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Press Releases For : September 30, 2014

DJ Ravidrums Performs At Telemundo’s Third Annual Premios Tu Mundo Show With HARMAN’s AKG Microphones

AKG_DJRavidrumsMIAMI, Florida – Dubbed the ‘One-Man Wrecking Machine’, DJ/drummer DJ Ravidrums (Jakhotia) recently performed at the Telemundo’s Third Annual Premios Tu Mundo (Your World) Awards in Miami’s American Airlines Arena, which featured top Latin American and Spanish artists such as Yandel, Lucero, Juanes, Los Tucanes de Tijuana and David Bisbal. Having developed a transparent touchscreen DJ interface in collaboration with Virtual DJ Software—the Dream Screen 3000—the unique talents of this DJ/drummer were delivered to the audience with HARMAN’s AKG microphones.

Jakhotia combines his drumming skills with an interest in modern DJ applications, such as digital turntables. During the primetime show, his setup featured the Dream Screen 3000 with customized surrounding drums, situated on a separate platform in front of the main stage.

Jakhotia used 10 AKG C518M microphones on all the tom drums, two AKG C451B microphones on the overheads and an AKG D40 microphone on the snare.

“The show was about big giant Brazilian Samba sounds, consisting of percussion, electronics and proper acoustics,” said Jakhotia. “Getting the acoustics to meet the electronics takes a lot of work, but the AKG C518 microphones helped me do all that and generate a more powerful presence.”

As Jakhotia delivered an audiovisual spectacle in the middle of the arena, the AKG microphones held their own and delivered more than just world-class sound. “In this age it’s all about ease of use and reliability, which these microphones definitely have,” Jakhotia said. “Even after hitting them with my drumsticks many times, they never fail.”

In addition to the Awards event, he also uses an AKG D12 microphone for the kick drum for some shows, and AKG C414 microphones at his home studio.

“I just love the C414’s, as they’ve always been legendary and made me fall in love with AKG ever since I was a kid,” said Jakhotia. “The punch and clarity is there, making the electronics sound beefy and the acoustics sound complete. It’s challenging but thanks to AKG, I can always find the right balance.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Press Releases For : September 29, 2014

SALZBRENNER ANNOUNCES POLARIS EVOLUTION NETWORK AUDIO MIXING SYSTEM

**** Photo: Polaris Evolution ****

**** Photo: Polaris Evolution ****

Los Angeles, CA – AES Booth 1547… Salzbrenner is pleased to announce the North American debut of the network controlled Polaris Evolution cloud-based digital audio mixing system with the Polaris Scala audio DSP unit. Polaris Scala is the node where all aspects of the Evolution system’s simultaneous audio processing operations originate and come together. The Polaris Scala is where controllers are connected via Ethernet or Wi-Fi, resources are allocated for the tasks at hand, and where signal sources and output devices are connected. The system’s radically new cloud-based operations and flexibility usher in a new era in digital audio mixing and processing. (more…)

Media Technology Expo Provides Value for Pacific Northwest Video Professionals

SEATAC, WA — Registration is still open for the 3rd Annual Media Technology Expo, which begins Sept. 30 at Fremont Studios in Seattle and concludes at Left Bank Annex in Portland, Ore., on Oct. 2. Presented by professional video and audio systems integration firm Advanced Broadcast Solutions (ABS), the free event is expected to attract hundreds of video professionals from across the Pacific Northwest.

Both venues will feature an exhibit hall with almost 50 exhibitors, including Avid, AJA Video, Extron, JVC, Panasonic, Roland and Sony. The free conference program includes a “Broadcast Roundtable,” which will feature personnel from regional television stations discussing newsroom technologies and workflows. Other seminars will discuss audio issues, lighting for broadcast and video conference applications, intercom-over-IP technology, virtual sets and 4K production.

“We have received very positive feedback from both attendees and exhibitors since we Mark Siegel High Res JPEGlaunched MTE in 2012,” saidMark Siegel High Res JPEG Mark Siegel, president of ABS. “We may live in a digital age, but video professionals need more than online research when they are considering a major equipment purchase. They want to test the gear and talk to someone from the company who can provide information that might not be on a spec sheet. Plus, our conference program and networking opportunities add even more value to the MTE experience.”
MTE 2014 is open 11 a.m. to 7 p.m. in both locations and offers free valet parking for all attendees. Registration includes free food and beverages during the show, but space is limited. For registration, vendor information, and full seminar schedule, visit www.mediatechexpo.com.

About ABS:
Based in SeaTac, WA, ABS (Advanced Broadcast Solutions) delivers customized, technologically superior solutions for broadcast, corporate, house of worship, entertainment, government, and educational facilities – from design and integration to installation and support services. Since 1982, its experienced technical staff has installed more than 700 systems for clients including GOCOM Media, Cowles California Media, Cisco Systems, Meredith, and Time Warner Communications. For more information, call 206-870-0244 or visit www.advancedbroadcastsolutions.com.

RCF & Trinity Productions power The Beatles tribute band Glimr at Candlestick Park

Trinity 3 Trinity 5

As a fundraiser for the Thurgood Marshall School music program in San Francisco, The Beatles tribute band Glimr staged a private concert and video shoot at Candlestick Park in San Francisco, California. The venue is where The Beatles held their final concert in 1969, and is slated for demolition.
“We’re making an inspirational film about playing a concert at an empty Candlestick Park,” the band explained. “We played and filmed ourselves playing to 70,000 empty seats on June 16th, 2014. This juxtaposition of the location of the Beatles’ last concert and massive fame against anonymity and perseverance in the face of continuing obscurity is our story of following our dreams no matter the outcome.”
Staging, sound and video production was provided by the Tracy, California-based Trinity Productions (www.trinityprosound.com). According to Trinity owner John Moore, the RCF TTL11-A active column array was chosen for the event, “due to its low sight lines and compact high output capability.”
The system was comprised of the TTL11-A active cabinets, a steerable column-style active array with four 8” low-frequency woofers, three 8” midrange, and four 2.5” high-frequency drivers; mounted atop a TTS26-A dual 15” subwoofer. RCF NX12-SMA stage monitors were also used for the event.
“The system performed flawlessly,” says Moore, “filling the stadium with more sound output than anyone thought was capable of the system.”
Moore noted the event was produced without issues, even though power had to be run over 300-feet to the power distro. He points out, “the nature of the SMPS power supplies in the TTL11-A and TTS26-A active cabinets allowed Trinity to drive the system, without worry of power drops or voltage issues. It performed as expected, and beyond.
“Everyone, including the band, was blown away by the output and quality of the system and stage monitors.”
Trinity Productions provides sound, staging and lighting in the greater San Francisco area. “We were formed out of necessity,” says Moore. “Finding a local, value-minded production company was a challenge,” with challenge being the key word, as Moore works best with the challenges of providing quality sound in harsh environments and difficult acoustic environments. “We love music, we have a passion for excellence, we work best with challenges, and we enjoy making others look and sound like the professionals they are.

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FUJINON Lenses Capture U.S. Open Tennis Action During F&F Productions’ GTX-17 Mobile Unit Debut

Mobile production company orders 17 new FUJINON HDTV lenses to meet growing business demands; Total of 29 FUJINON lenses ordered this year

Wayne, N.J. – To deal with recent record-breaking business—including several major sporting events this past month —Clearwater, FL-based F&F Productions pushed its HD mobile fleet to the limit with help from its arsenal of FUJINON lenses from the Optical Devices Division of FUJIFILM North America Corporation. Following up on the company’s order of 12 lenses earlier this year, F&F Productions placed an order for 17 new FUJINON US Open FUJINON Lenseslenses, including nine XA99x8.4 ultra-wide field lenses, four HA18x5.5 ENG wide-angle lenses, and four HA23x7.6 telephoto ENG lenses, bringing the total number of FUJINON lenses it has ordered over the last four months to 29 units.

While the lens order made earlier this year was part of an overall camera/lens purchase for the GTX-15 mobile unit as well as F&F’s pool US Open FUJINON Lensesinventory, the new order was specifically for the company’s new GTX-17 mobile unit. The GTX-17 made its debut at the U.S. Open Tennis Tournament held in Flushing, New York earlier this month.

“The FUJINON 99x’s allow the operator to pull wider than other lenses, while still preserving the desired focal length,” said George Orgera, President/CEO of F&F Productions. “This is of great value to our sports and entertainment clientele. In general, during live TV productions, where failure is not an option, we’ve always counted on FUJINON as our go-to lenses because of their exceptional imaging quality and reliability.”
In addition to the U.S. Open, F&F’s GTX Signature Series Fleet has served as the production US Open FUJINON Lenses-2facilities for CBS’ SEC package and ESPN College Football.

“In our experience, FUJINON lenses have proven to be up to the challenges US Open FUJINON Lenses-2posed by arduous, long-distance road trips between events and the rigors of live broadcast television production in all types of places and weather conditions,” Orgera said. “We couldn’t have met the demands of such a busy month without the flawless performance of our trucks and FUJINON lenses.”

Earlier this year, from April 5-8, 2014, three F&F HD trucks were busy covering the 2014 NCAA Men’s Final Four championship basketball game. At the successful conclusion of that job, the mobile units then drove directly to the Bank United Center, in Miami to work at the 2014 Billboard Latin Music Awards, which aired live on Telemundo on April 24, 2014. Things really heated up when F&F Productions was hired to provide mobile production services for the 2014 IIFA (International Indian Film Academy) Awards festival. Held concurrently with the Billboard Latin Music Awards, the IIFA Awards festival was a star-studded event, from April 24-26, 2014 in Tampa, watched by close to 800 million viewers worldwide.

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of four operating divisions and one subsidiary company. The Imaging Division provides consumer and commercial photographic products and services, including: photographic paper; digital printing equipment, along with service and support; personalized photo products; film; and one-time-use cameras; and also markets motion picture archival film and on-set color management solutions to the motion picture, broadcast and production industries. The Electronic Imaging Division markets consumer digital cameras, and the Graphic Systems Division supplies products and services to the graphic printing industry. The Optical Devices Division provides optical lenses for the broadcast, cinematography, closed circuit television, videography and industrial markets, and also markets binoculars. FUJIFILM Canada Inc. sells and markets a range of Fujifilm products and services in Canada. For more information, please visit www.fujifilmusa.com/northamerica, go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter, or go to www.facebook.com/FujifilmNorthAmerica to Like Fujifilm on Facebook. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

FUJIFILM Holdings Corporation, Tokyo, Japan brings continuous innovation and leading-edge products to a broad spectrum of industries, including: healthcare, with medical systems, pharmaceuticals and cosmetics; graphic systems; highly functional materials, such as flat panel display materials; optical devices, such as broadcast and cinema lenses; digital imaging; and document products. These are based on a vast portfolio of chemical, mechanical, optical, electronic, software and production technologies. In the year ended March 31, 2014, the company had global revenues of $23.9 billion, at an exchange rate of 102 yen to the dollar. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit: www.fujifilmholdings.com.

SSL Live Is the Choice for Legendary Mexican Singer Juan Gabriel’s U.S. Tour


“It sounds exactly how the band is playing”

MEXICO CITY – Mexico’s beloved pop icon Juan Gabriel is touring the U.S. with an SSL Live, the first-ever dedicated live sound console from Solid State Logic. One of Mexico’s most successful vocalists, Gabriel is a Billboard Latin Music Hall of Fame inductee and six-time GRAMMY nominee who has sold over 30 million albums and performed throughout the world. When his Volver 2014 tour prepared for its U.S. leg, front-of-house engineer Rodrigo López was excited to mix on SSL’s latest innovation.

Rodrigo López with SSL Live copy“As soon as it was available, I wanted to use it,” López says of Live. “Just by reading ‘SSL,’ you know it’s a quality console. An engineer friend of mine who used Live for another U.S. tour provided the only training I needed. It’s very user-friendly. Sound check was my rehearsal with the console. It just sounded correct, it was really great. Everything was there, the way I wanted it to be.”

Live features the world-famous SSL SuperAnalogue™ preamplifiers that set the standard for sonic excellence and López says the benefits were instantly audible. “It just sounds perfect,” he says of mixing with Live. “It’s really clear and sounded exactly how the band was playing.”

SSL Live’s sonic quality was particularly noticeable on violins, López says. “We have seven violins for the mariachi. Sometimes it’s hard to hear because it’s loud on the stage. The first time I truly heard violins sound in the place I wanted them was when I mixed with SSL Live. What’s more, we’re running the mariachi musicians through a really small wireless microphone. It’s hard to have power on those instruments, but that just came naturally with the SSL.”

A 25-year veteran in the industry who also mixes FOH for Los Ángeles Azules and was previously with Marco Antonio Solís, López appreciates Live’s versatility, which allows engineers to work exactly the way they want. “The console accommodates to the way you’re mixing,” he says, “not the other way around.”

López added that musicians recognize SSL from thousands of recording studios around the world, and Gabriel’s band members were particularly amazed to see one on tour with them. “An SSL at front of house is really impressive,” he says. “Everyone wants to take a look at it.”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

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DPA Microphones d:fine™ 66 and 88 Miniature Headset Mics Make WFX Debut

Company’s d:fine Trade-Up Promotion Currently Underway

DALLAS, SEPTEMBER 29, 2014DPA Microphones presents its new d:fine™ 66 and d:fine 88 Miniature Headset Microphones for the first time at WFX 2014 (Booth 1016). Ideal for house of worship leaders needing to move freely about the pulpit without obstructions from a handheld mic or mic stand, the d:fine 66 and d:fine 88 have joined the company’s d:fine Headset Microphone family, which will also be on display throughout the show.

DPA Microphones_dfine on Male PerformerThe company’s d:fine Headset Microphones Trade-Up rebate program is still underway, as the promotion ends October 3, 2014. Participants will receive a $100 mail-in rebate for every purchase of select d:fine Headset Microphones, from an authorized U.S. dealer, provided they additionally trade-in a competitor headset mic. This special program is available to all U.S.-based microphone customers. In order to receive a rebate for each headset mic, customers must trade-in an equal number of competitor headset microphones.

DPA Microphones d:fine Headset Microphones were designed to meet a specific market demand, which in turn created a new niche of DPA headset users that did not affect the popularity of the original 4066 and 4088s. The new DPA d:fine 66 Omnidirectional and d:fine 88 Directional Headset Microphones come as a result of a growing need for durable body worn microphone solutions with excellent sound reproduction and sturdy casing for stringent use in live environments. With several options available in the line, the d:fine Headset Microphone Series now address every variety of sound handling and size options, depending on the intended application.

DPA Microphones_dfine Headset MicrophoneThe new DPA d:fine 66 and d:fine 88, which are recognized by their rounded capsules, are intended for users who require optimal sound and grid cleaning/changing options. With a contemporary look and classic sound, the d:fine 66 and d:fine 88 combines the 4066 Omni and 4088 Cardioid microphone capsules with features of the modern d:fine headsets, such as an advanced mount and flexible ear hooks.

Featuring a total of four capsules – two omnis and two cardioids – as both single- and dual-ear mounts, the complete d:fine Headset Microphones Series raises the bar for head-worn microphone solutions. Offering industry-leading sound quality, the mics are ideal for singers, public speakers, actors, musicians, house of worship leaders and broadcast professionals who insist on superior voice reproduction, comfort, ease of setup and a discreet look. They are also available in black, brown and beige with a variety of boom lengths and adapters for every professional wireless system.

ABOUT DPA:

DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

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3G Productions Supports Juan Gabriel With Martin Audio MLA

Photo: Robert Hacman

Photo: Robert Hacman

When Mexican singer/songwriter Juan Gabriel had to interrupt his U.S. “Volver 2014” tour for two weeks due to illness, his engineering staff prevailed upon 3G Productions to switch over to a Martin Audio MLA system for the remaining arena dates.

As 3G’s System Engineer Manny Perez describes the changeover, “The other system was working just fine, but Juan’s FOH Engineer Rodrigo Lopez had attended an MLA demo in Mexico and was really interested to see how it would perform.”

Gabriel, an internationally acclaimed Latin American musician who’s sold over 100 million albums, resumed the second leg of his sold-out tour at Miami’s American Airlines Arena, which presented some challenges of its own.

According to Perez, “As soon as I walked into the arena, their staff expressed concerns that they’d been having trouble covering the top rows of the nosebleed section for the last few shows and had to provide refunds. We assured them that we had it covered and the show would sound great everywhere. Then we put the MLA system up and tuned it really quickly even though it was a big rig designed to provide 270-degree coverage. Rodrigo, the band’s music consultant and I all walked the room from top to bottom and front to back, and there were absolutely no problems in terms of coverage and balanced sound.”

The 270-degree system for American Airlines Arena consisted of a main hang with 32 MLA and 4 MLD; side hangs with 36 MLA Compacts; a third hang with 24 MLA Compacts; 10 ground-stacked MLX subs, and 4 DD12s on the front of the stage for front-fill to the first six rows.

Photo: Robert Hacman

Photo: Robert Hacman

Describing the system in greater detail Manny points out, “The ratio of MLX to the rest of the system seems a bit light, but Rodrigo didn’t want a bass-heavy mix for the show because of all the acoustic instruments and high end frequencies. Also, we were using the new two-way DD12 powered speakers from Martin Audio for the first time and they’re really good. I would usually have to do a lot of cleaning up with EQ because they’re positioned so close to the subs, but they didn’t need a thing. The DD12s throw further than we needed them to and were more than perfect for what they had to do.”

The rest of the system consists of SSL and Avid Profile consoles for FOH and monitors, LM44 Lake processing, Smaart 7 software, Shure UFH-RD wireless and DPA microphones.

Asked about mixing on MLA, Rodrigo Lopez responds, “For me, it’s definitely the best speaker out there with more control of the sound and how it projects to the audience. The system provides the same amount of sound pressure and coverage from the front seat to the back with correct phasing throughout the arena.

“It’s been perfect for the tour,” Lopez continues. “The audience hears exactly what I’m getting out of the console. It’s challenging with Juan Gabriel because he’s playing with a lot of Mariachi and there are a lot of acoustic instruments that don’t have as much power. But with MLA, the audience can hear all of those instruments clearly, as if the musicians are playing right in front of them.”

Photo: Robert Hacman

Photo: Robert Hacman

Summing up, Perez adds, “I like the MLA’s clarity and imaging which is amazing when you pan the percussion and keyboards left to right. The speakers sound 30 feet wide where the sound moves across the space. The high end and high mids for vocals and snares are so clear; you can really hear the sizzle of the snare bottoms and high hats.

“A lot of people keep telling me how MLA is a really smooth, natural-sounding system that’s very satisfying to the ear. The staff and production crew, Juan’s musicians and his music consultant are stoked. Everybody really likes it which has been a real plus for the tour.”

Photo credit: Robert Hacman www.roberthacman.com

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

ICONYX Saves The Day At St. Thomas the Apostle Catholic Church

Long Beach, MS – September 2014… Located steps from the sand on Mississippi’s scenic Gulf Coast, St. Thomas the Apostle Catholic Church has a rich association with the city and community. Its beachfront location also boasts something of an ominous history; on August 29, 2005, the eye of Hurricane Katrina passed just west of the church, bringing 20 foot swells, rendering the main sanctuary, and its sound system, unusable.

As part of St. Thomas’ restoration, the church reached out to Magnolia Music to design a new sound system. After an analysis of the room, Magnolia’s Tony Strong and Rain Jaudon recommended Renkus-Heniz ICONYX IC24-R-II digitally steerable line array loudspeaker systems.

“It was apparent to me that, with the aesthetics of the room and the high vaulted and beautiful wood ceiling, a traditional speaker approach would not be in keeping with the design,” said Strong. “A steerable array system using the Renkus-Heinz IC24Rs was the perfect solution.”

While all agreed on the steerable array, budget conscious church officials opted to look for ways to cut costs. “Someone at the diocese decided to take the preliminary designs and put them out to bid,” said Jaudon. “After some value engineering was done, the project was awarded to another integrator, and the new design called for a lower priced, digitally steerable array.”

The budget system was mounted 12 feet above the floor, but ultimately did not deliver the intelligible, high quality audio that was promised. Next, a new, more powerful point source line array system was installed, which also proved unsatisfactory. “With the second system, the folks right in front of the arrays were being blown away with sound and intelligibility was poor in the rear of the room,” said Strong.

Church officials once again reached out to Strong and Jaudin, and the consultants stood firm in their recommendation of the IC24Rs. “We demoed the IC24, and it was clear that we could cover the congregation evenly and consistently with the IC24Rs,” said Strong. “Just to show the accuracy of the steering, I purposefully aimed the beam over the first couple of pews to show the comparison to the passive line arrays installed.”

The speakers were mounted down-mic, just behind the pulpit and lectern – a placement that initially raised concerns about feedback from church officials. “All agreed that it was a better location aesthetically,” said Jaudon. “However, there was concern about the mounting location being upstage from the primary microphones. I assured them that, based on our experience with the ICONYX arrays, we would be able to steer the main lobes over the microphones successfully, and that turned out to be the case.”

Ultimately, the ICONYX system outperformed the previous two systems, proving that not all array systems are created equal, and that compromising quality to save costs can end up costing more in the long run.

“The bottom line of the story is that, with the ICONYX arrays, we selected the right tool for the job,” said Strong. “Someone tried to value engineer and save the church money by purchasing two different systems that did not perform. After six years and thousands spent on other systems, they purchased the right system for the job – the IC24Rs. Now, the ministers are free to do what they do best – minister – without having to deal with complaints about the sound system.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

 

 

 

 

 

 

 

 

Mackie DLM Helps Austin-Bergstrom International Airport Keep Travelers Entertained

 Austin, TX – October 2014… Widely regarded as “The Live Music Capital of the World,” Austin’s buzzing local scene is heightened by the notoriety of festivals like South By Southwest, and popular shows like “Austin City Limits.”

Austin boasts literally hundreds of live music venues, but one stands out as particularly unique. With more than 10 million people passing through its gates every year, Austin-Bergstrom International Airport is often the first and last live music venue visitors to the city see and hear. The audio is powered by a Mackie DLM system installed at the Main Terminal’s Asleep At the Wheel Stage at the Ray Benson Roadhouse.

“There has been music here in the airport since it opened 15 years ago,” explains Michael Pennock, who oversees the music and audio at Austin-Bergstrom Airport. “We have six venues and 23 shows a week. The Ray Benson Roadhouse is our busiest venue.”

The Roadhouse’s Asleep At the Wheel Stage features two Mackie DLM12 12-inch full-range powered loudspeakers, along with four DLM12s for stage monitoring. The entire system is connected to a Mackie DL1608 16-channel digital live sound mixer with iPad control.

The Mackie DLM12 delivers 2,000 Watts of Class D amplification, powering a custom-designed 12-inch woofer and 1.75″ HF compression driver. As Pennock points out, the extra power translates into better performance without having to push the system too hard.

 “Initially, we had other speakers installed on a truss above the stage, and there was a lot more sound spilling over to the gates,” said Pennock. “With the DLM12s, we’re able to focus the sound and get better coverage with virtually no bleed. It’s been a great improvement and we get a lot of compliments from the performers on the sound.”

As Pennock observes, one of the major challenges in operating a live music venue in the middle of a busy airport is maintaining control over the sound to ensure the music does not overpower the airport’s paging system. The ability to control the 16-channel DL1608 via iPad empowered the airport’s audio crew to easily stay on top of the challenge.

“On either side of the Ray Benson Roadhouse, there are two Southwest airline gates,” says Pennock. “With the DL1608s remote iPad control, we can actually walk over to the gates while the band is playing, check volume levels with the airline personnel, and adjust from the iPad on the spot if needed.”

The DL1608 six aux sends handle more than enough monitor mixes, and support for up to 10 wireless iPad connections makes it easy for both crew and performers to dial in exactly what they need.

Besides just being a great sounding mixer, Pennock says the DL1608’s iPad integration has brought other benefits as well. “Since moving to iPad control, we not only have better communication with the airlines, we’ve got a better sounding mix, and we’re able to get just a little bit louder too. The amount of control the DLM loudspeakers and DL1608 mixer provides is an absolute blessing in this kind of application.”

 

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About Mackie - Mackie, a LOUD Technologies Inc. brand, is known worldwide as a leading developer and marketer of high-quality, affordable professional audio systems. Mackie products can be found in professional and project recording studios, video and broadcast suites, post production facilities, sound reinforcement applications including churches and nightclubs, retail locations and on major musical tours. For more information visit: www.mackie.com.  

Mackie is a registered trademark of LOUD Technologies Inc. in the United States, European Union and other countries. All other trademarks are the property of their respective owners.

   

 

 

 

 

 

 

 

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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