema electronics platform. The Solaria Series offers precise vivid color with superior contrast ratios and the light output necessary to light up even the largest auditoriums. The clear choice for any cinema exhibition environment, it is fully capable of providing the world’s most brilliant images, the highest level of content security, the easiest adaptability, operation and maintenance.

Boasting retro carpets, bean bags at the front of each auditorium for couples, arcade games and vintage film memorabilia, New Farm Cinemas is a unique, boutique-style theatre complex that pays homage to the golden age of cinema. Originally constructed in 1921 as the open-air Merthyr Picture Palace, the cinema was remodeled in the 1930s to become the Astor, before transforming into the Village Twin in 1970. The site, bought over by the Sourris brothers in 2013 and rebuilt into a modern 535-seat cineplex, is poised to revitalize this landmark site and turn it into an epicenter of social activity and pop culture. The cinema’s second phase, comprising four extra screens including two Gold Rooms offering top-of-the-range amenities, is currently under construction and is expected to be opened later this year.

A.Focx Productions Mixes New Night Ranger Album with HARMAN’s AKG Headphones and Microphones

NASHVILLE, Tennessee – With an audio engineering and FOH background dating back to his late teens, Anthony Focx is an experienced producer, heading up his company A.Focx Productions to provide artists and bands with the highest levels of audio services. He uses HARMAN’s AKG headphones and microphones to produce, record, engineer, edit, mix and master tracks from a wide range of musical genres, including the latest album by Night Ranger, called High Road.

While producing the album, Focx emphasized the importance of microphone quality and placement. Thus, he used AKG C414, C414 XLS, D112, C451, C4000 and C12 microphones as well as AKG K240 and AKG K271 MKII studio headphones to produce the tracks.

As with many other artists and producers that rely on the build quality and durability of AKG products, consistent audio is key to a reliable mix. Focx believes that, “the way these products are engineered is what led them to be a staple in music productions for decades. AKG microphones are used in all styles of music, and capture sound is such a natural way that it’s almost as if the human ear is trained to hear their sound.”

When asked what he has been impressed with the most, Focx replied, “It’s amazing how well constructed AKG products are and their ability to achieve inspiring levels of sound. My AKG headphones are very durable, lightweight, comfortable and boast excellent fidelity.”

Having a tremendous amount of experience under the belt, with close to 300 album credits, Focx is pleased with his wide array of AKG equipment and is set to enjoy them for many years to come. “It’s been a fantastic experience using AKG products,” he said. “We’ve had many successes in the past with their microphones and headphones and will continue using these products for all albums in the future. As they say, if it’s not broke, don’t fix it!”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

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